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This programme contains some strong language | 0:00:02 | 0:00:06 | |
I'm Kevin Bridges. This is Kevin Bridges: What's The Story? | 0:00:06 | 0:00:08 | |
As a comedian, I'm often asked how I came up with my material. | 0:00:08 | 0:00:11 | |
I'm not asked that often, but I've been asked once | 0:00:11 | 0:00:15 | |
by an old guy in the post office, and now by the BBC, so here we are. | 0:00:15 | 0:00:18 | |
This series, I'll go behind the jokes and show you the real-life stories behind my comedy routines. | 0:00:18 | 0:00:23 | |
This episode, growing up. | 0:00:23 | 0:00:25 | |
Most of my comedy heroes had pretty horrific and dysfunctional upbringings. | 0:00:52 | 0:00:56 | |
I had a relatively happy childhood, so straight away I was at a disadvantage | 0:00:56 | 0:01:00 | |
in the world of stand-up comedy, so thanks for that, Mum and Dad. | 0:01:00 | 0:01:04 | |
I grew up round here, a humble area. | 0:01:04 | 0:01:06 | |
We weren't poor, but we weren't the most affluent of families. | 0:01:06 | 0:01:09 | |
We didn't have money, but we had each other. | 0:01:09 | 0:01:12 | |
I've always had a good relationship with my parents, especially my dad. | 0:01:15 | 0:01:19 | |
You know when you're seven, eight, nine years old, | 0:01:19 | 0:01:22 | |
as a young guy, traditionally, your dad is your hero, isn't he? | 0:01:22 | 0:01:25 | |
He's your role model. He knows everything. | 0:01:25 | 0:01:27 | |
You want to follow in the guy's footsteps. | 0:01:27 | 0:01:29 | |
You want to emulate the guy. | 0:01:29 | 0:01:31 | |
Then you get to about 12 years old, you realise your dad's an arsehole. | 0:01:31 | 0:01:34 | |
It's a perfectly natural stage in adolescence, | 0:01:40 | 0:01:45 | |
discovering that your dad's a bit of a knob. | 0:01:45 | 0:01:47 | |
That's just what happens. It normally happens on Christmas Day, | 0:01:47 | 0:01:51 | |
and involves building something. | 0:01:51 | 0:01:54 | |
I'd be sitting there, working patiently away, using the instruction manual. | 0:01:58 | 0:02:02 | |
My dad would come in. See, my dad is of the old school, | 0:02:02 | 0:02:05 | |
where the use of an instruction manual is viewed as an admission of homosexuality. | 0:02:05 | 0:02:11 | |
That can get tae fuck! | 0:02:17 | 0:02:19 | |
Where's the claw hammer? | 0:02:26 | 0:02:27 | |
I first tried comedy at 17, and I didn't have much life experience | 0:02:35 | 0:02:39 | |
to talk about, but Mum and Dad were very supportive right from the off. | 0:02:39 | 0:02:44 | |
I first ever told you that I was going to try stand-up, is that right? | 0:02:44 | 0:02:48 | |
-That's right. -In this kitchen. -That's right. | 0:02:48 | 0:02:50 | |
Before it got painted for the BBC. Before you sold out. | 0:02:50 | 0:02:54 | |
We've even got fruit in the bowl. | 0:02:54 | 0:02:56 | |
When was the last time anybody in this house ate fruit? | 0:02:56 | 0:02:59 | |
I was trying to impress the crew. | 0:02:59 | 0:03:01 | |
We're giving you a false image of ourselves, here. | 0:03:02 | 0:03:05 | |
I remember I told you in this very kitchen I was going to try stand-up comedy, | 0:03:05 | 0:03:08 | |
and your words to me were, "You'd better tell your dad." And I thought, "Oh, no. | 0:03:08 | 0:03:11 | |
"I've come up with a good idea, and he's going to ruin it with writing | 0:03:11 | 0:03:14 | |
"loads of jokes, and stuff like that," | 0:03:14 | 0:03:16 | |
which pretty much happened, is that right? | 0:03:16 | 0:03:17 | |
Aye. | 0:03:17 | 0:03:18 | |
Your dad was pretty cool about it, | 0:03:18 | 0:03:21 | |
and didnae have any suspicions that I wasnae up the pole. | 0:03:21 | 0:03:25 | |
Up the pole! | 0:03:25 | 0:03:28 | |
We need to explain. There's going to be a lot of Scottish references. | 0:03:28 | 0:03:31 | |
Up the pole. I don't even know what that means. | 0:03:31 | 0:03:33 | |
I know what it means, but I don't know how to explain what it means. | 0:03:33 | 0:03:36 | |
It means worried. Up the pole. She was up the pole. | 0:03:36 | 0:03:39 | |
We had Sky through a satellite dish, 1998. You could be watching Sky TV. | 0:03:43 | 0:03:49 | |
I don't know if anybody remembers old-school Sky. | 0:03:49 | 0:03:52 | |
You could be watching Sky TV in the living room television, | 0:03:52 | 0:03:55 | |
but you could also go upstairs, to the bedroom TVs and watch Sky, | 0:03:55 | 0:04:00 | |
but only what the person in the living room... | 0:04:00 | 0:04:03 | |
Only what they were watching. | 0:04:07 | 0:04:09 | |
I don't know the intrinsic technical explanation as to why that happened, but it just did. | 0:04:09 | 0:04:15 | |
Saturday nights, me and my dad watching Match Of The Day. | 0:04:15 | 0:04:20 | |
It gets to the, kind of, shite games, and I say, | 0:04:20 | 0:04:24 | |
"Right, I think I'm going to go to bed, Dad. | 0:04:24 | 0:04:27 | |
"Good night." | 0:04:27 | 0:04:29 | |
And he continues the charade. He says, "Are you going to bed, son? | 0:04:41 | 0:04:44 | |
"h, that's fine." | 0:04:44 | 0:04:45 | |
"Good night." | 0:04:45 | 0:04:46 | |
And there's that mutual father and son, | 0:04:54 | 0:04:57 | |
"We both know what the plan is here." | 0:04:57 | 0:04:59 | |
Bedroom TV switched on, go to channel number six, | 0:05:09 | 0:05:11 | |
that's when you see what he's watching, number six. | 0:05:11 | 0:05:14 | |
TVs are synchronised, but he's in control. | 0:05:15 | 0:05:19 | |
Looking at the bottom right of the TV, | 0:05:20 | 0:05:22 | |
waiting for the numbers to get typed out. | 0:05:22 | 0:05:24 | |
The numbers that could make or break the evening's entertainment. | 0:05:26 | 0:05:29 | |
Waiting for the numbers. Go on, play your numbers, give me your numbers. | 0:05:32 | 0:05:35 | |
Nine. That's good. | 0:05:36 | 0:05:38 | |
Zero, five. The ten-minute freeview, jackpot! | 0:05:43 | 0:05:46 | |
LAUGHTER AND APPLAUSE | 0:05:49 | 0:05:53 | |
You're a dirty bastard, Dad, but I love you. | 0:05:57 | 0:05:59 | |
Do you not think it a little bit weird, | 0:06:03 | 0:06:05 | |
me and you, sitting on the edge of the bed, talking about porn? | 0:06:05 | 0:06:09 | |
On the telly. It would be even more weird if we were under the covers! | 0:06:09 | 0:06:13 | |
We're on the edge of the bed, on top of the covers, | 0:06:14 | 0:06:17 | |
talking about porn, so it's not just as bad as it could be. | 0:06:17 | 0:06:19 | |
When I first done the Sky routine, how did you feel about it? | 0:06:19 | 0:06:23 | |
-Being the butt of the joke? -The butt of the Sky joke. -Right. | 0:06:23 | 0:06:27 | |
-Loosely based on a true story. Loosely based. -Allegedly! | 0:06:27 | 0:06:31 | |
Loosely based on 100% fact. | 0:06:31 | 0:06:33 | |
When you finish that joke, you look to your audience and you say, | 0:06:33 | 0:06:37 | |
"You might be a dirty bastard, Dad, but I love you." | 0:06:37 | 0:06:40 | |
-You may have portrayed me has an arsehole. -Yeah. | 0:06:40 | 0:06:44 | |
But you love this arsehole. | 0:06:44 | 0:06:45 | |
-Bye-bye. -Cheers. -Oh, aye. -Take care now. | 0:06:49 | 0:06:53 | |
-Andy. -Cheerio, Kevin. Be good. | 0:06:53 | 0:06:56 | |
-Bye-bye. -Bye-bye. | 0:06:56 | 0:06:58 | |
Growing up, I always had too much respect for comedians | 0:07:00 | 0:07:04 | |
to think that just being funny amongst your mates was enough to be a stand-up. | 0:07:04 | 0:07:09 | |
I saw it as something that was for other people. | 0:07:09 | 0:07:13 | |
At 16, I read Frank Skinner's autobiography, | 0:07:14 | 0:07:17 | |
and I was fascinated by how much I could relate to the guy, | 0:07:17 | 0:07:20 | |
and how accessible the world of stand-up now seemed. | 0:07:20 | 0:07:23 | |
It convinced me to book myself an open mic spot and give it a go. | 0:07:24 | 0:07:29 | |
I went to talk to Frank about him being a role model, | 0:07:29 | 0:07:31 | |
an influence, and a bit of a hero of mine. | 0:07:31 | 0:07:35 | |
Frank, the opening line of your autobiography says | 0:07:35 | 0:07:38 | |
you find it hard to believe that anybody would be remotely interested in your life. | 0:07:38 | 0:07:42 | |
-Mmm. -And then I read it, and it made me start stand-up, so thank you for that. | 0:07:42 | 0:07:47 | |
I was interested. | 0:07:47 | 0:07:48 | |
Yeah, well, I've heard that. | 0:07:48 | 0:07:50 | |
Someone said to me, you know, there was this guy on the Jonathan Ross Show, | 0:07:50 | 0:07:54 | |
and he said you're the reason he's a stand-up, and stuff. | 0:07:54 | 0:07:57 | |
I said, "Was he funny?" | 0:07:57 | 0:07:59 | |
And they said yeah, I said, "Oh, that's good!" | 0:07:59 | 0:08:01 | |
I don't want to launch another rubbish comedian into the world. | 0:08:01 | 0:08:06 | |
No, I was very moved when I heard that. | 0:08:06 | 0:08:09 | |
-How old were you when you started stand-up? -I was a late developer. | 0:08:09 | 0:08:13 | |
I was 30, I think, when I did my first gig. | 0:08:13 | 0:08:15 | |
Because there's a bit in your book, the line, amongst other lines, | 0:08:15 | 0:08:18 | |
was when you said you'd hate to look back on your life | 0:08:18 | 0:08:21 | |
and wonder what would have happened if you'd tried stand-up. | 0:08:21 | 0:08:24 | |
That's what kicked me off. | 0:08:24 | 0:08:26 | |
Just thinking if I was, like, 75, and I thought, | 0:08:26 | 0:08:29 | |
"Oh, I wonder if I could have been a stand-up." | 0:08:29 | 0:08:31 | |
-Aye. -It would have killed me. | 0:08:31 | 0:08:34 | |
To try and fail, fine, but not to try, nightmare. | 0:08:34 | 0:08:37 | |
I was, how can I put this? | 0:08:37 | 0:08:39 | |
I don't want to sound like some tragic figure, | 0:08:39 | 0:08:42 | |
but I wasn't going anywhere in life. | 0:08:42 | 0:08:45 | |
When I was coming up to my 30th birthday, | 0:08:45 | 0:08:48 | |
my mate's girlfriend said to me, | 0:08:48 | 0:08:50 | |
"So, what's it like being 30 and on the scrapheap?" | 0:08:50 | 0:08:54 | |
-In those words? -Exactly those words. | 0:08:55 | 0:08:58 | |
And then, suddenly, I found this job, and I thought, | 0:08:58 | 0:09:02 | |
"Man, I love this, I'm not letting this go." | 0:09:02 | 0:09:04 | |
-Aye. -The first two gigs were horrible. -Yeah. | 0:09:04 | 0:09:07 | |
The third gig, I got massive laughs, and met someone | 0:09:07 | 0:09:11 | |
and went back to their place and had a night of fabulous lust, | 0:09:11 | 0:09:15 | |
and I can honestly say I was more excited about the laughs. | 0:09:15 | 0:09:20 | |
-Right. -That's when I knew that was the job I wanted to do. | 0:09:20 | 0:09:23 | |
My first gig went well, and everybody was, my dad had come along to the show, | 0:09:23 | 0:09:27 | |
and he was emotional, going, "Amazing, it's brilliant. | 0:09:27 | 0:09:31 | |
"Just got up there and tried stand-up, amazing." | 0:09:31 | 0:09:33 | |
-And I was starting to panic, because your gig had went bad. -Yeah. | 0:09:33 | 0:09:36 | |
So I thought, "Right, I'm going to have opposite careers from Frank Skinner." | 0:09:36 | 0:09:39 | |
It's going to go like that. | 0:09:39 | 0:09:41 | |
I've done it the wrong way about, and it's just going to go down. | 0:09:41 | 0:09:43 | |
Can I just say, I had a slight tingle go through me when you said that. | 0:09:43 | 0:09:46 | |
It's brilliant. I'm really so, so glad that that happened. | 0:09:46 | 0:09:50 | |
Because when I went full-time, I never had a job to quit, | 0:09:50 | 0:09:53 | |
I was packing shelves in the Co-op, or working in T.K.Maxx, just packing. | 0:09:53 | 0:09:58 | |
I was in charge of the dressing rooms in the clothes shop. | 0:09:58 | 0:10:01 | |
-You gave them the number, with the three items. -Oh, you were one of those people? | 0:10:01 | 0:10:04 | |
I always thought that's a great excuse to stand close to the changing booths! | 0:10:04 | 0:10:09 | |
If you've got one of those numbers in your hand, you can basically go in there with them! | 0:10:09 | 0:10:13 | |
That's a ticket to paradise, that number! | 0:10:13 | 0:10:17 | |
Imagine how gutted I was when I turned my back on it(!) | 0:10:17 | 0:10:19 | |
You haven't got any spare numbers left, have you? | 0:10:19 | 0:10:21 | |
I was the guy that would count your items and then give you a number, | 0:10:22 | 0:10:26 | |
so if you were trying on three items, I gave you a number three. | 0:10:26 | 0:10:29 | |
And if you were trying on four items, I gave you a number four. | 0:10:32 | 0:10:36 | |
But we only had numbers one to six, | 0:10:36 | 0:10:38 | |
and this one time, a woman was trying on seven items, | 0:10:38 | 0:10:42 | |
and everybody was fucking freaking out! | 0:10:42 | 0:10:44 | |
I said, "Calm ourselves, let's just calm ourselves." | 0:10:52 | 0:10:54 | |
"Give me the six." | 0:10:55 | 0:10:57 | |
"Give me the one." | 0:10:58 | 0:10:59 | |
Problem solved! | 0:11:03 | 0:11:04 | |
Thanks for your time, and thanks, a general thank you. | 0:11:06 | 0:11:09 | |
No, well, I mean, thank you, first of all, | 0:11:09 | 0:11:12 | |
for owning up to the fact that I had any influence, | 0:11:12 | 0:11:16 | |
because a lot of people, a lot of comics are not terribly charitable. | 0:11:16 | 0:11:19 | |
-For owning up? -So I appreciate. | 0:11:19 | 0:11:21 | |
No, to be honest, I am genuinely pleased that somebody read that book. | 0:11:21 | 0:11:27 | |
Someone wrote to me and said, "I read that book and I stopped drinking." | 0:11:27 | 0:11:31 | |
Someone wrote to me and said, "I read that book and I returned to the Catholic Church," | 0:11:31 | 0:11:35 | |
and you started comedy. | 0:11:35 | 0:11:38 | |
I've changed the world! I am pleased about that, and don't let me down. | 0:11:38 | 0:11:42 | |
-Don't worry. I started reading your second book. -Oh, yeah? | 0:11:42 | 0:11:45 | |
-And it just became...I read it, like, six months ago. -OK. | 0:11:45 | 0:11:48 | |
But it was too much, it was too realistic. | 0:11:48 | 0:11:50 | |
When I read your first book, stand-up's really glamorous. | 0:11:50 | 0:11:53 | |
Oh, but now you've done. Yeah, well, I can't tell you anything now. | 0:11:53 | 0:11:56 | |
-Now it's just hotels. -Now it's like The Sorceror's Apprentice. | 0:11:56 | 0:12:00 | |
Frank's book inspired me at an early age to start stand-up, | 0:12:05 | 0:12:08 | |
and it opened up the world to me. | 0:12:08 | 0:12:11 | |
It gave me a new way to spend my weekends, and it was an escape | 0:12:11 | 0:12:14 | |
from the more standard social activities of a Scottish teenager. | 0:12:14 | 0:12:18 | |
Remember when you get your first taste of independence, | 0:12:19 | 0:12:22 | |
when word had spread in your school that somebody's mum and dad were going away for the weekend? | 0:12:22 | 0:12:27 | |
And that the guy or girl were having a party? | 0:12:29 | 0:12:32 | |
They never knew they were having a party. | 0:12:32 | 0:12:35 | |
Perhaps having is the wrong choice of word. They were getting a party. | 0:12:37 | 0:12:41 | |
I don't mean the kind of high school parties that you see in American movies. | 0:12:44 | 0:12:49 | |
-IN AN AMERICAN ACCENT: -"Hey, hey! You guys know Chad Hogan?" | 0:12:50 | 0:12:53 | |
"Yeah, of course, man. Everybody knows Chad Hogan, man! | 0:13:01 | 0:13:03 | |
"Chad Hogan's mom and dad are going away to Long Island for the weekend, man!" | 0:13:09 | 0:13:14 | |
"There's a party at Chad Hogan's mom and dad's? Yeah! Wooo! | 0:13:14 | 0:13:17 | |
"Spring Break! Yeah! Wooo!" | 0:13:17 | 0:13:21 | |
"Chad Hogan's parties are awesome, man! Wooo!" | 0:13:23 | 0:13:27 | |
Then it shows you Chad Hogan's party. | 0:13:27 | 0:13:30 | |
Chad Hogan's booked a band for his living room. | 0:13:30 | 0:13:33 | |
"Great party, Chad! Wooo! Yeah! Let's go get some Dip 'n Chip!" | 0:13:38 | 0:13:44 | |
Everybody's nodding to the music with these plastic cups of beer that nobody knows who brought them. | 0:13:48 | 0:13:53 | |
"Wooo! Yeah!" | 0:13:53 | 0:13:54 | |
They're not the kind of parties we had. We never had their kind of parties. | 0:13:56 | 0:14:00 | |
We never had Spring Break. We had the Easter holidays. | 0:14:00 | 0:14:03 | |
When I was growing up, it was called an empty. An empty. | 0:14:09 | 0:14:12 | |
CHEERING AND APPLAUSE | 0:14:12 | 0:14:16 | |
It derives from "We've got an empty house. We've got an empty." | 0:14:22 | 0:14:26 | |
The house is empty. It's an empty. | 0:14:28 | 0:14:30 | |
You never had Spring Break... | 0:14:31 | 0:14:33 | |
..or Chad Hogan, or bands at an empty. | 0:14:35 | 0:14:37 | |
An empty was a far more tense affair. | 0:14:37 | 0:14:39 | |
Somebody's furious cousin would disrupt the ambience by announcing that he'd purchased 12 cans. | 0:14:43 | 0:14:50 | |
Drank two, gave one away, but there's only seven left! | 0:14:50 | 0:14:56 | |
"Turn that down! We've got a can thief! Fucking turn that down! | 0:15:06 | 0:15:09 | |
Somebody else in the corner, just trying on people's jackets. | 0:15:14 | 0:15:17 | |
"Do you think this one suits me?" | 0:15:27 | 0:15:29 | |
Not even asking, "Does it fit me? Does it suit me?" | 0:15:31 | 0:15:33 | |
The guy's a petty criminal, but you need to look your best, don't you? | 0:15:34 | 0:15:37 | |
The same guy that's leaving the house at the end of the night holding a microwave. | 0:15:38 | 0:15:42 | |
"I think you'll find I brought this with me." | 0:15:44 | 0:15:47 | |
"And I do not care for the accusation!" | 0:15:53 | 0:15:55 | |
When I first performed the Chad Hogan routine on stage, | 0:16:04 | 0:16:08 | |
I had no idea it would soon result in me | 0:16:08 | 0:16:11 | |
receiving an invite to America, the land of the free, | 0:16:11 | 0:16:15 | |
the home of the brave, and all the other stuff that they bang on about. | 0:16:15 | 0:16:19 | |
To me, it's the land of the college party and the home of Chad Hogan. | 0:16:19 | 0:16:23 | |
Chad Hogan was nothing to me, other than a good name | 0:16:27 | 0:16:29 | |
for the quintessential American party-organising teenager. | 0:16:29 | 0:16:33 | |
As far as I was concerned, he was a purely fictional creation, | 0:16:33 | 0:16:36 | |
until a few months ago, I received this e-mail, which reads as follows. | 0:16:36 | 0:16:42 | |
"Kevin, my name is Chad Hogan, and I'm American. No lie. | 0:16:42 | 0:16:46 | |
"You're a genius and fricking hilarious." Oh, cheers, buddy. | 0:16:46 | 0:16:49 | |
"Because of your comedy sketch, The Empty, I've had literally thousands of people add me on Facebook | 0:16:49 | 0:16:54 | |
"from Glasgow and round the UK. | 0:16:54 | 0:16:56 | |
"You've made me famous! Ha-ha-ha, it's great! | 0:16:56 | 0:16:59 | |
"You're brilliant. You should check it out on Facebook. Thanks. Chad Hogan. Chip 'n Dip." | 0:16:59 | 0:17:05 | |
America! | 0:17:05 | 0:17:07 | |
Chad Hogan's state of Utah is the home of the Mormon Church, | 0:17:09 | 0:17:13 | |
and it also has very strict laws on selling alcohol - a potentially devastating blow to the party. | 0:17:13 | 0:17:20 | |
It didn't matter to me, though, if there was booze, as long as they had central heating. | 0:17:21 | 0:17:25 | |
Saturday night. I'm off to get down and hang with Chad and his homeboys. | 0:17:28 | 0:17:32 | |
Let's hope there's some hot chicks! | 0:17:32 | 0:17:34 | |
It's clearly wintertime, but still, Spring Break! | 0:17:34 | 0:17:37 | |
MUSIC PLAYS FROM HOUSE | 0:17:40 | 0:17:43 | |
-Oh! -There's the man! | 0:17:49 | 0:17:51 | |
Chad! | 0:17:51 | 0:17:52 | |
CHEERING | 0:17:52 | 0:17:55 | |
What's up? | 0:17:59 | 0:18:01 | |
-How's it going? -My man! | 0:18:01 | 0:18:04 | |
Yeah! | 0:18:04 | 0:18:07 | |
ALL: "KEVIN, KEVIN, KEVIN, KEVIN!" | 0:18:07 | 0:18:13 | |
-This is your place? -This is it. This is the party, right here! | 0:18:17 | 0:18:21 | |
Have we got a hot tub? Somebody said we've got a hot tub. | 0:18:21 | 0:18:23 | |
-We've got a hot tub. -Let's go and see the hot tub, man. | 0:18:23 | 0:18:25 | |
-You want to see the hot tub? -Give me a tour. -Chip 'n Dip? | 0:18:25 | 0:18:28 | |
Is there Chip 'n Dip, as well? | 0:18:28 | 0:18:29 | |
You lead the way. | 0:18:29 | 0:18:31 | |
Oh, yes. | 0:18:31 | 0:18:33 | |
-Microwave's still here. No-one stole it, yet! No-one stole it, yet. We're still good. -Amazing. | 0:18:35 | 0:18:39 | |
I'd like to thank you all. Thank you all for coming out. | 0:18:39 | 0:18:44 | |
Party, party tonight. We've got Kevin Bridges in the house! | 0:18:44 | 0:18:48 | |
CHEERING | 0:18:48 | 0:18:49 | |
Make some noise! | 0:18:49 | 0:18:51 | |
Give it up for Chad Hogan, man! | 0:18:55 | 0:18:57 | |
CHEERING | 0:18:57 | 0:19:01 | |
When I say Chad, you say Hogan! | 0:19:01 | 0:19:02 | |
-Chad! -Hogan! -Chad! -Hogan! | 0:19:02 | 0:19:04 | |
When I say chip, you say dip! | 0:19:07 | 0:19:09 | |
-Chip! -Dip! -Chip! -Dip! | 0:19:09 | 0:19:11 | |
Are you guys ready to party? | 0:19:11 | 0:19:13 | |
CHEERING | 0:19:13 | 0:19:15 | |
# Sometimes I give myself the creeps | 0:19:15 | 0:19:18 | |
# Sometimes my mind plays tricks on me. # | 0:19:21 | 0:19:25 | |
Red plastic cups, Chip 'n Dip, a band, | 0:19:27 | 0:19:30 | |
and all without a drop of alcohol. | 0:19:30 | 0:19:33 | |
My host hasn't disappointed, but there is one specific thing that I need to verify. | 0:19:33 | 0:19:38 | |
-Are you guys coming back later? Pay me a visit? -Yeah. -Yeah. | 0:19:40 | 0:19:44 | |
-How smooth is this guy? -Just chatting with the ladies! | 0:19:44 | 0:19:47 | |
If I was to say that, I'd sound like a pervert, but he makes it sound awesome. | 0:19:47 | 0:19:50 | |
-Genuinely, your name is Chad Hogan. -Chad Hogan. | 0:19:53 | 0:19:56 | |
It's not a childhood nickname? | 0:19:56 | 0:19:58 | |
I don't want to see your passport and it says, like, Barry Hogan, | 0:19:58 | 0:20:01 | |
but your friends call you Chad. | 0:20:01 | 0:20:02 | |
-Everyone calls me Chad. -Are you Chad Hogan? -Chad Hogan. | 0:20:02 | 0:20:05 | |
Have you got any ID? | 0:20:05 | 0:20:06 | |
I don't mean that as if I'm going to sell you fireworks, I just mean, like... | 0:20:06 | 0:20:10 | |
-Chad Hogan, right there. -This is your card? | 0:20:10 | 0:20:12 | |
-Chad D Hogan. Can we see that? -He's there. Licence. | 0:20:12 | 0:20:17 | |
-What does the D stand for? -Daniel. Chad "Da Man" Hogan. | 0:20:17 | 0:20:23 | |
Chad D Hogan. Just making sure you're not a fraud. The real deal. | 0:20:23 | 0:20:26 | |
-Man in the flesh. -My man! Big up, man. | 0:20:26 | 0:20:28 | |
MUSIC: "Feel Good Inc" by Gorillaz | 0:20:28 | 0:20:34 | |
The tour of the party had one final destination. | 0:20:34 | 0:20:38 | |
I love you! | 0:20:38 | 0:20:40 | |
Chad had saved the best for last. | 0:20:40 | 0:20:42 | |
Definitely something I have never seen at any party I've been to. | 0:20:42 | 0:20:47 | |
A hot tub. | 0:20:47 | 0:20:48 | |
-What's up, Kevin? -You came to the right party! -Chad Hogan's party! | 0:20:50 | 0:20:55 | |
See, in Scotland, that would be used as a toilet by about midnight. | 0:20:57 | 0:21:02 | |
Yeah! Woo-hoo! | 0:21:08 | 0:21:09 | |
MUSIC: "I'm Gonna Be (500 Miles) by The Proclaimers | 0:21:09 | 0:21:13 | |
Chad's party, as predicted, is as far removed from my experiences of an Empty | 0:21:13 | 0:21:17 | |
as it's possible to be, despite there being one reminder of Scotland. | 0:21:17 | 0:21:22 | |
# I would walk 500 miles | 0:21:22 | 0:21:25 | |
# And I would walk 500 more | 0:21:25 | 0:21:29 | |
# Just to be the man who walks a thousand miles | 0:21:29 | 0:21:32 | |
# To fall down at your door | 0:21:32 | 0:21:36 | |
# Da Da Da, Da Da Da | 0:21:36 | 0:21:37 | |
# Da Da Da, Da Da Da | 0:21:37 | 0:21:39 | |
# Da Da Da Dun Diddle Un Diddle Un Diddle Uh Da. # | 0:21:39 | 0:21:42 | |
CHEERING | 0:21:42 | 0:21:47 | |
Chad Hogan! | 0:21:50 | 0:21:52 | |
ALL: "CHAD, CHAD, CHAD, CHAD, CHAD, CHAD!" | 0:21:54 | 0:21:58 | |
# The name is Chad Hogan | 0:22:07 | 0:22:08 | |
# And we partied hard in Logan | 0:22:08 | 0:22:09 | |
# With Kevin Bridges, it was a rave | 0:22:09 | 0:22:10 | |
# Until he stole my microwave. # | 0:22:10 | 0:22:12 | |
Holler! | 0:22:12 | 0:22:14 | |
The morning after the party, I hooked up with Chad, | 0:22:18 | 0:22:21 | |
and we made our way to Angie's Diner for breakfast, and to discuss the night before, | 0:22:21 | 0:22:26 | |
as well as to give me the chance to explain this whole situation to the poor guy. | 0:22:26 | 0:22:30 | |
-I don't know if I owe you an apology about the whole thing. -No! | 0:22:32 | 0:22:35 | |
About what happened, because I got the e-mail, and you said, | 0:22:35 | 0:22:38 | |
"My name's Chad Hogan, I'm American," and you said you'd got bombarded on Facebook. | 0:22:38 | 0:22:42 | |
I never even considered the fact there might be an actual guy whose name is Chad Hogan. | 0:22:42 | 0:22:46 | |
So, what's it like waking up after a party and you feel totally fresh? | 0:22:46 | 0:22:49 | |
It's good, it's good. | 0:22:49 | 0:22:50 | |
Do you go, "Oh, man, you should have seen you last night! You were so sober!" | 0:22:50 | 0:22:54 | |
Do you wake up going, "Oh, my God, I was so sober last night!" | 0:22:54 | 0:22:57 | |
-I remember everything I did last night. -I've never felt so hydrated! | 0:22:57 | 0:23:01 | |
-So, why don't you drink? A religious reason? -Yeah. Religious reasons. | 0:23:01 | 0:23:05 | |
-The Mormons, that's the Church of the Latter-day Saints. -Yep. -Cool. | 0:23:05 | 0:23:08 | |
That's why you don't get any booze, but I think it's still good that you have a good party. | 0:23:08 | 0:23:12 | |
Yeah, it's good. | 0:23:12 | 0:23:13 | |
There was much more energy in your parties than there would ever be in our parties. | 0:23:13 | 0:23:16 | |
-Yeah. -Because, alcohol. -How's the parties in Scotland? | 0:23:16 | 0:23:19 | |
I think alcohol drains the atmosphere a little bit. | 0:23:19 | 0:23:21 | |
It makes it at first, because everybody's drunk and they lose their inhibitions, | 0:23:21 | 0:23:25 | |
but then they just get a bit... | 0:23:25 | 0:23:26 | |
-Throwing up, breaking things. -Being sick and fighting, stuff like that. | 0:23:26 | 0:23:30 | |
-Thanks for being understanding. -Thank you. -Nice one. | 0:23:30 | 0:23:32 | |
-Can you say Spring Break? -Spring Break! -When is Spring Break? | 0:23:32 | 0:23:37 | |
Is it April sort of time? | 0:23:37 | 0:23:38 | |
-Yeah. March, April. -March, April. Spring, basically. | 0:23:38 | 0:23:41 | |
-Yep. -Spring Break's in spring. | 0:23:41 | 0:23:43 | |
The trip to Utah to party with Chad Hogan was a bit surreal, | 0:23:46 | 0:23:49 | |
but probably more for him than me. | 0:23:49 | 0:23:51 | |
Good luck to Chad for the rest of his college days, | 0:23:51 | 0:23:54 | |
and hopefully he'll do a bit better than me. | 0:23:54 | 0:23:56 | |
Before comedy, I attended college briefly. Very briefly. | 0:23:57 | 0:24:01 | |
Used to study psychology, for three weeks. That was my thing. | 0:24:02 | 0:24:06 | |
Psychology. Three weeks studying psychology. Get a bit freaked out. | 0:24:06 | 0:24:10 | |
Sigmund Freud, he was a sex pest. | 0:24:10 | 0:24:12 | |
He had a theory that young guys have sexual feelings towards their own mothers. | 0:24:13 | 0:24:18 | |
I remember reading this, and thinking, "The guy's obviously never seen my mother." | 0:24:18 | 0:24:21 | |
A lovely woman, but you wouldn't ride her into battle. | 0:24:25 | 0:24:27 | |
LAUGHTER AND APPLAUSE | 0:24:30 | 0:24:34 | |
Psychology at college wasn't what I hoped it would be, | 0:24:36 | 0:24:39 | |
but I still have a fascination with people and their behaviour, | 0:24:39 | 0:24:42 | |
but it got me wondering, | 0:24:42 | 0:24:43 | |
what would it be like if my behaviour was examined in an intimate therapy session? | 0:24:43 | 0:24:48 | |
Just me, a therapist and a full television crew. | 0:24:48 | 0:24:51 | |
How are you, Laura? Or should you ask me that, at the start? | 0:24:53 | 0:24:55 | |
Do you usually start? It seems that you don't like spaces and gaps and silences. | 0:24:57 | 0:25:02 | |
No, it's just because it's my first time in therapy, so I don't know how we start. | 0:25:02 | 0:25:08 | |
-So, I'll ask you how you are, then. -OK. | 0:25:09 | 0:25:11 | |
Is that how it's done? Is there a set way? | 0:25:12 | 0:25:14 | |
-What would you like to use the time for? -A check-up. | 0:25:14 | 0:25:17 | |
-Do people come for a check-up? -That I would say you're OK? | 0:25:17 | 0:25:21 | |
-Just a routine sort of, am I right in the head? -Do you think you're OK? | 0:25:21 | 0:25:25 | |
Erm, borderline. | 0:25:25 | 0:25:27 | |
I don't know. I've got my hang-ups and stuff like that. | 0:25:27 | 0:25:32 | |
I worry quite a lot. OK. I'm a compulsive worrier. | 0:25:32 | 0:25:37 | |
-What kind of things worry you? -I don't know. | 0:25:37 | 0:25:39 | |
If I'm performing at night, if I've got a show. | 0:25:39 | 0:25:41 | |
Even if it doesn't start until eight o'clock at night, | 0:25:41 | 0:25:44 | |
I'll wake up at ten in the morning. | 0:25:44 | 0:25:47 | |
So you've got ten hours of worrying? | 0:25:47 | 0:25:49 | |
I don't actually worry about the gig, but I feel on edge, | 0:25:49 | 0:25:52 | |
and I think that makes me worry. | 0:25:52 | 0:25:53 | |
The only time I relax is when I go on stage at night. | 0:25:53 | 0:25:57 | |
-My experience, when I've seen you perform live... -Have you seen me? | 0:25:57 | 0:26:01 | |
-I've seen you. -Was it good? -Is that important? -I don't know. | 0:26:01 | 0:26:04 | |
That I think it is? | 0:26:04 | 0:26:05 | |
Well, of course, I'd like to think the customer got value. | 0:26:05 | 0:26:08 | |
It's only a throwaway question, if you enjoyed the show. | 0:26:08 | 0:26:11 | |
I don't know why I'm starting to panic. Did you enjoy the show? | 0:26:11 | 0:26:14 | |
-You are starting to panic. -A wee bit. -Are you? | 0:26:14 | 0:26:17 | |
What are you panicking about? What do you feel anxious about? | 0:26:17 | 0:26:20 | |
Well, when somebody says, "Oh, I've seen your show," I'd ask, "Did you enjoy it?" | 0:26:20 | 0:26:23 | |
-Right. -And then you came back at me with a question. | 0:26:23 | 0:26:27 | |
"Why is that important?", which would suggest you never enjoyed it. | 0:26:27 | 0:26:31 | |
Because I've come back at you and asked you a question, | 0:26:31 | 0:26:35 | |
your interpretation is that I must have then not enjoyed it. | 0:26:35 | 0:26:37 | |
Well, I'm just thinking you might not want to say, "I thought you were shite", | 0:26:37 | 0:26:41 | |
or, "No, I never enjoyed it." You've took a diversion. | 0:26:41 | 0:26:44 | |
-Back to you, which is what we're here to talk about. -Yep. | 0:26:46 | 0:26:48 | |
Did you enjoy the show? | 0:26:50 | 0:26:51 | |
No? | 0:26:51 | 0:26:53 | |
Oh, well. You win some, you lose some. | 0:26:53 | 0:26:55 | |
-I loved the show. -You loved the show? -I loved the show. | 0:26:55 | 0:26:57 | |
You're just saying that. | 0:26:57 | 0:26:59 | |
Do you watch The Sopranos? | 0:26:59 | 0:27:01 | |
I feel a bit like Tony Soprano speaking to his shrink. | 0:27:01 | 0:27:06 | |
-AS TONY SOPRANO: -You know who I am, you know what I do. | 0:27:06 | 0:27:08 | |
Is that me trying to cover something up, there? | 0:27:11 | 0:27:13 | |
-What do you think? -Is that me trying to hide true heartache? | 0:27:13 | 0:27:16 | |
-Have you experienced true heartache? -Have I experienced true heartache? | 0:27:16 | 0:27:20 | |
Erm. Of course. | 0:27:20 | 0:27:22 | |
Just get a bottle of Gaviscon, then it's fine. | 0:27:24 | 0:27:27 | |
-That's funny. -Deflection. -Yes! | 0:27:27 | 0:27:30 | |
Just batting them away. | 0:27:30 | 0:27:33 | |
One hour of therapy, and I feel good, | 0:27:35 | 0:27:37 | |
and there's a lot to feel good about, especially now that | 0:27:37 | 0:27:39 | |
I've attended a Chad Hogan party, met my inspiration... | 0:27:39 | 0:27:45 | |
Can I just say, I had a slight tingle go through me when you said that. | 0:27:45 | 0:27:47 | |
..had a heart-to-heart with my mum and dad... | 0:27:47 | 0:27:49 | |
"You might be a dirty bastard, Dad, but I love you." | 0:27:49 | 0:27:53 | |
..and according to them, I've still got a bit of growing up to do. | 0:27:53 | 0:27:56 | |
Subtitles by Red Bee Media Ltd | 0:28:20 | 0:28:23 |