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Hi... Hi. Welcome. I'm Warwick Davis. | 0:00:02 | 0:00:05 | |
With me, Ricky Gervais. | 0:00:05 | 0:00:08 | |
Am I not leading this? | 0:00:08 | 0:00:10 | |
Cos I'm just doing like you do. This is for my website. | 0:00:10 | 0:00:14 | |
No, you are and it's brilliant. | 0:00:14 | 0:00:16 | |
-You're supposed to go "hi" and acknowledge that. -I was going to. -You were ready for that? OK. | 0:00:16 | 0:00:22 | |
Start again. | 0:00:22 | 0:00:24 | |
Hi, um, welcome... | 0:00:24 | 0:00:26 | |
-Hmm. -What's that? -Don't say, "Hi, um..." "Um" after the first word? | 0:00:26 | 0:00:31 | |
-OK. -Think what you're going to say and say it. Articulate. | 0:00:31 | 0:00:35 | |
-And be warm. -You do plenty of "ums". | 0:00:35 | 0:00:38 | |
-Right... -Did he just answer back then to Ricky Gervais? -Sounds like it. -Hang on a minute. | 0:00:39 | 0:00:44 | |
-Oh! OK... -Listen, I've been in the business 30 years. How long have you been acting? | 0:00:44 | 0:00:50 | |
-That's a fair point. He's got you. -Thank you. | 0:00:50 | 0:00:53 | |
Hello, I'm Warwick Davis and welcome... | 0:00:54 | 0:00:57 | |
-Oh! -Would I say "viewers"? -What are you asking me for? I haven't been acting as long as you. | 0:00:57 | 0:01:03 | |
-What does my opinion matter? You've been in the business 30 years. -"Hello, readers?" Yeah, "readers". | 0:01:03 | 0:01:09 | |
-You seem to know it all. -"Fans." That's good. | 0:01:09 | 0:01:12 | |
-He... -Oh! -Don't look at me! -A mistake before the first word! | 0:01:13 | 0:01:18 | |
-That's got to be some sort of record. -Don't even look! | 0:01:18 | 0:01:22 | |
-A mistake before he opened his mouth to speak! -Yeah. -That's amazing. | 0:01:22 | 0:01:26 | |
PHONE RINGS | 0:01:26 | 0:01:28 | |
Hello, Dwarfs For Hire? | 0:01:28 | 0:01:30 | |
-I don't know where to turn. There's no work coming in at the minute. -OK. | 0:01:44 | 0:01:49 | |
-Are you doing any more Extras perhaps? Maybe we could... -No. | 0:01:49 | 0:01:53 | |
-What else are you working on at the minute? -Just other TV and film and, you know... | 0:01:53 | 0:01:58 | |
Any actors required for that? | 0:01:58 | 0:02:01 | |
Actors? Do you need actors? | 0:02:01 | 0:02:04 | |
We will need actors at some point. | 0:02:04 | 0:02:07 | |
-But not necessarily... -Not... | 0:02:07 | 0:02:09 | |
Life's Too Short is a fake documentary, | 0:02:09 | 0:02:12 | |
-starring this little fella, Warwick Davis. -Thanks very much. | 0:02:12 | 0:02:16 | |
-You may recognise him from Return Of The Jedi. -They wouldn't. His face was covered up. | 0:02:16 | 0:02:21 | |
People know, people know. | 0:02:21 | 0:02:23 | |
You played that android again completely in a... | 0:02:23 | 0:02:26 | |
-Marvin. -It wasn't even your voice in the end. Alan Rickman overdubbed it. That could be anyone there. | 0:02:26 | 0:02:33 | |
Willow, that was about 30 years ago, wasn't it? | 0:02:33 | 0:02:36 | |
-No-one really saw it. -How old were you then? -17. -17? -It's still a valid credit, whenever it was done. | 0:02:36 | 0:02:42 | |
-Extras. That's where people know him from. -It wasn't clear if he was playing himself. | 0:02:42 | 0:02:48 | |
He was just a dwarf I kicked in the face. | 0:02:48 | 0:02:50 | |
-You shit! -What are you doing? -What do you think I've got this ring for? | 0:02:50 | 0:02:55 | |
-You're a Hobbit? -You fat shit! -I don't know what the rules are for fighting him. | 0:02:55 | 0:03:00 | |
That usually works in cartoons. | 0:03:00 | 0:03:03 | |
Oh, no, no, no, no, no, no. | 0:03:05 | 0:03:07 | |
No, no, no, no. Accidental... | 0:03:07 | 0:03:09 | |
kn..kn...knee. | 0:03:09 | 0:03:12 | |
The character in Life's Too Short, Warwick Davis, is very different to the real Warwick Davis. | 0:03:12 | 0:03:18 | |
The Warwick Davis in the show, his life's out of control, basically. | 0:03:18 | 0:03:22 | |
He's had a taste of success, but it's all going horribly wrong. | 0:03:22 | 0:03:26 | |
His marriage has failed. He was arrogant, selfish. She doesn't want to know him any more. | 0:03:26 | 0:03:32 | |
He wants her back, but only because he wants to win, not because he loves her. | 0:03:32 | 0:03:37 | |
-I'll tell you what happened. What happened was he thought... -What did I think? Mystic Meg here! | 0:03:37 | 0:03:43 | |
He thought he could do better than me. He thought he could trade me in for a taller, more beautiful model. | 0:03:43 | 0:03:49 | |
-But he couldn't. -I could have. I didn't want to. | 0:03:49 | 0:03:52 | |
-He did try. -I just didn't want to cos I'm faithful. | 0:03:52 | 0:03:55 | |
-He's back, but it's too late. -No, it doesn't have to be. -It's over. | 0:03:55 | 0:03:59 | |
The lawyer who's overseeing the divorce between Warwick and his wife | 0:03:59 | 0:04:04 | |
is a guy called Ian Wold who's got his feet well under the table. | 0:04:04 | 0:04:08 | |
-Are you wearing slippers? -Yes. | 0:04:08 | 0:04:11 | |
-Is it normal practice to be round a client's house wearing slippers? -Everyone's different. | 0:04:11 | 0:04:16 | |
What lawyer wears slippers? I've just never seen that before. | 0:04:16 | 0:04:21 | |
They didn't wear slippers on LA Law. Perry Mason never had slippers on. | 0:04:21 | 0:04:25 | |
As Ironside, he never had slippers on and he was in a wheelchair. He didn't need shoes and he wore shoes. | 0:04:25 | 0:04:31 | |
He's got the worst accountant ever. | 0:04:31 | 0:04:34 | |
-Have you spoken to the Inland Revenue? -Yes. | 0:04:34 | 0:04:37 | |
They are not pressing charges. I convinced them that you really didn't know what you were doing. | 0:04:37 | 0:04:44 | |
-You're my accountant. You're the one that's supposed to tell me if I owe tax. -Yeah, yeah, I know. | 0:04:44 | 0:04:50 | |
The figure they said I owed was 250,000. Where are we now? | 0:04:50 | 0:04:54 | |
I was cheeky, I said he won't do it again, it went a bit back and forth, | 0:04:54 | 0:04:58 | |
and the figured I arrived at was £50,000. | 0:04:58 | 0:05:01 | |
£50,000? That's great. | 0:05:01 | 0:05:03 | |
Wait, no. They said "no" to that. A very definite "no". | 0:05:03 | 0:05:07 | |
So what was the figure you agreed on? | 0:05:07 | 0:05:10 | |
-£250,000. -That's what they wanted to start with. That's not negotiating. You've just agreed with them! | 0:05:10 | 0:05:16 | |
Yes, all right, but they are the tax people. They understand your accounts better than me. | 0:05:16 | 0:05:22 | |
I'm not going to argue with them. | 0:05:22 | 0:05:24 | |
He's got the worst PA assistant. She's working there because her parents want her out of the house | 0:05:24 | 0:05:29 | |
-and they said she can live rent-free if she doesn't come home till six. -Brainstorming. I'll make some notes. | 0:05:29 | 0:05:35 | |
I'll start with number one. | 0:05:35 | 0:05:38 | |
OK, in your own time... | 0:05:39 | 0:05:41 | |
-The company is called Dwarfs For Hire. Is that right? -Yes, it is. | 0:05:42 | 0:05:48 | |
-Can't you do other stuff apart from acting? -Yeah. Such as? | 0:05:48 | 0:05:51 | |
-Chimney sweep. -Chimney sweep? Why am I suddenly doing that? | 0:05:51 | 0:05:55 | |
-It used to be children, didn't it? -100 years ago, yeah. | 0:05:55 | 0:05:59 | |
-It's cruel to send children up there nowadays. -But not to send a dwarf up there? | 0:05:59 | 0:06:04 | |
-No, because you're an adult, aren't you? Oh, are you not? I thought you were an adult. -Of course I am. | 0:06:04 | 0:06:09 | |
I'm also a businessman and I've been in big films. Why am I running up chimneys? | 0:06:09 | 0:06:14 | |
-It's the worst situation in the world. -Absolutely. | 0:06:14 | 0:06:17 | |
You're divorcing the wife. The lawyer doing it is going out with her and divorcing you. | 0:06:17 | 0:06:23 | |
The worst PA and the worst accountant in the world. His only hope is us. | 0:06:23 | 0:06:28 | |
-Can you write me a film? -What film? -I don't know. You have the idea. | 0:06:28 | 0:06:32 | |
Can we have the idea later? We're snowed under at the moment. | 0:06:32 | 0:06:36 | |
-Sorry. -You know what I mean? -Yeah, I understand. | 0:06:36 | 0:06:39 | |
That's an excuse, a conduit to get him to meet all these A-listers | 0:06:41 | 0:06:46 | |
who in our world just come and hang out in our office. | 0:06:46 | 0:06:49 | |
'Liam Neeson decides that he's going to try and do some comedy. | 0:06:49 | 0:06:54 | |
'Excruciating. One of the favourite sketches we've ever written, I think. | 0:06:54 | 0:06:58 | |
'Today, I was shooting a scene' | 0:06:58 | 0:07:01 | |
with Ricky and Stephen and Warwick Davis... | 0:07:01 | 0:07:04 | |
..where I play myself | 0:07:07 | 0:07:09 | |
who is coming into the office to see the guys | 0:07:09 | 0:07:13 | |
who have kindly agreed to see me because I want to break into comedy. | 0:07:13 | 0:07:17 | |
Here's some of the stuff I'd like to work on. | 0:07:17 | 0:07:21 | |
Improv, stand-up comedy, | 0:07:22 | 0:07:24 | |
funny monologues, crazy characters, sketches, | 0:07:24 | 0:07:29 | |
slapstick, anecdotes, parody. | 0:07:29 | 0:07:31 | |
-Yeah? -Yeah. | 0:07:31 | 0:07:34 | |
You noticed this list? I'm always making lists. | 0:07:34 | 0:07:37 | |
Right. | 0:07:37 | 0:07:39 | |
In fact, that's probably why Steven Spielberg cast me as Oskar Schindler in Schindler's List. | 0:07:39 | 0:07:45 | |
I said, "Steven, I make lists all the time." | 0:07:45 | 0:07:48 | |
And he said, "That's exactly what I'm looking for." | 0:07:48 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:54 | |
-What's funny? -Weren't you joking about getting the part of Oskar Schindler cos you made lists? -No. | 0:07:54 | 0:08:01 | |
It's a beautifully written scene. It was very funny. | 0:08:01 | 0:08:04 | |
The first time I read it, I was just splitting my sides with laughter, | 0:08:04 | 0:08:08 | |
then I thought I have to go through with this and I'm not going to be able to keep a straight face | 0:08:08 | 0:08:14 | |
because I'm a laugher, I laugh at the drop of a hat. | 0:08:14 | 0:08:19 | |
And, um... But it was nice because Ricky, Stephen and Warwick made me feel very, very at home | 0:08:19 | 0:08:25 | |
and Ricky...corpses as much as I do, | 0:08:25 | 0:08:29 | |
which was lovely, it was very reassuring. | 0:08:29 | 0:08:33 | |
225, take one. A and B cameras. | 0:08:33 | 0:08:35 | |
-Knock-knock. -Come in. -Hello. -Hi. What seems to be the problem? | 0:08:35 | 0:08:40 | |
ALL START LAUGHING | 0:08:40 | 0:08:42 | |
Oh, I was doing so well. | 0:08:45 | 0:08:48 | |
Knock-knock. | 0:08:49 | 0:08:51 | |
SNIGGERING | 0:08:54 | 0:08:57 | |
He closed his eyes. | 0:08:57 | 0:08:59 | |
He closed his eyes like it's the most important piece that's ever been acted! | 0:08:59 | 0:09:04 | |
OK... | 0:09:04 | 0:09:05 | |
-TAKES DEEP BREATH -Knock-knock. | 0:09:06 | 0:09:09 | |
-Come in. -Hello. -Hi. | 0:09:09 | 0:09:12 | |
-What seems to be the problem? -As I said before, I've got full-blown AIDS. | 0:09:12 | 0:09:17 | |
THEY LAUGH LOUDLY | 0:09:17 | 0:09:19 | |
We're never going to get that... | 0:09:19 | 0:09:21 | |
He's doing his... Oh! | 0:09:21 | 0:09:24 | |
Johnny Depp confronts me about some of my Golden Globe comments. | 0:09:25 | 0:09:29 | |
-Here they are, the lads. -Hi. -Hello. | 0:09:29 | 0:09:33 | |
-I've been popping in every other day to see you guys. -Seems like it. | 0:09:33 | 0:09:37 | |
-Have you met before? Johnny, this is Stephen. -Hello. Nice to meet you. | 0:09:37 | 0:09:41 | |
-And Ricky. -I remember him from the Golden Globes. | 0:09:41 | 0:09:44 | |
-Hi. -Yeah... | 0:09:44 | 0:09:46 | |
Ricky invited me to do something on his show | 0:09:46 | 0:09:49 | |
which would, you know, give me the opportunity to... | 0:09:49 | 0:09:53 | |
..yeah, smack him around a little. | 0:09:54 | 0:09:56 | |
What is nastier than Ricky Gervais's jokes? His teeth! | 0:09:56 | 0:10:01 | |
Why do people take an instant dislike to Ricky Gervais? Because it saves time! Ha-ha-ha! | 0:10:03 | 0:10:09 | |
I think he enjoyed it. I think he liked being smacked around. | 0:10:10 | 0:10:15 | |
'Warwick thinks he's got this great part on a film with Helena Bonham Carter | 0:10:15 | 0:10:20 | |
'and it doesn't turn out quite how he thinks.' | 0:10:20 | 0:10:23 | |
I love Warwick. I worked with him on Harry Potter. | 0:10:23 | 0:10:26 | |
He talked about it when I was dressed up as Bellatrix and him as Griphook. | 0:10:26 | 0:10:30 | |
He said, "I think I'm going to do this comedy series with Ricky." | 0:10:30 | 0:10:34 | |
It's so nice that it's happening. | 0:10:34 | 0:10:36 | |
When I walked on set, I thought, "There are even more people than on a Harry Potter set," and I was scared. | 0:10:36 | 0:10:42 | |
But then you realise half of them are fake, but you couldn't work out which ones were fake, which ones were real. | 0:10:42 | 0:10:48 | |
It was a bit surreal, but you know, it was good fun. | 0:10:48 | 0:10:52 | |
-Miss Fairfax, I'm scared. -But fear is what makes you a man. | 0:10:52 | 0:10:56 | |
You cannot have courage without fear. I want you to remember that. | 0:10:56 | 0:11:00 | |
Then I must be a brave man, for.. | 0:11:00 | 0:11:03 | |
-I'm sorry, I'm sorry. I can't. -Cut, cut! What's the problem? | 0:11:03 | 0:11:07 | |
-Um... -What? -It's just really hard to act opposite this, given the way it looks. | 0:11:07 | 0:11:13 | |
-Yeah, OK. -I can't have its face staring at me like that. -"It"?! | 0:11:13 | 0:11:18 | |
-He worms his way into this charity event run by Sting. -Our host, Sting! | 0:11:18 | 0:11:22 | |
Over here, please. | 0:11:23 | 0:11:25 | |
I got an email from Ricky Gervais, | 0:11:25 | 0:11:28 | |
I think about a week after his Golden Globes success. | 0:11:28 | 0:11:32 | |
Would you call it a success? | 0:11:32 | 0:11:34 | |
I immediately responded, "Fuck off!" | 0:11:34 | 0:11:37 | |
-How long would you sponsor a child like this for? -Usually till they're 18. | 0:11:37 | 0:11:42 | |
18?! Whoa, OK... | 0:11:42 | 0:11:44 | |
How old is she now? | 0:11:44 | 0:11:46 | |
-Um, she's seven. -Seven? -Mm-hm. -Wow! | 0:11:46 | 0:11:49 | |
A lot of them don't live till they're 18, do they? | 0:11:49 | 0:11:52 | |
-That is the tragedy. -Yeah, it's... | 0:11:52 | 0:11:55 | |
So she might not last till she's, I don't know, 12? | 0:11:55 | 0:11:59 | |
-Well, with your help, she will. -Will she? -Mm-hm. -Good. That's good, isn't it? | 0:11:59 | 0:12:03 | |
'It was fun to do.' | 0:12:03 | 0:12:06 | |
I mean, I had the piss taken out of me mercilessly, but it's good for me. | 0:12:06 | 0:12:11 | |
Where do I sign, Stingbo? Just there? | 0:12:11 | 0:12:15 | |
-We've done a cameo with Steve Carell who, because of my big mouth, we get into a lot of trouble. -Mm-hm. | 0:12:17 | 0:12:23 | |
Does that sound possible? | 0:12:23 | 0:12:25 | |
-We're in LA Thursday if you want to do dinner, have a chat? -That sounds great. I'd love to. -Brilliant. | 0:12:25 | 0:12:31 | |
-See you then. -See ya. -OK, good. See you later. -Bye. -Bye. | 0:12:31 | 0:12:36 | |
I must say... | 0:12:36 | 0:12:38 | |
It makes me laugh a bit that he's a household name because of the show | 0:12:38 | 0:12:43 | |
and now I've got to beg him to do the odd guest spot. | 0:12:43 | 0:12:46 | |
-He should be begging ME. Luckiest fucking actor in the world! -Yeah. | 0:12:46 | 0:12:50 | |
Yeah. | 0:12:50 | 0:12:52 | |
Are you still there, Steve? | 0:12:52 | 0:12:54 | |
Yeah. | 0:12:54 | 0:12:56 | |
Sorry, man. I thought I'd hung up. | 0:12:56 | 0:12:59 | |
No. No, you didn't. | 0:12:59 | 0:13:01 | |
That's it. Welcome. Come on in. Shut the door now. | 0:13:01 | 0:13:05 | |
Here we go. Everyone, over here. Look at this! | 0:13:05 | 0:13:09 | |
Look who it is! It's only the beautiful Cat Deeley! Yeah? | 0:13:09 | 0:13:13 | |
When I first got the call about the show, I was slightly nervous about it | 0:13:13 | 0:13:17 | |
because I've seen some of the other shows and they're brilliant, | 0:13:17 | 0:13:21 | |
but sometimes they're close to the mark, so I was a little nervous. | 0:13:21 | 0:13:25 | |
Then I read the few pages I did today and I loved them, laugh-out-loud, hilariously funny. | 0:13:25 | 0:13:31 | |
Cat Deeley, everyone! | 0:13:31 | 0:13:33 | |
MUTED APPLAUSE | 0:13:33 | 0:13:35 | |
Could you be slightly more polite? That's like you hate her. | 0:13:36 | 0:13:40 | |
LAUGHTER | 0:13:40 | 0:13:42 | |
"I've hated Cat Deeley for many fucking years and now she's turned up to my party!" | 0:13:42 | 0:13:47 | |
He runs an agency which Warwick does in real life, | 0:13:50 | 0:13:54 | |
but in this one, he's taken the best jobs for himself. | 0:13:54 | 0:13:58 | |
-He's ripping off other dwarf actors. -Hello. -We're worried there's a conflict of interest. | 0:13:58 | 0:14:03 | |
-If the phone rings, we don't know if you're representing us or taking the best roles for yourself. -He's not. | 0:14:03 | 0:14:09 | |
-The phone never rings. -Yes, it does. | 0:14:10 | 0:14:13 | |
In the script, Warwick is being confronted by his clients | 0:14:13 | 0:14:17 | |
and they're fed up getting awful roles, being fired from cannons. | 0:14:17 | 0:14:21 | |
His nemesis Anthony has done this rousing speech on a local news slot, saying, | 0:14:21 | 0:14:26 | |
"You shouldn't be ridiculed if you're a dwarf. You should be doing roles like Hamlet and Chaucer." | 0:14:26 | 0:14:32 | |
They go along with this and they make Warwick make a show reel for them | 0:14:32 | 0:14:37 | |
and the things they choose to show-reel are inappropriate. | 0:14:37 | 0:14:42 | |
- 352, take one. - And action. | 0:14:42 | 0:14:45 | |
OK. Brokeback Mountain, take one. | 0:14:45 | 0:14:48 | |
-I love you. -Don't tell my wife. -Don't disturb the horses. | 0:14:48 | 0:14:53 | |
-Where did you get this tent from? -Millets. | 0:14:53 | 0:14:57 | |
And cut. Now I'd never get an actor to do anything I wouldn't do myself, | 0:14:57 | 0:15:03 | |
so let me show you what I mean. Merch, come here. | 0:15:03 | 0:15:07 | |
Ready? | 0:15:09 | 0:15:11 | |
-Ready? -Yep! -OK. | 0:15:12 | 0:15:14 | |
Oh...I love you. | 0:15:16 | 0:15:19 | |
-Don't tell my wife. -No. And don't frighten the horses, either. | 0:15:19 | 0:15:23 | |
-Where'd you get the tent? -Millets! It's Millets. -Great. Really good. | 0:15:23 | 0:15:28 | |
Thank you. | 0:15:31 | 0:15:33 | |
-This is like the Generation Game. -LAUGHTER | 0:15:33 | 0:15:37 | |
Now they have a go. | 0:15:37 | 0:15:39 | |
STEPHEN: 'Warwick is also Vice Chairman of a society for small people.' | 0:15:41 | 0:15:48 | |
But he'd rather be Chairman, which means he's never really happy when he's at those meetings. | 0:15:48 | 0:15:55 | |
He always tries to steal the limelight. | 0:15:55 | 0:15:58 | |
I see our struggle exactly like the Civil Rights movement in America. | 0:15:58 | 0:16:03 | |
Of the two of us, I'm more like Martin Luther King. I've got the charisma and a way with words. | 0:16:03 | 0:16:09 | |
But that's not to say Anthony's not got an important role to play, | 0:16:09 | 0:16:13 | |
but he's more of a run-of-the-mill coloured chap. | 0:16:13 | 0:16:17 | |
Yes, I take all the glory and go down in history, but he's not getting shot in the head. | 0:16:17 | 0:16:22 | |
Swings and roundabouts. | 0:16:22 | 0:16:24 | |
-Money-grabbing, egotistical... -But somehow Warwick's natural warmth and humanity seems to excuse | 0:16:24 | 0:16:31 | |
-all of his terrible behaviour. -Well, comedy is about empathy. | 0:16:31 | 0:16:35 | |
I do like the flawed character. | 0:16:35 | 0:16:39 | |
We love life's losers, but they're trying. If you didn't care, it wouldn't be interesting. | 0:16:39 | 0:16:45 | |
If he succeeded, it wouldn't be funny. So you have to have a bit of everything. | 0:16:45 | 0:16:51 | |
He has to have flaws, but it has to be grounded in humanity. You have to care for him a bit | 0:16:51 | 0:16:57 | |
or at least like to watch him fall over, sometimes literally. | 0:16:57 | 0:17:02 | |
LAUGHTER | 0:17:16 | 0:17:18 | |
I really enjoy that element, that slapstick. To be allowed to do that has been really great. | 0:17:18 | 0:17:24 | |
-I don't think you see it often enough now on TV anyway. -It's just funny. -And works with the character. | 0:17:24 | 0:17:31 | |
It's always at the point when everything's going fairly well and he thinks this is his moment. | 0:17:31 | 0:17:37 | |
When he gets his comeuppance, he's usually showing off. | 0:17:37 | 0:17:41 | |
If she comes over, don't say you're my date. Say you're my sister. | 0:17:44 | 0:17:49 | |
Oh! Ah! | 0:17:58 | 0:18:00 | |
Wow! Did you see that? Just... Didn't quite manage it there. | 0:18:07 | 0:18:11 | |
Whoof. | 0:18:11 | 0:18:13 | |
Get this cleared up. She's going. Bye! | 0:18:13 | 0:18:17 | |
The Office reflected those quaint, old-fashioned docu-soaps that found ordinary people | 0:18:17 | 0:18:24 | |
-going about their lives who became sort of famous. -Mm-hm. | 0:18:24 | 0:18:29 | |
-Maureen from Driving School. -Exactly. Jeremy Spake. | 0:18:29 | 0:18:33 | |
But this one is much more modern. It reflects these harsher ones, | 0:18:33 | 0:18:37 | |
where people live their life like an open wound to get a bit more fame. | 0:18:37 | 0:18:42 | |
It's a little bit awkward, this. | 0:18:42 | 0:18:44 | |
I don't want to put you on the spot, but I'm getting a bit desperate. | 0:18:44 | 0:18:49 | |
I wonder if you could... maybe give me five grand, just to live on? | 0:18:49 | 0:18:56 | |
Treat it like a charity donation. | 0:18:56 | 0:18:58 | |
-But you're not a charity, Warwick. -As good as. You know... | 0:18:58 | 0:19:02 | |
I've got no work, no money, I'm homeless. I am a charity case. | 0:19:02 | 0:19:07 | |
'The camera's often a catalyst' | 0:19:07 | 0:19:09 | |
-for that as well. He's in a corner AND there's a camera there. -Yeah. | 0:19:09 | 0:19:14 | |
He's signed with the devil. He said, "Yeah, make me famous and I'll do anything you want." | 0:19:14 | 0:19:21 | |
OK. | 0:19:21 | 0:19:22 | |
-I found it. Simple. It's just a couple of tubes. -You'd make a good plumber. | 0:19:22 | 0:19:28 | |
-You could get in all the little crevices, couldn't you? -Yeah, I could, couldn't I? | 0:19:28 | 0:19:34 | |
-Something for when the acting work dries up. -Why would you say that in front of...? | 0:19:34 | 0:19:40 | |
'One reason we went back' | 0:19:40 | 0:19:43 | |
to the documentary style is when we finished The Office we were exhausted by its limitations. | 0:19:43 | 0:19:49 | |
We'd run out of steam. But after a while we got itchy to go back because it offers... | 0:19:49 | 0:19:54 | |
Obviously, it offers an automatic sense of realism and naturalism | 0:19:54 | 0:19:59 | |
that just feeds into the believability of the world. | 0:19:59 | 0:20:02 | |
A faux pas is embarrassing when it happens, but it's usually with one or two people. | 0:20:02 | 0:20:08 | |
-This is going out around the world. -It's a constant witness to every humiliation. | 0:20:08 | 0:20:13 | |
It's good for the audience. When someone looks down a lens, it brings them into their embarrassment. | 0:20:13 | 0:20:20 | |
They feel the pain...of someone getting caught doing something. | 0:20:20 | 0:20:24 | |
-What is this, then? -A documentary. | 0:20:26 | 0:20:29 | |
-What? About...? -About me, yeah. | 0:20:30 | 0:20:32 | |
-That's good exposure. -That's what I thought. It's all good. | 0:20:36 | 0:20:40 | |
-See you later. -Yeah, see you later. | 0:20:43 | 0:20:46 | |
People have already made their mind up that this is a cruel comedy | 0:20:47 | 0:20:51 | |
because there's a little person involved, so it has to be cruel. | 0:20:51 | 0:20:56 | |
-It couldn't be further from the truth. -A lot of people keep saying to me, "You're being controversial." | 0:20:56 | 0:21:03 | |
-It never occurred to me that it was. -It's not a controversial subject. -Do you feel it is? -Not at all. | 0:21:03 | 0:21:10 | |
This character... It's incidental that he's short. | 0:21:10 | 0:21:13 | |
-Absolutely. It... Yeah. -It just happens that I play him. | 0:21:13 | 0:21:18 | |
Warwick Davis exists. This is what he looks like. | 0:21:18 | 0:21:21 | |
It's not... We haven't got an actor and put shoes on their knees and made them walk around | 0:21:21 | 0:21:28 | |
doing jokes about being small. You know... | 0:21:28 | 0:21:32 | |
-He tried it, but... -I wanted this part. | 0:21:32 | 0:21:35 | |
-Warwick? -Yeah? | 0:21:42 | 0:21:45 | |
-Hi. I'm Amy. -Hello. | 0:21:45 | 0:21:48 | |
Will you excuse me for a minute? | 0:21:52 | 0:21:54 | |
Come here. She's a dwarf! She kept that quiet, didn't she? | 0:21:57 | 0:22:02 | |
There's no clue in that picture. That should be a full body shot. | 0:22:02 | 0:22:07 | |
With her stood next to a matchbox, like when they show how big a moth is. There's no clue there! | 0:22:07 | 0:22:13 | |
Where's the arms?! | 0:22:13 | 0:22:15 | |
Sneaky. | 0:22:15 | 0:22:17 | |
There's a lot of rich material that is very funny, | 0:22:17 | 0:22:21 | |
but it's not funny in the way of, | 0:22:21 | 0:22:22 | |
"Ha ha! They're freakish. Let's point and laugh AT them," | 0:22:22 | 0:22:27 | |
which I've seen a lot of in comedy. | 0:22:27 | 0:22:30 | |
It's actually coming from a place of, "OK, what's the point of view?" | 0:22:30 | 0:22:35 | |
Having consulted and talked with and learnt a little bit about the world of, where is the humour in it? | 0:22:35 | 0:22:42 | |
And where is the humour in, you know, the kind of social situations? | 0:22:42 | 0:22:48 | |
Not just pointing and laughing at somebody who's grossly deformed and thinking that's hilarious. | 0:22:48 | 0:22:54 | |
It comes from a smarter place. | 0:22:54 | 0:22:56 | |
Shall we try it again and this time don't presume you know who I'm meeting. | 0:22:56 | 0:23:01 | |
-Hi, sir. -Hello. I'm here to meet a woman. -OK. | 0:23:04 | 0:23:08 | |
-What is the choice of women tonight? -We have two waiting. -You just point them out and I'll tell you. | 0:23:08 | 0:23:14 | |
-There's the tall lady over there... -Don't mention size. -Or that lady. | 0:23:14 | 0:23:18 | |
-Oh, yeah. There she is. -OK, so you are meeting her. | 0:23:18 | 0:23:23 | |
What was brilliant in your writing was you picked up on prejudices that the world has towards... | 0:23:23 | 0:23:29 | |
people who are different, but certainly people who are small. | 0:23:29 | 0:23:33 | |
You really got into the head of somebody who is small, my character, and showed the world from my view | 0:23:33 | 0:23:39 | |
'and how other people can often be in the way they react towards me.' | 0:23:39 | 0:23:44 | |
-Sorry to bother you. Can I get a picture? -Anything for a fan. | 0:23:44 | 0:23:48 | |
-Fan? -Yeah. -Fan of what? -Fan of me. | 0:23:48 | 0:23:52 | |
-Why? Who are you? -Warwick Davis, famous actor. | 0:23:52 | 0:23:55 | |
-If you don't know who I am, why do you want a picture? -Cos it's funny, a dwarf carrying a box. | 0:23:56 | 0:24:03 | |
-Do you mind if I film you? -Why?! -Cos that's even funnier. | 0:24:03 | 0:24:07 | |
It's not a show that has relentless jokes about being small. It's not about that. | 0:24:07 | 0:24:13 | |
He's got a small man complex. | 0:24:13 | 0:24:15 | |
-Would you like me to get it down for you? -No! -I can get it. -No! It's fine. I can manage. | 0:24:15 | 0:24:23 | |
'Warwick, what has the experience of playing yourself, but not yourself been like?' | 0:24:28 | 0:24:34 | |
The character is far removed from me, you know. | 0:24:34 | 0:24:38 | |
I haven't got a huge ego. I don't crave fame and attention. | 0:24:38 | 0:24:43 | |
But it's been really fun. | 0:24:43 | 0:24:45 | |
And quite liberating in a way to play out all those things you often suppress as a person | 0:24:45 | 0:24:52 | |
because of politeness. It's fun to play. | 0:24:52 | 0:24:55 | |
-Do you think I'm good looking? -Yeah. -Not just for a dwarf. -Yes. | 0:24:55 | 0:25:00 | |
-It doesn't count cos you're a dwarf. -What? -Your standards are probably pretty low. | 0:25:00 | 0:25:05 | |
-It's got a lot more flavours than our previous work. -There's the domestic side... -Yeah. | 0:25:05 | 0:25:11 | |
We never had that in The Office. We never saw outside that office. | 0:25:11 | 0:25:16 | |
There was a very defined sit in sitcom, The Office. | 0:25:16 | 0:25:20 | |
Extras was very much about friendship with that backdrop of media, | 0:25:20 | 0:25:25 | |
whereas here he's got his showbiz side, he's got his domestic side, his love life. | 0:25:25 | 0:25:31 | |
His friends, his attitude, his ambitions. | 0:25:33 | 0:25:37 | |
Everything is... He's just trying to get something. He'll try to take anything from the world. | 0:25:37 | 0:25:43 | |
It was the wrong time for comedy. | 0:25:47 | 0:25:50 | |
Want to go into the toilet with me? | 0:25:50 | 0:25:52 | |
Are you getting all this?! | 0:25:52 | 0:25:54 | |
-What are you doing?! -I put my arm round you. | 0:25:54 | 0:25:57 | |
-Warwick hasn't bid yet. -Grass. | 0:25:57 | 0:26:00 | |
What are your hopes for the future? | 0:26:00 | 0:26:03 | |
Sales and Marketing. | 0:26:03 | 0:26:05 | |
He can't afford it. I'm his accountant. | 0:26:05 | 0:26:09 | |
I'm a funny guy, aren't I? | 0:26:09 | 0:26:11 | |
Yeah...definitely. | 0:26:11 | 0:26:14 | |
-Will these johnnies fit a dwarf? -What? -Got one here. | 0:26:14 | 0:26:17 | |
-How can you not know Heigh-Ho? -Something about whisky? | 0:26:17 | 0:26:20 | |
You're a disgusting little creature and I want to squash you. | 0:26:20 | 0:26:25 | |
-You got everything? -Yeah. -Got your special shampoo? -Yes1 | 0:26:25 | 0:26:28 | |
His real name's Gordon! | 0:26:28 | 0:26:31 | |
-Give me a kiss. -Hmm... | 0:26:31 | 0:26:33 | |
We've had a ball, haven't we? Eight weeks of sheer fun. Joking aside, | 0:26:33 | 0:26:38 | |
-this little guy is amazing. -Brilliant. -He's the comedy sensation of this year, I think. | 0:26:38 | 0:26:44 | |
That's very nice, coming from you. Thank you. | 0:26:44 | 0:26:48 | |
Be good. Look after yourself. Right, Tom and Jerry, get in! I've had it with this pair. | 0:26:48 | 0:26:54 | |
A couple of clowns! In! | 0:26:54 | 0:26:57 | |
When are you going to say, "Cut"? It's a long way on little legs. | 0:27:13 | 0:27:18 | |
Let him walk! | 0:27:18 | 0:27:20 | |
-Look, he's still going! He's still fucking going! -It's not fair! Don't! | 0:27:25 | 0:27:31 | |
-I'm going to call "cut". -You're winding me up. -Wait 'til he gets to the end! What'll he do? | 0:27:31 | 0:27:37 | |
RICKY LAUGHS | 0:27:37 | 0:27:40 | |
-Oh, this is ridiculous! -Cut! | 0:27:40 | 0:27:44 | |
I don't think I ever let her down in the bedroom department. | 0:27:44 | 0:27:49 | |
-No... -You know, I... | 0:27:49 | 0:27:51 | |
-I'd like to think that I always satisfied and, em... -Sorry! I'm out of character here! | 0:27:51 | 0:27:58 | |
I couldn't do that! | 0:27:58 | 0:28:01 | |
As far as I'm concerned, I gave 110%. | 0:28:01 | 0:28:04 | |
Every time. Quality job. | 0:28:04 | 0:28:07 | |
-That was good. I was in trouble there. -"Quality job." He ticked the air. | 0:28:09 | 0:28:15 | |
"Quality job." Ahh...do that again. | 0:28:15 | 0:28:19 | |
-Keep driving. -OK. | 0:28:19 | 0:28:22 | |
LAUGHTER | 0:28:26 | 0:28:28 | |
Cut! | 0:28:34 | 0:28:36 | |
Aaaah! | 0:28:40 | 0:28:41 | |
Oh, my God... | 0:28:44 | 0:28:46 | |
Oh, God! | 0:28:47 | 0:28:48 | |
That's so childish. | 0:28:48 | 0:28:50 | |
God. | 0:28:50 | 0:28:52 | |
RICKY HOOTS WITH LAUGHTER | 0:28:52 | 0:28:55 |