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Here, | 0:00:02 | 0:00:04 | |
you know how there's that one person that you just see everywhere? | 0:00:04 | 0:00:08 | |
You don't know them, you've never met them, | 0:00:08 | 0:00:10 | |
but you just see them all the time? | 0:00:10 | 0:00:12 | |
Well, see that guy there? | 0:00:12 | 0:00:14 | |
He's mine. | 0:00:18 | 0:00:19 | |
Welcome to Limmy's Show, my friend. | 0:00:21 | 0:00:23 | |
APPLAUSE | 0:00:37 | 0:00:38 | |
Hello, my name's Raymond Day and welcome to Paraside. | 0:00:40 | 0:00:43 | |
OK, let's see where the spirit takes us. | 0:00:43 | 0:00:46 | |
Can someone understand, please? | 0:00:48 | 0:00:50 | |
I have here in spirit an older gentleman...? | 0:00:50 | 0:00:53 | |
Whose brother has also passed to spirit? | 0:00:53 | 0:00:57 | |
And I have a strong feeling that he wishes to connect with | 0:00:57 | 0:01:02 | |
a lady in the audience. | 0:01:02 | 0:01:04 | |
You understand this? | 0:01:04 | 0:01:06 | |
My dad passed away and his brother, my uncle, had already passed. | 0:01:06 | 0:01:10 | |
Oh, that's tragic. | 0:01:10 | 0:01:12 | |
Well, there's only one of them here. I take it you've come for Dad? | 0:01:12 | 0:01:16 | |
It's Uncle. | 0:01:16 | 0:01:17 | |
But don't be downhearted. No doubt your father loves you, | 0:01:17 | 0:01:21 | |
but oh, oh, your uncle, oh, he likes you. | 0:01:21 | 0:01:23 | |
Oh, he likes you! | 0:01:24 | 0:01:26 | |
He follows you absolutely everywhere and watches over everything you do. | 0:01:27 | 0:01:32 | |
And I mean everything! | 0:01:33 | 0:01:34 | |
Like he's just showing me there like the time you were in the shower | 0:01:34 | 0:01:38 | |
and the water went cold, and gave you a fright? | 0:01:38 | 0:01:42 | |
Yeah, it does that sometimes. | 0:01:42 | 0:01:43 | |
Yeah, he was just standing there watching you as usual. | 0:01:43 | 0:01:46 | |
And then you screamed and jumped out your skin. | 0:01:46 | 0:01:48 | |
I think he got a bigger fright than you! | 0:01:48 | 0:01:50 | |
LAUGHTER FROM STUDIO AUDIENCE | 0:01:50 | 0:01:52 | |
And who are you, my love? Is this partner? | 0:01:52 | 0:01:54 | |
Yeah, this is my husband. | 0:01:54 | 0:01:56 | |
Husband, yeah, I'm getting the sense that your uncle | 0:01:56 | 0:01:59 | |
is so happy for you both. | 0:01:59 | 0:02:01 | |
He loves watching the two of you together. | 0:02:01 | 0:02:03 | |
You're such an affectionate couple. | 0:02:03 | 0:02:06 | |
But he's saying, "See him? | 0:02:06 | 0:02:08 | |
"He needs to spend more time with you". | 0:02:08 | 0:02:11 | |
Do you understand this? | 0:02:11 | 0:02:13 | |
He needs to spend more time with you. | 0:02:13 | 0:02:16 | |
AUDIENCE: Ooh! | 0:02:16 | 0:02:18 | |
OK, it's a family show! | 0:02:18 | 0:02:19 | |
LAUGHTER | 0:02:19 | 0:02:20 | |
But most of all your uncle just loves to watch you sleep. | 0:02:20 | 0:02:24 | |
At the end of a long day when you kick off your heels, | 0:02:24 | 0:02:28 | |
peel off your clothes, and get into bed beside your husband. | 0:02:28 | 0:02:32 | |
STUDIO AUDIENCE: Aw! | 0:02:32 | 0:02:34 | |
I'll leave his love with y... Oh, hold on. | 0:02:34 | 0:02:37 | |
Who's this? | 0:02:37 | 0:02:38 | |
We've got someone else coming. | 0:02:39 | 0:02:41 | |
It's Dad! | 0:02:41 | 0:02:42 | |
Dad's come through! | 0:02:42 | 0:02:44 | |
APPLAUSE | 0:02:44 | 0:02:46 | |
I can see that they're brothers, but there's one difference, isn't there. | 0:02:46 | 0:02:49 | |
-Em... -There's that one big difference between them. | 0:02:49 | 0:02:52 | |
You can't remember? | 0:02:52 | 0:02:53 | |
Oh, the hair? | 0:02:53 | 0:02:55 | |
My uncle had a thick head of hair but my dad...didn't. | 0:02:55 | 0:03:00 | |
Sorry, Dad! | 0:03:00 | 0:03:02 | |
I see, so your dad was bald but your uncle wasn't? | 0:03:02 | 0:03:05 | |
Yeah. | 0:03:05 | 0:03:06 | |
Then I think I've got this mixed up. | 0:03:06 | 0:03:08 | |
That was your dad speaking. Why didn't he say? | 0:03:08 | 0:03:11 | |
Och, that's good, to be honest when I thought it was your uncle | 0:03:11 | 0:03:14 | |
watching you, I thought, "Oh, that's a bit creepy"! | 0:03:14 | 0:03:17 | |
Anyway, I'll leave their love with you. | 0:03:17 | 0:03:20 | |
APPLAUSE | 0:03:20 | 0:03:21 | |
Any of you into Westlife? | 0:03:30 | 0:03:32 | |
Westlife? | 0:03:34 | 0:03:36 | |
No, I know I used to think they were pish an' all, | 0:03:37 | 0:03:39 | |
but, got dragged along to one of their concerts one night, | 0:03:39 | 0:03:42 | |
was all the way down the front row next to the speakers. | 0:03:42 | 0:03:46 | |
Honestly, man. See the base that came out of those speakers | 0:03:46 | 0:03:48 | |
when they played Uptown Girl, | 0:03:48 | 0:03:51 | |
I was like that - "Get in there, man, get in". | 0:03:51 | 0:03:54 | |
Good by the way. Aye. | 0:03:54 | 0:03:56 | |
Some banter on 'em an' all, man. | 0:03:56 | 0:03:59 | |
Here, how good would it be if you could do this? | 0:04:34 | 0:04:36 | |
Eh? | 0:04:38 | 0:04:39 | |
GLASS SMASHES | 0:04:41 | 0:04:42 | |
I meant just me! | 0:04:44 | 0:04:45 | |
Thank you for joining us. | 0:05:08 | 0:05:10 | |
My name is Larry Forsyth, and with me is Dr Stuart. | 0:05:10 | 0:05:13 | |
This week Dr Stuart will be administering me with Dreadnought. | 0:05:13 | 0:05:17 | |
A drug first used during The Great War | 0:05:17 | 0:05:20 | |
because it provided the soldier with added bravery. | 0:05:20 | 0:05:23 | |
An hour and a half later, I was beginning to feel definite effects. | 0:05:23 | 0:05:27 | |
What are you looking at? | 0:05:34 | 0:05:35 | |
I'm looking at you, Larry. | 0:05:35 | 0:05:38 | |
Who do you think you're looking at? | 0:05:38 | 0:05:40 | |
I'm looking at you. | 0:05:40 | 0:05:42 | |
Where is it you think I'm looking? | 0:05:42 | 0:05:44 | |
Shut your BLEEP mouth. | 0:05:44 | 0:05:45 | |
Do you realise you're being quite confrontational? | 0:05:45 | 0:05:48 | |
Yes, I am. I apologise. | 0:05:48 | 0:05:50 | |
It's quite all right. | 0:05:50 | 0:05:52 | |
-Was it? -Yes. | 0:05:52 | 0:05:54 | |
And what if it wasn't? | 0:05:54 | 0:05:55 | |
What if it wasn't what, Larry? | 0:05:55 | 0:05:57 | |
What if it wasn't all right? | 0:05:57 | 0:05:58 | |
What if you're not all right with the things I'm saying to you? | 0:05:58 | 0:06:01 | |
What the BLEEP would you do about it? | 0:06:01 | 0:06:03 | |
You're becoming quite aggressive again, Larry. | 0:06:03 | 0:06:05 | |
Yes, I am. I apologise. | 0:06:05 | 0:06:08 | |
And stop Larrying me. | 0:06:08 | 0:06:10 | |
Could you tell me what it is you're feeling, | 0:06:10 | 0:06:12 | |
what emotions are driving you at this moment? | 0:06:12 | 0:06:15 | |
I'm feeling the urge to strike you. | 0:06:15 | 0:06:19 | |
To strike your face and your body. | 0:06:19 | 0:06:22 | |
I see. | 0:06:22 | 0:06:23 | |
Do you think you could stop me if I tried? | 0:06:23 | 0:06:25 | |
I wouldn't like to find out. | 0:06:25 | 0:06:27 | |
Shall I take that as a maybe? | 0:06:27 | 0:06:29 | |
Larry. | 0:06:29 | 0:06:30 | |
I told you to not Larry me. | 0:06:30 | 0:06:32 | |
Do you feel that when I say your name..? | 0:06:32 | 0:06:34 | |
-Your wife is a floozy. -I'm sorry? | 0:06:34 | 0:06:36 | |
You heard me. | 0:06:36 | 0:06:37 | |
My wife is a floozy? | 0:06:37 | 0:06:39 | |
-Oh, you've heard, have you? -Larry, you're behaving... | 0:06:39 | 0:06:41 | |
-I told you not to Larry me. -Larry. | 0:06:41 | 0:06:44 | |
Are you deaf? | 0:06:44 | 0:06:46 | |
Are you deaf?! | 0:06:46 | 0:06:47 | |
Could you sit down, please. | 0:06:47 | 0:06:49 | |
Why don't you try and make me sit down? | 0:06:49 | 0:06:51 | |
You're being rather frightening. | 0:06:51 | 0:06:53 | |
Your wife is a floozy. | 0:06:55 | 0:06:57 | |
I must ask you not to say that again. | 0:06:57 | 0:07:00 | |
Your wife is a floozy, your wife is a floozy, | 0:07:00 | 0:07:02 | |
your wife is a floozy. | 0:07:02 | 0:07:03 | |
'At this point in the experiment, I had to be subdued.' | 0:07:15 | 0:07:18 | |
Floozy! | 0:07:24 | 0:07:25 | |
A lot of shite, this place. A lot of shite. | 0:07:28 | 0:07:31 | |
I wish I could escape and get away from everybody. It's a lot of shite. | 0:07:31 | 0:07:35 | |
Fuck off! | 0:07:54 | 0:07:55 | |
I mean, everybody was steaming, right. | 0:07:56 | 0:07:58 | |
But Billy's dad, he's practically sleeping standing up. | 0:07:58 | 0:08:01 | |
Have you ever seen the video for...erm...Smooth Criminal? | 0:08:01 | 0:08:04 | |
Aye, aye. | 0:08:04 | 0:08:06 | |
Well, he's like this. Come here, come here. | 0:08:06 | 0:08:08 | |
Right, get round there. | 0:08:10 | 0:08:12 | |
Right, hold us up. He's like that. | 0:08:12 | 0:08:14 | |
Like there's some mad gale holding him up! | 0:08:14 | 0:08:16 | |
No idea of how he was managing it. | 0:08:16 | 0:08:18 | |
It's like his feet were, were glued to the deck. | 0:08:18 | 0:08:21 | |
You know but, phew, | 0:08:21 | 0:08:22 | |
I was in the same state by about twelve o'clock or - so I was told! | 0:08:22 | 0:08:25 | |
Right. I can't remember anything, | 0:08:25 | 0:08:27 | |
but what I can remember is thinking, it's a shame for Billy's dad | 0:08:27 | 0:08:31 | |
right, cos he's away, and he's totally, his mind... | 0:08:31 | 0:08:34 | |
The police have got a pure hard time, haven't they. | 0:08:39 | 0:08:42 | |
Who? | 0:08:42 | 0:08:44 | |
The police. Just get a pure hard time, don't they? | 0:08:44 | 0:08:47 | |
It's like nobody ever speaks to them, nobody ever, you walk past them | 0:08:47 | 0:08:50 | |
and they never speak to them and that, just give them pure | 0:08:50 | 0:08:52 | |
dirty looks but they're, like, the first people, if you're attacked, | 0:08:52 | 0:08:56 | |
they're like the first people you speak to, the first people you phone. | 0:08:56 | 0:08:59 | |
Like, mad, they come to your door, come to your door pure friendly | 0:08:59 | 0:09:03 | |
and all that, and my sister, she got burgled, she phoned, | 0:09:03 | 0:09:06 | |
they're straight at the door, friendly. | 0:09:06 | 0:09:07 | |
Aye, it's just - it's a shame for them. | 0:09:07 | 0:09:10 | |
Just nobody speaks... | 0:09:10 | 0:09:13 | |
Oh, I feel gallus, man. | 0:09:13 | 0:09:15 | |
-Oh, look who it is. All right? -All right? -All right? | 0:09:16 | 0:09:19 | |
How's things? | 0:09:19 | 0:09:20 | |
Not bad. Yourself? | 0:09:20 | 0:09:21 | |
Good, good, working away. | 0:09:21 | 0:09:23 | |
-Still doing scaffolding? -No, I chucked that years ago. You? | 0:09:23 | 0:09:25 | |
I don't mean to be rude but I'm just going to go and book the classes, | 0:09:25 | 0:09:28 | |
-all right? -Right. | 0:09:28 | 0:09:31 | |
Well, I was just doing the whole website thing. | 0:09:31 | 0:09:33 | |
I chucked that an' all. You still in Glasgow? | 0:09:33 | 0:09:35 | |
East End. It's all right. | 0:09:35 | 0:09:37 | |
I'm still in Partick. | 0:09:37 | 0:09:39 | |
Right. So... | 0:09:39 | 0:09:40 | |
What are you into these days? | 0:09:43 | 0:09:45 | |
I've got a secret hamster. | 0:09:48 | 0:09:50 | |
Keep it up in my loft. | 0:09:50 | 0:09:53 | |
She thinks I'm up there trying to fix a leak in the roof, | 0:09:53 | 0:09:55 | |
but, up there feeding it. | 0:09:55 | 0:09:57 | |
Giving it a wee clap. | 0:09:57 | 0:09:59 | |
Nobody knows? | 0:09:59 | 0:10:01 | |
Nobody. | 0:10:01 | 0:10:03 | |
My son got suspicious. | 0:10:03 | 0:10:04 | |
He was like that, "What leak, Dad? What are you doing up there?" | 0:10:04 | 0:10:08 | |
I says, "Son, you don't want to know". | 0:10:08 | 0:10:10 | |
He hasn't asked since, | 0:10:10 | 0:10:12 | |
I don't know what he thinks I'm doing but, it won't be that. | 0:10:12 | 0:10:15 | |
Yourself? | 0:10:15 | 0:10:16 | |
See, on my way to work, I pass this dump. | 0:10:16 | 0:10:19 | |
It's not a real dump. It's just like a bit of spare ground | 0:10:19 | 0:10:22 | |
-people use for... -Fly tipping. -Aye. | 0:10:22 | 0:10:26 | |
Well, see in there, there's this wardrobe, right, | 0:10:26 | 0:10:28 | |
It's been there for months. | 0:10:28 | 0:10:30 | |
I get in the wardrobe, | 0:10:30 | 0:10:32 | |
sometimes for ten minutes, | 0:10:32 | 0:10:34 | |
sometimes for ten hours. | 0:10:34 | 0:10:36 | |
Told her last week, last Friday, | 0:10:36 | 0:10:38 | |
"I'll be away working all weekend, | 0:10:38 | 0:10:40 | |
"not be back till Monday, working on the rigs". | 0:10:40 | 0:10:43 | |
I was in the wardrobe all weekend. | 0:10:43 | 0:10:45 | |
Fucking laughing my head off. | 0:10:45 | 0:10:47 | |
I've got to get one for the loft. | 0:10:47 | 0:10:50 | |
Get what for the loft? | 0:10:50 | 0:10:51 | |
-I better go. See you later, right. -Right, see you later. | 0:10:51 | 0:10:54 | |
-Just something to fix that leak. -Och, that leak! | 0:10:54 | 0:10:57 | |
I went to see a movie, everyone said it was great, | 0:11:00 | 0:11:02 | |
it's like 92 on Metacritic. | 0:11:02 | 0:11:04 | |
But it was, it was OK, it was just OK. | 0:11:04 | 0:11:06 | |
I got the new OS. Everyone said it's full of these great new features. | 0:11:06 | 0:11:09 | |
It's supposed to be better and faster, but it's not, | 0:11:09 | 0:11:11 | |
it's slower and worse! | 0:11:11 | 0:11:12 | |
I went to a gig. They're my favourite band. | 0:11:12 | 0:11:14 | |
I used to love them but they didn't sound the same! | 0:11:14 | 0:11:16 | |
They didn't sound good but everyone said they were great, | 0:11:16 | 0:11:19 | |
but they weren't! They were shit! Everything's shit! | 0:11:19 | 0:11:21 | |
Everything's shit, everything's changed! Everything used to be so good! | 0:11:21 | 0:11:24 | |
We said we'd all go travelling, my friends, | 0:11:24 | 0:11:26 | |
we'd go to Thailand and maybe Laos. | 0:11:26 | 0:11:28 | |
But no-one went, everyone's got jobs and mortgages | 0:11:28 | 0:11:31 | |
and now some of them are having kids! | 0:11:31 | 0:11:32 | |
Everything's shit! Everything's shit! Everything's shit! | 0:11:32 | 0:11:35 | |
Now he gets it. | 0:11:35 | 0:11:37 | |
Oh, I forgot - going to get a packet of paracetamol? | 0:11:39 | 0:11:42 | |
-Right. -In fact get two. | 0:11:42 | 0:11:43 | |
Two!? | 0:11:43 | 0:11:45 | |
But they'll think I'm trying to top myself. | 0:11:45 | 0:11:48 | |
-Hi. -Hi. Hiya! | 0:11:52 | 0:11:56 | |
All right. You all right? | 0:11:57 | 0:12:00 | |
Aye. Fine, thanks. | 0:12:00 | 0:12:01 | |
Fine, is that all? | 0:12:01 | 0:12:03 | |
I feel amazing, man. I feel amazing! | 0:12:03 | 0:12:07 | |
I feel, I feel, pure dead brilliant. | 0:12:07 | 0:12:10 | |
I feel br... I feel amazing. | 0:12:10 | 0:12:12 | |
I've got a wee bit of a headache, so I think I'll have two packets of... | 0:12:12 | 0:12:16 | |
two packets of... | 0:12:16 | 0:12:17 | |
Here, some day, isn't it? Eh? | 0:12:19 | 0:12:21 | |
Some day. I woke up this morning, I thought, "Some day, isn't it". | 0:12:22 | 0:12:26 | |
I know it was raining this morning but I love the weather. | 0:12:26 | 0:12:30 | |
I wake up and I think, "What's the weather got in store for me?" | 0:12:30 | 0:12:33 | |
and my family and my loved ones and my pals and all that. | 0:12:33 | 0:12:36 | |
Cos I've got tonnes of loved ones, and friends and family, | 0:12:36 | 0:12:39 | |
you know, that support me and all that. | 0:12:39 | 0:12:41 | |
I'm very lucky, I've got everything to live for, you know? | 0:12:41 | 0:12:43 | |
You know, I love the weather, but the thing is with the rain, | 0:12:43 | 0:12:46 | |
sometimes you don't feel like going out to the shops, | 0:12:46 | 0:12:48 | |
so it's good to stock up. | 0:12:48 | 0:12:50 | |
So for that reason I think I'll have no' one but two packets of... | 0:12:50 | 0:12:53 | |
Two packets of... | 0:12:55 | 0:12:56 | |
LAUGHS INSINCERELY | 0:12:58 | 0:12:59 | |
It's good to laugh sometimes, isn't it. | 0:13:01 | 0:13:03 | |
You know life, when you think about life.. | 0:13:03 | 0:13:05 | |
You never think about life and you're like... | 0:13:05 | 0:13:08 | |
LAUGHS FALSELY | 0:13:08 | 0:13:09 | |
LAUGHS WILDLY | 0:13:11 | 0:13:14 | |
Look, mate, if I wanted to do it, I'd do this. | 0:13:16 | 0:13:19 | |
Can I have two packets of paracetamol, please? | 0:13:22 | 0:13:26 | |
He's sleeping right now, isn't it? | 0:13:51 | 0:13:54 | |
What? | 0:13:55 | 0:13:56 | |
It's just funny to think he's sleeping, | 0:13:56 | 0:13:59 | |
him from the... The Usual Suspects. | 0:13:59 | 0:14:02 | |
Who? | 0:14:02 | 0:14:04 | |
Kevin Spacey? | 0:14:04 | 0:14:05 | |
Aye, no, the other one, the other main one. | 0:14:05 | 0:14:08 | |
It isn't Kevin Spacey, what's his name? | 0:14:08 | 0:14:10 | |
Gabriel Byrne? | 0:14:10 | 0:14:12 | |
Aye, that's it, aye. | 0:14:12 | 0:14:13 | |
Funny to think he's sleeping right now, isn't it? Isn't it, funny | 0:14:13 | 0:14:16 | |
thinking he's sleeping right now, and I'm thinking about him. | 0:14:16 | 0:14:20 | |
He's in bed and I'm thinking about him sleeping. | 0:14:20 | 0:14:22 | |
Are you thinking about him sleeping? | 0:14:22 | 0:14:24 | |
Just lying in bed, like, dreaming and, it's funny to think, | 0:14:24 | 0:14:29 | |
imagine he's... and I'm thinking about him dreaming. | 0:14:29 | 0:14:32 | |
Funny thing, imagine, eh, he was dreaming about us, | 0:14:32 | 0:14:35 | |
thinking about him...about the films we've seen. | 0:14:35 | 0:14:39 | |
So... | 0:14:41 | 0:14:42 | |
Christine's pregnant. | 0:14:42 | 0:14:44 | |
Oh, really? Congratulations, mate. | 0:14:44 | 0:14:45 | |
When's it due? | 0:14:45 | 0:14:47 | |
30th August, we think. | 0:14:47 | 0:14:48 | |
Do you know what it is yet? Boy, lassie? | 0:14:48 | 0:14:49 | |
No, it's too early for that. | 0:14:49 | 0:14:51 | |
But listen we were thinking, if it is a boy, | 0:14:51 | 0:14:54 | |
we'll maybe name him after you. | 0:14:54 | 0:14:55 | |
No! | 0:14:55 | 0:14:57 | |
No, don't do that. Are you serious? | 0:14:57 | 0:15:01 | |
Aye, not in your honour or nothing, | 0:15:01 | 0:15:02 | |
but well, your name came up, and it's got a nice ring to it. | 0:15:02 | 0:15:05 | |
Seamus McPhee. | 0:15:05 | 0:15:07 | |
Seamus? | 0:15:08 | 0:15:10 | |
Aye. | 0:15:10 | 0:15:11 | |
But my name's not... | 0:15:12 | 0:15:14 | |
Oh, right, his name's Seamus McPhee. | 0:15:14 | 0:15:16 | |
You're using my name for his middle name? | 0:15:16 | 0:15:18 | |
No. That'd be a bit daft, eh? | 0:15:18 | 0:15:19 | |
Seamus, Seamus McPhee. | 0:15:19 | 0:15:21 | |
Seamus? All right. | 0:15:22 | 0:15:25 | |
His middle name is Seamus, | 0:15:25 | 0:15:26 | |
you're using my name for his first name, so it's Brian Seamus McPhee. | 0:15:26 | 0:15:30 | |
Brian? | 0:15:30 | 0:15:31 | |
Aye. | 0:15:31 | 0:15:32 | |
Why Brian? | 0:15:32 | 0:15:34 | |
I thought you said you were using my name? | 0:15:34 | 0:15:36 | |
Aye.... Oh, right, is your middle name Brian? | 0:15:36 | 0:15:38 | |
No. | 0:15:38 | 0:15:40 | |
What are you on about? | 0:15:40 | 0:15:41 | |
What are YOU on about? | 0:15:41 | 0:15:42 | |
My name's not Seamus. | 0:15:42 | 0:15:45 | |
Aye, it is. | 0:15:45 | 0:15:46 | |
Right, you're starting to freak me out now. | 0:15:46 | 0:15:49 | |
You're starting to freak ME out. | 0:15:49 | 0:15:51 | |
-What!? -What? | 0:15:51 | 0:15:52 | |
Did you have a nice night? | 0:15:55 | 0:15:57 | |
Aye. | 0:15:57 | 0:15:58 | |
There's pasta in the microwave. | 0:15:58 | 0:16:00 | |
Thanks. | 0:16:00 | 0:16:01 | |
Seamus, have you got the number for...? | 0:16:01 | 0:16:03 | |
What did you say? | 0:16:03 | 0:16:04 | |
-I said have you got the number for...? -Before that. | 0:16:04 | 0:16:07 | |
I just said your name. | 0:16:07 | 0:16:08 | |
(Which is?) | 0:16:08 | 0:16:10 | |
Seamus. | 0:16:10 | 0:16:12 | |
What's going on? Did he put you up to this? | 0:16:12 | 0:16:13 | |
Did who put me up to what? | 0:16:13 | 0:16:15 | |
-Seamus, what's...? -Right, I'm off. | 0:16:15 | 0:16:17 | |
Can I have a room, please? | 0:16:20 | 0:16:22 | |
And is it just for the night, Seamus? | 0:16:22 | 0:16:24 | |
What? | 0:16:24 | 0:16:26 | |
Seamus, Seamus? | 0:16:28 | 0:16:30 | |
Seamus? | 0:16:30 | 0:16:32 | |
I hate that name! My name's not Seamus! | 0:16:32 | 0:16:34 | |
Can everybody stop calling me Seamus! | 0:16:34 | 0:16:37 | |
One day, they flip it, they just can't take it anymore. | 0:16:37 | 0:16:40 | |
So for the sake of your wean, please, don't call them Seamus. | 0:16:40 | 0:16:44 | |
PHONE RINGS | 0:18:18 | 0:18:20 | |
Hello? | 0:18:21 | 0:18:23 | |
Yes, it is. | 0:18:23 | 0:18:24 | |
Ah, no, I'm not interested, thanks. | 0:18:26 | 0:18:28 | |
No, I'm not, I don't want to buy anything, thanks, | 0:18:30 | 0:18:33 | |
and could you take me off the database, please. | 0:18:33 | 0:18:35 | |
No. I'm not in... | 0:18:37 | 0:18:38 | |
What kind of clown porn? | 0:18:41 | 0:18:43 | |
What's that? | 0:18:48 | 0:18:49 | |
Hmm? | 0:18:59 | 0:19:00 | |
You know, that was funny when he was going like that, wasn't it. | 0:19:06 | 0:19:09 | |
Oh, Billy's dad? | 0:19:09 | 0:19:10 | |
Aye! | 0:19:10 | 0:19:11 | |
Aye. | 0:19:11 | 0:19:12 | |
Honk honk! | 0:19:29 | 0:19:30 | |
Make this one the last and we'll head out, right? | 0:19:39 | 0:19:41 | |
Aye. | 0:19:41 | 0:19:42 | |
Look at that. Look at the head on it. | 0:19:42 | 0:19:45 | |
Oh, you know what that reminds me of? That foam party. | 0:19:45 | 0:19:48 | |
Foam party? | 0:19:48 | 0:19:50 | |
Hogmanay 1999? Remember that Ibiza-themed foam party at the pub? | 0:19:50 | 0:19:53 | |
Oh, aye! | 0:19:53 | 0:19:55 | |
Mind the guy who got skooshed in the eyes with the foam machine? | 0:19:55 | 0:19:59 | |
Mind, he was like that? "I cannae see, I cannae see!". | 0:19:59 | 0:20:02 | |
Aye. | 0:20:02 | 0:20:03 | |
No, you're not looking. | 0:20:03 | 0:20:05 | |
Mind, we used to do impressions of him. | 0:20:05 | 0:20:07 | |
-"I cannae see, I cannae see!" -Aye. | 0:20:07 | 0:20:09 | |
No, look, you're not looking at me. Right, watch. Right, mind. | 0:20:09 | 0:20:13 | |
-"I cannae see, I cannae see!" -Is this ever going to go down? | 0:20:14 | 0:20:16 | |
Look at me! | 0:20:18 | 0:20:20 | |
Oh, I'm looking! | 0:20:20 | 0:20:22 | |
"I cannae see, I cannae see!" | 0:20:22 | 0:20:24 | |
Ah! | 0:20:24 | 0:20:26 | |
Guys, do you watch Coronation Street? | 0:20:46 | 0:20:48 | |
What? | 0:20:48 | 0:20:50 | |
Do you watch Coronation Street? | 0:20:50 | 0:20:52 | |
Aye, sometimes. | 0:20:52 | 0:20:54 | |
Getting brilliant right now, ain't it? | 0:20:54 | 0:20:56 | |
I don't know, mate. I don't... I don't watch it enough. | 0:20:57 | 0:21:00 | |
Aye. It's getting pretty good right now. | 0:21:00 | 0:21:03 | |
There's that storyline with what's his name. | 0:21:03 | 0:21:06 | |
Eh, what's his name? | 0:21:06 | 0:21:08 | |
Here, any of you watch Coronation Street? | 0:21:30 | 0:21:33 | |
Wait, I forgot to get tinned tomatoes - sorry. | 0:21:36 | 0:21:38 | |
That's OK. | 0:21:38 | 0:21:39 | |
So, erm... | 0:21:45 | 0:21:47 | |
..what's your thing? | 0:21:50 | 0:21:51 | |
My thing? | 0:21:53 | 0:21:54 | |
Aye, your thing. | 0:21:55 | 0:21:57 | |
Every Thursday, I pull down the shutters... | 0:22:01 | 0:22:04 | |
phone the wife, tell her I'm stock-taking. | 0:22:06 | 0:22:09 | |
But you're not. | 0:22:10 | 0:22:12 | |
I strip off. | 0:22:13 | 0:22:14 | |
Grab a basket, | 0:22:16 | 0:22:18 | |
walk around, sticking things in. | 0:22:18 | 0:22:20 | |
That's good. But you know what you could do? | 0:22:20 | 0:22:23 | |
What? | 0:22:23 | 0:22:24 | |
Watch back the CCTV for that day, | 0:22:24 | 0:22:28 | |
go up next to where people were standing, | 0:22:28 | 0:22:31 | |
go like that to them - "All right, sir? Two for one. | 0:22:31 | 0:22:35 | |
"Can I help you, madam? Tinned tomatoes? Oh, right here." | 0:22:35 | 0:22:39 | |
Like you usually would. | 0:22:39 | 0:22:40 | |
But wi' your cock out. | 0:22:40 | 0:22:42 | |
I'm doing that. | 0:22:47 | 0:22:49 | |
I'm doing that tonight. | 0:22:49 | 0:22:50 | |
Doing what tonight? | 0:22:51 | 0:22:53 | |
Eh, watching the game on that. | 0:22:53 | 0:22:55 | |
Oh, right. | 0:22:56 | 0:22:57 | |
'Fucking was walking through the park, | 0:23:01 | 0:23:03 | |
'and I spots this helluva familiar face. | 0:23:03 | 0:23:07 | |
'It was him, him that does the news.' | 0:23:07 | 0:23:09 | |
Here, you're him. Aren't you? | 0:23:11 | 0:23:12 | |
I hope so! | 0:23:13 | 0:23:15 | |
'And I thought, here, he'll be on the news at 6pm, live, | 0:23:15 | 0:23:19 | |
'and here he is right in front of you. | 0:23:19 | 0:23:21 | |
'Dee Dee, this is your chance to get on the telly, | 0:23:21 | 0:23:24 | |
'cos I'm not a violent man but if I was, | 0:23:24 | 0:23:27 | |
'I could break his nose. | 0:23:27 | 0:23:30 | |
'Come six, everybody watching would be like that, | 0:23:30 | 0:23:32 | |
"What happened to his nose?" | 0:23:32 | 0:23:34 | |
'And I'd be like that.' That was me. | 0:23:34 | 0:23:35 | |
'Or I could pull out my lighter, like I'm having a fag, | 0:23:35 | 0:23:39 | |
'and burn his hair. | 0:23:39 | 0:23:40 | |
'Everybody watching would be like that, "What's with the hat?". | 0:23:40 | 0:23:43 | |
'I'd be like that.' That was me. | 0:23:43 | 0:23:45 | |
'Or I could just say to him, "Here, fancy going mental | 0:23:45 | 0:23:48 | |
'and getting a tattoo?" | 0:23:48 | 0:23:49 | |
'Everybody watching would be like that - "Has he went mental?". | 0:23:49 | 0:23:53 | |
'And I'd be like that.' That was me. | 0:23:53 | 0:23:55 | |
'Well, none of that happened, but it didn't have to, | 0:23:55 | 0:23:58 | |
'because when he was making his exit, he tripped up like a dully'in.' | 0:23:58 | 0:24:03 | |
Ha! | 0:24:03 | 0:24:04 | |
'That night he knew I was watching, | 0:24:05 | 0:24:07 | |
'and there on his face, behind the mad fake smile, | 0:24:07 | 0:24:10 | |
'was something worse than any tattoo - | 0:24:10 | 0:24:13 | |
'Embarrassment.' | 0:24:13 | 0:24:15 | |
That WAS me. | 0:24:15 | 0:24:16 | |
Och, here, listen. How's it going, mate? I'm sorry, | 0:24:28 | 0:24:32 | |
I see you everywhere. What's your name, my man? I'm Limmy. | 0:24:32 | 0:24:35 | |
No chance. | 0:24:36 | 0:24:37 | |
Oh, sorry, mate. | 0:24:43 | 0:24:44 | |
It's all right. | 0:24:44 | 0:24:45 | |
-They should have a wee sign telling you which armrest's yours, eh? -Aye. | 0:24:45 | 0:24:49 | |
So er... | 0:24:53 | 0:24:54 | |
What's your thing? | 0:24:56 | 0:24:57 | |
What? | 0:24:57 | 0:24:59 | |
What's your thing? | 0:25:00 | 0:25:02 | |
My what? | 0:25:03 | 0:25:04 | |
The thing, what's your thing? | 0:25:04 | 0:25:05 | |
Mate, I don't have a clue what you're talking about. | 0:25:05 | 0:25:08 | |
Ha, don't mind me, mate. I'm off my nut. | 0:25:13 | 0:25:15 | |
Here, any of you want a game of I Spy? | 0:25:26 | 0:25:28 | |
Nah, mate. | 0:25:30 | 0:25:32 | |
No, that's cool, I'll play myself. Play myself. | 0:25:32 | 0:25:34 | |
Right. Er... | 0:25:35 | 0:25:37 | |
I spy with my little eye something beginning with... | 0:25:37 | 0:25:41 | |
wallpaper. | 0:25:41 | 0:25:42 | |
Hm? | 0:25:42 | 0:25:43 | |
Here, I feel like a spin. | 0:25:48 | 0:25:50 | |
Woah! | 0:25:54 | 0:25:55 | |
What are you doing, you mad man? | 0:25:57 | 0:25:59 | |
Sorry, you know how sometimes you feel like a wee spin? | 0:25:59 | 0:26:02 | |
EXHALES DEEPLY | 0:26:13 | 0:26:15 | |
A wee orange juice for the lady? | 0:26:16 | 0:26:19 | |
What? | 0:26:19 | 0:26:20 | |
A wee lady's orange juice for yourself? | 0:26:20 | 0:26:23 | |
Away you go, back and drown in your pint. | 0:26:23 | 0:26:24 | |
What? | 0:26:24 | 0:26:26 | |
-What? -Well, he got a reaction out of you! | 0:26:26 | 0:26:28 | |
You've got to give him that. | 0:26:28 | 0:26:30 | |
You gave him exactly what he wanted, you played right into his hands. | 0:26:30 | 0:26:33 | |
What are you doing, you wee fanny?! | 0:26:37 | 0:26:39 | |
Well, you played right into their hands. | 0:26:42 | 0:26:44 | |
You gave them exactly what they wanted. | 0:26:44 | 0:26:45 | |
They got a reaction out of you, you've got to give them that! | 0:26:45 | 0:26:48 | |
Did you hear the client picked my designs? No luck. | 0:26:49 | 0:26:52 | |
Aye, well, yours were a wee bit safe. | 0:26:52 | 0:26:54 | |
Aye, the client picked my design. | 0:26:54 | 0:26:56 | |
Aye, cos they shat out of it. | 0:26:56 | 0:26:57 | |
Aye, they picked my designs. | 0:26:57 | 0:26:59 | |
Oh, shut up! | 0:26:59 | 0:27:00 | |
Well, you gave her exactly what she wanted! | 0:27:00 | 0:27:02 | |
You played right into her hands! | 0:27:02 | 0:27:04 | |
She got a reaction out of you, you've got to give her that! | 0:27:04 | 0:27:06 | |
Who is that guy!? | 0:27:06 | 0:27:07 | |
Who's who? | 0:27:09 | 0:27:10 | |
Oh, I see! He's in my mind! | 0:27:12 | 0:27:15 | |
What? | 0:27:18 | 0:27:19 | |
What was that all about? | 0:27:19 | 0:27:21 | |
What sort of sketch is that? | 0:27:21 | 0:27:23 | |
Well, he got a reaction out of you! | 0:27:23 | 0:27:25 | |
You gave him exactly what he wanted, you've got to give him that! | 0:27:25 | 0:27:27 | |
You played right into his hands! | 0:27:27 | 0:27:29 | |
Ah! | 0:27:29 | 0:27:30 | |
Here, funny to think, mate... | 0:27:40 | 0:27:42 | |
Listen, it's about eight o'clock in the morning now, | 0:27:42 | 0:27:44 | |
so do you mind just phoning yourselves a taxi? | 0:27:44 | 0:27:48 | |
No bother, mate. I'm just going to head into town, try and find a pub. | 0:27:48 | 0:27:51 | |
Any of you want to go and try and find a pub? | 0:27:51 | 0:27:53 | |
Want to go and try and find a pub? | 0:27:53 | 0:27:56 | |
Want to go and try and find a pub? | 0:27:56 | 0:27:59 | |
Want to go and try and find a pub? | 0:27:59 | 0:28:02 | |
Want to go and try and find a pub? | 0:28:02 | 0:28:04 | |
Want to go and try and find a pub? | 0:28:06 | 0:28:08 | |
Mate, check him out, he's crashed out. | 0:28:09 | 0:28:12 | |
Mate!? | 0:28:12 | 0:28:13 | |
That'll be right! | 0:28:15 | 0:28:17 | |
Subtitling by Red Bee Media Ltd | 0:28:42 | 0:28:45 |