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Welcome to Limmy's Show. | 0:00:10 | 0:00:12 | |
Look at that. | 0:00:18 | 0:00:19 | |
It's one of they exhaust pipes for a tumble drier. | 0:00:19 | 0:00:22 | |
He's had that outside his door for six months. | 0:00:22 | 0:00:26 | |
No joke, six months. Never uses it. It hasnae budged an inch. | 0:00:26 | 0:00:31 | |
And somebody stays there. Somebody does stay there. | 0:00:31 | 0:00:33 | |
He's in and out every day, and he steps over it! | 0:00:33 | 0:00:36 | |
Instead of just picking it up and putting it in the bin, | 0:00:36 | 0:00:38 | |
he steps over it. I've seen him. | 0:00:38 | 0:00:40 | |
Eh, wait, listen to me. I'm meant to be entertaining you, | 0:00:40 | 0:00:43 | |
and I'm going on about some stupid tumble drier exhaust pipe. | 0:00:43 | 0:00:45 | |
I'm not going to let it bother me. You just enjoy the show, right? | 0:00:45 | 0:00:48 | |
DANCE BEAT PLAYS | 0:00:58 | 0:01:00 | |
HE WOLF WHISTLES | 0:01:10 | 0:01:11 | |
Bleurgh! | 0:01:11 | 0:01:13 | |
DISCO BEAT PLAYS | 0:01:13 | 0:01:15 | |
Here. How good would this be, eh? | 0:01:32 | 0:01:35 | |
MUSIC: "Oxygene (Part IV)" by Jean Michel Jarre | 0:01:35 | 0:01:39 | |
You're watching Adventure Call. | 0:01:43 | 0:01:45 | |
My name is Falconhoof, and I will be your guide on your quest. | 0:01:45 | 0:01:49 | |
But tonight's quest will not feature one traveller, but two, | 0:01:49 | 0:01:52 | |
as we team up two callers selected at random. | 0:01:52 | 0:01:55 | |
Wizard, please select our first traveller. | 0:01:55 | 0:01:58 | |
CALM MUSIC PLAYS | 0:01:58 | 0:02:00 | |
-GONG -Greetings, Raj. | 0:02:00 | 0:02:03 | |
ON PHONE: 'All right, Falconhoof?' | 0:02:03 | 0:02:04 | |
-Are you ready to meet your partner? -'My what?' | 0:02:04 | 0:02:07 | |
Are you ready to meet your travelling companion? | 0:02:07 | 0:02:09 | |
'Aye. I'm no' into this, by the way. | 0:02:09 | 0:02:11 | |
'I never knew this was gonnae happen. | 0:02:11 | 0:02:13 | |
'I just wanted to dae it myself.' | 0:02:13 | 0:02:15 | |
I mentioned it on last night's Adventure Call. | 0:02:15 | 0:02:17 | |
'Aye, well it's happening now, so... | 0:02:17 | 0:02:18 | |
-'go.' -Very well. | 0:02:18 | 0:02:21 | |
Wizard, please select our second traveller. | 0:02:21 | 0:02:23 | |
-GONG -Greetings, McFee. | 0:02:26 | 0:02:28 | |
ON PHONE: 'All right?' | 0:02:28 | 0:02:29 | |
Travellers, you may greet each other. | 0:02:29 | 0:02:32 | |
CALM MUSIC PLAYS | 0:02:32 | 0:02:35 | |
Let us begin. | 0:02:35 | 0:02:36 | |
You awake in a cellar. | 0:02:38 | 0:02:39 | |
McFee, you are chained and padlocked to the floor. | 0:02:39 | 0:02:42 | |
-'What?' -RAJ LAUGHS | 0:02:42 | 0:02:44 | |
-'What you laughing at?' -'Shut it.' -'You shut it.' | 0:02:44 | 0:02:46 | |
Travellers, please, let me continue. | 0:02:46 | 0:02:48 | |
McFee, beside you is a key, but it does not fit your padlock. | 0:02:48 | 0:02:52 | |
Raj, you are at the other side of the cellar. | 0:02:52 | 0:02:55 | |
You are also chained and padlocked. Beside... | 0:02:55 | 0:02:57 | |
-'Ha ha ha!' -'Shut it.' -'You shut it.' | 0:02:57 | 0:02:59 | |
-'I'll shut you.' -'I'll shut YOU.' | 0:02:59 | 0:03:00 | |
Raj, please. | 0:03:00 | 0:03:01 | |
Beside you is also a key, but it does not fit YOUR padlock. | 0:03:01 | 0:03:05 | |
Travellers, what would you like to do? | 0:03:05 | 0:03:07 | |
-'Chuck us your key.' -'Chuck us YOUR key.' | 0:03:07 | 0:03:09 | |
-'Chuck us yours first.' -'Aye, right.' | 0:03:09 | 0:03:11 | |
-'You are a wee fanny, by the way.' -'You're the fanny.' | 0:03:11 | 0:03:14 | |
-'You're a fanny.' -'No, you're a fanny.' | 0:03:14 | 0:03:16 | |
If you can't decide, you will both remain in the cellar. | 0:03:16 | 0:03:19 | |
'Hold on...just clocked your picture. | 0:03:19 | 0:03:21 | |
'Are you Raj fae South Nitshill?' | 0:03:21 | 0:03:23 | |
-'Aye.' -'Raj the grass?' | 0:03:23 | 0:03:25 | |
-'What?' -'You're a grass.' -'I'm no' a grass.' | 0:03:25 | 0:03:27 | |
'You're a grass. | 0:03:27 | 0:03:28 | |
-'Falconhoof, he's a grass.' -I don't think this is the... | 0:03:28 | 0:03:31 | |
'What, are you McFee from Carnwadric?' | 0:03:31 | 0:03:32 | |
'Oh, you've heard of me, aye?' | 0:03:32 | 0:03:34 | |
'Heard of your sister.' | 0:03:34 | 0:03:35 | |
'What's that meant to mean?!' | 0:03:35 | 0:03:37 | |
Please, travellers. Please. You are both locked in a cellar. | 0:03:37 | 0:03:40 | |
Who will throw their key first? | 0:03:40 | 0:03:42 | |
Who will be the bigger man? | 0:03:43 | 0:03:45 | |
-'I'll dae it.' -'Naw, I'll dae it.' | 0:03:45 | 0:03:47 | |
-'No. I'LL dae it.' -'I said it first. Throw key to McFee.' | 0:03:47 | 0:03:49 | |
Raj, you throw your key to McFee. | 0:03:49 | 0:03:52 | |
'Right, chuck us yours.' | 0:03:52 | 0:03:54 | |
'Use key on padlock.' | 0:03:54 | 0:03:55 | |
'What are you doing? Chuck us the key.' | 0:03:55 | 0:03:57 | |
'All in good time. Falconhoof, use key on padlock.' | 0:03:57 | 0:04:00 | |
Very well. McFee, you unlock your padlock. | 0:04:00 | 0:04:03 | |
-You are free. -'Right, chuck us the key.' | 0:04:04 | 0:04:07 | |
-'Exit cellar.' -'What you doing? Gie us your key.' | 0:04:07 | 0:04:09 | |
McFee, if you exit the cellar, Raj will be left to perish. | 0:04:09 | 0:04:12 | |
'Perish! Ha ha! Leave Raj the grass to perish. | 0:04:12 | 0:04:15 | |
-'Exit cellar.' -'Your sister's a cow.' | 0:04:15 | 0:04:17 | |
-'What?!' -Travellers... | 0:04:17 | 0:04:19 | |
'Your sister's a cow. McFee's sister's a cow.' | 0:04:19 | 0:04:21 | |
'Where are you? South Nitshill, right now?' | 0:04:21 | 0:04:24 | |
'Aye, why? Are you squaring up to us, aye?' | 0:04:24 | 0:04:25 | |
'Priesthill & Darnley Station in an hour.' | 0:04:25 | 0:04:27 | |
Please, you are supposed to be a team. | 0:04:27 | 0:04:29 | |
-'Aye, and bring a team.' -No, I didn't mean... | 0:04:29 | 0:04:31 | |
'I'll bring a team. South Nitsy Young Team, ya fucking...' | 0:04:31 | 0:04:34 | |
'Young Toon Tongs, ya fu...' | 0:04:34 | 0:04:35 | |
Let's take another call. | 0:04:39 | 0:04:41 | |
RELAXING MUSIC PLAYS | 0:04:42 | 0:04:45 | |
Karma. | 0:04:49 | 0:04:51 | |
You send good things out... | 0:04:51 | 0:04:52 | |
..you get good things back. | 0:04:54 | 0:04:56 | |
Lot of shite. | 0:04:57 | 0:04:59 | |
Because...bad things are gonnae happen anyway. | 0:04:59 | 0:05:02 | |
And if you've been good... | 0:05:02 | 0:05:04 | |
Well, you're going to feel that life is so unfair. | 0:05:04 | 0:05:07 | |
So unfair. | 0:05:07 | 0:05:09 | |
So, you may as well be bad. | 0:05:09 | 0:05:10 | |
That way, if something bad does happen, you'll feel, | 0:05:10 | 0:05:13 | |
"Ach... Fair enough." | 0:05:13 | 0:05:16 | |
RELAXING MUSIC PLAYS | 0:05:16 | 0:05:19 | |
MUSIC STOPS ABRUPTLY | 0:05:26 | 0:05:28 | |
MOBILE PHONE RINGS | 0:05:33 | 0:05:35 | |
What's that? Somebody's scratched her motor? | 0:05:37 | 0:05:40 | |
BOY SOBS | 0:05:43 | 0:05:44 | |
Ach... | 0:05:45 | 0:05:47 | |
'I've noticed you can get anything you want in life, | 0:05:47 | 0:05:50 | |
'just wi' a smile.' | 0:05:50 | 0:05:52 | |
Can I have a lick of your ice cream? | 0:05:52 | 0:05:54 | |
No. | 0:05:54 | 0:05:55 | |
Here, just take it. | 0:06:01 | 0:06:02 | |
'See?' | 0:06:05 | 0:06:06 | |
'Anything you want in life, just wi' a smile.' | 0:06:09 | 0:06:13 | |
Gonnae gie us a kiss? | 0:06:13 | 0:06:14 | |
What? | 0:06:15 | 0:06:16 | |
Please don't hurt me. | 0:06:20 | 0:06:22 | |
'Told you! | 0:06:31 | 0:06:32 | |
'All you need to dae is smile.' | 0:06:32 | 0:06:35 | |
Gonnae gie us your truncheon? | 0:06:36 | 0:06:38 | |
What? | 0:06:38 | 0:06:39 | |
What happened? | 0:06:52 | 0:06:53 | |
-All right? -All right? | 0:07:03 | 0:07:05 | |
HE SIGHS HEAVILY | 0:07:14 | 0:07:16 | |
Hey! You all right? | 0:07:21 | 0:07:23 | |
All right? Long time no see... Eh, we used to work together. | 0:07:23 | 0:07:25 | |
-Oh, hiya. -Hiya. -Hiya. | 0:07:25 | 0:07:27 | |
So, how's things? | 0:07:27 | 0:07:29 | |
Aye, good. Yourself? | 0:07:29 | 0:07:30 | |
Aye, good. You just in for a wee spot of shopping, aye? | 0:07:30 | 0:07:33 | |
Aye. You? | 0:07:33 | 0:07:35 | |
Aye. | 0:07:35 | 0:07:36 | |
Ach! "Are you just in for a spot of shopping?" What?! | 0:07:40 | 0:07:44 | |
You see, the thing is, I don't really know the guy. | 0:07:44 | 0:07:47 | |
He doesnae really know me. Aye, we worked together, but... | 0:07:47 | 0:07:50 | |
it was a big office, we barely spoke, but... | 0:07:50 | 0:07:53 | |
we've not seen each other for years, | 0:07:53 | 0:07:55 | |
we thought we'd be polite and stop and chat... | 0:07:55 | 0:07:57 | |
We made a mistake. | 0:07:57 | 0:07:59 | |
Now one of us is going to have to say goodbye. | 0:07:59 | 0:08:00 | |
Looks like it's going to have to be me. | 0:08:00 | 0:08:03 | |
"Are you just in for a spot of shopping?" What?! | 0:08:03 | 0:08:06 | |
-All right, well... -So where is it you work now? | 0:08:06 | 0:08:08 | |
-Well, eh... -Oh, shit. What's she playing at? | 0:08:08 | 0:08:10 | |
Who cares where he works? Now I have to pretend to be interested, | 0:08:10 | 0:08:13 | |
and he knows that I'm no', otherwise I'd have asked myself. | 0:08:13 | 0:08:16 | |
Well, she asked the question, she can deal wi' it. | 0:08:16 | 0:08:18 | |
I do illustrations for the Institute of Civil Engineers. | 0:08:18 | 0:08:21 | |
I'm freelance, really, but they... | 0:08:21 | 0:08:22 | |
-What is civil engineering, anyway? -Eh... Well, it's engineering... | 0:08:22 | 0:08:26 | |
-MOBILE PHONE RINGS -Sorry, I need to take this. | 0:08:26 | 0:08:29 | |
-Hello? -Civil engineering, it's... | 0:08:30 | 0:08:32 | |
Oh, no. I don't care. I wasnae even listening. And he knows it. | 0:08:32 | 0:08:35 | |
How can I put it? It deals with the construction of bridges... | 0:08:35 | 0:08:38 | |
-Och, you know, that's no' really... -No, it's cool. I know what it is. | 0:08:38 | 0:08:42 | |
So, what about yourself? What are you up to these days? | 0:08:42 | 0:08:45 | |
Keep it short and sweet and let's just get out of here. | 0:08:45 | 0:08:48 | |
Och, just the usual. | 0:08:49 | 0:08:51 | |
Perfect! | 0:08:51 | 0:08:53 | |
So, what is it you dae yourself? | 0:08:53 | 0:08:54 | |
What am I doing? I don't even know her! | 0:08:54 | 0:08:56 | |
I might as well just ask passers-by, | 0:08:56 | 0:08:58 | |
"Excuse me, mate, excuse me hen, what is it you dae?" | 0:08:58 | 0:09:00 | |
I don't even know her! | 0:09:00 | 0:09:02 | |
-Sorry about that. -No, it's cool. That's us away... | 0:09:02 | 0:09:04 | |
So, eh, you were saying... | 0:09:04 | 0:09:06 | |
Oh, aye. Civil engineering... | 0:09:06 | 0:09:08 | |
Och, here, you know what I should have done...? | 0:09:08 | 0:09:11 | |
Hey! You all right? | 0:09:11 | 0:09:12 | |
Aye. | 0:09:12 | 0:09:13 | |
What do you fancy for dinner tonight? | 0:09:16 | 0:09:18 | |
I tell you what. I could murder a steak. | 0:09:18 | 0:09:20 | |
What's that? You could murder a steak? | 0:09:20 | 0:09:22 | |
Eee! I could fuck a duck. | 0:09:22 | 0:09:25 | |
QUACK | 0:09:25 | 0:09:26 | |
Who's this guy? I don't know. | 0:09:30 | 0:09:33 | |
Sometimes two people just happen to be walking down the same street | 0:09:33 | 0:09:36 | |
at the same time. | 0:09:36 | 0:09:37 | |
Sometimes they both decide to speed up... | 0:09:37 | 0:09:39 | |
sometimes they both decide to slow down. | 0:09:40 | 0:09:44 | |
Sometimes they both decide to stop... | 0:09:44 | 0:09:46 | |
and pretend to tie their lace. | 0:09:46 | 0:09:49 | |
Sometimes they both take a right... | 0:09:50 | 0:09:52 | |
sometimes they take a left. | 0:09:53 | 0:09:55 | |
Sometimes they turn around... | 0:09:55 | 0:09:57 | |
and turn around again. | 0:09:57 | 0:09:59 | |
And stop. | 0:09:59 | 0:10:01 | |
And go. | 0:10:01 | 0:10:03 | |
And stop. | 0:10:03 | 0:10:04 | |
And go. | 0:10:04 | 0:10:06 | |
And stop. | 0:10:06 | 0:10:07 | |
And go... | 0:10:11 | 0:10:12 | |
into a shop. | 0:10:12 | 0:10:14 | |
Sometimes they both decide to buy the exact same thing... | 0:10:14 | 0:10:16 | |
..and another... | 0:10:18 | 0:10:19 | |
..and another... | 0:10:21 | 0:10:22 | |
..before both deciding to just leave it after all. | 0:10:23 | 0:10:26 | |
Sometimes two people do the exact same thing at the exact same time. | 0:10:26 | 0:10:30 | |
But me? | 0:10:30 | 0:10:31 | |
HE CHUCKLES | 0:10:31 | 0:10:33 | |
I'm just trying to freak the guy out. | 0:10:33 | 0:10:35 | |
'Fucking... | 0:10:38 | 0:10:40 | |
'I was in the shops for milk, | 0:10:40 | 0:10:42 | |
'and I saw the weirdest thing I've ever seen in my life. | 0:10:42 | 0:10:46 | |
'A toothbrush. | 0:10:46 | 0:10:47 | |
'It was red, shiny. | 0:10:47 | 0:10:49 | |
'The size of it, man! I couldnae get my head around it.' | 0:10:49 | 0:10:53 | |
Never seen the likes of it, man. | 0:10:53 | 0:10:55 | |
'I thought, "Dee Dee, you've got your milk. | 0:10:55 | 0:10:58 | |
"Move on. There's nothing to see here." | 0:10:58 | 0:11:00 | |
'Sold. | 0:11:04 | 0:11:06 | |
'The seconds I gets outside, the gloom hits me. | 0:11:06 | 0:11:09 | |
'I was like that...' | 0:11:09 | 0:11:10 | |
"Dee Dee, what have you done? | 0:11:10 | 0:11:12 | |
"You'll be on cornflakes and water for the rest of the week, | 0:11:12 | 0:11:14 | |
"and for this? What did you get it for?" | 0:11:14 | 0:11:17 | |
And I thought, "I don't know." | 0:11:17 | 0:11:20 | |
'So I starts showing it off, trying to get some of that buzz back.' | 0:11:20 | 0:11:23 | |
Here. Check that out, eh? | 0:11:23 | 0:11:25 | |
'No.' | 0:11:27 | 0:11:28 | |
Here... | 0:11:29 | 0:11:30 | |
That's mental, isn't it? | 0:11:31 | 0:11:32 | |
'No.' | 0:11:34 | 0:11:35 | |
Here. | 0:11:37 | 0:11:38 | |
Call that a toothbrush? | 0:11:38 | 0:11:40 | |
That's a toothbrush. | 0:11:41 | 0:11:43 | |
'Nae takers. | 0:11:43 | 0:11:45 | |
'So I tried to put it to good use, | 0:11:45 | 0:11:46 | |
'to help people, to make a difference.' | 0:11:46 | 0:11:49 | |
Freshen up for the meeting, sir? No? | 0:11:49 | 0:11:51 | |
'No.' | 0:11:51 | 0:11:53 | |
Have a nice day at school, OK? Och, here, what's this? | 0:11:53 | 0:11:56 | |
This wee bit's always sticking up, Finn, isn't it? | 0:11:56 | 0:11:58 | |
-Try and get that down... -Here. | 0:11:58 | 0:11:59 | |
Try this. | 0:11:59 | 0:12:01 | |
'No.' | 0:12:01 | 0:12:02 | |
Here. | 0:12:06 | 0:12:07 | |
That'll sort it. | 0:12:08 | 0:12:09 | |
'Nae use. | 0:12:10 | 0:12:12 | |
'Couldnae even gie it away. Nae use to man nor beast. | 0:12:12 | 0:12:16 | |
'The most useless, pointless, daftest looking thing on the planet. | 0:12:16 | 0:12:19 | |
'What did you get it for? | 0:12:19 | 0:12:21 | |
'Then I realised why. To take it home, where it belongs. | 0:12:21 | 0:12:25 | |
'The most useless, pointless, daftest thing on the planet... | 0:12:25 | 0:12:29 | |
'and his toothbrush.' | 0:12:30 | 0:12:31 | |
It's funny. Look at the way it's curved. | 0:12:45 | 0:12:48 | |
It's kind of like a question mark, isn't it? | 0:12:48 | 0:12:50 | |
And the question is, why? | 0:12:50 | 0:12:53 | |
Why does he no' just put it in the bin? | 0:12:53 | 0:12:55 | |
The question is, how? | 0:12:55 | 0:12:57 | |
How does he no' just put it in the bin? | 0:12:57 | 0:12:59 | |
The question is, when? | 0:12:59 | 0:13:01 | |
When's he gonnae put that in the bin? | 0:13:01 | 0:13:04 | |
The question is, where? | 0:13:04 | 0:13:05 | |
What do you mean, "where?" Right there. | 0:13:05 | 0:13:07 | |
The same place it's been for six months. | 0:13:07 | 0:13:09 | |
The question is... | 0:13:09 | 0:13:10 | |
-All right? -Emm... | 0:13:12 | 0:13:14 | |
-Do you want me to say something? -No. | 0:13:14 | 0:13:16 | |
How you doing? You're the new guy, aren't you? | 0:13:20 | 0:13:22 | |
-Aye. Brian. -Graham. | 0:13:22 | 0:13:24 | |
What can I get you, Graham? | 0:13:24 | 0:13:26 | |
-Roll and bacon, Mary. -And you, John? | 0:13:26 | 0:13:28 | |
Same for me, Mary. | 0:13:28 | 0:13:29 | |
-You? -Same for me, please. | 0:13:29 | 0:13:31 | |
-What can I get you, John? -Eh, roll and bacon, Mary. | 0:13:37 | 0:13:39 | |
-Graham? -Same, Mary. | 0:13:39 | 0:13:40 | |
-You? -Aye, same for me, please...Mary. | 0:13:40 | 0:13:44 | |
-What you after, Graham? -Roll and bacon, Mary. | 0:13:49 | 0:13:52 | |
-You, John? -Same for me, Mary. | 0:13:52 | 0:13:54 | |
-You? -Aye, same for me, Mary. | 0:13:54 | 0:13:57 | |
You're the new lassie, aren't you? | 0:13:57 | 0:13:59 | |
-Aye. Elaine. -I'm Brian. | 0:13:59 | 0:14:01 | |
My name's Brian. | 0:14:01 | 0:14:03 | |
-What you having, John? -Eh, roll and bacon, Mary. | 0:14:08 | 0:14:10 | |
-Graham? -The same, Mary. | 0:14:10 | 0:14:12 | |
You? | 0:14:12 | 0:14:13 | |
You know, Brian, Mary. Roll and bacon for me. | 0:14:13 | 0:14:16 | |
-And for you, Elaine? -Same for me please, Mary. | 0:14:16 | 0:14:18 | |
-You're the new guy, aren't you? -Aye. -I'm Brian. | 0:14:23 | 0:14:25 | |
Oh, same here! | 0:14:25 | 0:14:26 | |
-What you after, Graham? -Roll and bacon, Mary. | 0:14:29 | 0:14:32 | |
-John? -Same for me, Mary. | 0:14:32 | 0:14:33 | |
-Brian? -Same for me, Mary. | 0:14:33 | 0:14:36 | |
-And you? -Same. | 0:14:36 | 0:14:37 | |
-So, this is your last day? -Yep, fly out on Monday. | 0:14:39 | 0:14:42 | |
-And you're away for good? -Yep, no' coming back. | 0:14:42 | 0:14:45 | |
Same job, double the money... Australia! | 0:14:45 | 0:14:48 | |
Lucky, lucky bastard. | 0:14:48 | 0:14:49 | |
-What can I get you, Brian? -Yep, nothing for me here... | 0:14:49 | 0:14:52 | |
Brian? | 0:14:52 | 0:14:53 | |
Can I have a...roll and bacon, please, Mary? | 0:14:56 | 0:14:59 | |
-Fuck Australia! Yes! -ALL CHEER | 0:15:04 | 0:15:07 | |
All right, mate? | 0:15:12 | 0:15:13 | |
All right. | 0:15:13 | 0:15:14 | |
-Were you out clubbing last night, aye? -Aye. | 0:15:14 | 0:15:17 | |
Bet you wish you were back in your bed, eh? | 0:15:17 | 0:15:20 | |
Aye. | 0:15:20 | 0:15:21 | |
Aye, see you later. | 0:15:21 | 0:15:23 | |
JOLLY TUNE PLAYS | 0:15:26 | 0:15:29 | |
PUNCHING AND GROANING | 0:16:08 | 0:16:10 | |
GONG | 0:16:26 | 0:16:28 | |
Don't look. Don't look. Don't look. Don't look. Don't look. | 0:16:28 | 0:16:31 | |
Don't look. Don't look. Don't look. Don't look. Don't look. Don't look. | 0:16:31 | 0:16:34 | |
Don't look. Don't... | 0:16:34 | 0:16:36 | |
Yeah. | 0:16:40 | 0:16:42 | |
CHEESY CHAT SHOW THEME TUNE PLAYS | 0:16:42 | 0:16:45 | |
APPLAUSE | 0:16:52 | 0:16:54 | |
Hello. My name's Raymond Day, and welcome to Paraside. | 0:16:57 | 0:17:01 | |
OK, let's see where the spirit takes us. | 0:17:01 | 0:17:03 | |
Can so... Oh! | 0:17:04 | 0:17:07 | |
-I got a fright there. -AUDIENCE LAUGHS | 0:17:07 | 0:17:09 | |
Can someone understand... Oh! There it is again! | 0:17:09 | 0:17:12 | |
AUDIENCE LAUGHS | 0:17:12 | 0:17:14 | |
I'm hearing this sound of a... What are they called? | 0:17:14 | 0:17:17 | |
It's like a big...cymbal that you hit like that. | 0:17:17 | 0:17:20 | |
You know, kind of looks like a big metal biscuit. | 0:17:20 | 0:17:22 | |
-A gong. -A gong, that's it, a gong. | 0:17:22 | 0:17:25 | |
I'm hearing the sound of a gong... | 0:17:25 | 0:17:28 | |
So, I'm looking for someone | 0:17:28 | 0:17:30 | |
who travelled recently to the Orient, or... | 0:17:30 | 0:17:33 | |
You, my angel. | 0:17:34 | 0:17:36 | |
Yeah, I travelled around Japan last year, last summer. | 0:17:36 | 0:17:39 | |
-Oh, its a beautiful part of the world isn't it? -Yeah. | 0:17:39 | 0:17:41 | |
Oh, I'd love to go, but I've seen the pictures... | 0:17:41 | 0:17:44 | |
They have those temples, beautiful temples, don't they? | 0:17:44 | 0:17:47 | |
-Did you go? -Yeah. | 0:17:47 | 0:17:49 | |
And they have those statues of... | 0:17:49 | 0:17:50 | |
Scary-looking statues like ogres or gargoyles... | 0:17:50 | 0:17:54 | |
-Funny looking things, aren't they? -Yeah, some of them. | 0:17:54 | 0:17:56 | |
And did you have a wee chuckle at them? | 0:17:56 | 0:17:59 | |
I did. | 0:17:59 | 0:18:00 | |
OK, that was the wrong answer. | 0:18:00 | 0:18:02 | |
ALL: Oooh! | 0:18:02 | 0:18:03 | |
Because, you see, I have here a demon. | 0:18:03 | 0:18:06 | |
You've offended a demon, you've brought back a demon. | 0:18:06 | 0:18:08 | |
Can everyone just move away, please? | 0:18:08 | 0:18:11 | |
That's it, as quick as you can. He has a demon. | 0:18:11 | 0:18:13 | |
OK, so you have a demon. | 0:18:15 | 0:18:17 | |
It's not like The Exorcist. I cannot cure you, | 0:18:17 | 0:18:19 | |
but I can alleviate your suffering before you pass away, OK? | 0:18:19 | 0:18:23 | |
OK. | 0:18:23 | 0:18:24 | |
There's three things I want you to do. | 0:18:24 | 0:18:26 | |
The first thing is try not to be happy, | 0:18:26 | 0:18:29 | |
because he'll feed on that. | 0:18:29 | 0:18:31 | |
Who were you hoping to make contact with today? | 0:18:31 | 0:18:34 | |
Em...my older brother. He passed away when he was ten. | 0:18:34 | 0:18:37 | |
Do you have good memories of him? | 0:18:37 | 0:18:39 | |
Yeah. | 0:18:39 | 0:18:40 | |
Forget them, because they're just going to nourish the demon. | 0:18:40 | 0:18:44 | |
Every time you have a happy thought, | 0:18:44 | 0:18:45 | |
it'll be like taking the demon to Greggs. | 0:18:45 | 0:18:47 | |
-Do you understand this? -AUDIENCE CHUCKLES | 0:18:47 | 0:18:50 | |
Second thing, do you have a good support network? | 0:18:50 | 0:18:52 | |
Friends, family, that make you feel better when you get down? | 0:18:52 | 0:18:55 | |
Yeah, I'm really lucky. | 0:18:55 | 0:18:57 | |
Get rid of them. Yeah? | 0:18:57 | 0:18:59 | |
Cos they'll end up making you happy. | 0:18:59 | 0:19:02 | |
They might anger him. He might even jump into one of them. | 0:19:02 | 0:19:05 | |
Are you ever around children? | 0:19:05 | 0:19:06 | |
I don't have any kids of my own, | 0:19:06 | 0:19:08 | |
but I...I sometimes look after my niece. | 0:19:08 | 0:19:10 | |
-Your niece? Have you seen The Exorcist? -Yeah. | 0:19:10 | 0:19:13 | |
Well, by the time he's finished with your niece, | 0:19:13 | 0:19:15 | |
your niece will make her fae The Exorcist look like Shirley Temple. | 0:19:15 | 0:19:18 | |
-AUDIENCE LAUGHS -OK? So just tell them, "Get lost." | 0:19:18 | 0:19:21 | |
And thirdly, I want you to see me after the show, | 0:19:21 | 0:19:24 | |
because we're going to set you up with some aftercare. | 0:19:24 | 0:19:26 | |
APPLAUSE | 0:19:26 | 0:19:28 | |
I want you to come along to my centre, week after week, | 0:19:28 | 0:19:32 | |
month after month, for however long it takes, | 0:19:32 | 0:19:34 | |
and that will be absolutely free...for the first session. | 0:19:34 | 0:19:38 | |
APPLAUSE | 0:19:38 | 0:19:40 | |
OK, we'll leave it there... | 0:19:40 | 0:19:41 | |
Oh, hold on... What was your older brother's name? | 0:19:41 | 0:19:44 | |
-James. -James? I have him here. | 0:19:44 | 0:19:47 | |
But it's not a good idea. | 0:19:47 | 0:19:49 | |
Why? | 0:19:49 | 0:19:50 | |
Because it'll make me happy. | 0:19:50 | 0:19:52 | |
It would only make you happy. | 0:19:52 | 0:19:54 | |
Bye for now. | 0:19:55 | 0:19:56 | |
APPLAUSE | 0:19:56 | 0:19:59 | |
Eee! | 0:20:00 | 0:20:07 | |
Fuck a duck. | 0:20:10 | 0:20:12 | |
QUACK | 0:20:12 | 0:20:14 | |
What the...?! | 0:20:47 | 0:20:49 | |
Hey! Hey... | 0:20:50 | 0:20:52 | |
Who was looking in my cubicle? | 0:20:52 | 0:20:54 | |
Naebody. | 0:20:54 | 0:20:55 | |
But these guys... | 0:20:55 | 0:20:57 | |
they saw everything. | 0:20:57 | 0:20:59 | |
HE LAUGHS EVILLY | 0:20:59 | 0:21:02 | |
DANCE BEAT PLAYS | 0:21:12 | 0:21:15 | |
Oosh! | 0:21:15 | 0:21:17 | |
Oosh, oosh, oosh! | 0:21:17 | 0:21:19 | |
Dumbbell dance. | 0:21:19 | 0:21:21 | |
Dumbbell dance. | 0:21:23 | 0:21:25 | |
Dumbbell dance, dumbbell dance, do the dumbbell dance... | 0:21:25 | 0:21:28 | |
Dumbbell dance, do the dumbbell, dumbbell, dumbbell dance. | 0:21:28 | 0:21:31 | |
Do the dumbbell dance. Dumbbell dance. | 0:21:31 | 0:21:33 | |
Do the dumbbell, dumbbell, dumbbell dance. | 0:21:33 | 0:21:35 | |
Do the dumbbell dance. Oosh! Dumbbell dance. Dumbbell dance. Oosh! Oosh! | 0:21:35 | 0:21:38 | |
Do the dumbbell dance. | 0:21:38 | 0:21:40 | |
Do the dumbbell, dumbbell, dumbbell dance. | 0:21:40 | 0:21:42 | |
HE LAUGHS | 0:21:47 | 0:21:49 | |
DOG GROWLS | 0:21:53 | 0:21:56 | |
DOG GROWLS | 0:21:58 | 0:22:00 | |
DOG GROWLS | 0:22:01 | 0:22:03 | |
DOG BARKS AND GROWLS | 0:22:05 | 0:22:08 | |
MUSIC: "Dark Conflict" by Joshua Goldberg | 0:22:10 | 0:22:14 | |
Go! Go! Goooo! | 0:22:30 | 0:22:32 | |
HE CRIES OUT | 0:22:39 | 0:22:41 | |
HE CRIES OUT | 0:22:45 | 0:22:47 | |
There we are! | 0:22:50 | 0:22:52 | |
There we are! | 0:22:58 | 0:22:59 | |
TRIUMPHANT MUSIC PLAYS | 0:23:03 | 0:23:06 | |
HE CHEERS | 0:23:08 | 0:23:09 | |
HE CHEERS | 0:23:16 | 0:23:19 | |
DANCE BEAT PLAYS | 0:23:24 | 0:23:26 | |
'He was the man of my dreams. Or so I thought. | 0:23:39 | 0:23:42 | |
'Met him at the group therapy. | 0:23:42 | 0:23:44 | |
'Whisked me off my feet. Stole my heart. | 0:23:44 | 0:23:47 | |
'I thought he was the one. | 0:23:47 | 0:23:48 | |
'We'd walk and talk and... I don't know. | 0:23:48 | 0:23:51 | |
'He just made me feel cracking inside, know? | 0:23:51 | 0:23:54 | |
'But like all men, you gie them a stitch, and they take nine...' | 0:23:54 | 0:23:57 | |
Get out my fucking house! | 0:23:57 | 0:23:59 | |
'A liar. Gave the therapy a swerve for a while. | 0:24:00 | 0:24:03 | |
'Couldnae bear to look at him. | 0:24:03 | 0:24:04 | |
'Until I thought, "Jacqueline, the guy's had a relapse. | 0:24:04 | 0:24:07 | |
"He'll explain." | 0:24:07 | 0:24:09 | |
'But when I went back, not a word.' | 0:24:09 | 0:24:11 | |
..so that's me 18 months and counting. Clean. | 0:24:11 | 0:24:14 | |
'Not a word of truth.' | 0:24:14 | 0:24:15 | |
APPLAUSE | 0:24:15 | 0:24:17 | |
Jacqueline, we haven't seen you for a while, so you don't know... | 0:24:17 | 0:24:20 | |
We're having a karaoke tonight. Are you going to join us? | 0:24:20 | 0:24:23 | |
Of course. | 0:24:23 | 0:24:24 | |
Good. So, how have you been? | 0:24:24 | 0:24:27 | |
Good. Good. Just...working away. | 0:24:28 | 0:24:30 | |
My daughter's well. I'm keeping clean... | 0:24:30 | 0:24:32 | |
HE SNORTS | 0:24:32 | 0:24:33 | |
Aye, good. Ups and downs, obviously, | 0:24:36 | 0:24:38 | |
but at least I'm no back on the smack, eh? | 0:24:38 | 0:24:40 | |
-Sure about that? -You what?! | 0:24:40 | 0:24:42 | |
Look, Darren, please. | 0:24:42 | 0:24:45 | |
Jacqueline... | 0:24:46 | 0:24:48 | |
Is there anything you want to tell us? | 0:24:48 | 0:24:50 | |
No. | 0:24:51 | 0:24:52 | |
What the fuck's going on here? | 0:24:58 | 0:24:59 | |
While you were away... | 0:24:59 | 0:25:01 | |
Darren told us what happened. | 0:25:01 | 0:25:03 | |
He did? | 0:25:04 | 0:25:06 | |
Your relapse. | 0:25:06 | 0:25:07 | |
Aye. | 0:25:07 | 0:25:08 | |
What, mine?! | 0:25:08 | 0:25:09 | |
-The needle. -The needle?! | 0:25:09 | 0:25:11 | |
-You broke his heart. -What the fuck?! | 0:25:11 | 0:25:13 | |
Jacqueline, I'm sure it's just a misunderstanding. | 0:25:13 | 0:25:15 | |
Misunderstanding? Well, understand this... | 0:25:15 | 0:25:18 | |
It isnae! | 0:25:19 | 0:25:20 | |
'Sat in front of the mirror that night, taking a good look at myself. | 0:25:20 | 0:25:24 | |
'Check the state of you, Jacqueline. | 0:25:24 | 0:25:26 | |
'You're sitting in here, bubbling like wean, | 0:25:26 | 0:25:28 | |
'and they're out there at that karaoke, having a laugh. | 0:25:28 | 0:25:31 | |
'Laughing at you. Are you taking that?' | 0:25:31 | 0:25:33 | |
# Oh, yeah... # | 0:25:33 | 0:25:35 | |
'Am I fuck.' | 0:25:35 | 0:25:36 | |
MICROPHONE FEEDBACK | 0:25:37 | 0:25:39 | |
MUSIC: "Something Inside So Strong" by Labi Siffre | 0:25:43 | 0:25:46 | |
'Sing, Jacqueline. | 0:25:46 | 0:25:47 | |
'Keep your heid held high, fill your lungs and sing!' | 0:25:47 | 0:25:50 | |
-OUT OF TUNE: -# The higher you build your barriers... | 0:25:53 | 0:25:56 | |
# The taller... # I'm sorry, I cannae dae this. | 0:25:58 | 0:26:01 | |
MICROPHONE FEEDBACK | 0:26:01 | 0:26:02 | |
Jacqueline! | 0:26:02 | 0:26:04 | |
I didnae break his heart, he broke mine! Youse all did! | 0:26:05 | 0:26:08 | |
Youse broke my heart! Youse broke my soul! | 0:26:08 | 0:26:10 | |
SHE SCREAMS | 0:26:10 | 0:26:11 | |
'And I broke every bone in my body. | 0:26:14 | 0:26:16 | |
'Out the game. | 0:26:16 | 0:26:17 | |
'And when I woke up, staring down at me was the face of an angel. | 0:26:17 | 0:26:21 | |
'I thought I'd died and went to heaven. | 0:26:21 | 0:26:23 | |
'And for the next six weeks, that's just what it was - heaven. | 0:26:23 | 0:26:28 | |
'Being nursed back to health by my own private guardian angel. | 0:26:28 | 0:26:32 | |
'Feeding me, cleaning me, | 0:26:32 | 0:26:34 | |
'scratching my arse. | 0:26:34 | 0:26:35 | |
'But it was more than that. | 0:26:35 | 0:26:36 | |
'He made me feel better on the inside. | 0:26:36 | 0:26:38 | |
'He taught me to let my guard down, open up. | 0:26:38 | 0:26:41 | |
'So that's what I did. | 0:26:41 | 0:26:43 | |
'Spilled my guts, confessed my sins, told him every bad thing about me. | 0:26:43 | 0:26:47 | |
'But every time I did, he told me two things about me that were good. | 0:26:47 | 0:26:51 | |
'Couldnae wait to get out of that stookie | 0:26:51 | 0:26:53 | |
'and fling my arms around him. | 0:26:53 | 0:26:54 | |
'I was sick of being wrapped up in white like a mummy. | 0:26:54 | 0:26:58 | |
'But that didnae stop me doing it one more time.' | 0:26:58 | 0:27:00 | |
MUSIC: "Wedding March" by Mendelssohn | 0:27:00 | 0:27:03 | |
'The man of my dreams. My guardian angel. | 0:27:03 | 0:27:06 | |
'The best thing that ever happened to me.' | 0:27:06 | 0:27:08 | |
'Aye... | 0:27:10 | 0:27:11 | |
'and don't he know it.' | 0:27:11 | 0:27:13 | |
No, no, that's it. I'm saying something. I'm saying something. | 0:27:20 | 0:27:23 | |
-All right? -All right? | 0:27:26 | 0:27:27 | |
Eh... Can I ask you something? Are you happy with how the close is? | 0:27:27 | 0:27:32 | |
In what way? | 0:27:32 | 0:27:33 | |
Well, do you think it could be, like, maybe be, like... | 0:27:33 | 0:27:36 | |
tidier or something? | 0:27:36 | 0:27:39 | |
Aye, I suppose so. | 0:27:39 | 0:27:41 | |
I'm a bit sick of seeing that bike on the landing every morning. | 0:27:41 | 0:27:43 | |
Right. | 0:27:45 | 0:27:46 | |
Do you know whose it is? | 0:27:46 | 0:27:48 | |
-It's mine. -Well, would you mind moving it? | 0:27:48 | 0:27:51 | |
Aye, nae bother. | 0:27:51 | 0:27:52 | |
Well, wait... Well, if I'm gonnae dae that, could you... | 0:27:52 | 0:27:55 | |
..just let us know if I do it again? | 0:27:57 | 0:27:59 | |
Aye, nae bother. | 0:27:59 | 0:28:01 | |
Thanks for that. | 0:28:01 | 0:28:02 | |
HE SIGHS | 0:28:10 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:39 | 0:28:44 | |
HE SIGHS | 0:28:44 | 0:28:46 |