Episode 5 Limmy's Show


Episode 5

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Transcript


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GAME BEEPS

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Welcome to Limmy's Show.

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GAME BEEPS

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-EXPLOSION IN GAME

-Oh, fff...

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APPLAUSE

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Hello, my name's Raymond Day, and welcome to Paraside.

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OK, let's see where the spirit takes us.

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Could someone understand, please,

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I have here in spirit someone who has come through for a loved one

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who has been trying to make contact desperately, for a long, long time.

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Erm...

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You, honey?

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We've, eh...

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we've been trying to get in touch with our wee sister

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for quite a while now.

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It's maybe sister, OK.

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Well, can you understand then,

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why she's telling me about a wall...

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or a fence?

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Well, I painted the garden fence a few months ago.

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That's it, because she's telling me,

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"Oh, I hate that colour!"

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LAUGHTER

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It's her. It's sister. It's baby sister.

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She's come through.

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-She's come through at last.

-AUDIENCE AHHS

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And she's telling me now just how hard it's been,

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because you've never had the chance to say goodbye.

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And since then you have been to every psychic, every medium,

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every clairvoyant in town.

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-Is she trying to make me jealous?

-LAUGHTER

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No, she's saying you have been around the block with no luck,

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just trying to find out that she's all right,

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to let her know that your thoughts are with her,

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and to say goodbye.

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Oh.

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Oh, no. That's not nice.

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-Oh, that's not nice at all.

-AUDIENCE OOHS

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-HE LAUGHS

-It's not her!

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We have ourselves an impostor! Someone's having us on!

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-LAUGHTER

-He's saying...it's a man! I thought she looked like a man,

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-I didn't want to say...

-LAUGHTER

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He's saying, "Ha-ha-ha!

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"You thought I was your sister!

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"You thought I was your daft wee sister!"

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Oh, he is...he is terrible!

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He's saying, "You will never get to say goodbye.

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"You will never make contact, because every time you do,

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"she's been asking me, 'Have they been in touch?'

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"and I've been telling her 'No. Some family you've got!'"

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Oh, he has...he has got a mean streak!

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-LAUGHTER

-Oh, and that's him away.

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Och, I'm going to kill him!

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If he wasn't dead already, I'd kill him!

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I'll leave her love with... oh, well, I won't, sorry.

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-Bye for now.

-APPLAUSE

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Well, we've had a look at your CV...

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If you can call it that.

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There are some details missing.

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I mean, you've worked for some great companies, fantastic references,

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but you haven't given us details of what you did there.

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And you haven't even put your name.

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But we'll come to that later.

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So let's just start with, why do you want the job?

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EERIE MUSIC

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HYPNOTIC WHIRRING

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I tell you what,

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we'll take you on.

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What?

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On a trial basis, for a year.

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See how we get on, OK?

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Bye for now.

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What the hell did you do that for?

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Tom, you didn't have that thing looking at you.

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What is it you say again?

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What is it you say again?

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Hi, I've come for a haircut.

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Hi, I'm here for a haircut.

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I've came for a haircut!

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It's a hairdresser's! What else are you there for?!

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All right? Just take a seat, aye?

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Just take a...? "How, what for?"

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Just take a seat, aye? "What for?"

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Cos...I've come for a haircut.

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"Of course you've came for a haircut!" No...

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Three guesses what I'm here for!

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-HE LAUGHS WEAKLY

-Oh, no!

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Hiya.

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Haircut?

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What do you think I'm here for?!

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OK, just take a seat.

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What for?

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What?

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HE WAILS

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SHOWBIZ MUSIC PLAYS

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And...

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Stop! Stop the music!

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MUSIC STOPS Where is he?

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Limmy! Where are you?

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'I'm in here.'

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Are you OK?

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'Eh...no.'

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Are you...you not feeling well?

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'No, not feeling well. I feel a wee bit sick.

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'Got my head down the toilet here. Just give me a minute.'

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OK, sorry.

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GAME BEEPS

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Oh, come on!

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Thank you for joining us.

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My name is Larry Forsyth, and with me is Dr Stuart.

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This week, Dr Stuart will be administering me with Pandaemonium,

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a drug that became popular amongst artists in the 19th century,

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due to its ability to produce vivid, dreamlike visions.

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'An hour and a half later, I was beginning to feel definite effects.'

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HE WAILS

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Could you describe what it is you're seeing?

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HE WAILS

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Larry?

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HE WAILS

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Larry, are you all right?

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HE WAILS

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Larry, do you think that you could come out,

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so that we can continue the experiment?

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HE WAILS

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'At this point in the experiment, I had to be subdued.'

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HE WAILS

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Excuse me sir, can I have a look inside your suitcase, please?

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Shit!

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If you do a crime, but you can't do the time...

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try some mime!

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I'm quite shite, though.

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So, eh...

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..how are you coping?

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Not too good.

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I can understand that.

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I mean, your dad was a decent guy, mate.

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-Aye.

-When I heard the news,

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I thought I'd nip round to see how you were doing.

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Listen, I'm expecting a phone call from a client in a minute.

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Do you mind if I take it?

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Erm...

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Och, no.

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No, I'm sorry. Forget it.

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Ta.

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So, what happened?

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I mean, the last time I spoke to you, you were saying your old man

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was just going into hospital for an operation on his leg,

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but, something went wrong.

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What happened?

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Well, he'd went in for the operation,

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they gave him a blood transfusion.

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It gave him AIDS.

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-MOBILE PHONE RINGTONE

-# We're going to ring-a-dang-a-dong for a holiday... #

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We couldn't believe it.

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He was only meant to be in and out in a week to get his knee fixed.

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Next thing he knows, he's getting told he's got HIV.

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-PHONE CONTINUES PLAYING SONG

-Said they could give him pills

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to stop it progressing. So that gave us all hope.

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# Put your arms in the air, let me hear you say... #

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No, too late. Full blown AIDS.

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PHONE STOPS That's terrible, mate.

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I mean, hospitals are meant to cure you, not make you sick.

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What did he die of? Was it pneumonia, or..?

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No, I wish.

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No, the lucky ones get pneumonia, but my dad,

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the AIDS had got to his bones and his brain.

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# We're going to ring-a-dang-a-dong for a holiday... #

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We just had to stand by and watch his mind go.

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My dad was a proud guy. He didn't like showing any weakness.

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But there he was, greetin' like a wee lassie,

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telling us all that he was scared and didn't know who he was any more.

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-# Put your arms in the air... #

-Didn't know who we were either.

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We were round his bedside,

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but he may as well have been surrounded by strangers.

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-# Put your arms in the air... #

-He died surrounded by strangers.

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PHONE STOPS Listen, I know this is no consolation, but...

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I mean, you might have been strangers to him,

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but, I mean, surely it must be good,

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you know, even to have a stranger hold your hand to send you off?

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No, we couldn't even do that.

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Were you not at his bedside?

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No, we were.

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But they'd amputated his arms.

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# We're going to ring-a-dang-a-dong... #

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Because of the bone thing, they said,

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"Well, we could cut it out here. That might help it stop."

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No, didn't work. They said,

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"It's spread there. We're going to have to amputate."

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Again and again, "We're going to have to amputate this,

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"Amputate that, amputate, amputate," that's all I heard.

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-# We're going to ring-a-rang... #

-Stripping my dad away to nothing.

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And I had to sign the forms.

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It was me who had to sign the forms to give permission,

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-because of his brain thing.

-# Let me hear you say... #

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He was just lying there, his arms and legs hacked off,

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and he didn't know why.

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# We're going to ring-a-rang-a-dong... #

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And in the end, it was all for nothing.

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# We're going to ring-a-rang-a-dong for a holiday... #

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It was all for nothing.

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Jesus, mate. PHONE STOPS

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That's heavy. It's heavy.

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Aye.

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Well, thanks for nipping round.

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I'll let you get back to your phone call, whatever it was,

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and...thanks for the consideration, mate.

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It's no bother.

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Thanks for coming in.

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We're going to have to let you go.

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EERIE MUSIC It's been a year, and...

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it's just that, well, you're never in.

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And the only time you do come in

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is when we ask you to come in to tell you that you're never in,

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and you always... DRAMATIC CRESCENDO

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Look, you don't do anything, right?

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We're only a small company, we can't afford to...

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DRAMATIC MUSIC

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No, that's it. You have to go.

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It's not fair.

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SHE SOBS No, this is it! You have to go!

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You have to! It's not fair! It's not fair!

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All right!

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Another year. We'll see how it goes.

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We're going to have to do something.

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JOLLY MUSIC

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Sorry, this isn't a sketch.

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I'm just having a cup of tea.

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'There's a couple of mates...

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'and then there's The Third Mate.'

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Here listen, I've got to go for a pee.

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All right, I'll go and get a round in, then.

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Oh, no, don't be daft. It's my round.

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Right, I'm coming to the toilet as well.

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No' with me, you're no'!

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So what do you make of Galatasaray then, eh?

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-Who?

-Galatasaray.

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-Erm...

-Oh, right.

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You don't follow the football, don't you not?

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No. How, who is he?

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No, THEY. They're a team. They've beaten...

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It doesn't matter. It's nothing.

0:12:310:12:33

Look, B'Elanna Torres with the...

0:12:350:12:39

Who?

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The lassie with the red trainers,

0:12:410:12:43

she looks like B'Elanna Torres from Voyager.

0:12:430:12:45

Voyager?

0:12:450:12:47

Star Trek: Voyager. You don't watch it?

0:12:470:12:50

No, no, I don't watch Star Trek.

0:12:500:12:52

Is that the one with Dr Spock?

0:12:520:12:55

No, that's...that's the old one.

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And it's...Mr Spock.

0:12:580:12:59

-What?

-Nothing.

0:13:010:13:02

No, she just, she's got the same forehead

0:13:020:13:04

as B'Elanna Torres from Voyager.

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MAN: 'Alan McHugh?'

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MAN: 'Kirstin McLean?'

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Ta.

0:14:300:14:32

What can I get you?

0:14:320:14:33

A fish supper, please.

0:14:330:14:34

A couple of minutes for the fish.

0:14:340:14:36

No bother.

0:14:360:14:37

-INTERNAL VOICE

-'Who's this guy? Who's this guy?

0:14:440:14:48

'We've got a new kid in town.

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'Hey, stranger, this town ain't big enough for both of us.'

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FEMALE VOICE: 'I don't know, I like him, he's cute!'

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'You shut your mouth! Who is he? What does he want?

0:14:550:14:59

'He's got to be running from some kind of trouble.

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'Well, we don't want no trouble here.'

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'I don't know, I like him, he's kinda cute.'

0:15:040:15:06

'You shut your mouth!'

0:15:060:15:07

'What's he doing? Why is he scratching?

0:15:090:15:12

'What's wrong with him?!'

0:15:120:15:14

-THIRD VOICE:

-'He's got fever! He's got fever! He'll kill us all!'

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'We've got to get rid of him!'

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'We've got to throw him down the pit with the others.'

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-FOURTH VOICE:

-'What, like what you did with Reno?'

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'You shut your mouth! Reno had fever!'

0:15:240:15:26

'He looked all right to me!'

0:15:260:15:29

'He had fever!'

0:15:290:15:30

'Maybe you got fever too!'

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'We got to burn him, burn him!'

0:15:320:15:33

'I don't know, I like him, he's kinda cute.'

0:15:330:15:35

'You shut your mouth!'

0:15:350:15:37

There's your supper, pal.

0:15:370:15:38

'Where, where is he going? Where is he going?

0:15:400:15:43

'He's leaving! He's leaving!

0:15:430:15:44

'We can't let him leave! We can't let him leave!

0:15:440:15:47

'He'll tell the others about us!

0:15:470:15:49

'They'll come, they'll destroy our way of life.

0:15:490:15:52

'Our way of life that we've developed over centuries

0:15:520:15:55

'will be wiped out overnight!

0:15:550:15:57

'We can't let him leave!

0:15:570:15:58

'He's getting away! He's escaping!

0:15:580:16:01

'The prisoner is escaping!

0:16:010:16:03

'Get the dogs, somebody get the dogs! He's escaping!'

0:16:030:16:06

'He's got fever!'

0:16:100:16:12

'But he's kinda cute.'

0:16:130:16:15

JOLLY MUSIC

0:16:170:16:19

Do you mind? This is...this isn't a sketch.

0:16:230:16:26

This is my private and personal...

0:16:260:16:27

Oh, fff..!

0:16:300:16:32

MELANCHOLY MUSIC

0:16:350:16:37

TRIUMPHANT MUSIC

0:16:400:16:42

PARKA WHOOSHES

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'Look, it's Jimmy Aitken from number 24.'

0:17:010:17:04

HE GRIMACES RASPBERRY SOUND

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'And him that won't let you on the bus.'

0:17:070:17:09

HE GRIMACES RASPBERRY SOUND

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'And your old schoolteacher, Miss Davidson,

0:17:120:17:14

'who stood by and did nothing.'

0:17:140:17:16

HE GRIMACES RASPBERRY SOUND

0:17:160:17:19

-And Mrs Black.

-HE GRIMACES RASPBERRY SOUND

0:17:190:17:21

-And Mrs Jackson.

-HE GRIMACES RASPBERRY SOUND

0:17:210:17:23

-And Mrs Bannatyne.

-HE GRIMACES RASPBERRY SOUND

0:17:230:17:25

HE BLOWS RASPBERRIES

0:17:250:17:27

Mum, Mum! It's the windy man again!

0:17:270:17:30

-So what do we do?

-Phone the police!

0:17:300:17:32

HE BLOWS RASPBERRIES

0:17:320:17:35

-Des is some laugh, eh?

-Aye!

0:17:440:17:46

THEY SIGH

0:17:510:17:54

Oh, come on, what is it? What is it you say again?

0:17:580:18:00

Hi, I've come for a swim.

0:18:010:18:03

Of course you came here for a swim! It's a swimming pool! Eh...

0:18:030:18:06

Hi, can I use your pool?

0:18:090:18:10

"No, you can't use the pool! You're barred!"

0:18:100:18:12

What do you think they're going to say?!

0:18:120:18:14

Let us use your pool, ya cow!

0:18:150:18:17

No, no, no, no, no, no!

0:18:170:18:19

-HE LAUGHS MANIACALLY

-Three guesses what these are for, eh?

0:18:220:18:26

MELANCHOLY MUSIC

0:18:330:18:35

CAMERA CLICKS

0:18:450:18:47

CAMERA CLICKS

0:18:530:18:55

CAMERA CLICKS

0:19:000:19:03

HE SCREAMS

0:19:040:19:06

CAMERA CLICKS

0:19:140:19:16

CAMERA CLICKS

0:19:190:19:21

DRAMATIC MUSIC BUILDS

0:19:260:19:29

CAMERA CLICKS

0:19:330:19:35

HE SCREAMS

0:19:370:19:39

CAMERA CLICKS

0:19:390:19:41

CAMERA CLICKS

0:19:410:19:42

CAMERA CLICKS

0:19:420:19:44

DRAMATIC MUSIC

0:19:450:19:48

CAMERA CLICKS

0:20:140:20:16

YAY!

0:20:180:20:19

JOLLY MUSIC

0:20:210:20:24

HE SCREAMS

0:20:380:20:40

As you know, Stephanie's had a stroke.

0:20:420:20:44

I'm only surprised it never happened sooner.

0:20:440:20:47

Well, I don't plan on going the same way.

0:20:470:20:50

You're out.

0:20:500:20:51

HYPNOTIC WHIRRING

0:20:510:20:54

SINISTER MUSIC

0:21:130:21:15

Are you needing your bins emptied?

0:21:420:21:44

PUPPETS RATTLE THEY GRUNT

0:21:440:21:48

SLAPSTICK SOUND EFFECT

0:22:040:22:06

THEY SIGH

0:22:240:22:27

HE LAUGHS

0:22:460:22:48

You'd be better at it than me.

0:22:590:23:01

Oh, hiya! How are you, how are you...? No, no, no, no!

0:23:080:23:10

All right, my man? Fancy seeing you here!

0:23:130:23:15

No, no, come on! For God's sake! It's your dad.

0:23:150:23:17

-HE LAUGHS MANICALLY

-Where is he?! Where is he?!

0:23:300:23:34

-CAMERA CLICKS

-YAY!!

0:23:430:23:46

-CAMERA CLICKS

-YAY!!

0:23:460:23:49

-CAMERA CLICKS

-YAY!!

0:23:490:23:52

SAD SOUND EFFECT

0:23:550:23:57

Thanks for coming out, I know it was a bit short notice.

0:23:570:24:00

-No bother.

-I just needed to get out the house.

0:24:000:24:02

-How, is everything all right?

-No, not really.

0:24:020:24:04

We're going through a bit of a bad patch,

0:24:040:24:06

and something happened, and...eh...

0:24:060:24:09

And what?

0:24:090:24:11

Well, it's a bit personal.

0:24:110:24:13

No, no, no, no.

0:24:130:24:14

No, I want to talk about it. It's just...

0:24:140:24:17

I'll tell you later.

0:24:170:24:18

How, what's up with now?

0:24:200:24:21

Well, I'd rather wait until we're a wee bit more, you know...private.

0:24:210:24:24

Private?

0:24:270:24:28

JOLLY MUSIC

0:24:280:24:31

Oh, for God's sake! This isn't a sketch!

0:24:310:24:33

I'm out, I'm having a drink! Am I not allowed to just have a...?

0:24:330:24:36

Right, just wait until they've went, right?

0:24:360:24:39

JOLLY MUSIC CONTINUES

0:24:390:24:43

Aye, tell us later.

0:24:530:24:54

TASER ZAPS

0:25:390:25:41

Forget it.

0:25:430:25:44

All right...this is quite embarrassing.

0:25:460:25:49

This was supposed to be a sketch, a wee 30 second sketch,

0:25:490:25:52

but I wasn't able to write it. I didn't have the time.

0:25:520:25:55

Something came up, a family thing.

0:25:550:25:57

I don't want to talk about it, but I'm sure you understand.

0:25:570:26:00

So please take the remaining few moments

0:26:000:26:03

to imagine something funny happening here. Thank you.

0:26:030:26:05

GAME BEEPS

0:26:110:26:14

EXPLOSION IN GAME

0:26:160:26:18

INSPIRING MUSIC PLAYS

0:26:200:26:23

MUSIC DROWNS OUT SPEECH

0:26:230:26:25

MUSIC DROWNS OUT SPEECH

0:26:300:26:31

MUSIC DROWNS OUT SPEECH

0:27:020:27:04

JOLLY MUSIC

0:27:270:27:29

-TRIUMPHANT MUSIC PLAYS

-Des!

0:27:530:27:56

THEY WEEP

0:27:560:27:59

GAME BEEPS

0:28:090:28:11

Well, folks, that's the end of the...

0:28:130:28:15

EXPLOSION IN GAME

0:28:430:28:45

Well, folks, that's the end of the show. Thanks for wa...

0:28:450:28:47

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