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GAME BEEPS | 0:00:02 | 0:00:03 | |
Welcome to Limmy's Show. | 0:00:10 | 0:00:11 | |
GAME BEEPS | 0:00:16 | 0:00:18 | |
-EXPLOSION IN GAME -Oh, fff... | 0:00:18 | 0:00:21 | |
APPLAUSE | 0:00:34 | 0:00:37 | |
Hello, my name's Raymond Day, and welcome to Paraside. | 0:00:37 | 0:00:40 | |
OK, let's see where the spirit takes us. | 0:00:40 | 0:00:43 | |
Could someone understand, please, | 0:00:45 | 0:00:47 | |
I have here in spirit someone who has come through for a loved one | 0:00:47 | 0:00:53 | |
who has been trying to make contact desperately, for a long, long time. | 0:00:53 | 0:00:59 | |
Erm... | 0:00:59 | 0:01:01 | |
You, honey? | 0:01:01 | 0:01:02 | |
We've, eh... | 0:01:02 | 0:01:04 | |
we've been trying to get in touch with our wee sister | 0:01:04 | 0:01:07 | |
for quite a while now. | 0:01:07 | 0:01:08 | |
It's maybe sister, OK. | 0:01:08 | 0:01:09 | |
Well, can you understand then, | 0:01:09 | 0:01:12 | |
why she's telling me about a wall... | 0:01:12 | 0:01:15 | |
or a fence? | 0:01:15 | 0:01:17 | |
Well, I painted the garden fence a few months ago. | 0:01:17 | 0:01:19 | |
That's it, because she's telling me, | 0:01:19 | 0:01:21 | |
"Oh, I hate that colour!" | 0:01:21 | 0:01:23 | |
LAUGHTER | 0:01:23 | 0:01:25 | |
It's her. It's sister. It's baby sister. | 0:01:25 | 0:01:28 | |
She's come through. | 0:01:28 | 0:01:29 | |
-She's come through at last. -AUDIENCE AHHS | 0:01:29 | 0:01:32 | |
And she's telling me now just how hard it's been, | 0:01:32 | 0:01:36 | |
because you've never had the chance to say goodbye. | 0:01:36 | 0:01:40 | |
And since then you have been to every psychic, every medium, | 0:01:40 | 0:01:44 | |
every clairvoyant in town. | 0:01:44 | 0:01:47 | |
-Is she trying to make me jealous? -LAUGHTER | 0:01:47 | 0:01:50 | |
No, she's saying you have been around the block with no luck, | 0:01:50 | 0:01:54 | |
just trying to find out that she's all right, | 0:01:54 | 0:01:56 | |
to let her know that your thoughts are with her, | 0:01:56 | 0:02:00 | |
and to say goodbye. | 0:02:00 | 0:02:02 | |
Oh. | 0:02:02 | 0:02:03 | |
Oh, no. That's not nice. | 0:02:04 | 0:02:07 | |
-Oh, that's not nice at all. -AUDIENCE OOHS | 0:02:07 | 0:02:10 | |
-HE LAUGHS -It's not her! | 0:02:10 | 0:02:12 | |
We have ourselves an impostor! Someone's having us on! | 0:02:12 | 0:02:15 | |
-LAUGHTER -He's saying...it's a man! I thought she looked like a man, | 0:02:15 | 0:02:19 | |
-I didn't want to say... -LAUGHTER | 0:02:19 | 0:02:21 | |
He's saying, "Ha-ha-ha! | 0:02:21 | 0:02:23 | |
"You thought I was your sister! | 0:02:23 | 0:02:26 | |
"You thought I was your daft wee sister!" | 0:02:26 | 0:02:29 | |
Oh, he is...he is terrible! | 0:02:29 | 0:02:31 | |
He's saying, "You will never get to say goodbye. | 0:02:31 | 0:02:35 | |
"You will never make contact, because every time you do, | 0:02:35 | 0:02:39 | |
"she's been asking me, 'Have they been in touch?' | 0:02:39 | 0:02:42 | |
"and I've been telling her 'No. Some family you've got!'" | 0:02:42 | 0:02:45 | |
Oh, he has...he has got a mean streak! | 0:02:45 | 0:02:47 | |
-LAUGHTER -Oh, and that's him away. | 0:02:47 | 0:02:49 | |
Och, I'm going to kill him! | 0:02:49 | 0:02:50 | |
If he wasn't dead already, I'd kill him! | 0:02:50 | 0:02:53 | |
I'll leave her love with... oh, well, I won't, sorry. | 0:02:53 | 0:02:57 | |
-Bye for now. -APPLAUSE | 0:02:57 | 0:03:00 | |
Well, we've had a look at your CV... | 0:03:04 | 0:03:06 | |
If you can call it that. | 0:03:06 | 0:03:07 | |
There are some details missing. | 0:03:07 | 0:03:09 | |
I mean, you've worked for some great companies, fantastic references, | 0:03:09 | 0:03:13 | |
but you haven't given us details of what you did there. | 0:03:13 | 0:03:16 | |
And you haven't even put your name. | 0:03:16 | 0:03:17 | |
But we'll come to that later. | 0:03:17 | 0:03:19 | |
So let's just start with, why do you want the job? | 0:03:19 | 0:03:21 | |
EERIE MUSIC | 0:03:30 | 0:03:33 | |
HYPNOTIC WHIRRING | 0:03:39 | 0:03:41 | |
I tell you what, | 0:03:46 | 0:03:48 | |
we'll take you on. | 0:03:48 | 0:03:49 | |
What? | 0:03:49 | 0:03:51 | |
On a trial basis, for a year. | 0:03:51 | 0:03:53 | |
See how we get on, OK? | 0:03:53 | 0:03:56 | |
Bye for now. | 0:03:56 | 0:03:58 | |
What the hell did you do that for? | 0:03:59 | 0:04:01 | |
Tom, you didn't have that thing looking at you. | 0:04:01 | 0:04:04 | |
What is it you say again? | 0:04:08 | 0:04:10 | |
What is it you say again? | 0:04:12 | 0:04:13 | |
Hi, I've come for a haircut. | 0:04:16 | 0:04:17 | |
Hi, I'm here for a haircut. | 0:04:21 | 0:04:22 | |
I've came for a haircut! | 0:04:22 | 0:04:23 | |
It's a hairdresser's! What else are you there for?! | 0:04:23 | 0:04:26 | |
All right? Just take a seat, aye? | 0:04:27 | 0:04:29 | |
Just take a...? "How, what for?" | 0:04:31 | 0:04:32 | |
Just take a seat, aye? "What for?" | 0:04:32 | 0:04:34 | |
Cos...I've come for a haircut. | 0:04:34 | 0:04:35 | |
"Of course you've came for a haircut!" No... | 0:04:35 | 0:04:38 | |
Three guesses what I'm here for! | 0:04:41 | 0:04:42 | |
-HE LAUGHS WEAKLY -Oh, no! | 0:04:42 | 0:04:45 | |
Hiya. | 0:04:47 | 0:04:48 | |
Haircut? | 0:04:50 | 0:04:51 | |
What do you think I'm here for?! | 0:04:51 | 0:04:53 | |
OK, just take a seat. | 0:04:53 | 0:04:55 | |
What for? | 0:04:55 | 0:04:56 | |
What? | 0:04:56 | 0:04:57 | |
HE WAILS | 0:04:57 | 0:04:59 | |
SHOWBIZ MUSIC PLAYS | 0:05:01 | 0:05:03 | |
And... | 0:05:08 | 0:05:10 | |
Stop! Stop the music! | 0:05:11 | 0:05:13 | |
MUSIC STOPS Where is he? | 0:05:13 | 0:05:15 | |
Limmy! Where are you? | 0:05:19 | 0:05:21 | |
'I'm in here.' | 0:05:21 | 0:05:22 | |
Are you OK? | 0:05:22 | 0:05:24 | |
'Eh...no.' | 0:05:24 | 0:05:25 | |
Are you...you not feeling well? | 0:05:25 | 0:05:27 | |
'No, not feeling well. I feel a wee bit sick. | 0:05:27 | 0:05:30 | |
'Got my head down the toilet here. Just give me a minute.' | 0:05:30 | 0:05:32 | |
OK, sorry. | 0:05:32 | 0:05:33 | |
GAME BEEPS | 0:05:35 | 0:05:36 | |
Oh, come on! | 0:05:36 | 0:05:39 | |
Thank you for joining us. | 0:05:45 | 0:05:47 | |
My name is Larry Forsyth, and with me is Dr Stuart. | 0:05:47 | 0:05:51 | |
This week, Dr Stuart will be administering me with Pandaemonium, | 0:05:51 | 0:05:54 | |
a drug that became popular amongst artists in the 19th century, | 0:05:54 | 0:05:58 | |
due to its ability to produce vivid, dreamlike visions. | 0:05:58 | 0:06:01 | |
'An hour and a half later, I was beginning to feel definite effects.' | 0:06:03 | 0:06:06 | |
HE WAILS | 0:06:10 | 0:06:13 | |
Could you describe what it is you're seeing? | 0:06:13 | 0:06:15 | |
HE WAILS | 0:06:20 | 0:06:22 | |
Larry? | 0:06:22 | 0:06:23 | |
HE WAILS | 0:06:24 | 0:06:26 | |
Larry, are you all right? | 0:06:26 | 0:06:28 | |
HE WAILS | 0:06:29 | 0:06:31 | |
Larry, do you think that you could come out, | 0:06:31 | 0:06:34 | |
so that we can continue the experiment? | 0:06:34 | 0:06:35 | |
HE WAILS | 0:06:35 | 0:06:37 | |
'At this point in the experiment, I had to be subdued.' | 0:06:38 | 0:06:41 | |
HE WAILS | 0:06:44 | 0:06:46 | |
Excuse me sir, can I have a look inside your suitcase, please? | 0:06:49 | 0:06:53 | |
Shit! | 0:06:53 | 0:06:54 | |
If you do a crime, but you can't do the time... | 0:06:54 | 0:06:57 | |
try some mime! | 0:06:57 | 0:06:58 | |
I'm quite shite, though. | 0:07:25 | 0:07:26 | |
So, eh... | 0:07:31 | 0:07:33 | |
..how are you coping? | 0:07:35 | 0:07:37 | |
Not too good. | 0:07:37 | 0:07:39 | |
I can understand that. | 0:07:39 | 0:07:41 | |
I mean, your dad was a decent guy, mate. | 0:07:41 | 0:07:43 | |
-Aye. -When I heard the news, | 0:07:43 | 0:07:46 | |
I thought I'd nip round to see how you were doing. | 0:07:46 | 0:07:48 | |
Listen, I'm expecting a phone call from a client in a minute. | 0:07:50 | 0:07:52 | |
Do you mind if I take it? | 0:07:52 | 0:07:54 | |
Erm... | 0:07:54 | 0:07:55 | |
Och, no. | 0:07:55 | 0:07:57 | |
No, I'm sorry. Forget it. | 0:07:57 | 0:08:00 | |
Ta. | 0:08:00 | 0:08:01 | |
So, what happened? | 0:08:01 | 0:08:04 | |
I mean, the last time I spoke to you, you were saying your old man | 0:08:04 | 0:08:07 | |
was just going into hospital for an operation on his leg, | 0:08:07 | 0:08:10 | |
but, something went wrong. | 0:08:10 | 0:08:11 | |
What happened? | 0:08:11 | 0:08:13 | |
Well, he'd went in for the operation, | 0:08:13 | 0:08:16 | |
they gave him a blood transfusion. | 0:08:16 | 0:08:18 | |
It gave him AIDS. | 0:08:18 | 0:08:19 | |
-MOBILE PHONE RINGTONE -# We're going to ring-a-dang-a-dong for a holiday... # | 0:08:19 | 0:08:22 | |
We couldn't believe it. | 0:08:22 | 0:08:23 | |
He was only meant to be in and out in a week to get his knee fixed. | 0:08:23 | 0:08:27 | |
Next thing he knows, he's getting told he's got HIV. | 0:08:27 | 0:08:29 | |
-PHONE CONTINUES PLAYING SONG -Said they could give him pills | 0:08:29 | 0:08:32 | |
to stop it progressing. So that gave us all hope. | 0:08:32 | 0:08:34 | |
# Put your arms in the air, let me hear you say... # | 0:08:34 | 0:08:36 | |
No, too late. Full blown AIDS. | 0:08:36 | 0:08:38 | |
PHONE STOPS That's terrible, mate. | 0:08:38 | 0:08:41 | |
I mean, hospitals are meant to cure you, not make you sick. | 0:08:41 | 0:08:45 | |
What did he die of? Was it pneumonia, or..? | 0:08:45 | 0:08:47 | |
No, I wish. | 0:08:47 | 0:08:49 | |
No, the lucky ones get pneumonia, but my dad, | 0:08:49 | 0:08:52 | |
the AIDS had got to his bones and his brain. | 0:08:52 | 0:08:54 | |
# We're going to ring-a-dang-a-dong for a holiday... # | 0:08:54 | 0:08:57 | |
We just had to stand by and watch his mind go. | 0:08:57 | 0:09:00 | |
My dad was a proud guy. He didn't like showing any weakness. | 0:09:00 | 0:09:03 | |
But there he was, greetin' like a wee lassie, | 0:09:03 | 0:09:07 | |
telling us all that he was scared and didn't know who he was any more. | 0:09:07 | 0:09:10 | |
-# Put your arms in the air... # -Didn't know who we were either. | 0:09:10 | 0:09:13 | |
We were round his bedside, | 0:09:13 | 0:09:14 | |
but he may as well have been surrounded by strangers. | 0:09:14 | 0:09:16 | |
-# Put your arms in the air... # -He died surrounded by strangers. | 0:09:16 | 0:09:20 | |
PHONE STOPS Listen, I know this is no consolation, but... | 0:09:20 | 0:09:23 | |
I mean, you might have been strangers to him, | 0:09:23 | 0:09:26 | |
but, I mean, surely it must be good, | 0:09:26 | 0:09:28 | |
you know, even to have a stranger hold your hand to send you off? | 0:09:28 | 0:09:31 | |
No, we couldn't even do that. | 0:09:31 | 0:09:33 | |
Were you not at his bedside? | 0:09:33 | 0:09:35 | |
No, we were. | 0:09:35 | 0:09:37 | |
But they'd amputated his arms. | 0:09:37 | 0:09:39 | |
# We're going to ring-a-dang-a-dong... # | 0:09:39 | 0:09:41 | |
Because of the bone thing, they said, | 0:09:41 | 0:09:43 | |
"Well, we could cut it out here. That might help it stop." | 0:09:43 | 0:09:46 | |
No, didn't work. They said, | 0:09:46 | 0:09:47 | |
"It's spread there. We're going to have to amputate." | 0:09:47 | 0:09:50 | |
Again and again, "We're going to have to amputate this, | 0:09:50 | 0:09:53 | |
"Amputate that, amputate, amputate," that's all I heard. | 0:09:53 | 0:09:55 | |
-# We're going to ring-a-rang... # -Stripping my dad away to nothing. | 0:09:55 | 0:09:58 | |
And I had to sign the forms. | 0:09:58 | 0:10:00 | |
It was me who had to sign the forms to give permission, | 0:10:00 | 0:10:02 | |
-because of his brain thing. -# Let me hear you say... # | 0:10:02 | 0:10:05 | |
He was just lying there, his arms and legs hacked off, | 0:10:05 | 0:10:08 | |
and he didn't know why. | 0:10:08 | 0:10:09 | |
# We're going to ring-a-rang-a-dong... # | 0:10:09 | 0:10:11 | |
And in the end, it was all for nothing. | 0:10:11 | 0:10:13 | |
# We're going to ring-a-rang-a-dong for a holiday... # | 0:10:13 | 0:10:16 | |
It was all for nothing. | 0:10:16 | 0:10:17 | |
Jesus, mate. PHONE STOPS | 0:10:17 | 0:10:20 | |
That's heavy. It's heavy. | 0:10:20 | 0:10:22 | |
Aye. | 0:10:22 | 0:10:24 | |
Well, thanks for nipping round. | 0:10:24 | 0:10:26 | |
I'll let you get back to your phone call, whatever it was, | 0:10:26 | 0:10:29 | |
and...thanks for the consideration, mate. | 0:10:29 | 0:10:32 | |
It's no bother. | 0:10:32 | 0:10:33 | |
Thanks for coming in. | 0:10:38 | 0:10:40 | |
We're going to have to let you go. | 0:10:40 | 0:10:42 | |
EERIE MUSIC It's been a year, and... | 0:10:44 | 0:10:47 | |
it's just that, well, you're never in. | 0:10:47 | 0:10:49 | |
And the only time you do come in | 0:10:49 | 0:10:51 | |
is when we ask you to come in to tell you that you're never in, | 0:10:51 | 0:10:53 | |
and you always... DRAMATIC CRESCENDO | 0:10:53 | 0:10:57 | |
Look, you don't do anything, right? | 0:10:59 | 0:11:00 | |
We're only a small company, we can't afford to... | 0:11:00 | 0:11:03 | |
DRAMATIC MUSIC | 0:11:03 | 0:11:04 | |
No, that's it. You have to go. | 0:11:06 | 0:11:09 | |
It's not fair. | 0:11:09 | 0:11:10 | |
SHE SOBS No, this is it! You have to go! | 0:11:10 | 0:11:12 | |
You have to! It's not fair! It's not fair! | 0:11:12 | 0:11:15 | |
All right! | 0:11:15 | 0:11:17 | |
Another year. We'll see how it goes. | 0:11:17 | 0:11:19 | |
We're going to have to do something. | 0:11:27 | 0:11:30 | |
JOLLY MUSIC | 0:11:30 | 0:11:33 | |
Sorry, this isn't a sketch. | 0:11:42 | 0:11:44 | |
I'm just having a cup of tea. | 0:11:44 | 0:11:45 | |
'There's a couple of mates... | 0:11:47 | 0:11:48 | |
'and then there's The Third Mate.' | 0:11:48 | 0:11:51 | |
Here listen, I've got to go for a pee. | 0:11:53 | 0:11:56 | |
All right, I'll go and get a round in, then. | 0:11:56 | 0:11:58 | |
Oh, no, don't be daft. It's my round. | 0:11:58 | 0:12:00 | |
Right, I'm coming to the toilet as well. | 0:12:00 | 0:12:01 | |
No' with me, you're no'! | 0:12:01 | 0:12:03 | |
So what do you make of Galatasaray then, eh? | 0:12:15 | 0:12:18 | |
-Who? -Galatasaray. | 0:12:18 | 0:12:21 | |
-Erm... -Oh, right. | 0:12:21 | 0:12:22 | |
You don't follow the football, don't you not? | 0:12:22 | 0:12:24 | |
No. How, who is he? | 0:12:24 | 0:12:27 | |
No, THEY. They're a team. They've beaten... | 0:12:27 | 0:12:30 | |
It doesn't matter. It's nothing. | 0:12:31 | 0:12:33 | |
Look, B'Elanna Torres with the... | 0:12:35 | 0:12:39 | |
Who? | 0:12:39 | 0:12:41 | |
The lassie with the red trainers, | 0:12:41 | 0:12:43 | |
she looks like B'Elanna Torres from Voyager. | 0:12:43 | 0:12:45 | |
Voyager? | 0:12:45 | 0:12:47 | |
Star Trek: Voyager. You don't watch it? | 0:12:47 | 0:12:50 | |
No, no, I don't watch Star Trek. | 0:12:50 | 0:12:52 | |
Is that the one with Dr Spock? | 0:12:52 | 0:12:55 | |
No, that's...that's the old one. | 0:12:55 | 0:12:56 | |
And it's...Mr Spock. | 0:12:58 | 0:12:59 | |
-What? -Nothing. | 0:13:01 | 0:13:02 | |
No, she just, she's got the same forehead | 0:13:02 | 0:13:04 | |
as B'Elanna Torres from Voyager. | 0:13:04 | 0:13:07 | |
MAN: 'Alan McHugh?' | 0:13:46 | 0:13:49 | |
MAN: 'Kirstin McLean?' | 0:13:56 | 0:13:58 | |
Ta. | 0:14:30 | 0:14:32 | |
What can I get you? | 0:14:32 | 0:14:33 | |
A fish supper, please. | 0:14:33 | 0:14:34 | |
A couple of minutes for the fish. | 0:14:34 | 0:14:36 | |
No bother. | 0:14:36 | 0:14:37 | |
-INTERNAL VOICE -'Who's this guy? Who's this guy? | 0:14:44 | 0:14:48 | |
'We've got a new kid in town. | 0:14:48 | 0:14:50 | |
'Hey, stranger, this town ain't big enough for both of us.' | 0:14:50 | 0:14:53 | |
FEMALE VOICE: 'I don't know, I like him, he's cute!' | 0:14:53 | 0:14:55 | |
'You shut your mouth! Who is he? What does he want? | 0:14:55 | 0:14:59 | |
'He's got to be running from some kind of trouble. | 0:14:59 | 0:15:02 | |
'Well, we don't want no trouble here.' | 0:15:02 | 0:15:04 | |
'I don't know, I like him, he's kinda cute.' | 0:15:04 | 0:15:06 | |
'You shut your mouth!' | 0:15:06 | 0:15:07 | |
'What's he doing? Why is he scratching? | 0:15:09 | 0:15:12 | |
'What's wrong with him?!' | 0:15:12 | 0:15:14 | |
-THIRD VOICE: -'He's got fever! He's got fever! He'll kill us all!' | 0:15:14 | 0:15:18 | |
'We've got to get rid of him!' | 0:15:18 | 0:15:19 | |
'We've got to throw him down the pit with the others.' | 0:15:19 | 0:15:22 | |
-FOURTH VOICE: -'What, like what you did with Reno?' | 0:15:22 | 0:15:24 | |
'You shut your mouth! Reno had fever!' | 0:15:24 | 0:15:26 | |
'He looked all right to me!' | 0:15:26 | 0:15:29 | |
'He had fever!' | 0:15:29 | 0:15:30 | |
'Maybe you got fever too!' | 0:15:30 | 0:15:32 | |
'We got to burn him, burn him!' | 0:15:32 | 0:15:33 | |
'I don't know, I like him, he's kinda cute.' | 0:15:33 | 0:15:35 | |
'You shut your mouth!' | 0:15:35 | 0:15:37 | |
There's your supper, pal. | 0:15:37 | 0:15:38 | |
'Where, where is he going? Where is he going? | 0:15:40 | 0:15:43 | |
'He's leaving! He's leaving! | 0:15:43 | 0:15:44 | |
'We can't let him leave! We can't let him leave! | 0:15:44 | 0:15:47 | |
'He'll tell the others about us! | 0:15:47 | 0:15:49 | |
'They'll come, they'll destroy our way of life. | 0:15:49 | 0:15:52 | |
'Our way of life that we've developed over centuries | 0:15:52 | 0:15:55 | |
'will be wiped out overnight! | 0:15:55 | 0:15:57 | |
'We can't let him leave! | 0:15:57 | 0:15:58 | |
'He's getting away! He's escaping! | 0:15:58 | 0:16:01 | |
'The prisoner is escaping! | 0:16:01 | 0:16:03 | |
'Get the dogs, somebody get the dogs! He's escaping!' | 0:16:03 | 0:16:06 | |
'He's got fever!' | 0:16:10 | 0:16:12 | |
'But he's kinda cute.' | 0:16:13 | 0:16:15 | |
JOLLY MUSIC | 0:16:17 | 0:16:19 | |
Do you mind? This is...this isn't a sketch. | 0:16:23 | 0:16:26 | |
This is my private and personal... | 0:16:26 | 0:16:27 | |
Oh, fff..! | 0:16:30 | 0:16:32 | |
MELANCHOLY MUSIC | 0:16:35 | 0:16:37 | |
TRIUMPHANT MUSIC | 0:16:40 | 0:16:42 | |
PARKA WHOOSHES | 0:16:47 | 0:16:49 | |
'Look, it's Jimmy Aitken from number 24.' | 0:17:01 | 0:17:04 | |
HE GRIMACES RASPBERRY SOUND | 0:17:04 | 0:17:07 | |
'And him that won't let you on the bus.' | 0:17:07 | 0:17:09 | |
HE GRIMACES RASPBERRY SOUND | 0:17:09 | 0:17:12 | |
'And your old schoolteacher, Miss Davidson, | 0:17:12 | 0:17:14 | |
'who stood by and did nothing.' | 0:17:14 | 0:17:16 | |
HE GRIMACES RASPBERRY SOUND | 0:17:16 | 0:17:19 | |
-And Mrs Black. -HE GRIMACES RASPBERRY SOUND | 0:17:19 | 0:17:21 | |
-And Mrs Jackson. -HE GRIMACES RASPBERRY SOUND | 0:17:21 | 0:17:23 | |
-And Mrs Bannatyne. -HE GRIMACES RASPBERRY SOUND | 0:17:23 | 0:17:25 | |
HE BLOWS RASPBERRIES | 0:17:25 | 0:17:27 | |
Mum, Mum! It's the windy man again! | 0:17:27 | 0:17:30 | |
-So what do we do? -Phone the police! | 0:17:30 | 0:17:32 | |
HE BLOWS RASPBERRIES | 0:17:32 | 0:17:35 | |
-Des is some laugh, eh? -Aye! | 0:17:44 | 0:17:46 | |
THEY SIGH | 0:17:51 | 0:17:54 | |
Oh, come on, what is it? What is it you say again? | 0:17:58 | 0:18:00 | |
Hi, I've come for a swim. | 0:18:01 | 0:18:03 | |
Of course you came here for a swim! It's a swimming pool! Eh... | 0:18:03 | 0:18:06 | |
Hi, can I use your pool? | 0:18:09 | 0:18:10 | |
"No, you can't use the pool! You're barred!" | 0:18:10 | 0:18:12 | |
What do you think they're going to say?! | 0:18:12 | 0:18:14 | |
Let us use your pool, ya cow! | 0:18:15 | 0:18:17 | |
No, no, no, no, no, no! | 0:18:17 | 0:18:19 | |
-HE LAUGHS MANIACALLY -Three guesses what these are for, eh? | 0:18:22 | 0:18:26 | |
MELANCHOLY MUSIC | 0:18:33 | 0:18:35 | |
CAMERA CLICKS | 0:18:45 | 0:18:47 | |
CAMERA CLICKS | 0:18:53 | 0:18:55 | |
CAMERA CLICKS | 0:19:00 | 0:19:03 | |
HE SCREAMS | 0:19:04 | 0:19:06 | |
CAMERA CLICKS | 0:19:14 | 0:19:16 | |
CAMERA CLICKS | 0:19:19 | 0:19:21 | |
DRAMATIC MUSIC BUILDS | 0:19:26 | 0:19:29 | |
CAMERA CLICKS | 0:19:33 | 0:19:35 | |
HE SCREAMS | 0:19:37 | 0:19:39 | |
CAMERA CLICKS | 0:19:39 | 0:19:41 | |
CAMERA CLICKS | 0:19:41 | 0:19:42 | |
CAMERA CLICKS | 0:19:42 | 0:19:44 | |
DRAMATIC MUSIC | 0:19:45 | 0:19:48 | |
CAMERA CLICKS | 0:20:14 | 0:20:16 | |
YAY! | 0:20:18 | 0:20:19 | |
JOLLY MUSIC | 0:20:21 | 0:20:24 | |
HE SCREAMS | 0:20:38 | 0:20:40 | |
As you know, Stephanie's had a stroke. | 0:20:42 | 0:20:44 | |
I'm only surprised it never happened sooner. | 0:20:44 | 0:20:47 | |
Well, I don't plan on going the same way. | 0:20:47 | 0:20:50 | |
You're out. | 0:20:50 | 0:20:51 | |
HYPNOTIC WHIRRING | 0:20:51 | 0:20:54 | |
SINISTER MUSIC | 0:21:13 | 0:21:15 | |
Are you needing your bins emptied? | 0:21:42 | 0:21:44 | |
PUPPETS RATTLE THEY GRUNT | 0:21:44 | 0:21:48 | |
SLAPSTICK SOUND EFFECT | 0:22:04 | 0:22:06 | |
THEY SIGH | 0:22:24 | 0:22:27 | |
HE LAUGHS | 0:22:46 | 0:22:48 | |
You'd be better at it than me. | 0:22:59 | 0:23:01 | |
Oh, hiya! How are you, how are you...? No, no, no, no! | 0:23:08 | 0:23:10 | |
All right, my man? Fancy seeing you here! | 0:23:13 | 0:23:15 | |
No, no, come on! For God's sake! It's your dad. | 0:23:15 | 0:23:17 | |
-HE LAUGHS MANICALLY -Where is he?! Where is he?! | 0:23:30 | 0:23:34 | |
-CAMERA CLICKS -YAY!! | 0:23:43 | 0:23:46 | |
-CAMERA CLICKS -YAY!! | 0:23:46 | 0:23:49 | |
-CAMERA CLICKS -YAY!! | 0:23:49 | 0:23:52 | |
SAD SOUND EFFECT | 0:23:55 | 0:23:57 | |
Thanks for coming out, I know it was a bit short notice. | 0:23:57 | 0:24:00 | |
-No bother. -I just needed to get out the house. | 0:24:00 | 0:24:02 | |
-How, is everything all right? -No, not really. | 0:24:02 | 0:24:04 | |
We're going through a bit of a bad patch, | 0:24:04 | 0:24:06 | |
and something happened, and...eh... | 0:24:06 | 0:24:09 | |
And what? | 0:24:09 | 0:24:11 | |
Well, it's a bit personal. | 0:24:11 | 0:24:13 | |
No, no, no, no. | 0:24:13 | 0:24:14 | |
No, I want to talk about it. It's just... | 0:24:14 | 0:24:17 | |
I'll tell you later. | 0:24:17 | 0:24:18 | |
How, what's up with now? | 0:24:20 | 0:24:21 | |
Well, I'd rather wait until we're a wee bit more, you know...private. | 0:24:21 | 0:24:24 | |
Private? | 0:24:27 | 0:24:28 | |
JOLLY MUSIC | 0:24:28 | 0:24:31 | |
Oh, for God's sake! This isn't a sketch! | 0:24:31 | 0:24:33 | |
I'm out, I'm having a drink! Am I not allowed to just have a...? | 0:24:33 | 0:24:36 | |
Right, just wait until they've went, right? | 0:24:36 | 0:24:39 | |
JOLLY MUSIC CONTINUES | 0:24:39 | 0:24:43 | |
Aye, tell us later. | 0:24:53 | 0:24:54 | |
TASER ZAPS | 0:25:39 | 0:25:41 | |
Forget it. | 0:25:43 | 0:25:44 | |
All right...this is quite embarrassing. | 0:25:46 | 0:25:49 | |
This was supposed to be a sketch, a wee 30 second sketch, | 0:25:49 | 0:25:52 | |
but I wasn't able to write it. I didn't have the time. | 0:25:52 | 0:25:55 | |
Something came up, a family thing. | 0:25:55 | 0:25:57 | |
I don't want to talk about it, but I'm sure you understand. | 0:25:57 | 0:26:00 | |
So please take the remaining few moments | 0:26:00 | 0:26:03 | |
to imagine something funny happening here. Thank you. | 0:26:03 | 0:26:05 | |
GAME BEEPS | 0:26:11 | 0:26:14 | |
EXPLOSION IN GAME | 0:26:16 | 0:26:18 | |
INSPIRING MUSIC PLAYS | 0:26:20 | 0:26:23 | |
MUSIC DROWNS OUT SPEECH | 0:26:23 | 0:26:25 | |
MUSIC DROWNS OUT SPEECH | 0:26:30 | 0:26:31 | |
MUSIC DROWNS OUT SPEECH | 0:27:02 | 0:27:04 | |
JOLLY MUSIC | 0:27:27 | 0:27:29 | |
-TRIUMPHANT MUSIC PLAYS -Des! | 0:27:53 | 0:27:56 | |
THEY WEEP | 0:27:56 | 0:27:59 | |
GAME BEEPS | 0:28:09 | 0:28:11 | |
Well, folks, that's the end of the... | 0:28:13 | 0:28:15 | |
EXPLOSION IN GAME | 0:28:43 | 0:28:45 | |
Well, folks, that's the end of the show. Thanks for wa... | 0:28:45 | 0:28:47 |