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This programme contains some strong language | 0:00:02 | 0:00:04 | |
MUSIC: Are You Gonna Be My Girl by Jet | 0:00:08 | 0:00:10 | |
Ladies and gentlemen, | 0:00:17 | 0:00:19 | |
please welcome your host for tonight, Nina Conti. | 0:00:19 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
MUSIC: Rockin' Around The Christmas Tree by Brenda Lee | 0:00:27 | 0:00:32 | |
Happy Christmas! | 0:00:32 | 0:00:34 | |
Thank you. | 0:00:34 | 0:00:36 | |
Hey! | 0:00:36 | 0:00:38 | |
I'll just get my tiny monkey out of this massive bag. | 0:00:39 | 0:00:43 | |
-Come on out, Monkey. -Hello, happy Christmas, everybody. | 0:00:43 | 0:00:47 | |
Here we are. How long have I got? | 0:00:47 | 0:00:49 | |
You can do it as long as you want, | 0:00:49 | 0:00:51 | |
now I'm not wearing my vibrating watch. | 0:00:51 | 0:00:53 | |
Well, thank God for that. | 0:00:53 | 0:00:55 | |
-Can I say hello to the audience? -Yes, of course you can say hello. | 0:00:55 | 0:00:58 | |
Hello. Hi. How are you all doing? | 0:00:58 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:02 | |
-What's your name? -Is it on your T-shirt? | 0:01:02 | 0:01:05 | |
Is your name Charly? | 0:01:05 | 0:01:06 | |
-Yeah. -Charly. Excellent. Nice to meet you. | 0:01:06 | 0:01:09 | |
-Are you guys friends or lovers? -Please tell me lovers. | 0:01:09 | 0:01:12 | |
-Do you know each other? -Yeah, 22 years. | 0:01:13 | 0:01:16 | |
22 years? | 0:01:16 | 0:01:17 | |
Have you had Christmas together, ever? | 0:01:17 | 0:01:20 | |
Yeah, we think so. | 0:01:20 | 0:01:21 | |
-You've done a Christmas together? -What did you get each other? | 0:01:21 | 0:01:25 | |
-Couldn't possibly say it on telly. -You couldn't possibly say it? | 0:01:25 | 0:01:28 | |
Oh, God. It's pornographic. I knew this... | 0:01:28 | 0:01:31 | |
-Distasteful. -You couldn't say it? | 0:01:31 | 0:01:33 | |
OK, we'll move on. We'll move on. | 0:01:33 | 0:01:36 | |
Good luck with your lives. | 0:01:36 | 0:01:38 | |
You disgust me. | 0:01:38 | 0:01:39 | |
-So sorry about that. -So, yeah, let's find someone else. | 0:01:41 | 0:01:44 | |
You, sir. Hello, what's your name? | 0:01:44 | 0:01:47 | |
-Tim. -Tim. Nice to meet you. -What do you do, Tim? | 0:01:47 | 0:01:49 | |
I'm in finance. | 0:01:49 | 0:01:51 | |
-You're in finance. -Oh, how thrilling. How thrilling. | 0:01:51 | 0:01:54 | |
Did you know you'd be in finance as a child? | 0:01:54 | 0:01:58 | |
-It wasn't your first choice. -What did you want to be? | 0:01:58 | 0:02:00 | |
A train driver. | 0:02:00 | 0:02:02 | |
-A train driver? -Oh, God love you, Tim. | 0:02:02 | 0:02:04 | |
Who are you here with tonight? | 0:02:04 | 0:02:06 | |
-A friend, Nick. -Your friend Nick. Are you lovers? | 0:02:06 | 0:02:09 | |
-No? -Well, not yet, anyway. | 0:02:09 | 0:02:11 | |
And so, Nick, how did you guys meet? | 0:02:11 | 0:02:14 | |
-Work. -At work. And so, where do you work, you guys? | 0:02:14 | 0:02:17 | |
-An energy company. -An energy company. | 0:02:17 | 0:02:19 | |
And is it an ecologically sound energy company? | 0:02:19 | 0:02:23 | |
-It is. -It is? There's no blood on your hands? | 0:02:23 | 0:02:26 | |
It's a small green one. | 0:02:26 | 0:02:28 | |
It's a small green energy company. | 0:02:28 | 0:02:30 | |
Congratulations. | 0:02:30 | 0:02:32 | |
No fracking whatsoever. | 0:02:33 | 0:02:37 | |
So, what did you get for Christmas last year? | 0:02:37 | 0:02:39 | |
-A BMX. -You got a BMX? | 0:02:39 | 0:02:41 | |
At your age? Jesus Christ. | 0:02:41 | 0:02:43 | |
A BMX. How amazing. | 0:02:44 | 0:02:46 | |
And what are you hoping to get this year? | 0:02:46 | 0:02:48 | |
Um, some stabilisers. | 0:02:48 | 0:02:50 | |
LAUGHTER AND APPLAUSE | 0:02:50 | 0:02:54 | |
-Stabilisers! -What are they? -They go on a bike. | 0:02:54 | 0:02:57 | |
That's fantastic. | 0:02:57 | 0:02:59 | |
Tim, I love you. | 0:02:59 | 0:03:01 | |
Could you join us on the stage for a minute, please, Tim? | 0:03:01 | 0:03:03 | |
Can we give Tim a round of applause? | 0:03:03 | 0:03:05 | |
CHEERING AND APPLAUSE Come on up. | 0:03:05 | 0:03:07 | |
There are some stairs here for you, Tim. | 0:03:07 | 0:03:10 | |
-Oh, Tim. Hello. -Hello, I'm Nina. | 0:03:11 | 0:03:14 | |
And I'm a monkey stuck to her tit. | 0:03:14 | 0:03:17 | |
Nice to meet you, Tim. Come on over here. | 0:03:17 | 0:03:19 | |
Because you're going to be Nina's next monkey. | 0:03:19 | 0:03:22 | |
It is painful, I assure you. | 0:03:23 | 0:03:26 | |
-Thank you, Tim. So, right. -I'll see you later, guys. | 0:03:26 | 0:03:29 | |
It's over to you now, Tim. | 0:03:29 | 0:03:30 | |
So, let's see, Tim. In here, I've got a contraption. | 0:03:32 | 0:03:35 | |
So, if I put that on your face, | 0:03:40 | 0:03:42 | |
do you want to hold that, while I just do the straps? | 0:03:42 | 0:03:44 | |
Hold the face. Oh, OK. Hold the straps. | 0:03:44 | 0:03:46 | |
Oh, you look lovely, Tim. | 0:03:48 | 0:03:50 | |
How are you feeling? | 0:03:53 | 0:03:54 | |
I'm feeling all right, actually, yeah. | 0:03:54 | 0:03:57 | |
-A little uncertain. -A little uncertain? -Yeah. | 0:03:58 | 0:04:01 | |
-I'm not sure how to stand. -Well, you're standing all right. | 0:04:03 | 0:04:07 | |
-I don't know. Is it all right? -It's beautiful. -OK. | 0:04:07 | 0:04:10 | |
-Oh, it's lovely, isn't it, Christmas? -You like it? -Yeah. | 0:04:10 | 0:04:14 | |
# Happy Christmas to you... # | 0:04:16 | 0:04:18 | |
That's lovely. Isn't that the birthday song? | 0:04:20 | 0:04:22 | |
Yeah, I get confused, yeah. | 0:04:22 | 0:04:24 | |
So, Tim, you're hoping for some stabilisers? | 0:04:26 | 0:04:30 | |
Yeah. That bike is so difficult to ride. | 0:04:30 | 0:04:34 | |
So, do you go off-road on it? | 0:04:35 | 0:04:37 | |
Yeah, try to. | 0:04:37 | 0:04:39 | |
-And you hurt yourself? -Frequently. | 0:04:39 | 0:04:41 | |
What have you hurt? Where are your injuries? | 0:04:43 | 0:04:45 | |
I hurt my knee, my elbow... | 0:04:45 | 0:04:48 | |
-Yeah? -Yeah. | 0:04:48 | 0:04:50 | |
-And where else? -And my dick. -What? | 0:04:50 | 0:04:53 | |
-What did you say, sorry? -My dick. | 0:04:54 | 0:04:56 | |
-Your head? -Yeah, can't you tell? | 0:04:56 | 0:04:59 | |
Where were you cycling? | 0:05:01 | 0:05:02 | |
How can I tell you, with you in charge? | 0:05:02 | 0:05:05 | |
You could sort of maybe, I don't know, show me. | 0:05:06 | 0:05:08 | |
-What, act it out? -Yeah. | 0:05:08 | 0:05:10 | |
-The whole landscape? -Yeah. | 0:05:10 | 0:05:12 | |
All right. | 0:05:13 | 0:05:15 | |
Over there, there's some, like, waves. | 0:05:15 | 0:05:18 | |
-Waves? -Yeah, I was attempting to ride on water. | 0:05:18 | 0:05:21 | |
That's why I desperately need those stabilisers. | 0:05:24 | 0:05:28 | |
-So, Tim, you work in finance? -Yeah. | 0:05:29 | 0:05:32 | |
I work in finance. | 0:05:32 | 0:05:34 | |
-In what realm? -Energy. | 0:05:34 | 0:05:36 | |
A small, green energy company. | 0:05:39 | 0:05:44 | |
It wasn't my dream. | 0:05:46 | 0:05:49 | |
-It wasn't your dream? -No, no, it wasn't my dream. | 0:05:49 | 0:05:53 | |
I wanted to drive a train. | 0:05:55 | 0:05:57 | |
Choo-choo. | 0:05:59 | 0:06:01 | |
You may still. You may still, one day. | 0:06:05 | 0:06:07 | |
Yeah, may still. | 0:06:07 | 0:06:08 | |
Can I just go choo-choo around the stage? | 0:06:08 | 0:06:11 | |
Yeah, of course. | 0:06:11 | 0:06:12 | |
Follow me. Get on the train. | 0:06:12 | 0:06:14 | |
-You want me on the train? -Yeah, get on. Hop on board. | 0:06:14 | 0:06:17 | |
-Where are we going? -We're going to the North Pole. -OK. | 0:06:18 | 0:06:22 | |
Choo-choo! | 0:06:22 | 0:06:24 | |
-That's lovely, Tim. -Choo-choo! | 0:06:24 | 0:06:26 | |
And back again. | 0:06:31 | 0:06:33 | |
-We're going back? -Yeah, South Pole now. Ding-ding. | 0:06:33 | 0:06:36 | |
Choo-choo! | 0:06:36 | 0:06:38 | |
-That's beautiful, Tim. -Thank you. Thank you. | 0:06:38 | 0:06:42 | |
I really hope you get the stabilisers for Christmas. | 0:06:44 | 0:06:47 | |
Thank you, and I hope one day I'll get to drive a train. | 0:06:47 | 0:06:52 | |
-Yes, I hope so, too. -So, I'll sit down now. | 0:06:52 | 0:06:56 | |
-OK. -And I'll leave in the manner of my dreams. | 0:06:56 | 0:07:00 | |
-What's that? Like a train? -Yeah. Get on. | 0:07:01 | 0:07:04 | |
Choo-choo! Thanks, everyone. Goodnight. | 0:07:05 | 0:07:07 | |
-CHEERING AND APPLAUSE -Choo-choo! | 0:07:07 | 0:07:10 | |
All aboard! | 0:07:10 | 0:07:12 | |
Beautiful, mate. Well done. Thank you so much. | 0:07:12 | 0:07:15 | |
Tim, everybody! | 0:07:17 | 0:07:18 | |
OK, OK. So, guys, it is, um... | 0:07:23 | 0:07:26 | |
It's time to welcome your first act of the evening. | 0:07:26 | 0:07:29 | |
My God, this woman is incredible. You're going to love her. | 0:07:29 | 0:07:33 | |
Please welcome Tanyalee Davis, everybody. | 0:07:33 | 0:07:36 | |
CHEERING AND APPLAUSE Thank you. | 0:07:36 | 0:07:38 | |
MUSIC: All I Want For Christmas by Mariah Carey | 0:07:38 | 0:07:42 | |
That's right. Some people carry a briefcase to work. | 0:07:53 | 0:07:56 | |
I carry a step-stool. | 0:07:56 | 0:07:58 | |
Hello! | 0:07:59 | 0:08:02 | |
CHEERING | 0:08:02 | 0:08:04 | |
Merry Christmas. Yeah? | 0:08:04 | 0:08:06 | |
It's all right, I can still feel the tension in the room. | 0:08:08 | 0:08:10 | |
Some of you are a little shocked. | 0:08:10 | 0:08:12 | |
Don't feel sorry for me. I get it all the time. | 0:08:12 | 0:08:15 | |
"Oh, look. She's ginger." | 0:08:15 | 0:08:17 | |
I feel like I need to educate people | 0:08:25 | 0:08:28 | |
on how to interact with little people. | 0:08:28 | 0:08:30 | |
You know, there is a code of conduct. | 0:08:30 | 0:08:32 | |
It's kind of like dealing with Gremlins - | 0:08:32 | 0:08:35 | |
which is my favourite Christmas movie. | 0:08:35 | 0:08:38 | |
I've actually come up with three major rules. | 0:08:38 | 0:08:40 | |
If you come across another little person, | 0:08:40 | 0:08:43 | |
obviously, you've got to be respectful. | 0:08:43 | 0:08:45 | |
You've got to think of little people, like Gremlins. Right? | 0:08:45 | 0:08:49 | |
Rule number one, don't pat us on the head. | 0:08:49 | 0:08:51 | |
That's right. It's beneath you people. | 0:08:53 | 0:08:55 | |
Rule number two, don't pick us up. | 0:08:55 | 0:08:58 | |
You know you want to, don't you, sir? | 0:09:00 | 0:09:02 | |
Cos people think, "Oh, look, she's small. | 0:09:04 | 0:09:07 | |
"She's going to be light." Hell, no. | 0:09:07 | 0:09:09 | |
Look at the size of this ass! | 0:09:09 | 0:09:10 | |
CHEERING AND APPLAUSE | 0:09:12 | 0:09:15 | |
That is a solid booty, let me tell you. | 0:09:17 | 0:09:20 | |
And rule number three, no vodka after midnight... | 0:09:22 | 0:09:25 | |
..cos we multiply. | 0:09:27 | 0:09:28 | |
Or we try. | 0:09:30 | 0:09:31 | |
CHEERING AND APPLAUSE | 0:09:35 | 0:09:38 | |
Oh, I love this time of year. I love shopping. | 0:09:40 | 0:09:43 | |
Oh, my gosh. I totally love it. I get very excited. | 0:09:43 | 0:09:46 | |
When I go to the shopping mall, I get really excited. | 0:09:46 | 0:09:48 | |
I start running for the doors. Right? | 0:09:48 | 0:09:50 | |
I'm going shopping. I'm running for the doors. Ooh. | 0:09:50 | 0:09:54 | |
They've got the automatic sensors on the doors, right? | 0:09:54 | 0:09:57 | |
I'm jumping up and down. | 0:09:58 | 0:10:00 | |
"Come on! Let me in! | 0:10:00 | 0:10:02 | |
"I got shit to do!" | 0:10:02 | 0:10:04 | |
I've actually got to throw my handbag up in the air, | 0:10:04 | 0:10:07 | |
just so I can get in the damn place. | 0:10:07 | 0:10:09 | |
But this is the time of year where I can go guilt-free shopping. | 0:10:10 | 0:10:14 | |
That's what I call it. | 0:10:14 | 0:10:15 | |
Cos I have the best intentions when I go Christmas shopping, | 0:10:15 | 0:10:18 | |
but it always seems to be the time | 0:10:18 | 0:10:20 | |
where I find the stuff I like for me. | 0:10:20 | 0:10:23 | |
Yeah! I found some stuff I liked the other day. | 0:10:23 | 0:10:25 | |
I go into the fitting room. I close the fitting room door | 0:10:25 | 0:10:29 | |
and where does the bottom of the door come to? | 0:10:29 | 0:10:32 | |
Here. | 0:10:32 | 0:10:33 | |
There I am, got my big fat ass hanging out to all the customers. | 0:10:39 | 0:10:42 | |
# My milkshake brings all the boys to the yard. # | 0:10:42 | 0:10:46 | |
CHEERING AND APPLAUSE | 0:10:46 | 0:10:49 | |
Love it. Love it. Fitting rooms are crazy. | 0:10:56 | 0:10:58 | |
I love interactions with people at the malls, right? | 0:10:58 | 0:11:01 | |
I actually decided this year, | 0:11:01 | 0:11:03 | |
I was going to queue up and go and sit on Santa's lap. | 0:11:03 | 0:11:06 | |
Oh, yeah! | 0:11:06 | 0:11:08 | |
He was a bit shocked when I crawled up there on his lap, | 0:11:08 | 0:11:10 | |
but I know he was thinking, | 0:11:10 | 0:11:12 | |
"Ooh, check out the tits on the five-year-old". | 0:11:12 | 0:11:15 | |
I get the best reactions from kids, right, | 0:11:19 | 0:11:22 | |
cos children are so honest - | 0:11:22 | 0:11:23 | |
very upfront in their reaction. | 0:11:23 | 0:11:26 | |
You know, I had this kid come up to me one time. | 0:11:26 | 0:11:28 | |
He goes, "Ooh, what happened to you? Did you get to an accident?" | 0:11:28 | 0:11:32 | |
I went, "Hell, no. | 0:11:32 | 0:11:34 | |
"I didn't eat my vegetables when I was your age, you little shit. | 0:11:34 | 0:11:37 | |
"Now, put me down". | 0:11:39 | 0:11:41 | |
I actually had the cutest experience recently. | 0:11:47 | 0:11:49 | |
This kid was shopping, I was out in the mall, and this kid, | 0:11:49 | 0:11:52 | |
I could hear him, and he goes, | 0:11:52 | 0:11:54 | |
"Daddy, look - it's one of Santa's helpers!" | 0:11:54 | 0:11:57 | |
I know. I thought that was so cute, until I saw his dad, | 0:11:57 | 0:12:00 | |
who started really laughing and pointing, | 0:12:00 | 0:12:03 | |
and I was like, "What a dickhead". | 0:12:03 | 0:12:05 | |
So, I walked up to the kid and I went, | 0:12:05 | 0:12:07 | |
"Yeah, I'm one of Santa's helpers, and guess what? | 0:12:07 | 0:12:11 | |
"He said you were a really good boy this year, | 0:12:11 | 0:12:13 | |
"and you're going to get a brand-new PlayStation 4 with all the games". | 0:12:13 | 0:12:18 | |
CHEERING AND APPLAUSE | 0:12:18 | 0:12:21 | |
Last Christmas, I got to perform in Las Vegas. | 0:12:26 | 0:12:30 | |
-Have you been to Vegas? -CHEERING | 0:12:30 | 0:12:32 | |
Yeah. Actually, more specifically, | 0:12:32 | 0:12:34 | |
I got to do a comedy show at a swingers' club. | 0:12:34 | 0:12:38 | |
-WHOOPING -Yeah. | 0:12:38 | 0:12:41 | |
Nothing says more "festive" than an adult sex club at Christmas. | 0:12:41 | 0:12:46 | |
Ho-ho-ho! | 0:12:46 | 0:12:48 | |
You know, and I'm no prude. You've got to do like the locals. | 0:12:49 | 0:12:54 | |
I ended up having sex with an eye doctor. | 0:12:54 | 0:12:57 | |
I didn't know he was an eye doctor. | 0:12:58 | 0:13:00 | |
Just in the middle of sex, he was like, "One finger or two? | 0:13:00 | 0:13:03 | |
"Better or worse?" | 0:13:03 | 0:13:05 | |
LAUGHTER AND APPLAUSE | 0:13:05 | 0:13:09 | |
I'm just getting blurry... | 0:13:15 | 0:13:16 | |
I did learn a valuable lesson, though. | 0:13:19 | 0:13:22 | |
Never let your eye doctor cut up your cocaine. | 0:13:22 | 0:13:24 | |
The first line is always really big | 0:13:26 | 0:13:28 | |
and every line after that just gets smaller and smaller. | 0:13:28 | 0:13:32 | |
CHEERING AND APPLAUSE | 0:13:32 | 0:13:35 | |
By the way, for the record, I have never done panto. | 0:13:41 | 0:13:45 | |
People ask me that all the time | 0:13:45 | 0:13:47 | |
and I'm like, in North America, we don't have that, right? | 0:13:47 | 0:13:50 | |
So, of course, when I started coming over here, somebody said, | 0:13:50 | 0:13:53 | |
"Oh, have you done panto?" which I thought was, you know, | 0:13:53 | 0:13:56 | |
your quaint English way of asking if I'd done porn. | 0:13:56 | 0:13:59 | |
I'm like, "Yeah, he's behind you. | 0:14:01 | 0:14:03 | |
"Yes, he is". | 0:14:06 | 0:14:08 | |
It's all right now. I'm in a relationship. | 0:14:11 | 0:14:13 | |
Been in a relationship for quite a few years. | 0:14:13 | 0:14:15 | |
Of course, people's first question is always, "Is he a little person?" | 0:14:15 | 0:14:19 | |
I'm like, hell, no. He's actually the shortest guy I've ever dated. | 0:14:19 | 0:14:23 | |
He's 5' 7". | 0:14:23 | 0:14:25 | |
Yeah, down-sized. | 0:14:25 | 0:14:26 | |
Don't worry, he's still nuts over me. | 0:14:28 | 0:14:30 | |
APPLAUSE | 0:14:33 | 0:14:35 | |
We live in a very small town in North Carolina. | 0:14:40 | 0:14:43 | |
Very conservative people, and of course, I love to freak people out. | 0:14:43 | 0:14:47 | |
So, Kevin and I were sitting on a park bench one day, you know, | 0:14:47 | 0:14:50 | |
being all romantic, giving hugs and kisses, | 0:14:50 | 0:14:53 | |
and some old man walked by and I saw him kind of look | 0:14:53 | 0:14:55 | |
and I was, like, pushed Kevin away. | 0:14:55 | 0:14:57 | |
I was, like, "Daddy, stop it!" | 0:14:57 | 0:15:00 | |
Of course, the old man looked mortified. | 0:15:09 | 0:15:11 | |
I was like, "Don't worry. He kisses better than Uncle Mark". | 0:15:11 | 0:15:14 | |
We've been in a relationship for quite a few years, | 0:15:17 | 0:15:19 | |
and you've got to keep the spice alive in a relationship. | 0:15:19 | 0:15:22 | |
So, this year, I treated myself to pole dancing lessons. | 0:15:22 | 0:15:27 | |
Oh, yeah. Keep the spice alive. | 0:15:27 | 0:15:30 | |
Very popular nowadays. | 0:15:30 | 0:15:32 | |
A lot of women are getting involved. A lot of celebrities. | 0:15:32 | 0:15:35 | |
Pamela Anderson got a pole installed in her bedroom. | 0:15:35 | 0:15:39 | |
I'm thinking, OK. Got my lingerie on. | 0:15:39 | 0:15:42 | |
Trying to choreograph my moves. | 0:15:42 | 0:15:44 | |
I don't have a pole, you know, so I had to improvise. | 0:15:44 | 0:15:48 | |
I ended up using a cat scratch post. | 0:15:48 | 0:15:50 | |
Oh, yeah! | 0:15:52 | 0:15:54 | |
Whoo! That's right. | 0:15:55 | 0:15:57 | |
That's it from me, you guys. Thanks a lot. | 0:15:59 | 0:16:01 | |
-I'm Tanyalee Davis. Merry Christmas! -CHEERING AND APPLAUSE | 0:16:01 | 0:16:05 | |
Tanyalee Davis, everybody! | 0:16:13 | 0:16:15 | |
Fantastic work. | 0:16:15 | 0:16:17 | |
-OK. -So, we're ready for our second act of the evening, | 0:16:18 | 0:16:21 | |
-ladies and gentlemen? -Are we excited? | 0:16:21 | 0:16:23 | |
CHEERING | 0:16:23 | 0:16:24 | |
Personal favourite of ours. | 0:16:24 | 0:16:26 | |
Can we please give it up for Hal Cruttenden, everybody? | 0:16:26 | 0:16:29 | |
CHEERING AND APPLAUSE | 0:16:29 | 0:16:32 | |
MUSIC: Fairytale Of New York by The Pogues | 0:16:32 | 0:16:36 | |
Thank you very much. Good. Lovely to be here. | 0:16:43 | 0:16:46 | |
Merry Christmas. | 0:16:46 | 0:16:48 | |
CHEERING | 0:16:48 | 0:16:50 | |
Do you know what? I quite like working at Christmas. | 0:16:50 | 0:16:52 | |
I do. I did panto a couple of years ago. | 0:16:52 | 0:16:56 | |
AUDIENCE: Oh, no, you didn't! | 0:16:56 | 0:16:58 | |
I've never had that reaction before. | 0:16:58 | 0:17:00 | |
I seriously did. Two years ago, I did panto, | 0:17:01 | 0:17:04 | |
cos I got to the end of the year and I realised I still had | 0:17:04 | 0:17:07 | |
a little bit of self-respect that needed getting rid of. | 0:17:07 | 0:17:10 | |
I was in Cinderella in Woking, OK? | 0:17:12 | 0:17:14 | |
I was Dandini, Prince Charming's assistant. | 0:17:14 | 0:17:16 | |
Buttons was played by Mr Tumble - Justin Fletcher from CBeebies. | 0:17:16 | 0:17:21 | |
And we had a subplot throughout the show | 0:17:21 | 0:17:23 | |
that Buttons and Dandini were long-lost brothers, | 0:17:23 | 0:17:26 | |
because apparently, I look a little bit like Mr Tumble from CBeebies. | 0:17:26 | 0:17:31 | |
Really pleased about that, yeah. | 0:17:31 | 0:17:34 | |
The other one I get is Martin Roberts from Homes Under the Hammer. | 0:17:34 | 0:17:39 | |
-APPLAUSE -Oh, my God! | 0:17:39 | 0:17:42 | |
Loads of you! | 0:17:42 | 0:17:43 | |
Loads of you don't have proper jobs. | 0:17:43 | 0:17:46 | |
But Christmas is lovely. | 0:17:48 | 0:17:49 | |
It's a hard time of year for a lot of people, isn't it? | 0:17:49 | 0:17:52 | |
It's very hard for people who live alone | 0:17:52 | 0:17:54 | |
and have no family to spend it with, | 0:17:54 | 0:17:56 | |
and it's even worse for people who do have family | 0:17:56 | 0:17:59 | |
and have to spend Christmas with them. | 0:17:59 | 0:18:01 | |
There should be Christmas appeals for those people, shouldn't there? | 0:18:04 | 0:18:07 | |
If you're by yourself this Christmas, | 0:18:07 | 0:18:08 | |
please spare a thought for Alan, | 0:18:08 | 0:18:11 | |
who's being glared at by his father-in-law | 0:18:11 | 0:18:13 | |
for eating too many roast potatoes. | 0:18:13 | 0:18:15 | |
When you're watching the Bond film this afternoon, | 0:18:17 | 0:18:20 | |
Alan has to walk for six miles. | 0:18:20 | 0:18:23 | |
Traditional family Christmas ramble. | 0:18:23 | 0:18:25 | |
And when he gets back, | 0:18:25 | 0:18:27 | |
he'll have to endure two hours of nonstop, soul-destroying charades, | 0:18:27 | 0:18:32 | |
followed by ageing relatives talking about the good old days, | 0:18:32 | 0:18:35 | |
before immigration and gay people. | 0:18:35 | 0:18:37 | |
You can help Alan by calling this number below. | 0:18:40 | 0:18:42 | |
It's Alan's number. | 0:18:42 | 0:18:44 | |
Pretend there's an emergency in the pub and only he can help. | 0:18:45 | 0:18:49 | |
I'm not nice, folks. I'm not nice. | 0:18:50 | 0:18:52 | |
People think I'm a nice person. I'm not nice. | 0:18:52 | 0:18:54 | |
I'm pushy and shallow. We all are. Look at our pictures on Facebook. | 0:18:54 | 0:18:57 | |
Our pictures are a complete lie. | 0:18:57 | 0:18:59 | |
No-one's photo is real, is it? | 0:18:59 | 0:19:01 | |
Everyone's photo on Facebook is like this. | 0:19:01 | 0:19:03 | |
Do you realise, one day, someone's going to be using that photo to say, | 0:19:06 | 0:19:09 | |
"That's your great-great-grandmother"? | 0:19:09 | 0:19:11 | |
"Why is it taken from such a funny angle, Mummy?" | 0:19:14 | 0:19:16 | |
"Well, in those days, | 0:19:16 | 0:19:17 | |
"that was the way fat people tried to look thinner." | 0:19:17 | 0:19:20 | |
LAUGHTER AND APPLAUSE | 0:19:20 | 0:19:23 | |
I've got friends that are constantly trying to share | 0:19:28 | 0:19:31 | |
every bit of pain on Facebook. | 0:19:31 | 0:19:32 | |
Do you have friends who put a post up, sharing their pain? | 0:19:32 | 0:19:35 | |
They won't tell you what's happened, though, will they? | 0:19:35 | 0:19:37 | |
"Today has been absolutely the worst day of my entire life." | 0:19:37 | 0:19:41 | |
Their best friend comes in. | 0:19:43 | 0:19:45 | |
They need to show they're their best friend, so they'll go, | 0:19:45 | 0:19:47 | |
"I know, babe. You're an amazing person. I'll be over this evening". | 0:19:47 | 0:19:51 | |
Next level of friend has the guts to say, "What happened, babe?" | 0:19:54 | 0:19:57 | |
They get the answer, "I'll DM you". | 0:19:57 | 0:19:59 | |
The third level are people like me, | 0:20:00 | 0:20:02 | |
just watching, going, "What the bloody hell's happened?" | 0:20:02 | 0:20:05 | |
Anything to share their pain. | 0:20:09 | 0:20:10 | |
Someone put a thing up that was really quite an innocuous post. | 0:20:10 | 0:20:13 | |
All it said was, | 0:20:13 | 0:20:14 | |
"What would you say if you could talk to yourself at 18?" | 0:20:14 | 0:20:17 | |
And all my friends used this as an excuse to share how hard their life | 0:20:17 | 0:20:20 | |
had been. All my friends are like, "You're going to go through some | 0:20:20 | 0:20:23 | |
"hard times, but you're an amazing person. | 0:20:23 | 0:20:25 | |
"You'll find a way through and you'll be brave and strong and amazing and grow." | 0:20:25 | 0:20:28 | |
I got in trouble with my wife, because I wrote on it, | 0:20:28 | 0:20:30 | |
"It's going to be horrible. Kill yourself." | 0:20:30 | 0:20:33 | |
One woman wrote a thing that was very simple, | 0:20:39 | 0:20:41 | |
but very, very powerful. | 0:20:41 | 0:20:43 | |
"What would you say if you could talk to yourself at 18?" | 0:20:43 | 0:20:45 | |
She simply wrote, "You are not ugly." | 0:20:45 | 0:20:49 | |
Yeah. We totally know her story there, don't we? | 0:20:49 | 0:20:51 | |
We know what she's been through. Probably bullied at school, | 0:20:51 | 0:20:54 | |
rejected by partners as she's grown up. | 0:20:54 | 0:20:55 | |
She's probably been laughed at behind her back, and she's | 0:20:55 | 0:20:58 | |
had to realise that other people's judgements aren't important. | 0:20:58 | 0:21:01 | |
It doesn't MATTER what other people think. | 0:21:01 | 0:21:03 | |
The only opinion that matters is YOURS, | 0:21:03 | 0:21:05 | |
and she knows that she is beautiful. | 0:21:05 | 0:21:07 | |
But, I saw her pictures, and Jesus Christ... | 0:21:08 | 0:21:11 | |
And I realise that sometimes, sometimes on Facebook, | 0:21:21 | 0:21:23 | |
on Twitter, whatever, you have to put something sad up there. | 0:21:23 | 0:21:26 | |
When someone's died, from the family, or a friend has died, | 0:21:26 | 0:21:28 | |
you need to put that on Facebook to share the information. | 0:21:28 | 0:21:30 | |
There's people that don't know. That's absolutely fine. BUT... | 0:21:30 | 0:21:34 | |
the constant memorials to old, dead relatives... | 0:21:34 | 0:21:37 | |
..are a little bit indulgent, folks. | 0:21:39 | 0:21:42 | |
Little bit indulgent. "Six years ago, Gran, you left us. | 0:21:42 | 0:21:44 | |
"Always in my thoughts." It's a little bit indulgent. | 0:21:44 | 0:21:48 | |
And it gets competitive. People go, "I know, I totally understand. | 0:21:48 | 0:21:51 | |
"I've lost all my grandparents. Totally understand what you're going through." | 0:21:51 | 0:21:54 | |
"I've lost my grandparents and my parents. I totally understand." | 0:21:54 | 0:21:58 | |
My mum died nearly two years ago. | 0:21:58 | 0:22:00 | |
On the anniversary of my mum's death, | 0:22:00 | 0:22:02 | |
I am not going to go on Facebook | 0:22:02 | 0:22:04 | |
and go, "Mum, you left us two years ago today. | 0:22:04 | 0:22:06 | |
"I know if you were still here, you'd be telling me | 0:22:06 | 0:22:09 | |
"to stop using your death to get attention on Facebook." | 0:22:09 | 0:22:12 | |
People say stupid things to you when your parents have died, don't they? | 0:22:20 | 0:22:23 | |
They say things to me like, "Hey, they're always with you, you know. | 0:22:23 | 0:22:26 | |
"They're always with you." | 0:22:26 | 0:22:28 | |
And I hear that and just think, | 0:22:28 | 0:22:31 | |
"Oh, God, I hope not". | 0:22:31 | 0:22:33 | |
Because when I'm by myself... | 0:22:35 | 0:22:38 | |
..I do some really disgusting things. | 0:22:39 | 0:22:41 | |
I can't bear the idea of my dead father appearing to me, | 0:22:47 | 0:22:50 | |
going, "My son, I have returned.... | 0:22:50 | 0:22:52 | |
"Oh, I'm so sorry. I'll come back later." | 0:22:54 | 0:22:57 | |
Oh! My dad was an amazing man. | 0:23:01 | 0:23:03 | |
My dad was very tough. I can be tough. | 0:23:03 | 0:23:05 | |
I am brave, folks. I am. | 0:23:05 | 0:23:07 | |
I know I don't seem it. | 0:23:07 | 0:23:09 | |
I'm brave about this job. | 0:23:09 | 0:23:10 | |
I've never run away from a gig. I've done some really scary gigs. | 0:23:10 | 0:23:14 | |
I did a gig a few years ago to British troops who'd just | 0:23:14 | 0:23:17 | |
returned from Afghanistan, and the commanding officer briefed me | 0:23:17 | 0:23:21 | |
by saying, "These guys have been through hell. | 0:23:21 | 0:23:23 | |
"There's been death. There's been injury. | 0:23:23 | 0:23:25 | |
"They've been shot at virtually every day. Good luck." | 0:23:25 | 0:23:28 | |
And I went out there, desperately trying to bond, going, | 0:23:30 | 0:23:32 | |
"Hello, ahem, just like you, er, quite outdoorsy..." | 0:23:32 | 0:23:36 | |
"I love camping. I do." | 0:23:39 | 0:23:41 | |
And they were so lovely to me. | 0:23:42 | 0:23:44 | |
Front-line troops and they were so nice. | 0:23:44 | 0:23:46 | |
At the end, this guy came up to me and honestly said to me, | 0:23:46 | 0:23:49 | |
"I could never do what you do." | 0:23:49 | 0:23:51 | |
I said to him, "Jesus, just bloody...grow a pair." | 0:23:53 | 0:23:56 | |
Luckily he laughed. He did. | 0:24:07 | 0:24:10 | |
But I am brave. | 0:24:10 | 0:24:11 | |
I'm brave when it's the right thing to be. Yeah? | 0:24:11 | 0:24:14 | |
I was on the last Tube train, actually this time last year. | 0:24:14 | 0:24:17 | |
Christmas-time last year. | 0:24:17 | 0:24:18 | |
You know what the Tubes in London are like at Christmas. | 0:24:18 | 0:24:20 | |
Quite festive. Full of vomiting and fighting. | 0:24:20 | 0:24:23 | |
And I was in this carriage. | 0:24:24 | 0:24:26 | |
It was just me and this woman, 19 or 20. | 0:24:26 | 0:24:28 | |
She was sitting about four seats down from me. | 0:24:28 | 0:24:30 | |
It was just me and her in the carriage. | 0:24:30 | 0:24:32 | |
Two guys got on and decided to try and chat her up. | 0:24:32 | 0:24:35 | |
I don't know what men ever think it's a good idea to chat up | 0:24:35 | 0:24:39 | |
a woman on the last train at night. It's never going to work. | 0:24:39 | 0:24:41 | |
There are no women in the world going, | 0:24:41 | 0:24:43 | |
"I thought I was always going to be alone, then he sat down opposite me, | 0:24:43 | 0:24:46 | |
"burped and said, 'You're lovely', | 0:24:46 | 0:24:47 | |
"and I knew I was going to spend the rest of my life with him." | 0:24:47 | 0:24:50 | |
They're trying to chat her up. She's really tense. It's really awkward. | 0:24:52 | 0:24:56 | |
So I give them a look, first of all. | 0:24:56 | 0:24:57 | |
A stern look, not a camp look. It wasn't like... | 0:24:57 | 0:25:00 | |
No. A stern look. | 0:25:02 | 0:25:05 | |
And they just brush it off. | 0:25:05 | 0:25:07 | |
And then one of them thinks it's funny to turn to his mate | 0:25:07 | 0:25:10 | |
and say, "Looks like we're going to have to follow this girl home." | 0:25:10 | 0:25:14 | |
Horrible. Horrible for her. | 0:25:15 | 0:25:16 | |
Worse for me, cos I now have to step in. | 0:25:16 | 0:25:19 | |
I screwed up all my courage and I turned to this guy and I said, | 0:25:22 | 0:25:26 | |
"Leave her alone." | 0:25:26 | 0:25:28 | |
And this guy turned back to me and said, "Who the hell are you?" | 0:25:28 | 0:25:32 | |
And that's when I lost it, folks. | 0:25:32 | 0:25:34 | |
That's when I saw red, because I thought... | 0:25:34 | 0:25:37 | |
"I've done some telly." | 0:25:37 | 0:25:39 | |
I was hoping for a little bit of recognition. | 0:25:45 | 0:25:48 | |
So I saw red. I went mad. | 0:25:48 | 0:25:49 | |
I cannot believe the next thing that came out of my mouth. | 0:25:49 | 0:25:51 | |
I turned back to this guy and I said... | 0:25:51 | 0:25:53 | |
I actually turned back to him and I honestly said to him, | 0:25:53 | 0:25:56 | |
"You want to bother anybody on this train, bother me." | 0:25:56 | 0:25:59 | |
In that voice. If I say it in my usual voice, | 0:25:59 | 0:26:01 | |
it sounds like a come-on, doesn't it? | 0:26:01 | 0:26:03 | |
"You want to bother anybody on this train, bother me. | 0:26:03 | 0:26:05 | |
"I can take both of you." | 0:26:05 | 0:26:06 | |
Sounds like an invitation to a threesome. | 0:26:06 | 0:26:08 | |
But it actually worked. | 0:26:10 | 0:26:11 | |
They gave me loads of verbal abuse. They didn't touch me. | 0:26:11 | 0:26:14 | |
Gave me loads of abuse, went, "You're a wanker, mate. A twat. | 0:26:14 | 0:26:16 | |
"We're just having a bit of a laugh. Just having a bit of banter. Bit of a joke." | 0:26:16 | 0:26:19 | |
I said, "I don't think it's funny, and I think I know about comedy." | 0:26:19 | 0:26:22 | |
Still didn't know who I was! | 0:26:22 | 0:26:24 | |
Actually, as they got off, I think I heard one guy mutter to the other, | 0:26:26 | 0:26:29 | |
"That Mr Tumble's got a bit of a temper." | 0:26:29 | 0:26:31 | |
Thank you very much. You've been lovely. | 0:26:33 | 0:26:35 | |
Have a lovely Christmas. Thank you. Thank you very much. | 0:26:35 | 0:26:38 | |
He's so funny. So great. I love him. | 0:26:43 | 0:26:47 | |
Ladies and gentlemen, are you ready for your final act of this evening? | 0:26:49 | 0:26:55 | |
You're going to love him. Please welcome Josh Widdicombe, everybody. | 0:26:57 | 0:27:00 | |
Josh Widdicombe. | 0:27:00 | 0:27:02 | |
Yes. | 0:27:18 | 0:27:20 | |
Merry Christmas. Yes. | 0:27:22 | 0:27:24 | |
-ALL: -Merry Christmas! | 0:27:24 | 0:27:26 | |
I'm very excited about Christmas. I am, as you can see. | 0:27:26 | 0:27:29 | |
I... I don't want to brag, but I'm nailing shopping at the moment. | 0:27:30 | 0:27:34 | |
-I've got a new debit card. -Ooh! | 0:27:34 | 0:27:37 | |
Yeah, yeah. You're right to "whoo". | 0:27:37 | 0:27:38 | |
Yeah, one of the old, er, touchy-downy, er... The old | 0:27:38 | 0:27:41 | |
touch... If you haven't got one of these, you haven't lived. | 0:27:41 | 0:27:44 | |
Oh, my... | 0:27:44 | 0:27:45 | |
Never do you feel so smug in your life than when they go, | 0:27:45 | 0:27:48 | |
"How would you like to pay?" Just have, mate. See you later. | 0:27:48 | 0:27:51 | |
Where am I off? The future. | 0:27:53 | 0:27:55 | |
Why don't you give me a call when you get there, Captain Chequebook? | 0:27:57 | 0:28:01 | |
Thing is, you get used to the touchdown debit card. | 0:28:02 | 0:28:04 | |
You go somewhere that doesn't have that, you can't believe your ears. | 0:28:04 | 0:28:07 | |
"Do you want to just put in your PIN number?" Are you kidding me? | 0:28:07 | 0:28:10 | |
You expect me to stand here for four seconds, | 0:28:10 | 0:28:14 | |
pushing buttons? | 0:28:14 | 0:28:17 | |
What is this? A Victorian workhouse? | 0:28:17 | 0:28:19 | |
Well, I'm sorry, Pret a Manger. No! | 0:28:21 | 0:28:24 | |
The worst is when you think they've got the touchdown debit card, | 0:28:26 | 0:28:29 | |
but they haven't. | 0:28:29 | 0:28:30 | |
You look like you've never used a debit card | 0:28:30 | 0:28:35 | |
before in your life. | 0:28:35 | 0:28:37 | |
"How would you like to pay?" You're just going... | 0:28:37 | 0:28:40 | |
"Are you having a breakdown?" | 0:28:51 | 0:28:53 | |
I hate it when THEY have the terminal. | 0:28:55 | 0:28:57 | |
They have to ask for your permission. | 0:28:57 | 0:28:59 | |
"Do you mind if I just touch...?" Yeah, couldn't give a shit, mate. | 0:28:59 | 0:29:02 | |
I trust you that you're not going to go, | 0:29:02 | 0:29:04 | |
"Do you mind if I just touch it down? £4,000! Unlucky, my friend. | 0:29:04 | 0:29:07 | |
"Enjoy your Twix." | 0:29:09 | 0:29:11 | |
Christmas is good though, isn't it? | 0:29:14 | 0:29:16 | |
As a kid, it's good. As an adult, ruined. It is. | 0:29:16 | 0:29:19 | |
It's not as good. | 0:29:19 | 0:29:20 | |
The first day you realise Christmas will never be the same again | 0:29:20 | 0:29:23 | |
is the first time you're entered into office Secret Santa. | 0:29:23 | 0:29:27 | |
That's a depressing day, isn't it? | 0:29:29 | 0:29:31 | |
Yeah, just pick a name out the hat and get them a present. | 0:29:31 | 0:29:34 | |
Maximum £10. | 0:29:34 | 0:29:36 | |
Oh, thank God you told me, | 0:29:36 | 0:29:38 | |
because I was going to get Jean from HR a hovercraft. | 0:29:38 | 0:29:42 | |
Yeah, keep your eyes closed, Jean. | 0:29:45 | 0:29:47 | |
I hope I haven't overspent. | 0:29:47 | 0:29:48 | |
I'll just reverse it into the marina. | 0:29:48 | 0:29:50 | |
Just going to reverse it into the marina, and you can unpack it. | 0:29:50 | 0:29:55 | |
It was more exciting when you were a kid. | 0:29:55 | 0:29:56 | |
It was the only festival I looked forward to, really, | 0:29:56 | 0:29:59 | |
cos at my school we only had that and harvest festival. | 0:29:59 | 0:30:01 | |
MURMURING | 0:30:01 | 0:30:02 | |
Yeah. That's the reaction it should get. | 0:30:02 | 0:30:06 | |
I don't even know if I'm remembering this festival right. | 0:30:06 | 0:30:08 | |
Is this right? | 0:30:08 | 0:30:10 | |
Once a year, at the time of the harvest, | 0:30:10 | 0:30:12 | |
we bring in tins of food that we give to the local old people. | 0:30:12 | 0:30:17 | |
Basically we'd celebrate the harvest by giving old people food | 0:30:18 | 0:30:21 | |
that was going to last longer than THEY did. | 0:30:21 | 0:30:23 | |
You shouldn't be in a race against time against a tin of plum tomatoes. | 0:30:33 | 0:30:36 | |
All these things that's never had anything to do with the harvest. | 0:30:36 | 0:30:40 | |
Who's ever harvested Spam? | 0:30:40 | 0:30:42 | |
But I go home for Christmas. I go home to Devon. | 0:30:44 | 0:30:47 | |
It's a long way to go. | 0:30:47 | 0:30:49 | |
I got the sleeper train home last year. | 0:30:49 | 0:30:51 | |
Do not ever get the sleeper train, for Christmas or not for Christmas. | 0:30:51 | 0:30:55 | |
Should be called "the seven hours awake, absolutely livid" train. | 0:30:55 | 0:30:59 | |
If you haven't got a sleeper train, do not get it on your own. | 0:31:01 | 0:31:04 | |
I had to go and buy my ticket. | 0:31:04 | 0:31:05 | |
I queued up, was getting my ticket. He said, "So it'll cost this much." | 0:31:05 | 0:31:09 | |
This was the question. | 0:31:09 | 0:31:10 | |
He said, "Would you like to save £20 by sharing your compartment | 0:31:10 | 0:31:14 | |
"with a stranger?" | 0:31:14 | 0:31:16 | |
No. | 0:31:17 | 0:31:18 | |
No. I would pay my life savings to avoid such a fate... | 0:31:20 | 0:31:24 | |
..because the best-case scenario there is I'm asleep when he kills me. | 0:31:26 | 0:31:29 | |
You might say no-one's ever been killed on a train. Have you SEEN Poirot? It's happening all the time. | 0:31:33 | 0:31:38 | |
That isn't a saving. | 0:31:39 | 0:31:40 | |
Yeah, what a bargain, and then why don't me and him | 0:31:40 | 0:31:42 | |
share a bowl of spaghetti, like Lady and the Tramp? | 0:31:42 | 0:31:45 | |
Oh, look, it's 30p for the toilet at King's Cross. | 0:31:46 | 0:31:49 | |
15p if we go back-to-back, isn't it? | 0:31:49 | 0:31:52 | |
What are the selling points? Lockable doors. | 0:31:55 | 0:31:57 | |
That is of no use if he's already in there with me. | 0:31:57 | 0:32:00 | |
All I've got now is a cellmate. | 0:32:01 | 0:32:04 | |
Then when I got home, right, I had to sleep in my old room. | 0:32:04 | 0:32:07 | |
I had to sleep in a single bed. Have you tried this, as an adult? | 0:32:07 | 0:32:11 | |
Were they always that thin? | 0:32:11 | 0:32:12 | |
How did we ever stay on the things? | 0:32:14 | 0:32:16 | |
Sleep on a bed? I feel I'm lying on a fucking log. | 0:32:16 | 0:32:20 | |
Felt like I was working on my core strength. | 0:32:20 | 0:32:22 | |
"You been working out?" | 0:32:24 | 0:32:25 | |
"No, just sleeping on a single bed. I'm ripped." | 0:32:25 | 0:32:28 | |
It's like eight hours of Pilates every night. | 0:32:29 | 0:32:32 | |
They said, "Well, we could push it next to the wall. | 0:32:34 | 0:32:37 | |
"Will that help?" No. | 0:32:37 | 0:32:39 | |
No, because then the best-case scenario is I roll over | 0:32:39 | 0:32:42 | |
and hit a wall. | 0:32:42 | 0:32:44 | |
"Well, you slept in." | 0:32:46 | 0:32:47 | |
Well, at 8:00am I turned over and knocked myself out. | 0:32:47 | 0:32:50 | |
Also, they don't need to make the duvet small as well. | 0:32:50 | 0:32:53 | |
It's the size of a flannel. | 0:32:53 | 0:32:54 | |
"Were you warm?" My KNEE was. | 0:32:56 | 0:32:58 | |
Just used it to preserve my modesty, like Adam and Eve. | 0:33:01 | 0:33:04 | |
I don't want to complain. I don't. | 0:33:07 | 0:33:09 | |
You know, I've got a double bed. | 0:33:09 | 0:33:10 | |
I don't want to brag. I have got a double bed. | 0:33:10 | 0:33:13 | |
A couple of people applauded. | 0:33:14 | 0:33:17 | |
It might not be. | 0:33:17 | 0:33:19 | |
It might be a queen size, it might be a king size. | 0:33:19 | 0:33:21 | |
No-one knows, do you? | 0:33:21 | 0:33:23 | |
All you know is it's one bigger than the sheet you just bought. | 0:33:23 | 0:33:26 | |
Oh, but you'll try and fit it on the bed, won't you? | 0:33:29 | 0:33:32 | |
Two hours. | 0:33:32 | 0:33:33 | |
No, I don't need all FOUR corners covered with a sheet, do I? | 0:33:33 | 0:33:36 | |
I'll just go for three, | 0:33:37 | 0:33:39 | |
and then the world's most powerful catapult... | 0:33:39 | 0:33:42 | |
..in the middle of my bed. | 0:33:44 | 0:33:45 | |
3:00 in the morning, flung into the wall at 80mph. | 0:33:46 | 0:33:50 | |
The only tenser way to sleep is when you go to a hotel, | 0:34:01 | 0:34:04 | |
and they've got the two single beds, but they've claimed it's a double. | 0:34:04 | 0:34:07 | |
They've just put a sheet over. Oh, my God. | 0:34:07 | 0:34:10 | |
That's a tense night, isn't it? | 0:34:10 | 0:34:12 | |
Lying on the edge of your bed, going, "Do not make a move | 0:34:12 | 0:34:15 | |
"to the middle for fear of being swallowed by your own bed." | 0:34:15 | 0:34:18 | |
Gone! | 0:34:18 | 0:34:20 | |
But my parents, I went back for Christmas. | 0:34:23 | 0:34:25 | |
They put a single bed in. I didn't have a single bed when I was a kid. | 0:34:25 | 0:34:28 | |
What I had was a thing called a cabin bed. | 0:34:28 | 0:34:30 | |
I don't know if you had one of these. | 0:34:30 | 0:34:32 | |
If you didn't have one of these, it's a great idea. | 0:34:32 | 0:34:35 | |
What it was, height of a bunk bed, but below it, | 0:34:35 | 0:34:37 | |
instead of another bed, | 0:34:37 | 0:34:39 | |
I had a desk. | 0:34:39 | 0:34:41 | |
Yeah. Basically, my parents had made the executive decision that | 0:34:41 | 0:34:45 | |
I was more likely to write a letter than have a friend. | 0:34:45 | 0:34:48 | |
Kids would come over. "Can I stay over?" | 0:34:59 | 0:35:01 | |
"No, but you can catch up on your admin." | 0:35:01 | 0:35:03 | |
I don't know what seven-year-old needs quick access to | 0:35:05 | 0:35:08 | |
a desk in the middle of the night. | 0:35:08 | 0:35:09 | |
Just wake up at 2:00 in the morning. "I need to pen my memoirs! | 0:35:09 | 0:35:13 | |
"I'll just climb down the most painful ladder in the world." | 0:35:14 | 0:35:18 | |
Oh, my God, the pain of that bunk-bed ladder. | 0:35:18 | 0:35:20 | |
There was nothing like it, was there? | 0:35:20 | 0:35:22 | |
"Do you want to go to bed?" No, I'd prefer to keep my feet. | 0:35:22 | 0:35:24 | |
It was like a Biblical punishment. | 0:35:26 | 0:35:28 | |
You shouldn't have to put your shoes on to go to bed. | 0:35:28 | 0:35:31 | |
My mum tried to convince me that the cabin bed was a good idea. | 0:35:36 | 0:35:39 | |
She said, "Oh, Josh, | 0:35:39 | 0:35:40 | |
"you should be really pleased you've got a cabin bed. | 0:35:40 | 0:35:43 | |
"Actually, it's a very grown-up bed." | 0:35:43 | 0:35:45 | |
Now, I'm a grown-up now. | 0:35:46 | 0:35:48 | |
That's not proved to be the case. | 0:35:49 | 0:35:52 | |
I've never seen... I don't know if there's any single women here, | 0:35:52 | 0:35:56 | |
but if you went back to a guy's house... | 0:35:56 | 0:35:58 | |
..and things were going pretty well, and he said, | 0:36:02 | 0:36:05 | |
"Do you want to come through to my bedroom? Put your shoes back on." | 0:36:05 | 0:36:09 | |
You wouldn't go into his room and go, | 0:36:20 | 0:36:22 | |
"Huh, he works hard AND he plays hard, doesn't he? | 0:36:22 | 0:36:25 | |
"Got myself a mover and a shaker here, haven't I?" | 0:36:25 | 0:36:28 | |
Quite literally, at that height. | 0:36:28 | 0:36:30 | |
You've been absolutely lovely, Noel at the Apollo. | 0:36:32 | 0:36:35 | |
Thank you very much. My name is Josh Widdicombe. Merry Christmas! | 0:36:35 | 0:36:38 | |
APPLAUSE | 0:36:38 | 0:36:40 | |
Josh Widdicombe. I love him. | 0:36:46 | 0:36:47 | |
# We wish you a merry Christmas. # | 0:36:50 | 0:36:53 | |
Can I talk to you again, please? | 0:36:53 | 0:36:56 | |
So, listen, Charly. | 0:36:56 | 0:36:57 | |
I'm looking for someone to play the role of Santa. | 0:36:57 | 0:37:00 | |
OK. | 0:37:00 | 0:37:01 | |
Do you think you can do that? | 0:37:01 | 0:37:03 | |
You're a bit slutty, but I think that's... | 0:37:03 | 0:37:05 | |
I think that's why I'm drawn to you, Charly. | 0:37:07 | 0:37:09 | |
So, Charly, what do you do? | 0:37:09 | 0:37:11 | |
Freelance in fashion. | 0:37:11 | 0:37:12 | |
-You're a freelance in fashion. -Excellent. Yeah, that'll do for Santa. | 0:37:12 | 0:37:16 | |
That'll work. | 0:37:16 | 0:37:17 | |
So, Charly, could you join us on the stage? | 0:37:17 | 0:37:19 | |
Can we give Charly a round of applause? Thank you so much. | 0:37:19 | 0:37:21 | |
CHEERS AND APPLAUSE | 0:37:21 | 0:37:24 | |
-There's some stairs there. -Yeah, there are some stairs. | 0:37:24 | 0:37:27 | |
Fantastic. | 0:37:27 | 0:37:29 | |
-Freelance in fashion. -Yeah, excellent. | 0:37:29 | 0:37:32 | |
Oh, yeah, it does go with the outfit. Yeah. | 0:37:32 | 0:37:34 | |
It always ... | 0:37:37 | 0:37:39 | |
Thanks, Charly. | 0:37:39 | 0:37:41 | |
Ah, nice. Wonderful. | 0:37:41 | 0:37:43 | |
OK. Charly. | 0:37:43 | 0:37:44 | |
-Very happy. -You're very happy? | 0:37:44 | 0:37:46 | |
Very happy to play Santa. So glad you chose me. | 0:37:46 | 0:37:49 | |
I think it very modern to have a lady Santa. | 0:37:51 | 0:37:53 | |
-Yes. -Do you have outfit for me? | 0:37:53 | 0:37:56 | |
-Yes, there's an outfit in there. -Oh, fantastic. | 0:37:56 | 0:37:59 | |
-May I go in? -Yes, it's just her. This thing. | 0:37:59 | 0:38:02 | |
Oh, wonderful. I put it on. | 0:38:02 | 0:38:04 | |
I'm so interested in fashion, you know? | 0:38:05 | 0:38:08 | |
Which leg goes in which trouser? | 0:38:09 | 0:38:12 | |
-So complicated, trousers, don't you find? -Yes, they can be. | 0:38:13 | 0:38:17 | |
You don't know. | 0:38:17 | 0:38:18 | |
I mean. you have these legs and they go in. | 0:38:18 | 0:38:21 | |
-That's lovely. -Oh, there I am. It's going to get very Christmassy. | 0:38:21 | 0:38:25 | |
-Lovely. -Yeah, it's good. Yeah? | 0:38:27 | 0:38:29 | |
-Yeah, it's very good. -Thank you, everybody. | 0:38:29 | 0:38:31 | |
APPLAUSE | 0:38:31 | 0:38:33 | |
That's wonderful. | 0:38:33 | 0:38:36 | |
-So, Charly... -Woo! Let's get Christmassy. | 0:38:36 | 0:38:39 | |
-Let's get Christmassy. -It's the end of the night. | 0:38:39 | 0:38:42 | |
It's the end of the night. | 0:38:42 | 0:38:44 | |
What are we holding back for? | 0:38:44 | 0:38:46 | |
Santa needs a reindeer. | 0:38:46 | 0:38:49 | |
-Santa needs a reindeer? -Yes. | 0:38:49 | 0:38:51 | |
-OK. Do you want to choose your reindeer? -Very much. | 0:38:51 | 0:38:53 | |
-Let's go and have a look. -Let's choose a nice reindeer. | 0:38:53 | 0:38:56 | |
So, do you want male or female? | 0:38:56 | 0:38:58 | |
-I want male, please. -OK. | 0:38:58 | 0:39:00 | |
The one there in the second row. | 0:39:01 | 0:39:03 | |
This guy here with the scarf? | 0:39:03 | 0:39:05 | |
Yes, he is very nice. I'd like him to be my reindeer. | 0:39:05 | 0:39:07 | |
-So, what's your name? -Tell us, please, who you are. | 0:39:07 | 0:39:10 | |
-Lewis. -Lewis. -Lew-is! | 0:39:10 | 0:39:13 | |
Come be Santa's reindeer. | 0:39:15 | 0:39:17 | |
Thank you, Lewis. | 0:39:17 | 0:39:19 | |
-Would you come and join us? -And this guy. | 0:39:19 | 0:39:20 | |
-Which guy? -This guy here. -That one there? | 0:39:20 | 0:39:23 | |
-In the peach top. -What's your name? | 0:39:23 | 0:39:25 | |
-Chris. -Chris. -Chris and Lewis. | 0:39:25 | 0:39:27 | |
It almost makes a sound like Christmas. | 0:39:27 | 0:39:29 | |
Chris and Lewis, everybody. Thank you. | 0:39:29 | 0:39:31 | |
APPLAUSE | 0:39:31 | 0:39:33 | |
Whilst I put these masks on Chris and Lewis, I'm going to give | 0:39:33 | 0:39:36 | |
you this, and then you can squeeze it and you can still talk. | 0:39:36 | 0:39:38 | |
-Is that OK? -Yes! | 0:39:38 | 0:39:39 | |
I understand. | 0:39:43 | 0:39:45 | |
-You're Lewis. -Yeah. -Tell me, who are you? -I'm Lewis. | 0:39:47 | 0:39:51 | |
You're Lewis. | 0:39:51 | 0:39:52 | |
-That's great. -I do youth work. | 0:39:52 | 0:39:54 | |
You do youth work. Excellent. Of course. | 0:39:54 | 0:39:58 | |
-Yeah, you're Lewis. -My ears are going to look terrible. | 0:39:58 | 0:40:00 | |
Your ears aren't going to look terrible. | 0:40:00 | 0:40:02 | |
Don't be worried about things like this. | 0:40:02 | 0:40:04 | |
-Do my ears look all right? -Yeah, they look all right. | 0:40:06 | 0:40:09 | |
I knew my ears were going to look terrible. | 0:40:09 | 0:40:11 | |
-No, they don't. They look fine, Lewis. -I'm Lewis! | 0:40:11 | 0:40:14 | |
Yes, you are. | 0:40:14 | 0:40:15 | |
-I'm Lewis, everyone. -They know that. | 0:40:17 | 0:40:19 | |
Hello. | 0:40:19 | 0:40:20 | |
-Fantastic. -I'm Lewis. -I know that. | 0:40:20 | 0:40:23 | |
We know that is your name. | 0:40:23 | 0:40:25 | |
-Yes, but does everyone know? -Everybody does know. | 0:40:25 | 0:40:27 | |
-I'm just Lewis. -OK. | 0:40:27 | 0:40:29 | |
Listen, I'm just going to put this on. | 0:40:29 | 0:40:31 | |
-Yes, but I'm Lewis. -I know you are. | 0:40:31 | 0:40:33 | |
That's me. Lewis. | 0:40:33 | 0:40:36 | |
OK. | 0:40:36 | 0:40:37 | |
-And you're Chris? -Yeah. -Chris, who are you? -I'm a chef. | 0:40:37 | 0:40:40 | |
-You're a chef? -Yeah. -Are you French? | 0:40:40 | 0:40:42 | |
-No. -Oh. I thought you sounded like it. Maybe you will be now. | 0:40:42 | 0:40:46 | |
LAUGHTER | 0:40:46 | 0:40:48 | |
Your name is Chris. | 0:40:49 | 0:40:51 | |
-FRENCH ACCENT: -I'm Chris. -OK. | 0:40:51 | 0:40:52 | |
-Are you French? -Currently, I am. | 0:40:54 | 0:40:56 | |
I love it! | 0:40:58 | 0:41:00 | |
-I am chef. -You are a chef. | 0:41:01 | 0:41:02 | |
Are you looking forward to cooking Christmas lunch? | 0:41:02 | 0:41:04 | |
-I love it. -You don't love it? | 0:41:04 | 0:41:06 | |
-I'm Lewis. -You're Lewis. We know that. -I'm Lewis. -OK. | 0:41:08 | 0:41:12 | |
And over there. we have Charly. Are you OK? | 0:41:12 | 0:41:14 | |
Yes, I'm OK. | 0:41:14 | 0:41:16 | |
OK, so now that you're good at that, | 0:41:18 | 0:41:20 | |
do you want to take hold of Chris and Lewis? | 0:41:20 | 0:41:23 | |
-Because they are my reindeers. -Yes. | 0:41:24 | 0:41:26 | |
Reindeers, please, on all fours. | 0:41:26 | 0:41:29 | |
Get down. | 0:41:32 | 0:41:34 | |
Get down, Lewis. Get down, Chris. | 0:41:34 | 0:41:36 | |
-OK. So you guys are the reindeers. -Yes. | 0:41:36 | 0:41:38 | |
-You have a headband for them? -Yes. | 0:41:38 | 0:41:41 | |
God, there's so much management going on. | 0:41:41 | 0:41:43 | |
So, um, could you squeeze Lewis so I can talk to him? | 0:41:43 | 0:41:46 | |
-Lewis? -Yes. I am Lewis. | 0:41:46 | 0:41:50 | |
Yes, we know that. | 0:41:50 | 0:41:51 | |
Chris? | 0:41:53 | 0:41:54 | |
Yes. | 0:41:54 | 0:41:55 | |
You're French? | 0:41:55 | 0:41:57 | |
-I love it! -OK. Good. | 0:41:57 | 0:41:58 | |
OK. | 0:42:00 | 0:42:02 | |
You've got your reindeers, now. Are you happy? | 0:42:02 | 0:42:04 | |
Very happy. | 0:42:04 | 0:42:06 | |
Now, with Chris and Lewis, my two reindeers, | 0:42:06 | 0:42:09 | |
we shall now fly off this stage. | 0:42:09 | 0:42:12 | |
Do you...? Do you fly, guys? | 0:42:15 | 0:42:17 | |
-Yes. -OK. | 0:42:17 | 0:42:19 | |
-Lewis, do you fly? -Yes, I do. | 0:42:20 | 0:42:22 | |
-It's my technique. I flap. -You flap. | 0:42:22 | 0:42:24 | |
-What's your technique, Chris? -I go like a plane. | 0:42:26 | 0:42:29 | |
OK. Beautiful. | 0:42:29 | 0:42:31 | |
-Good reindeers you've got. -I choose always the best reindeers. | 0:42:31 | 0:42:36 | |
-Santa knows best. -OK. | 0:42:36 | 0:42:38 | |
So, on the count of three, reindeers, | 0:42:38 | 0:42:40 | |
we're going to fly off this stage. | 0:42:40 | 0:42:43 | |
-OK, Lewis? -Yes. | 0:42:43 | 0:42:45 | |
I sprinkle magic dust... | 0:42:47 | 0:42:49 | |
..and we fly. | 0:42:50 | 0:42:53 | |
This way, guys. | 0:42:55 | 0:42:56 | |
This way, guys. This way. | 0:42:56 | 0:42:57 | |
Oh, you bloody idiots. | 0:42:59 | 0:43:01 | |
Bloody idiot reindeer. | 0:43:01 | 0:43:02 | |
Don't be so mean to them. | 0:43:02 | 0:43:04 | |
No, they go the wrong way. | 0:43:04 | 0:43:05 | |
I can't train these bloody things. This is ridiculous. | 0:43:05 | 0:43:09 | |
Come with me. Come outside. Outside. | 0:43:09 | 0:43:12 | |
Put your antlers back on, you bloody idiots. | 0:43:12 | 0:43:15 | |
-Don't be so rude to them. -They need a hard, hard hand. | 0:43:15 | 0:43:18 | |
-OK. -Come on, off this stage. | 0:43:18 | 0:43:20 | |
-Come on, guys. -Fly! | 0:43:20 | 0:43:22 | |
Fly, guys. Fly. | 0:43:22 | 0:43:24 | |
-Fly, guys. -Well done. | 0:43:25 | 0:43:27 | |
-Fly. This way. -Beautiful. | 0:43:27 | 0:43:30 | |
Well done. Well done, | 0:43:30 | 0:43:31 | |
Chris, Lewis and Charly. | 0:43:32 | 0:43:35 | |
CHEERS AND APPLAUSE | 0:43:35 | 0:43:37 | |
Thank you to all the fantastic acts we had this evening. | 0:43:39 | 0:43:41 | |
We had Josh Widdicombe. | 0:43:41 | 0:43:43 | |
Tanyalee Davis. | 0:43:43 | 0:43:44 | |
And Hal Cruttenden. | 0:43:44 | 0:43:46 | |
-Happy Christmas, everybody. Goodnight. -Goodnight. | 0:43:46 | 0:43:49 |