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This programme contains some strong language | 0:00:02 | 0:00:06 | |
Ladies and gentleman, please welcome your host for tonight - | 0:00:16 | 0:00:20 | |
Romesh Ranganathan! | 0:00:20 | 0:00:23 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:25 | |
# Last Christmas I gave you my heart | 0:00:25 | 0:00:28 | |
# But the very next day you gave it away | 0:00:28 | 0:00:33 | |
# This year, to save me from tears | 0:00:33 | 0:00:37 | |
# I'll give it to someone special... # | 0:00:37 | 0:00:40 | |
CROWD CHEERS AND WHISTLES | 0:00:40 | 0:00:42 | |
Welcome to Noel at the Apollo. | 0:00:52 | 0:00:54 | |
-AUDIENCE: -Whoo! | 0:00:54 | 0:00:57 | |
Yes, mate. Merry Christmas! | 0:00:57 | 0:00:59 | |
Merry Christmas! | 0:00:59 | 0:01:01 | |
Well, I'm Hindu. But thank you so much for the sentiment. | 0:01:01 | 0:01:05 | |
Such an honour to be hosting the Christmas Live at the Apollo. | 0:01:05 | 0:01:09 | |
And you sort of think, "How have I got this point?" | 0:01:09 | 0:01:12 | |
I just want to give thanks to diversity quotas. | 0:01:12 | 0:01:15 | |
You know, it's... | 0:01:15 | 0:01:16 | |
..really helped me out. You're getting two-for-one with me, | 0:01:17 | 0:01:20 | |
because I'm Asian and I've got a lazy eye. So, what you get... | 0:01:20 | 0:01:24 | |
you get ethnicity and you get disability. | 0:01:24 | 0:01:26 | |
I do like Christmas. | 0:01:28 | 0:01:29 | |
I like to play the race card at Christmas. | 0:01:29 | 0:01:31 | |
What's good about it is you can make anyone feel racist at Christmas. | 0:01:31 | 0:01:35 | |
It's a really nice little tradition I like to do. | 0:01:35 | 0:01:39 | |
If somebody comes up to you and says "Merry Christmas," | 0:01:39 | 0:01:41 | |
you go, "Why would you assume that I celebrate Christmas?" | 0:01:41 | 0:01:45 | |
And if they come up to you | 0:01:45 | 0:01:46 | |
and go, "Merry Chr... Oh, no, do you celebrate...?" | 0:01:46 | 0:01:48 | |
You go, "Why would you assume that I don't celebrate Christmas?" | 0:01:48 | 0:01:51 | |
It's wicked, man. I love it. | 0:01:52 | 0:01:55 | |
Or sometimes I like to knock on a neighbour's door | 0:01:55 | 0:01:57 | |
and go, "Here's your Christmas card. | 0:01:57 | 0:01:58 | |
"Notice you didn't get me one for Diwali. | 0:01:58 | 0:02:00 | |
"See you later." | 0:02:00 | 0:02:03 | |
Nice. It's nice. Obviously, it's difficult for us at our house | 0:02:03 | 0:02:06 | |
with Christmas and that, because - | 0:02:06 | 0:02:08 | |
well, I can't pretend to be Santa. | 0:02:08 | 0:02:10 | |
It's because of the lazy eye, it just makes it such a... | 0:02:17 | 0:02:21 | |
a nightmare. The kids don't know which one I'm giving the present to, | 0:02:21 | 0:02:24 | |
it's just absolutely horrendous. | 0:02:24 | 0:02:28 | |
My wife always wants to go away for Christmas, right? | 0:02:29 | 0:02:32 | |
Last Christmas, she wanted to do Disneyland Paris. | 0:02:32 | 0:02:34 | |
Has anyone been there? | 0:02:34 | 0:02:36 | |
AUDIENCE CHEERS | 0:02:36 | 0:02:37 | |
I liked it. | 0:02:37 | 0:02:39 | |
I found it difficult to engage with it fully | 0:02:39 | 0:02:41 | |
because it was so expensive. | 0:02:41 | 0:02:43 | |
It's very difficult to fully enjoy it | 0:02:43 | 0:02:46 | |
when you know how much you've paid to get your family in there. | 0:02:46 | 0:02:50 | |
Like, my kids were walking around | 0:02:50 | 0:02:52 | |
just, like, all the visions of Christmassy Disney, | 0:02:52 | 0:02:55 | |
and I just had, in my eyes, the invoice. | 0:02:55 | 0:02:57 | |
Do you know what I mean? | 0:02:57 | 0:02:59 | |
For me, Disneyland Paris | 0:02:59 | 0:03:02 | |
is basically like a three-day angry walk. | 0:03:02 | 0:03:05 | |
Do you know what I mean? | 0:03:05 | 0:03:06 | |
Just wandering around going "Fuck off, Donald!" | 0:03:06 | 0:03:08 | |
Do you know what I mean? Just furious. So angry. | 0:03:08 | 0:03:12 | |
It's the first time I really thought about learning another language, | 0:03:12 | 0:03:15 | |
right, because they all speak French, obviously. We're in France. | 0:03:15 | 0:03:18 | |
I'm not so post-Brexit that they can't speak their own language | 0:03:18 | 0:03:22 | |
in their own country. | 0:03:22 | 0:03:23 | |
I'm a very paranoid dude. | 0:03:23 | 0:03:24 | |
We're queueing up for the Tower of Terror with my eldest son, | 0:03:24 | 0:03:28 | |
just about to get on the ride. | 0:03:28 | 0:03:29 | |
The guy behind the counter turns to his mate and goes... | 0:03:29 | 0:03:31 | |
HE MIMICS FRENCH | 0:03:31 | 0:03:33 | |
I was thinking, "What the shit did that dude just say, man?" | 0:03:34 | 0:03:37 | |
In my head, I'm thinking he must've gone, | 0:03:37 | 0:03:39 | |
"I think the roller-coaster is broken. | 0:03:39 | 0:03:40 | |
"Let's just try it out one more time on this prick and his son." | 0:03:40 | 0:03:43 | |
He probably just said, "I fancy a sandwich." | 0:03:50 | 0:03:52 | |
I don't know. But I'm very paranoid. | 0:03:52 | 0:03:56 | |
The kids were very excited, right? | 0:03:56 | 0:03:57 | |
They're excited cos how it works is, you pay a lot of money to get in | 0:03:57 | 0:04:00 | |
so you can access some shops where you spend some more money. | 0:04:00 | 0:04:02 | |
Right, that's how it works. The kids are like, | 0:04:02 | 0:04:05 | |
"Ha, ha, ha! We're going to buy loads of stuff." | 0:04:05 | 0:04:06 | |
I said, "No. No, you're not, mate. | 0:04:06 | 0:04:08 | |
"You're allowed one present each, yeah? | 0:04:08 | 0:04:10 | |
"Because Daddy is being fisted by Mickey here. | 0:04:10 | 0:04:13 | |
"Right, so, you get one present each. | 0:04:13 | 0:04:18 | |
"All right? No messing about." | 0:04:18 | 0:04:20 | |
The little one... The thing is, I actually make an extra saving, | 0:04:20 | 0:04:22 | |
because I've got a seven-year-old, | 0:04:22 | 0:04:24 | |
I've got a five-year-old and a two-year-old. | 0:04:24 | 0:04:25 | |
The two-year-old doesn't know what's going on, so sack him off, | 0:04:25 | 0:04:28 | |
Do you know what I mean? | 0:04:28 | 0:04:29 | |
I just gave him a croissant we got free at the hotel. | 0:04:29 | 0:04:31 | |
"There you go, mate." | 0:04:31 | 0:04:33 | |
"Thank you, Daddy. Thank you. Thank you so much." | 0:04:37 | 0:04:39 | |
"Yeah, enjoy, dickhead." | 0:04:39 | 0:04:41 | |
The eldest one, he chose a Jedi cloak. | 0:04:45 | 0:04:49 | |
He's into Star Wars. | 0:04:49 | 0:04:50 | |
I mean, not properly, he doesn't know the mythology properly, | 0:04:50 | 0:04:53 | |
but he is into Star Wars. | 0:04:53 | 0:04:56 | |
He chose a Jedi cloak with Mickey ears on it. | 0:04:56 | 0:04:59 | |
Now, immediately I can feel tension in here. | 0:04:59 | 0:05:01 | |
He was wearing around the house. | 0:05:03 | 0:05:05 | |
One of my mates went, "It's disgusting. Disgusting. | 0:05:05 | 0:05:08 | |
"It's exactly why I didn't want them taking over Star Wars, | 0:05:08 | 0:05:10 | |
"because of things like this." | 0:05:10 | 0:05:11 | |
I was thinking, "What is your problem, dude? | 0:05:11 | 0:05:13 | |
"What are you concerned about? | 0:05:13 | 0:05:14 | |
"Are you worried that Star Wars is going to become commercial?" | 0:05:14 | 0:05:18 | |
Do you know what I mean? | 0:05:18 | 0:05:19 | |
When you're watching Jar Jar Binks | 0:05:19 | 0:05:21 | |
and thinking, "No, this is still cutting edge." | 0:05:21 | 0:05:23 | |
And it's then Mickey ears that pushed you over. | 0:05:23 | 0:05:26 | |
Was it really? | 0:05:26 | 0:05:28 | |
My second son, he chose... | 0:05:28 | 0:05:30 | |
he chose a radio-controlled car. | 0:05:30 | 0:05:32 | |
Fine. Get back to England. | 0:05:32 | 0:05:34 | |
So frustrating how shit this kid is at driving the car, man. | 0:05:34 | 0:05:40 | |
Like, he's knocking into coffee tables, he's hitting my ankles, | 0:05:40 | 0:05:43 | |
he's hitting the skirting boards. | 0:05:43 | 0:05:45 | |
I said to him, "Dude, a kid of your age MADE that." | 0:05:45 | 0:05:49 | |
Right? | 0:05:49 | 0:05:50 | |
APPLAUSE | 0:05:55 | 0:05:57 | |
"You can't even drive it, you prick." | 0:06:00 | 0:06:03 | |
Unbelievable, this kid. | 0:06:03 | 0:06:05 | |
They've just... My two older ones have just started school. | 0:06:05 | 0:06:08 | |
I think school is the earliest point at which I care | 0:06:08 | 0:06:11 | |
what my kids have been up to. | 0:06:11 | 0:06:12 | |
Because like when my son was at nursery, | 0:06:12 | 0:06:14 | |
I used to go and pick him up from nursery, | 0:06:14 | 0:06:16 | |
and the girl working there would go, "Great day today. Great day today. | 0:06:16 | 0:06:19 | |
"Great day. Great day. | 0:06:19 | 0:06:20 | |
"Would you like your daily report of what he's been up to?" | 0:06:20 | 0:06:23 | |
"No. I don't think so." | 0:06:23 | 0:06:25 | |
What could he possibly have done that I would care about? | 0:06:25 | 0:06:29 | |
Let me guess, he dropped some stuff and he shit himself. | 0:06:29 | 0:06:31 | |
Right? Cos that's what he does at home. | 0:06:31 | 0:06:34 | |
Unless he's built a shed, I really couldn't care less. | 0:06:34 | 0:06:38 | |
In fact, I resent the fact we're having a conversation. | 0:06:38 | 0:06:40 | |
That's the honest truth of it. | 0:06:40 | 0:06:42 | |
It's difficult. It's difficult for teachers. | 0:06:44 | 0:06:46 | |
I respect teachers, you know? | 0:06:46 | 0:06:48 | |
They get all these Christmas presents and that, and people say, | 0:06:48 | 0:06:50 | |
"Oh, we've got to buy presents for our teachers." Good. | 0:06:50 | 0:06:52 | |
Teachers deserve it, mate. | 0:06:52 | 0:06:54 | |
Do you know what I mean? I used to be a teacher, it's boring. | 0:06:54 | 0:06:56 | |
I mean, it's liberating once you stop caring about the kids' futures. | 0:06:56 | 0:07:00 | |
Then it becomes a wonderful, wonderful job. | 0:07:00 | 0:07:03 | |
But you have to do boring stuff. | 0:07:03 | 0:07:05 | |
We had to do exam invigilation, right? | 0:07:05 | 0:07:07 | |
It's where the kids are sitting in a hall doing an exam | 0:07:07 | 0:07:10 | |
and you've got to walk around pretending that you're interested, | 0:07:10 | 0:07:14 | |
and you're worried about them cheating. So you just... | 0:07:14 | 0:07:17 | |
Sometimes I would do this, right. | 0:07:28 | 0:07:30 | |
SNIGGERS: Good luck, mate. | 0:07:31 | 0:07:32 | |
Just add a little spice to proceedings. | 0:07:35 | 0:07:37 | |
It was very boring. | 0:07:37 | 0:07:38 | |
I had to find a way of passing the time. | 0:07:38 | 0:07:40 | |
The way that I did it is I played battleship. | 0:07:40 | 0:07:42 | |
Now, how this would work is I would get a piece of paper | 0:07:43 | 0:07:45 | |
and I'd write down on a piece of paper the name of the kid | 0:07:45 | 0:07:47 | |
that I thought was the ugliest in the room. | 0:07:47 | 0:07:49 | |
Or the kid that I thought had the shittest haircut. | 0:07:49 | 0:07:51 | |
Then the other teacher would walk through the hall... | 0:07:53 | 0:07:56 | |
..and they would stop by the kid | 0:08:03 | 0:08:04 | |
that they thought I was talking about. | 0:08:04 | 0:08:06 | |
And if they got it correct then they'd sunk my battleship. | 0:08:11 | 0:08:14 | |
It was a very fun game. | 0:08:14 | 0:08:16 | |
It's now been made illegal in West Sussex, sadly. | 0:08:16 | 0:08:19 | |
I just find it... I find it exciting. | 0:08:20 | 0:08:22 | |
My kids get so excited about Christmas and I sort of... | 0:08:22 | 0:08:24 | |
I get caught up in, you know, what does the future hold for them? | 0:08:24 | 0:08:27 | |
Are they going to follow their dreams? | 0:08:27 | 0:08:29 | |
And then I realise that Christmas TV, it just... | 0:08:29 | 0:08:33 | |
I disagree with it. Right? I disagree with this... | 0:08:33 | 0:08:36 | |
I actually disagree with chasing your dreams. | 0:08:36 | 0:08:38 | |
I actually disagree with it. | 0:08:38 | 0:08:40 | |
If there's any message you get from this, don't chase your dreams. | 0:08:40 | 0:08:43 | |
Right? Life is not about chasing your dreams. | 0:08:43 | 0:08:45 | |
Life is about compromising your ideals and waiting to die. | 0:08:45 | 0:08:48 | |
That... That's what life is about. | 0:08:48 | 0:08:51 | |
You know, like... I just think teachers get a hard time. | 0:08:51 | 0:08:54 | |
I think they get a hard time about this, right? | 0:08:54 | 0:08:55 | |
Because somebody like Justin Bieber will win an award, right? | 0:08:55 | 0:08:59 | |
Then he'll come out and he'll go, "Just want to say, | 0:08:59 | 0:09:01 | |
"this is for the teachers that said I was never going to do it." | 0:09:01 | 0:09:05 | |
Do you know why your teachers said | 0:09:05 | 0:09:06 | |
you were never going to do it, Justin? | 0:09:06 | 0:09:08 | |
Do you know how statistically unlikely it is | 0:09:08 | 0:09:12 | |
for you to achieve the outcomes that you have done? | 0:09:12 | 0:09:15 | |
Yeah? Especially bearing in mind | 0:09:15 | 0:09:17 | |
what a bellend you must have been as a kid, right? | 0:09:17 | 0:09:19 | |
Do you know how unlikely it is? | 0:09:19 | 0:09:21 | |
How irresponsible a careers adviser would you have to be | 0:09:21 | 0:09:26 | |
to say to a kid, "Do you know what, mate? You need to stop studying. | 0:09:26 | 0:09:28 | |
"You're going to be the number one recording artist | 0:09:28 | 0:09:30 | |
"in the whole world." | 0:09:30 | 0:09:32 | |
If my kid came home and said that that's what's been told to him | 0:09:32 | 0:09:35 | |
by his school, I would go to that school | 0:09:35 | 0:09:38 | |
and I'd burn it to the fucking ground. | 0:09:38 | 0:09:40 | |
Right? I want to see it the other way. | 0:09:40 | 0:09:42 | |
I want to see a teacher who's told a kid he wouldn't amount to shit, | 0:09:42 | 0:09:46 | |
and he didn't, come out and admit it. | 0:09:46 | 0:09:48 | |
Right? I want to see him brought out on TV just going, | 0:09:48 | 0:09:50 | |
"This is for Mrs Clerkenwell. | 0:09:50 | 0:09:52 | |
"She said I was never going to do anything with my life, | 0:09:52 | 0:09:55 | |
"and I just wanted to come out here and say, I haven't. | 0:09:55 | 0:09:57 | |
"You know, I've got nothing really going on. | 0:09:57 | 0:10:01 | |
"Three failed marriages behind me, I'm wearing everything I own. | 0:10:01 | 0:10:03 | |
"I just want to say she said I was going to be a waste of space | 0:10:03 | 0:10:06 | |
"and it turns out I have been. So, this is for my teacher | 0:10:06 | 0:10:09 | |
"that said I wasn't going to amount to anything." | 0:10:09 | 0:10:11 | |
Yeah? That's what I want to see. | 0:10:11 | 0:10:13 | |
Because chasing dreams is a nightmare. | 0:10:13 | 0:10:15 | |
It's a nightmare. And people who are doing regular decent jobs | 0:10:15 | 0:10:19 | |
get disrespected. That's what annoys me. | 0:10:19 | 0:10:21 | |
Like, you see it on X Factor. X Factor, right? | 0:10:21 | 0:10:23 | |
When these people get through to the live rounds, right, | 0:10:23 | 0:10:26 | |
they take them back to their old place of work, | 0:10:26 | 0:10:28 | |
which is a perfectly decent job. | 0:10:28 | 0:10:31 | |
They'll take this bloke back. | 0:10:31 | 0:10:32 | |
They go to Tesco's or something. | 0:10:32 | 0:10:34 | |
Sees his mate working on fruit and veg who he used to work with | 0:10:34 | 0:10:36 | |
and he'll go... | 0:10:36 | 0:10:39 | |
"That's Pete. I used to work with him. | 0:10:39 | 0:10:41 | |
"You know, the thought of having to go back | 0:10:43 | 0:10:46 | |
"and do that ever again just makes me want to kill myself. | 0:10:46 | 0:10:49 | |
"See you later, Pete." | 0:10:49 | 0:10:51 | |
Pete's just over here like... | 0:10:51 | 0:10:53 | |
"I just like bananas." | 0:10:55 | 0:10:57 | |
You know what I don't understand? | 0:10:57 | 0:10:59 | |
Is that being famous is fine, but don't pretend that it's noble. | 0:10:59 | 0:11:03 | |
It's not an noble ambition, right? It's vacuous. | 0:11:03 | 0:11:07 | |
So, just admit that. X Factor, they try and add something. | 0:11:07 | 0:11:09 | |
They try and add some substance to it. | 0:11:09 | 0:11:11 | |
Like, they'll give them backstories | 0:11:11 | 0:11:13 | |
so that you go, "Oh, my God, they've got to do it." | 0:11:13 | 0:11:15 | |
You'll see someone, they'll go, "Oh, you know, | 0:11:15 | 0:11:17 | |
"I just really want to make it through | 0:11:17 | 0:11:18 | |
"because my brother's got cancer | 0:11:18 | 0:11:20 | |
"and he said that one of his, like, dying wishes | 0:11:20 | 0:11:22 | |
"would be to see me go through to the live rounds." | 0:11:22 | 0:11:24 | |
And I think, "Well, that is very noble, isn't it? | 0:11:24 | 0:11:26 | |
"Cos I would have assumed that one of his last dying wishes | 0:11:26 | 0:11:28 | |
"would be to get better. | 0:11:28 | 0:11:30 | |
"Right, but this guy is willing to sacrifice that... | 0:11:30 | 0:11:35 | |
"so that you can make it through to Louis' six chairs." | 0:11:35 | 0:11:37 | |
I mean that's pretty amazing, isn't it? | 0:11:37 | 0:11:39 | |
Things like that irritate me. Little things like that irritate me. | 0:11:48 | 0:11:51 | |
You know, I got... | 0:11:51 | 0:11:53 | |
I got given an Iggy Azalea album, right? | 0:11:53 | 0:11:56 | |
That irritates me. | 0:11:56 | 0:11:58 | |
There any fans of Iggy Azalea in? | 0:11:58 | 0:12:01 | |
AUDIENCE CHEERS | 0:12:01 | 0:12:02 | |
This is my problem with Iggy Azalea. | 0:12:02 | 0:12:04 | |
She's a white Australian. | 0:12:04 | 0:12:06 | |
She's a white Australian | 0:12:06 | 0:12:08 | |
and she's rapping like a black woman from the South. | 0:12:08 | 0:12:12 | |
And it's illegal. | 0:12:12 | 0:12:13 | |
How is it legal? | 0:12:13 | 0:12:15 | |
I don't understand. She doesn't... | 0:12:15 | 0:12:18 | |
She doesn't... It's not like Eminem. | 0:12:18 | 0:12:19 | |
Eminem raps how he talks. | 0:12:19 | 0:12:20 | |
Iggy Azalea talks like this... | 0:12:20 | 0:12:22 | |
AUSTRALIAN ACCENT: "Hello, Mate, I'm Iggy." | 0:12:22 | 0:12:23 | |
And then when she raps, she puts on... | 0:12:23 | 0:12:26 | |
she does an impression of a black woman from the Deep South. | 0:12:26 | 0:12:29 | |
They record that and they sell it and it's OK. | 0:12:29 | 0:12:33 | |
She's doing an impression... Do you understand what I'm saying to you? | 0:12:35 | 0:12:38 | |
She's doing an impression of a black woman. | 0:12:38 | 0:12:40 | |
Do you get what I'm saying? | 0:12:40 | 0:12:41 | |
Iggy Azalea is a minstrel that couldn't be asked to black-up. | 0:12:41 | 0:12:45 | |
That's what Iggy Azalea is. | 0:12:45 | 0:12:46 | |
APPLAUSE | 0:12:46 | 0:12:48 | |
My... | 0:12:53 | 0:12:55 | |
My brother said to me I'm overreacting. | 0:12:55 | 0:12:57 | |
He goes, "You're overreacting, mate. | 0:12:57 | 0:12:59 | |
"It's hip-hop. She can't rap with an Australian accent, | 0:12:59 | 0:13:01 | |
"it wouldn't be authentic." | 0:13:01 | 0:13:02 | |
Wouldn't be authentic! | 0:13:02 | 0:13:04 | |
I don't buy that as an argument, you know? | 0:13:05 | 0:13:07 | |
If you went to an Indian restaurant | 0:13:07 | 0:13:10 | |
and the waiter was white... | 0:13:10 | 0:13:13 | |
and for a little bit of authenticity... | 0:13:13 | 0:13:17 | |
..he said... | 0:13:25 | 0:13:26 | |
BROAD INDIAN ACCENT: "Would you like a poppadum?" | 0:13:26 | 0:13:28 | |
You wouldn't accept that, would you? | 0:13:28 | 0:13:31 | |
Ladies and gentlemen, are you ready for your first act of this evening? | 0:13:39 | 0:13:43 | |
AUDIENCE CHEERS | 0:13:43 | 0:13:45 | |
We have got three incredible acts for you, | 0:13:45 | 0:13:47 | |
and we're starting brilliantly. | 0:13:47 | 0:13:48 | |
He's absolutely fantastic. He's one of my very best friends. | 0:13:48 | 0:13:51 | |
Ladies and gentlemen, please, can you give it up for Mr Seann Walsh? | 0:13:51 | 0:13:54 | |
CHEERING AND APPLAUSE | 0:13:54 | 0:13:55 | |
# So here it is, merry Christmas | 0:13:55 | 0:13:58 | |
# Everybody's having fun... # | 0:13:58 | 0:14:02 | |
Apollo, yes! | 0:14:02 | 0:14:05 | |
Thank you very much, hello! | 0:14:08 | 0:14:11 | |
-ALL: -Hello! -Hello! | 0:14:11 | 0:14:13 | |
Merry Christmas! | 0:14:14 | 0:14:16 | |
-Merry Christmas! -Yes! | 0:14:16 | 0:14:18 | |
Pigging it out. Pigging it out. | 0:14:18 | 0:14:22 | |
It's great, isn't it? Christmas. | 0:14:22 | 0:14:24 | |
It's the only time of the year where eating a cheeseboard is acceptable. | 0:14:24 | 0:14:29 | |
I think. Isn't it? | 0:14:29 | 0:14:32 | |
Any other time of the year, I look at a dessert menu and think, | 0:14:32 | 0:14:36 | |
"That's weird. Look at all that sweet stuff - | 0:14:36 | 0:14:39 | |
"tiramisu, creme brulee, | 0:14:39 | 0:14:43 | |
"Eton mess, sticky toffee pudding, | 0:14:43 | 0:14:47 | |
"chocolate brownie and sorbet ice cream." | 0:14:47 | 0:14:49 | |
Then... "Cheeseboard." | 0:14:49 | 0:14:53 | |
What is a cheeseboard doing on the dessert menu? | 0:14:54 | 0:15:00 | |
That's not a dessert, is it? | 0:15:00 | 0:15:02 | |
If anything, that is a main. | 0:15:02 | 0:15:04 | |
What fat wanker... | 0:15:04 | 0:15:06 | |
..is having a cheeseboard after a steak and chips? | 0:15:08 | 0:15:11 | |
That can't have been on the dessert menu the whole time, could it? | 0:15:13 | 0:15:17 | |
Once upon a time, someone has ordered that for the first time. | 0:15:17 | 0:15:20 | |
Sat at a restaurant there. | 0:15:20 | 0:15:24 | |
Wife...and fat husband. | 0:15:24 | 0:15:27 | |
Sat there. Wife's gone, | 0:15:28 | 0:15:30 | |
"Darling, I think I'm going to go for the sticky toffee pudding. | 0:15:30 | 0:15:35 | |
"Yeah. How about you?" | 0:15:35 | 0:15:37 | |
"I want some cheese." | 0:15:45 | 0:15:47 | |
APPLAUSE | 0:15:49 | 0:15:51 | |
"Oh. Oh, well I could see if they... | 0:15:56 | 0:15:59 | |
"they do cheese. Which one?" | 0:15:59 | 0:16:02 | |
"All of them. | 0:16:06 | 0:16:08 | |
"I want all the cheeses. | 0:16:11 | 0:16:14 | |
"Camembert, Stilton... | 0:16:14 | 0:16:17 | |
"Brie, Cheddar, | 0:16:17 | 0:16:21 | |
"mozzarella, halloumi... | 0:16:21 | 0:16:25 | |
"Forget the plate, just shove it on a plank of wood." | 0:16:28 | 0:16:31 | |
"Darling, it's just that most people after their main, | 0:16:36 | 0:16:39 | |
"they tend to have something sweet, that's all." | 0:16:39 | 0:16:42 | |
"Stick some grapes on it." | 0:16:44 | 0:16:46 | |
APPLAUSE | 0:16:46 | 0:16:47 | |
But enjoy. Enjoy the pigging out whilst you can. | 0:16:55 | 0:16:59 | |
Because before you know it, it's January. | 0:16:59 | 0:17:03 | |
Health kick. | 0:17:03 | 0:17:06 | |
People go on these soul-destroying diets. | 0:17:06 | 0:17:10 | |
Like juicing. Do you know about this? | 0:17:10 | 0:17:12 | |
Juicing. People juice. | 0:17:12 | 0:17:15 | |
They put broccoli and celery... | 0:17:15 | 0:17:17 | |
in a drink. Tell you it's delicious. | 0:17:17 | 0:17:21 | |
Is it? Eat it then. | 0:17:21 | 0:17:24 | |
I have never had to put a chicken nugget in a blender. | 0:17:27 | 0:17:30 | |
It's meant to be good for you. Is it? | 0:17:35 | 0:17:38 | |
Juicing used to be a threat. | 0:17:38 | 0:17:41 | |
Made by gangsters. | 0:17:41 | 0:17:42 | |
"You do that again, you'll be having dinner through a straw." | 0:17:44 | 0:17:47 | |
You say that to someone now, they go, "Ooh, detox! | 0:17:57 | 0:17:59 | |
"Oh, lovely!" | 0:17:59 | 0:18:00 | |
My girlfriend, she's into all these fads. | 0:18:03 | 0:18:05 | |
She's juiced. She comes in in the morning. | 0:18:05 | 0:18:08 | |
"I'm juicing! It's delicious." | 0:18:08 | 0:18:10 | |
Holds up this glass... | 0:18:10 | 0:18:11 | |
full of what can only be described as a post-Guinness shit. | 0:18:11 | 0:18:16 | |
Every morning. | 0:18:24 | 0:18:25 | |
HE MIMICS JUICER | 0:18:25 | 0:18:27 | |
I don't have to set my alarm any more. | 0:18:27 | 0:18:29 | |
Every morning. | 0:18:31 | 0:18:32 | |
This is after she's used the noise gun to dry her hair. | 0:18:36 | 0:18:40 | |
HE MIMICS HAIRDRYER | 0:18:43 | 0:18:45 | |
I had to go to a building site for a nap. | 0:18:49 | 0:18:52 | |
But there's a lot of pressure on people to look good, isn't there? | 0:18:55 | 0:18:59 | |
Go on these extreme diets. | 0:18:59 | 0:19:00 | |
Even I've juiced. | 0:19:00 | 0:19:03 | |
I don't like to admit it. | 0:19:03 | 0:19:04 | |
I wasn't feeling too good about myself earlier on in the year. | 0:19:04 | 0:19:07 | |
I juiced. I didn't... I wasn't strict. | 0:19:07 | 0:19:10 | |
You know, you're meant to do it for seven days. | 0:19:10 | 0:19:12 | |
I did it for three. | 0:19:12 | 0:19:14 | |
No solid food. | 0:19:14 | 0:19:15 | |
Just Guinness. | 0:19:15 | 0:19:17 | |
I lost...my phone... | 0:19:19 | 0:19:22 | |
..my keys and a close friend. | 0:19:33 | 0:19:35 | |
I'll tell you the worst people, these are the 2016 dickheads. | 0:19:40 | 0:19:44 | |
They're spreading. Making us feel bad about ourselves. | 0:19:44 | 0:19:47 | |
You know these ones? They say things like this, | 0:19:47 | 0:19:51 | |
"I'm not eating bread." | 0:19:51 | 0:19:53 | |
Oh, fuck off. | 0:19:53 | 0:19:55 | |
Do you know what I mean? | 0:19:58 | 0:19:59 | |
I can't even enjoy bread any more? | 0:20:02 | 0:20:05 | |
A bit of bread? I've cut down on the ketamine. | 0:20:05 | 0:20:08 | |
And now I can't enjoy a bit of lemon curd on toast. | 0:20:12 | 0:20:15 | |
My girlfriend, she's so healthy now. | 0:20:17 | 0:20:19 | |
We're allowed bread, but it's gluten-free bread. | 0:20:19 | 0:20:24 | |
Do you know this? A lot of people unsure exactly of what gluten is. | 0:20:24 | 0:20:29 | |
I'll tell you, because I know about this stuff now. | 0:20:29 | 0:20:31 | |
Gluten is the good bit. | 0:20:31 | 0:20:35 | |
APPLAUSE | 0:20:37 | 0:20:38 | |
Gluten's the bit that makes you think, | 0:20:44 | 0:20:46 | |
"Oh, I'll have some more bread." | 0:20:46 | 0:20:48 | |
My girlfriend, she's vegan. | 0:20:49 | 0:20:51 | |
We've had to get rid of the fridge. | 0:20:51 | 0:20:53 | |
No more fridge. | 0:20:53 | 0:20:56 | |
We've replaced the fridge with what looks just like a fridge, | 0:20:56 | 0:20:59 | |
except you open it and inside is an allotment. | 0:20:59 | 0:21:04 | |
You know, all this green shit. | 0:21:06 | 0:21:08 | |
That stuff that you run past at the beginning of supermarkets. | 0:21:08 | 0:21:12 | |
"Where's the cheese? | 0:21:14 | 0:21:16 | |
"Oh, look, they've got pop tarts. Brilliant. | 0:21:17 | 0:21:20 | |
"Doughnuts." | 0:21:20 | 0:21:22 | |
I miss the fridge. | 0:21:25 | 0:21:27 | |
The real fridge. | 0:21:27 | 0:21:29 | |
Stood up eating. | 0:21:29 | 0:21:30 | |
Nothing better, is there? | 0:21:30 | 0:21:32 | |
Stood up in your pants, open the door, it lights up. | 0:21:32 | 0:21:36 | |
Aaahhhh! | 0:21:36 | 0:21:37 | |
You get in there... | 0:21:37 | 0:21:39 | |
It's the only place where you can have Kit Kat and ham in your mouth | 0:21:39 | 0:21:42 | |
at the same time. | 0:21:42 | 0:21:44 | |
Now I open it, it's full of broccoli, lettuce, fennel, | 0:21:48 | 0:21:56 | |
celery, apples, pears, spinach, cabbage, kale! | 0:21:56 | 0:22:03 | |
Which is cabbage for twats. | 0:22:03 | 0:22:05 | |
My girlfriend's got me eating healthy now. | 0:22:16 | 0:22:20 | |
She makes us soup. | 0:22:20 | 0:22:21 | |
Soup. | 0:22:21 | 0:22:23 | |
I have to eat soup now, like I'm ill. | 0:22:23 | 0:22:26 | |
It's always the same with soup, isn't it? | 0:22:30 | 0:22:33 | |
Eating the soup. Every time I go through the same experience, | 0:22:33 | 0:22:36 | |
"Oh, this is quite nice, actually. | 0:22:36 | 0:22:38 | |
"I'm quite enjoying this. | 0:22:38 | 0:22:40 | |
"It's tasty and it's good for you. | 0:22:40 | 0:22:42 | |
"You're getting one of your five a day. | 0:22:42 | 0:22:44 | |
"This is lovely. I'm going to cut out all the other shit. | 0:22:44 | 0:22:46 | |
"I'm just going to eat soup." And then you finish the bread. | 0:22:46 | 0:22:49 | |
You realise you don't love soup. | 0:22:57 | 0:23:00 | |
You love bread... | 0:23:00 | 0:23:02 | |
and butter... | 0:23:02 | 0:23:04 | |
..dipped in a sauce. | 0:23:05 | 0:23:07 | |
Thank you very much, Apollo. | 0:23:14 | 0:23:15 | |
Merry Christmas! Goodnight, see you later! | 0:23:15 | 0:23:18 | |
CHEERING AND APPLAUSE | 0:23:18 | 0:23:19 | |
Seann Walsh, ladies and gentlemen! | 0:23:30 | 0:23:32 | |
Ladies and gentlemen, are you ready for your next act this evening? | 0:23:35 | 0:23:39 | |
AUDIENCE CHEERS | 0:23:39 | 0:23:40 | |
Please go wild, go crazy, for the fantastic Kerry Godliman! | 0:23:40 | 0:23:44 | |
CHEERING AND APPLAUSE | 0:23:44 | 0:23:46 | |
MUSIC PLAYS | 0:23:46 | 0:23:48 | |
Hello. Merry Christmas, Hammersmith Apollo! | 0:23:56 | 0:23:59 | |
AUDIENCE CHEERS | 0:23:59 | 0:24:01 | |
How exciting. | 0:24:01 | 0:24:02 | |
You've all got Christmassy vibes going on. | 0:24:02 | 0:24:05 | |
Everyone looks quite glammed up. | 0:24:05 | 0:24:07 | |
Little bit of sparkle. Everyone's Christmas ready. | 0:24:07 | 0:24:10 | |
-Who's going away for Christmas? -AUDIENCE: -Whoo! | 0:24:10 | 0:24:12 | |
Going away for Christmas is a thing, isn't it? | 0:24:12 | 0:24:13 | |
I don't want to go away for Christmas | 0:24:13 | 0:24:15 | |
because I like where we live now. | 0:24:15 | 0:24:16 | |
Because when we first moved to our area, it was a bit shit, right? | 0:24:16 | 0:24:19 | |
But it's got nice. | 0:24:19 | 0:24:21 | |
It's got a little bit nicer. It's very slightly gentrified. | 0:24:21 | 0:24:24 | |
So, now everyone that owns their property, | 0:24:24 | 0:24:25 | |
they go on Rightmove every day for a little wank. | 0:24:25 | 0:24:28 | |
"Ooh, let's have a little look at what our house is worth. Whoar! | 0:24:30 | 0:24:33 | |
"Let's think of somewhere cheaper and put it in. | 0:24:33 | 0:24:36 | |
"See what we can get. | 0:24:36 | 0:24:37 | |
"Put in somewhere shit. | 0:24:37 | 0:24:39 | |
"Somewhere, I don't know, somewhere up north. | 0:24:39 | 0:24:41 | |
"Put that in." And then you're like, "Fucking hell, we could own Hull." | 0:24:41 | 0:24:45 | |
Disgusting. It's very vulgar. | 0:24:47 | 0:24:48 | |
So, I've never lived anywhere nice before. | 0:24:48 | 0:24:50 | |
It's been quite interesting watching it sort of change a little bit. | 0:24:50 | 0:24:53 | |
Like, first off, there's little signs that you notice | 0:24:53 | 0:24:56 | |
when the change is on the horizon. | 0:24:56 | 0:24:57 | |
Like, first off, it's the availability of sourdough. | 0:24:57 | 0:24:59 | |
"Mm, change a-coming." | 0:25:01 | 0:25:03 | |
And then... And then it's the pub. | 0:25:03 | 0:25:05 | |
It's always the pub. You've got to keep an eye on the pub. | 0:25:05 | 0:25:07 | |
The pub changes. Like, our old pub, it was a sort of working-class pub. | 0:25:07 | 0:25:10 | |
Old blokes in there. Smoking roll-ups, | 0:25:10 | 0:25:12 | |
buying and selling the odd gun. | 0:25:12 | 0:25:14 | |
Watching Sky Sports, right? | 0:25:14 | 0:25:17 | |
But they've all had to go now, | 0:25:17 | 0:25:18 | |
they've been kicked out and the pub's been done up. | 0:25:18 | 0:25:20 | |
It's all shabby chic, it's all been done a bit retro | 0:25:20 | 0:25:23 | |
and now there's like pictures on the wall. | 0:25:23 | 0:25:25 | |
Old Polaroid photographs of working-class blokes | 0:25:25 | 0:25:28 | |
smoking roll-ups, buying and selling guns, watching Sky Sports. | 0:25:28 | 0:25:33 | |
And you can eat there. You can get food in the pub now, | 0:25:33 | 0:25:35 | |
you can get a rustic frittata on a distressed camping plate. | 0:25:35 | 0:25:38 | |
Or like a pizza off a bin lid. It's great. | 0:25:39 | 0:25:43 | |
Tapas off a plank. | 0:25:43 | 0:25:44 | |
Because gentrified people like to eat food | 0:25:44 | 0:25:46 | |
from bits of shit in the shed. | 0:25:46 | 0:25:48 | |
Bits of crap kicking around in the garage. | 0:25:48 | 0:25:51 | |
I've had soup out of a bed pan. | 0:25:51 | 0:25:53 | |
-It's nice. -APPLAUSE | 0:25:53 | 0:25:55 | |
Nice. | 0:25:55 | 0:25:57 | |
I like it. I like it. | 0:25:57 | 0:25:58 | |
You have to get a tetanus after you've had a meal, but it's nice. | 0:25:58 | 0:26:01 | |
And parenting at Christmas time. | 0:26:03 | 0:26:04 | |
I worry about my parenting. | 0:26:04 | 0:26:05 | |
I'm not... I don't know if I'm that good at it. | 0:26:05 | 0:26:07 | |
I get into rows. | 0:26:07 | 0:26:09 | |
I row with my kids. You shouldn't row with kids, should you? | 0:26:09 | 0:26:11 | |
It's really frowned at. | 0:26:11 | 0:26:12 | |
I said to my friend, "I row with my kids," | 0:26:12 | 0:26:14 | |
and she said, "What do you mean you row with them? | 0:26:14 | 0:26:16 | |
"You mean you, like, tell them off?" | 0:26:16 | 0:26:17 | |
I said, "No, because that would suggest status, wouldn't it?" | 0:26:17 | 0:26:21 | |
That would imply I've got some power in our relationship, | 0:26:21 | 0:26:24 | |
but I don't seem to have any power. | 0:26:24 | 0:26:26 | |
We were at the supermarket recently, getting all the shopping in. | 0:26:26 | 0:26:29 | |
I'm quite harassed, I've got other things I need to be doing. | 0:26:29 | 0:26:31 | |
One of them's like, "No, we don't like pasta shells. | 0:26:31 | 0:26:35 | |
"We only like pasta bows." | 0:26:35 | 0:26:37 | |
I'm like, "It's the same. It's the same thing. | 0:26:37 | 0:26:40 | |
"All of the pastas are the same. | 0:26:40 | 0:26:42 | |
"The pipes and the bows and the shells and the twists - | 0:26:42 | 0:26:45 | |
"what are you looking at?" | 0:26:45 | 0:26:47 | |
I said, "You don't give a toss about shape when it's chocolate. | 0:26:49 | 0:26:52 | |
"Do you?" | 0:26:52 | 0:26:53 | |
No, it's not good. | 0:26:55 | 0:26:58 | |
No, because there's no glory in winning a row with a child. | 0:26:58 | 0:27:04 | |
Like, if you win a row with your mate, | 0:27:04 | 0:27:06 | |
you then tell your other mate, don't you? | 0:27:06 | 0:27:08 | |
And then you like, "And then I said, right... | 0:27:08 | 0:27:10 | |
"and then I said, 'You don't give a shit about shape | 0:27:10 | 0:27:13 | |
"'when it's chocolate, do you?' And I said it to her face." | 0:27:13 | 0:27:16 | |
It's like, "Ooh, well done. | 0:27:18 | 0:27:19 | |
"With your six-year-old kid? Well done, Kell." | 0:27:19 | 0:27:21 | |
And my son loves to play snap. | 0:27:22 | 0:27:24 | |
He loves to play dinosaur snap. | 0:27:24 | 0:27:26 | |
And he hates to lose, cos kids do, don't they? | 0:27:26 | 0:27:29 | |
Kids hate losing games. | 0:27:29 | 0:27:30 | |
You won't meet a kid that loses a game that's like, "No, it's fine, | 0:27:30 | 0:27:33 | |
"best of five. Let's just go again." | 0:27:33 | 0:27:35 | |
So, I have to let him win because I'm his mum and I love him | 0:27:35 | 0:27:38 | |
in a sort of oppressive, cloying way. | 0:27:38 | 0:27:41 | |
So I have to let him win. | 0:27:41 | 0:27:42 | |
He'll lose at things later in life when I can't control that for him, | 0:27:42 | 0:27:45 | |
but for this game of snap, I can let him win, can't I? | 0:27:45 | 0:27:48 | |
But it turns out that my reflexes aren't as sentimental... | 0:27:48 | 0:27:54 | |
as me. | 0:27:54 | 0:27:56 | |
So, a diplodocus goes down, and then another diplodocus, | 0:27:56 | 0:27:59 | |
and before I kind of know what's happening, I'm like, "Snap! | 0:27:59 | 0:28:02 | |
"Snap! Ha-ha!" | 0:28:02 | 0:28:05 | |
Right in his face. | 0:28:06 | 0:28:08 | |
Starts crying. | 0:28:09 | 0:28:10 | |
You're like, "Oh, grow some, babe. | 0:28:10 | 0:28:12 | |
"Snap's snap. | 0:28:12 | 0:28:13 | |
"Life's a bitch, and so's your mum. Shuffle." | 0:28:14 | 0:28:18 | |
APPLAUSE | 0:28:18 | 0:28:20 | |
It's not nice. | 0:28:20 | 0:28:21 | |
I shouldn't. I should be a nicer... | 0:28:22 | 0:28:25 | |
I should be a nicer mum. | 0:28:25 | 0:28:27 | |
But I love them. You love them so much. | 0:28:27 | 0:28:29 | |
You love them so much and it's hard to manage that amount of love. | 0:28:29 | 0:28:33 | |
Especially at this time of year, you want it to be magical. | 0:28:33 | 0:28:36 | |
It's going to be magical. | 0:28:36 | 0:28:37 | |
And I'd collect every memento of their childhood. | 0:28:37 | 0:28:39 | |
That's a way of managing, isn't it? | 0:28:39 | 0:28:40 | |
Your affection for them. Collect everything, collect everything. | 0:28:40 | 0:28:43 | |
I got millions of photographs of them. | 0:28:43 | 0:28:45 | |
Millions of the first one, a lot less of the second one. | 0:28:45 | 0:28:47 | |
And collect all their teeth. | 0:28:47 | 0:28:50 | |
I got all their baby teeth - | 0:28:50 | 0:28:51 | |
which is a weird tradition if you properly think about it. | 0:28:51 | 0:28:54 | |
I've got a drawer full of human child's teeth... | 0:28:54 | 0:28:58 | |
at home. But you just got to get it all, haven't you? | 0:28:58 | 0:29:00 | |
Collect it all. The bits of their hair from their little haircuts | 0:29:00 | 0:29:03 | |
and their little baby shoes and the little drawings they do. | 0:29:03 | 0:29:05 | |
And you collect it, collect it. I feel like a sort of Disney witch. | 0:29:05 | 0:29:08 | |
"Collect the child! Collect the child! | 0:29:08 | 0:29:10 | |
"Keep the child! Keep their teeth! Keep their shoes! | 0:29:10 | 0:29:12 | |
"Keep their shoes. Keep the child. | 0:29:12 | 0:29:15 | |
"Love the child..." | 0:29:15 | 0:29:17 | |
It does make you sort of think, | 0:29:17 | 0:29:18 | |
"What am I going to do with all this shit?" | 0:29:18 | 0:29:21 | |
I could sort of make a voodoo effigy of them, couldn't I? | 0:29:23 | 0:29:26 | |
As a disciplining technique when they're older. | 0:29:26 | 0:29:29 | |
Giving me backchat. "You be back by ten, yeah?" | 0:29:29 | 0:29:31 | |
"Yeah, whatever, Mum. | 0:29:31 | 0:29:33 | |
"No, Mummy, not the voodoo!" | 0:29:35 | 0:29:37 | |
"Pull the child! Pull the child! | 0:29:38 | 0:29:41 | |
"Keep the child, cage the child!" | 0:29:41 | 0:29:44 | |
It is weird, that bit. | 0:29:47 | 0:29:49 | |
Our washing machine broke down the other week. | 0:29:51 | 0:29:53 | |
I could have done without a washing machine breaking down | 0:29:53 | 0:29:55 | |
a week before Christmas, | 0:29:55 | 0:29:57 | |
because I'm like, "Right, I've got to go to Currys now. | 0:29:57 | 0:29:59 | |
"I'll pop to Currys and I'll buy a new washing machine." | 0:29:59 | 0:30:01 | |
Because you know when you've got something a bit crap to do, | 0:30:01 | 0:30:04 | |
you think, "If I say pop, that'll speed it up, won't it?" | 0:30:04 | 0:30:07 | |
But it doesn't. "Pop", "nip" and "zip" do not bend time. | 0:30:08 | 0:30:12 | |
Just to let you know that. | 0:30:12 | 0:30:13 | |
You would be better off clearing a morning. | 0:30:13 | 0:30:16 | |
I got down to Currys and there's hundreds of washing machines. | 0:30:16 | 0:30:19 | |
Because there are, aren't they? Because we live in the West, | 0:30:19 | 0:30:22 | |
we live in the First World, where we celebrate choice. | 0:30:22 | 0:30:24 | |
But choice is only an advantage if you're a decisive person, isn't it? | 0:30:24 | 0:30:29 | |
I'd prefer it if there was a choice of two - | 0:30:29 | 0:30:31 | |
a shit one and a slightly better than shit one. | 0:30:31 | 0:30:34 | |
To create the illusion of value for money, | 0:30:35 | 0:30:37 | |
I'd be quite happy with that. | 0:30:37 | 0:30:39 | |
I didn't know... I don't like shopping. | 0:30:39 | 0:30:41 | |
I don't enjoy it as an activity. | 0:30:41 | 0:30:42 | |
Some people do, but I don't. | 0:30:42 | 0:30:43 | |
I get a bit overwhelmed, I can't form opinions. | 0:30:43 | 0:30:46 | |
Especially if I'm with the pasta Nazis. | 0:30:46 | 0:30:47 | |
I don't... | 0:30:47 | 0:30:49 | |
I don't... I don't... I can't decide on anything, | 0:30:50 | 0:30:52 | |
so I'm looking at all these washing machines | 0:30:52 | 0:30:54 | |
thinking, "Well, I don't know." | 0:30:54 | 0:30:56 | |
So, then I went and sat in the car | 0:30:56 | 0:30:58 | |
and I read reviews of washing machines. | 0:30:58 | 0:31:01 | |
I don't want a life where I'm reading a review | 0:31:01 | 0:31:04 | |
of a washing machine. | 0:31:04 | 0:31:06 | |
I don't mind reading a review of a book or a film, | 0:31:06 | 0:31:08 | |
but not a washing machine. | 0:31:08 | 0:31:11 | |
Who writes reviews of washing machines? | 0:31:11 | 0:31:14 | |
I mean, you get asked to write reviews most days. | 0:31:14 | 0:31:16 | |
You buy a thing and they get your e-mail address | 0:31:16 | 0:31:18 | |
and then they send you an e-mail, "Will you write a little review? | 0:31:18 | 0:31:20 | |
"Will you write a little review | 0:31:20 | 0:31:22 | |
"about that bit of shit you bought last Thursday? | 0:31:22 | 0:31:24 | |
"How do you feel about that bit of shit you bought last Thursday? | 0:31:24 | 0:31:26 | |
"What are your feelings about it as a consumer? | 0:31:26 | 0:31:28 | |
"How would you rate it out of ten? Put the kettle on, | 0:31:28 | 0:31:30 | |
"have a cup of tea and think about how you feel | 0:31:30 | 0:31:32 | |
"about that bit of shit you bought last Thursday." | 0:31:32 | 0:31:34 | |
My plumber asked me to write a review for his website. | 0:31:35 | 0:31:38 | |
I was like, "Well, what do you want me to say, Dean? | 0:31:38 | 0:31:40 | |
"Brilliant flange sprockets. | 0:31:40 | 0:31:42 | |
"I flushed all night." | 0:31:42 | 0:31:44 | |
So, I bought one, right? | 0:31:46 | 0:31:48 | |
I bought a washing machine, | 0:31:48 | 0:31:50 | |
and it lives with us now, it's in our house - | 0:31:50 | 0:31:52 | |
but I've got more choices to make | 0:31:52 | 0:31:54 | |
because it's got millions and millions of settings on it. | 0:31:54 | 0:31:56 | |
It's got a sports wash, a daily wash, an eco-wash, a power wash. | 0:31:56 | 0:32:00 | |
Just clean it! | 0:32:00 | 0:32:03 | |
It's got an iron-free option. | 0:32:03 | 0:32:06 | |
Why would I not choose that? | 0:32:06 | 0:32:09 | |
Who chooses to iron? | 0:32:09 | 0:32:12 | |
It's got an economy-intense option. | 0:32:12 | 0:32:16 | |
That doesn't have any meaning. It has no meaning. | 0:32:16 | 0:32:19 | |
It's got a hand wash option. | 0:32:19 | 0:32:21 | |
On an automatic washing machine! | 0:32:21 | 0:32:24 | |
That might as well say, "Oh, you're a lazy bitch, aren't you? | 0:32:24 | 0:32:29 | |
"I'll do it. I'll do it. | 0:32:29 | 0:32:30 | |
"You take the weight off your feet, babe." | 0:32:30 | 0:32:34 | |
Got a passive aggressive washing machine. | 0:32:34 | 0:32:37 | |
It's got a silk-wash option. | 0:32:37 | 0:32:39 | |
I haven't got that many silks. | 0:32:39 | 0:32:40 | |
Nobody has. I've never heard anybody shouting, | 0:32:40 | 0:32:43 | |
"I'm going to do a silk wash! | 0:32:43 | 0:32:44 | |
"Have you got any silks that want doing?" | 0:32:44 | 0:32:48 | |
APPLAUSE | 0:32:48 | 0:32:50 | |
"Oh, hang on, I'll just go and check my kimono drawer. | 0:32:55 | 0:32:58 | |
"No, I'm all right for another week. You crack on." | 0:33:00 | 0:33:02 | |
Stuffing all your silks in. | 0:33:03 | 0:33:06 | |
"Ugh, I'm going to have to do two loads here, aren't I?" | 0:33:06 | 0:33:09 | |
You've been absolutely delightful. Have a wonderful Christmas. | 0:33:10 | 0:33:13 | |
Take care! | 0:33:13 | 0:33:14 | |
CHEERING AND APPLAUSE | 0:33:14 | 0:33:15 | |
Kerry Godliman, ladies and gentlemen! | 0:33:20 | 0:33:23 | |
Are you ready for your final act this evening? | 0:33:26 | 0:33:28 | |
AUDIENCE CHEERS | 0:33:28 | 0:33:29 | |
Brilliant - he is one of the most exciting acts around. | 0:33:31 | 0:33:33 | |
Please give it up for Spencer Jones! | 0:33:33 | 0:33:36 | |
MUSIC PLAYS | 0:33:36 | 0:33:38 | |
Hey, hey! | 0:33:44 | 0:33:47 | |
Wahey! | 0:33:47 | 0:33:48 | |
HE SINGS ALONG | 0:33:51 | 0:33:53 | |
MUSIC STOPS | 0:33:53 | 0:33:54 | |
-All right? -AUDIENCE: -Yeah! | 0:33:54 | 0:33:56 | |
Merry Christmas. | 0:33:56 | 0:33:58 | |
ELECTRONIC BEAT STARTS | 0:34:00 | 0:34:02 | |
"I don't know what I'm looking at!" | 0:34:05 | 0:34:07 | |
Some people... | 0:34:12 | 0:34:13 | |
..like my brother, he's a fireman. | 0:34:15 | 0:34:17 | |
Yeah. | 0:34:17 | 0:34:19 | |
That's good, innit? Yeah, yeah, yeah. | 0:34:19 | 0:34:21 | |
Other people, yeah, like my cousin, yeah, he... | 0:34:21 | 0:34:25 | |
he makes T-shirts, yeah? | 0:34:25 | 0:34:28 | |
All right? | 0:34:28 | 0:34:29 | |
Me... | 0:34:30 | 0:34:32 | |
..I'm a dickhead. | 0:34:34 | 0:34:35 | |
Dickhead, dickhead, dickhead, dickhead, dickhead, | 0:34:35 | 0:34:38 | |
dickhead, dickhead... | 0:34:38 | 0:34:40 | |
SAMPLE LOOPS | 0:34:40 | 0:34:42 | |
Yah! | 0:34:52 | 0:34:53 | |
Hoi! Oh! | 0:34:53 | 0:34:56 | |
How'd he do that? | 0:34:56 | 0:34:58 | |
Wow! | 0:34:58 | 0:35:01 | |
You... You stroke him? Stand, stand. | 0:35:01 | 0:35:03 | |
Gentle, gentle, gentle. | 0:35:03 | 0:35:06 | |
Ooh, He's not sure. | 0:35:06 | 0:35:07 | |
OK. He don't like it. | 0:35:09 | 0:35:11 | |
He don't like it. | 0:35:11 | 0:35:13 | |
Do magic. Go, hi-yah. | 0:35:13 | 0:35:15 | |
Hi-yah. | 0:35:15 | 0:35:16 | |
Ooh! | 0:35:18 | 0:35:20 | |
Hello! | 0:35:20 | 0:35:22 | |
Ah, ah, ah, ah, ah... | 0:35:31 | 0:35:35 | |
SAMPLE LOOPS | 0:35:35 | 0:35:37 | |
Agh, ya... Ohh... Ay, ay, ay. | 0:36:14 | 0:36:17 | |
That's sore, sore, sore, sore. | 0:36:17 | 0:36:19 | |
Sore, sore, sore, sore, sore, s-sore, sore, sore. | 0:36:19 | 0:36:23 | |
Sore, sore, sore, sore, sore, s-sore, sore, sore. | 0:36:23 | 0:36:28 | |
SAMPLE LOOPS | 0:36:28 | 0:36:29 | |
Nothing there. Nothing there. | 0:37:06 | 0:37:08 | |
How you doing, all right? | 0:37:10 | 0:37:11 | |
-AUDIENCE: -Yeah! | 0:37:11 | 0:37:12 | |
Merry Christmas! | 0:37:12 | 0:37:14 | |
Whoo! | 0:37:14 | 0:37:16 | |
Ooh, I won a goldfish! Wahey! | 0:37:16 | 0:37:18 | |
WOLF WHISTLE | 0:37:24 | 0:37:25 | |
Thank you. | 0:37:25 | 0:37:27 | |
APPLAUSE | 0:37:32 | 0:37:34 | |
HE WHISTLES "O Tannenbaum" | 0:37:42 | 0:37:45 | |
Yeah, yeah? | 0:37:52 | 0:37:54 | |
APPLAUSE | 0:37:54 | 0:37:55 | |
Permanent marker. | 0:37:59 | 0:38:00 | |
"Can we go swimming, Daddy?" | 0:38:02 | 0:38:05 | |
Not for a couple of weeks, mate. | 0:38:05 | 0:38:07 | |
Just whistle? | 0:38:08 | 0:38:09 | |
Oh, no. | 0:38:09 | 0:38:11 | |
HE HUMS | 0:38:11 | 0:38:13 | |
HE WHISTLES | 0:38:14 | 0:38:15 | |
I can vote. | 0:38:18 | 0:38:20 | |
APPLAUSE | 0:38:21 | 0:38:23 | |
Well, yeah. | 0:38:26 | 0:38:28 | |
What's this here, look? | 0:38:29 | 0:38:31 | |
Whose is it? Can I have a go with that? | 0:38:31 | 0:38:33 | |
Is that all right? See that? | 0:38:33 | 0:38:35 | |
The old... You know, the old... | 0:38:35 | 0:38:37 | |
They do, don't they? Yeah. | 0:38:39 | 0:38:41 | |
"That's going." | 0:38:43 | 0:38:44 | |
What else is there? | 0:38:46 | 0:38:48 | |
The old, erm... | 0:38:49 | 0:38:51 | |
HE WHISTLES | 0:38:51 | 0:38:53 | |
APPLAUSE | 0:39:06 | 0:39:08 | |
Nothing to do with... Nothing doing. | 0:39:08 | 0:39:11 | |
-Oh, do you want to meet my son? -ALL: -Yeah! | 0:39:18 | 0:39:21 | |
Do want to see my son? Yeah, yeah, yeah, yeah? | 0:39:21 | 0:39:23 | |
Son. | 0:39:23 | 0:39:25 | |
All right, mate? Come out. Yeah, yeah, yeah. | 0:39:27 | 0:39:31 | |
Hey-hey-hey, hey-hey-hey, hey-hey-hey-hey-hey. | 0:39:33 | 0:39:36 | |
All right, mate. OK. | 0:39:38 | 0:39:40 | |
Chill out, mate. | 0:39:40 | 0:39:42 | |
He's at that age, you know? | 0:39:43 | 0:39:45 | |
Very aggressive. All right, mate. | 0:39:45 | 0:39:47 | |
Chill out. Don't know if he's hungry or tired or whatever. | 0:39:47 | 0:39:50 | |
He's like - come on, mate. Took him to the doctor's. | 0:39:50 | 0:39:52 | |
You know, doctor's like, "It's normal." | 0:39:52 | 0:39:54 | |
It's not normal! Look at him, he's going mad! | 0:39:54 | 0:39:56 | |
Look at that. | 0:39:56 | 0:39:58 | |
They think he's angry. | 0:39:58 | 0:40:00 | |
Because he's got a very long neck. | 0:40:00 | 0:40:05 | |
He can't scratch his ears. | 0:40:07 | 0:40:08 | |
Yeah. | 0:40:11 | 0:40:12 | |
You all right, mate? | 0:40:14 | 0:40:15 | |
Yeah? | 0:40:17 | 0:40:19 | |
Did you have a nice time on the helicopter? | 0:40:19 | 0:40:21 | |
Mate? Son? | 0:40:26 | 0:40:28 | |
Aah! Where's my body? | 0:40:28 | 0:40:29 | |
It's something, innit? | 0:40:29 | 0:40:31 | |
It's something, innit? It's something. | 0:40:31 | 0:40:33 | |
Full-on, though. You know? | 0:40:33 | 0:40:35 | |
Sometimes, I just go in the downstairs loo | 0:40:35 | 0:40:37 | |
just to get away from it. | 0:40:37 | 0:40:39 | |
But it's boring, isn't it? | 0:40:43 | 0:40:45 | |
Sitting in a downstairs loo if you're not doing a poo. | 0:40:45 | 0:40:47 | |
What you can do, little tip... | 0:40:51 | 0:40:52 | |
Everyone's got one of them, haven't they? | 0:40:54 | 0:40:56 | |
-You know, the old... -HE WHISTLES | 0:40:56 | 0:40:57 | |
Yeah? | 0:40:57 | 0:40:58 | |
Get that. What I do is, little tip, put a bit of gaffer... | 0:40:58 | 0:41:02 | |
put that up like that. Yeah. | 0:41:02 | 0:41:04 | |
And then... | 0:41:04 | 0:41:06 | |
"Hello. | 0:41:06 | 0:41:07 | |
"Where have you been?" Oh, I've been busy, mate. | 0:41:08 | 0:41:12 | |
What you can do... | 0:41:12 | 0:41:13 | |
Everyone's got a fox's tail, haven't they? | 0:41:13 | 0:41:16 | |
You stick that in there... | 0:41:19 | 0:41:21 | |
Nice lady. "Steve! | 0:41:21 | 0:41:24 | |
"I'm waiting." | 0:41:24 | 0:41:26 | |
What you can do is put that up like that. | 0:41:26 | 0:41:28 | |
Like that. | 0:41:28 | 0:41:29 | |
Trump. | 0:41:31 | 0:41:33 | |
APPLAUSE | 0:41:33 | 0:41:34 | |
"I'm going to build a wall." | 0:41:42 | 0:41:44 | |
Course you are, mate. | 0:41:44 | 0:41:46 | |
What you can do, yeah, put that there. | 0:41:46 | 0:41:49 | |
Put that there like that. Yeah? | 0:41:49 | 0:41:51 | |
And then like that. | 0:41:51 | 0:41:52 | |
But you put him there like that. | 0:41:52 | 0:41:54 | |
And he's like, "Where to, mate?" | 0:41:54 | 0:41:56 | |
Plumstead, please, mate. | 0:41:57 | 0:41:59 | |
"Been working?" | 0:42:01 | 0:42:02 | |
Yeah, yeah. | 0:42:02 | 0:42:03 | |
"Oh, yeah? What do you do?" | 0:42:05 | 0:42:07 | |
What is this? | 0:42:07 | 0:42:08 | |
I think it's comedy. | 0:42:12 | 0:42:14 | |
"Oh, comedian." Yeah. | 0:42:15 | 0:42:16 | |
Watch the road! | 0:42:16 | 0:42:18 | |
"Here's one for you." Yeah? | 0:42:18 | 0:42:20 | |
"Why don't you get household objects." | 0:42:21 | 0:42:25 | |
Yeah? | 0:42:25 | 0:42:27 | |
"Make them talk." | 0:42:27 | 0:42:29 | |
Oh, yeah! | 0:42:29 | 0:42:31 | |
Yeah, like a ventriloquist. Yeah. | 0:42:31 | 0:42:33 | |
"Yeah, like a ventriloquist." | 0:42:33 | 0:42:35 | |
Like Nina Conti. She's amazing, isn't she? | 0:42:35 | 0:42:37 | |
When she puts the mouth on the people. | 0:42:37 | 0:42:39 | |
"Yeah, SHE'S good. | 0:42:39 | 0:42:40 | |
"She's a good ventriloquist." | 0:42:45 | 0:42:46 | |
All right, mate, chill out. | 0:42:46 | 0:42:47 | |
Clean it. "No!" | 0:42:47 | 0:42:48 | |
APPLAUSE | 0:42:51 | 0:42:52 | |
I'm 38. | 0:42:57 | 0:42:59 | |
Quick impression? | 0:43:06 | 0:43:07 | |
-ALL: -Yes! | 0:43:07 | 0:43:08 | |
This is a posh lady falling to her death. | 0:43:08 | 0:43:12 | |
"Oh, my God! Waah!" | 0:43:13 | 0:43:17 | |
APPLAUSE | 0:43:18 | 0:43:20 | |
Thank you very, very much. | 0:43:23 | 0:43:24 | |
Have a lovely Christmas, whatever you're doing. | 0:43:24 | 0:43:26 | |
Thank you very much for having me. Thank you, thank you, thank you. | 0:43:26 | 0:43:28 | |
Oi-oi! Wahey! | 0:43:28 | 0:43:31 | |
Spencer Jones, ladies and gentlemen. | 0:43:34 | 0:43:36 | |
AUDIENCE CHEERS | 0:43:36 | 0:43:38 | |
Please, can you give it up for our acts this evening? | 0:43:38 | 0:43:40 | |
Give it up for Kerry Godliman! AUDIENCE CHEERS | 0:43:40 | 0:43:43 | |
Seann Walsh! AUDIENCE CHEERS | 0:43:43 | 0:43:45 | |
And, of course, the brilliant Spencer Jones! | 0:43:45 | 0:43:47 | |
AUDIENCE CHEERS | 0:43:47 | 0:43:48 | |
I'll see you next time - merry Christmas, goodnight! | 0:43:48 | 0:43:51 |