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This programme contains some strong language | 0:00:02 | 0:00:08 | |
Ladies and gentlemen, | 0:00:17 | 0:00:20 | |
please welcome your host for tonight... | 0:00:20 | 0:00:22 | |
APPLAUSE AND CHEERING | 0:00:24 | 0:00:26 | |
MUSIC: Somebody Told Me by The Killers | 0:00:26 | 0:00:28 | |
Good evening and welcome to Live at the Apollo! | 0:00:34 | 0:00:37 | |
CHEERING | 0:00:37 | 0:00:39 | |
-Are you well? AUDIENCE: -Yes! -Excellent. | 0:00:40 | 0:00:43 | |
I'm glad. I'm also well. I'd a migraine a few weeks ago. | 0:00:43 | 0:00:46 | |
I don't get them often enough to worry about, but I do get them now and again. I thought, | 0:00:46 | 0:00:49 | |
"I'll go on Twitter. I'll ask people on Twitter how they get rid of their migraines." | 0:00:49 | 0:00:53 | |
Give us a cheer if you are on Twitter. | 0:00:53 | 0:00:55 | |
CHEERING | 0:00:55 | 0:00:56 | |
I got the usual sort of expected responses, | 0:00:56 | 0:00:58 | |
and then my favourite one came up. | 0:00:58 | 0:01:00 | |
It said, "Two Nurofen and a wank." | 0:01:00 | 0:01:02 | |
And it totally worked. | 0:01:05 | 0:01:07 | |
If anything, it just pushed the throbbing down a bit. | 0:01:08 | 0:01:11 | |
Thanks, @BootsTheChemist. | 0:01:12 | 0:01:13 | |
About a year ago, I had a sore throat for a bit too long. | 0:01:16 | 0:01:18 | |
I went to see my doctor. My doctor sent me to see a specialist - | 0:01:18 | 0:01:20 | |
an ear, nose and throat specialist. | 0:01:20 | 0:01:22 | |
I said, "OK." So off I go to see this fella, lovely fella he was. | 0:01:22 | 0:01:25 | |
He said to me, "Do you suffer from acid reflux?" I said, "No." | 0:01:25 | 0:01:28 | |
And then, when I got home, | 0:01:28 | 0:01:29 | |
I realised I should have said yes, cos my husband and I eat so many | 0:01:29 | 0:01:32 | |
Rennies that we call them bathroom sweets. | 0:01:32 | 0:01:35 | |
He said, "I'd like you to take Gaviscon after every meal." | 0:01:35 | 0:01:38 | |
I said, "After every meal, or every time I've eaten?" | 0:01:38 | 0:01:40 | |
Cos those two are very different numbers. | 0:01:40 | 0:01:43 | |
He said, "What I'd like to do is put a camera down your throat so we can | 0:01:43 | 0:01:45 | |
"have a proper look at what we're dealing with." | 0:01:45 | 0:01:47 | |
I thought, "This is the bit where he sends me away and I | 0:01:47 | 0:01:50 | |
"come back in six months with a new appointment." He went, | 0:01:50 | 0:01:52 | |
"No, no, we can do that now." "Oh, shit!" | 0:01:52 | 0:01:55 | |
So he got out this contraption, metal like this and metal like this. | 0:01:55 | 0:01:58 | |
The main thing you need to know is that it's very rigid - | 0:01:58 | 0:02:00 | |
-none of it moves - so -I -had to move because it wouldn't move. | 0:02:00 | 0:02:03 | |
And he put it down my throat and I instantly gagged. | 0:02:03 | 0:02:06 | |
SHE IMITATES GAGGING | 0:02:06 | 0:02:07 | |
And he pulled it out and said, "Are you going to be OK with this?" | 0:02:07 | 0:02:10 | |
And I went, "Yes." | 0:02:10 | 0:02:12 | |
And then he put it back in. | 0:02:12 | 0:02:14 | |
SHE IMITATES GAGGING I was mortified. | 0:02:14 | 0:02:15 | |
He said, "Do me a favour - | 0:02:15 | 0:02:17 | |
"the next time you think you're going to gag, do this." | 0:02:17 | 0:02:20 | |
Ee-e-e-e-e-e-e. | 0:02:20 | 0:02:21 | |
I said, "Why?" He said, "It stops you gagging." | 0:02:22 | 0:02:24 | |
And I thought, "Noted." | 0:02:24 | 0:02:26 | |
LOUD LAUGHTER | 0:02:26 | 0:02:28 | |
APPLAUSE | 0:02:31 | 0:02:33 | |
My husband's going to think he's | 0:02:37 | 0:02:38 | |
being sucked off by a Geordie pensioner. | 0:02:38 | 0:02:40 | |
Ee-e-e-e! | 0:02:42 | 0:02:43 | |
Who knows? Some day, he might be. | 0:02:44 | 0:02:47 | |
No, I meant that we're pensioners - | 0:02:47 | 0:02:49 | |
I don't mean, like, for a present. | 0:02:49 | 0:02:51 | |
Come on in, Doris, he's ready for his gift now. | 0:02:51 | 0:02:53 | |
SINGS: "Happy birthday to ee-e-e-e-e." | 0:02:53 | 0:02:56 | |
I've got pets. I've got two cats and a dog. | 0:02:58 | 0:03:01 | |
I'll tell you about those. My cats, they don't always get on. | 0:03:01 | 0:03:03 | |
Sometimes, they kind of chase each other, | 0:03:03 | 0:03:05 | |
it looks a little bit aggressive, | 0:03:05 | 0:03:07 | |
so what I do to break that up to kind of distract them is we use | 0:03:07 | 0:03:09 | |
a laser pen - you will have seen these. | 0:03:09 | 0:03:11 | |
So the cats will be chasing each other round then one or both of them | 0:03:11 | 0:03:14 | |
will become transfixed by a little red dot that has appeared on | 0:03:14 | 0:03:17 | |
the ceiling or the walls or the floor. | 0:03:17 | 0:03:19 | |
And it's so effective that we've started using it | 0:03:19 | 0:03:21 | |
in our own relationship. | 0:03:21 | 0:03:23 | |
So I'll be saying something like, "All I want you to do when you've | 0:03:24 | 0:03:27 | |
"finished with your wet towels is put them in the... Ooh! Ooh! Ooh!" | 0:03:27 | 0:03:30 | |
But whenever you introduce a new cat a household that already has a | 0:03:32 | 0:03:34 | |
cat, there's always a bit of aggro while they work out the hierarchy, | 0:03:34 | 0:03:37 | |
then it settles down. The day I knew our two were going to be OK with | 0:03:37 | 0:03:40 | |
each other was the day that I walked into our bedroom | 0:03:40 | 0:03:43 | |
and they were lying on the bed like that. | 0:03:43 | 0:03:45 | |
They weren't quite spooning, but it was good enough for me. | 0:03:45 | 0:03:48 | |
I tried to come in behind them. "Big Mama Spoon's getting on." | 0:03:48 | 0:03:51 | |
"I'll be the ladle." I don't know what that means. | 0:03:52 | 0:03:55 | |
And for about two minutes, it was utter perfection, | 0:03:55 | 0:03:57 | |
and then Brodie leaned over to Ripley, the little girl cat, | 0:03:57 | 0:04:00 | |
and just started licking her arsehole. | 0:04:00 | 0:04:02 | |
I don't think Mama Spoon's supposed to be here for this. | 0:04:03 | 0:04:06 | |
She was brilliant. She was lying with her legs shut like that. | 0:04:06 | 0:04:08 | |
As soon as he started licking her arsehole, she went, | 0:04:08 | 0:04:10 | |
"Ah, that's lovely." | 0:04:10 | 0:04:12 | |
I turned 41 this year. | 0:04:14 | 0:04:15 | |
I like being in my 40s. Give us a cheer if you are 40 and above. | 0:04:15 | 0:04:19 | |
SCATTERED CHEERING I like it. | 0:04:19 | 0:04:21 | |
I don't give a shit about unimportant things any more. | 0:04:21 | 0:04:23 | |
I think that's what it boils down to. | 0:04:23 | 0:04:25 | |
Quite a few things changed when I turned 40 last year. | 0:04:25 | 0:04:27 | |
One of the things that changed is | 0:04:27 | 0:04:29 | |
that I've stopped sniffing me leggings. | 0:04:29 | 0:04:31 | |
AUDIENCE LAUGHS AND MURMURS | 0:04:32 | 0:04:34 | |
I used to sniff them to see if I could get another day out of them. | 0:04:37 | 0:04:40 | |
Whereas now, I just assume that I can. | 0:04:42 | 0:04:45 | |
But I read on a proper form - a proper official document - recently | 0:04:48 | 0:04:51 | |
the term "women's problems". | 0:04:51 | 0:04:53 | |
And I thought, in 2016, really, it says "women's problems"? | 0:04:53 | 0:04:56 | |
I thought, why doesn't it just say periods and menstruation? | 0:04:56 | 0:04:59 | |
There's nothing wrong with those words, nothing wrong with the actual thing. | 0:04:59 | 0:05:02 | |
It's perfectly normal, it's natural, nothing to be ashamed of, | 0:05:02 | 0:05:05 | |
it's part of life. Seems peculiar to me. | 0:05:05 | 0:05:07 | |
So what I've decided to do, and you can come with me if you like, | 0:05:07 | 0:05:09 | |
I've decided to bypass the word "periods", | 0:05:09 | 0:05:11 | |
if people find it so offensive, and I'm going to say this instead... | 0:05:11 | 0:05:15 | |
So if somebody says to me, "Are you all right?" | 0:05:15 | 0:05:17 | |
I'm going to go, "Ugh, I'm clotting." | 0:05:17 | 0:05:19 | |
See, the word period isn't so bad now, is it? No! | 0:05:25 | 0:05:28 | |
But a lot of the euphemisms for periods are really horrible. | 0:05:32 | 0:05:35 | |
It's such a bad reflection of how normal it is. So if clotting horrifies you, I get it. | 0:05:35 | 0:05:39 | |
So I made up another one - a bit lighter, a bit more playful. | 0:05:39 | 0:05:42 | |
Perhaps this will appeal to you more. This is it - | 0:05:42 | 0:05:44 | |
it's WI week, because I'm making jam. | 0:05:44 | 0:05:47 | |
Do you get it? Do you get it? AUDIENCE GROANS | 0:05:47 | 0:05:51 | |
Some of you are more horrified by that than you were by clotting, | 0:05:51 | 0:05:54 | |
and I think I have ruined afternoon teas for everyone. | 0:05:54 | 0:05:57 | |
Sorry about that. | 0:05:59 | 0:06:00 | |
I read a really good statistic that said that 67% of women - | 0:06:00 | 0:06:05 | |
so two thirds of women - don't bath or shower every day. | 0:06:05 | 0:06:09 | |
And my first reaction, because I bath or shower every day, | 0:06:09 | 0:06:12 | |
my first reaction was, "That's disgusting." | 0:06:12 | 0:06:14 | |
My second reaction was to start sniffing my friends. | 0:06:14 | 0:06:17 | |
And my third reaction was, "Well, if they're not doing it, | 0:06:18 | 0:06:21 | |
"I'm not going to do it." | 0:06:21 | 0:06:23 | |
I do mostly bath or shower every day but, every now and again, | 0:06:23 | 0:06:26 | |
if I'm running late or I've got an early appointment or I've slept in, | 0:06:26 | 0:06:28 | |
anything like that, I'll do instead | 0:06:28 | 0:06:30 | |
what my mum would refer to as a flannel job. | 0:06:30 | 0:06:32 | |
This is a good tip for the women in the room who do have pubic hair. | 0:06:33 | 0:06:36 | |
The next time you do a flannel job, if you do it in a circular motion, | 0:06:36 | 0:06:39 | |
you can Afro it right up, it's really fun. | 0:06:39 | 0:06:41 | |
Proper bouffant going, if you like. | 0:06:42 | 0:06:45 | |
That's not a joke. That's just a tip for you to take home and try. | 0:06:45 | 0:06:48 | |
In a room of this size, | 0:06:48 | 0:06:49 | |
at least 40 or 50 women tomorrow morning will be like, | 0:06:49 | 0:06:51 | |
"I'm going to give it a go, I'm going to give it a go." | 0:06:51 | 0:06:53 | |
Ugh, massive pants. | 0:06:55 | 0:06:57 | |
Oh, yeah. I went for a massage. | 0:06:59 | 0:07:01 | |
Give us a cheer if you've ever been for a massage. | 0:07:01 | 0:07:03 | |
CHEERING See, I don't like it. | 0:07:03 | 0:07:05 | |
I like the bit at the end where I feel all floppy and relaxed, | 0:07:05 | 0:07:08 | |
that bit where I'm like, "I might never wear a bra again." | 0:07:08 | 0:07:11 | |
I don't like the actual activity itself. | 0:07:12 | 0:07:14 | |
I feel very uncomfortable being in front of a stranger just | 0:07:14 | 0:07:18 | |
in my pants. So what happens is I book the massage, | 0:07:18 | 0:07:20 | |
I get so stressed and tense on the build-up to the massage that the | 0:07:20 | 0:07:23 | |
best you can do at the massage | 0:07:23 | 0:07:25 | |
is get me back down to the level of stress I was at | 0:07:25 | 0:07:28 | |
before I booked the massage. | 0:07:28 | 0:07:30 | |
Now, one thing they do in those appointments that I don't like | 0:07:30 | 0:07:32 | |
is when they teach you how to breathe. They do that, don't they? | 0:07:32 | 0:07:35 | |
Like, "I'm 41. The breathing's been going pretty well, thanks." | 0:07:35 | 0:07:38 | |
But they do that, don't they? They go, "And breathe in." | 0:07:39 | 0:07:42 | |
SHE INHALES | 0:07:42 | 0:07:44 | |
SHE EXHALES | 0:07:44 | 0:07:46 | |
"And breathe out." I could have died! | 0:07:54 | 0:07:57 | |
I could have died if I'd waited for her. | 0:07:57 | 0:07:59 | |
The last massage I had, she said, "This is an aromatherapy massage." | 0:08:01 | 0:08:04 | |
I said, "That's correct." "I've got three different oils. | 0:08:04 | 0:08:06 | |
"I want you to smell each one, pick the one you like the best, | 0:08:06 | 0:08:09 | |
"and we'll use that one." "Champion." | 0:08:09 | 0:08:10 | |
She unscrewed the lid off the first one, wafted it in front of my nose. | 0:08:10 | 0:08:13 | |
I said, "Is that Eucalyptus? Eucalyptus? Like a menthol? | 0:08:13 | 0:08:16 | |
"Like a menthol? Is it menthol? Is it menthol? Is it menthol? | 0:08:16 | 0:08:18 | |
"Like a mint? Is it mint? Is it mint? Is it mint? Is it mint?" | 0:08:18 | 0:08:21 | |
She said, "You don't have to guess what it is." | 0:08:21 | 0:08:23 | |
The second one, she wafted it in front my nose, I said, | 0:08:23 | 0:08:26 | |
"Is that lemon? Is it lemon? Is it lemon? Is it lemon? | 0:08:26 | 0:08:28 | |
"Is it like a citrus? Like a citrus? Like a citrus? Like a citrus? | 0:08:28 | 0:08:30 | |
"Like a general sort of citrus? Is it grapefruit? Is it grapefruit?" | 0:08:30 | 0:08:33 | |
She said "It's not a quiz". | 0:08:33 | 0:08:35 | |
The third one, she wafted in front of my nose, and I did like it but | 0:08:36 | 0:08:38 | |
I didn't know what it was. I said, "I'll have that one." | 0:08:38 | 0:08:41 | |
She said, "Good." She read the label on the bottle, | 0:08:41 | 0:08:43 | |
she said, "That's happy". | 0:08:43 | 0:08:44 | |
And I thought, "I was never going to win the quiz, was I?!" | 0:08:44 | 0:08:48 | |
My worst bit of a massage is the bit, in a full body massage, | 0:08:49 | 0:08:51 | |
where they make you turn over on the table, | 0:08:51 | 0:08:54 | |
cos the tables are very narrow, and I am not. | 0:08:54 | 0:08:56 | |
They do at least hold the towel up, don't they, | 0:08:56 | 0:08:59 | |
so you can flubber, flubber, flubber over, then plank it, | 0:08:59 | 0:09:02 | |
or so I thought. | 0:09:02 | 0:09:03 | |
The last one, she held the towel up, I flubber, flubber, flubbered over. | 0:09:03 | 0:09:07 | |
I was almost in position when our eyes locked in the mirrored wall | 0:09:07 | 0:09:10 | |
at the end of the room. | 0:09:10 | 0:09:12 | |
My friend said to me, "That's not my worst bit of a massage." | 0:09:14 | 0:09:17 | |
I said, "What's your worst bit?" | 0:09:17 | 0:09:18 | |
"I don't like the bit where they pull your knickers down a bit." | 0:09:18 | 0:09:21 | |
I said, "They'd have to do that with me, otherwise they wouldn't get half me back." | 0:09:21 | 0:09:24 | |
I went for a massage with a friend of mine. | 0:09:29 | 0:09:31 | |
We were in the waiting area, and the woman came out and said, | 0:09:31 | 0:09:33 | |
"Ladies, ladies, ladies. Just to let you know that on staff today | 0:09:33 | 0:09:36 | |
"we have a male massage therapist. | 0:09:36 | 0:09:38 | |
"I was wondering if either of you would mind...?" | 0:09:38 | 0:09:40 | |
And my friend went, "I'll have him". | 0:09:40 | 0:09:42 | |
I said afterwards, "Look, you're single, you can always have the bloke if you want, | 0:09:42 | 0:09:46 | |
"but just let her finish her question first. | 0:09:46 | 0:09:48 | |
"Maybe leave it a second and then say, 'I suppose I don't mind,' | 0:09:48 | 0:09:52 | |
"rather than, 'I'll have him.' " | 0:09:52 | 0:09:54 | |
She came out of this massage with this huge beaming smile on her face. | 0:09:54 | 0:09:58 | |
I said, "Was it a good massage?" She said, "Oh, yeah." | 0:09:58 | 0:10:02 | |
I said, "That's good." She said, "I felt his erection." | 0:10:02 | 0:10:05 | |
We take turns to pay and it was my turn. | 0:10:05 | 0:10:07 | |
I thought, I'm not paying if she's had extras. | 0:10:07 | 0:10:10 | |
I said, "You felt his erection?" | 0:10:10 | 0:10:12 | |
She said "Yes, on me elbow." | 0:10:12 | 0:10:14 | |
Now, I don't know what your elbows are like, | 0:10:14 | 0:10:16 | |
but mine is like rhino skin. | 0:10:16 | 0:10:18 | |
I'd be hard pushed to tell hot from cold with mine. | 0:10:18 | 0:10:21 | |
That would be an excellent game show, wouldn't it? | 0:10:21 | 0:10:24 | |
"Cock or not? Cock or not?" | 0:10:24 | 0:10:26 | |
One thing I don't like - this might come across overly mean. | 0:10:31 | 0:10:33 | |
I hope it doesn't, but it might. | 0:10:33 | 0:10:35 | |
I don't like a skinny massage therapist. | 0:10:35 | 0:10:37 | |
The one I use at the moment is about my size, maybe a little bigger. | 0:10:37 | 0:10:40 | |
I don't like the skinny ones. They've never said anything to me, | 0:10:40 | 0:10:42 | |
but in my mind, when they're massaging me, they're doing this - | 0:10:42 | 0:10:45 | |
"Eurgh, eurgh, | 0:10:45 | 0:10:47 | |
"eurgh, eurgh." | 0:10:47 | 0:10:49 | |
"I'm going to need more time, it's a bigger surface area." | 0:10:50 | 0:10:54 | |
The whole time I'm being massaged there's an inner monologue going on | 0:10:57 | 0:10:59 | |
up here. Outside, I'm the picture of composure. | 0:10:59 | 0:11:01 | |
In here, it's going crazy - it depends on where she starts. | 0:11:01 | 0:11:04 | |
If she starts at the bottom, I'd be like, "Tickly feet, tickly feet. | 0:11:04 | 0:11:07 | |
"Oh, she's gone up to the bit where I've got broken veins, | 0:11:07 | 0:11:09 | |
"I don't like that bit. | 0:11:09 | 0:11:11 | |
"Oh, too close to me fanny! Too close to me fanny!" | 0:11:11 | 0:11:13 | |
So I'm lying there, covered in "happy". | 0:11:15 | 0:11:18 | |
LOUD LAUGHTER | 0:11:18 | 0:11:19 | |
Very different version of Snow White than we're used to, yes? | 0:11:21 | 0:11:24 | |
And the massage ends. | 0:11:29 | 0:11:31 | |
She did what they always do, she put like a chocolatey voice. | 0:11:31 | 0:11:35 | |
She said, "Just relax, there's plenty of time. | 0:11:35 | 0:11:38 | |
"There's no need for you to rush. | 0:11:38 | 0:11:40 | |
"Please just stay relaxed, there's so much time. | 0:11:40 | 0:11:43 | |
"I just want you to stay relaxed, there's no need for you to... | 0:11:43 | 0:11:46 | |
"Please just stay relaxed." | 0:11:46 | 0:11:48 | |
What she didn't know is I'd been dying for a fart for 40 minutes. | 0:11:48 | 0:11:51 | |
The door had barely clicked shut when I let out the loudest, | 0:11:53 | 0:11:56 | |
most trombonious fart you've ever heard in your life. | 0:11:56 | 0:11:59 | |
Remember, I was covered in oil. | 0:11:59 | 0:12:01 | |
It was like a Salvation Army band had popped in. | 0:12:04 | 0:12:07 | |
And I am right in the middle of potentially | 0:12:08 | 0:12:10 | |
the best fart of my life, | 0:12:10 | 0:12:12 | |
when she came back in with a glass of water. | 0:12:12 | 0:12:15 | |
And I half expected her to go, "Is that curry? Is that curry? | 0:12:16 | 0:12:19 | |
"Is it curry? Is that curry?" | 0:12:19 | 0:12:21 | |
And if she had, I'd have gone, "No, love, that's happy." | 0:12:27 | 0:12:31 | |
Are you ready for your first act? CHEERING | 0:12:32 | 0:12:35 | |
Your first act it is a good friend of mine | 0:12:36 | 0:12:38 | |
and he's one of my favourite comics and one of my favourite men. | 0:12:38 | 0:12:41 | |
Please give it up for the wonderful Mr Tom Allen. | 0:12:41 | 0:12:44 | |
CHEERING AND APPLAUSE | 0:12:44 | 0:12:46 | |
Hello, everyone, hello. | 0:13:00 | 0:13:02 | |
Are you well? CHEERING | 0:13:02 | 0:13:04 | |
Oh, good. Well, it's so wonderful to be here in, erm... | 0:13:04 | 0:13:09 | |
you know. | 0:13:09 | 0:13:11 | |
And...so I'm gay. | 0:13:12 | 0:13:15 | |
I don't know if I needed to explain that. | 0:13:17 | 0:13:19 | |
And if you've seen me before, I'm still gay. | 0:13:19 | 0:13:23 | |
The gay thing, it's getting worse. | 0:13:24 | 0:13:26 | |
And I'm completely gay - I've never tried it any other way. | 0:13:27 | 0:13:30 | |
I've never tried it with a woman. | 0:13:30 | 0:13:32 | |
I'm...I'm...I'm a thoroughbred. | 0:13:32 | 0:13:34 | |
I mean, really, I wouldn't know a vagina if it hit me in the face. | 0:13:36 | 0:13:40 | |
I mean, can they do that? Have they got hands? I've never seen one. | 0:13:40 | 0:13:43 | |
Though I have been twatted. | 0:13:44 | 0:13:46 | |
One of the most exciting things that happened to me, | 0:13:50 | 0:13:52 | |
when I was about eight years old... | 0:13:52 | 0:13:55 | |
I'm 33 now. | 0:13:55 | 0:13:57 | |
I know - Nivea. | 0:13:57 | 0:13:58 | |
But when I was about eight years old, in the early-to-mid-'90s - | 0:14:01 | 0:14:05 | |
the mid-John Major years, as we call them. | 0:14:05 | 0:14:08 | |
The most exciting thing that could happen to probably anybody | 0:14:08 | 0:14:11 | |
during that time - and lord knows there weren't many exciting things | 0:14:11 | 0:14:14 | |
unless you were Edwina Currie... | 0:14:14 | 0:14:15 | |
But the most exciting thing that could happen to you during that time | 0:14:17 | 0:14:20 | |
would be that your local authority would open up a leisure centre. | 0:14:20 | 0:14:24 | |
These leisure centres were not ordinary sports centres, no, no. | 0:14:25 | 0:14:28 | |
What they had inside them were subtropical paradises! | 0:14:28 | 0:14:32 | |
And these subtropical paradises were basically swimming pools - | 0:14:34 | 0:14:37 | |
swimming pools that were designed to look like the sea, | 0:14:37 | 0:14:41 | |
if the sea had been... | 0:14:41 | 0:14:45 | |
tiled? | 0:14:45 | 0:14:47 | |
And the other thing they also had were flumes, | 0:14:51 | 0:14:54 | |
and flumes were water slides which | 0:14:54 | 0:14:57 | |
went outside of the building, | 0:14:57 | 0:15:00 | |
because nothing is more exciting | 0:15:00 | 0:15:03 | |
than being on a water slide | 0:15:03 | 0:15:06 | |
over the car park. | 0:15:06 | 0:15:09 | |
They were wonderful places to go, | 0:15:15 | 0:15:16 | |
and we knew they were subtropical paradises | 0:15:16 | 0:15:19 | |
because they'd have one palm tree made of plastic, | 0:15:19 | 0:15:22 | |
and they'd have huge windows which overlooked the dual carriageway. | 0:15:22 | 0:15:26 | |
But the best thing that could happen to you while you were in the | 0:15:29 | 0:15:32 | |
subtropical paradise would be that | 0:15:32 | 0:15:34 | |
they would start up the wave machine! | 0:15:34 | 0:15:37 | |
CHEERING | 0:15:37 | 0:15:38 | |
And the wave machine would be heralded with a siren, | 0:15:42 | 0:15:44 | |
and the siren sounded a bit like this - | 0:15:44 | 0:15:46 | |
ah-h-h-h-h! | 0:15:46 | 0:15:49 | |
And when you heard that siren, it didn't matter where you were, | 0:15:49 | 0:15:51 | |
everyone would come flocking to the water, wading into the water, | 0:15:51 | 0:15:54 | |
wading into the water, | 0:15:54 | 0:15:56 | |
wading into the water like they'd come to hear the Good News. | 0:15:56 | 0:15:59 | |
Like they'd come to be baptised. | 0:15:59 | 0:16:01 | |
Everybody would come into the water, you'd see everybody you knew. | 0:16:03 | 0:16:06 | |
You'd see people you knew, like you'd see your mum's friend Joyce. | 0:16:06 | 0:16:09 | |
She'd be there... | 0:16:09 | 0:16:10 | |
in her bikini - basically just in her underwear. | 0:16:10 | 0:16:13 | |
Never thought I'd see you like that, Joyce. | 0:16:13 | 0:16:16 | |
Everyone would come wading in up to your ankles, | 0:16:16 | 0:16:18 | |
up to your knees, up to your hips - wherever you felt most comfortable. | 0:16:18 | 0:16:21 | |
And then when the wave machine really got going, | 0:16:21 | 0:16:24 | |
when it really got going, the best thing that it would make you do | 0:16:24 | 0:16:27 | |
is that it would make you go like this... | 0:16:27 | 0:16:30 | |
LAUGHTER AND APPLAUSE | 0:16:35 | 0:16:38 | |
Ah! | 0:16:38 | 0:16:40 | |
It was a wonderful time to be alive! | 0:16:40 | 0:16:43 | |
But then the wave machine would stop very abruptly, | 0:16:46 | 0:16:49 | |
and that's probably when you'd decide to go on the flumes. | 0:16:49 | 0:16:52 | |
So to get on the flumes, you'd have to queue on the stairs at the side. | 0:16:52 | 0:16:55 | |
You'd have to stand on the staircase in your trunks, | 0:16:55 | 0:16:57 | |
basically in your underwear, on the staircase, getting cold. | 0:16:57 | 0:16:59 | |
It's a very unusual feeling, I think, standing on a staircase | 0:16:59 | 0:17:02 | |
in your underwear getting cold. Unless maybe you have a lot of affairs? | 0:17:02 | 0:17:07 | |
You'd just stand on the staircase, you'd have to queue for ages. | 0:17:07 | 0:17:10 | |
There'd probably be two flumes, | 0:17:10 | 0:17:11 | |
but one of them would be closed because last week somebody died. | 0:17:11 | 0:17:15 | |
And you'd have to queue, | 0:17:17 | 0:17:19 | |
and the flumes would be managed by a 16-year-old | 0:17:19 | 0:17:21 | |
who had a whistle and no qualifications at all. | 0:17:21 | 0:17:24 | |
And he was using some sort of red and green lighting system which we | 0:17:25 | 0:17:28 | |
couldn't...we couldn't possibly understand. | 0:17:28 | 0:17:31 | |
Couldn't understand it. And eventually, when it was your turn, | 0:17:32 | 0:17:35 | |
you'd have to wait and wait, and when it was your special moment | 0:17:35 | 0:17:37 | |
on the flumes, you'd have to get in position at the top. | 0:17:37 | 0:17:39 | |
You'd have to hold on to the handles at the side. | 0:17:39 | 0:17:41 | |
Otherwise, you'd just be sucked off into oblivion. | 0:17:41 | 0:17:44 | |
And when it was your turn, your special moment on the flumes, | 0:17:46 | 0:17:49 | |
the 16-year-old, he would turn to you, and he would say, | 0:17:49 | 0:17:52 | |
"You can go now if you want". | 0:17:52 | 0:17:54 | |
And you'd launch yourself off. | 0:17:56 | 0:17:58 | |
And where the flumes had been | 0:17:58 | 0:18:00 | |
manufactured rather cheaply during the mid-John Major years, | 0:18:00 | 0:18:03 | |
they were made of panels of fibreglass which had been bolted | 0:18:03 | 0:18:08 | |
together. And where those panels joined, as you went over them, | 0:18:08 | 0:18:12 | |
would cut into your back like knives. | 0:18:12 | 0:18:15 | |
But because you'd be queueing so long, you were desperate to have a good time. | 0:18:16 | 0:18:19 | |
So you'd be on the flumes going, | 0:18:19 | 0:18:21 | |
"Ow, ow, ow, ow, ow, ow. | 0:18:21 | 0:18:23 | |
"Oh, it's gone light, you must be over the car park. | 0:18:23 | 0:18:26 | |
"Ow, ow, ow, ow." | 0:18:26 | 0:18:27 | |
And there'd probably be a trickle of water going through | 0:18:27 | 0:18:30 | |
that was designed to lubricate your passage. | 0:18:30 | 0:18:33 | |
And because it was a cheap and shoddy manufacture, | 0:18:33 | 0:18:35 | |
sometimes that trickle of water would have just trickled away. | 0:18:35 | 0:18:39 | |
And suddenly you would find yourself in a dry bit. | 0:18:39 | 0:18:43 | |
And because you were eight years old and you had no momentum at all, | 0:18:43 | 0:18:46 | |
you'd just stop! | 0:18:46 | 0:18:47 | |
You'd just stop and there'd be no way of getting out of it. | 0:18:49 | 0:18:51 | |
You'd try and scoot yourself forward, | 0:18:51 | 0:18:53 | |
there's nothing you could do. You'd think, "Oh, my God, am I dead? | 0:18:53 | 0:18:56 | |
"Is this what it is to be dead? | 0:18:56 | 0:18:57 | |
"Is that what the light is? Oh, no, it's just the car park. Oh, good. | 0:18:57 | 0:19:01 | |
"How am I going to get out of this? | 0:19:01 | 0:19:03 | |
"Thank God for the 16-year-old upstairs. | 0:19:03 | 0:19:05 | |
"He knows I'm here, he'll send for me, he'll send for me. | 0:19:05 | 0:19:08 | |
"It's all going to be fine, he'll send for me." | 0:19:08 | 0:19:10 | |
And at that moment, | 0:19:10 | 0:19:11 | |
you'd look over your head and that's when you'd see | 0:19:11 | 0:19:14 | |
the shadow of somebody else on the flumes. | 0:19:14 | 0:19:17 | |
You'd think, "Oh, God, it's all on a timer, he doesn't care at all. | 0:19:17 | 0:19:20 | |
"He doesn't care, he doesn't care." | 0:19:20 | 0:19:22 | |
You try and scoot yourself along, you'd peer over your shoulder, | 0:19:22 | 0:19:25 | |
you'd see the toes of somebody else coming round the corner. | 0:19:25 | 0:19:28 | |
The legs of somebody else coming. | 0:19:28 | 0:19:29 | |
The whole body of somebody else coming round the corner, | 0:19:29 | 0:19:32 | |
and that's when you'd realise that | 0:19:32 | 0:19:34 | |
it was your mum's friend Joyce, | 0:19:34 | 0:19:36 | |
coming round the corner, legs akimbo. She'd smash into the back of you. | 0:19:36 | 0:19:39 | |
Suddenly, you'd both be hurtling along together | 0:19:39 | 0:19:41 | |
like you were in Indiana Jones and the Temple of Doom. | 0:19:41 | 0:19:43 | |
You nestled in the bosom of her thighs, | 0:19:43 | 0:19:46 | |
going so fast from side to side, to side to side, both of you screaming | 0:19:46 | 0:19:49 | |
for different reasons! | 0:19:49 | 0:19:51 | |
So fast from side to side. | 0:19:52 | 0:19:54 | |
You've never been so fast in your whole life. How will it ever stop? | 0:19:54 | 0:19:57 | |
Will it ever stop? Eventually, you'll be thrown out the | 0:19:57 | 0:19:59 | |
other end of the flumes. | 0:19:59 | 0:20:00 | |
You'd fly across the sky, past the palm tree, across the window, | 0:20:00 | 0:20:03 | |
and then land in the landing pool. | 0:20:03 | 0:20:05 | |
Then you'd look at each other in a way that said, | 0:20:05 | 0:20:07 | |
"I never thought we would touch like that!" | 0:20:07 | 0:20:10 | |
But which also said, "We will never speak of this again." | 0:20:12 | 0:20:15 | |
And that's when I first realised that I was gay. | 0:20:15 | 0:20:19 | |
Thank you very much, Apollo, my name's Tom Allen. | 0:20:22 | 0:20:25 | |
Goodnight, goodnight. | 0:20:25 | 0:20:26 | |
CHEERING AND APPLAUSE | 0:20:26 | 0:20:28 | |
Give it up for Tom Allen! | 0:20:33 | 0:20:35 | |
Are you ready for your next act? | 0:20:38 | 0:20:40 | |
-AUDIENCE: -Yes! | 0:20:40 | 0:20:42 | |
Your next act tours the world, has come all the way from America, | 0:20:42 | 0:20:45 | |
he's absolutely brilliant. Please give it up for Arj Barker! | 0:20:45 | 0:20:49 | |
CHEERING | 0:20:49 | 0:20:51 | |
ROCK MUSIC PLAYS | 0:20:54 | 0:20:57 | |
All right, all right. | 0:21:00 | 0:21:02 | |
Good evening, I'm really excited to be here tonight. | 0:21:02 | 0:21:05 | |
I'm just very happy to be back here in the UK, and I want to start | 0:21:05 | 0:21:09 | |
by thanking the BBC for letting me be on the show. | 0:21:09 | 0:21:12 | |
It's really awesome that they did. | 0:21:12 | 0:21:14 | |
It doesn't pay that well, but it's just really cool to be here. | 0:21:14 | 0:21:17 | |
And they've been so generous. They've put me up in a hotel | 0:21:19 | 0:21:22 | |
right next to a casino in the city, and they didn't have to do that. | 0:21:22 | 0:21:26 | |
I'm not criticising the BBC. It's not their responsibility to know | 0:21:26 | 0:21:30 | |
that I have a gambling addiction. | 0:21:30 | 0:21:31 | |
Cos it's about self-knowledge. | 0:21:31 | 0:21:34 | |
When I go to the casino, | 0:21:34 | 0:21:36 | |
I only bring the equivalent of 100 | 0:21:36 | 0:21:38 | |
to gamble with cos I know I can afford to lose that. | 0:21:38 | 0:21:42 | |
And I bring 25 for food | 0:21:42 | 0:21:44 | |
in case I get hungry. | 0:21:44 | 0:21:46 | |
And 800 for bus fare... | 0:21:47 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:50 | |
..in case I forget something and have to go home | 0:21:50 | 0:21:52 | |
a couple hundred times. | 0:21:52 | 0:21:54 | |
So most of my adult life I've been a bachelor. | 0:21:55 | 0:21:58 | |
But about three years ago I met somebody and we started dating, and a year just flew by. | 0:21:58 | 0:22:03 | |
And then I said, "This is cool, you maybe should move in." | 0:22:03 | 0:22:06 | |
She said, "Great, Arj." | 0:22:06 | 0:22:07 | |
So she moved in and now I've been living with my girlfriend | 0:22:07 | 0:22:10 | |
for just over two years. | 0:22:10 | 0:22:12 | |
And I want to say living with someone has been such a major | 0:22:12 | 0:22:15 | |
eye-opener for me. | 0:22:15 | 0:22:16 | |
It's like the first time in my life | 0:22:16 | 0:22:19 | |
when I feel like I truly understand | 0:22:19 | 0:22:21 | |
why murder happens. | 0:22:21 | 0:22:24 | |
Because up till now, I would always just think, | 0:22:26 | 0:22:29 | |
"Why would somebody kill somebody? It's so extreme." | 0:22:29 | 0:22:32 | |
But these days, at least once a week | 0:22:34 | 0:22:36 | |
I think, "Well, we can't take that option off the table." | 0:22:36 | 0:22:40 | |
I mean, not that I ever would. I would never kill anybody | 0:22:42 | 0:22:44 | |
intentionally and I'm a pacifist, 100%. | 0:22:44 | 0:22:47 | |
And I also don't want you to think that in any way that I'm trying | 0:22:47 | 0:22:50 | |
to minimalize the serious issue of domestic violence. | 0:22:50 | 0:22:53 | |
All I'm really trying to say is that living with my girlfriend has | 0:22:53 | 0:22:56 | |
introduced me to new levels of anger within myself... | 0:22:56 | 0:22:59 | |
that I didn't even know were there before. | 0:22:59 | 0:23:01 | |
You know they say... Have you ever heard that thing, sir, | 0:23:01 | 0:23:04 | |
"When you meet the right person, it completes you"? | 0:23:04 | 0:23:06 | |
Have you heard about that? | 0:23:06 | 0:23:08 | |
It turns out the missing part of me was the really pissed-off part. | 0:23:08 | 0:23:11 | |
"Oh, OK. There you are. | 0:23:13 | 0:23:15 | |
"Get on in here, you big red-faced son of a bitch." | 0:23:15 | 0:23:17 | |
Now, I am whole. | 0:23:19 | 0:23:20 | |
I know that some people here might be a little concerned and think, | 0:23:22 | 0:23:25 | |
"Jeez, Arj, how does that joke make your poor girlfriend feel?" | 0:23:25 | 0:23:28 | |
You ought to know something, London. | 0:23:28 | 0:23:29 | |
Any joke that my girlfriend's involved in, | 0:23:29 | 0:23:32 | |
she gets to hear it first and she has to sign off on it | 0:23:32 | 0:23:34 | |
before I do it onstage. | 0:23:34 | 0:23:36 | |
That's a self-volunteered policy out of respect for her, | 0:23:36 | 0:23:39 | |
so when I thought of that joke, | 0:23:39 | 0:23:41 | |
I thought, "OK, it's a little dark, but I can make it work." | 0:23:41 | 0:23:44 | |
Then I thought, "Oh, shit, now I've got to tell her." | 0:23:44 | 0:23:48 | |
So I want to wait till the right time - till she had a little bit of red wine in her hand. | 0:23:48 | 0:23:52 | |
I'd just opened up a fresh box that night. | 0:23:52 | 0:23:54 | |
She's about to watch her favourite show of all time, Downtown Abbey. | 0:23:56 | 0:23:59 | |
LAUGHTER | 0:23:59 | 0:24:01 | |
Then I said, "Honey, I've got this new joke - | 0:24:01 | 0:24:04 | |
"it's about us and it's so stupid. | 0:24:04 | 0:24:06 | |
"I mean, it's so over the top, it's flat-out ridiculous." | 0:24:06 | 0:24:09 | |
"Just tell me the joke, Arj." | 0:24:09 | 0:24:11 | |
So I told her. And you know what? | 0:24:11 | 0:24:13 | |
She laughed. And she didn't just laugh, | 0:24:13 | 0:24:16 | |
she laughed at a level of laughter | 0:24:16 | 0:24:18 | |
to the point where I started thinking, | 0:24:18 | 0:24:20 | |
"Shit, I gotta watch my back." | 0:24:20 | 0:24:21 | |
But I didn't want to tip her off to let her know that I was onto her | 0:24:24 | 0:24:27 | |
and that I'd discovered her plan to eliminate me. | 0:24:27 | 0:24:29 | |
So I played real cool, but I'm a lot more careful now. | 0:24:30 | 0:24:33 | |
If she said, "Hey, Arj, do you want to go cliff-walking with me later?" | 0:24:33 | 0:24:36 | |
"Uh, no, actually. I got a tonne of shit to do inland." | 0:24:37 | 0:24:41 | |
You guys are an awesome crowd. | 0:24:45 | 0:24:46 | |
Did anybody watch Game of Thrones? | 0:24:46 | 0:24:48 | |
SCATTERED CHEERING | 0:24:48 | 0:24:49 | |
Best show ever. I assume everybody's all caught-up. | 0:24:49 | 0:24:52 | |
Can we talk about it in detail? | 0:24:52 | 0:24:54 | |
-PORTION OF AUDIENCE: -No! | 0:24:54 | 0:24:56 | |
A couple of people, who said no? | 0:24:56 | 0:24:59 | |
You're not caught-up? And what's your name? | 0:24:59 | 0:25:01 | |
Sana? Santa. | 0:25:01 | 0:25:03 | |
Oh, good to meet you in person. | 0:25:03 | 0:25:05 | |
Thanks for all the presents over the years. | 0:25:05 | 0:25:08 | |
You're a lot different than I pictured. | 0:25:10 | 0:25:13 | |
Lovely to meet you. | 0:25:13 | 0:25:14 | |
Santa... | 0:25:15 | 0:25:16 | |
..on behalf of yourself and anyone else that isn't caught-up on | 0:25:18 | 0:25:21 | |
Game of Thrones, I want you to know that I will happily skip over this | 0:25:21 | 0:25:24 | |
small part of the show because spoiling popular TV in our culture | 0:25:24 | 0:25:27 | |
is a huge taboo, Santa. | 0:25:27 | 0:25:29 | |
Far be it from me to break that taboo, and, yes, I pronounce taboo "t'boo". | 0:25:29 | 0:25:33 | |
So you have nothing to worry about, Santa. But at some point, yes, | 0:25:35 | 0:25:39 | |
perhaps a wider discussion about implementing a | 0:25:39 | 0:25:42 | |
statute of limitations with regards to how much authority the | 0:25:42 | 0:25:46 | |
spoiler police have in our world. | 0:25:46 | 0:25:48 | |
Because at some point, I would like to freely discuss the movie ET | 0:25:48 | 0:25:51 | |
with my friends... | 0:25:51 | 0:25:53 | |
in public without getting my head ripped off. | 0:25:53 | 0:25:56 | |
"Shut up, Arj. Shut up, I haven't seen ET yet. | 0:25:56 | 0:25:58 | |
"Shut up, I'm going to watch it this weekend. | 0:25:58 | 0:26:00 | |
"Shut up, don't talk about it!" | 0:26:00 | 0:26:01 | |
Well, he goes home! He goes home! | 0:26:01 | 0:26:03 | |
He goes home, Santa. | 0:26:06 | 0:26:08 | |
Maybe YOU ought to go home. | 0:26:10 | 0:26:13 | |
And start watching some shit. | 0:26:13 | 0:26:15 | |
Goddamn! | 0:26:16 | 0:26:18 | |
It's called must-see TV - is there something unclear about that? | 0:26:18 | 0:26:22 | |
It's not called see-it-whenever-the fuck-you-get-around-to-it. | 0:26:22 | 0:26:25 | |
Meanwhile, slap a gag order | 0:26:25 | 0:26:28 | |
on the rest of civilisation. | 0:26:28 | 0:26:30 | |
You know something, Santa? You seem real nice, but you know what? | 0:26:32 | 0:26:35 | |
You're the spoiler. | 0:26:35 | 0:26:38 | |
You spoil enjoyable conversation for other adults... | 0:26:38 | 0:26:42 | |
..because you're too goddamned lazy to sit around and watch TV | 0:26:43 | 0:26:45 | |
all day like the rest of us. | 0:26:45 | 0:26:47 | |
And I'm glad to see you're still smiling, because you've | 0:26:49 | 0:26:52 | |
actually helped me out a lot, OK? | 0:26:52 | 0:26:53 | |
This is part of my show, Santa. | 0:26:53 | 0:26:56 | |
And if on any particular night when I'm doing this joke and I say to the | 0:26:56 | 0:26:59 | |
audience, "Are you all caught-up on Game of Thrones?" | 0:26:59 | 0:27:02 | |
And on that particular night, Santa, | 0:27:02 | 0:27:04 | |
the entire audience says, "Yup, we're all caught-up, Arj." | 0:27:04 | 0:27:08 | |
Guess what, Santa? I'm fucked. | 0:27:09 | 0:27:11 | |
Cos I would have just lost two minutes of arguably some of the | 0:27:21 | 0:27:24 | |
strongest material in my whole set. | 0:27:24 | 0:27:26 | |
And I've never even seen Game of Thrones. OK? | 0:27:28 | 0:27:32 | |
I'm not going to watch that bullshit. | 0:27:32 | 0:27:34 | |
This has been wonderful. I'm about to get out of here and I want to | 0:27:40 | 0:27:43 | |
just thank you all for coming out here and being a great crowd. | 0:27:43 | 0:27:46 | |
You've really cheered me up. | 0:27:46 | 0:27:48 | |
And I was a little bit low when I showed up here tonight, | 0:27:48 | 0:27:50 | |
I'm going to admit that. | 0:27:50 | 0:27:51 | |
And don't worry, it's not clinical. | 0:27:51 | 0:27:54 | |
Depression is a serious thing - I was just feeling a little bit low. | 0:27:54 | 0:27:56 | |
And it's my fault anyway! | 0:27:56 | 0:27:59 | |
I'm the one that choose to watch Marley And Me on Blu-ray | 0:27:59 | 0:28:01 | |
right before I left the hotel. | 0:28:01 | 0:28:03 | |
And it's even more sad in high def. | 0:28:05 | 0:28:07 | |
1080. Even though I know what was going to happen, | 0:28:08 | 0:28:10 | |
it was still even more sad. Have you seen Marley And Me, sir? | 0:28:10 | 0:28:13 | |
You haven't seen it? Well, you'd better brace yourself emotionally. | 0:28:13 | 0:28:16 | |
Because it is very sad. | 0:28:17 | 0:28:19 | |
I'm not going to ruin it, but just be prepared. | 0:28:19 | 0:28:21 | |
I don't know if you know, but the sequel's just called Me. | 0:28:22 | 0:28:25 | |
Just be careful. | 0:28:27 | 0:28:29 | |
That's it from me, thank you very much. | 0:28:29 | 0:28:31 | |
CHEERING Thank you. | 0:28:31 | 0:28:33 | |
Give it up for Arj Barker! | 0:28:38 | 0:28:40 | |
CHEERING | 0:28:40 | 0:28:43 | |
You've been such an amazing crowd, thanks ever so much for coming. | 0:28:43 | 0:28:47 | |
Please give it up for the people you've seen tonight, Tom Allen, | 0:28:47 | 0:28:49 | |
Arj Barker, and I've been Sarah Millican. Goodnight! | 0:28:49 | 0:28:52 | |
CHEERING | 0:28:52 | 0:28:54 |