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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
Ladies and gentlemen, | 0:00:17 | 0:00:19 | |
please welcome your host for tonight, Katherine Ryan. | 0:00:19 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
# All I want for Christmas is you. # | 0:00:26 | 0:00:29 | |
Hello, girls! CHEERING | 0:00:42 | 0:00:46 | |
Welcome to Noel at the Apollo. CHEERING | 0:00:46 | 0:00:48 | |
Whatever the holiday season means to you, that's Christmas. | 0:00:50 | 0:00:54 | |
If it means going down to the pub, that's Christmas. | 0:00:54 | 0:00:57 | |
If you're alone, that's Christmas. | 0:00:57 | 0:00:59 | |
As long as it's good and it's kind. | 0:00:59 | 0:01:01 | |
If it's Hanukkah, that's Christmas. | 0:01:01 | 0:01:03 | |
That's what it's about, live your life. | 0:01:04 | 0:01:06 | |
There will still be people who are like, | 0:01:06 | 0:01:09 | |
"Mah, I'm not allowed to call it a Christmas tree." | 0:01:09 | 0:01:12 | |
Yeah, that's cos it's a tower of whisky bottles, Kevin. | 0:01:12 | 0:01:15 | |
Well, you know what, call it a Christmas tree | 0:01:17 | 0:01:19 | |
if that's what you want to do. | 0:01:19 | 0:01:21 | |
If your biggest problem in life is what you name a seasonal household | 0:01:21 | 0:01:25 | |
plant, then you are the definition of privilege. | 0:01:25 | 0:01:28 | |
Enjoy it, Kevin. | 0:01:28 | 0:01:30 | |
Christmas for me means struggling with Jane. | 0:01:33 | 0:01:36 | |
Does anyone know Jane from the North London School Run? | 0:01:36 | 0:01:39 | |
I can't stand Jane. | 0:01:41 | 0:01:43 | |
Jane used to have a professional career and that's fine. | 0:01:43 | 0:01:45 | |
And now she stays home to look after seven tiny children | 0:01:45 | 0:01:48 | |
and that's also fine. | 0:01:48 | 0:01:50 | |
Even though I didn't realise that you could have seven little | 0:01:50 | 0:01:53 | |
baby ones like in a row. How do you do that? | 0:01:53 | 0:01:56 | |
Her ass is like a peach, cervix like a hula hoop at this point. | 0:01:56 | 0:01:59 | |
Just voom, voom, voom. | 0:02:01 | 0:02:03 | |
Not the snack, no, sir, not the little... | 0:02:03 | 0:02:06 | |
like a giant, athletic-sized... | 0:02:06 | 0:02:09 | |
This woman's having a baby every four months. | 0:02:10 | 0:02:13 | |
Jane said to me, "Katherine, you must be so sad | 0:02:15 | 0:02:19 | |
"that you don't have a husband at Christmas." | 0:02:19 | 0:02:23 | |
This coming from the woman whose ham-coloured husband, Brian, | 0:02:23 | 0:02:26 | |
is a man I've never seen out of a bicycle helmet. | 0:02:26 | 0:02:31 | |
He's just Spandex Man, you know? | 0:02:31 | 0:02:34 | |
He runs marathons. | 0:02:34 | 0:02:36 | |
Those are the worst kind of people, by the way. | 0:02:36 | 0:02:38 | |
What is it about a middle-aged man that he's gotta know | 0:02:38 | 0:02:41 | |
he can be 26 miles away from home on foot at any given moment? | 0:02:41 | 0:02:44 | |
Relax, Brian. "Just trying to raise awareness for cancer." | 0:02:46 | 0:02:50 | |
We've heard of it. | 0:02:50 | 0:02:52 | |
Everyone's heard of it. | 0:02:54 | 0:02:57 | |
Raise funds, yeah, that's good, but I don't care | 0:02:58 | 0:03:01 | |
more about your charity because you're running a marathon. | 0:03:01 | 0:03:03 | |
Like, I will donate to Plan UK because they do tremendous work, | 0:03:03 | 0:03:06 | |
not because someone from the office threatened to jog | 0:03:06 | 0:03:09 | |
until he lost a toenail. I don't care. | 0:03:09 | 0:03:13 | |
Jane's in charge of fundraising at the school, of course she is. | 0:03:13 | 0:03:16 | |
"Katherine, will you help with the Christmas cookie sale?" | 0:03:16 | 0:03:19 | |
No, I will not, Jane, | 0:03:19 | 0:03:21 | |
because last year you sold my gingerbread biscuits for 10p. | 0:03:21 | 0:03:25 | |
Are we selling these cookies FOR Bangladeshi kids, | 0:03:26 | 0:03:29 | |
or are we selling them TO Bangladeshi kids, Jane? | 0:03:29 | 0:03:32 | |
What are you doing? | 0:03:33 | 0:03:35 | |
No, no, where are you getting your price point, you prick? | 0:03:38 | 0:03:40 | |
How were you ever effective in the corporate world? | 0:03:40 | 0:03:43 | |
What is your scale of economies? Do you need money? | 0:03:43 | 0:03:46 | |
I'll write you a cheque for £100, you can | 0:03:46 | 0:03:48 | |
fuck off and make a thousand gingerbread men. | 0:03:48 | 0:03:50 | |
She says, "Katherine, you should have another baby." | 0:03:52 | 0:03:55 | |
Get out of my life. | 0:03:55 | 0:03:56 | |
"You need to have another baby, | 0:03:56 | 0:03:58 | |
"Katherine, you're running out of time." | 0:03:58 | 0:04:00 | |
We're all running out of time, Jane, that's how time works. | 0:04:00 | 0:04:03 | |
If anything, I've got a lot more time than you, | 0:04:05 | 0:04:06 | |
cos I don't have to help find 14 tiny shoes every morning. | 0:04:06 | 0:04:11 | |
And I don't have to sleep with your husband. | 0:04:11 | 0:04:14 | |
I shag him cos I WANT to. | 0:04:15 | 0:04:17 | |
It's not my job. | 0:04:20 | 0:04:22 | |
Thank you. Thank you very much. | 0:04:25 | 0:04:29 | |
People understand that I don't have a husband. They get that. | 0:04:29 | 0:04:32 | |
I have a very disgusting job. | 0:04:32 | 0:04:34 | |
They don't understand that I don't WANT a husband. | 0:04:34 | 0:04:37 | |
I really don't. | 0:04:37 | 0:04:39 | |
I feel like men are like dolphins. | 0:04:39 | 0:04:40 | |
They are to be enjoyed on holiday. | 0:04:40 | 0:04:42 | |
They're almost as smart as people. | 0:04:44 | 0:04:46 | |
That doesn't mean you should have one in the house. | 0:04:48 | 0:04:51 | |
What are you doing? | 0:04:52 | 0:04:54 | |
If I was this bad at anything else... I'm terrible at relationships. | 0:04:54 | 0:04:57 | |
If I was a surgeon who managed to kill every patient | 0:04:57 | 0:05:01 | |
and burn down the palliative care unit, nobody would be like, | 0:05:01 | 0:05:03 | |
"When are you going to get back in the operating room? | 0:05:03 | 0:05:06 | |
"Go for it!" | 0:05:06 | 0:05:08 | |
No. I have a lovely life. I have a lovely daughter. | 0:05:08 | 0:05:11 | |
My daughter's British, which I recommend. | 0:05:11 | 0:05:14 | |
It's like having a tiny, ineffective butler at home. | 0:05:14 | 0:05:17 | |
"I'm ever so sorry, Mummy, | 0:05:19 | 0:05:21 | |
"I appear to have mashed Nutella into the carpet again." | 0:05:21 | 0:05:24 | |
"Where's Mummy's drink, though? Where is it?" | 0:05:25 | 0:05:27 | |
My daughter Violet and I, we live in a liberal democracy. | 0:05:30 | 0:05:33 | |
You're allowed your own ideas in our house. | 0:05:33 | 0:05:35 | |
However, she came home the other day and she said to me, | 0:05:35 | 0:05:38 | |
"Mummy, do you know what's happening in my country?" | 0:05:38 | 0:05:42 | |
Which is an ominous way to start any sentence. | 0:05:42 | 0:05:45 | |
I said, "What's happening in your country?" | 0:05:47 | 0:05:49 | |
She said, "People are coming into my country | 0:05:49 | 0:05:52 | |
"and they're using all the stuff and they're taking all the jobs, | 0:05:52 | 0:05:55 | |
"so that when I'm older, there'll be nothing left for me!" | 0:05:55 | 0:05:59 | |
I was like, "I have raised a Tory!" | 0:05:59 | 0:06:02 | |
No! | 0:06:05 | 0:06:07 | |
CHEERING AND APPLAUSE | 0:06:07 | 0:06:09 | |
Of course, you blame yourself as a mother. | 0:06:13 | 0:06:15 | |
I was like, "I should have been clearer!" | 0:06:15 | 0:06:17 | |
"Mummy does wear vintage fur on occasion, | 0:06:17 | 0:06:19 | |
"but I'm not involved in the actual fox hunt." | 0:06:19 | 0:06:21 | |
I said, "You know you're the child of an immigrant, yeah? | 0:06:23 | 0:06:26 | |
"When they talk about that, that's you, you're the thing! | 0:06:26 | 0:06:29 | |
"I came into this country and I work and I work, | 0:06:29 | 0:06:32 | |
"and I pay tax so that you can have a GP and you go to a state school, | 0:06:32 | 0:06:36 | |
"that's what happened." | 0:06:36 | 0:06:38 | |
And she goes, "No, but I'm entitled to those services, | 0:06:38 | 0:06:40 | |
"because I'm British." | 0:06:40 | 0:06:42 | |
"And you want a job? Plenty of jobs for pocket money round here. | 0:06:44 | 0:06:47 | |
"What do you want to start with? The dishes? | 0:06:47 | 0:06:49 | |
"Maybe you can do the laundry? | 0:06:49 | 0:06:51 | |
"I'm only doing the jobs you won't do, bitch!" | 0:06:51 | 0:06:54 | |
LAUGHTER AND APPLAUSE | 0:06:55 | 0:06:59 | |
"Do you know who else was a migrant, Violet? | 0:07:02 | 0:07:05 | |
"The baby Jesus." | 0:07:05 | 0:07:07 | |
"Mummy, it's Christmas time, | 0:07:07 | 0:07:09 | |
"I absolutely don't think you should be talking about the baby Jesus. | 0:07:09 | 0:07:12 | |
"Got nothing to do with Christmas." | 0:07:12 | 0:07:13 | |
"Oh, yeah, you're right, have another Hatchimal, there you go." | 0:07:13 | 0:07:16 | |
No, she's a lovely girl, I love her so much. | 0:07:16 | 0:07:19 | |
Sometimes, yes, I feel like the foreign nanny | 0:07:19 | 0:07:21 | |
who works for a mean British woman. | 0:07:21 | 0:07:24 | |
But mostly, we are not a mum and an eight-year-old. | 0:07:24 | 0:07:27 | |
We are like two eight-year-olds, | 0:07:27 | 0:07:28 | |
but one of us has cellulite and a credit card. It's amazing. | 0:07:28 | 0:07:31 | |
I had a partner. He left us last Christmas, | 0:07:31 | 0:07:35 | |
because I didn't need him. | 0:07:35 | 0:07:38 | |
I was like, "Oh, it's a good thing you don't do anything, I'd be dead." | 0:07:39 | 0:07:43 | |
"You don't need me, Katherine, I need to go where I'm needed." | 0:07:44 | 0:07:47 | |
"OK, Batman, jog on." | 0:07:47 | 0:07:49 | |
He said... | 0:07:52 | 0:07:54 | |
..he said, to an immigrant single mother, | 0:07:56 | 0:07:59 | |
"You didn't make me a priority, | 0:07:59 | 0:08:01 | |
"you just work all the time and look after your child. | 0:08:01 | 0:08:05 | |
"You didn't make ME a priority." | 0:08:05 | 0:08:06 | |
I was like, "Mate, I paid for everything. | 0:08:06 | 0:08:10 | |
"It literally says priority on your bags every time | 0:08:10 | 0:08:12 | |
"I buy you a plane ticket. | 0:08:12 | 0:08:14 | |
"And I always check back into economy | 0:08:16 | 0:08:18 | |
"to see how you're doing on the flight." | 0:08:18 | 0:08:21 | |
"You don't fight for me, Katherine." | 0:08:23 | 0:08:25 | |
You are not the last fidget spinner on Christmas Eve. | 0:08:25 | 0:08:28 | |
I'm a single mum, and there's still baggage attached to that. | 0:08:30 | 0:08:33 | |
I believe that if I were a man, | 0:08:33 | 0:08:35 | |
I wouldn't be single, I'd be eligible, wouldn't I? | 0:08:35 | 0:08:39 | |
I just bought a house in central London, | 0:08:39 | 0:08:41 | |
they would make me The Bachelor. | 0:08:41 | 0:08:44 | |
They'd freak out. | 0:08:44 | 0:08:45 | |
It is, by the way, the most expensive property ever owned | 0:08:45 | 0:08:48 | |
by anyone in my family - it's also the smallest, they're very confused. | 0:08:48 | 0:08:51 | |
They come from Canada and they're like, | 0:08:53 | 0:08:55 | |
"Katherine! This is what you bought with all your money? | 0:08:55 | 0:08:59 | |
"But this house is so small. | 0:08:59 | 0:09:01 | |
"Don't you know what size house you could afford in your home town?" | 0:09:04 | 0:09:08 | |
I'm like, "Don't you know? Like I wouldn't be sure which room | 0:09:08 | 0:09:10 | |
"to kill myself in, so I can't do that." | 0:09:10 | 0:09:12 | |
"When you visit at Christmas, get a hotel." | 0:09:14 | 0:09:17 | |
If I was a man, I'd be eligible - they'd go, "How does he do it?" | 0:09:19 | 0:09:23 | |
"How does a young, young, young man | 0:09:23 | 0:09:27 | |
"of only 34 years old... | 0:09:27 | 0:09:30 | |
.."raise a gorgeous young daughter | 0:09:31 | 0:09:32 | |
"without financial help from anywhere? How does he do that?" | 0:09:32 | 0:09:35 | |
And there'd be memes of me just hoovering with no shirt on. | 0:09:35 | 0:09:38 | |
Like, mah... | 0:09:38 | 0:09:39 | |
"How does he do it?" | 0:09:41 | 0:09:43 | |
There'd be YouTube videos of me | 0:09:43 | 0:09:44 | |
going viral, just plaiting her hair before school. | 0:09:44 | 0:09:48 | |
SHE GASPS "How does he do it?" | 0:09:48 | 0:09:51 | |
I'd be like, "Well, I take three equal sections of hair... | 0:09:51 | 0:09:58 | |
"..then heroically, I fold one | 0:10:00 | 0:10:03 | |
"into the other two, and so on." | 0:10:03 | 0:10:07 | |
And I'd say things like, | 0:10:07 | 0:10:09 | |
"If you think my hands are full, you should see my heart." | 0:10:09 | 0:10:13 | |
And women everywhere would be like, | 0:10:16 | 0:10:19 | |
SHE GASPS | 0:10:19 | 0:10:20 | |
"Is anyone sucking his dick right now?" | 0:10:20 | 0:10:23 | |
"Where is this man?" | 0:10:25 | 0:10:27 | |
And then I'd remove the mask and be like, "Ha-ha, I'm a lady!" | 0:10:27 | 0:10:30 | |
And they'd be like, "Urgh, another single mum, gross. | 0:10:30 | 0:10:32 | |
"Gross, pathetic." | 0:10:34 | 0:10:36 | |
CHEERING AND APPLAUSE | 0:10:36 | 0:10:39 | |
I'm alone this Christmas, my daughter's with her dad. | 0:10:43 | 0:10:46 | |
"Aw..." Don't be jealous, don't be jealous. | 0:10:46 | 0:10:49 | |
Because you're slaving away in a kitchen filled with guests | 0:10:51 | 0:10:56 | |
and I'm drinking sangria in my underpants for four days. | 0:10:56 | 0:11:00 | |
AUDIENCE MEMBER CHEERS Yes! | 0:11:00 | 0:11:03 | |
These have become my favourite Christmases. | 0:11:04 | 0:11:08 | |
It can be sad when you're alone, | 0:11:08 | 0:11:09 | |
especially in a co-parenting situation, | 0:11:09 | 0:11:11 | |
you go, "Oh, I don't have them this year." | 0:11:11 | 0:11:15 | |
Lean into it! | 0:11:15 | 0:11:16 | |
It's so good! | 0:11:16 | 0:11:18 | |
And there's no such thing as Christmas for a mum - | 0:11:18 | 0:11:20 | |
what are you doing?! You got all the hobs on, | 0:11:20 | 0:11:23 | |
you're just cooking, cooking, cooking, cooking, cooking, cooking! | 0:11:23 | 0:11:26 | |
Anyone could come over, you're just fielding visitors left and right. | 0:11:26 | 0:11:29 | |
If the dishwasher's on, you've got to wash dishes so you can cook with them again. | 0:11:29 | 0:11:32 | |
Someone comes through the... "Prosecco, prosecco, prosecco, prosecco, prosecco!" | 0:11:32 | 0:11:36 | |
You're holding a bin bag all the time, just gathering | 0:11:36 | 0:11:38 | |
wrapping paper so they all... | 0:11:38 | 0:11:40 | |
My recycling bin is empty, guys, and my heart is full. | 0:11:40 | 0:11:43 | |
I love it! | 0:11:43 | 0:11:45 | |
CHEERING AND APPLAUSE | 0:11:45 | 0:11:49 | |
Thank you. | 0:11:49 | 0:11:51 | |
Jane comes out of the woodwork, always. | 0:11:52 | 0:11:54 | |
"Oh, Katherine, aren't you so sad that you're alone at Christmas?" | 0:11:54 | 0:12:00 | |
No, Jane. "I would be sad if I was alone at Christmas." | 0:12:00 | 0:12:04 | |
I'd be sad if I was alone with you too. | 0:12:04 | 0:12:08 | |
When I'm alone, I'm just hanging out with Katherine Ryan, it's amazing. | 0:12:08 | 0:12:11 | |
"You can come to our house for Christmas. | 0:12:13 | 0:12:16 | |
"You could eat with our family." | 0:12:16 | 0:12:18 | |
"Jane, that's a lovely gesture, very charitable, I do appreciate it, | 0:12:18 | 0:12:22 | |
"but I would rather the tweets of Piers Morgan | 0:12:22 | 0:12:25 | |
"be shouted into my face till I died of rage." | 0:12:25 | 0:12:29 | |
Respectfully... | 0:12:30 | 0:12:33 | |
no. | 0:12:33 | 0:12:35 | |
No, Jane. | 0:12:35 | 0:12:38 | |
You don't have to live your life like me. | 0:12:38 | 0:12:40 | |
You could do it any way you want, that is my message. | 0:12:40 | 0:12:44 | |
But be warned, cos Melania Trump... | 0:12:44 | 0:12:47 | |
..that is an innocent gold-digger caught up in a dangerous game. | 0:12:51 | 0:12:55 | |
Right? She used to have an incredible life. | 0:12:58 | 0:13:02 | |
She didn't know...she didn't know he was going to be the President. | 0:13:02 | 0:13:05 | |
In a perfect world, she should be divorced, banging one of J-Lo's | 0:13:05 | 0:13:08 | |
backing dancers through season two of her reality show, | 0:13:08 | 0:13:11 | |
Melania Unchained, but no... | 0:13:11 | 0:13:13 | |
Her dreams of a better life in a communist country | 0:13:17 | 0:13:20 | |
did not involve brunch with Philip May. | 0:13:20 | 0:13:23 | |
She used to be BFFs with all the best designers | 0:13:24 | 0:13:27 | |
and now Marc Jacobs is like, "Bitch, make your own dress." | 0:13:27 | 0:13:30 | |
Nobody likes her. | 0:13:30 | 0:13:32 | |
She went too young, that's the problem, she went too young. | 0:13:33 | 0:13:35 | |
Go old if you're going to... Go old. | 0:13:35 | 0:13:37 | |
If he is still eating solid food, he is too young. | 0:13:37 | 0:13:41 | |
Trust me. | 0:13:44 | 0:13:46 | |
You want him one line of coke and a vigorous hand job away | 0:13:46 | 0:13:49 | |
from you having Christmas alone on a yacht. | 0:13:49 | 0:13:51 | |
That's what you want. | 0:13:51 | 0:13:53 | |
CHEERING AND APPLAUSE | 0:13:55 | 0:13:58 | |
Are you ready to kick off Noel at the Apollo? | 0:14:03 | 0:14:06 | |
-ALL: -Whoooooo! | 0:14:06 | 0:14:07 | |
Ladies and gentlemen, please welcome to the stage a tremendous man, | 0:14:07 | 0:14:10 | |
we've been friends for years, he's touring all across the UK. | 0:14:10 | 0:14:14 | |
You're going to absolutely love him. | 0:14:14 | 0:14:15 | |
Give a warm round of applause for Marlon Davis. | 0:14:15 | 0:14:19 | |
CHEERING AND APPLAUSE | 0:14:19 | 0:14:21 | |
# So here it is, merry Christmas | 0:14:21 | 0:14:25 | |
# Everybody's having fun | 0:14:25 | 0:14:30 | |
# Look to the future now It's only just begun. # | 0:14:30 | 0:14:36 | |
Ah-ha. Yes, Merry Christmas, guys. | 0:14:36 | 0:14:41 | |
-AUDIENCE: -Merry Christmas! | 0:14:41 | 0:14:43 | |
HIGH-PITCHED VOICE: I just want to say to everyone, er... | 0:14:43 | 0:14:45 | |
this is my voice. | 0:14:45 | 0:14:48 | |
LAUGHTER | 0:14:48 | 0:14:50 | |
This is how I sound. | 0:14:51 | 0:14:54 | |
Yeah, when you sound like this, | 0:14:54 | 0:14:56 | |
people don't take you seriously, you know. They don't. | 0:14:56 | 0:14:59 | |
I couldn't be your boss at work. | 0:14:59 | 0:15:02 | |
Like, "Why are you late?" | 0:15:02 | 0:15:04 | |
It's just not going to happen, is it? | 0:15:08 | 0:15:11 | |
I was stressed as well about coming | 0:15:11 | 0:15:13 | |
here today and I was like, "Oh, my God." | 0:15:13 | 0:15:15 | |
You know, I came on the Tube and stuff and I was like, | 0:15:15 | 0:15:17 | |
"Oh, I might not make it on time to the Apollo. Oh, my gosh." | 0:15:17 | 0:15:20 | |
And the carriage was packed, like in here right now, | 0:15:20 | 0:15:24 | |
so I had to get in there cos I didn't want to wait | 0:15:24 | 0:15:26 | |
one minute for the next one, and I said... | 0:15:26 | 0:15:29 | |
WEAKLY: .."C-Can you move down, please?" | 0:15:32 | 0:15:34 | |
And people went, "What's that? | 0:15:35 | 0:15:37 | |
"Was that a fly in here or something?" | 0:15:37 | 0:15:38 | |
I have to get it from here, you know, from the bass, cos they don't | 0:15:40 | 0:15:44 | |
take you seriously, so I had to say to them, | 0:15:44 | 0:15:46 | |
"Can you move down, please?!" | 0:15:46 | 0:15:49 | |
And they said, "I think it's that girl over there, you know. | 0:15:51 | 0:15:54 | |
"I think it's her." | 0:15:54 | 0:15:55 | |
And I got a little boy as well, I got a little boy, yeah? | 0:15:55 | 0:15:58 | |
CHEERING Yeah. I've done that. | 0:15:58 | 0:16:02 | |
And I say to him as well, I say, "Go to bed!" and he says... | 0:16:02 | 0:16:06 | |
DEEP VOICE: "I'll wait till Mum says go to bed, innit. | 0:16:06 | 0:16:08 | |
"I don't know who you are." | 0:16:08 | 0:16:10 | |
I'm like, "I'm your dad!" "Yeah, sure you are. | 0:16:16 | 0:16:19 | |
"Why don't YOU go to bed?" | 0:16:19 | 0:16:22 | |
"W-What, now? | 0:16:22 | 0:16:24 | |
"Can I get a story?" | 0:16:25 | 0:16:26 | |
It's all good though, you know, it's lovely. | 0:16:28 | 0:16:30 | |
Like, last year at Christmas, my life changed. | 0:16:30 | 0:16:33 | |
I have an amazing life, I'll tell you why - | 0:16:33 | 0:16:36 | |
cos I got a trampoline. | 0:16:36 | 0:16:37 | |
Yeah, life is good if you've got a trampoline. | 0:16:39 | 0:16:42 | |
Whatever it is that you've got going on in your life | 0:16:42 | 0:16:45 | |
doesn't matter if you've got a trampoline. It doesn't! | 0:16:45 | 0:16:48 | |
Say the boss is pissing you off at work, you come home. | 0:16:48 | 0:16:51 | |
Just bounce and that, innit? Everything's OK again, you know? | 0:16:51 | 0:16:55 | |
And I had to get a trampoline, because I've got a son | 0:16:55 | 0:16:58 | |
and I've got a garden. | 0:16:58 | 0:17:00 | |
Yeah, see, those are the rules. If you have a child | 0:17:01 | 0:17:03 | |
and open space, you have to fill it with a trampoline, right? | 0:17:03 | 0:17:07 | |
And I got it from John Lewis, cos I saw the advert. | 0:17:07 | 0:17:10 | |
What an advert, innit, I was like, "I'm having that." | 0:17:10 | 0:17:13 | |
And I got it and I put it up myself, I put it up myself! | 0:17:13 | 0:17:16 | |
CHEERING All by myself! | 0:17:16 | 0:17:21 | |
It took me till nearly New Year's Day, but I did it, I did it. | 0:17:21 | 0:17:26 | |
I put it up, right, and guess what happened? | 0:17:26 | 0:17:28 | |
Two days later, the next-door neighbour climbed over | 0:17:28 | 0:17:31 | |
the fence and started jumping up | 0:17:31 | 0:17:34 | |
and down on our trampoline with his fucking big-head baby. | 0:17:34 | 0:17:39 | |
I was there, and I'm incensed by this because he earns so much money, | 0:17:42 | 0:17:45 | |
he could buy his own trampoline for his fucking big-head baby. | 0:17:45 | 0:17:49 | |
But I didn't say anything, because I'm passive aggressive. | 0:17:52 | 0:17:55 | |
So I was there behind this curtain, | 0:17:55 | 0:18:00 | |
looking at this man, | 0:18:00 | 0:18:02 | |
hoping that he can see me, but not see me. | 0:18:02 | 0:18:05 | |
At the same time, I'm like, "Why am I like this? | 0:18:06 | 0:18:09 | |
"Why am I like..." I think it's definitely a British thing. | 0:18:09 | 0:18:12 | |
I think so - like, if I was American, I'd be like, | 0:18:12 | 0:18:14 | |
"Hey, buddy, get off the damn trampoline." | 0:18:14 | 0:18:17 | |
You know, but if you're British, you're like, "Mmm-hm-hm, no." | 0:18:19 | 0:18:22 | |
You don't say how you really feel. | 0:18:24 | 0:18:26 | |
So I'm there, looking at these people | 0:18:26 | 0:18:28 | |
jumping up and down on our trampoline | 0:18:28 | 0:18:30 | |
and I wish someone would say something. | 0:18:30 | 0:18:33 | |
So I told my son. | 0:18:33 | 0:18:35 | |
I said, "Come here." He's like, "What?" | 0:18:36 | 0:18:38 | |
I said, "Come and have a look at those people." | 0:18:38 | 0:18:41 | |
"What people?" "Them people out there. | 0:18:41 | 0:18:44 | |
"They're jumping up and down on our trampoline. | 0:18:44 | 0:18:47 | |
"I wish someone would do something." | 0:18:47 | 0:18:49 | |
And my son said, "Leave it to me." | 0:18:49 | 0:18:52 | |
And he went out there, he was like, | 0:18:53 | 0:18:55 | |
"Hey! My dad said... | 0:18:55 | 0:18:57 | |
"stop jumping up and down on the fricki-i-ing..." | 0:18:57 | 0:19:01 | |
And I said, "Kayden! | 0:19:01 | 0:19:03 | |
"Come here!" He's like, "What?" | 0:19:03 | 0:19:05 | |
I said, "Say your mum said, right, say your mum said..." | 0:19:05 | 0:19:08 | |
CHEERING AND APPLAUSE | 0:19:08 | 0:19:11 | |
It's got nothing to do with him. | 0:19:16 | 0:19:19 | |
I don't even know him, he's adopted, him. | 0:19:19 | 0:19:21 | |
That's what it is. | 0:19:21 | 0:19:22 | |
But this year, though, this year, what are we going to do this year? | 0:19:22 | 0:19:25 | |
I said, "What do you want? He said, "I want a cat." | 0:19:25 | 0:19:28 | |
I said, "A cat, nah! I'm not going to buy you a cat. | 0:19:28 | 0:19:31 | |
"No-one gets a pet for Christmas." | 0:19:31 | 0:19:34 | |
And do you know what happened? I can't tell you what happened. | 0:19:34 | 0:19:37 | |
There was a mouse. A little mouse. | 0:19:37 | 0:19:40 | |
It came into the house and the girlfriend saw it and goes, | 0:19:40 | 0:19:42 | |
"Aaargh! What's it doing in here? | 0:19:42 | 0:19:44 | |
"What's it doing in here? We've got a mortgage." | 0:19:44 | 0:19:46 | |
Like that's got to do with anything. | 0:19:46 | 0:19:48 | |
All the mice are outside, like, "Hold on, guys, before we go in there, | 0:19:50 | 0:19:53 | |
"we need to see if this is rental accommodation first." | 0:19:53 | 0:19:56 | |
"Yo, fam, put that cheese down. | 0:19:58 | 0:20:00 | |
"Yeah, you see the tenancy agreement..." | 0:20:01 | 0:20:04 | |
"It might be a hoax." It don't work that way. | 0:20:05 | 0:20:07 | |
So she was like, "Marlon, we need a cat." I said, "I don't want one." | 0:20:07 | 0:20:10 | |
She said, "Marlon, we need a cat." So we compromised and got one. | 0:20:10 | 0:20:13 | |
So we went to this place... | 0:20:13 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:17 | |
..where they hold all of the cats in the world. | 0:20:17 | 0:20:19 | |
And I walked in there and was like, "I want a cat." | 0:20:19 | 0:20:21 | |
And the lady said, "That's not how it works, sir." | 0:20:21 | 0:20:24 | |
I said, "Please!" | 0:20:24 | 0:20:25 | |
She said, "No, we need to interview you | 0:20:27 | 0:20:30 | |
"to see if you are fit to have a cat." | 0:20:30 | 0:20:31 | |
And I started panicking. | 0:20:31 | 0:20:33 | |
At this point I said, "Listen, lady, listen, between me and you, | 0:20:33 | 0:20:37 | |
"I've got a son. | 0:20:37 | 0:20:39 | |
"Eight years old and he's not dead." | 0:20:39 | 0:20:42 | |
She looked at me and she's like, "Yeah, you can have a cat." | 0:20:44 | 0:20:46 | |
She brought us up the stairs and when she brought us up the stairs, | 0:20:46 | 0:20:50 | |
I've never seen so much cats before in my life. | 0:20:50 | 0:20:54 | |
There were more cats than people in this room. | 0:20:54 | 0:20:57 | |
And there were different shapes, different sizes. | 0:20:57 | 0:21:00 | |
And my girlfriend, she got drawn to one cat. It was like blue and grey. | 0:21:00 | 0:21:04 | |
I've never seen a cat like this before. | 0:21:04 | 0:21:06 | |
A blue and grey cat and its whiskers were out and the tail was up | 0:21:06 | 0:21:10 | |
and she walked over to the cubicle where the little cat was | 0:21:10 | 0:21:13 | |
and she put her hand right up against it | 0:21:13 | 0:21:16 | |
and the cat came along and it put its paw there. | 0:21:16 | 0:21:19 | |
And it was like they were touching. | 0:21:19 | 0:21:21 | |
And she's like, "I want that cat." | 0:21:21 | 0:21:23 | |
And the lady said, "No." | 0:21:23 | 0:21:25 | |
And she said why? | 0:21:26 | 0:21:27 | |
She said, "That cat, it can't live with children." | 0:21:27 | 0:21:30 | |
And my girlfriend looked at me like to say, "Fuck the kid. | 0:21:30 | 0:21:33 | |
"I want that cat." | 0:21:37 | 0:21:39 | |
And the lady said, "No, you can't have that cat, | 0:21:39 | 0:21:42 | |
"but we've got some cats that are suitable for you. | 0:21:42 | 0:21:44 | |
"But they're in this corner over here." | 0:21:44 | 0:21:46 | |
And she walked us into this corner, ladies and gentlemen, | 0:21:46 | 0:21:49 | |
and all of the cats in this area here were black cats. | 0:21:49 | 0:21:54 | |
Yes, and my paranoia... | 0:21:56 | 0:21:58 | |
That went off straightaway and I'm like, | 0:21:58 | 0:22:01 | |
"Hold on a minute, hold on a minute, | 0:22:01 | 0:22:02 | |
"we can't have that cat over there, but we can have any of these ones. | 0:22:02 | 0:22:06 | |
"That's how to fight racism in the real world. | 0:22:06 | 0:22:09 | |
"But also in the feline one as well, this is bloody ridiculous!" | 0:22:09 | 0:22:12 | |
And she said, "This one's called Denzel." | 0:22:12 | 0:22:14 | |
"And this is Barack and Michelle. They come as a pair. | 0:22:22 | 0:22:26 | |
Marlon, you've lost your mind, you don't even want a cat. | 0:22:27 | 0:22:30 | |
Just get any of them. So, er...we got Beyonce. | 0:22:30 | 0:22:33 | |
Thank you very much. I've been Marlon Davis. | 0:22:37 | 0:22:39 | |
CHEERING AND APPLAUSE | 0:22:39 | 0:22:42 | |
Marlon Davis! | 0:22:46 | 0:22:48 | |
This next act is so clever, so funny, | 0:22:54 | 0:22:58 | |
everyone's always dying to see what he's got to say, | 0:22:58 | 0:23:01 | |
super exciting to have him here with us this evening. | 0:23:01 | 0:23:04 | |
Please welcome John Robins. | 0:23:04 | 0:23:06 | |
CHEERING AND APPLAUSE | 0:23:06 | 0:23:08 | |
# Thank God it's Christmas | 0:23:08 | 0:23:10 | |
# Thank God it's Christmas | 0:23:13 | 0:23:16 | |
# Thank God it's Christmas | 0:23:16 | 0:23:19 | |
# Can it be Christmas? # | 0:23:19 | 0:23:22 | |
-Hello! AUDIENCE: -Hello! | 0:23:22 | 0:23:26 | |
-Hello-ho-ho! AUDIENCE: -Hello-ho-ho! | 0:23:26 | 0:23:29 | |
-Happy Christmas! AUDIENCE: -Happy Christmas. | 0:23:29 | 0:23:33 | |
Christmas can sometimes be a sad time, | 0:23:33 | 0:23:35 | |
I think we should remember that. | 0:23:35 | 0:23:36 | |
I had a very sad Christmas last year. | 0:23:36 | 0:23:39 | |
My flatmate moved out. | 0:23:39 | 0:23:40 | |
-AUDIENCE: -Awwwww. | 0:23:40 | 0:23:42 | |
She hates it when I call her that, | 0:23:42 | 0:23:44 | |
# ..but it stops me crying when people ask how I am. # | 0:23:44 | 0:23:47 | |
Just a fun song. | 0:23:49 | 0:23:51 | |
Fun song there, sounds less sad if you put it in a song. | 0:23:51 | 0:23:54 | |
One of my many coping mechanisms. | 0:23:54 | 0:23:57 | |
Another coping mechanism - the cockney accent. | 0:23:57 | 0:24:00 | |
Yeah, the cockney accent. | 0:24:00 | 0:24:02 | |
COCKNEY ACCENT: Me girlfriend's left me and I don't think I'm coping. | 0:24:02 | 0:24:06 | |
Just a bit of fun. | 0:24:06 | 0:24:08 | |
Sounds less sad in a cockney accent. | 0:24:09 | 0:24:11 | |
Sounds like a stallholder opening for market with a spring in his step. | 0:24:11 | 0:24:16 | |
That'll show her. | 0:24:17 | 0:24:18 | |
Another coping mechanism - | 0:24:20 | 0:24:21 | |
frequent use of the phrase, "That'll show her" | 0:24:21 | 0:24:24 | |
out loud around the house when I do stuff that used to annoy her. | 0:24:24 | 0:24:27 | |
Such as watching Traffic Cops for five hours, | 0:24:29 | 0:24:32 | |
or turning the heating off when I go abroad. | 0:24:32 | 0:24:34 | |
I live alone now, I live alone in Grief Mansions, | 0:24:35 | 0:24:38 | |
that's what I call my house now. Grief Mansions. | 0:24:38 | 0:24:41 | |
Great thing about the timing of it all is | 0:24:41 | 0:24:44 | |
when I put the wreath on the front door, the neighbours thought | 0:24:44 | 0:24:47 | |
it was for Christmas, and not a memorial to everything I held dear. | 0:24:47 | 0:24:50 | |
Yeah, Grief Mansions, that's what I call it, | 0:24:52 | 0:24:54 | |
sometimes I call it that, sometimes, sometimes | 0:24:54 | 0:24:56 | |
I call it the Museum Of Pain, | 0:24:56 | 0:24:59 | |
cos all her stuff's still there. | 0:24:59 | 0:25:01 | |
Trinkets, treasures, ornaments, books, mugs, clothes. | 0:25:02 | 0:25:07 | |
Each one a reminder of countless cherished memories | 0:25:07 | 0:25:10 | |
that now turn painful. | 0:25:10 | 0:25:11 | |
And that pain beats at the centre of my soul | 0:25:11 | 0:25:14 | |
like a diseased bird with terrible wings. | 0:25:14 | 0:25:16 | |
But I can shit with the door open! | 0:25:18 | 0:25:21 | |
Hello, everyone, I can shit with the door open, | 0:25:21 | 0:25:25 | |
with a little bit less of that. | 0:25:25 | 0:25:27 | |
Little bit less of the old | 0:25:28 | 0:25:29 | |
"Don't shit with the door open" routine. | 0:25:29 | 0:25:32 | |
As my tears fall down onto my penis | 0:25:32 | 0:25:36 | |
in such quantities, | 0:25:36 | 0:25:39 | |
that they then fall from my penis | 0:25:39 | 0:25:41 | |
as if my penis itself were crying onto shit as it gathers below. | 0:25:41 | 0:25:46 | |
But with a little bit less of that. | 0:25:47 | 0:25:50 | |
Little bit less of the old GBH | 0:25:50 | 0:25:52 | |
of the "don't shit with the door open routine", | 0:25:52 | 0:25:55 | |
as my tears fall from my penis onto shit. | 0:25:55 | 0:25:58 | |
Happy Christmas! | 0:25:59 | 0:26:01 | |
I've made a list of pros and cons... | 0:26:09 | 0:26:11 | |
cos I've been spending a lot of time in brothels and prisons. | 0:26:11 | 0:26:14 | |
Made a list of pros and cons - always good, | 0:26:17 | 0:26:19 | |
give you a bit of balance, give you a bit of balance. | 0:26:19 | 0:26:22 | |
Con - complete loss of all feelings of hope and possibility. | 0:26:22 | 0:26:26 | |
Mmm, doesn't sound very good, does it? | 0:26:26 | 0:26:28 | |
Doesn't sound much fun, does it? | 0:26:28 | 0:26:29 | |
Pro - increased plug socket access. | 0:26:29 | 0:26:32 | |
Bang, one-all! | 0:26:33 | 0:26:35 | |
I say increased, it's actually total plug socket access. | 0:26:37 | 0:26:41 | |
I've got 32 plug sockets in my house, | 0:26:41 | 0:26:44 | |
each and every one of them is now under my sole domain. | 0:26:44 | 0:26:47 | |
Con - all experiences that form the basis of my happiness | 0:26:48 | 0:26:52 | |
and sense of self worth are now destroyed by grief. | 0:26:52 | 0:26:56 | |
Downer! Bit of a downer, isn't it? | 0:26:56 | 0:26:59 | |
Pro - less recycling. | 0:27:01 | 0:27:03 | |
I can fit it all in the green box now. | 0:27:05 | 0:27:07 | |
Which is remarkable when you take into account | 0:27:07 | 0:27:09 | |
just how much I'm drinking. | 0:27:09 | 0:27:11 | |
"Oh, John, you're meant to heat mulled wine." | 0:27:13 | 0:27:15 | |
"All right, your highness, hand me the bottle and leave." | 0:27:15 | 0:27:18 | |
Con, con - I'm going to lose me house, | 0:27:20 | 0:27:23 | |
bit of fun, bit of fun, bit of fun. | 0:27:23 | 0:27:25 | |
Pro - 25% off council tax. | 0:27:26 | 0:27:29 | |
Yeah. CHEERING | 0:27:30 | 0:27:32 | |
I was on that like a ferret. | 0:27:32 | 0:27:34 | |
Dialling as the door slammed. | 0:27:36 | 0:27:38 | |
And that's us fresh out of cons, the rest are just pros, guys. | 0:27:39 | 0:27:42 | |
CHEERING Yeah! | 0:27:42 | 0:27:44 | |
Increased freezer space, all four drawers. | 0:27:44 | 0:27:48 | |
Cheaper gas and electric. | 0:27:48 | 0:27:50 | |
Reduced wear and tear on fixtures and fittings. | 0:27:50 | 0:27:53 | |
And when I say reduced, I don't mean by half, | 0:27:55 | 0:27:58 | |
cos I was only ever responsible for about 10% of scuffs and spills, | 0:27:58 | 0:28:03 | |
so we're looking at a net reduction of 90% in real terms. | 0:28:03 | 0:28:07 | |
This is my favourite one, my favourite one - | 0:28:08 | 0:28:11 | |
ultimate control over where the iPhone charger cable is | 0:28:11 | 0:28:16 | |
and why it is there. | 0:28:16 | 0:28:17 | |
There was a time it would take hours to answer the questions, | 0:28:20 | 0:28:24 | |
"Where is the iPhone charger cable? And why is it there?" | 0:28:24 | 0:28:28 | |
Not any more. | 0:28:29 | 0:28:31 | |
Plugged in next to the bed, most convenient place to have it. | 0:28:31 | 0:28:35 | |
Simple. | 0:28:35 | 0:28:37 | |
Is it... | 0:28:37 | 0:28:38 | |
..is it unplugged in the bathroom? | 0:28:40 | 0:28:43 | |
No. No, it's not. | 0:28:43 | 0:28:45 | |
That'd be a ludicrous place to keep it, | 0:28:45 | 0:28:47 | |
there's no plug socket in the bathroom. | 0:28:47 | 0:28:49 | |
Is it... | 0:28:50 | 0:28:52 | |
..in the front pocket of a rucksack you no longer use? | 0:28:52 | 0:28:56 | |
No, that'd be the last place you'd look, | 0:28:58 | 0:29:00 | |
that'd be very frustrating. | 0:29:00 | 0:29:02 | |
Is it... | 0:29:03 | 0:29:05 | |
..plugged in on a train we have alighted from? | 0:29:05 | 0:29:09 | |
No, no, it's plugged in next to the bed, | 0:29:12 | 0:29:15 | |
cos that's the most convenient place to have it. | 0:29:15 | 0:29:19 | |
Been out of the game. Been out of the dating game. | 0:29:19 | 0:29:23 | |
A lot's changed, a lot has changed. | 0:29:23 | 0:29:25 | |
Quick question. | 0:29:25 | 0:29:28 | |
You know, um... | 0:29:28 | 0:29:31 | |
..you know pubic hair.... | 0:29:31 | 0:29:34 | |
..on a...on a lady? | 0:29:34 | 0:29:36 | |
Is that not a thing any more? | 0:29:38 | 0:29:40 | |
All gone. | 0:29:48 | 0:29:49 | |
All. | 0:29:49 | 0:29:50 | |
All gone. | 0:29:50 | 0:29:52 | |
I remember back in the day seeing the odd person experiment with | 0:29:54 | 0:29:57 | |
the format, but all... | 0:29:57 | 0:29:59 | |
all gone. | 0:29:59 | 0:30:01 | |
Worried I'd missed a town meeting or a referendum or something. | 0:30:04 | 0:30:07 | |
All gone. | 0:30:09 | 0:30:10 | |
I mean, I know there's a cliche | 0:30:11 | 0:30:13 | |
that men find it hard to locate the clitoris, | 0:30:13 | 0:30:15 | |
but it does seem drastic action to take to clear the entire ground. | 0:30:15 | 0:30:19 | |
LAUGHTER AND APPLAUSE | 0:30:19 | 0:30:21 | |
Sort of reminiscent of tactics | 0:30:28 | 0:30:30 | |
employed by American forces in Vietnam. | 0:30:30 | 0:30:33 | |
Sometimes, and I'm assuming this is an accident, | 0:30:35 | 0:30:39 | |
sometimes there's one. | 0:30:39 | 0:30:41 | |
One. A full-length one. | 0:30:42 | 0:30:45 | |
Somehow escaped the massacre. | 0:30:47 | 0:30:49 | |
Perhaps like a soldier who plays dead under a horse's carcass. | 0:30:51 | 0:30:55 | |
Awakes at dawn to see cannon smoke | 0:30:57 | 0:30:59 | |
drift across the horror of the no-man's-land. | 0:30:59 | 0:31:02 | |
I think what's problematic for me | 0:31:03 | 0:31:05 | |
as a pro-hair man, which, FYI, is not a kink. | 0:31:05 | 0:31:09 | |
That's not a fetish. Hair. | 0:31:10 | 0:31:13 | |
That's not a weird thing to be into, naturally occurring hair. | 0:31:14 | 0:31:17 | |
You shouldn't have to scroll down for hair. | 0:31:20 | 0:31:22 | |
Hair should be at the top with the normal ones. | 0:31:25 | 0:31:29 | |
Shouldn't have to scroll down going, "Where's the hair? More hair." | 0:31:29 | 0:31:33 | |
Going past acronyms you don't understand, | 0:31:33 | 0:31:37 | |
stuff you're not sure if it's gay or a dance, going, "Where's the hair?" | 0:31:37 | 0:31:40 | |
What's problematic, as a pro-hair man, | 0:31:42 | 0:31:45 | |
is the more I try and articulate my objection | 0:31:45 | 0:31:47 | |
to what I see as a pressure on women to defeminise themselves, | 0:31:47 | 0:31:51 | |
the more I object to that, the more sexist I become because the more | 0:31:51 | 0:31:54 | |
I become another man telling women what to do with their body. | 0:31:54 | 0:31:57 | |
Which is ideally a chorus I'd not like to add my voice to. | 0:31:57 | 0:32:00 | |
But the more I attack something that I see as sexist, | 0:32:00 | 0:32:03 | |
the more sexist I become. | 0:32:03 | 0:32:05 | |
I may as well be stood here going, "Hey, sisters! | 0:32:05 | 0:32:09 | |
"Sisters! | 0:32:09 | 0:32:11 | |
"You go and regrow that womanly hair. | 0:32:11 | 0:32:15 | |
"And make sure there's something nice on the table for when I get home." | 0:32:15 | 0:32:19 | |
I wonder if my responsibility as an individual man, | 0:32:21 | 0:32:24 | |
and perhaps what is incumbent upon all men, | 0:32:24 | 0:32:27 | |
is to make sure that the women in our lives know that however | 0:32:27 | 0:32:30 | |
they choose to display themselves is entirely their decision. | 0:32:30 | 0:32:33 | |
And yet they must feel no pressure from any man, any industry, | 0:32:33 | 0:32:37 | |
any company or any advert to display themselves | 0:32:37 | 0:32:40 | |
in a way that makes them uncomfortable. | 0:32:40 | 0:32:42 | |
And if you want to, if you want to, fucking grow it everywhere, | 0:32:42 | 0:32:45 | |
you hairy-nippled, wonky-titted legends. | 0:32:45 | 0:32:47 | |
Happy Christmas! | 0:32:50 | 0:32:52 | |
I've been John Robins, good night, bye-bye! | 0:32:53 | 0:32:57 | |
John Robins! | 0:33:03 | 0:33:05 | |
Ladies and gentlemen, are you ready for your next act? | 0:33:09 | 0:33:11 | |
CHEERING | 0:33:11 | 0:33:14 | |
This is one of my very good friends. | 0:33:14 | 0:33:17 | |
His career has absolutely gone stratospheric, | 0:33:17 | 0:33:20 | |
he is amazing, you're going to love him, | 0:33:20 | 0:33:23 | |
please welcome Joel Dommett. | 0:33:23 | 0:33:25 | |
-CHEERING AND APPLAUSE -# O come, all ye faithful | 0:33:25 | 0:33:29 | |
# Joyful and triumphant | 0:33:29 | 0:33:32 | |
# O come ye | 0:33:32 | 0:33:35 | |
# O come ye to Bethlehem | 0:33:35 | 0:33:41 | |
# Come and behold... # | 0:33:41 | 0:33:44 | |
What a tune! What a tune. | 0:33:44 | 0:33:47 | |
-Hello, Merry Christmas. AUDIENCE: -Merry Christmas! | 0:33:47 | 0:33:51 | |
Yes, Merry Christmas, it's a pleasure, my name is Joel. | 0:33:51 | 0:33:54 | |
Come All Ye Faithful, what an intro track. | 0:33:54 | 0:33:56 | |
What an intro song, guys. | 0:33:56 | 0:33:58 | |
It's my favourite Christmas carol. It's so good - what a banger. | 0:33:58 | 0:34:04 | |
What a tune. What a tune. | 0:34:04 | 0:34:08 | |
I request it all year round in the nightclubs. | 0:34:08 | 0:34:11 | |
Don't care, such a good... | 0:34:11 | 0:34:12 | |
Cos it's the middle bit, when you sing it, | 0:34:12 | 0:34:15 | |
you just can't wait till the middle bit, that's the juicy part. | 0:34:15 | 0:34:18 | |
# Come all ye faithful joyful and triumphant | 0:34:18 | 0:34:21 | |
# O come ye, O come ye to Bethlehem | 0:34:21 | 0:34:23 | |
# Come and behold him Born the king of angels... | 0:34:23 | 0:34:29 | |
HE WHISPERS # O come let us adore him | 0:34:29 | 0:34:32 | |
HE SINGS LOUDER # O come let us adore him | 0:34:32 | 0:34:36 | |
HE SHOUTS # Oh come let us adore him | 0:34:36 | 0:34:40 | |
# Chri-ist the Lord! # | 0:34:40 | 0:34:43 | |
Yes! That's a carol! | 0:34:43 | 0:34:46 | |
Oh, it's a fave. All year round. | 0:34:46 | 0:34:49 | |
It's the only time you can shout in assembly. | 0:34:52 | 0:34:55 | |
They can't tell you off. It's in the Bible, probably. | 0:34:59 | 0:35:03 | |
I want... | 0:35:04 | 0:35:06 | |
I want to ask for shoes for Christmas, | 0:35:06 | 0:35:09 | |
but I've got size 6½ feet, | 0:35:09 | 0:35:13 | |
so I feel a bit self-conscious about... | 0:35:13 | 0:35:16 | |
..asking for them, you know? | 0:35:16 | 0:35:18 | |
Is there anyone else here with size six feet? Give me a cheer. | 0:35:18 | 0:35:21 | |
CHEERING | 0:35:21 | 0:35:22 | |
Just the women. | 0:35:22 | 0:35:24 | |
Just the women and me. | 0:35:25 | 0:35:27 | |
I'm six foot tall as well! | 0:35:27 | 0:35:30 | |
Like, guys! It is hard to stay stood up on a windy day. | 0:35:30 | 0:35:33 | |
It's hard work. And people are always like, "It must be so horrible!" | 0:35:38 | 0:35:42 | |
"It must be so horrible for you, Joel, because of the cliche." | 0:35:42 | 0:35:45 | |
Everyone's like, "When women see you in a nightclub, | 0:35:45 | 0:35:48 | |
"they must just assume you've got a small penis." | 0:35:48 | 0:35:51 | |
I don't care! | 0:35:51 | 0:35:53 | |
I can fit into Heelies. | 0:35:53 | 0:35:54 | |
Yes! | 0:35:57 | 0:35:59 | |
Do you know how exciting that is for me? | 0:36:02 | 0:36:04 | |
I can round up women in a nightclub like a sheepdog. | 0:36:04 | 0:36:07 | |
Fanta... Heelies, best way to end an argument, ever. | 0:36:11 | 0:36:15 | |
It's the best way! | 0:36:15 | 0:36:16 | |
"Um, I think you're wrong, actually," | 0:36:16 | 0:36:18 | |
and just heely away. | 0:36:18 | 0:36:20 | |
They can't argue! You've already gone! | 0:36:20 | 0:36:22 | |
I got angry with my flatmate the other day, | 0:36:24 | 0:36:26 | |
got proper angry with him, cos he's a player. | 0:36:26 | 0:36:28 | |
Right? My flatmate's a proper player. | 0:36:28 | 0:36:30 | |
And I love players, don't get me wrong, I love 'em. | 0:36:30 | 0:36:32 | |
Cos you hear 'em before you see 'em. | 0:36:32 | 0:36:36 | |
In the nightclubs they're like, "I'm a playeeeeeeer." | 0:36:36 | 0:36:39 | |
The other players across the other side of the nightclub | 0:36:39 | 0:36:42 | |
are just like... "Plaaaayeeeeer." | 0:36:42 | 0:36:46 | |
That's how they communicate. | 0:36:48 | 0:36:49 | |
Means you get women, if you don't know that, that's what it means. | 0:36:49 | 0:36:52 | |
"Player" means you get women, | 0:36:52 | 0:36:53 | |
unless you're Spanish, in which case it means beach. | 0:36:53 | 0:36:56 | |
All the Spanish people in that nightclub are like, | 0:37:01 | 0:37:03 | |
"Where is the beach?" | 0:37:03 | 0:37:05 | |
"Donde esta the beach?" | 0:37:07 | 0:37:09 | |
This is the thing living with a player, right. | 0:37:12 | 0:37:14 | |
I just, like, we've got a small house, | 0:37:14 | 0:37:16 | |
I just know the noise that he makes when he has sex, I just know that. | 0:37:16 | 0:37:19 | |
I know that, right? | 0:37:19 | 0:37:20 | |
And I think it's funny, | 0:37:20 | 0:37:21 | |
because his noise sounds like a Nokia 3310 vibrating on a table. | 0:37:21 | 0:37:26 | |
Very specific. | 0:37:28 | 0:37:30 | |
And in my house, right, my TV is here and then behind the TV | 0:37:31 | 0:37:35 | |
..is his bedroom... | 0:37:35 | 0:37:36 | |
..and the erm... | 0:37:36 | 0:37:37 | |
There's a wall there as well. | 0:37:37 | 0:37:39 | |
LAUGHTER | 0:37:39 | 0:37:41 | |
That would be the creepiest house of all time. | 0:37:41 | 0:37:44 | |
"Let's just go behind the TV and ignore him, | 0:37:45 | 0:37:47 | |
"it's going to be fine." | 0:37:47 | 0:37:49 | |
He goes in with this lady. | 0:37:54 | 0:37:56 | |
I'm in the lounge, I'm playing Modern Warfare 3 on my Xbox. | 0:37:56 | 0:37:59 | |
-AUDIENCE: -Whooo! | 0:37:59 | 0:38:00 | |
Yes, "whoo," cos I'm a different kind of playeeeer! | 0:38:00 | 0:38:03 | |
He goes in with this lady and it's a thin wall, so I can just hear them | 0:38:04 | 0:38:08 | |
talking and they're like, you know, they're like... | 0:38:08 | 0:38:10 | |
HE IMITATES MUFFLED MALE VOICE | 0:38:10 | 0:38:13 | |
HE IMITATES MUFFLED FEMALE VOICE | 0:38:27 | 0:38:29 | |
HE IMITATES MUFFLED MALE VOICE | 0:38:34 | 0:38:37 | |
HE IMITATES MUFFLED LAUGHTER | 0:38:39 | 0:38:42 | |
MUFFLED FEMALE VOICE: Oh, my God, you're so funny. | 0:38:44 | 0:38:47 | |
HE IMITATES MUFFLED MALE VOICE | 0:38:47 | 0:38:51 | |
MUFFLED MALE VOICE: Plaaaayyeeeeeeer. | 0:38:51 | 0:38:55 | |
MUFFLED FEMALE VOICE: Oh, my God, you're such a player. | 0:38:59 | 0:39:01 | |
HE IMITATES MUFFLED MALE VOICE | 0:39:01 | 0:39:04 | |
# Come all ye faithful... | 0:39:04 | 0:39:08 | |
HE IMITATES MUFFLED FEMALE VOICE | 0:39:15 | 0:39:18 | |
HE IMITATES PHONE VIBRATING | 0:39:26 | 0:39:30 | |
HE IMITATES PHONE VIBRATING | 0:39:35 | 0:39:38 | |
MUFFLED MALE VOICE: I'm so sorry. | 0:39:43 | 0:39:45 | |
CHEERING | 0:39:45 | 0:39:50 | |
I try be a player. I've tried. | 0:39:59 | 0:40:01 | |
I've tried. Last Christmas, I was single. | 0:40:01 | 0:40:04 | |
Right? I'm trying. I thought, you know what, | 0:40:04 | 0:40:06 | |
because I've gone from relationship to relationship to relationship | 0:40:06 | 0:40:09 | |
and I thought, I've never had a one-night stand. | 0:40:09 | 0:40:10 | |
I've never done it. I thought, maybe that's what I need. | 0:40:10 | 0:40:13 | |
Maybe that's what I need to have a successful relationship. | 0:40:13 | 0:40:15 | |
I just need to go out into the world and just have sex with something. | 0:40:15 | 0:40:18 | |
LAUGHTER | 0:40:18 | 0:40:21 | |
And so I went online. | 0:40:21 | 0:40:23 | |
That's how you meet people these days, isn't it? You go online. | 0:40:23 | 0:40:25 | |
And I met this lady and she seemed nice and we... | 0:40:25 | 0:40:29 | |
we chatted a bit. | 0:40:29 | 0:40:31 | |
And after a while she was, like, | 0:40:31 | 0:40:32 | |
"Hey, I'm at a party near your house." | 0:40:32 | 0:40:34 | |
"I'm going to come to your house in half an hour." Yes. | 0:40:34 | 0:40:39 | |
I was like, Oh, my God! | 0:40:39 | 0:40:40 | |
LAUGHTER | 0:40:40 | 0:40:42 | |
Urgh. | 0:40:42 | 0:40:44 | |
Oh... I'm going to clean my house. | 0:40:44 | 0:40:45 | |
LAUGHTER | 0:40:45 | 0:40:47 | |
She didn't arrive half an hour later, | 0:40:50 | 0:40:51 | |
she arrived three hours later. | 0:40:51 | 0:40:54 | |
Drunk. | 0:40:54 | 0:40:55 | |
My house was so clean and, like... LAUGHTER | 0:40:55 | 0:40:59 | |
..and I'm not talking drunk like, "Hey, how's it going?" | 0:40:59 | 0:41:01 | |
Not talking that, I'm talking like, "LET ME IN!" drunk. | 0:41:01 | 0:41:05 | |
Hammered. So drunk. She was banging on my front door. | 0:41:06 | 0:41:09 | |
Genuinely, I was panicking so much I didn't know what to do. | 0:41:09 | 0:41:12 | |
My neighbours were complaining and I was, like, I thought | 0:41:12 | 0:41:15 | |
this was the best plan. | 0:41:15 | 0:41:16 | |
She lived really far away, | 0:41:16 | 0:41:18 | |
so I thought this was the most adult action I should take. | 0:41:18 | 0:41:21 | |
I just invited her in and I gave her my Christmas pyjamas | 0:41:21 | 0:41:25 | |
and I said, "Go to sleep". | 0:41:25 | 0:41:27 | |
AUDIENCE CHUCKLE Thank you very much. | 0:41:27 | 0:41:30 | |
I feel like, "Aw, he's not a rapist. " | 0:41:30 | 0:41:32 | |
LAUGHTER So nice of you. | 0:41:32 | 0:41:35 | |
And that was it. That was it. | 0:41:38 | 0:41:39 | |
She slept on my bed, I even gave her my bed. I slept on the floor. That was it. | 0:41:39 | 0:41:42 | |
Until about 6.30 in the morning, I was woken up by her pissing on my carpet. | 0:41:42 | 0:41:45 | |
Just pissing. True facts. | 0:41:45 | 0:41:48 | |
Just pissing away. Leaning against the wall, just pissing | 0:41:48 | 0:41:50 | |
and I was like, "What are you doing? Stop pissing on my carpet!" | 0:41:50 | 0:41:53 | |
And she went, "Just look away." LAUGHTER | 0:41:53 | 0:41:56 | |
Privacy is not the issue, stranger! | 0:41:56 | 0:41:58 | |
You need to stop wazzing on my rug, mate. | 0:42:00 | 0:42:02 | |
She is just wazzing, just happening. | 0:42:03 | 0:42:06 | |
There was nothing I could do. I can't just rugby tackle her. | 0:42:06 | 0:42:09 | |
She wasn't little, I can't pick her up and take her outside like a dog in the movies. | 0:42:09 | 0:42:12 | |
LAUGHTER I just waited for her to finish. | 0:42:12 | 0:42:15 | |
There was so much, Apollo. | 0:42:15 | 0:42:17 | |
She was not a shots girl. | 0:42:17 | 0:42:19 | |
She was a pints lady. | 0:42:19 | 0:42:20 | |
LAUGHTER So much. | 0:42:20 | 0:42:23 | |
There was so much. | 0:42:23 | 0:42:24 | |
And then she just got back into bed, like that's something you do. | 0:42:24 | 0:42:28 | |
Just got back in... And I thought, my God, she didn't even wipe. | 0:42:28 | 0:42:30 | |
It was horrendous. | 0:42:30 | 0:42:32 | |
LAUGHTER Horrendous. | 0:42:32 | 0:42:34 | |
I thought, I'll deal with it in the morning. | 0:42:34 | 0:42:36 | |
I woke up in the morning, and I woke her up. I said, "Hey. | 0:42:36 | 0:42:40 | |
"You pissed on my carpet last night." | 0:42:40 | 0:42:42 | |
And she went, "Please don't talk about this on stage." | 0:42:42 | 0:42:45 | |
LAUGHTER | 0:42:45 | 0:42:49 | |
Yes. | 0:42:49 | 0:42:50 | |
CHEERING | 0:42:50 | 0:42:53 | |
And I said, "I won't, Charlotte Fowler." | 0:42:56 | 0:42:59 | |
CHEERING | 0:42:59 | 0:43:04 | |
So wonderful. | 0:43:04 | 0:43:05 | |
Merry Christmas! | 0:43:07 | 0:43:09 | |
One more! | 0:43:09 | 0:43:11 | |
Thank you and good night. | 0:43:11 | 0:43:13 | |
CHEERING | 0:43:13 | 0:43:16 | |
Joel Dommett! | 0:43:16 | 0:43:18 | |
CHEERING | 0:43:18 | 0:43:21 | |
That's the show, everybody. | 0:43:21 | 0:43:22 | |
We're so touched that you allowed us to share your evening with you. | 0:43:22 | 0:43:26 | |
Thank you once again to my special guests Marlon Davis... | 0:43:26 | 0:43:30 | |
CHEERING | 0:43:30 | 0:43:33 | |
..John Robins... | 0:43:33 | 0:43:35 | |
CHEERING | 0:43:35 | 0:43:37 | |
And Joel Dommett! | 0:43:37 | 0:43:39 | |
CHEERING | 0:43:39 | 0:43:41 | |
I'm Katherine Ryan. | 0:43:41 | 0:43:43 | |
Please be kind to yourselves and to others. | 0:43:43 | 0:43:45 | |
Please be very generous, stay safe and look after each other. | 0:43:45 | 0:43:48 | |
Happy holidays, good evening. | 0:43:48 | 0:43:50 | |
CHEERING | 0:43:50 | 0:43:56 |