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'Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
'Jack Whitehall!' | 0:00:22 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:29 | |
Good evening, ladies and gentlemen. Welcome to Live at the Apollo. | 0:00:38 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:48 | |
Ladies and gentlemen, | 0:00:48 | 0:00:50 | |
we have a cracking show in store for you this evening. | 0:00:50 | 0:00:54 | |
You are in for a treat. | 0:00:54 | 0:00:57 | |
And let me say, you look like you deserve it. | 0:00:57 | 0:00:59 | |
This looks like a beautiful audience. | 0:00:59 | 0:01:01 | |
-CHEERING -Oh, yeah. | 0:01:01 | 0:01:03 | |
Some beautiful faces in here. | 0:01:03 | 0:01:05 | |
And also a couple of famous faces as well. Oh, yes. | 0:01:05 | 0:01:08 | |
A star-studded audience tonight in the Hammersmith Apollo. | 0:01:08 | 0:01:12 | |
Kerry Katona is in the house. | 0:01:12 | 0:01:14 | |
CHEERING | 0:01:14 | 0:01:15 | |
Oh, yeah. Kerry Katona. | 0:01:15 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:19 | 0:01:21 | |
I love Kerry! | 0:01:21 | 0:01:23 | |
I watched Kerry, I watched you on the Big Brother. | 0:01:23 | 0:01:26 | |
Celebrity Big Brother. | 0:01:26 | 0:01:29 | |
I wasn't sure, about this series of Celebrity Big Brother, | 0:01:29 | 0:01:31 | |
truth be told. | 0:01:31 | 0:01:33 | |
I thought quite a predictable series, Celebrity Big Brother. | 0:01:33 | 0:01:37 | |
It was won by a gypsy. | 0:01:37 | 0:01:39 | |
Well, obviously he was going to be the last one to get evicted. | 0:01:39 | 0:01:42 | |
No, it's nice to have you here, Kerry. | 0:01:48 | 0:01:50 | |
It's lovely everyone has come out to the Hammersmith Apollo | 0:01:50 | 0:01:53 | |
to have a laugh, to enjoy yourselves | 0:01:53 | 0:01:55 | |
because I think, on the whole, | 0:01:55 | 0:01:56 | |
we are quite a grumpy nation. We are a grumpy nation of people | 0:01:56 | 0:01:59 | |
but I think that's something that we should celebrate. | 0:01:59 | 0:02:02 | |
Celebrate how grumpy we are | 0:02:02 | 0:02:03 | |
because that's what makes us British, and if we weren't like this | 0:02:03 | 0:02:07 | |
we'd be like Americans, and we don't want that. | 0:02:07 | 0:02:09 | |
There are some things in this great country, oh, yeah, | 0:02:09 | 0:02:13 | |
there are some things that we will never have, | 0:02:13 | 0:02:17 | |
and we need to embrace that. Like customer service. | 0:02:17 | 0:02:20 | |
We are never going to have customer service in the UK. | 0:02:20 | 0:02:23 | |
They love that shit in America. I don't want it here. | 0:02:23 | 0:02:26 | |
Go into a shop in the UK, you know what you're getting put through, yeah? | 0:02:26 | 0:02:30 | |
Like your phone shop, for example. | 0:02:30 | 0:02:31 | |
You walk into the Carphone Warehouse, you know the drill. | 0:02:31 | 0:02:34 | |
You know if you go to Carphone Warehouse you can get ignored for days. | 0:02:34 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:40 | |
There'll be a corpse where an elderly gentleman's | 0:02:40 | 0:02:43 | |
tried to upgrade without his wife there to help, | 0:02:43 | 0:02:45 | |
and even when you do get assistance | 0:02:45 | 0:02:47 | |
it's going to be from some patronising little suited teenager, | 0:02:47 | 0:02:50 | |
constantly asking you, "How many minutes you talk in a month, bruv?" | 0:02:50 | 0:02:54 | |
When you leave the shop, you feel like you've earned your phone. | 0:02:54 | 0:02:58 | |
I broke my phone when I was in America. | 0:02:58 | 0:03:00 | |
I had to go into the Apple Store in New York. | 0:03:00 | 0:03:02 | |
Oh, my God! The Apple Store in New York | 0:03:02 | 0:03:05 | |
is like a big, white, glistening cathedral | 0:03:05 | 0:03:08 | |
of twats! | 0:03:08 | 0:03:10 | |
LAUGHTER AND APPLAUSE | 0:03:10 | 0:03:11 | |
Before you even have your foot in the door, | 0:03:11 | 0:03:15 | |
there's a wank-tard in your face. | 0:03:15 | 0:03:17 | |
"Hey, buddy, my name's Drew. | 0:03:17 | 0:03:18 | |
What brings you to the Apple Store today, hombre?" | 0:03:18 | 0:03:22 | |
"I'm here to buy a phone, not make a friend. Piss off." | 0:03:22 | 0:03:25 | |
They genuinely applaud the first customer in of the day - | 0:03:27 | 0:03:31 | |
the Apple Store in New York - | 0:03:31 | 0:03:32 | |
they all stand around applauding the idiot as he walks in. | 0:03:32 | 0:03:35 | |
"Whoo, we love you, man, customer number one, you rock." | 0:03:35 | 0:03:38 | |
Can you imagine getting away with that at a phone shop in the UK? | 0:03:38 | 0:03:42 | |
I think not! | 0:03:42 | 0:03:43 | |
T-Mobile in the Westfield Shopping Centre? | 0:03:43 | 0:03:46 | |
The only customer getting applauded is the last one OUT of the day. | 0:03:46 | 0:03:49 | |
"Oh, thank Christ you've gone, mate. | 0:03:49 | 0:03:51 | |
"We can all go down the pub, you BlackBerry wanker!" | 0:03:51 | 0:03:55 | |
LAUGHTER AND APPLAUSE | 0:03:55 | 0:03:57 | |
I don't like customer service. | 0:04:05 | 0:04:07 | |
And it works both ways as well. | 0:04:07 | 0:04:10 | |
When I was in America I needed to use the train, and I was on the platform, | 0:04:10 | 0:04:14 | |
and I saw a poster in one of the stations, right? | 0:04:14 | 0:04:16 | |
It had on it one of their rail employees - | 0:04:16 | 0:04:19 | |
she was there, all made up, her eyes full of life and hope. | 0:04:19 | 0:04:22 | |
She had a smile across her face, | 0:04:22 | 0:04:24 | |
and then underneath it, a little slogan, | 0:04:24 | 0:04:27 | |
"Hey, you got enough snacks for the journey? Enjoy your trip." | 0:04:27 | 0:04:31 | |
Compare that to the posters you get up and down this great island | 0:04:31 | 0:04:35 | |
on every single station platform. What is it? | 0:04:35 | 0:04:38 | |
A poster of a National Rail employee with a massive black eye. | 0:04:38 | 0:04:42 | |
"Please don't hit our staff." | 0:04:42 | 0:04:44 | |
LAUGHTER AND APPLAUSE | 0:04:44 | 0:04:47 | |
Yeah. | 0:04:52 | 0:04:54 | |
Some stuff will never ever make the crossover. | 0:04:54 | 0:04:56 | |
Like, customer service is one of them but there's so many more that I've noticed. | 0:04:56 | 0:05:01 | |
Like, Skins is another interesting example. | 0:05:01 | 0:05:03 | |
Skins, the popular teen drama, was huge here. | 0:05:03 | 0:05:06 | |
It ran for, like, five, six series. | 0:05:06 | 0:05:08 | |
We sold it to America and they cancelled it after one season, | 0:05:08 | 0:05:11 | |
and the reason they gave for cancelling it | 0:05:11 | 0:05:13 | |
is because they didn't want to watch it because, in America, | 0:05:13 | 0:05:16 | |
they'd decided that Skins was unrealistic - | 0:05:16 | 0:05:18 | |
it depicted young adults unrealistically going out, | 0:05:18 | 0:05:22 | |
indulging in sexual practices, drinking alcoholic beverages | 0:05:22 | 0:05:28 | |
and, reality check UK, that is unrealistic. | 0:05:28 | 0:05:31 | |
We do not want to watch that here in the USA. | 0:05:31 | 0:05:34 | |
Oh, I'm sorry, America(!) Look at us with our ludicrous English writers, | 0:05:34 | 0:05:39 | |
coming up with these ridiculously far-fetched situations | 0:05:39 | 0:05:43 | |
where teenagers go out, enjoy themselves, | 0:05:43 | 0:05:46 | |
sleep around and have a little bit too much to drink, | 0:05:46 | 0:05:49 | |
rather than walking into their schools and shooting each other | 0:05:49 | 0:05:51 | |
whilst being morbidly obese. | 0:05:51 | 0:05:53 | |
They take everything, they take all of our best TV. | 0:06:04 | 0:06:06 | |
Saddest news I have had in recent times | 0:06:06 | 0:06:08 | |
is that the Americans have stolen from us | 0:06:08 | 0:06:11 | |
one of our great British institutions - | 0:06:11 | 0:06:14 | |
they've taken Jeremy Kyle! | 0:06:14 | 0:06:16 | |
He's going to Florida. What am I going to do? | 0:06:16 | 0:06:20 | |
How am I going to spend my days? Jeremy Kyle is what I watch. | 0:06:20 | 0:06:23 | |
Jeremy Kyle is my only way of working out what makes relationships work. | 0:06:23 | 0:06:27 | |
That's my go-to guy, | 0:06:27 | 0:06:29 | |
and now I don't have him any more. | 0:06:29 | 0:06:31 | |
If you've never been, I implore you to go, | 0:06:31 | 0:06:33 | |
cos I went to Manchester to the Jeremy Kyle studio | 0:06:33 | 0:06:36 | |
and I witnessed one of the most incredible scenes I had ever seen, | 0:06:36 | 0:06:39 | |
cos I saw a man take on Jeremy Kyle and nearly walk away the victor. | 0:06:39 | 0:06:44 | |
It was beautiful, cos when he walked into the studio, I didn't give him a hope in hell, right? | 0:06:44 | 0:06:49 | |
His name was Spider, right? | 0:06:49 | 0:06:51 | |
He was wearing a matching shell suit and cap. | 0:06:51 | 0:06:53 | |
I was like, "Oh, my God, man, Jeremy Kyle is going to chew you up and spit you up the other end, | 0:06:53 | 0:06:58 | |
"and you know what, I hope he gets done with you quickly, | 0:06:58 | 0:07:00 | |
"so we can get on to the squabbling sisters that are both having sex | 0:07:00 | 0:07:03 | |
"with the same guy, cos that's what I came this afternoon!" | 0:07:03 | 0:07:06 | |
But right from the outset, Spider showed some serious promise. | 0:07:06 | 0:07:11 | |
Kyle started off with a standard Jeremy Kyle opening round | 0:07:11 | 0:07:15 | |
little teaser question. | 0:07:15 | 0:07:17 | |
He was like, "So, Spider, tell me, | 0:07:17 | 0:07:19 | |
"why don't you see much of your children?" | 0:07:19 | 0:07:21 | |
Quick as a flash, Spider's like, "Well, Jeremy, | 0:07:21 | 0:07:23 | |
"to be perfectly honest, the reason that | 0:07:23 | 0:07:25 | |
"I don't see much of my children is cos I've gotta work two jobs - | 0:07:25 | 0:07:29 | |
"one during the day, and then I've also gotta do a night shift | 0:07:29 | 0:07:32 | |
"to earn enough money to pay them | 0:07:32 | 0:07:34 | |
"the child support that they deserve." | 0:07:34 | 0:07:36 | |
I sat up in my chair. I was like, "Ooh, this guy's good!" | 0:07:36 | 0:07:40 | |
"What have you got next, Kyle?" Kyle coils back for another blow. | 0:07:42 | 0:07:45 | |
He's like, "So, Spider, I hear... | 0:07:45 | 0:07:47 | |
"I hear that you're a bit of a drinker." | 0:07:56 | 0:07:58 | |
Ooh, it's a low blow, the sobriety test early on. | 0:07:58 | 0:08:01 | |
This is gonna see whether Spider's got what it takes | 0:08:01 | 0:08:04 | |
to go the full 12 rounds. | 0:08:04 | 0:08:05 | |
"Well, Jeremy, I admit that I was a little bit of a drinker. | 0:08:05 | 0:08:08 | |
"But I have sought professional guidance and help. | 0:08:08 | 0:08:11 | |
"I've attended various AA meetings, | 0:08:11 | 0:08:12 | |
"and I am now proud to say that I have been sober for three years." | 0:08:12 | 0:08:17 | |
What the hell is going on here?! | 0:08:17 | 0:08:20 | |
Have I just witnessed a man | 0:08:20 | 0:08:22 | |
sidestep Jeremy Kyle two times in a row?! | 0:08:22 | 0:08:25 | |
That's not in the script! | 0:08:25 | 0:08:27 | |
Maybe the matador has finally met his match | 0:08:27 | 0:08:29 | |
in this deadly dance of death. | 0:08:29 | 0:08:31 | |
"What do you want next, Kyle? You're on the ropes." | 0:08:31 | 0:08:33 | |
He swoops down to his side. He pulls up an envelope. | 0:08:33 | 0:08:36 | |
We all know what that means. It's lie detector time! | 0:08:36 | 0:08:39 | |
"Spider, we asked you under lie detector whether you had ever | 0:08:39 | 0:08:43 | |
"cheated with Rachel when you were in a relationship with her. | 0:08:43 | 0:08:46 | |
"You said that you hadn't. You were in fact... | 0:08:46 | 0:08:48 | |
"..telling the truth?" | 0:08:49 | 0:08:51 | |
OMG. FML. The audience then cheered for Spider. | 0:08:51 | 0:08:57 | |
I was like, "I am gonna be telling my grandchildren about this shit! | 0:08:57 | 0:09:02 | |
"We've sided with Spider! This is like Rocky IV. | 0:09:02 | 0:09:04 | |
"We're the Russians and we're cheering for Rocky!" | 0:09:04 | 0:09:06 | |
Kyle didn't know what to do. | 0:09:06 | 0:09:08 | |
Blood was streaming. | 0:09:08 | 0:09:09 | |
He had one last throw of the dice, and it needed to be doubles, | 0:09:09 | 0:09:12 | |
cos he was in jail right then. | 0:09:12 | 0:09:14 | |
He put his hand up to his ear. He was calling in for backup! | 0:09:14 | 0:09:18 | |
He goes, "Spider, I've had a word with our researchers, | 0:09:18 | 0:09:21 | |
"and they tell me that you have a motto." | 0:09:21 | 0:09:24 | |
Oh, Jeremy! Is that all you've got? A motto? | 0:09:24 | 0:09:29 | |
Of course Spider's got a motto. | 0:09:29 | 0:09:31 | |
We've already established that this gentleman is not a mug. | 0:09:31 | 0:09:34 | |
You thought he'd walk into the studio without a motto? | 0:09:34 | 0:09:38 | |
Oh, Jeremy, don't be ridiculous! | 0:09:38 | 0:09:40 | |
Well, come on, Spider, old buddy, old pal, | 0:09:40 | 0:09:43 | |
tell Jeremy what your motto is. | 0:09:43 | 0:09:45 | |
Put him to the sword, and then you can parade round the studio | 0:09:45 | 0:09:48 | |
with his head on a blooded spike. | 0:09:48 | 0:09:51 | |
What's the motto gonna be, Spider? We can't wait! Carpe diem? | 0:09:51 | 0:09:54 | |
Do unto others as you would have done unto yourself? | 0:09:54 | 0:09:57 | |
Mother knows best? Complete silence befell the studio. | 0:09:57 | 0:10:01 | |
Spider pursed his lips, suddenly elevated like Moses on the mound. | 0:10:01 | 0:10:06 | |
We looked at him, and then, "Well, Jeremy, | 0:10:06 | 0:10:10 | |
"if a woman can give a punch, she can take one." | 0:10:10 | 0:10:13 | |
I learned a valuable lesson that day! | 0:10:25 | 0:10:28 | |
Relationships do not require mottos. | 0:10:28 | 0:10:30 | |
I had for some time been wanting to get into a relationship | 0:10:33 | 0:10:36 | |
and, lo and behold, I met the woman of my dreams. She was incredible, right? | 0:10:36 | 0:10:40 | |
As soon as we start going out the problems start emerging | 0:10:40 | 0:10:43 | |
cos, when I first met her she was great, | 0:10:43 | 0:10:45 | |
but as soon as the relationship became official, she changed. | 0:10:45 | 0:10:49 | |
When I first met her she was cool, she was funny, exciting. | 0:10:49 | 0:10:52 | |
She said she was bi. I was like, "Oooh! Sexy!" | 0:10:52 | 0:10:57 | |
Turns out she meant bipolar. She was... | 0:10:57 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:03 | |
And she scared me as well, like, she intimidated me. | 0:11:03 | 0:11:05 | |
The older woman. She liked things I wasn't comfortable with, in the bedroom, for example. | 0:11:05 | 0:11:10 | |
That was a nightmare, because she liked to be experimental in the bedroom. | 0:11:10 | 0:11:13 | |
When it comes to the bedroom, I'm quite English about the whole thing. | 0:11:13 | 0:11:17 | |
Quite sort of English Victorian, right? | 0:11:17 | 0:11:19 | |
I want three minutes in the dark, then we both roll over, | 0:11:19 | 0:11:22 | |
assume the foetal position and cry for a bit. | 0:11:22 | 0:11:25 | |
That's how it should be done, right? | 0:11:25 | 0:11:27 | |
None of this talking, as well. I hate the talking. | 0:11:27 | 0:11:30 | |
This is the element I can't stand. | 0:11:30 | 0:11:32 | |
They say during sex that a woman should lie back and think of England. | 0:11:32 | 0:11:35 | |
I think they should lie back and think of London, specifically, London Underground. | 0:11:35 | 0:11:40 | |
Don't make any eye contact and don't dare start a conversation. | 0:11:40 | 0:11:43 | |
This girl, she was obsessed with doing all the talking, | 0:11:50 | 0:11:53 | |
and I'd warned her, I had warned her, people, | 0:11:53 | 0:11:56 | |
this voice does not work in the bedroom. | 0:11:56 | 0:11:58 | |
It is not a sexy voice, so stop trying to make me dirty talk, | 0:11:58 | 0:12:01 | |
but she persisted in doing it. She tried to trick me. | 0:12:01 | 0:12:05 | |
She'd be like, "Oh, Jack, tell me I've been a bad girl." | 0:12:05 | 0:12:09 | |
-SLIGHTLY EFFEMINATE TONE: -"You've been a bad girl." | 0:12:09 | 0:12:12 | |
"How bad?" "I don't know. Is there a scale? | 0:12:12 | 0:12:15 | |
"Worse than a looter, not as bad as Harold Shipman. Are you happy?" | 0:12:15 | 0:12:19 | |
LAUGHTER AND APPLAUSE | 0:12:19 | 0:12:22 | |
There were so many problems with our relationship, so many issues. | 0:12:24 | 0:12:27 | |
The major one was that her friends didn't like me | 0:12:27 | 0:12:30 | |
and, as a guy, if a girl's friends don't like you, you are screwed. | 0:12:30 | 0:12:34 | |
There's nothing you can do. | 0:12:34 | 0:12:35 | |
It's like laws of the animal kingdom. Girls are like a pride, | 0:12:35 | 0:12:38 | |
they're gracious, they look after, nurture the weakest of the group. | 0:12:38 | 0:12:42 | |
Guys don't give a shit. | 0:12:42 | 0:12:44 | |
They will kick out the weakest to rot in the sun. | 0:12:44 | 0:12:47 | |
If you want to observe this in all of its beauty, | 0:12:47 | 0:12:49 | |
the savannah, if you will, is the airport. | 0:12:49 | 0:12:52 | |
When you see groups of girls and groups of guys | 0:12:52 | 0:12:54 | |
going as lads and girls on tour, to like, Ayia Napa, Ibiza, Magaluf, | 0:12:54 | 0:12:59 | |
and it all starts in the airports with the tour T-shirts | 0:12:59 | 0:13:03 | |
and the tour hoodies they've had made up. | 0:13:03 | 0:13:05 | |
You see the girls with their little wheelies, | 0:13:05 | 0:13:08 | |
their little neatly ironed pink hoodies they've organised months in advance, | 0:13:08 | 0:13:12 | |
with little nicknames, on the back, in glitter... | 0:13:12 | 0:13:16 | |
Except with girls it's not nicknames, is it? | 0:13:16 | 0:13:18 | |
It's character building. | 0:13:18 | 0:13:20 | |
They'll find any positive about their friends and celebrate it. | 0:13:20 | 0:13:23 | |
It's incredible to see. | 0:13:23 | 0:13:25 | |
You'll see the group of girls and at the back | 0:13:25 | 0:13:27 | |
there'll be this 300-tonne hunk of ham | 0:13:27 | 0:13:29 | |
with like, a gammy leg, chins growing out of their ears | 0:13:29 | 0:13:32 | |
you didn't even know a chin could grow out of. | 0:13:32 | 0:13:35 | |
She reaches herself round to see if there's a queue outside Greggs, | 0:13:35 | 0:13:38 | |
and on her back in glitter it just says, "Angel Eyes". | 0:13:38 | 0:13:42 | |
You can't deny her eyes are gorgeous. | 0:13:43 | 0:13:45 | |
They follow you around the room, because one of them is lazy. | 0:13:45 | 0:13:48 | |
Next to them in the queue you've got the guys, | 0:13:50 | 0:13:52 | |
they're crawling over a bin liner full of T-shirts, | 0:13:52 | 0:13:55 | |
desperate to get the one that says "Shagger." | 0:13:55 | 0:13:57 | |
And then they start dishing them out amongst their friends, | 0:13:57 | 0:14:00 | |
except with them it's not nicknames. It's character assassination, | 0:14:00 | 0:14:04 | |
with no wit or reason to it whatsoever. | 0:14:04 | 0:14:08 | |
It's just like, "Dick Splash," "Shithead," "Tit Face," | 0:14:08 | 0:14:10 | |
some poor guy in a wheelchair getting forced into one that says "Top Gear." | 0:14:10 | 0:14:14 | |
It's cruel. | 0:14:14 | 0:14:15 | |
He's not even part of their group. | 0:14:17 | 0:14:19 | |
And they get on the holiday, | 0:14:21 | 0:14:23 | |
it's no different when they're actually on the holiday. | 0:14:23 | 0:14:25 | |
Groups of girls on holiday, if they're sunbathing on the beach, | 0:14:25 | 0:14:28 | |
and one of them falls asleep in the sun, they'll wake them up. | 0:14:28 | 0:14:33 | |
That's what they do. | 0:14:33 | 0:14:34 | |
A guy wouldn't dream of doing that. | 0:14:34 | 0:14:37 | |
The girls, it's like, "Angel Eyes, Angel Eyes, | 0:14:37 | 0:14:39 | |
"wake up! You're falling asleep in the sun. | 0:14:39 | 0:14:42 | |
"You're burning all over your shoulders. Girls, quickly, get some suntan! | 0:14:42 | 0:14:46 | |
"We're going to need more than that. Come on, girls. | 0:14:46 | 0:14:48 | |
"It'll be all right. We're looking out for you | 0:14:48 | 0:14:51 | |
"cos we're BFF, friends for ever." | 0:14:51 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:54 | |
Further on down the beach, "Oi, what's Jay doing?" "Shh!" | 0:14:54 | 0:14:58 | |
"He's fallen asleep in the midday sun." "Oh, wow!" | 0:15:00 | 0:15:05 | |
"Shall we put some suntan lotion on him?" "Yeah!" | 0:15:05 | 0:15:10 | |
"I'll draw the balls, you do the shaft." | 0:15:10 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:15 | |
Yes. It's very funny, isn't it, Hammersmith Apollo? | 0:15:15 | 0:15:18 | |
Laugh it all up. That will take weeks to go! | 0:15:18 | 0:15:21 | |
LAUGHTER AND CHEERING | 0:15:21 | 0:15:23 | |
APPLAUSE | 0:15:23 | 0:15:26 | |
WHISTLING | 0:15:28 | 0:15:32 | |
Someone wolf-whistled. That was NOT sexy. | 0:15:42 | 0:15:45 | |
"Yeah, that's how I like my guys - with a cock on their chest." | 0:15:45 | 0:15:48 | |
Maybe Kerry. | 0:15:50 | 0:15:54 | |
No, I didn't... | 0:15:54 | 0:15:56 | |
I couldn't resist! | 0:15:56 | 0:15:58 | |
The relationship, it didn't last. | 0:15:59 | 0:16:02 | |
And it WAS my fault. It was a Friday night when it happened, | 0:16:03 | 0:16:07 | |
because she had arranged dinner and then a movie. That sounds quite fun, | 0:16:07 | 0:16:11 | |
but it is not fun, because she's a sophisticated, mature woman. | 0:16:11 | 0:16:14 | |
This was a sophisticated, mature dinner, | 0:16:14 | 0:16:16 | |
and I hate going to fancy restaurants on dates, | 0:16:16 | 0:16:19 | |
because if you go to a fancy restaurant on a date, | 0:16:19 | 0:16:21 | |
they make you look like an idiot. If you take a girl on a date, | 0:16:21 | 0:16:24 | |
you need to go somewhere where you can look like you're in control, | 0:16:24 | 0:16:28 | |
which is why, if you're ever taking a girl on a date, | 0:16:28 | 0:16:31 | |
there is only one place, and one place alone, you can take them. | 0:16:31 | 0:16:34 | |
Any takers? | 0:16:34 | 0:16:36 | |
-AUDIENCE: Nando's. -Nando's! | 0:16:36 | 0:16:38 | |
Correct! | 0:16:38 | 0:16:40 | |
Nando's is where you take them, | 0:16:40 | 0:16:43 | |
because if you go to Nando's you can look like you know your shit. | 0:16:43 | 0:16:46 | |
You arrive at Nando's early. You're greeted at the door. | 0:16:46 | 0:16:50 | |
"Hello, has sir ever been to Nando's before?" | 0:16:50 | 0:16:52 | |
"Yes, I have, my good man, | 0:16:52 | 0:16:54 | |
"and we both know you'll be doing absolutely bugger all this evening, so stand aside!" | 0:16:54 | 0:16:58 | |
Take that booth in the corner. | 0:16:58 | 0:17:01 | |
"Ooh, banquette seating, nice for scooching up together when this gets interesting later on." | 0:17:01 | 0:17:06 | |
First, time for the wine. "What would Madame like? | 0:17:06 | 0:17:09 | |
"A dry Sancerre or a crisp Sauvignon Blanc?" | 0:17:09 | 0:17:12 | |
Doesn't matter, it's Nando's. They both taste exactly the same. | 0:17:12 | 0:17:16 | |
Which leads us on to the food. | 0:17:16 | 0:17:18 | |
"Do you like chicken?" Good, cos it's all chicken. | 0:17:18 | 0:17:20 | |
I already know what I'm getting. | 0:17:20 | 0:17:22 | |
It's a double chicken breast in a pitta, lemon and herb spice, | 0:17:22 | 0:17:25 | |
but at the last minute, I'm asking the guy at the counter | 0:17:25 | 0:17:28 | |
to swap the little flags round | 0:17:28 | 0:17:29 | |
so he can put in one that says it's extra hot, | 0:17:29 | 0:17:32 | |
so when I'm eating it she thinks that I'm hard as nails. | 0:17:32 | 0:17:35 | |
"Would sir like cheese and pineapple with that?" Why does anyone want cheese and pineapple with chicken? | 0:17:35 | 0:17:41 | |
It makes no logical sense. Her dinner has arrived. | 0:17:41 | 0:17:44 | |
She's ordered two sides, one of macho peas, one of witty repartee. | 0:17:44 | 0:17:48 | |
At this point in proceedings, ladies and gentlemen, | 0:17:48 | 0:17:51 | |
she is eating out of the palm of my hand, | 0:17:51 | 0:17:54 | |
mainly because I've forgotten to get the bloody cutlery from the tooling-up desk. | 0:17:54 | 0:17:58 | |
But it doesn't matter, | 0:17:58 | 0:18:00 | |
because he's about to ask the question every woman asks. | 0:18:00 | 0:18:03 | |
This is the killer, this is make or break time - | 0:18:03 | 0:18:05 | |
whether she'll get into the cab with you or not. | 0:18:05 | 0:18:08 | |
She turns to me, looks lovingly into my eyes and says, | 0:18:08 | 0:18:10 | |
"Jack, what's peri-peri?" | 0:18:10 | 0:18:14 | |
Ooh. "A very, very good question, my dear." | 0:18:14 | 0:18:17 | |
This is the final penalty in the shoot-out at Wembley. This is make or break time. | 0:18:17 | 0:18:21 | |
A very good question. What is peri-peri? | 0:18:21 | 0:18:24 | |
I'll let you into a secret, Hammersmith Apollo. It's a good question, but also one | 0:18:24 | 0:18:28 | |
nobody actually knows the answer to, | 0:18:28 | 0:18:31 | |
so you can make up whatever the hell you like | 0:18:31 | 0:18:33 | |
and she's still going to be impressed. | 0:18:33 | 0:18:35 | |
"Peri-peri, my dear, is a blend of aromatic spices | 0:18:35 | 0:18:39 | |
"bonded together by tears of Portuguese widows who lost their husbands at sea. | 0:18:39 | 0:18:42 | |
"El hombre est il mort." | 0:18:42 | 0:18:45 | |
And she's mine! | 0:18:45 | 0:18:47 | |
CHEERING AND APPLAUSE | 0:18:47 | 0:18:50 | |
Ladies and gentlemen, it is now time to move on with proceedings. | 0:18:55 | 0:18:59 | |
Our first act this evening, he's a lovely guy. | 0:18:59 | 0:19:01 | |
He's an incredible stand-up. You are absolutely going to love him. | 0:19:01 | 0:19:05 | |
You're in for a treat. Ladies and gentlemen, | 0:19:05 | 0:19:07 | |
will you please give a warm welcome to the stage | 0:19:07 | 0:19:10 | |
to the wonderful Josh Widdicombe. | 0:19:10 | 0:19:13 | |
CHEERING AND APPLAUSE | 0:19:13 | 0:19:16 | |
Hello. | 0:19:26 | 0:19:29 | |
CHEERING | 0:19:29 | 0:19:30 | |
-Yes. Are you well? -AUDIENCE: Yes. | 0:19:30 | 0:19:33 | |
I struggle with those questions. I never know what to answer. | 0:19:33 | 0:19:36 | |
I'm only confident answering a question | 0:19:36 | 0:19:38 | |
is when I'm at my computer, like when your computer crashes, | 0:19:38 | 0:19:41 | |
it comes on and goes, "Your computer's just crashed. Do you want to send a report?" | 0:19:41 | 0:19:46 | |
No. | 0:19:47 | 0:19:48 | |
I'm not a grass. | 0:19:49 | 0:19:50 | |
LAUGHTER | 0:19:50 | 0:19:52 | |
If I was going to grass up my computer I wouldn't via my computer. He'll know. | 0:19:52 | 0:19:56 | |
I'll be grassing him up, he'll start grassing me up, | 0:19:56 | 0:19:59 | |
he's got far more on me than I have on him, I can tell you. | 0:19:59 | 0:20:03 | |
It's nice to be in Hammersmith. | 0:20:05 | 0:20:06 | |
I've moved to London, area called Finsbury Park. | 0:20:06 | 0:20:09 | |
-Do we know it? -AUDIENCE: Whoo! | 0:20:09 | 0:20:12 | |
Those people clearly haven't been to it. | 0:20:12 | 0:20:14 | |
LAUGHTER | 0:20:14 | 0:20:15 | |
It's not a nice area. When I moved in, | 0:20:15 | 0:20:17 | |
one of the ways the guy got us to take the house, he said, | 0:20:17 | 0:20:20 | |
"Well, great location. | 0:20:20 | 0:20:21 | |
"To give you an idea, you live just across the road from Argos Extra." | 0:20:21 | 0:20:25 | |
If you don't know it, it's a smaller version of Argos. | 0:20:26 | 0:20:30 | |
They've used the rare definition of "extra" to mean "far, far less." | 0:20:30 | 0:20:33 | |
LAUGHTER | 0:20:33 | 0:20:35 | |
They've got the normal catalogues, which are full of things | 0:20:35 | 0:20:38 | |
they've never had in stock. | 0:20:38 | 0:20:40 | |
Dialling into the stock check for 20 minutes, nothing is coming up, | 0:20:40 | 0:20:44 | |
the guy said, "Are you all right?" | 0:20:44 | 0:20:45 | |
and I said, "You haven't got anything." | 0:20:45 | 0:20:47 | |
He said, "Well, what you've got to remember is that we have a greatly-reduced range. | 0:20:47 | 0:20:52 | |
"To give you an idea, that warehouse out the back is actually | 0:20:52 | 0:20:54 | |
"no bigger than this room we are having the discussion in now." | 0:20:54 | 0:20:58 | |
So here's an idea - go out the back, get that stuff, | 0:20:58 | 0:21:01 | |
bring it through here, we'll call the whole thing a shop. | 0:21:01 | 0:21:04 | |
LAUGHTER | 0:21:04 | 0:21:06 | |
Currently, what I am doing is dialling in numbers | 0:21:06 | 0:21:09 | |
in an attempt to guess what is the other side of a wall! | 0:21:09 | 0:21:12 | |
LAUGHTER | 0:21:12 | 0:21:14 | |
This isn't shopping, this is Battleships! | 0:21:14 | 0:21:17 | |
LAUGHTER AND APPLAUSE | 0:21:17 | 0:21:19 | |
We've been in there 20 minutes, | 0:21:21 | 0:21:23 | |
I don't even remember what I came in for. | 0:21:23 | 0:21:26 | |
I'm just dialling in random numbers. | 0:21:26 | 0:21:28 | |
The only thing I have found that you have in stock | 0:21:28 | 0:21:31 | |
is a Playboy-themed hot water bottle. | 0:21:31 | 0:21:33 | |
He said, "Yeah, that is one of our sexier items." | 0:21:34 | 0:21:37 | |
I said, "When did the hot water bottle become a sexy item?" | 0:21:37 | 0:21:41 | |
From my experience, it is used for two things - | 0:21:41 | 0:21:43 | |
cold feet and period pains. | 0:21:43 | 0:21:45 | |
LAUGHTER | 0:21:45 | 0:21:47 | |
Call me a weirdo, I have never been turned on by either of them. | 0:21:47 | 0:21:51 | |
If there is a relationship between a hot water bottle and sex, | 0:21:51 | 0:21:55 | |
it is that when you see your partner is filling up a hot water bottle, | 0:21:55 | 0:22:00 | |
you're not having sex. | 0:22:00 | 0:22:01 | |
LAUGHTER | 0:22:01 | 0:22:04 | |
He said, "Well, no, it is sexy, isn't it, | 0:22:04 | 0:22:06 | |
"because it is shaped like a rabbit." | 0:22:06 | 0:22:08 | |
I said, "Is that sexy? | 0:22:08 | 0:22:10 | |
"Obviously, we had different emotional reactions to Watership Down!" | 0:22:10 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:17 | |
I do not understand this Playboy idea that the way to make a woman sexier | 0:22:17 | 0:22:20 | |
is to give her the ears and tail of a rabbit. | 0:22:20 | 0:22:23 | |
It is always the ears and tail, I don't know if there are other prototypes | 0:22:23 | 0:22:26 | |
Hugh Hefner tried that did not work out, | 0:22:26 | 0:22:28 | |
that he brought out for his mates and said, "Do you fancy her? | 0:22:28 | 0:22:31 | |
"She's got buck teeth. | 0:22:31 | 0:22:33 | |
LAUGHTER | 0:22:33 | 0:22:34 | |
-"And massive feet." -LAUGHTER | 0:22:34 | 0:22:37 | |
"No? What about this one? | 0:22:37 | 0:22:39 | |
"She has fur and I have put her in a hutch. | 0:22:39 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:44 | |
"No? Third time lucky, she has myxomatosis. | 0:22:44 | 0:22:48 | |
"She shits Maltesers." | 0:22:48 | 0:22:50 | |
LAUGHTER | 0:22:50 | 0:22:52 | |
I'm in my 20s. It's difficult in your 20s to know | 0:22:55 | 0:22:58 | |
whether you're a proper adult or still young. | 0:22:58 | 0:22:59 | |
I've got friends that won't accept they're adults. I've got a friend - | 0:22:59 | 0:23:02 | |
for my last birthday, she got me a pair of mittens. | 0:23:02 | 0:23:06 | |
No adults should be dealing in mittens. | 0:23:06 | 0:23:08 | |
If you're offered the option of gloves or mittens, you choose gloves. | 0:23:08 | 0:23:11 | |
People that wear mittens are going, "Well, normally I enjoy my fingers. | 0:23:11 | 0:23:14 | |
"But during the cold weather, I prefer the hands of a Lego man." | 0:23:14 | 0:23:18 | |
If you're offered gloves or mittens, you choose gloves. | 0:23:22 | 0:23:25 | |
People that wear mittens, that's like being offered trousers, | 0:23:25 | 0:23:27 | |
but instead going to work in a sleeping bag. | 0:23:27 | 0:23:30 | |
For her last birthday, she took us tenpin bowling. | 0:23:33 | 0:23:35 | |
That is not fun as an adult, cos when you go bowling as kids, | 0:23:35 | 0:23:38 | |
it's fun, but when you go bowling as an adult, | 0:23:38 | 0:23:40 | |
what it is, it's a group of adults pretending they're having fun. | 0:23:40 | 0:23:42 | |
And trying to cover up how much they want to win that game of bowling. | 0:23:42 | 0:23:46 | |
It's why the most difficult bit of bowling as an adult isn't getting a strike, | 0:23:46 | 0:23:49 | |
it's when you've just got a strike and you've got to get back | 0:23:49 | 0:23:52 | |
to your seat without turning into the biggest bellend in the world. | 0:23:52 | 0:23:56 | |
It's difficult in your 20s. | 0:23:59 | 0:24:01 | |
I'm single, I came out of a relationship a while ago. | 0:24:01 | 0:24:03 | |
The worst bit's just after, when no-one knows what to say to you. | 0:24:03 | 0:24:07 | |
Some people say, "Well, think of the good times. | 0:24:07 | 0:24:10 | |
"It's better to have loved and lost than never to have loved at all." | 0:24:10 | 0:24:13 | |
That's not true, is it? | 0:24:13 | 0:24:14 | |
Because that's not how losing things works. | 0:24:14 | 0:24:18 | |
When you lose your phone, your first reaction isn't, | 0:24:18 | 0:24:20 | |
"Well, at least I had a phone, I mean..." | 0:24:20 | 0:24:22 | |
LAUGHTER | 0:24:22 | 0:24:24 | |
It is better to have had a phone and lost a phone, isn't it? | 0:24:26 | 0:24:29 | |
Than never to have phoned at all. | 0:24:29 | 0:24:31 | |
You're thinking, "Well, those phone calls, | 0:24:31 | 0:24:33 | |
"they are memories I will always cherish." | 0:24:33 | 0:24:36 | |
It's difficult being single, cos people interfere, | 0:24:36 | 0:24:39 | |
people ask you, "Are you seeing anyone? | 0:24:39 | 0:24:41 | |
"Have you slept with anyone?" Not just your friends, the government! | 0:24:41 | 0:24:45 | |
The census this year, the last question on the census was | 0:24:45 | 0:24:47 | |
"Please fill in the details of anyone that doesn't live with you | 0:24:47 | 0:24:51 | |
"but stayed over on the night of March 27th." | 0:24:51 | 0:24:54 | |
That's gonna be very awkward if you've just had a one-night stand! | 0:24:55 | 0:24:59 | |
"Morning, a few questions. | 0:24:59 | 0:25:02 | |
"What is your occupation? | 0:25:02 | 0:25:05 | |
"Why do I want to know? I'm telling the government, actually, yeah." | 0:25:05 | 0:25:08 | |
It's not the kind of thing you can just drop in, just go, | 0:25:08 | 0:25:10 | |
"Morning, do you take sugar in your tea? | 0:25:10 | 0:25:12 | |
"Also, would you describe yourself as Caucasian?" | 0:25:12 | 0:25:16 | |
Going out alone, that is difficult as well. | 0:25:17 | 0:25:19 | |
I went to the cinema on my own for the first time recently. | 0:25:19 | 0:25:22 | |
I didn't realise that is the act of an oddball. | 0:25:22 | 0:25:25 | |
I've eaten alone before, do not do that. | 0:25:25 | 0:25:26 | |
I went to Pizza Express and said, "Can I have a table for one, please?" | 0:25:26 | 0:25:30 | |
And she said, "No." | 0:25:30 | 0:25:31 | |
LAUGHTER | 0:25:31 | 0:25:33 | |
Instead, she gave me a table for two | 0:25:33 | 0:25:35 | |
and she slowly removed the cutlery of the non-existent second person. | 0:25:35 | 0:25:39 | |
I said, "What are you doing? I am not going to get confused!" | 0:25:39 | 0:25:42 | |
I'm not going to look down halfway through and say, | 0:25:42 | 0:25:45 | |
"Where the hell has my girlfriend gone? | 0:25:45 | 0:25:47 | |
"I didn't think I had one, but the knife and fork are saying otherwise." | 0:25:47 | 0:25:51 | |
I went to the cinema alone, and I went to see a film | 0:25:51 | 0:25:53 | |
and it wasn't on but the problem is, by the time you get to the cinema, | 0:25:53 | 0:25:56 | |
you feel it'd be rude to leave without seeing something, | 0:25:56 | 0:25:59 | |
so I managed to convince myself, for the next 90 minutes, | 0:25:59 | 0:26:02 | |
I wanted to watch Alvin And The Chipmunks 2. | 0:26:02 | 0:26:06 | |
-The Squeakquel. -LAUGHTER | 0:26:06 | 0:26:09 | |
I went up to the desk and said, "I'll have one, please, for Alvin And The Chipmunks 2: The Squeakquel. | 0:26:09 | 0:26:14 | |
"I haven't seen the first one, I do imagine I'll pick it up." | 0:26:14 | 0:26:17 | |
She said, "One?" And I said, "Yeah, one." | 0:26:17 | 0:26:19 | |
She said, "You do know it's Orange Wednesday, don't you? | 0:26:19 | 0:26:22 | |
"It's two for one." | 0:26:22 | 0:26:24 | |
I said, "That's not much help for me. I am one. | 0:26:24 | 0:26:26 | |
"What do you expect me to do with the second ticket?" | 0:26:26 | 0:26:29 | |
She said, "You could offer it to someone else." | 0:26:29 | 0:26:31 | |
I said, "Look, people already think I'm weird. | 0:26:31 | 0:26:33 | |
"If I was to stalk the foyer brandishing a ticket | 0:26:33 | 0:26:36 | |
"for Alvin And The Chipmunks 2: The Squeakquel, | 0:26:36 | 0:26:40 | |
"show me who would like to come and sit next to me? | 0:26:40 | 0:26:43 | |
"If anything, I think that is going to make matters worse, | 0:26:43 | 0:26:46 | |
"thank you very much!" | 0:26:46 | 0:26:47 | |
I left, I thought, "I'll go and get food," | 0:26:47 | 0:26:49 | |
I went to Wagamama, and they've got the long benches, | 0:26:49 | 0:26:52 | |
I thought it'd be fine, I'd sit on the end of a long bench on my own. | 0:26:52 | 0:26:55 | |
I sat down and a group of three came in. | 0:26:55 | 0:26:57 | |
She decided to sit them two opposite me, | 0:26:57 | 0:27:00 | |
one next to me to create a square. | 0:27:00 | 0:27:03 | |
I said, "What are you doing? This is the most awkward thing that has ever happened! | 0:27:03 | 0:27:08 | |
"This isn't Tetris." | 0:27:08 | 0:27:09 | |
LAUGHTER | 0:27:09 | 0:27:11 | |
CHEERING AND APPLAUSE | 0:27:11 | 0:27:15 | |
But it's not just being an adult that scares me like that. | 0:27:18 | 0:27:22 | |
I struggled when I was a child, I was terrified all the time. | 0:27:22 | 0:27:25 | |
Weird things, like things my dad warned me about, | 0:27:25 | 0:27:28 | |
like running with scissors. | 0:27:28 | 0:27:30 | |
I hadn't even considered that until he suggested it! | 0:27:30 | 0:27:34 | |
I don't know about you, I've never been | 0:27:34 | 0:27:36 | |
so excited about cutting something that I've even broken into a jog. | 0:27:36 | 0:27:39 | |
"Bloody hell, I can't wait to open this fete! | 0:27:39 | 0:27:42 | |
"Oh, my god, I've stabbed myself in the stomach. Why is there no warning on these things?" | 0:27:42 | 0:27:47 | |
But that's the thing about being a kid, you're convinced into | 0:27:47 | 0:27:49 | |
doing things that you don't want to do, even though you just do them. | 0:27:49 | 0:27:52 | |
Weird things, like bobbing for apples. | 0:27:52 | 0:27:54 | |
I don't know why you'd do that. | 0:27:54 | 0:27:55 | |
I spent my childhood trying to AVOID eating an apple! | 0:27:55 | 0:27:58 | |
You put that apple in water, you put my hands behind my back, | 0:27:58 | 0:28:01 | |
I will drown myself to eat that apple. | 0:28:01 | 0:28:03 | |
It's me or the apple. I couldn't give a shit, | 0:28:03 | 0:28:05 | |
waterboarding for apples, that is fine with me! | 0:28:05 | 0:28:08 | |
That's the thing, isn't it? If you make things into a competition, | 0:28:08 | 0:28:11 | |
people will want the prize, no matter what it is. | 0:28:11 | 0:28:14 | |
Like those 2p pushing machines you get on piers. | 0:28:14 | 0:28:17 | |
I spend my life trying to get rid of 2p's. | 0:28:17 | 0:28:19 | |
You put them on a moving shelf, I'm going, | 0:28:19 | 0:28:22 | |
"I am having all those 2p's if it kills me. | 0:28:22 | 0:28:26 | |
"Not just those 2p's, I'm getting this pound coin, | 0:28:26 | 0:28:29 | |
"I'm changing that into more 2p's. | 0:28:29 | 0:28:31 | |
To get these 2p's." | 0:28:32 | 0:28:34 | |
I'll go for the one that's not just 2p's, | 0:28:34 | 0:28:36 | |
it's got extra items balanced on top I want less than the 2p's. | 0:28:36 | 0:28:40 | |
"That's not just 2p's, is it? That's a Shabba Ranks key fob! | 0:28:40 | 0:28:45 | |
"I remember Shabba Ranks, I've got keys - I'm having it! | 0:28:45 | 0:28:48 | |
"That's not just 2p's, that's a Flump." | 0:28:48 | 0:28:51 | |
If I'm gonna eat a Flump, I don't want it served | 0:28:51 | 0:28:53 | |
on a bed of loose change. | 0:28:53 | 0:28:55 | |
Also, a Flump, retail price, 1p! | 0:28:55 | 0:28:59 | |
I'm paying double for food poisoning! | 0:28:59 | 0:29:02 | |
The moment I see these things, I am acting like I'm an expert, | 0:29:02 | 0:29:05 | |
going like, "That one's not gonna fall, I can see that. | 0:29:05 | 0:29:08 | |
"That one's a maybe, that one's gonna pay out big. | 0:29:08 | 0:29:11 | |
"That is the 10p's, I'm going nowhere near that, I'm not made of money." | 0:29:11 | 0:29:14 | |
No-one's ever been on the 10p pushing machine! It's not Monte Carlo! | 0:29:14 | 0:29:18 | |
There's not a guy on the screens going, | 0:29:18 | 0:29:20 | |
"That guy's got a system, get him out! He's two Tamagotchis up, he'll ruin us!" | 0:29:20 | 0:29:26 | |
You go, "I'm going to win big." Who's ever won big on the 2p pushing machine? | 0:29:26 | 0:29:31 | |
"Darling, good news, dinner's on me. I won big down at the pier. | 0:29:31 | 0:29:35 | |
"I have 400 kilos of loose change. | 0:29:35 | 0:29:38 | |
"Yes, book late. It will take me some time to walk there." | 0:29:39 | 0:29:43 | |
The other one I want to go on is the plastic horse-racing, | 0:29:43 | 0:29:46 | |
where you bet on the horses - I'll always go on that, | 0:29:46 | 0:29:49 | |
but, I don't know why, I always watch a few races, to check the form. | 0:29:49 | 0:29:52 | |
What am I expecting to see in that situation, go, "Oh, my God, | 0:29:52 | 0:29:56 | |
"that blue one's lame, thank God I checked"? | 0:29:56 | 0:29:58 | |
There's a dance simulator with the arrows coming up on the screen and the arrows on the floor. | 0:29:58 | 0:30:04 | |
I stood for ages like this, going, | 0:30:04 | 0:30:06 | |
"Well, I tell you what, | 0:30:06 | 0:30:07 | |
"I am a better dancer than I thought!" | 0:30:07 | 0:30:10 | |
You do that in a nightclub, you are not a better dancer than you think. | 0:30:10 | 0:30:14 | |
Do you like these moves, girls? | 0:30:14 | 0:30:16 | |
Wait for the big one. | 0:30:16 | 0:30:17 | |
Here it comes. | 0:30:17 | 0:30:18 | |
There it is, thank you very much. | 0:30:18 | 0:30:21 | |
You have been absolutely lovely. Thank you very much, Apollo. Cheers. | 0:30:22 | 0:30:26 | |
My name is Josh Widdicombe, good night! | 0:30:26 | 0:30:29 | |
CHEERING AND APPLAUSE | 0:30:29 | 0:30:31 | |
Ladies and gentlemen, Josh Widdicombe! | 0:30:34 | 0:30:36 | |
-CHEERING -Whoo! | 0:30:36 | 0:30:39 | |
Er, ladies and gentlemen, | 0:30:41 | 0:30:43 | |
your next act this evening is an absolutely fantastic stand-up. | 0:30:43 | 0:30:47 | |
I have worked with her a lot. You are absolutely going to love her. | 0:30:47 | 0:30:50 | |
Will you please give a warm welcome to the stage | 0:30:50 | 0:30:53 | |
to the brilliant Shappi Khorsandi?! | 0:30:53 | 0:30:56 | |
CHEERING AND APPLAUSE | 0:30:56 | 0:30:58 | |
Hello, Apollo! | 0:31:15 | 0:31:17 | |
CHEERING | 0:31:17 | 0:31:19 | |
You all look beautiful. This is a terribly fancy show, you know. | 0:31:19 | 0:31:22 | |
It's very fancy. They said, "Shappi, buy a new dress." | 0:31:22 | 0:31:26 | |
This is my new dress. I bought it specially for tonight. | 0:31:26 | 0:31:28 | |
-Do you like it? -WHISTLING -Oh, a wolf whistle! | 0:31:28 | 0:31:31 | |
Never used to get that when I was a bloke. | 0:31:31 | 0:31:33 | |
LAUGHTER | 0:31:33 | 0:31:34 | |
So I bought this dress specially but I've got to be careful not to spill anything on it, | 0:31:38 | 0:31:41 | |
cos I'm giving back to the shop in the morning. | 0:31:41 | 0:31:44 | |
We all do it. I did this thing - | 0:31:44 | 0:31:45 | |
I went to give this dress back to the shop | 0:31:45 | 0:31:48 | |
and the shop assistants always go, "Was there anything wrong with it?" | 0:31:48 | 0:31:53 | |
And I said, "Yes, it doesn't work." | 0:31:53 | 0:31:54 | |
She said, "What do you mean, it doesn't work?" | 0:31:54 | 0:31:57 | |
I said, "Well, I wore it, went out to a party, got very drunk, | 0:31:57 | 0:32:00 | |
"flirted with lots of guys and STILL went home alone. | 0:32:00 | 0:32:03 | |
"This dress is broken." | 0:32:03 | 0:32:04 | |
Another time I went in and I said, | 0:32:04 | 0:32:06 | |
"I can't ear this any more." She said, "Why not?" | 0:32:06 | 0:32:08 | |
I said, "Well, I've lost weight, it's too big for me now." | 0:32:08 | 0:32:11 | |
And she looked at the receipt and said, | 0:32:11 | 0:32:13 | |
"You bought it a week ago." And I went, "Yes, and now I've had the baby!" | 0:32:13 | 0:32:17 | |
Seven pounds in one morning. | 0:32:17 | 0:32:18 | |
Some people are quite shy about giving stuff back to the shop, but I'm... | 0:32:18 | 0:32:23 | |
You've got to be very bolshie | 0:32:23 | 0:32:25 | |
and not be scared to make a scene. | 0:32:25 | 0:32:27 | |
Demand to see the man at the top. | 0:32:27 | 0:32:30 | |
I was in John Lewis and I would not leave until John Lewis himself... | 0:32:30 | 0:32:33 | |
LAUGHTER | 0:32:33 | 0:32:34 | |
..came out to rectify the problem. | 0:32:34 | 0:32:36 | |
You can do it anywhere. You got a problem with KFC. "Excuse me, | 0:32:36 | 0:32:39 | |
"these fries, I didn't eat them. | 0:32:39 | 0:32:41 | |
"You tell that Colonel to stop licking his fingers for five minutes | 0:32:41 | 0:32:45 | |
"and come here and sort me out." Obviously... | 0:32:45 | 0:32:48 | |
LAUGHTER | 0:32:48 | 0:32:49 | |
Colonel Saunders sort me out? | 0:32:49 | 0:32:50 | |
That sounded a bit more dirty than I meant it to. | 0:32:50 | 0:32:54 | |
You've got to be careful, though, not to get too mental, | 0:32:54 | 0:32:57 | |
like, it doesn't work in mobile phone shops. | 0:32:57 | 0:33:00 | |
You can't stand there and go, "I demand to speak with the Orange!" | 0:33:00 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:05 | |
I am one of two children. I have a big brother. | 0:33:06 | 0:33:09 | |
There is a year between me and my brother | 0:33:09 | 0:33:11 | |
and we're REALLY competitive. | 0:33:11 | 0:33:13 | |
It took me years to beat his Pac-Man score | 0:33:13 | 0:33:16 | |
and when I did, he chased me out the house, down an alleyway, | 0:33:16 | 0:33:20 | |
wrestled me to the ground, gave me an almighty Chinese burn, | 0:33:20 | 0:33:23 | |
completely ruined my wedding dress. | 0:33:23 | 0:33:26 | |
He got to an age, where he'd play with me, he'd always play with me - | 0:33:29 | 0:33:32 | |
we'd play Buckaroo and he got a real donkey, to make it harder for me. | 0:33:32 | 0:33:35 | |
I won't tell you what Operation was like, I've still got the scars. | 0:33:35 | 0:33:39 | |
He got to an age where he realised I was a girl | 0:33:39 | 0:33:42 | |
and it wasn't cool having a little sister. | 0:33:42 | 0:33:45 | |
On the way to school he'd make me walk ten paces behind him | 0:33:45 | 0:33:49 | |
and we weren't even married! | 0:33:49 | 0:33:51 | |
My brother is the honeymoon baby, the firstborn! | 0:33:54 | 0:33:56 | |
Give me a cheer, precious firstborns! | 0:33:56 | 0:33:58 | |
CHEERING | 0:33:58 | 0:34:01 | |
You see, the confidence of the firstborn. | 0:34:01 | 0:34:04 | |
Firstborns know that very important thing, that you were created | 0:34:04 | 0:34:09 | |
because two people fell so madly in love with each other | 0:34:09 | 0:34:14 | |
that they decided to create a human being out of that love. | 0:34:14 | 0:34:19 | |
Firstborns are made from love. | 0:34:19 | 0:34:21 | |
Give me a cheer, people like me, second-born children! | 0:34:21 | 0:34:24 | |
CHEERING | 0:34:24 | 0:34:26 | |
We were not made from love. | 0:34:26 | 0:34:28 | |
We are toys for the firstborn. | 0:34:28 | 0:34:31 | |
That's the sole reason we exist - | 0:34:33 | 0:34:35 | |
"Oh, we thought it would be nice for him to have company. | 0:34:35 | 0:34:38 | |
"Because frankly, the job was a lot harder than we anticipated, | 0:34:38 | 0:34:41 | |
"and now they play together, it's lovely! | 0:34:41 | 0:34:44 | |
"We go on holiday, hardly see the little twerps!" | 0:34:44 | 0:34:46 | |
Give me a cheer, third born children! | 0:34:48 | 0:34:52 | |
CHEERING | 0:34:52 | 0:34:53 | |
Not many photos of you! | 0:34:53 | 0:34:57 | |
My friend's got three children, | 0:34:59 | 0:35:01 | |
she says by the time the third comes along, | 0:35:01 | 0:35:03 | |
you stick it in a bucket and give it a bit of barbed wire to chew on. | 0:35:03 | 0:35:07 | |
Give me a cheer, fourth or fifth born children! | 0:35:09 | 0:35:11 | |
CHEERING | 0:35:11 | 0:35:13 | |
I'm sure you all have a very strong network of friends. | 0:35:13 | 0:35:16 | |
It is not that easy to be the big brother, the big sibling, | 0:35:18 | 0:35:23 | |
because there is a lot of expectations when you're the older one. I understand that. | 0:35:23 | 0:35:27 | |
My brother, at the age of five, would draw a picture | 0:35:27 | 0:35:29 | |
-and my dad would go... -IRANIAN ACCENT: -"What is this? | 0:35:29 | 0:35:32 | |
"A house. And this is..." | 0:35:32 | 0:35:34 | |
He's foreign. "And this is the family. | 0:35:34 | 0:35:37 | |
"Why am I taller than the trees? | 0:35:37 | 0:35:39 | |
"If the sun was that close, we would all be burnt alive. | 0:35:39 | 0:35:43 | |
"You have to work much harder than this | 0:35:43 | 0:35:45 | |
"if you want your work to make it to the fridge." | 0:35:45 | 0:35:49 | |
LAUGHTER | 0:35:49 | 0:35:50 | |
You see, I think it is important to screw kids up. | 0:35:52 | 0:35:55 | |
Not loads, just enough for them to become interesting adults. | 0:35:56 | 0:36:00 | |
I have a little boy, and he's three, | 0:36:00 | 0:36:03 | |
and I don't think I screw him up, but I must do, | 0:36:03 | 0:36:05 | |
because I'm a mother. | 0:36:05 | 0:36:07 | |
I'm a single mum and I had a boyfriend round at Christmas - | 0:36:07 | 0:36:11 | |
it turns out some boyfriends really are just for Christmas! | 0:36:11 | 0:36:15 | |
LAUGHTER | 0:36:15 | 0:36:16 | |
I was like, "You will not meet my child until we are solid." | 0:36:16 | 0:36:19 | |
And the chap would come round while my son was sleeping | 0:36:19 | 0:36:22 | |
and he would be gone in the morning before my son woke up, | 0:36:22 | 0:36:25 | |
but my luck being my luck, they ended up meeting | 0:36:25 | 0:36:27 | |
in the hallway of my home at three o'clock in the morning, | 0:36:27 | 0:36:30 | |
both needing the loo, both naked. | 0:36:30 | 0:36:33 | |
And in a panic, this man said to my son, "Hello, I'm Father Christmas." | 0:36:35 | 0:36:39 | |
And my little boy said, "But he was here last night!" | 0:36:42 | 0:36:45 | |
LAUGHTER, GROANS | 0:36:45 | 0:36:47 | |
Sometimes you get so proud of your kids | 0:36:51 | 0:36:54 | |
because they display kindness and sensitivity | 0:36:54 | 0:36:57 | |
that, frankly, they didn't learn from you. | 0:36:57 | 0:37:01 | |
I went into a shop with my little boy | 0:37:01 | 0:37:04 | |
and the shopkeeper was two inches taller than my three-year-old. | 0:37:04 | 0:37:08 | |
My little boy was beside himself to say something, | 0:37:09 | 0:37:14 | |
absolutely beside himself, but he knew instinctively not to. | 0:37:14 | 0:37:18 | |
He just looked at the guy, looked at me, looked at the guy, | 0:37:18 | 0:37:20 | |
and the bloke was brilliant, he was obviously used to children reacting to him in this way, | 0:37:20 | 0:37:25 | |
so he was chatting away to my boy and my boy was like, "A grown-up, my size? | 0:37:25 | 0:37:29 | |
"I am going to tell him EVERYTHING!" | 0:37:29 | 0:37:31 | |
And he did, he was like, "My name is Charlie, I live with my mummy, | 0:37:31 | 0:37:35 | |
"I see my daddy at the weekend, we have a cat called Lola | 0:37:35 | 0:37:38 | |
"and a dog called Benjamin Petanyahu." | 0:37:38 | 0:37:41 | |
LAUGHTER | 0:37:41 | 0:37:42 | |
I thought of that name. | 0:37:44 | 0:37:46 | |
And when we left the shop, my little boy walked as fast | 0:37:46 | 0:37:49 | |
as his little legs could carry him to be out of earshot. | 0:37:49 | 0:37:54 | |
And he went, "Mummy, Mummy, come over here, Mummy!" | 0:37:54 | 0:37:56 | |
And I said, "Oh, what is it, darling?" | 0:37:56 | 0:37:58 | |
And my little boy said, "Mummy, that man was LITTLE!" | 0:37:58 | 0:38:04 | |
And I was like, "Yes, darling, yes, he was little." | 0:38:05 | 0:38:08 | |
"Why was he so LITTLE?!" | 0:38:08 | 0:38:12 | |
And I thought, "What a glorious moment I am about to share with my son, | 0:38:12 | 0:38:17 | |
"because he is now at an age where he notices difference | 0:38:17 | 0:38:22 | |
"and I can explain to him now that people might look different | 0:38:22 | 0:38:26 | |
"and they might sound different, but we all matter equally | 0:38:26 | 0:38:30 | |
"and inside, we are all the same." | 0:38:30 | 0:38:33 | |
What a beautiful chat I didn't have. | 0:38:33 | 0:38:37 | |
I didn't say that to him. | 0:38:37 | 0:38:39 | |
In that moment, I said, | 0:38:39 | 0:38:41 | |
"Because he didn't eat his broccoli." | 0:38:41 | 0:38:45 | |
LAUGHTER AND APPLAUSE | 0:38:45 | 0:38:48 | |
No-one is proud here. | 0:38:49 | 0:38:51 | |
So I'm a single mum, right, | 0:38:52 | 0:38:55 | |
and whatever people say, it is different than being a single dad. | 0:38:55 | 0:38:59 | |
Cos women see single dads and go, | 0:38:59 | 0:39:01 | |
"Oh, he's so good with his kids, isn't he coping wonderfully? | 0:39:01 | 0:39:05 | |
"Oh, he's so good with his children. I must have sex with him now." | 0:39:05 | 0:39:09 | |
Whereas men see single mums and they go, "Run a mile! Baggage!" | 0:39:11 | 0:39:15 | |
I went on a date with a guy that called my little boy "baggage". | 0:39:17 | 0:39:21 | |
He's three! | 0:39:21 | 0:39:23 | |
He's not baggage. | 0:39:23 | 0:39:25 | |
He's hand luggage. | 0:39:25 | 0:39:26 | |
He just fits in the overhead lockers, it's kind of perfect. | 0:39:28 | 0:39:31 | |
Recently, my brother said, | 0:39:31 | 0:39:34 | |
"You have been separated for ages now, you need to find yourself a new fella, | 0:39:34 | 0:39:38 | |
"why don't you go on the internet?" | 0:39:38 | 0:39:40 | |
Cos he found his girlfriend on the internet, | 0:39:40 | 0:39:42 | |
I think it was eBay. | 0:39:42 | 0:39:44 | |
LAUGHTER | 0:39:44 | 0:39:45 | |
So I joined an internet website and to my surprise, | 0:39:45 | 0:39:49 | |
on the online form that you had to fill in, | 0:39:49 | 0:39:51 | |
one of the things you had to tick to see who you wanted | 0:39:51 | 0:39:55 | |
was racial preference and it said, | 0:39:55 | 0:39:57 | |
"White Caucasian," three boxes, "Not Important, | 0:39:57 | 0:40:00 | |
"Decidedly Important, Absolutely Crucial." | 0:40:00 | 0:40:02 | |
I thought, that's a little bit weird, | 0:40:02 | 0:40:05 | |
because your photo is up there in the first place, | 0:40:05 | 0:40:07 | |
so you can just be racist in private, why hurt anyone's feelings? | 0:40:07 | 0:40:10 | |
So I want to show you this. | 0:40:10 | 0:40:13 | |
I wrote an e-mail to the administrator of this website. | 0:40:13 | 0:40:16 | |
I wrote an e-mail, basically, in a nutshell, going, | 0:40:18 | 0:40:21 | |
"What are you on, mate?" And he wrote back going, | 0:40:21 | 0:40:23 | |
"The choices we provide on our matching algorithms..." | 0:40:23 | 0:40:26 | |
I had to look that word up. | 0:40:26 | 0:40:28 | |
Nothing to do with sex. | 0:40:28 | 0:40:30 | |
LAUGHTER | 0:40:30 | 0:40:32 | |
"..are for our users to find the perfect match. | 0:40:32 | 0:40:36 | |
"They are in no way indicative of someone being racist at all." | 0:40:36 | 0:40:40 | |
White Caucasian, Absolutely Crucial. | 0:40:40 | 0:40:43 | |
So I wrote back going, "Shut up," bit more coherently than that. | 0:40:43 | 0:40:47 | |
And then he wrote back and said, | 0:40:47 | 0:40:50 | |
"Some people are more stringent than others | 0:40:50 | 0:40:53 | |
"when it comes to finding a partner." | 0:40:53 | 0:40:56 | |
Doesn't that sound like a real dig at me? | 0:40:56 | 0:40:58 | |
Like, "Oh, you'd shag any old colour." | 0:40:58 | 0:41:01 | |
LAUGHTER | 0:41:01 | 0:41:03 | |
"We merely help them find the right person by enabling them | 0:41:04 | 0:41:08 | |
"to measure height, weight, occupation, level of income and ethnicity." | 0:41:08 | 0:41:13 | |
Thing is, height, weight, occupation, level of income, | 0:41:13 | 0:41:16 | |
they are all things that can be measured. | 0:41:16 | 0:41:18 | |
How do you measure ethnicity? | 0:41:18 | 0:41:20 | |
I had no idea how to measure my own when I was filling out the form. | 0:41:20 | 0:41:23 | |
I had to look on a Dulux colour chart. | 0:41:23 | 0:41:26 | |
Turns out, I am Natural Calico. | 0:41:27 | 0:41:29 | |
LAUGHTER | 0:41:29 | 0:41:30 | |
This correspondence went on for quite a while. | 0:41:30 | 0:41:34 | |
Tell me if you think I went too far - | 0:41:34 | 0:41:37 | |
eventually, I sent him a copy | 0:41:37 | 0:41:39 | |
of the Nuremberg Race Laws. | 0:41:39 | 0:41:41 | |
LAUGHTER | 0:41:41 | 0:41:43 | |
I'm not saying that this website is a Nazi organisation, | 0:41:43 | 0:41:46 | |
I just think we should nip things in the bud at source. | 0:41:46 | 0:41:50 | |
LAUGHTER | 0:41:50 | 0:41:51 | |
He wrote back to me and said, "Dear Shappi, | 0:41:51 | 0:41:54 | |
"I have enjoyed our correspondence. | 0:41:54 | 0:41:57 | |
"I have now noticed your name is Shappi Khorsandi. | 0:41:57 | 0:42:01 | |
"Might you be the same I saw on the Michael McIntyre Comedy Roadshow?" | 0:42:01 | 0:42:08 | |
LAUGHTER | 0:42:08 | 0:42:09 | |
"If so, I am single..." | 0:42:09 | 0:42:12 | |
LAUGHTER AND APPLAUSE | 0:42:12 | 0:42:16 | |
CHEERING | 0:42:16 | 0:42:17 | |
"..and I wondered if you'd like to go for a coffee." | 0:42:20 | 0:42:23 | |
LAUGHTER | 0:42:23 | 0:42:25 | |
Listen to this. "Won't this be a funny story to tell our kids?" | 0:42:25 | 0:42:29 | |
LAUGHTER | 0:42:29 | 0:42:32 | |
"Smiley face." | 0:42:32 | 0:42:33 | |
LAUGHTER | 0:42:33 | 0:42:35 | |
I wrote back. I said, "Thank you so much for your e-mail, | 0:42:35 | 0:42:38 | |
"I am very flattered. | 0:42:38 | 0:42:40 | |
"However, I have noticed your name is James Choudhury. | 0:42:40 | 0:42:45 | |
"Little bit too brown for me. | 0:42:45 | 0:42:48 | |
"Natural Calico only." | 0:42:48 | 0:42:51 | |
You've been a marvellous crowd! You've been ace, thank you so much! | 0:42:51 | 0:42:57 | |
CHEERING AND APPLAUSE | 0:42:57 | 0:42:58 | |
-Thanks for that, well done. -Mwah! | 0:43:01 | 0:43:04 | |
Shappi Khorsandi! | 0:43:04 | 0:43:06 | |
CHEERING | 0:43:06 | 0:43:07 | |
Ladies and gentlemen, you have been absolutely wonderful. | 0:43:09 | 0:43:11 | |
A big round of applause for Josh Widdicombe... | 0:43:11 | 0:43:14 | |
CHEERING AND APPLAUSE | 0:43:14 | 0:43:15 | |
-..Shappi Khorsandi! -CHEERING AND APPLAUSE | 0:43:15 | 0:43:18 | |
I've been Jack Whitehall, good night! | 0:43:18 | 0:43:20 | |
CHEERING AND APPLAUSE | 0:43:20 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:44 | 0:43:48 |