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Ladies and gentlemen, please welcome your host for tonight, Adam Hills! | 0:00:19 | 0:00:25 | |
APPLAUSE AND CHEERING | 0:00:25 | 0:00:28 | |
Hello, London! | 0:00:36 | 0:00:38 | |
Hello, London and welcome to live at the Apollo. My name's Adam Hills. | 0:00:38 | 0:00:42 | |
I have two amazing acts to present to you tonight. Are you well? | 0:00:42 | 0:00:46 | |
AUDIENCE: Yeah! | 0:00:46 | 0:00:47 | |
Excellent! There are celebrities in the house - | 0:00:47 | 0:00:50 | |
-Tinie Tempah's here, people! -CHEERING | 0:00:50 | 0:00:53 | |
Hey, buddy! | 0:00:53 | 0:00:54 | |
Tinie Tempah's here. Love your music, love you. We've met before. | 0:00:54 | 0:00:58 | |
But you know what I love about Tinie Tempah? The name. | 0:00:58 | 0:01:00 | |
There's thought gone into the name, Tinie Tempah. | 0:01:00 | 0:01:02 | |
You've told me this before, | 0:01:02 | 0:01:04 | |
you chose something harsh, like "temper", then you offset it | 0:01:04 | 0:01:07 | |
with "tiny" and I love that. There's thought that's gone into it. | 0:01:07 | 0:01:10 | |
Not like Jay-Z who threw two darts at an alphabet! | 0:01:10 | 0:01:14 | |
LAUGHTER | 0:01:14 | 0:01:15 | |
And so what it is it's something impressive and harsh | 0:01:16 | 0:01:20 | |
like "temper", offset by something cuddly like "tiny", brilliant. | 0:01:20 | 0:01:24 | |
It's a lovely name. It's like Angry Birds or Prime Minister Miliband. | 0:01:24 | 0:01:29 | |
-LAUGHTER -Er... | 0:01:29 | 0:01:31 | |
Sorry, every time we look at your Prime Minister we go, | 0:01:31 | 0:01:34 | |
-"Yeah, go on, I dare you." -LAUGHTER | 0:01:34 | 0:01:36 | |
Kimberly Wyatt is here from the Pussycat Dolls. Absolutely brilliant. | 0:01:36 | 0:01:40 | |
-Yes, Kimberly Wyatt's here. -CHEERING | 0:01:40 | 0:01:42 | |
The only thing I know about you is that your nickname is Flexi Doll, | 0:01:42 | 0:01:46 | |
because you are the most supple of the Pussycat Dolls. | 0:01:46 | 0:01:49 | |
Just let's all take a moment to imagine that.... | 0:01:49 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:53 | |
Again, I compare myself to that and go | 0:01:53 | 0:01:56 | |
"Well, I would be Rusty Babushka" if that was the case. | 0:01:56 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:00 | |
Yeah, inside this 43-three-year old decrepit body is just | 0:02:00 | 0:02:03 | |
a broken 62-year-old. | 0:02:03 | 0:02:05 | |
And then inside him there's a 95-five-year old | 0:02:05 | 0:02:07 | |
weeping cos he can't find his Zimmer frame. | 0:02:07 | 0:02:10 | |
I'm genuinely chuffed that you're here and...I don't care, | 0:02:10 | 0:02:13 | |
I love music and I don't understand it and I'm blown away by it | 0:02:13 | 0:02:16 | |
and that's why I think you're brilliant. | 0:02:16 | 0:02:18 | |
And I've seen the power of music around the world. I've seen | 0:02:18 | 0:02:21 | |
music bring people together, regardless of nationality. | 0:02:21 | 0:02:23 | |
I've seen that Jon Bon Jovi is the universal constant. | 0:02:23 | 0:02:27 | |
LAUGHTER | 0:02:27 | 0:02:28 | |
Whether or not you like his music, if you can sing a Jon Bon Jovi song | 0:02:28 | 0:02:31 | |
anywhere in the world you will bond a room full of people instantly. | 0:02:31 | 0:02:34 | |
I was doing shows in Belgium once | 0:02:34 | 0:02:36 | |
and I was backstage with a group of Belgian comics, | 0:02:36 | 0:02:38 | |
five Belgian comedians, me and Michael McIntyre. | 0:02:38 | 0:02:41 | |
And I'm thinking, what do you...? | 0:02:41 | 0:02:42 | |
I've got nothing in common with these guys. How do you... | 0:02:42 | 0:02:45 | |
How do you start a conversation with a Belgian? | 0:02:45 | 0:02:47 | |
I was like, "Er, do you like waffles?" | 0:02:47 | 0:02:51 | |
It was this weirdest thing where everyone was nervous, | 0:02:51 | 0:02:54 | |
no-one knew what to say and one of the Belgian guys, | 0:02:54 | 0:02:56 | |
I can only assume out of nerves... | 0:02:56 | 0:02:58 | |
just started singing to himself under his breath. | 0:02:58 | 0:03:01 | |
In the middle of this crowded room everyone's gone quiet | 0:03:01 | 0:03:04 | |
and this one guy went, | 0:03:04 | 0:03:06 | |
# This Romeo is bleeding... | 0:03:06 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:09 | |
# But you can't see his blood | 0:03:09 | 0:03:12 | |
# It's nothing but some feelings that this old dog kicked up # | 0:03:12 | 0:03:17 | |
Then he must have suddenly realised what he was doing | 0:03:17 | 0:03:20 | |
cos he looked at me and went, | 0:03:20 | 0:03:21 | |
"Oh." So I looked back across the room and just went, | 0:03:21 | 0:03:26 | |
# It's been raining since you left me... | 0:03:26 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:29 | |
# And I'm drowning in the flood | 0:03:29 | 0:03:32 | |
# You see I've always been a fighter but without you I give up! # | 0:03:32 | 0:03:38 | |
And he gave me a look that said, "You're not serious, are you?" | 0:03:38 | 0:03:41 | |
And I gave him a look to say, "I am if you are, big fella." | 0:03:41 | 0:03:44 | |
He took a step in and went # And I can't sing a love song | 0:03:44 | 0:03:48 | |
# Like the way it's meant to be # | 0:03:48 | 0:03:50 | |
And I thought, "I will see you | 0:03:50 | 0:03:51 | |
"and raise you, my friend," so I stood up and went, | 0:03:51 | 0:03:54 | |
# And I guess that's just not good any more but baby that's just me! # | 0:03:54 | 0:03:59 | |
There was a pause, then everyone in the room did the chorus! | 0:03:59 | 0:04:03 | |
Me, five comedians and Michael McIntyre just went, | 0:04:03 | 0:04:07 | |
-BAWLING: -# And I will love you, baby! Ooohhhhh! # | 0:04:07 | 0:04:16 | |
We bonded. We Jon Bonded. | 0:04:16 | 0:04:18 | |
LAUGHTER | 0:04:18 | 0:04:20 | |
And it occurred to me then that Jon Bon Jovi songs may not solve | 0:04:20 | 0:04:23 | |
the Middle East peace crisis, but it's worth a shot, isn't it? | 0:04:23 | 0:04:27 | |
Just send an envoy into the Middle East, Israelis on one side, | 0:04:27 | 0:04:30 | |
Palestinians on the other. "No, no, this land is for the Jewish people. | 0:04:30 | 0:04:35 | |
"God promised it to the Jews. We will never back down. | 0:04:35 | 0:04:37 | |
"You guys?" "No, this land is for the Palestinian people. We'll never back down!" | 0:04:37 | 0:04:41 | |
"Is there any way?" "No, no way." Just pull out a microphone. | 0:04:41 | 0:04:44 | |
# Oowa, oowa, oowa, oowa, oowa, ooowa, oowa # | 0:04:44 | 0:04:48 | |
And just wait! | 0:04:48 | 0:04:50 | |
Honestly, I think the Israelis would crack first. | 0:04:50 | 0:04:53 | |
"No, this is ridiculous, how can we...?" | 0:04:53 | 0:04:55 | |
# Tommy used to work on the docks # | 0:04:55 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:59 | |
The Palestinians would have to join in. "This is outrageous! | 0:04:59 | 0:05:03 | |
# Gina works the diner all day # | 0:05:03 | 0:05:04 | |
And within a minute they'd all be on their feet, lighters in the air. | 0:05:04 | 0:05:08 | |
# Whooooooaaaaaah! Living on a prayer! # | 0:05:08 | 0:05:11 | |
I mean, they'd argue about which prayer | 0:05:11 | 0:05:13 | |
-but at least they'd be singing together. -LAUGHTER AND APPLAUSE | 0:05:13 | 0:05:16 | |
You see, that's the thing, music fires people up as well. | 0:05:22 | 0:05:25 | |
I get very fired up by music. | 0:05:25 | 0:05:27 | |
Oh, man, I went on a rant. I was in Starbucks recently. | 0:05:27 | 0:05:30 | |
Now, I have a lot of problems with Starbucks. | 0:05:30 | 0:05:32 | |
My main problem with Starbucks is, they make shit coffee. | 0:05:32 | 0:05:36 | |
I was in a Starbucks and they were selling albums. | 0:05:38 | 0:05:41 | |
They were selling albums, they were selling CDs. They were selling | 0:05:41 | 0:05:44 | |
a Doors CD. | 0:05:44 | 0:05:46 | |
Does that appal you as much as it appals me? | 0:05:46 | 0:05:49 | |
Are you aware who I'm talking about when I say The Doors? Jim Morrison, The Lizard King? | 0:05:49 | 0:05:54 | |
The man who died choking on his own vomit in a bath? | 0:05:54 | 0:05:57 | |
Who was arrested for indecent exposure on stage. | 0:05:57 | 0:06:00 | |
He's available in Starbucks?! | 0:06:00 | 0:06:03 | |
That's not... Mika, Mika should be available in Starbucks. | 0:06:03 | 0:06:07 | |
I don't know if you know Mika's work, | 0:06:07 | 0:06:09 | |
it sounds like James Blunt shagged a sponge. | 0:06:09 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:12 | |
That should be in Starbucks. You know what I mean? | 0:06:14 | 0:06:16 | |
If you have The Doors in Starbucks, at least pay homage, | 0:06:16 | 0:06:19 | |
have a Morrison mochachino where you drop in acid and stir it with your cock, do it properly! | 0:06:19 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
I love all music and do you know what I love? | 0:06:26 | 0:06:28 | |
I love boy bands. | 0:06:28 | 0:06:30 | |
I know, and not necessarily the music | 0:06:30 | 0:06:32 | |
but just the fact you can put one together. You can create | 0:06:32 | 0:06:35 | |
a boy band, you just need a certain look. | 0:06:35 | 0:06:37 | |
Honestly, I could create a boy band out of five members of the audience right now. | 0:06:37 | 0:06:41 | |
WHOOPING | 0:06:41 | 0:06:43 | |
In fact... | 0:06:43 | 0:06:44 | |
CHEERING | 0:06:44 | 0:06:46 | |
Right... You, fella, could you hop up on stage, please? | 0:06:46 | 0:06:49 | |
Come round on the stairs here, excellent. Yep, you'll be right. | 0:06:49 | 0:06:52 | |
There's a few down here that look a little too obvious. | 0:06:52 | 0:06:55 | |
Oh, shit, yeah, you have to! | 0:06:55 | 0:06:57 | |
-LAUGHTER -You have to. One, two, three... | 0:06:57 | 0:07:00 | |
Yeah, come on, yep, four. | 0:07:02 | 0:07:06 | |
And I'm going to go one more. | 0:07:06 | 0:07:08 | |
Oh, yeah, two rows back. You, fella, come on down. | 0:07:08 | 0:07:11 | |
All right, here we go. | 0:07:11 | 0:07:13 | |
WOLF-WHISTLE | 0:07:13 | 0:07:15 | |
Oh, hey, Nick. Sorry. How are you with stairs? | 0:07:15 | 0:07:17 | |
Yeah, I can do it, mate. | 0:07:17 | 0:07:18 | |
Yeah, cool. Right. | 0:07:18 | 0:07:20 | |
I just realised I picked on Nick Hamilton! | 0:07:20 | 0:07:22 | |
CHEERING | 0:07:22 | 0:07:23 | |
I know. | 0:07:23 | 0:07:25 | |
That's right, Adam, | 0:07:25 | 0:07:27 | |
find a guy with cerebral palsy, make him walk upstairs. | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
They didn't think to put a ramp in for you, did they? | 0:07:33 | 0:07:36 | |
LAUGHTER AND CHEERING | 0:07:38 | 0:07:39 | |
All right, all right, I think this is going to work! | 0:07:46 | 0:07:49 | |
Now, we've got every member you would find in a boy... | 0:07:49 | 0:07:52 | |
I'll need to swap you round a little bit. | 0:07:52 | 0:07:54 | |
Yeah, you don't have the dodgy guy at the end. | 0:07:54 | 0:07:57 | |
Look at this, we've got the buff guy that the ladies are going to love, | 0:07:59 | 0:08:03 | |
we've got the slightly nerdy guy that the weird girls are going to | 0:08:03 | 0:08:06 | |
get into, we've got the rebellious bloke, we've got the one... | 0:08:06 | 0:08:11 | |
Well, you're probably the one who can sing | 0:08:11 | 0:08:14 | |
cos I can see no other talent there. | 0:08:14 | 0:08:16 | |
LAUGHTER AND APPLAUSE | 0:08:16 | 0:08:18 | |
And we've got the guy who'll become gay. So... | 0:08:18 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:23 | |
Right, every boy band member has to have their own look. | 0:08:27 | 0:08:31 | |
Now, I'm going to try you, Nick, I'm going to try you with this. | 0:08:31 | 0:08:34 | |
Your look, when I go, just hands down in front... | 0:08:34 | 0:08:37 | |
-Nice! -CHEERING | 0:08:37 | 0:08:39 | |
All right, awesome. | 0:08:39 | 0:08:41 | |
Yours...fold your arms, turn side on. | 0:08:41 | 0:08:44 | |
Brilliant! You're Superman, hands on hips. | 0:08:44 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
You've got one arm behind your head. | 0:08:50 | 0:08:52 | |
Nice! | 0:08:52 | 0:08:53 | |
You, er, you've got both arms behind your head. | 0:08:55 | 0:08:59 | |
-HE PURRS -Awesome, awesome. | 0:08:59 | 0:09:01 | |
Now, if I do this we have an album cover. | 0:09:03 | 0:09:05 | |
APPLAUSE AND CHEERING | 0:09:07 | 0:09:10 | |
There's more to it than this, though, there's more to it than this. | 0:09:10 | 0:09:14 | |
So at some point I'm going to click my fingers. | 0:09:15 | 0:09:18 | |
When I, go into your boy band pose, OK? | 0:09:18 | 0:09:20 | |
Right, now, this is going to... | 0:09:20 | 0:09:22 | |
I don't know if this is going to work. | 0:09:22 | 0:09:24 | |
Then at some point I'm going to say "Dance." | 0:09:24 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:28 | |
Now, we've got Brendan Cole here from Strictly Come Dancing. | 0:09:28 | 0:09:31 | |
He's not going to need to teach you steps, this is very easy. | 0:09:31 | 0:09:34 | |
It's a man dance, it's right foot, left foot. | 0:09:34 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:38 | |
Just try that. Yep, you got it. | 0:09:40 | 0:09:41 | |
That's perfect. If you get out of step with everybody, just stop, | 0:09:41 | 0:09:44 | |
they'll come back to you and you join back in again. | 0:09:44 | 0:09:47 | |
-It's absolutely fine. -LAUGHTER | 0:09:47 | 0:09:49 | |
We can all do this. And then at some point I'm going to say "Turn." | 0:09:49 | 0:09:54 | |
I don't how it's going to work but we'll just give it a... | 0:09:54 | 0:09:56 | |
-WHOOPING -Yeah? Yeah? | 0:09:56 | 0:10:00 | |
How am I going to do that? | 0:10:00 | 0:10:02 | |
LAUGHTER | 0:10:02 | 0:10:03 | |
APPLAUSE AND CHEERING | 0:10:03 | 0:10:06 | |
Yeah, that's a good point. | 0:10:09 | 0:10:10 | |
You know what, yours is so quick no-one sees it. | 0:10:12 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:17 | |
How's the rest of it, stepping and all that? | 0:10:17 | 0:10:19 | |
Cool. When you're stepping, if you feel like | 0:10:19 | 0:10:21 | |
clicking your fingers, feel free. Clap your hands if you want, you'll be fine. | 0:10:21 | 0:10:25 | |
All right. Everyone, I need starting positions, which is heads down. | 0:10:25 | 0:10:29 | |
Oh, nice! Heads down, no smiling, no smiling, serious faces. | 0:10:31 | 0:10:35 | |
Can we do something with the lighting? | 0:10:35 | 0:10:37 | |
Can we drop the lighting ever so slightly? | 0:10:37 | 0:10:39 | |
Ladies and gentlemen, I would like to present to you tonight | 0:10:39 | 0:10:42 | |
the newest boy band to come out of London. Yeah, the Back Yard Boys! | 0:10:42 | 0:10:45 | |
APPLAUSE AND CHEERING | 0:10:45 | 0:10:47 | |
OK, you ready, boys? Here we go. | 0:10:47 | 0:10:50 | |
# You are... # | 0:10:50 | 0:10:52 | |
No, not all of you! Just one at a time! | 0:10:52 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:55 | |
Sorry, we've all gone off a bit early. | 0:10:55 | 0:10:57 | |
I should have explained that. | 0:10:57 | 0:10:58 | |
Try and think about something else, reload, you'll be fine. | 0:10:58 | 0:11:02 | |
When I click at each of you individually, into your... | 0:11:02 | 0:11:04 | |
Oh, God, is this what it was like in the Pussycat Dolls? | 0:11:04 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:08 | |
Jesus, which one's Scherzinger, which one? | 0:11:08 | 0:11:11 | |
Weird in the middle, isn't it? Yeah, all right. | 0:11:11 | 0:11:13 | |
-LAUGHTER -All right, here we go. | 0:11:13 | 0:11:15 | |
Jeez, it is harder than I thought to put a boy band together, isn't it? | 0:11:15 | 0:11:20 | |
Oh, shit, OK, right. | 0:11:20 | 0:11:22 | |
# You are... | 0:11:22 | 0:11:24 | |
# My fire... | 0:11:24 | 0:11:27 | |
# My one... | 0:11:27 | 0:11:30 | |
# Desire... | 0:11:30 | 0:11:32 | |
-# I love when you say... -WHOOPING AND CHEERING | 0:11:32 | 0:11:37 | |
# That I want it that way... # | 0:11:37 | 0:11:41 | |
Dance! # Tell me why | 0:11:41 | 0:11:43 | |
# Ain't nothin' but a heartache | 0:11:43 | 0:11:46 | |
# Tell me why ain't nothin' but a mistake | 0:11:46 | 0:11:50 | |
# Tell me why, I never want to hear you say # | 0:11:50 | 0:11:55 | |
And turn! | 0:11:55 | 0:11:56 | |
# I want it that way. # | 0:11:56 | 0:12:00 | |
APPLAUSE AND CHEERING | 0:12:00 | 0:12:01 | |
Ladies and gentlemen, the Back Yard Boys! | 0:12:05 | 0:12:08 | |
Well done! | 0:12:08 | 0:12:11 | |
Thank you, guys! | 0:12:11 | 0:12:14 | |
Ah! Ladies and gentlemen, I'll back throughout the night | 0:12:16 | 0:12:19 | |
-But are you ready for your first act of the night? -AUDIENCE: Yeah! | 0:12:19 | 0:12:23 | |
She's absolutely amazing, she is Andi Osho! | 0:12:23 | 0:12:27 | |
APPLAUSE AND CHEERING | 0:12:27 | 0:12:29 | |
Whoooo! | 0:12:34 | 0:12:36 | |
Wow! | 0:12:36 | 0:12:39 | |
Wow! | 0:12:40 | 0:12:42 | |
Hello, Apollo! CHEERING | 0:12:42 | 0:12:44 | |
Hey! Excellent! | 0:12:44 | 0:12:48 | |
I'm so glad to you've come out tonight, | 0:12:48 | 0:12:50 | |
so nice to see people come out to support live comedy. | 0:12:50 | 0:12:53 | |
Cos not everybody gets it, right? The other day | 0:12:53 | 0:12:55 | |
I was took a taxi, it had a Romanian cab driver and I was trying | 0:12:55 | 0:12:58 | |
to explain to him live comedy and he was just like, "No." | 0:12:58 | 0:13:01 | |
Like it didn't mean anything to him. | 0:13:01 | 0:13:03 | |
And I said, "Well don't you have like live comedy, live comedians in your country?" | 0:13:03 | 0:13:08 | |
He's like, "No, he is on television." | 0:13:08 | 0:13:10 | |
LAUGHTER | 0:13:10 | 0:13:11 | |
It made it sound like there's one comedian in Romania! | 0:13:11 | 0:13:15 | |
"Good evening, ladies and gentlemen, | 0:13:15 | 0:13:17 | |
"I am your premier comed...ONLY comedian. | 0:13:17 | 0:13:21 | |
"What you get if you cross Polish man with Latvian man? | 0:13:21 | 0:13:24 | |
"You cannot, this is homosexuality and is banned." | 0:13:24 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:28 | |
"An Englishman, an Irishman a Scottish man walk into a bar. | 0:13:31 | 0:13:34 | |
"Because they are British, they are drunk and alcoholic. | 0:13:34 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:39 | |
"Two nuns are in the bath because there is water shortage." | 0:13:39 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:45 | |
I could do this all night. | 0:13:45 | 0:13:48 | |
So what else has been happening? | 0:13:48 | 0:13:50 | |
This happened - a kid got expelled from school | 0:13:50 | 0:13:53 | |
for putting a picture on Facebook of his genitals in his teacher's mug. | 0:13:53 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:13:59 | |
Now, that is taking teabagging to a whole new level, innit? | 0:14:02 | 0:14:07 | |
How did they even know it was him? | 0:14:07 | 0:14:10 | |
Did they dust the mug for wrinkle prints or something? | 0:14:10 | 0:14:12 | |
"Yes, that's definitely Jonathan from Year 11." | 0:14:12 | 0:14:15 | |
"How do you know, Headmaster?" | 0:14:15 | 0:14:17 | |
"I just do!" | 0:14:17 | 0:14:19 | |
They need good role models. Also, like in celebrity land, | 0:14:21 | 0:14:25 | |
they need role models. Not the sort that are famous for being famous, | 0:14:25 | 0:14:28 | |
like Peter Andre. God bless his heart but he's made an | 0:14:28 | 0:14:31 | |
18-year career out of one song! | 0:14:31 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:34 | |
So much so that he's even got a perfume called Mysterious Girl. | 0:14:34 | 0:14:38 | |
Now, call me crazy but surely, as a woman, the one thing you don't | 0:14:38 | 0:14:41 | |
want to smell like is mysterious? | 0:14:41 | 0:14:44 | |
You don't want to spray that on and then walk past your mates | 0:14:44 | 0:14:47 | |
and your mates are like, "Ugh! What is that? Is that egg? | 0:14:47 | 0:14:50 | |
"You smell mysterious! | 0:14:52 | 0:14:53 | |
"Ugh! Eurgh!" | 0:14:55 | 0:14:57 | |
Or Cheryl Cole. | 0:14:59 | 0:15:01 | |
Sorry, I just get so angry whenever I see her face! | 0:15:02 | 0:15:05 | |
Like I was watching her when she was on that Piers Morgan Life Stories bleating on about, | 0:15:05 | 0:15:09 | |
"Being in Africa and my fight with malaria, erghhh." | 0:15:09 | 0:15:13 | |
I got so angry but then I remembered malaria's a disease - not the name | 0:15:13 | 0:15:16 | |
of another toilet attendant she's been kicking the shit out of. | 0:15:16 | 0:15:20 | |
APPLAUSE | 0:15:20 | 0:15:22 | |
Yeah. | 0:15:22 | 0:15:24 | |
NORTH-EASTERN ACCENT: "Take that malaria, you bastard! Give us a lollypop!" | 0:15:24 | 0:15:28 | |
"We're gonna fight for this, love." | 0:15:28 | 0:15:31 | |
It's good, innit, I like that one. | 0:15:31 | 0:15:32 | |
Yeah, if she likes hitting people so much maybe | 0:15:32 | 0:15:35 | |
she should go out with Chris Brown, see how that works out for her! | 0:15:35 | 0:15:39 | |
Yeah, I said it! | 0:15:41 | 0:15:42 | |
Yeah, I did that joke in Cheltenham | 0:15:44 | 0:15:45 | |
and this old lady turned to her husband and was like, | 0:15:45 | 0:15:48 | |
"Chris Brown? Wasn't he the home secretary in 1987?" | 0:15:48 | 0:15:52 | |
Her husband was like, | 0:15:52 | 0:15:54 | |
"I think I'd remember if we had a black home secretary, Margaret!" | 0:15:54 | 0:15:59 | |
He-he. | 0:15:59 | 0:16:00 | |
That'd be amazing to be a black home secretary, | 0:16:00 | 0:16:02 | |
if I was a black home secretary... | 0:16:02 | 0:16:04 | |
Well, if I was home secretary obviously I'd be black but, er... | 0:16:04 | 0:16:07 | |
Think it through, Osho! | 0:16:09 | 0:16:11 | |
That would be amazing | 0:16:11 | 0:16:13 | |
because I would do the biggest wind up on the Daily Mail ever. | 0:16:13 | 0:16:16 | |
I would go straight to the BBC news studios | 0:16:16 | 0:16:19 | |
and do a live broadcast, | 0:16:19 | 0:16:21 | |
I'd just go... AFRICAN ACCENT: "Good mornin', viewers! | 0:16:21 | 0:16:24 | |
"As de new home secretary, I want to announce, | 0:16:24 | 0:16:29 | |
"from now on there will be no immigration laws! | 0:16:29 | 0:16:32 | |
APPLAUSE | 0:16:32 | 0:16:35 | |
"Dat's it, de borders are now open!" | 0:16:38 | 0:16:42 | |
"Tell your friends, tell your family, we have plenty o' money, | 0:16:42 | 0:16:45 | |
"plenty o' jobs, plenty o' benefits, com, com! | 0:16:45 | 0:16:49 | |
"Just com, eh?" | 0:16:49 | 0:16:51 | |
And then close the borders! | 0:16:53 | 0:16:55 | |
It's tough. It's tough. | 0:16:56 | 0:16:59 | |
Young people do need good role models. I think | 0:16:59 | 0:17:02 | |
the Paralympians we had last year, they were amazing role models, | 0:17:02 | 0:17:06 | |
I don't think you can get better than... right? | 0:17:06 | 0:17:08 | |
APPLAUSE | 0:17:08 | 0:17:11 | |
I mean, seriously, they put footballers to shame, they did. | 0:17:11 | 0:17:16 | |
I mean John Terry must have watched the Paralympics and just gone, | 0:17:16 | 0:17:19 | |
"Oh! I get it! I'm a twat!" | 0:17:19 | 0:17:22 | |
APPLAUSE | 0:17:22 | 0:17:25 | |
As amazing as the Paralympians were I think | 0:17:31 | 0:17:34 | |
sometimes we did get a little bit patronising towards them. | 0:17:34 | 0:17:37 | |
Some people went a little bit OTT with all the, "Ah, they're so brave, argh!" | 0:17:37 | 0:17:41 | |
They're just people who happen to have disabilities, | 0:17:41 | 0:17:44 | |
they have to train like everybody else. | 0:17:44 | 0:17:46 | |
They're still athletes and we didn't do this for other | 0:17:46 | 0:17:49 | |
minority groups, you know what I mean, we didn't watch | 0:17:49 | 0:17:52 | |
the 100m final going, "Look at the black people running! | 0:17:52 | 0:17:55 | |
"They're just so fast! | 0:17:57 | 0:17:58 | |
"And they're not even being chased!" | 0:18:00 | 0:18:03 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
But we should all do that next time! | 0:18:09 | 0:18:11 | |
Apparently, er, this Paralympics that we had here was the most successful Paralympics | 0:18:13 | 0:18:18 | |
in the history of the games, so Rio better change it up. | 0:18:18 | 0:18:21 | |
They should add new categories for the disabilities. | 0:18:21 | 0:18:24 | |
They should add non-physical ones. Depression, that's a disability. | 0:18:24 | 0:18:29 | |
You'd just get a guy sat in the sandpit at the end of the long jump | 0:18:29 | 0:18:32 | |
going, "What's the bloody point?" | 0:18:32 | 0:18:34 | |
What else has been happening? Oh, so, I tried online dating again. | 0:18:38 | 0:18:42 | |
Yeah, right. | 0:18:42 | 0:18:44 | |
I mean, to be honest, I didn't last long. About ten days. | 0:18:44 | 0:18:47 | |
Cos I think online dating is a hoax, man. I'm sorry. | 0:18:47 | 0:18:50 | |
I think it's the biggest online hoax since Nigeria got e-mail. It is. | 0:18:50 | 0:18:54 | |
I swear. | 0:18:54 | 0:18:55 | |
That is some scam they are running! | 0:18:56 | 0:18:58 | |
The only people that have managed to combine the internet | 0:18:58 | 0:19:02 | |
and dating is, er, gay guys because they've got Grindr. | 0:19:02 | 0:19:05 | |
Right, OK, let me explain. Some people don't know about Grindr. | 0:19:05 | 0:19:08 | |
OK, so what it is, it's pretty spectacular. | 0:19:08 | 0:19:12 | |
It's an app that tells gay guys how far | 0:19:12 | 0:19:15 | |
they are from another available gay man. | 0:19:15 | 0:19:18 | |
It's awesome. | 0:19:18 | 0:19:19 | |
I was explaining this to a friend and he was like, | 0:19:19 | 0:19:21 | |
"So, it's like a tracker?" | 0:19:21 | 0:19:23 | |
It's not a tracker, you're not hunting gay men. | 0:19:25 | 0:19:27 | |
It's not like that scene in Jurassic Park where the guy's going | 0:19:29 | 0:19:31 | |
through the jungle, then two gay guys are going to | 0:19:31 | 0:19:34 | |
swoop in from either side and he's like, "Clever girl." | 0:19:34 | 0:19:37 | |
Or like an Aboriginal man picking up some debris and going, | 0:19:39 | 0:19:42 | |
"Hmm, leather chaps, rainbow flag. Sh, sh, they're close." | 0:19:42 | 0:19:46 | |
And the guys have to be registered on the website to come up on the app. | 0:19:49 | 0:19:52 | |
You can't just suddenly start using your iPhone as a gaydar now, | 0:19:52 | 0:19:55 | |
you can't go round, "Beep, beep, you are fabulous." | 0:19:55 | 0:19:58 | |
You can't... You can't do that. | 0:19:58 | 0:20:00 | |
So I downloaded Grindr onto my phone and as soon as I fired it up, | 0:20:00 | 0:20:05 | |
there were 70 registered guys within ten metres of me. | 0:20:05 | 0:20:08 | |
Do you know what it was like? | 0:20:08 | 0:20:10 | |
Do you remember that scene in Aliens where they are surrounded | 0:20:10 | 0:20:13 | |
by the aliens and they are like, "Ten metres... That's in the room." | 0:20:13 | 0:20:18 | |
"You can't be reading it right." "I am reading it right!" | 0:20:19 | 0:20:23 | |
"They're coming through the damn walls!" | 0:20:23 | 0:20:25 | |
And there's a little girl going, "They mostly come out at night. | 0:20:25 | 0:20:30 | |
"Mostly." | 0:20:30 | 0:20:31 | |
They brought out a version of it for straight women as well. | 0:20:38 | 0:20:41 | |
When I heard, I was like, "This is great!" | 0:20:41 | 0:20:42 | |
Then, "How's it going to work?" | 0:20:42 | 0:20:44 | |
Like, is a women going to be on her own in a half-empty bar | 0:20:44 | 0:20:48 | |
and she thinks, "I'll just fire up the old Lady Grindr." | 0:20:48 | 0:20:52 | |
That doesn't sound nice at all, does it? | 0:20:52 | 0:20:54 | |
That sounds like a really aggressive sex toy. | 0:20:54 | 0:20:57 | |
"I don't need a man, I got Lady Grindr! | 0:20:57 | 0:21:01 | |
"Just kidney punches me to orgasm!" | 0:21:01 | 0:21:04 | |
Or something like that. | 0:21:04 | 0:21:06 | |
I hope I haven't scandalised anybody, cos with comedy | 0:21:06 | 0:21:09 | |
you've got to be careful, you gotta make sure you're politically correct | 0:21:09 | 0:21:12 | |
and blah blah, but sometimes people take it too far and you | 0:21:12 | 0:21:15 | |
don't want to be too caught up in the boundaries of political | 0:21:15 | 0:21:18 | |
correctness. Some people do take it too far, like somebody complained | 0:21:18 | 0:21:22 | |
to IKEA because their instructions only showed men making the stuff. | 0:21:22 | 0:21:26 | |
Now, let me just check, girls, give a shit? | 0:21:27 | 0:21:30 | |
No! Cos as far as we're concerned, that is a win-win situation! | 0:21:31 | 0:21:35 | |
We'll be watching the geezer building the furniture going, | 0:21:35 | 0:21:38 | |
"Oh darling, I'd love to help you build this thing | 0:21:38 | 0:21:41 | |
"but it says you have to do it!" | 0:21:41 | 0:21:43 | |
It's good when people just do a two fingers up to political | 0:21:50 | 0:21:53 | |
correctness. This happened around the time of 7/7, | 0:21:53 | 0:21:56 | |
everyone was a little jumpy around brown people with bags on buses. | 0:21:56 | 0:21:59 | |
Relax, we all did it. | 0:21:59 | 0:22:01 | |
And I was on the top deck of the bus, had paid, in your face, TFL. And... | 0:22:01 | 0:22:06 | |
And there was an Asian guy at the back of the bus, | 0:22:08 | 0:22:10 | |
just minding his own business, looking through his bag. | 0:22:10 | 0:22:13 | |
All the people sat around him were watching him, transfixed. | 0:22:13 | 0:22:17 | |
Little bead of sweat down their temples, | 0:22:17 | 0:22:20 | |
and then they all started moving, one at a time, just one seat. | 0:22:20 | 0:22:24 | |
What sort of bomb did they think he was packing that had a blast | 0:22:24 | 0:22:27 | |
radius of one seat?! | 0:22:27 | 0:22:29 | |
Like, did they think it was going to go off like this, "Oh, no! | 0:22:30 | 0:22:34 | |
"That has gone everywhere now, I got bomb all over me! | 0:22:34 | 0:22:39 | |
"That's not going to come out in a hot wash, is it? | 0:22:39 | 0:22:42 | |
"Terrorists!" | 0:22:42 | 0:22:45 | |
We don't do that enough, do we? | 0:22:45 | 0:22:46 | |
I didn't move, but mainly out of social embarrassment. | 0:22:46 | 0:22:50 | |
You don't like to cause a scene, do you? I'd rather die! But... | 0:22:50 | 0:22:53 | |
So this guy, he was minding his own business. | 0:22:54 | 0:22:58 | |
He sort of becomes aware of this movement around him, | 0:22:58 | 0:23:00 | |
he looks up, sees that there's this massive space around him. | 0:23:00 | 0:23:03 | |
And he looks up, sees me staring at him from the front of the bus | 0:23:03 | 0:23:06 | |
and this is all he did, it was perfect, he just went, | 0:23:06 | 0:23:09 | |
"Kaboom." | 0:23:09 | 0:23:11 | |
Woooo! Anyways, ladies and gentlemen, you've been awesome. | 0:23:14 | 0:23:17 | |
I've been Andi Osho. Thank you very much, good night! | 0:23:17 | 0:23:20 | |
APPLAUSE | 0:23:20 | 0:23:23 | |
Ladies and gentlemen, Andi Osho! | 0:23:29 | 0:23:31 | |
I did some shows in America last year, which is | 0:23:34 | 0:23:37 | |
kind of hilarious because American comedians are really slick. | 0:23:37 | 0:23:40 | |
American comedians, they just come out and just bang out jokes. | 0:23:40 | 0:23:44 | |
And I'm not good at that. | 0:23:44 | 0:23:45 | |
"OK, here's your first act, Tommy Johnson." And some guy goes, | 0:23:45 | 0:23:48 | |
"I was at the gym yesterday. Anybody go to the gym? | 0:23:48 | 0:23:50 | |
"What's the gym like?" People go, "Yeah, the gym, man!" | 0:23:50 | 0:23:54 | |
"Here's your next act, Sean McKenzie." Guy comes out, | 0:23:54 | 0:23:57 | |
"So I'm in my car. Does anyone here drive a car? How cool a car...?" | 0:23:57 | 0:24:00 | |
"Yeah, we love cars!" | 0:24:00 | 0:24:02 | |
"Here's your next act, | 0:24:02 | 0:24:04 | |
"from Australia, Adam Hills." I walk out and go, "Who are you? | 0:24:04 | 0:24:07 | |
"What's your name? Let's take a photo. Let's make a boy band. | 0:24:07 | 0:24:10 | |
"Hurray!" And the audience are like, "Should he be here?" | 0:24:10 | 0:24:13 | |
I got told off by a Hollywood producer after one of my shows. | 0:24:13 | 0:24:16 | |
This guy in the bar went, "You're doing it all wrong, man. | 0:24:16 | 0:24:19 | |
"You're doing it wrong. | 0:24:19 | 0:24:20 | |
"You gotta grab an audience, tell them what you do. | 0:24:20 | 0:24:22 | |
"What do you do?" "I don't know... | 0:24:22 | 0:24:24 | |
"I tell stories?" | 0:24:24 | 0:24:26 | |
"What kind of stories do you tell, man?" | 0:24:26 | 0:24:28 | |
"Um, I don't know, I'm an Australian who tells stories. | 0:24:28 | 0:24:31 | |
"It's kind of all I've got." | 0:24:31 | 0:24:33 | |
"You got to give him more, what kind of Aussie are you?" | 0:24:33 | 0:24:35 | |
"What?" "There are Aussies everywhere in Hollywood, man. | 0:24:35 | 0:24:38 | |
"Where do you fit? You got to grab an audience. | 0:24:38 | 0:24:40 | |
"Tell them what you do, where you fit amongst every other Aussie | 0:24:40 | 0:24:43 | |
"in Hollywood." So this was my opening line the next night. | 0:24:43 | 0:24:46 | |
"Er, g'day, my name's Adam, I'm from Australia. | 0:24:46 | 0:24:48 | |
"I'm less talented than Hugh Jackman but more tolerant than Mel Gibson." | 0:24:48 | 0:24:52 | |
Pretty much all I've got, people. | 0:24:54 | 0:24:56 | |
That's it. I can't dance, but I quite like Jews. Hurray. | 0:24:59 | 0:25:02 | |
No, I should check - are there Australians here? | 0:25:02 | 0:25:05 | |
SOME CHEERS | 0:25:05 | 0:25:08 | |
Yes! Of course, it's a free night out in London. | 0:25:08 | 0:25:10 | |
Are there New Zealand... Where's Brendan Cole? | 0:25:12 | 0:25:15 | |
Where are you, Brendan? You're a New Zealander, aren't you, my friend? | 0:25:15 | 0:25:19 | |
-CHEERING -Yes. | 0:25:19 | 0:25:21 | |
Ah, there are New Zealanders here, or just women who love your body. | 0:25:21 | 0:25:24 | |
Four people. | 0:25:24 | 0:25:26 | |
It's the proportional representation of New Zealanders in the room, | 0:25:26 | 0:25:29 | |
When was the last time you flew Air New Zealand? | 0:25:29 | 0:25:31 | |
-Two years ago. -Two years ago. | 0:25:31 | 0:25:33 | |
-What was the safety demonstration video? -The All Blacks. | 0:25:33 | 0:25:36 | |
-The All Blacks. -Standard. -Air New Zealand make the best safety | 0:25:36 | 0:25:39 | |
demonstration videos in the world. | 0:25:39 | 0:25:41 | |
A few months ago, if you flew, it was the entire | 0:25:41 | 0:25:43 | |
cast of The Hobbit telling you what to do in case of an emergency. | 0:25:43 | 0:25:46 | |
I'm assuming when oxygen came down, Gollum went, | 0:25:46 | 0:25:49 | |
"Mine, Precious!" | 0:25:49 | 0:25:51 | |
I flew during the Rugby World Cup. | 0:25:52 | 0:25:54 | |
I'm glad they've gone with the All Blacks. | 0:25:54 | 0:25:56 | |
I flew during the Rugby World Cup. | 0:25:56 | 0:25:58 | |
They had an '80s fitness instructor by the name of Richard Simmons. | 0:25:58 | 0:26:01 | |
I don't know if you remember this guy, he was the campest man | 0:26:01 | 0:26:04 | |
on the planet before any of us knew what gay meant. | 0:26:04 | 0:26:06 | |
He'd come out and conduct fitness videos going, | 0:26:06 | 0:26:09 | |
"OK, people, squeeze your tush and squeeze it, and squeeze it. | 0:26:09 | 0:26:12 | |
"Come on, let's work!" And we'd all go, "His wife must be so happy." | 0:26:12 | 0:26:16 | |
He was doing the safety demonstration video | 0:26:16 | 0:26:18 | |
on Air New Zealand but like that! They had pumping music. | 0:26:18 | 0:26:22 | |
IMITATES POUNDING MUSIC | 0:26:22 | 0:26:23 | |
And he came out going, "Come on, people, let's get fit to fly! | 0:26:23 | 0:26:27 | |
"If you need oxygen, pull and breathe! | 0:26:27 | 0:26:30 | |
"And pull and breathe." And the whole plane are going, "Oh, my God." | 0:26:30 | 0:26:35 | |
At one point he did this. "To put your bags away, reach and slide. | 0:26:35 | 0:26:39 | |
"You're a giraffe." | 0:26:39 | 0:26:41 | |
And it made everyone watch but I couldn't help thinking, | 0:26:44 | 0:26:47 | |
this was during the Rugby World Cup when it was held in New Zealand! | 0:26:47 | 0:26:50 | |
"Why don't you use the All Blacks and get them to do a Haka? | 0:26:50 | 0:26:53 | |
"Why don't you have 15 blokes doing a safety demonstration video | 0:26:53 | 0:26:56 | |
"in jerseys just going, 'Your exits, your exits are here, and here.'" | 0:26:56 | 0:27:01 | |
Seems appropriate. | 0:27:04 | 0:27:06 | |
Another country that is taking over the world, | 0:27:08 | 0:27:11 | |
but in our own special way, is Australia. Yeah. | 0:27:11 | 0:27:14 | |
Cos Australian slang has made its way through Europe. | 0:27:14 | 0:27:16 | |
It's ended up, honestly, there are countries that don't have | 0:27:16 | 0:27:19 | |
English as a first language that are using Australian slang now. | 0:27:19 | 0:27:22 | |
Apparently in Sweden, the kids say, "No worries." | 0:27:22 | 0:27:25 | |
There are teenagers in Sweden going.... | 0:27:25 | 0:27:27 | |
IMITATES SWEDISH | 0:27:27 | 0:27:28 | |
"No worries." "Ja." | 0:27:28 | 0:27:30 | |
I think that's how they talk. In Germany, it's fair enough. | 0:27:31 | 0:27:35 | |
IMITATES GERMAN | 0:27:35 | 0:27:36 | |
"Fair enough." "Good." | 0:27:36 | 0:27:38 | |
I couldn't work out how this was going on. | 0:27:38 | 0:27:40 | |
I remembered, I was in Holland once doing a show | 0:27:40 | 0:27:42 | |
with a bunch of Dutch comics. We went out for beers afterwards. | 0:27:42 | 0:27:45 | |
We're all drinking beers, ordering in Dutch. | 0:27:45 | 0:27:47 | |
Cos of the Dutch waitress. | 0:27:47 | 0:27:48 | |
One round came in and I went, "I'm going to sit this out. | 0:27:48 | 0:27:51 | |
"Can I have a sparkling water?" And they went, "Yeah, sparkling water." | 0:27:51 | 0:27:55 | |
And they're all chatting in Dutch. Waitress came back with a beer. | 0:27:55 | 0:27:58 | |
I said, "I'm really sorry," forgetting she was Dutch. | 0:27:58 | 0:28:00 | |
"I'm really sorry, I ordered a sparkling water. | 0:28:00 | 0:28:03 | |
"This is a beer." And she just went, "Ah, it's all good." | 0:28:03 | 0:28:06 | |
That's when I worked it out. We are taking over the world. | 0:28:08 | 0:28:12 | |
One backpacker at a time. | 0:28:12 | 0:28:14 | |
They're all coming to Australia, picking up the language | 0:28:14 | 0:28:18 | |
and taking it home. This is where we can all help each other out. | 0:28:18 | 0:28:20 | |
What do you do when you see a tourist? | 0:28:20 | 0:28:22 | |
Probably what we do, you see Japanese tourists | 0:28:22 | 0:28:24 | |
looking at a map, they don't know where they're going. | 0:28:24 | 0:28:27 | |
You do what we do, which is go, "Work it out for yourselves." | 0:28:27 | 0:28:30 | |
Don't! Help them out, but use slang. Throw in as much slang as possible. | 0:28:30 | 0:28:34 | |
If I see a Japanese tourist on the street in Australia, I just | 0:28:34 | 0:28:37 | |
walk up and go, "G'day, cobbers." "What is cobber?" "Means mate. | 0:28:37 | 0:28:41 | |
"How's it hanging?" "What is hanging?" | 0:28:41 | 0:28:43 | |
"Means how's it going?" "It's good." "Where do you need to go?" | 0:28:43 | 0:28:46 | |
"Opera House." "Oh, strewth, crikey." | 0:28:46 | 0:28:48 | |
"Go down those stairs, round the corner, up those stairs again, | 0:28:48 | 0:28:52 | |
"Bob's your uncle and a dingo took my baby." | 0:28:52 | 0:28:55 | |
Throw it all in. | 0:28:56 | 0:28:57 | |
Cos they'll go home and they'll repeat it to their mates. | 0:28:57 | 0:29:00 | |
That's how the language takes off. | 0:29:00 | 0:29:01 | |
"How was Australia?" "Oh, strewth and crikey. | 0:29:01 | 0:29:04 | |
"Bob is my uncle and a dingo took my baby, ha-ha-ha." | 0:29:04 | 0:29:07 | |
APPLAUSE | 0:29:08 | 0:29:10 | |
And if we all do this, if we all promise to do this, | 0:29:13 | 0:29:16 | |
one day we'll be able to travel from one side of Europe to the other | 0:29:16 | 0:29:19 | |
without needing to learn another language. | 0:29:19 | 0:29:21 | |
When you're in London, Cockney it up when you see tourists. | 0:29:21 | 0:29:23 | |
Couple of Japanese tourists, | 0:29:23 | 0:29:25 | |
"All right, muckers, apples and pears, how's it going, yeah!" | 0:29:25 | 0:29:28 | |
Throw it all in. Then one day there'll be two Swedes beside | 0:29:28 | 0:29:31 | |
a river in Gothenburg chatting, just going, "Do you know, Sven, sometimes | 0:29:31 | 0:29:35 | |
"I think we live in the most beautiful country on the planet. | 0:29:35 | 0:29:37 | |
"The way the sunlight glistens off the fjord | 0:29:37 | 0:29:39 | |
"and up through the pine trees. We are so beautifully blessed." | 0:29:39 | 0:29:42 | |
And Sven will look back and go, "Oh, Jurgen... | 0:29:42 | 0:29:46 | |
"you are such a bell end." | 0:29:46 | 0:29:47 | |
Ladies and gentlemen, it is time to introduce your next act, | 0:29:55 | 0:29:58 | |
there is no way to describe this man, | 0:29:58 | 0:30:00 | |
he is unlike any other comedian you've ever seen, | 0:30:00 | 0:30:03 | |
you are gonna love him. Please raise the roof for Terry Alderton! | 0:30:03 | 0:30:08 | |
APPLAUSE | 0:30:08 | 0:30:10 | |
Ladies and gentlemen, it's so lovely to be here at the O2. | 0:30:21 | 0:30:25 | |
Er... | 0:30:25 | 0:30:27 | |
LAUGHTER AND APPLAUSE | 0:30:27 | 0:30:29 | |
I know when I come out here a lot of people don't know what I'm about. | 0:30:32 | 0:30:35 | |
You look at me and you think to yourself possibly I am... | 0:30:35 | 0:30:38 | |
CAMP: "Hiya, how you doing, it's so nice to be here!" | 0:30:38 | 0:30:41 | |
And others look at me and think, | 0:30:41 | 0:30:43 | |
HARD-MAN: "What you looking at, mate?" | 0:30:43 | 0:30:46 | |
We all judge books by covers, don't we? | 0:30:46 | 0:30:49 | |
Recently I've met this kid, yeah, who's one of them | 0:30:49 | 0:30:51 | |
kids that talks with a sophisticated ring-pull device. | 0:30:51 | 0:30:53 | |
Them kids like that, with a bad right leg | 0:30:53 | 0:30:55 | |
and someone's going to steal their penis. Them kids, yeah? | 0:30:55 | 0:30:58 | |
He's like that the whole time, I'm like, "Hello," | 0:30:58 | 0:31:02 | |
he's like, "What you lookin' at? What you doin' on a bus? | 0:31:02 | 0:31:05 | |
"You're playing music so loud. What you talkin' about? | 0:31:05 | 0:31:07 | |
"What you doin' with those scissors?" | 0:31:07 | 0:31:09 | |
I've been a bit strapped for cash recently, | 0:31:13 | 0:31:15 | |
so I decided to rent out my right knee to him. | 0:31:15 | 0:31:19 | |
It's bad enough that I have to live with what's going on in here. | 0:31:19 | 0:31:23 | |
You can only imagine. | 0:31:23 | 0:31:24 | |
My friend, I have a lot of thoughts in here, yeah? | 0:31:24 | 0:31:27 | |
And even since the citalopram, the thoughts are still there. | 0:31:27 | 0:31:31 | |
I have a lot of thoughts. | 0:31:31 | 0:31:33 | |
A lot of thoughts... | 0:31:33 | 0:31:36 | |
DRAMATIC MUSIC | 0:31:36 | 0:31:39 | |
-Chicken. -Chicken? Again? -Chicken. -Chicken? Again? -Chicken. | 0:31:45 | 0:31:49 | |
-Chicken? Again? -Chicken. -Chicken? Again? -Chicken. -Chicken? Again? | 0:31:49 | 0:31:53 | |
-Chicken. -Chicken? Again? -Chicken. -Chicken? Again? -Chicken. | 0:31:53 | 0:31:57 | |
-Chicken? Again? -Chicken. -Chicken? Again? -Chicken. -Chicken? Again? | 0:31:57 | 0:32:02 | |
It's salmon! | 0:32:02 | 0:32:03 | |
LAUGHTER | 0:32:03 | 0:32:05 | |
Not everyone's getting it. "Keep going." | 0:32:08 | 0:32:11 | |
APPLAUSE | 0:32:12 | 0:32:14 | |
So I stupidly rented out my right knee to this young boy, yeah, | 0:32:17 | 0:32:21 | |
he's one of them, you know what I'm sayin', check it out, yeah? | 0:32:21 | 0:32:24 | |
It's bad enough I have to live with this, | 0:32:24 | 0:32:26 | |
but he's opened up a drum and bass club in my right knee. | 0:32:26 | 0:32:30 | |
You want to hear what it's like? | 0:32:30 | 0:32:32 | |
POUNDING DRUM AND BASS MUSIC | 0:32:32 | 0:32:35 | |
MUSIC STOPS | 0:32:51 | 0:32:52 | |
Listen, I'm into monkey fighting at the moment. | 0:32:52 | 0:32:55 | |
It's all imaginary monkey fighting. | 0:32:55 | 0:32:58 | |
It's all in my mind - no beasts get hurt, one is about to ensue. | 0:32:58 | 0:33:02 | |
One has a knife, the other has a gun but the one with the gun has | 0:33:02 | 0:33:05 | |
no bullets, but the one with the knife doesn't know that! | 0:33:05 | 0:33:08 | |
LAUGHTER | 0:33:08 | 0:33:10 | |
So I was in the closet and I just couldn't get out of that closet. | 0:33:19 | 0:33:23 | |
And I walked round maybe for two or three hours. | 0:33:23 | 0:33:26 | |
And then I realised I was in my wife's closet and I thought, | 0:33:26 | 0:33:29 | |
"If I come out of here, this will be very weird." | 0:33:29 | 0:33:33 | |
And I knew I was in my wife's closet | 0:33:33 | 0:33:35 | |
because I found contraptions in there. | 0:33:35 | 0:33:37 | |
(She never told me she had these contraptions.) | 0:33:37 | 0:33:40 | |
I found three of them in there! | 0:33:46 | 0:33:48 | |
I said to her, "You've got three of these things in here! | 0:33:48 | 0:33:51 | |
"You've got a warren!" | 0:33:51 | 0:33:53 | |
I mean, with women it's contraptions and True Blood and the werewolf, | 0:33:55 | 0:33:59 | |
I can't compete with that. | 0:33:59 | 0:34:01 | |
With men it's like working in decimal, with men it's just one, | 0:34:01 | 0:34:05 | |
two, three, four, five, get hungry, make a sandwich. | 0:34:05 | 0:34:08 | |
Six, seven, eight, nine, history - click - delete, ten. | 0:34:08 | 0:34:11 | |
But with women, it's all this. | 0:34:13 | 0:34:17 | |
I was disgusted and before I left for the gig this evening, | 0:34:18 | 0:34:21 | |
I covered them in Tabasco. | 0:34:21 | 0:34:24 | |
So... | 0:34:24 | 0:34:25 | |
What happens when the one with the knife realises the one | 0:34:29 | 0:34:32 | |
with the gun has no bullets?! | 0:34:32 | 0:34:34 | |
But I don't want to come across at any point in my life... | 0:34:39 | 0:34:42 | |
I don't want women to think I'm wrong in any way but as a man | 0:34:42 | 0:34:45 | |
I do things I can't help myself for, | 0:34:45 | 0:34:47 | |
like when I have a thought when | 0:34:47 | 0:34:49 | |
I see a girl, I feel terribly bad about it, you know, every | 0:34:49 | 0:34:52 | |
single time and I think every man in here does it, | 0:34:52 | 0:34:54 | |
when you see a woman you can't help yourself have that feeling like | 0:34:54 | 0:34:58 | |
a voice that goes, "Would ya?" | 0:34:58 | 0:35:00 | |
Bearing in mind you women know that this happens next time you go | 0:35:03 | 0:35:06 | |
to a family do, like a wedding or something like that, | 0:35:06 | 0:35:08 | |
bear in mind that's going to happen when you're with your new boyfriend that you're so excited about. | 0:35:08 | 0:35:13 | |
And you're skipping along and you go, "Mother, this is Darren, | 0:35:13 | 0:35:16 | |
"Darren, this is my mother. Darren, Mother, Mother, Darren." | 0:35:16 | 0:35:19 | |
She goes, "So lovely to meet you, Darren, | 0:35:19 | 0:35:21 | |
"you're such a good looking boy, we've been so excited to meet you." | 0:35:21 | 0:35:24 | |
He goes, "Mrs Smith, it's so nice to meet you too..." Would ya?!" | 0:35:24 | 0:35:28 | |
And then you think it's going so wonderfully, | 0:35:28 | 0:35:31 | |
you think, "Let's go and see Auntie Linda." | 0:35:31 | 0:35:34 | |
You say to Auntie Linda, "Linda this is my new boyfriend, Darren" | 0:35:34 | 0:35:36 | |
She goes, "Darren, you're such a beautiful looking boy, it's lovely | 0:35:36 | 0:35:39 | |
"to meet you" he looks at her and goes, "Lovely to meet you..." | 0:35:39 | 0:35:43 | |
"Would ya?" And you think, "Let's make it a hat trick." | 0:35:43 | 0:35:46 | |
So you think, "Let's go and see Grandma..." | 0:35:46 | 0:35:49 | |
Oh, you ageist bastards! | 0:35:49 | 0:35:51 | |
How do you know she's not a 68-year-old GILF? | 0:35:52 | 0:35:54 | |
You've seen Blondie, right? | 0:35:54 | 0:35:56 | |
You go to Grandma, "Grandma, this is Darren, | 0:35:59 | 0:36:01 | |
"Darren, this is Grandma". She looks at Darren and goes | 0:36:01 | 0:36:04 | |
"I'd let ya" and so... | 0:36:04 | 0:36:06 | |
LAUGHTER | 0:36:06 | 0:36:08 | |
My wife and I, we don't argue very often - the only time we argue | 0:36:13 | 0:36:16 | |
is over finances and of course, SHE DOESN'T ADMIT THE AFFAIR! | 0:36:16 | 0:36:20 | |
But apart from that... | 0:36:20 | 0:36:21 | |
We don't argue over much, | 0:36:23 | 0:36:25 | |
I MEAN, HOW MUCH CAN YOU SPEND IN BOOTS?! | 0:36:25 | 0:36:29 | |
"Got the points." But I don't see anything from that, do I? | 0:36:29 | 0:36:33 | |
So ladies and gentleman, | 0:36:34 | 0:36:36 | |
I would now like to re-enact my wife and I arguing | 0:36:36 | 0:36:39 | |
over the finances in our house. | 0:36:39 | 0:36:42 | |
Tonight, she will be played by my left hand | 0:36:42 | 0:36:46 | |
and I will be played by me! | 0:36:46 | 0:36:49 | |
So this is my wife and I, arguing over the finances | 0:36:50 | 0:36:53 | |
in our house, thank you. | 0:36:53 | 0:36:56 | |
SPOOKY DIGITAL ELECTRONICA | 0:36:56 | 0:37:00 | |
STATIC | 0:37:03 | 0:37:05 | |
HE MOUTHS | 0:37:05 | 0:37:08 | |
INDUSTRIAL SIREN | 0:37:08 | 0:37:11 | |
CALL AND ANSWER BETWEEN BRASS AND WIND INSTRUMENTS | 0:37:11 | 0:37:15 | |
MUSIC INTENSIFIES, BOTH INSTRUMENTS AT ONCE | 0:37:20 | 0:37:24 | |
APPLAUSE | 0:37:24 | 0:37:26 | |
BELL RINGS | 0:37:31 | 0:37:32 | |
Winner! | 0:37:32 | 0:37:35 | |
APPLAUSE | 0:37:35 | 0:37:38 | |
"Listen, there's the one in the white shirt | 0:37:44 | 0:37:47 | |
"and the quiffed hair, I don't think he's enjoying himself." | 0:37:47 | 0:37:51 | |
YORKSHIRE SIBILANT ACCENT: "What you on about? | 0:37:51 | 0:37:54 | |
"You can't judge someone just cos they're not laughing - he could be laughing inside, | 0:37:54 | 0:37:57 | |
"you don't know that he's not enjoying himself here tonight." | 0:37:57 | 0:38:01 | |
"I don't think he really likes it." | 0:38:01 | 0:38:03 | |
"You don't know that!" | 0:38:03 | 0:38:06 | |
"What shall I do here?" | 0:38:06 | 0:38:07 | |
"You must forward roll to his girlfriend." | 0:38:07 | 0:38:10 | |
"What?" | 0:38:10 | 0:38:11 | |
"Just forward roll to his girlfriend" | 0:38:11 | 0:38:14 | |
"That could be at least two forward rolls!" | 0:38:19 | 0:38:22 | |
"It is your destiny." | 0:38:22 | 0:38:24 | |
CAMP: It's lovely to meet you, love. | 0:38:42 | 0:38:43 | |
Click-click! Not! | 0:38:43 | 0:38:45 | |
APPLAUSE | 0:38:45 | 0:38:48 | |
Now, I have a question for you. Do you like shoes, madam? | 0:38:53 | 0:38:57 | |
You do! | 0:38:57 | 0:38:59 | |
I like shoes as well. | 0:38:59 | 0:39:01 | |
All right, love? | 0:39:09 | 0:39:11 | |
I'm looking forward to the drive home tonight. | 0:39:15 | 0:39:18 | |
"What?" | 0:39:18 | 0:39:20 | |
I said I'm looking forward to the drive home tonight. | 0:39:20 | 0:39:24 | |
"What you on about, you don't do nothing! | 0:39:24 | 0:39:26 | |
"You just sit there while I do all the accelerating and braking! You don't do nothing!" | 0:39:26 | 0:39:31 | |
"Heard you sneaking out last night." | 0:39:43 | 0:39:45 | |
Eh? | 0:39:47 | 0:39:49 | |
"I said I heard you sneaking out last night, where did you go?" | 0:39:49 | 0:39:53 | |
Went out with a little flip-flop, didn't I? | 0:39:55 | 0:39:57 | |
"What did you say?" | 0:39:59 | 0:40:00 | |
I said I went out with a little flip-flop. | 0:40:00 | 0:40:02 | |
"You can't say that! It's 2013!" | 0:40:02 | 0:40:06 | |
"You can't call them flip-flops, you gotta call them beach shoes, | 0:40:06 | 0:40:09 | |
"beach shoes!" | 0:40:09 | 0:40:11 | |
I don't understand, a lot of my friends are flip-flops. | 0:40:15 | 0:40:19 | |
"There you go again, it's beach shoe!" | 0:40:19 | 0:40:21 | |
Well, they say flip-flop. | 0:40:23 | 0:40:25 | |
"Well, they can, can't they, cos they are flip-flops!" | 0:40:25 | 0:40:28 | |
"Anyway, what does she look like?" | 0:40:34 | 0:40:37 | |
Well, you know, they all look the same, don't they? | 0:40:37 | 0:40:40 | |
APPLAUSE | 0:40:40 | 0:40:42 | |
You know, I have need to take this from you, you know that, eh? | 0:40:46 | 0:40:49 | |
"What?" I don't have to take this from you, | 0:40:49 | 0:40:52 | |
I could have worked with Kurt Cobain. | 0:40:52 | 0:40:55 | |
"Pfft!" | 0:40:55 | 0:40:56 | |
"No, you couldn't." Yes, I could. | 0:40:56 | 0:40:58 | |
"No, you couldn't." Yes, I could. | 0:40:58 | 0:41:00 | |
"No, you couldn't." Yes, I could. "You couldn't! | 0:41:00 | 0:41:03 | |
"You couldn't work with Kurt Cobain!" Why couldn't I | 0:41:03 | 0:41:05 | |
have worked with Kurt Cobain? "Cos he was a size eight!" | 0:41:05 | 0:41:08 | |
"And if you worked with Kurt Cobain, what would you have done, | 0:41:11 | 0:41:14 | |
"anyway?" What would I have done? | 0:41:14 | 0:41:17 | |
I'll show you what I would've done. | 0:41:17 | 0:41:19 | |
MUSIC: "Territorial Pissings" by Nirvana | 0:41:19 | 0:41:23 | |
MUSIC STOPS | 0:41:57 | 0:41:59 | |
CHEERING AND APPLAUSE | 0:41:59 | 0:42:02 | |
Thank you! Dooosh! Winner! | 0:42:06 | 0:42:09 | |
Ladies and gentlemen, you've been great, I love you, good night! | 0:42:09 | 0:42:13 | |
APPLAUSE | 0:42:13 | 0:42:16 | |
Ladies and gentlemen, Terry Alderton! | 0:42:39 | 0:42:42 | |
Often at the end of an act you can come out and say, | 0:42:45 | 0:42:47 | |
"He's got a DVD coming out or he's got a tour," | 0:42:47 | 0:42:50 | |
but at the end of Terry's act you just go, "Terry Alderton, | 0:42:50 | 0:42:53 | |
"we're not sure if he's OK!" | 0:42:53 | 0:42:55 | |
Ladies and gentlemen, have you enjoyed yourselves tonight? | 0:42:56 | 0:42:59 | |
APPLAUSE | 0:42:59 | 0:43:01 | |
One more time for the acts you saw, Andi Osho! | 0:43:01 | 0:43:05 | |
And Terry Alderton! | 0:43:05 | 0:43:07 | |
Thank you to all the celebs who turned up, thank you to all of you, | 0:43:07 | 0:43:11 | |
my name's Adam Hills, thank you and good night! | 0:43:11 | 0:43:13 |