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Ladies and gentlemen, please welcome your host for tonight, Eddie Izzard! | 0:00:18 | 0:00:24 | |
APPLAUSE AND CHEERING | 0:00:24 | 0:00:27 | |
Hammersmith Apollo! | 0:00:37 | 0:00:39 | |
CHEERING | 0:00:39 | 0:00:42 | |
Now... | 0:00:42 | 0:00:43 | |
Greek gods. | 0:00:43 | 0:00:45 | |
Well, we're in the Apollo. The Apollo, yes. | 0:00:47 | 0:00:49 | |
God of trousers or something, wasn't it? | 0:00:49 | 0:00:53 | |
The god of fish. | 0:00:53 | 0:00:54 | |
I was watching a documentary on this called Clash Of The Titans and... | 0:00:54 | 0:00:58 | |
It's a documentary film done with a bit of splashing about. | 0:00:58 | 0:01:01 | |
And they're all in there - Roger the god of fishcakes | 0:01:01 | 0:01:05 | |
and Steven the god of baked potatoes | 0:01:05 | 0:01:07 | |
and Siobhan the god of dangerous spelling... | 0:01:07 | 0:01:10 | |
And what's-his-face, Mr...Liam Neeson. | 0:01:12 | 0:01:14 | |
Liam Neeson, he's playing the great god, | 0:01:14 | 0:01:17 | |
the god Zeus, the god of all things. | 0:01:17 | 0:01:18 | |
And Liam Neeson is famous now in Hollywood. | 0:01:18 | 0:01:20 | |
All the way from Ballymena in Ireland | 0:01:20 | 0:01:22 | |
-and he's in the middle going... -IRISH ACCENT: -"Right, now. | 0:01:22 | 0:01:24 | |
"What's going on down there? | 0:01:24 | 0:01:26 | |
"What the hell's happening with the people?" | 0:01:26 | 0:01:28 | |
"The great people on Earth, they're complaining, my Lord. | 0:01:28 | 0:01:30 | |
"They're not paying lip service to us any more. | 0:01:30 | 0:01:33 | |
"They've gone bonkers." | 0:01:33 | 0:01:34 | |
"Right. You tell them from me they'd better buck their ideas up..." | 0:01:34 | 0:01:38 | |
It's a very early impression of Liam Neeson, by the way. | 0:01:38 | 0:01:42 | |
"They'd better buck their ideas up | 0:01:42 | 0:01:43 | |
"otherwise I will release the kraken!" | 0:01:43 | 0:01:47 | |
Now I didn't know what a kraken is! | 0:01:47 | 0:01:49 | |
The kraken's a huge turtle, right? A huge turtle who's been held | 0:01:49 | 0:01:53 | |
underwater in a handbag by Oscar Wilde for a million years. | 0:01:53 | 0:01:56 | |
And halfway through the film, he's as good as his word, | 0:01:56 | 0:01:59 | |
he says, "Right. That's it. Release the kraken!" | 0:01:59 | 0:02:02 | |
And this turtle comes up out of the water, pissed off, | 0:02:02 | 0:02:06 | |
like turtles never are... | 0:02:06 | 0:02:08 | |
..and he's got no logic going on he's just thrashing around, | 0:02:09 | 0:02:13 | |
"Rarrgggggghhh," and all he does is stamp on things. | 0:02:13 | 0:02:17 | |
The kraken's just, "Raaaarrrgghhh!" | 0:02:17 | 0:02:19 | |
Complete right-wing foreign policy. | 0:02:19 | 0:02:22 | |
This is the whole film and he said, release the kraken and the kraken is | 0:02:23 | 0:02:27 | |
released but at no point in the film does he go, "Retrieve the kraken!" | 0:02:27 | 0:02:30 | |
The kraken's still out there, | 0:02:30 | 0:02:32 | |
going, "Er...I know nothing about financial matters. | 0:02:32 | 0:02:34 | |
"I'm terribly sorry. | 0:02:34 | 0:02:36 | |
"Yes, I think there's supposed to be some tax at some point." | 0:02:37 | 0:02:41 | |
But they came up with a great idea that was a healthy mind | 0:02:41 | 0:02:44 | |
and a healthy body - healthy mind, healthy body. | 0:02:44 | 0:02:46 | |
Mens sana in corpore sano. And I remember reading this as a kid | 0:02:46 | 0:02:49 | |
thinking, "Fit in mind, fit in body - we can't do that." | 0:02:49 | 0:02:52 | |
Remember when you were a kid you were fit in body. Run! Run! | 0:02:52 | 0:02:55 | |
Why are we running? | 0:02:55 | 0:02:57 | |
There could be ice cream over there! | 0:02:57 | 0:03:00 | |
But in our minds there was nothing, was there? | 0:03:00 | 0:03:02 | |
It was just like that early tennis game in 1980s computers. | 0:03:02 | 0:03:05 | |
Pop, pop, pop, pop, pop, pop. | 0:03:05 | 0:03:08 | |
But now...now our minds are fit - we can multitask, | 0:03:08 | 0:03:10 | |
we can sit on the toilets and use the iPad at the same time. | 0:03:10 | 0:03:14 | |
But our bodies are like two weasels covered in gravy, | 0:03:14 | 0:03:17 | |
nailed to the back of a tractor. | 0:03:17 | 0:03:19 | |
So it's these two things - wisdom in life - that's what your journey is. | 0:03:21 | 0:03:25 | |
I don't think there's a God, ladies and gentlemen. | 0:03:25 | 0:03:27 | |
I think it's just up to us to try and be wise. | 0:03:27 | 0:03:29 | |
Try and get wisdom. And we used to have pipes. | 0:03:29 | 0:03:31 | |
We used to smoke pipes that helped us, all the way up to the | 0:03:31 | 0:03:34 | |
1950s, everyone, all the real characters from history - | 0:03:34 | 0:03:36 | |
Sherlock Holmes and Gandalf, and they all had pipes. | 0:03:36 | 0:03:41 | |
You stick a pipe in your mouth, you were wise, weren't you? | 0:03:41 | 0:03:43 | |
I see what you mean. It's a very good point. | 0:03:43 | 0:03:45 | |
I've got one of those. Looked that up in a book, | 0:03:45 | 0:03:47 | |
I am not sure. Have you googled it? I haven't got a signal. | 0:03:47 | 0:03:51 | |
No-one said that, did they, with a pipe? | 0:03:51 | 0:03:53 | |
Well, I'll get the Wi-Fi going then I'll just check it out. | 0:03:53 | 0:03:56 | |
But it was wise, wasn't it? No-one said stupid things. | 0:03:56 | 0:03:59 | |
No-one said, "I'm going to put my dick in this toaster right now." | 0:03:59 | 0:04:02 | |
And it turned up in films. The Magnificent Seven - | 0:04:05 | 0:04:07 | |
there's a great story about... | 0:04:07 | 0:04:09 | |
about mercenary people who are hired to come down and help poor | 0:04:09 | 0:04:13 | |
townsfolk in a village somewhere down Mexico way. | 0:04:13 | 0:04:15 | |
The people going, "The banditos! The banditos! They have come | 0:04:15 | 0:04:18 | |
"and they've stolen all our lettuce and our cucumbers and our radishes | 0:04:18 | 0:04:21 | |
"and our baked potatoes and mainly summer salad items. They're... | 0:04:21 | 0:04:25 | |
"..the healthiest banditos I've ever seen." | 0:04:26 | 0:04:29 | |
"What should we do?" "We must talk to the wise man who smokes a pipe | 0:04:29 | 0:04:31 | |
"and lives outside the village. He knows. He knows..." | 0:04:31 | 0:04:34 | |
"Wise man, what should we do?" And the wise man, he removes his pipe, | 0:04:34 | 0:04:37 | |
he, knocks it out on the head of a child... | 0:04:37 | 0:04:40 | |
Pop, pop, pop. | 0:04:40 | 0:04:41 | |
..and he refills it with a bit of Old Holborn, a bit of Old Toby | 0:04:41 | 0:04:44 | |
and a bit of Old Geoffrey. | 0:04:44 | 0:04:46 | |
He takes a match as big as a baby's arm, | 0:04:46 | 0:04:49 | |
lights it on a passing Good Samaritan. | 0:04:49 | 0:04:51 | |
"What you must do is go north, find the gringos. | 0:04:57 | 0:04:59 | |
"The gringos, they are good with the guns. | 0:04:59 | 0:05:01 | |
"Yul Brynner, Steve McQueen, they will... | 0:05:01 | 0:05:04 | |
"And get the Man From Uncle, Robert Vaughn, bring him too. | 0:05:04 | 0:05:07 | |
"And James Coburn - good with a knife, | 0:05:07 | 0:05:09 | |
"not so good with an Australian accent. | 0:05:09 | 0:05:11 | |
"And Charles Bronson, he can tunnel underwater, he's autodidactic. Yes." | 0:05:11 | 0:05:17 | |
It was a wise thing, wasn't it? | 0:05:17 | 0:05:19 | |
But nowadays you wouldn't ask a pipe smoker what to do, would you? | 0:05:19 | 0:05:22 | |
You wouldn't. You wouldn't say, "What's going on in our town? | 0:05:22 | 0:05:25 | |
"All the summer salad items are gone. | 0:05:25 | 0:05:27 | |
"Why don't we ask those people who smoke pipes, | 0:05:27 | 0:05:29 | |
"who all live in that one house. Yes." | 0:05:29 | 0:05:31 | |
Bing-bong. | 0:05:33 | 0:05:34 | |
"Yeah?" | 0:05:34 | 0:05:36 | |
Pffffffff. | 0:05:36 | 0:05:38 | |
"What is it?" | 0:05:38 | 0:05:40 | |
"We've lost... The man came, the man from del Monte, | 0:05:40 | 0:05:42 | |
"he took all the thing and there's no lettuce and cucumber." | 0:05:42 | 0:05:44 | |
"That's you, isn't it?" Pfffff. | 0:05:44 | 0:05:46 | |
"What you must do is find them! | 0:05:46 | 0:05:48 | |
"Find them and remove their kneecaps. | 0:05:48 | 0:05:51 | |
"Put their feet on back-to-front. | 0:05:51 | 0:05:53 | |
"Sellotape their eyeballs together. | 0:05:53 | 0:05:55 | |
"I don't know, I'm on crack!" | 0:05:55 | 0:05:57 | |
Do people who smoke crack ever go, | 0:05:59 | 0:06:01 | |
"Now maybe this is the crack talking... | 0:06:01 | 0:06:04 | |
.."but I think we should all nail our foreskins to this rocket - | 0:06:08 | 0:06:11 | |
"what do you say?" | 0:06:11 | 0:06:12 | |
Bad idea! | 0:06:14 | 0:06:15 | |
So that was wisdom, yeah. That explains wisdom quite well. | 0:06:17 | 0:06:21 | |
And then there's fitness - fitness! | 0:06:21 | 0:06:23 | |
All wild animals are fit. You've never seen a lion going... | 0:06:23 | 0:06:27 | |
HE PANTS | 0:06:27 | 0:06:28 | |
"Bloody bison. | 0:06:33 | 0:06:35 | |
"Shouldn't have eaten those hedgehogs. | 0:06:38 | 0:06:41 | |
"Are they on drugs? Are they taking drugs? | 0:06:41 | 0:06:44 | |
"Tour de France, man." | 0:06:44 | 0:06:45 | |
And they're all fit. This is true. Lions and tigers, | 0:06:47 | 0:06:49 | |
tigers, cheetahs. Cheetahs are not cheaters, they're honesters. | 0:06:49 | 0:06:52 | |
They're not taking drugs and hallucinating! Fast! | 0:06:52 | 0:06:56 | |
And small ones - moles and moles, moles. | 0:06:56 | 0:06:58 | |
Moles just going, "Dig, dig! Why are we digging?" | 0:06:58 | 0:07:00 | |
"There could be ice creams underground!" | 0:07:01 | 0:07:04 | |
Do moles ever go... | 0:07:25 | 0:07:26 | |
"..I think we're lost?" | 0:08:00 | 0:08:01 | |
Fit, fit, fit. | 0:08:10 | 0:08:11 | |
Then the Olympics came to town. Yes, the Olympics did come. | 0:08:11 | 0:08:13 | |
Remember when the Olympics came, just before, and a lot of us | 0:08:13 | 0:08:16 | |
were kind of negative? I wasn't. I was a buzz, buzz, buzz. | 0:08:16 | 0:08:18 | |
But some were going, "Oh, it's going to be expensive. | 0:08:18 | 0:08:21 | |
"Foreign people will come over and we'll have to talk loudly to them." | 0:08:21 | 0:08:25 | |
And it was great suddenly it wasn't X Factor, Y Factor, B Factor - | 0:08:27 | 0:08:31 | |
it was people running, jumping, climbing over trees, | 0:08:31 | 0:08:33 | |
eating gerbils. Whatever they were doing, it was good, wasn't it? | 0:08:33 | 0:08:37 | |
And they were fast, fast, fast. And anyone can do those things. | 0:08:37 | 0:08:40 | |
Anyone can do the sports except for one or two - | 0:08:40 | 0:08:42 | |
rowing is a bit of a posh sport. You have to go to a school. | 0:08:42 | 0:08:45 | |
AUDIENCE: Wooo! | 0:08:45 | 0:08:47 | |
You are rowers, so there you go. | 0:08:47 | 0:08:49 | |
You must say it's a bit of a posh sport. | 0:08:49 | 0:08:51 | |
You have to go to a school that's got a river going through it. | 0:08:51 | 0:08:54 | |
You can't sit in your bath going, "It's pretty good in the bath." | 0:08:54 | 0:08:59 | |
"Water's got to be on the outside, mate." "Ah, right, I didn't know." | 0:08:59 | 0:09:04 | |
Yes, that's what you... Horse riding - you've got to have a horse. | 0:09:04 | 0:09:06 | |
You can't say, "I found a Great Dane in a skip, and, erm... | 0:09:06 | 0:09:11 | |
"he only had front legs but he was a game boy. he used to go for it." | 0:09:11 | 0:09:16 | |
And it breaks down into two bits, you know. There's the jumping over | 0:09:16 | 0:09:19 | |
things, which is from ancient hunting which is, in days of old, | 0:09:19 | 0:09:22 | |
medieval kings would hunt and shoot | 0:09:22 | 0:09:24 | |
wild boar and orcs and fish with guns. | 0:09:24 | 0:09:26 | |
And then there's dressage based on God knows what. | 0:09:26 | 0:09:30 | |
It's a fantastic thing, don't get me wrong. | 0:09:32 | 0:09:35 | |
They won medals for Great Britain | 0:09:35 | 0:09:36 | |
and I was there going, "Go on, win that thing! | 0:09:36 | 0:09:38 | |
"You've won that thing! I don't know how. | 0:09:38 | 0:09:40 | |
"I don't know what you were doing when you were doing that thing." | 0:09:40 | 0:09:43 | |
But you have to admit you don't go, "When's the dressage on? | 0:09:43 | 0:09:46 | |
"When's it on? What time?" | 0:09:46 | 0:09:48 | |
It just comes on, doesn't it? And you go, "Oh, dressage." | 0:09:48 | 0:09:51 | |
And they're doing stuff. These people - highly trained. | 0:09:51 | 0:09:54 | |
Highly-trained riders, highly-trained horses, | 0:09:54 | 0:09:56 | |
trained to do stuff... | 0:09:56 | 0:09:58 | |
..that is not wanted in life. | 0:10:00 | 0:10:02 | |
It's brilliant, but it's just useless. You know what I mean? | 0:10:05 | 0:10:09 | |
Unless you want to park your horse in a cupboard, | 0:10:09 | 0:10:12 | |
it's not much... | 0:10:12 | 0:10:13 | |
Coming up to the cupboard now, got the door open, going in. | 0:10:15 | 0:10:18 | |
He's going to back into the cupboard, no-one's ever done that. | 0:10:18 | 0:10:21 | |
Stepping in. It's a very difficult one to do. | 0:10:21 | 0:10:23 | |
He's closed the doors - he's in the cupboard! | 0:10:23 | 0:10:26 | |
Wins four points. | 0:10:26 | 0:10:27 | |
No-one's... And it's also odd because, you know, | 0:10:27 | 0:10:30 | |
there's a sort of weird, emotional thing in it. | 0:10:30 | 0:10:33 | |
If you were standing somewhere | 0:10:33 | 0:10:35 | |
and a stranger walked up to you and they walked directly up to you | 0:10:35 | 0:10:37 | |
and looked you in the eye and they just... | 0:10:37 | 0:10:39 | |
And you'd think, "OK, well, they're coming towards me. | 0:10:39 | 0:10:42 | |
"They're going to say something." But if someone walked up to you | 0:10:42 | 0:10:44 | |
in a slightly more dressage style... | 0:10:44 | 0:10:46 | |
..you'd go, "What are you doing? Who are you?!" | 0:10:51 | 0:10:54 | |
It's weird. And it's like they're training the horses | 0:10:56 | 0:10:59 | |
to be burglars. It's just such a... | 0:10:59 | 0:11:02 | |
And there's nothing to burgle, is there? There's no end. | 0:11:02 | 0:11:04 | |
We don't know when it's finished. Are they finished? | 0:11:04 | 0:11:06 | |
Because there's no... | 0:11:06 | 0:11:08 | |
Even the commentators... "And he's coming | 0:11:08 | 0:11:10 | |
"and he's walking sideways and he's...oh, and that's it. | 0:11:10 | 0:11:15 | |
"And he's got the gold. Oh, that looked very similar to | 0:11:15 | 0:11:18 | |
"the one who didn't get anything." | 0:11:18 | 0:11:21 | |
But if they built a structure at one end, we'd go for that. | 0:11:21 | 0:11:24 | |
I think we'd go for the dressage al la burglar. | 0:11:24 | 0:11:28 | |
We would quite like... "Here's Lucky Jim | 0:11:28 | 0:11:30 | |
"ridden by Lady Jane Trains, | 0:11:30 | 0:11:32 | |
"now coming up to the structure. Just casing the joint. | 0:11:32 | 0:11:36 | |
"Checking, trying to find a way into the building. | 0:11:36 | 0:11:40 | |
"Got four minutes once they get in. Yes, found a window, found a window. | 0:11:40 | 0:11:43 | |
"The window is broken. The time has started. | 0:11:43 | 0:11:45 | |
"Into the building. | 0:11:45 | 0:11:48 | |
"Goes into the kitchen. Going round. | 0:11:48 | 0:11:50 | |
"Opening things, trying to find the safe, find the jewels. | 0:11:50 | 0:11:53 | |
"Back out of the kitchen. Into the bedroom. | 0:11:53 | 0:11:55 | |
"He's going for reverse entry into the cupboard. He's in the cupboard. | 0:11:55 | 0:11:59 | |
"He's almost hit Narnia. There he is coming back out. | 0:11:59 | 0:12:02 | |
"He's into the lounge. Where can the safe be with the jewels? | 0:12:02 | 0:12:04 | |
"Trying to find the safe behind the pictures. He's got the safe. | 0:12:04 | 0:12:07 | |
"He's opening the safe now with hooves. | 0:12:07 | 0:12:09 | |
"Very difficult to do with hooves. | 0:12:09 | 0:12:11 | |
"Jewellery round the neck, earrings on, closing the door, | 0:12:11 | 0:12:14 | |
"now out, reverse... | 0:12:14 | 0:12:16 | |
"Opens the windows..." | 0:12:16 | 0:12:20 | |
We would watch that! | 0:12:20 | 0:12:23 | |
APPLAUSE AND CHEERING | 0:12:23 | 0:12:24 | |
Ladies and gentlemen of the Apollo, Live At The Apollo, | 0:12:29 | 0:12:32 | |
cos we are live at the Apollo, ladies and gentlemen, please, | 0:12:32 | 0:12:35 | |
welcome onto the stage the one and only Josh Widdicombe! | 0:12:35 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:40 | |
Hello. | 0:12:53 | 0:12:55 | |
CHEERING | 0:12:55 | 0:12:56 | |
We all right? | 0:12:56 | 0:12:58 | |
AUDIENCE WHOOP Exciting, isn't it? | 0:12:58 | 0:13:00 | |
It is a pleasure to be here. You seem like a...a nice bunch. You do. | 0:13:01 | 0:13:06 | |
I find life difficult. I do. It's the little things that are difficult. | 0:13:06 | 0:13:09 | |
I had a situation a few weeks ago - I don't know if you've had this - | 0:13:09 | 0:13:12 | |
where I got asked a surprise question by a cash point. | 0:13:12 | 0:13:15 | |
Don't know if you've had this, I was going on a date so I thought | 0:13:18 | 0:13:20 | |
I'd get some money out. | 0:13:20 | 0:13:21 | |
It was all going fine and then, just before giving me my money, | 0:13:21 | 0:13:24 | |
first on the screen, it came up with a picture of Coco the monkey. | 0:13:24 | 0:13:28 | |
From the Coco Pops, yeah. | 0:13:29 | 0:13:30 | |
And below that, it said, "Are you considering buying Coco Pops today?" | 0:13:30 | 0:13:35 | |
And gave me the options of yes or no. | 0:13:37 | 0:13:39 | |
And obviously my first reaction was, "What the hell is going on?" | 0:13:41 | 0:13:46 | |
Cos my understanding of cash points is they're meant to do | 0:13:46 | 0:13:49 | |
what you'd normally go into a bank to do, | 0:13:49 | 0:13:50 | |
I don't know who's going into a bank, queuing up, getting to the front | 0:13:50 | 0:13:53 | |
and going "Hi, I need some financial advice. | 0:13:53 | 0:13:56 | |
"I've got £2.69 and I want to turn my milk chocolaty." | 0:13:56 | 0:14:00 | |
Also - yes or no, what difference is that going to make? | 0:14:06 | 0:14:10 | |
If I click yes, is it going to go, | 0:14:10 | 0:14:11 | |
"Well, I hope you've got a bowl ready cos here they come?" | 0:14:11 | 0:14:17 | |
I haven't eaten them in years. I haven't. | 0:14:17 | 0:14:19 | |
I didn't really get to eat them when I was a child | 0:14:19 | 0:14:21 | |
cos when I was a child my parents had the healthy cereals. | 0:14:21 | 0:14:23 | |
The only time I'd get to eat them was when, occasionally, | 0:14:23 | 0:14:26 | |
as a treat, my parents would get me the Kellogg's Variety pack. | 0:14:26 | 0:14:30 | |
CHEERING | 0:14:30 | 0:14:31 | |
Oh, some excitement down here for that. Yeah. | 0:14:31 | 0:14:33 | |
And too right. Too right to be excited | 0:14:33 | 0:14:35 | |
because it was exciting the Variety pack. | 0:14:35 | 0:14:37 | |
If you don't remember it, what it was... | 0:14:37 | 0:14:39 | |
It was awesome. What it was, | 0:14:39 | 0:14:41 | |
you got a third of a bowl of eight different cereals. | 0:14:41 | 0:14:43 | |
APPLAUSE | 0:14:43 | 0:14:44 | |
And the variety was that four of them were nice... | 0:14:49 | 0:14:52 | |
..and the other four would ruin the rest of your week. | 0:14:55 | 0:14:58 | |
That was how it worked. Always the same four at the end. | 0:14:58 | 0:15:01 | |
Always the same four. | 0:15:01 | 0:15:03 | |
Special K. Don't know why that's in a Variety pack. | 0:15:03 | 0:15:05 | |
I'm eating a Variety pack, I'm not a menopausal woman. | 0:15:05 | 0:15:08 | |
Two boxes of Corn Flakes | 0:15:11 | 0:15:12 | |
cos that was always the one that doubled up, wasn't it? | 0:15:12 | 0:15:16 | |
One kid at my school once claimed he got double Ricicles - bullshit, mate! | 0:15:16 | 0:15:20 | |
Same kid who once claimed he got yogurt in both sides | 0:15:21 | 0:15:23 | |
of a Fruit Corner. No-one has ever lived that dream. | 0:15:23 | 0:15:27 | |
The only time you see the Variety pack now is | 0:15:29 | 0:15:31 | |
when you're in a hotel in the breakfast buffet. | 0:15:31 | 0:15:34 | |
They'll have the little boxes of Corn Flakes out. Cos it's always the | 0:15:34 | 0:15:37 | |
Corn Flakes. They're eating the good ones for themselves - that's obvious. | 0:15:37 | 0:15:41 | |
And I will eat the Corn Flakes in that situation | 0:15:41 | 0:15:43 | |
because in a hotel buffet I will eat absolutely everything. | 0:15:43 | 0:15:48 | |
That's how it works, isn't it? | 0:15:48 | 0:15:50 | |
At home I will eat cereal or toast for breakfast. | 0:15:50 | 0:15:52 | |
A hotel breakfast buffet I'm having cereal and toast as my starter! | 0:15:52 | 0:15:56 | |
I've eaten combinations you'd never consider at home. | 0:15:58 | 0:16:01 | |
Just coming back going, "What have I got?" | 0:16:01 | 0:16:03 | |
Eight hash browns topped with some Dutch cheese. | 0:16:03 | 0:16:05 | |
APPLAUSE | 0:16:05 | 0:16:07 | |
Then I'll have four pain au chocolat, six croissants, | 0:16:07 | 0:16:11 | |
eight segments of a fruit I've never heard of, | 0:16:11 | 0:16:14 | |
all washed down with 12 of the smallest orange juices | 0:16:14 | 0:16:17 | |
you have ever seen in your life! | 0:16:17 | 0:16:19 | |
APPLAUSE | 0:16:19 | 0:16:21 | |
CHEERING | 0:16:21 | 0:16:23 | |
It's unbelievable! The worst people... Food is pretentious... | 0:16:26 | 0:16:29 | |
I went into a cafe for breakfast the other day, | 0:16:29 | 0:16:31 | |
one of the things on the menu, it said, "Toasted bread." | 0:16:31 | 0:16:34 | |
That is called toast! | 0:16:34 | 0:16:36 | |
And even the worst foods pretend they're better than they are, | 0:16:36 | 0:16:40 | |
I was eating Super Noodles the other day, on the back, right, | 0:16:40 | 0:16:43 | |
first thing it said, "Serves two." | 0:16:43 | 0:16:46 | |
That has never happened. No couple has ever sat down to an evening of Super Noodles together. | 0:16:48 | 0:16:53 | |
Then lower, right, it said, "Serving suggestion! | 0:16:53 | 0:16:56 | |
On Super Noodles?! | 0:16:56 | 0:16:58 | |
I mean, that should say, "If you've got a bowl, we will be impressed." | 0:16:58 | 0:17:02 | |
Why not try adding salt with your own tears?! | 0:17:03 | 0:17:06 | |
Seriously, it said serving suggestion, | 0:17:10 | 0:17:12 | |
"Why not try dicing up a chicken, | 0:17:12 | 0:17:14 | |
"frying it in Cajun spices and tossing it onto your Super Noodles?" | 0:17:14 | 0:17:18 | |
I'll tell you why not | 0:17:18 | 0:17:20 | |
cos I'm eating Super Noodles. | 0:17:20 | 0:17:22 | |
If I could do that, I wouldn't be going near a pack! | 0:17:24 | 0:17:27 | |
It might as well go, "Serving suggestion. Why not try learning to cook?" | 0:17:27 | 0:17:32 | |
This is my issue with the people at Batchelors. | 0:17:32 | 0:17:34 | |
Incidentally, Batchelors, as a company name that is rubbing it in. | 0:17:34 | 0:17:38 | |
They might as well just call it food for the lonely! | 0:17:40 | 0:17:44 | |
"What are you eating there?" "I've got a spinster's pasty." | 0:17:44 | 0:17:47 | |
LAUGHTER AND APPLAUSE | 0:17:47 | 0:17:51 | |
But the most annoying people when it comes to food, | 0:17:54 | 0:17:56 | |
the most annoying, and I'm sure you'll agree with me, | 0:17:56 | 0:17:59 | |
are the kind of people that make their own jam. | 0:17:59 | 0:18:02 | |
And having looked at this audience, I realise this is a gamble, | 0:18:04 | 0:18:07 | |
but...a little tip if you make your own jam. | 0:18:07 | 0:18:09 | |
I haven't got a problem with you making your own jam, | 0:18:09 | 0:18:11 | |
if you want to waste your own time fair enough, right. | 0:18:11 | 0:18:15 | |
But just a little tip if you make your own jam, just a little tip, | 0:18:15 | 0:18:17 | |
no-one wants it as a present! | 0:18:17 | 0:18:19 | |
They always go, "Merry Christmas. I've made you a jar of jam." | 0:18:22 | 0:18:26 | |
"I bought you a digital radio! That is not a fair swap!" | 0:18:26 | 0:18:30 | |
Never at Christmas am I opening my presents going, | 0:18:30 | 0:18:32 | |
"Please be jam! "Please be jam! | 0:18:32 | 0:18:37 | |
"Preferably made by an amateur." | 0:18:37 | 0:18:39 | |
Do you know the worst thing? | 0:18:40 | 0:18:42 | |
It always comes in a jar that used to contain...proper jam! | 0:18:42 | 0:18:45 | |
LAUGHTER AND APPLAUSE | 0:18:45 | 0:18:49 | |
"I can see you have had good jam and I have to suffer your shit!" | 0:18:52 | 0:18:57 | |
That's like going, "Merry Christmas, I've got you the Lord Of The Rings DVD box set. | 0:18:57 | 0:19:00 | |
"Well, I say that. I've removed the DVDs and kept them for myself | 0:19:00 | 0:19:04 | |
"and then made a home video of what I imagine the film would be like. | 0:19:04 | 0:19:09 | |
"Which I put in there for you to enjoy. | 0:19:09 | 0:19:13 | |
"What is it?" "12 hours of me with shoes on my knees." | 0:19:13 | 0:19:17 | |
A friend the other day said, "Josh, I've got you a jar of jam. | 0:19:20 | 0:19:23 | |
"I was only making it for myself, but I mistakenly made 30 jars." | 0:19:23 | 0:19:27 | |
"Sorry, how shit are you at cooking?!" | 0:19:27 | 0:19:30 | |
I mean, I am shit at cooking, but I've never gone, "Right, let's just check on that roast." | 0:19:30 | 0:19:34 | |
"I've made 30 chickens!" | 0:19:35 | 0:19:37 | |
I mean, I'm going to need a hell of a lot of Super Noodles to dice these bastards onto, aren't I? | 0:19:39 | 0:19:45 | |
LAUGHTER AND APPLAUSE | 0:19:45 | 0:19:46 | |
CHEERING | 0:19:46 | 0:19:48 | |
Live At The Apollo, you have been an absolute joy. | 0:19:53 | 0:19:55 | |
Thank you so much for having me. My name's Josh Widdicombe. Thanks very much. Good night! | 0:19:55 | 0:19:59 | |
CHEERING AND APPLAUSE | 0:19:59 | 0:20:02 | |
Ladies and gentlemen, Josh Widdicombe! | 0:20:06 | 0:20:09 | |
CHEERING AND APPLAUSE | 0:20:09 | 0:20:10 | |
Now, ladies and gentlemen, the last act this evening, a fantastic act, | 0:20:12 | 0:20:17 | |
he is annoyingly good this act. | 0:20:17 | 0:20:19 | |
That is the highest compliment another performer can give. | 0:20:19 | 0:20:21 | |
So, ladies and gentlemen, please welcome onto the stage the one and only Trevor Noah! | 0:20:21 | 0:20:26 | |
CHEERING AND APPLAUSE | 0:20:26 | 0:20:28 | |
MUSIC: "The Lion Sleeps Tonight" | 0:20:28 | 0:20:30 | |
Good evening. CHEERING | 0:20:41 | 0:20:43 | |
I grew up in South Africa. That's where I still live, I enjoy it. | 0:20:43 | 0:20:47 | |
Grew up there during a time known as Apartheid. | 0:20:47 | 0:20:50 | |
For those who don't know, Apartheid was a law in our country | 0:20:50 | 0:20:53 | |
that made it illegal for black and white people to interact with each other, you know, | 0:20:53 | 0:20:57 | |
this was against the law. | 0:20:57 | 0:20:58 | |
And so this was awkward for me growing up, because I grew up in a mixed family, | 0:20:58 | 0:21:02 | |
with me being the mixed one in the family. | 0:21:02 | 0:21:04 | |
My mother's a black woman, Xhosa woman born in South Africa, | 0:21:04 | 0:21:08 | |
that's one of the languages with the clicks. Xhosa! Xhosa! | 0:21:08 | 0:21:11 | |
So a black woman and then my father's Swiss, but they didn't care, | 0:21:11 | 0:21:14 | |
they were mavericks, fighting the system. | 0:21:14 | 0:21:17 | |
My mum was arrested for being with my dad, she would get fined, | 0:21:17 | 0:21:19 | |
she would get thrown into prison for the weekend, | 0:21:19 | 0:21:22 | |
but still she'd come back and she was like, "Woo! I don't care! | 0:21:22 | 0:21:25 | |
"I don't care! Woo! Can't tell me who to love! | 0:21:25 | 0:21:28 | |
"I want a white man! Woo!" | 0:21:28 | 0:21:31 | |
She's crazy my mum, just crazy. | 0:21:31 | 0:21:32 | |
And my dad was also like... Well, you know how the Swiss love chocolate, | 0:21:32 | 0:21:36 | |
so he was... He was in there you know. | 0:21:36 | 0:21:38 | |
CHEERING AND APPLAUSE | 0:21:38 | 0:21:41 | |
And so...and so they got together and they had me, | 0:21:43 | 0:21:47 | |
which was illegal, so I was born a crime. | 0:21:47 | 0:21:49 | |
Which is...something I don't think they ever thought through, | 0:21:49 | 0:21:52 | |
cos as a family we couldn't live together. | 0:21:52 | 0:21:54 | |
In the streets, we couldn't even be seen together. | 0:21:54 | 0:21:56 | |
My father would have to walk on the other side of the road and he could just wave at me from afar. | 0:21:56 | 0:22:01 | |
Like a creepy paedophile. | 0:22:01 | 0:22:04 | |
Well, like a paedophile. I didn't have to say creepy, like a paedophile. | 0:22:04 | 0:22:07 | |
Creepy implies there's some other sort of paedophile, there is none, there's no classy paedophiles. | 0:22:07 | 0:22:11 | |
There's no, "Afternoon, ladies. Afternoon. | 0:22:11 | 0:22:14 | |
"No, no, just browsing, just browsing." | 0:22:14 | 0:22:16 | |
"He's so classy!" No, he's a paedophile. | 0:22:16 | 0:22:19 | |
And er... My mum could walk with me, my mum could walk with me, | 0:22:19 | 0:22:23 | |
but if the police showed up she'd have to let go of my hand and drop me and act like I wasn't hers. | 0:22:23 | 0:22:27 | |
Every single time, cos we weren't supposed to exist as a family. | 0:22:27 | 0:22:31 | |
So my mum would let go. It was like a little game we played. | 0:22:31 | 0:22:33 | |
The police would show up like, "Woo!" | 0:22:33 | 0:22:36 | |
She'd be like, "Oh! I don't know. No, he's not mine. No, I don't know." | 0:22:36 | 0:22:40 | |
It was horrible for me. I felt like a bag of weed. It was a tough time. | 0:22:40 | 0:22:44 | |
LAUGHTER AND APPLAUSE | 0:22:44 | 0:22:48 | |
And...the downside of being light was that being light I was different, | 0:22:48 | 0:22:52 | |
people mocked me, gave me names like mixed-breed, half-caste. | 0:22:52 | 0:22:55 | |
I hate that term. Why half? Why not double? | 0:22:55 | 0:22:58 | |
Or twice as nice. I don't know. | 0:22:58 | 0:23:02 | |
People give you weird names, I just wanted a cool name, you know. | 0:23:02 | 0:23:04 | |
I wanted to be black, to be honest, that's all I ever wanted. | 0:23:04 | 0:23:07 | |
Especially since one day growing up, I met an American | 0:23:07 | 0:23:10 | |
and he was shocked that in South Africa we had all these titles. | 0:23:10 | 0:23:13 | |
And he said to me, "Well, you know, Trevor, if you go out to America, they'll label you as black." | 0:23:13 | 0:23:18 | |
I said, "Really?!" He was like, "Oh, hell, yeah! | 0:23:18 | 0:23:22 | |
"Yeah, buddy, everybody's black out there. Yeah! | 0:23:22 | 0:23:25 | |
"You'd be super black." | 0:23:25 | 0:23:27 | |
Well, that sounds good to me, super black! | 0:23:27 | 0:23:31 | |
Yeah. And I made a choice, "First chance I get to go out to America, | 0:23:31 | 0:23:35 | |
"I'm going to get a piece of that black." | 0:23:35 | 0:23:37 | |
And I did, boarded a flight, it was an 18-hour journey, Johannesburg to New York. | 0:23:37 | 0:23:41 | |
I didn't sleep a wink, I just sat there in my chair like a madman | 0:23:41 | 0:23:44 | |
watching every single black American movie I could find. | 0:23:44 | 0:23:47 | |
Just sitting there going crazy, practising, "Yeah! Yeah! You know what I mean? | 0:23:47 | 0:23:52 | |
"You know what I mean? Yeah! King Kong ain't got shit on me! | 0:23:52 | 0:23:56 | |
"Yeah! Yeah! I'm... Sorry? Oh the chicken, please. The chicken, thank you. | 0:23:56 | 0:24:01 | |
"No, that's fine, thank you. Put it in your mouth, yeah!" | 0:24:01 | 0:24:05 | |
18 hours of flying, 18 hours of practice. | 0:24:05 | 0:24:09 | |
I landed in New York and I was fluent in my black American. Fo' shizzle my nizzle. | 0:24:09 | 0:24:13 | |
I had everything. | 0:24:13 | 0:24:15 | |
I had the walk. I was so black, I was even laughing like... | 0:24:15 | 0:24:18 | |
HE LAUGHS UPROARIOUSLY | 0:24:18 | 0:24:21 | |
"Ha! Yeah! Ha-ha! Oh, my man! My man! Oh, that's you? That's you?" | 0:24:21 | 0:24:26 | |
HE LAUGHS UPROARIOUSLY | 0:24:26 | 0:24:28 | |
That for me is the coolest thing in the world. | 0:24:28 | 0:24:30 | |
Black Americans are so cool and confident, | 0:24:30 | 0:24:32 | |
they'll make you feel good about yourself just by asking if you are you. | 0:24:32 | 0:24:36 | |
It's magic. They'll just walk up to you and go, "That's you? That's you? | 0:24:36 | 0:24:39 | |
"Nah, nah, for real, man, that's you?!" | 0:24:39 | 0:24:41 | |
And you'll be like, "Yeah, I think it is!" | 0:24:41 | 0:24:44 | |
LAUGHTER AND APPLAUSE | 0:24:44 | 0:24:46 | |
And I was that black, I was super black. | 0:24:52 | 0:24:55 | |
I was loving it, until this guy walked up to me, he didn't even know me, | 0:24:55 | 0:24:58 | |
tapped me on the shoulder in the airport he's like... HE SPEAKS RAPIDLY IN SPANISH | 0:24:58 | 0:25:04 | |
HE CONTINUES IN SPANISH | 0:25:04 | 0:25:07 | |
I said, "What? You talking to me?" He said "Yeah, I'm talking to you, man! | 0:25:07 | 0:25:11 | |
"I'm just saying, we made it, baby. We made it baby, eh?" | 0:25:11 | 0:25:14 | |
"Now that we're here, our kind, we got to stick together, hombre." | 0:25:14 | 0:25:20 | |
"Our kind?!" | 0:25:20 | 0:25:22 | |
18 hours of flying and I wasn't black... | 0:25:23 | 0:25:27 | |
I was Mexican. | 0:25:27 | 0:25:29 | |
CHEERING AND APPLAUSE | 0:25:29 | 0:25:33 | |
Mexican. So I started learning Spanish. | 0:25:39 | 0:25:41 | |
If not, why not? And then I've also started learning German. | 0:25:41 | 0:25:45 | |
I learn German to connect with my father. Lost contact with him for many years because of apartheid | 0:25:45 | 0:25:50 | |
and so now we're starting to learn each other, which is taking time, | 0:25:50 | 0:25:53 | |
but we're doing it slowly. I think the language will help me. | 0:25:53 | 0:25:56 | |
Cos I don't think he's proud of me. He loves me, but I haven't earned his pride. | 0:25:56 | 0:26:01 | |
I think partly because of my job, as a comedian I don't rank that high in the world of German...anythings. | 0:26:01 | 0:26:07 | |
Comes across in the small conversations, you know. | 0:26:07 | 0:26:10 | |
One day we're having lunch, my dad looks at me and goes, "So, Trevor, what do you do now? | 0:26:10 | 0:26:14 | |
"You got a job? Do you work?" I said, "Yeah, Dad, I'm a comedian, a stand-up comedian." | 0:26:14 | 0:26:18 | |
And he's like "Oh, ja, ja, so the clown, eh? Ja." | 0:26:18 | 0:26:21 | |
"No. Whatever." | 0:26:21 | 0:26:24 | |
German's holding me back, I dream of impressing him with his language. | 0:26:24 | 0:26:28 | |
I'll get to his house one day, he'll welcome me at the gate, like, "Ah, clown boy!" | 0:26:28 | 0:26:33 | |
I'll be like, "Guten tag, vater." | 0:26:33 | 0:26:36 | |
It's epic, it's got that feeling. So I've started learning. I learn in different ways. | 0:26:36 | 0:26:41 | |
You know, watch German movies, play German speeches on my iPod when I sleep. | 0:26:41 | 0:26:45 | |
Your brain remembers things you don't even know, it's beautiful. | 0:26:45 | 0:26:48 | |
The only hiccup was it turned out I had downloaded some of Hitler's speeches. | 0:26:48 | 0:26:51 | |
It's not like Google warned me. Don't judge me. | 0:26:51 | 0:26:54 | |
Google wasn't like, "Oh, not those ones!" No, it just let me download everything and... | 0:26:54 | 0:26:58 | |
And so I learned some of his nuances, not his philosophies. | 0:26:58 | 0:27:03 | |
It's just I've been told that when I speak German sometimes I sound distinctly Hitler-ish. | 0:27:03 | 0:27:08 | |
Which I found out in Germany, | 0:27:08 | 0:27:11 | |
which is not the best place to find out that you've got Hitler vibes. | 0:27:11 | 0:27:13 | |
I would have rather found out at home. | 0:27:13 | 0:27:15 | |
And, actually, it's funny now, not so much then. | 0:27:15 | 0:27:19 | |
I was in Cologne, Germany, beautiful area, I'll never forget, | 0:27:19 | 0:27:22 | |
I was walking around and I went into like a little sandwich shop, | 0:27:22 | 0:27:25 | |
like one of those Subways where you make your own sandwich. | 0:27:25 | 0:27:28 | |
And I walked in, the woman was really nice to me she was like, "Guten tag. Kannst ich sie helfen?" | 0:27:28 | 0:27:32 | |
I looked at her and I thought, "Confidence, Trevor. Confidence!" | 0:27:32 | 0:27:35 | |
I said, "Guten tag!" | 0:27:35 | 0:27:38 | |
HE MIMICS HITLER'S SPEECH | 0:27:38 | 0:27:42 | |
LAUGHTER AND APPLAUSE | 0:27:42 | 0:27:46 | |
"Und ein Pepsi Cola drinken, bitte!" | 0:27:51 | 0:27:54 | |
LAUGHTER AND APPLAUSE | 0:27:54 | 0:27:56 | |
And... | 0:27:56 | 0:27:58 | |
And she shat herself. | 0:27:59 | 0:28:03 | |
I'll never forget the look on her face. She went pale, she looked me straight in the eye and she said, | 0:28:03 | 0:28:08 | |
"Der Schwartzer Hitler!" | 0:28:08 | 0:28:10 | |
Which means the black Hitler. | 0:28:10 | 0:28:14 | |
I was so happy. | 0:28:16 | 0:28:18 | |
Yeah, cos she said Hitler but at least she said I was black. | 0:28:18 | 0:28:22 | |
You guys have been fantastic. Thanks for having me. CHEERING AND APPLAUSE | 0:28:22 | 0:28:26 | |
Ladies and gentlemen, Trevor Noah! Let's hear it! | 0:28:30 | 0:28:33 | |
CHEERING AND APPLAUSE | 0:28:33 | 0:28:34 | |
So thank you very much for being here. Hope you enjoyed Live At The Apollo. We will see you next time. | 0:28:36 | 0:28:41 | |
A huge round of applause for Josh Widdicombe, Trevor Noah. | 0:28:41 | 0:28:44 | |
And I've been Eddie Izzard. Thank you. Good night! | 0:28:44 | 0:28:47 | |
CHEERING AND APPLAUSE | 0:28:47 | 0:28:49 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:58 |