Episode 6 Live at the Apollo


Episode 6

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Transcript


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Ladies and gentlemen, please welcome your host for tonight,

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Nina Conti!

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Woo! Thank you!

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Thank you so much!

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Wow, this is thrilling! Live At The Apollo!

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Hello, welcome!

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I am your host, hello!

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CHEERING

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Now, I'm not hosting alone, I have a friend with me in here.

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He's really the main guy, he writes all my jokes.

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Can we please give it up for Monkey?

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Hello, ladies and gentlemen. CHEERING

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What a thrill. Good Lord, look at this!

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They know it's ventriloquism?

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Yeah, they catch on quick.

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Look at her, standing there, trying not to move her mouth.

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What a tosser.

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Can you get rid of the bag?

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Yeah, you don't have to be in the bag the whole time.

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There's no going back!

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No, there's no going back, so here we are.

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Here we are in the now, Live At The Apollo.

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Look at all these...

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these folk.

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Yeah, these folk, these celebrities.

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I'd love to talk to some of these celebrities

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but, unfortunately, Nina doesn't watch your shows.

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That's not true!

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Look at Bill Oddie there, what's he doing?

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-What have you got there, Bill?

-It's a badger.

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-It's a badger?

-Does he talk?

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-Er, no.

-No?

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Your hand is up his arse and he still doesn't talk?

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What's his name, the badger?

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He's just Badger, he represents all the badgers in the world.

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Is your badger free after the show, cos I'm going to get in there!

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Monkey!

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Who knows what species we might create?

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Oh, goodness, Fiona Bruce!

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Hello, Fiona!

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You're such a hottie, I wish I was on your hand.

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Erm...

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I'm going to move on to you, sir.

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You are gorgeous,

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Nina fancies you, that's why I said that.

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-What do you do?

-Are you legal?

-Monkey!

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-I'm sorry, what do you do?

-In sixth form at the moment.

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You're in sixth form? Excellent, excellent.

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APPLAUSE

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Oh, dear me.

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Look at her, all dressed up, trying to look so nice

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and then she sticks a monkey on her tit and it all goes wrong.

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Erm...

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Are you sixth form, too?

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-Unlucky.

-And are you Mum?

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-Yes.

-You're Mum to him.

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-OK, good.

-And is this your husband?

-No, Monkey!

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-It can't be, are you..?

-My nephew.

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It's your nephew...

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I'm so sorry, it's really deviant!

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-You're all very welcome.

-What do you do, lady?

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-What's your name?

-Kay.

-Your name is Kay.

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I work in a school kitchen.

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-You work in a school kitchen?

-Sloppy...

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OK, I'm glad I didn't finish that sentence.

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Well, you're all very welcome.

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Monkey is going to back off, we're not going to bother you any more.

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We're going to do some old-fashioned entertainment.

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-What are we going to do, Monkey?

-Sing a song.

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-Monkey, I can't sing.

-Oh, what a dead weight.

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I carry her, you know.

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No, something else.

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Like something from the old days of entertainment, where we come from.

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-OK, hypnosis.

-Hypnosis, how is that going to work?

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Just choose someone eager to please. Someone easily led.

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-And you hypnotise the hell out of them.

-Who is that going to be?

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-It's going to be you.

-OK. You are going to hypnotise me?

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Yes, I am, please sit on the stool provided.

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-OK. On here?

-Yes, sit down.

-Do you want to sit on this?

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-What is it?

-It's just something they made for you to sit on.

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Couldn't look less like a tree, Nina.

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-Is it safe?

-Yes.

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My heart's not in this.

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So, what do I do for you to hypnotise me?

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-You just have the focus on something that you find relaxing.

-OK.

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-Like the exit sign.

-No, it was just there.

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I'll look dead ahead. How does it work then?

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-I'm going to count from three to one.

-Mm-hm.

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-And when I get to one, you'll be asleep.

-OK.

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-Why are you laughing?

-I don't really believe in this kind of thing.

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And yet you think I'm real?

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LAUGHTER

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Just wait till Planet Of The Apes happens for real.

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Your arse is mine.

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-OK, I think I'm ready to be hypnotised.

-OK, three.

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-You are suddenly feeling quite tired.

-OK.

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Two, your eyes are beginning to close.

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Let them close.

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One, you are now in a deep level of trance.

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LAUGHTER

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APPLAUSE

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LAUGHTER

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NO SOUND

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Oh!

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-What happened?

-I couldn't bloody talk!

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What did you expect?

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I don't know, I hadn't thought it through.

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-We're going to try it again.

-How's it going to be different this time?

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This time I want you to retain

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the part of your brain where I reside, keep that awake.

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-OK.

-And then you go to sleep.

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-I'll try.

-OK.

-All right, I'm ready. What do I do?

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-Three, you are feeling tired.

-OK.

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Two, your eyes are closing.

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One, you are in a trance. Don't lose me.

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Don't lose me. Testing, testing.

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One, two, three, OK, we're cooking with gas.

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Now, earlier, you said you couldn't sing.

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Well, that doesn't mean I can't.

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So now I've got you in a compromising position, I might take advantage.

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If you can hear me, I'd like you to raise your finger.

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No, not on this hand, you idiot!

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LAUGHTER

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Oh, God!

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On your hand without the monkey on it.

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OK, good.

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All right, we're ready. I'm going to sing. Can I have track one, please?

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I'd like to sing an aria.

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MUSIC: "Nessun Dorma" by Puccini

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Yes, it's quite ambitious.

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I'm not sure she's up to it.

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Let's see if I can do it.

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Here we go.

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# Dilegua, o notte!

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# Tramontate, stelle!

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# Tramontate, stelle... #

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Wow, that's low for a girl!

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# All'alba vincero... #

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Breathe, Nina.

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# Vincero... #

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Breathe, Nina, I'm dying, I need more air.

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# Vincero! #

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Thank you very much.

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APPLAUSE AND CHEERING

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Thank you so much.

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Oh, it's so classy without you here.

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OK, wake up.

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Oh!

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-What happened?

-You took your clothes off, it was ill-judged, Nina.

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The badger died of fright.

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So, are you done with your thing, what you were going to do?

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-Yes, I'm done with it. That's excellent, thank you.

-OK.

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-So I get up?

-Yeah, you get up.

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God, I want freedom.

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I'm sorry, you can't have it.

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I live vicariously through her all the time.

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It's so depressing, I've had it up to here.

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-Lift it. Here.

-OK.

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Was there anybody else you wanted to talk to on the front row?

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I'd like to talk to you a little more.

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-Is it fun in the school kitchen? Do you have japes.

-Yeah, it's OK.

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You do? What do you cook? What's the nicest thing you cook?

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-Spaghetti Bolognese.

-Spaghetti Bolognese.

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That's the nicest thing she cooks, ladies and gentlemen.

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I'd love to try some. Listen, are you...

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Are you free to help out with our act for a little minute

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cos Nina needs a new puppet and I think you might be the one.

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-Would you join us?

-Yes.

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OK, Kay is going to join us on the stage, ladies and gentleman.

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-APPLAUSE

-Thank you very much!

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Keep clapping, keeping clapping.

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We don't want her to lose heart.

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I'm going to take my bag now.

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What are you going to do, get her to get in the bag?

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No, I'm not.

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Thank you so much, Kay.

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OK, I'm going to go now, and from now on you're taking over, OK?

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Good luck!

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Now, what I want to do, Kay, is just give you a make over

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which is going to take the heat off you

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and then you don't have to worry about what you say.

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I'm going to do your talking for you.

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-I'm just going to put this on you.

-OK.

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OK, thank you, Kay.

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Fantastic, how are you feeling?

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Ha-ha, loving it!

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HIGH-PITCHED GIGGLE

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You all right?

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-Ha-ha-ha!

-SQUEAKING LAUGHTER

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-You've got a funny laugh!

-I've got a funny laugh!

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-You all right?

-Yeah, I love it!

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We don't have this much fun in the kitchen!

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Oh, dear, how lovely!

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Yes, isn't it lovely? Look at this.

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I'll just hold my hands together like this.

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-You will?

-No, I'll let them go.

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HIGHPITCHED GIGGLE

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SHE SQUEAKS INTERMITTENTLY

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Are you all right?

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Yeah, I can't decided what to do with my hands. I can't decide.

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Oh, dear, they're here for...

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No, they're here. No, they're here.

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Where will they go next?

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I have no idea!

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Here they go...

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behind the back!

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And here they are again!

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That's lovely!

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It's the disappearing hand trick.

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It's really nice.

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I could do this for hours, couldn't I?

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-They've gone again!

-They've gone!

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Where are they?

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Here they are!

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That's brilliant!

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Oh, yeah, love it. I love it, I'm a natural. I'm a natural performer.

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That's amazing!

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Just the hand movements, that's all you need.

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There they are.

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-Magic hands!

-Magic hands! Amazing!

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Yeah, always on the move, there they go.

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Oh! Hiding them!

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Where are they now, ladies and gentleman? There they are!

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Fantastic!

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Oh, where are the fingers? There they are, magic hands.

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Wonderful, magic hands. So what else do you do with them?

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Oh, I do mime.

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-Mime?

-Yeah, you know, like the brick wall.

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There it is, you can see it there, that's...

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-What is it?

-It's a robot.

-It was a robot?

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SHE GIGGLES

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Magic, magic hands!

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I love it, what else do you do?

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Oh, I do lots of mimes, like this one.

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What's that?

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It's just, er, tassels.

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Lots of tassels hanging down.

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Sort of like a tassely thing.

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A tassely thing?

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Yeah, you know, one of those things.

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I don't know what you mean.

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You know, with tassels and things and those bits.

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That's amazing!

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Oh, you can see it, can't you? There it is!

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-I'm insane!

-I love it!

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I'm mad, me. I'm such a tiger inside!

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I love it!

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Oh, dear, fingers, fingers.

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-That's wonderful, so...

-Can I do my whole act?

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-Sorry?

-I'd like to do my act.

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Well, more than the mime?

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Yeah, I mean, this is some of what I do, but...

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That's great. I mean, it's so fast!

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Yeah, you just can't keep up with me, can you?

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-I can't get enough!

-It's amazing.

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Yeah, one of those, one of these, some of them!

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HIGH-PITCHED GIGGLE

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Sure, you can do your act - what do you do?

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Oh, I do a bit of juggling.

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Yeah, yeah. It's good with balls, though.

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-Yes, I bet.

-Have you got any?

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I'm presuming you haven't, hence shaking my head. Have you got any?

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Have I got any balls? Yes, I have.

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Oh, excellent!

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-Hand them over!

-Really?

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Yeah, I'll do the juggling.

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All right.

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-OK, there's two.

-OK, I'll need one more, one more.

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AUDIENCE CHEERS

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Oh, my God, that's amazing!

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-Wow!

-Can I have three?

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-You can do three as well?

-Oh, yeah.

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I can't believe you can...

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What the hell, I'll just throw them into the crowd!

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That's for you, Bill Oddie!

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-There's one there.

-Yeah, just leave it there.

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It's fine.

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That's really good, I can't believe you can juggle.

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Yeah, you couldn't do your normal jokes, could you?

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Cos I could juggle.

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Keeping you on your toes, aren't I?

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-That's brilliant.

-And there's something else I do.

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You want to do it here now?

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Yes, I think they're liking it.

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OK, what would you like?

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Can I do my balloon modelling?

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-Yeah, sure.

-Have you got a balloon?

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Yes, I have.

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What are the chances!

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-There you go.

-Oh, lovely, OK. I'll just stretch it out.

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-Have you got a pump?

-Yes, I've got a pump.

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Hand it over.

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There you go.

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Put it in like that.

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Insert it.

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Don't look at me doing this. Oh, there it goes!

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I'll just fill it up like this.

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-That's amazing.

-All the way.

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-Wow! That's really long!

-Yeah, yeah.

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Oh, my goodness!

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I'm crazy, me. Anything could happen now!

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Wow! I like to fill it really full!

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No-one's ever done this!

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Yeah, well, I'm keeping you on your toes. I'm mad, me.

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-Is this your balloon modelling?

-Yeah, it's a snake!

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That is the fullest I've ever seen one!

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Yeah, well, watch and learn, Conti, watch and learn.

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-What are you doing?

-I'm tying it in a knot!

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APPLAUSE

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-Brilliant!

-There, you keep that. I'm mad, me.

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I said I was mad.

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The fun we have in the kitchen.

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Wow, are you done?

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Well, not exactly. I've got my closing bit.

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What's your closing bit?

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I like a cream pie at the end of my act.

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-Cream pie?

-Yeah, have you got the makings of one?

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Well, yes, I suppose so.

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What are the chances?! Hand it over.

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-What, like that?

-Yeah, I'll just take that out of the wrapper.

-OK.

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Have you got any cream?

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Well, yes, I've got something you could use as cream.

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Hand it over, I'll put that in the bag.

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All right, there you go.

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And I'll simply squeeze the cream all over the...

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All over the base.

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Wow, that's loads!

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Yeah, lots and lots, I like lots and lots.

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Lots and lots, that's lovely. Look at that - isn't that tasty?

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-Wow!

-That's better than my spaghetti bolognaise!

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So what then do you do?

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Well, that'd be telling, wouldn't it?

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What are you going to do with it?

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Well, I've got a choice, haven't I?

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What's your choice?

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Well, I could do you or me or...

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Or my son.

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Do you know what you're going to do?

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I'm working on it.

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Just thinking about it.

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You're just going to throw it into the crowd?

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I might, I'm crazy, I'll do what I want.

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What does the crowd want me to do?

0:17:140:17:16

That's the thing you've got to guess, isn't it?

0:17:160:17:18

AUDIENCE SHOUTS SUGGESTIONS

0:17:180:17:22

They want me to do you.

0:17:220:17:24

-What? No, not me!

-Yes, you!

0:17:240:17:26

-No!

-Yes!

0:17:260:17:27

On the count of three, I'm going to do it!

0:17:300:17:33

What are you going to do?

0:17:330:17:34

Oh, my God, you're going to throw it! It could hit anyone!

0:17:340:17:36

I could hit Fiona Gruce! Hello!

0:17:360:17:39

-Now, that'd be tempting.

-No, don't!

0:17:420:17:44

You know what you're going to do?

0:17:450:17:47

Yes, I've decided. On the count of three...

0:17:470:17:49

Really?

0:17:490:17:50

Yeah, count to three and then I'll do something.

0:17:500:17:53

-What are you going to do?

-I'm going to do...we'll see.

0:17:530:17:56

One, two, three...

0:17:580:18:01

AUDIENCE CHEERS

0:18:010:18:03

Wasn't she brilliant?!

0:18:070:18:09

That was fantastic, well done!

0:18:090:18:11

Thank you so much, well done!

0:18:110:18:14

You can go that way, you did so brilliantly.

0:18:150:18:18

Ladies and gentleman, thank you very much.

0:18:230:18:26

Wasn't she brilliant?!

0:18:260:18:27

-Now...

-CHEERING

0:18:270:18:29

Fantastic!

0:18:290:18:31

Now keep the applause going for your next act of this evening.

0:18:320:18:35

He's absolutely hilarious and wonderful. You'll love him.

0:18:350:18:38

It's Jimeoin, ladies and gentleman!

0:18:380:18:41

CHEERING AND APPLAUSE

0:18:410:18:43

AUDIENCE CLAPS ALONG

0:19:010:19:04

MUSIC STOPS ABRUPTLY

0:19:120:19:14

Right...

0:19:140:19:16

How's that for a start, was that OK?

0:19:160:19:18

-AUDIENCE:

-Yes!

0:19:180:19:19

Very important, your entrance.

0:19:190:19:21

You know this, don't you?

0:19:210:19:22

You're fully aware of this. You know when you're in a pub

0:19:220:19:25

and new people arrive in the pub, everybody looks at the new people.

0:19:250:19:29

"Who are the new people?

0:19:290:19:30

"What have the new people got on?"

0:19:310:19:33

So you know whenever you arrive in the pub, everyone's looking at you.

0:19:330:19:37

So you do a good-looking version of yourself.

0:19:370:19:39

You do good-looking looking around, too.

0:19:440:19:47

You don't see anything when you're doing good-looking looking around.

0:19:530:19:56

Cos that's not looking around, is it?

0:19:560:19:58

This is looking around.

0:19:580:20:00

You know, that guy on the beach,

0:20:110:20:13

he's gone to get his family ice creams

0:20:130:20:15

and he's come back to the beach and he can't find his family.

0:20:150:20:18

He's in trouble here - it's a hot day,

0:20:320:20:34

he's got to find his family soon!

0:20:340:20:36

Do you do that? Do you go, like, two one way

0:20:450:20:47

and then a correcting one the other way?

0:20:470:20:50

Some people do the...

0:20:550:20:56

I don't trust them.

0:20:580:20:59

You never see busy people with ice creams.

0:21:040:21:06

People with things to do.

0:21:060:21:08

You never see a foreman on a building site going,

0:21:080:21:10

"I want all this shit cleaned out.

0:21:100:21:13

"Get on with it, boys!"

0:21:130:21:15

I hope my show's not too blokey.

0:21:330:21:35

I always try and do jokes for girls as well.

0:21:350:21:38

Keep everybody included.

0:21:380:21:40

Don't you hate it when you get an itchy fanny?

0:21:410:21:44

That's why I love a big handbag.

0:21:520:21:54

Ain't that the truth?

0:21:580:21:59

I don't really mean these clothes, by the way.

0:22:080:22:11

This isn't my look, this isn't what I normally wear.

0:22:110:22:13

I just thought I'd dress up for the gig.

0:22:130:22:16

But I don't really mean these clothes.

0:22:160:22:18

I mean the belt, though.

0:22:180:22:20

LAUGHTER AND WHISTLING

0:22:200:22:24

Easy!

0:22:240:22:26

That's how it works, belts, just a glimpse from time to time, isn't it?

0:22:260:22:30

I was at the airport going through security, security guard said,

0:22:340:22:37

"Do you mind removing your belt?" I went, "Love to."

0:22:370:22:40

He saw the fun in it, he tipped his hat forward and did...

0:22:530:22:56

I don't like the way models come out in new clothes -

0:23:040:23:06

that walk, that over-confident walk that they do.

0:23:060:23:10

Then they give you that look as if to say,

0:23:130:23:15

"You'll never be able to afford these clothes."

0:23:150:23:17

That's just not the way you wear new clothes, is it?

0:23:220:23:26

I'd love to see a catwalk

0:23:260:23:27

like the way my wife comes out in a new outfit.

0:23:270:23:29

She comes out...

0:23:290:23:31

APPLAUSE

0:23:370:23:41

Do you think that's how Beyonce takes her bins out?

0:23:470:23:50

Empties the dishwasher...

0:24:040:24:05

Cleans the piss from round the bottom of the toilet.

0:24:110:24:13

"Jay Z, there's piss everywhere here!"

0:24:200:24:22

I'm staying at this hotel at the moment.

0:24:340:24:36

It's got revolving doors.

0:24:360:24:38

It's not a great entrance, is it, revolving doors?

0:24:380:24:41

You have to take tiny steps on your arrival.

0:24:410:24:43

And they can see you coming, too. No element of surprise.

0:24:450:24:49

"Look at this idiot!"

0:24:490:24:50

Sometimes your friend gets in with you and it stops - "Oh, you...!

0:24:520:24:55

"Get your own cubicle!" "Oh, come with me now, come with me.

0:24:560:25:00

"Stay close, stay close, stay close.

0:25:000:25:02

"Oh, they're looking at us now,

0:25:020:25:04

"they're looking at us, they're looking at us!"

0:25:040:25:06

"Forget it with this hotel, I'm going to find a new hotel."

0:25:060:25:09

It's just not a great entrance.

0:25:130:25:14

My favourite doors to come through, by the way, are saloon doors.

0:25:140:25:17

You ever come through saloon doors?

0:25:170:25:19

You can push them out of the way quite aggressively...

0:25:190:25:22

do good-looking looking around...

0:25:220:25:24

..tilt your hat back.

0:25:260:25:27

You never see cowboys in Westerns coming through revolving doors.

0:25:280:25:32

"There's going to be trouble when I get in here,

0:25:340:25:36

"sort this shit out once and for all."

0:25:360:25:38

HE MUTTERS MENACINGLY

0:25:380:25:41

APPLAUSE

0:25:540:25:57

Or people getting chucked out through revolving doors -

0:26:020:26:05

"Come out, you idiot!"

0:26:050:26:06

I don't like coming through doors in general, I just, you know...

0:26:160:26:19

Have you ever come through a hotel door,

0:26:190:26:21

and you've got to walk to the reception area

0:26:210:26:23

and it's just a long way away from reception?

0:26:230:26:25

And the people are looking at you walking through the doors

0:26:250:26:28

and you've forgotten how to walk cos they're watching you walking.

0:26:280:26:31

Don't look at me when I'm walking.

0:26:360:26:39

Don't need that pressure.

0:26:390:26:40

You're going through an airport and you can see that one-way glass

0:26:420:26:45

and you're thinking, "There's cops in behind that, isn't there?"

0:26:450:26:48

They're looking at me right now.

0:26:480:26:50

I should be doing my "I don't have any drugs" face.

0:26:500:26:53

Then you start thinking, "What is my 'don't have any drugs' face?"

0:26:550:26:59

LAUGHTER AND APPLAUSE

0:27:090:27:12

I forget a lot of my funny thoughts.

0:27:160:27:18

I was in bed the other night, had a funny thought, and I thought,

0:27:180:27:22

"I'll remember that."

0:27:220:27:24

But when I woke up in the morning, I'd forgotten it.

0:27:260:27:30

But I remember thinking, "I'll remember that."

0:27:300:27:32

I thought, "Why didn't I just make that the funny thought?"

0:27:340:27:37

So I did.

0:27:390:27:40

We've got a washing machine in our house.

0:27:480:27:50

And there's parts of the wash I'm not too sure of.

0:27:500:27:55

There's a bit in the middle where it just goes

0:27:550:27:57

"Ommmmm."

0:27:570:28:00

"Omm-omm. Om!"

0:28:020:28:05

That's washing nothing, that is.

0:28:070:28:10

You expect to look in and catch it having a cigarette and a beer.

0:28:100:28:13

Do you ever do spin?

0:28:250:28:27

Don't know if you notice, people give you a warning

0:28:310:28:33

that they're going to do a little spin before they do it.

0:28:330:28:35

They just do a little nod of their head before they go round.

0:28:350:28:38

That's that signal, "Back off, I could be going round here."

0:28:410:28:44

Sometimes I do the nod then don't do the spin,

0:28:480:28:51

just keep people on their toes.

0:28:510:28:53

Washing machine always comes home strong, doesn't it?

0:29:040:29:07

Goes ballistic at the end.

0:29:070:29:09

Always after the final rinse you would swear it was telling you

0:29:110:29:13

this is the big finish. Does that, "Shhh! Shhh!

0:29:130:29:18

"Shun-shun-shun!"

0:29:180:29:20

If you're in the kitchen at that point, you think, "Here we go."

0:29:200:29:23

Starts off, kind of, low.

0:29:250:29:27

Moves up in that higher section.

0:29:300:29:32

If it's not plumbed in properly

0:29:340:29:36

it can shake the whole kitchen, at this point.

0:29:360:29:38

Then it gets to the point

0:29:420:29:43

where you just don't think it can go any further.

0:29:430:29:46

And it just kicks in to all these gears you didn't know were there.

0:29:460:29:49

MIMICS INTENSIFYING SCALE

0:29:490:29:53

"Whooooo!"

0:29:530:29:56

SILENCE

0:30:050:30:07

MIMICS DESCENDING SCALE

0:30:160:30:20

LAUGHTER AND APPLAUSE

0:30:200:30:24

That's all from me, thank you very much!

0:30:240:30:26

Good night, thank you!

0:30:260:30:28

Jimeoin, ladies and gentlemen!

0:30:360:30:39

-What a funny guy! Imagine how funny I'd be if he was a ventriloquist.

-OK.

0:30:390:30:45

So, next up is a very funny guy.

0:30:450:30:48

Je-sus, he is a funny guy.

0:30:480:30:50

He's amazing, he's hilarious, you're going to love him.

0:30:500:30:53

Can we give it up for Rob Beckett, ladies and gentleman?

0:30:530:30:56

CHEERING AND APPLAUSE

0:30:560:30:59

Hello!

0:31:090:31:12

-Are we all right? AUDIENCE:

-Yeah!

0:31:120:31:15

I'm Rob and I've got massive teeth.

0:31:150:31:17

Fully aware of that, so you don't need to tell me.

0:31:190:31:22

People think I haven't realised yet and let me know.

0:31:220:31:24

They go, "Cor, you've got massive teeth, ain't you?"

0:31:240:31:28

I go, "Have I? Didn't realise, mate!"

0:31:280:31:30

No wonder me dentist drives a Merc.

0:31:300:31:32

I'm from south-east London. I'm very working class.

0:31:340:31:37

AUDIENCE WHOOPS Working class people in?

0:31:370:31:39

Cos doing this job, you meet a lot of middle-class people.

0:31:390:31:42

I did the Royal Albert Hall, the small room,

0:31:420:31:44

the Elgar room, right, in there with another comedian.

0:31:440:31:47

His mum was in there, we're all chatting, and I was like,

0:31:470:31:49

"Who's this Elgar bloke and why's he got a room? "What's going on?"

0:31:490:31:52

She went, "You don't know who Elgar is? "Your mother would be ashamed!"

0:31:520:31:56

I'm like, "Ashamed? She don't know either!"

0:31:560:31:59

I've texted her and she said, "Ask someone."

0:32:000:32:04

Done that and I'm embarrassed.

0:32:040:32:06

Thing is, my girlfriend's very middle class as well.

0:32:060:32:09

She used to be upper class, but we're together now.

0:32:090:32:12

That's how it works.

0:32:120:32:15

Dragging her down.

0:32:150:32:17

Her family, in their front room they've got four sofas, no telly.

0:32:170:32:21

You just look at each other.

0:32:220:32:24

I've never been in a front room without a focal point before!

0:32:250:32:29

It's like a doctor's waiting room!

0:32:290:32:32

Even they've got a shit telly in the corner.

0:32:320:32:35

I'll be honest with you, after an hour of a group crossword,

0:32:350:32:38

I'll take a measles jab advert.

0:32:380:32:40

They're trying to me a bit more cultured.

0:32:420:32:44

Went to Barcelona, which is nice.

0:32:440:32:46

Went to a spa. Spas are fun, ain't they?

0:32:460:32:49

Had a go in Jacuzzi. Love a Jacuzzi. We all love Jacuzzis don't we?

0:32:490:32:52

Know what I mean? Like, but we're British.

0:32:520:32:54

We love Jacuzzis so much we get in them with strangers.

0:32:540:32:57

I don't even sit next to a stranger on the bus.

0:32:570:33:00

Chuck in a bit of bubbly water - I'm all over it!

0:33:000:33:04

Loving a Jacuzzi, it's fun. You're sitting in there - bubble, bubble!

0:33:040:33:08

Bubble, bubble - oh, trunks - bubble, bubble, bubble, bubble.

0:33:080:33:11

Bubble, bubble - strange bloke, you don't care - bubble, bubble.

0:33:110:33:14

Only problem is, once the bubbles stop, it's a weird bath. Innit?

0:33:140:33:19

It's a weird bath for your new mate.

0:33:220:33:24

It is the only time in your life you'll ever to someone.

0:33:260:33:28

"Come on, mate, stick the bubbles back on to make it normal."

0:33:280:33:32

"It's getting a bit weird in here flat."

0:33:320:33:35

We're trying to get a flat in south-east London. Her family's

0:33:350:33:38

not that keen on her moving here. It's a bit rough,

0:33:380:33:40

get a lot of geezers, lads.

0:33:400:33:42

They love fighting, they're the kind of lads...

0:33:420:33:44

You've seen these lads on a night out that don't say

0:33:440:33:46

any actual words to each other. All night it's just, "Ay-ay, bey-uh!

0:33:460:33:51

"Ay-ayyy", like that.

0:33:510:33:54

I went on a stag do once - 48 hours, no-one said a word.

0:33:540:33:57

"Ay-oop, ay!" - It's like a language!

0:33:580:34:00

It's like Pingu, innit?

0:34:000:34:02

A whole generation of kids watched too much Pingu,

0:34:040:34:06

don't know any actual words!

0:34:060:34:08

"Ay-oop ub-ayyy ay!"

0:34:100:34:11

Me dad's like it. Me dad's a bit of an old-school Pingu lad, me dad.

0:34:140:34:18

He's always lived in south-east London, me dad.

0:34:180:34:20

Not always, he's not Highlander, just born there.

0:34:200:34:23

I like ringing home as well, cos you have mum chat and dad chat.

0:34:250:34:28

I rung home the other week, I was going to the Reading festival,

0:34:280:34:31

to do a gig there.

0:34:310:34:32

I spoke to Mum, classic mum chat - "Oh, what you doing there?

0:34:320:34:35

"What time you home? Who you with? "Da da da da da."

0:34:350:34:38

Told my dad I was going to Reading, he just went, "M25, M4?"

0:34:380:34:42

They love a route, dads, they love it. He don't even care

0:34:510:34:54

what I'm doing there. "What you doing there?" "I'm murdering prostitutes."

0:34:540:34:57

"As long as you're on time, son, don't care.

0:34:570:34:59

"I'll have a convict in our house but no-one who's late, yeah?"

0:34:590:35:02

And he tries... My dad was a lorry driver. Now he's a taxi driver.

0:35:020:35:06

He knows all the roads, I don't know any roads.

0:35:060:35:08

I got sat nav, I don't need to know roads. All I need to know is

0:35:080:35:11

wherever the blue arrow's going, I'm going with him, yeah?

0:35:110:35:15

Dead end? Sat nav says, sat nav goes!

0:35:150:35:17

He tries to give me routes and I have to pretend to know

0:35:190:35:21

the routes so I can feel like a proper son, like we're bonding.

0:35:210:35:24

He'll be like, "Yeah, what you want to do is take the lower road."

0:35:240:35:27

I didn't even know there was a higher road! What is this?

0:35:270:35:29

It's not Play Your Cards Right, Dad, I'm just trying to get to Reading!

0:35:290:35:33

He's like "Do a left, do a right, follow it round." What, the road?

0:35:340:35:37

Cheers for that, I was going to stay still on it!

0:35:370:35:40

He's giving me more directions - "Left, right, left,

0:35:410:35:44

"bey, bo, ayyy!

0:35:440:35:47

"Down the slope on your belly, you're in the igloo."

0:35:470:35:50

I was proper fat as a kid. I'll tell you this, right -

0:35:540:35:57

I was so fat as a toddler, I couldn't wear socks.

0:35:570:36:00

Not even joking.

0:36:010:36:03

The elastic in the sock cut off the circulation to my feet.

0:36:030:36:06

I had big, purple feet. Looked like I'd been dipped in Ribena!

0:36:070:36:11

I had to wear jellies for about four years!

0:36:120:36:15

The shoes, not dessert - that's not going to help anyone.

0:36:150:36:19

Diet or stability-wise.

0:36:190:36:22

I remember at school, I was still fat when I was a teenager,

0:36:220:36:24

I had little glasses like the Milky Bar kid.

0:36:240:36:27

I thought I'd use this Milky Bar kid thing to get girls.

0:36:270:36:30

"Hello, girls, Milky Bars are on me."

0:36:300:36:32

They go, "No, they're in you, mate, that's the problem.

0:36:330:36:36

"Stop eating them, you'll be all right."

0:36:390:36:42

I think you want to be grown up too quick. Cos when you're a kid,

0:36:420:36:45

you want to be a grown-up but now it'd be quality being a kid.

0:36:450:36:47

Even being grounded, that was the worst thing as a kid,

0:36:470:36:50

that would come in handy now. If my girlfriend goes,

0:36:500:36:53

"Oh, we need to go to my friend from work's engagement party."

0:36:530:36:56

"Sorry, love, grounded, nothing I can do.

0:36:560:36:59

"You got a problem with it, take it up with Big Suze."

0:36:590:37:01

That's my mum. My mum's Big Suze. The reason we call her that is cos...

0:37:030:37:06

She's not fat or nothing but if you borrow money off her,

0:37:060:37:08

she writes it in a little black book like a loan shark.

0:37:080:37:12

Only reason she's here tonight is I owe her 100 quid.

0:37:120:37:15

But, as well, the worst thing that can be told...

0:37:170:37:19

When you're little, the worst thing your mum can say to you as a kid

0:37:190:37:22

if you're being naughty at a birthday party, your mum goes,

0:37:220:37:25

"You keep being naughty, I'm going to take you home, feed you,

0:37:250:37:27

"bath you and straight to bed!" You're like, "That is awful." Now?

0:37:270:37:30

Absolute quality!

0:37:300:37:32

You're going to drive me home, feed me,

0:37:340:37:36

albeit the bath's a bit weird, but put me to bed?

0:37:360:37:38

Chuck in a buggy, best night ever!

0:37:400:37:42

I like being a bit of a div. It's fun, innit? I can't change who I am.

0:37:440:37:47

Like, me ex-girlfriend didn't really like it, cos I'm a bit of a div.

0:37:470:37:50

I only recently found out that raisins used to be grapes.

0:37:500:37:54

I had no idea!

0:37:540:37:56

No-one tells you. It's not Raisin Grape Day at school, is it?

0:37:560:38:00

Some of you are finding out for the first time as well here.

0:38:000:38:03

I'm forgetful. Sometimes I go upstairs in me mum's house

0:38:060:38:10

get upstairs and go, "Absolutely no idea why I'm up here."

0:38:100:38:14

Me phone, don't need a wee.

0:38:140:38:16

Just sit down in the front room shell-shocked after.

0:38:160:38:20

Me not knowing about raisins and grapes, the worst one is me mum.

0:38:200:38:24

My mum didn't realise sea horses were real

0:38:240:38:26

until my dad took her to an aquarium.

0:38:260:38:29

She thought they were Walt Disney.

0:38:290:38:31

She had no idea. And she was like, "What is that in there?"

0:38:330:38:36

And you laugh, but what an amazing way to live your life.

0:38:360:38:39

It's like us getting to the zoo, seeing Winnie The Pooh and going,

0:38:390:38:42

"What is he doing in there?!

0:38:420:38:44

"And who's got his pants? You can't lock up a kid with him,

0:38:470:38:50

"this is mental!"

0:38:500:38:52

But I'm a bit of a div and I can't help it.

0:38:520:38:55

That's why it didn't really work with my ex-girlfriend.

0:38:550:38:57

This is the argument where I knew

0:38:570:38:59

it was never going to last with her, right?

0:38:590:39:01

I was in the front with her, I was a bit hungry. I said to her,

0:39:010:39:04

"I'm going to get myself a bowl of cereals. Do you want anything?"

0:39:040:39:07

She went, "It's cereal."

0:39:070:39:08

That's not how she spoke, but that's what it felt in me head.

0:39:080:39:11

She went, "It's cereal."

0:39:150:39:17

Which is correct. It's a singular, not a plural.

0:39:170:39:19

It's a bowl of cereal, not cereals.

0:39:190:39:22

It's ridiculous, cos there's loads in there, innit?

0:39:220:39:25

So, I thought, "I've had enough of this, I'm going to mess her up."

0:39:300:39:33

Not in a bad way!

0:39:330:39:34

She could probably take me, if I'm honest with you.

0:39:380:39:42

So, I thought, "Right, I'm going to mess her up." I went in the kitchen.

0:39:420:39:45

Got an empty bowl.

0:39:450:39:47

I put Coco Pops in it.

0:39:470:39:50

And Kellogg's Crunchy Nut.

0:39:500:39:51

That's a bowl of cereals there, guys.

0:39:530:39:55

If they get wise to it, do Coco Pops and Rice Krispies -

0:40:030:40:06

once the milk goes brown they can't tell.

0:40:060:40:09

They're stealth, yeah?

0:40:090:40:11

Bit of Solid Snake.

0:40:110:40:12

Anyway, I'm going back in the front room to have an argument

0:40:150:40:17

I cannot lose and I'm excited about this

0:40:170:40:19

because I've never won an argument about grammar before.

0:40:190:40:22

Apart from "Who's that bloke in Frasier?"

0:40:220:40:24

I'm going back in to have this argument and I can't lose

0:40:280:40:31

because of this little fella, the bowl of truth.

0:40:310:40:33

Right?

0:40:330:40:35

So, I go back in the front room all confident. I swagger into the room.

0:40:350:40:39

It's a small flat - I'm here.

0:40:390:40:41

She goes, "What you got there?"

0:40:450:40:48

I'm like, "Just a bowl of cereals.

0:40:480:40:51

"Cereals."

0:40:530:40:55

She went, "It's cereal."

0:40:550:40:56

I said, "I think you'll find...

0:40:580:41:01

"it's actually Coco Pops and Crunchy Nut.

0:41:010:41:04

"So, up yours!"

0:41:040:41:06

I like being silly, I can't help it, it's fun.

0:41:110:41:13

Me and one of my best mates, Tim, went on holiday.

0:41:130:41:15

He's gay, Tim. He bought a pack of gay playing cards,

0:41:150:41:18

blokes with their willies out, right?

0:41:180:41:20

Basically, what I'm trying to say is they're pornographic ones.

0:41:200:41:23

Not just gay people doing normal things.

0:41:230:41:25

The 7 of clubs ain't Gok Wan gardening, do you know what I mean?

0:41:250:41:29

These are full-on, right?

0:41:300:41:33

And we got them. Get some, it's the best prank you can do.

0:41:330:41:36

We shared a house with a few housemates

0:41:360:41:38

and we hid them in everyone's stuff.

0:41:380:41:40

It's the best thing you can do cos they keep appearing for ages.

0:41:400:41:44

And you can never explain having one gay naked playing card.

0:41:440:41:48

If you've got a pack you can have a game.

0:41:510:41:54

If you've got one, it's like you're sentimental over him.

0:41:540:41:57

So we hid them in everyone's stuff, it was brilliant. We put one

0:42:010:42:04

in my mate's coat pocket. He sold his coat on eBay, got a bit of feedback.

0:42:040:42:09

"The coat did arrive on time, just a cock in the pocket."

0:42:110:42:14

Put one in me mate's wallet. He's in Sainsbury's,

0:42:150:42:18

"Got a Nectar card?" "No, but I've got a flaccid penis if that helps."

0:42:180:42:21

Best one, my mate Jack had an umbrella - popped open like that.

0:42:230:42:27

We got ten cards, put them all in it - we all worked together.

0:42:270:42:30

"Jack, show them how your umbrella pops open"

0:42:300:42:32

Bang! Massive fountain of gay dick everywhere.

0:42:320:42:35

You've been lovely, I've been Rob Beckett.

0:42:420:42:44

Be lucky, I'll see you soon. Thank you very much.

0:42:440:42:47

Rob Beckett, ladies and gentlemen!

0:42:520:42:54

What a night it's been at Live At The Apollo. Well done to everyone.

0:42:560:43:00

Yeah, well done. You've seen Rob Beckett.

0:43:000:43:02

CHEERING

0:43:020:43:04

-Jimeoin!

-Jimeoin!

0:43:040:43:07

I've been Nina Conti. Thanks to all of you!

0:43:070:43:10

-Thank you very much, good night!

-Thank you!

0:43:100:43:12

CHEERING AND APPLAUSE

0:43:120:43:15

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