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Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
Nina Conti! | 0:00:22 | 0:00:25 | |
Woo! Thank you! | 0:00:27 | 0:00:29 | |
Thank you so much! | 0:00:33 | 0:00:35 | |
Wow, this is thrilling! Live At The Apollo! | 0:00:37 | 0:00:40 | |
Hello, welcome! | 0:00:40 | 0:00:41 | |
I am your host, hello! | 0:00:41 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:46 | |
Now, I'm not hosting alone, I have a friend with me in here. | 0:00:46 | 0:00:50 | |
He's really the main guy, he writes all my jokes. | 0:00:50 | 0:00:52 | |
Can we please give it up for Monkey? | 0:00:52 | 0:00:54 | |
Hello, ladies and gentlemen. CHEERING | 0:00:54 | 0:00:57 | |
What a thrill. Good Lord, look at this! | 0:00:57 | 0:01:00 | |
They know it's ventriloquism? | 0:01:00 | 0:01:01 | |
Yeah, they catch on quick. | 0:01:01 | 0:01:03 | |
Look at her, standing there, trying not to move her mouth. | 0:01:03 | 0:01:05 | |
What a tosser. | 0:01:07 | 0:01:08 | |
Can you get rid of the bag? | 0:01:09 | 0:01:10 | |
Yeah, you don't have to be in the bag the whole time. | 0:01:10 | 0:01:13 | |
There's no going back! | 0:01:13 | 0:01:14 | |
No, there's no going back, so here we are. | 0:01:14 | 0:01:16 | |
Here we are in the now, Live At The Apollo. | 0:01:16 | 0:01:18 | |
Look at all these... | 0:01:18 | 0:01:19 | |
these folk. | 0:01:19 | 0:01:20 | |
Yeah, these folk, these celebrities. | 0:01:20 | 0:01:22 | |
I'd love to talk to some of these celebrities | 0:01:22 | 0:01:25 | |
but, unfortunately, Nina doesn't watch your shows. | 0:01:25 | 0:01:28 | |
That's not true! | 0:01:29 | 0:01:30 | |
Look at Bill Oddie there, what's he doing? | 0:01:30 | 0:01:32 | |
-What have you got there, Bill? -It's a badger. | 0:01:32 | 0:01:34 | |
-It's a badger? -Does he talk? | 0:01:34 | 0:01:36 | |
-Er, no. -No? | 0:01:36 | 0:01:37 | |
Your hand is up his arse and he still doesn't talk? | 0:01:37 | 0:01:39 | |
What's his name, the badger? | 0:01:41 | 0:01:42 | |
He's just Badger, he represents all the badgers in the world. | 0:01:42 | 0:01:46 | |
Is your badger free after the show, cos I'm going to get in there! | 0:01:46 | 0:01:49 | |
Monkey! | 0:01:49 | 0:01:51 | |
Who knows what species we might create? | 0:01:52 | 0:01:55 | |
Oh, goodness, Fiona Bruce! | 0:01:56 | 0:01:57 | |
Hello, Fiona! | 0:01:57 | 0:01:58 | |
You're such a hottie, I wish I was on your hand. | 0:01:58 | 0:02:01 | |
Erm... | 0:02:01 | 0:02:03 | |
I'm going to move on to you, sir. | 0:02:03 | 0:02:04 | |
You are gorgeous, | 0:02:04 | 0:02:06 | |
Nina fancies you, that's why I said that. | 0:02:06 | 0:02:08 | |
-What do you do? -Are you legal? -Monkey! | 0:02:08 | 0:02:11 | |
-I'm sorry, what do you do? -In sixth form at the moment. | 0:02:12 | 0:02:15 | |
You're in sixth form? Excellent, excellent. | 0:02:15 | 0:02:17 | |
APPLAUSE | 0:02:19 | 0:02:21 | |
Oh, dear me. | 0:02:23 | 0:02:25 | |
Look at her, all dressed up, trying to look so nice | 0:02:25 | 0:02:27 | |
and then she sticks a monkey on her tit and it all goes wrong. | 0:02:27 | 0:02:30 | |
Erm... | 0:02:30 | 0:02:31 | |
Are you sixth form, too? | 0:02:31 | 0:02:33 | |
-Unlucky. -And are you Mum? | 0:02:33 | 0:02:35 | |
-Yes. -You're Mum to him. | 0:02:35 | 0:02:38 | |
-OK, good. -And is this your husband? -No, Monkey! | 0:02:38 | 0:02:41 | |
-It can't be, are you..? -My nephew. | 0:02:41 | 0:02:44 | |
It's your nephew... | 0:02:44 | 0:02:45 | |
I'm so sorry, it's really deviant! | 0:02:47 | 0:02:49 | |
-You're all very welcome. -What do you do, lady? | 0:02:49 | 0:02:51 | |
-What's your name? -Kay. -Your name is Kay. | 0:02:51 | 0:02:53 | |
I work in a school kitchen. | 0:02:53 | 0:02:54 | |
-You work in a school kitchen? -Sloppy... | 0:02:54 | 0:02:56 | |
OK, I'm glad I didn't finish that sentence. | 0:02:58 | 0:03:01 | |
Well, you're all very welcome. | 0:03:01 | 0:03:02 | |
Monkey is going to back off, we're not going to bother you any more. | 0:03:02 | 0:03:06 | |
We're going to do some old-fashioned entertainment. | 0:03:06 | 0:03:09 | |
-What are we going to do, Monkey? -Sing a song. | 0:03:09 | 0:03:11 | |
-Monkey, I can't sing. -Oh, what a dead weight. | 0:03:11 | 0:03:14 | |
I carry her, you know. | 0:03:14 | 0:03:17 | |
No, something else. | 0:03:17 | 0:03:19 | |
Like something from the old days of entertainment, where we come from. | 0:03:19 | 0:03:22 | |
-OK, hypnosis. -Hypnosis, how is that going to work? | 0:03:22 | 0:03:26 | |
Just choose someone eager to please. Someone easily led. | 0:03:26 | 0:03:29 | |
-And you hypnotise the hell out of them. -Who is that going to be? | 0:03:31 | 0:03:35 | |
-It's going to be you. -OK. You are going to hypnotise me? | 0:03:35 | 0:03:38 | |
Yes, I am, please sit on the stool provided. | 0:03:38 | 0:03:41 | |
-OK. On here? -Yes, sit down. -Do you want to sit on this? | 0:03:41 | 0:03:45 | |
-What is it? -It's just something they made for you to sit on. | 0:03:45 | 0:03:48 | |
Couldn't look less like a tree, Nina. | 0:03:48 | 0:03:50 | |
-Is it safe? -Yes. | 0:03:51 | 0:03:53 | |
My heart's not in this. | 0:03:53 | 0:03:55 | |
So, what do I do for you to hypnotise me? | 0:03:57 | 0:04:00 | |
-You just have the focus on something that you find relaxing. -OK. | 0:04:00 | 0:04:05 | |
-Like the exit sign. -No, it was just there. | 0:04:05 | 0:04:07 | |
I'll look dead ahead. How does it work then? | 0:04:07 | 0:04:10 | |
-I'm going to count from three to one. -Mm-hm. | 0:04:10 | 0:04:13 | |
-And when I get to one, you'll be asleep. -OK. | 0:04:13 | 0:04:17 | |
-Why are you laughing? -I don't really believe in this kind of thing. | 0:04:17 | 0:04:21 | |
And yet you think I'm real? | 0:04:21 | 0:04:23 | |
LAUGHTER | 0:04:23 | 0:04:24 | |
Just wait till Planet Of The Apes happens for real. | 0:04:26 | 0:04:29 | |
Your arse is mine. | 0:04:29 | 0:04:31 | |
-OK, I think I'm ready to be hypnotised. -OK, three. | 0:04:35 | 0:04:39 | |
-You are suddenly feeling quite tired. -OK. | 0:04:39 | 0:04:43 | |
Two, your eyes are beginning to close. | 0:04:43 | 0:04:47 | |
Let them close. | 0:04:47 | 0:04:48 | |
One, you are now in a deep level of trance. | 0:04:48 | 0:04:54 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
APPLAUSE | 0:05:00 | 0:05:03 | |
LAUGHTER | 0:05:15 | 0:05:18 | |
NO SOUND | 0:05:21 | 0:05:24 | |
Oh! | 0:05:32 | 0:05:33 | |
-What happened? -I couldn't bloody talk! | 0:05:33 | 0:05:36 | |
What did you expect? | 0:05:36 | 0:05:38 | |
I don't know, I hadn't thought it through. | 0:05:38 | 0:05:41 | |
-We're going to try it again. -How's it going to be different this time? | 0:05:41 | 0:05:44 | |
This time I want you to retain | 0:05:44 | 0:05:46 | |
the part of your brain where I reside, keep that awake. | 0:05:46 | 0:05:50 | |
-OK. -And then you go to sleep. | 0:05:50 | 0:05:53 | |
-I'll try. -OK. -All right, I'm ready. What do I do? | 0:05:53 | 0:05:57 | |
-Three, you are feeling tired. -OK. | 0:05:57 | 0:05:59 | |
Two, your eyes are closing. | 0:05:59 | 0:06:01 | |
One, you are in a trance. Don't lose me. | 0:06:01 | 0:06:05 | |
Don't lose me. Testing, testing. | 0:06:05 | 0:06:09 | |
One, two, three, OK, we're cooking with gas. | 0:06:09 | 0:06:13 | |
Now, earlier, you said you couldn't sing. | 0:06:14 | 0:06:17 | |
Well, that doesn't mean I can't. | 0:06:17 | 0:06:19 | |
So now I've got you in a compromising position, I might take advantage. | 0:06:19 | 0:06:24 | |
If you can hear me, I'd like you to raise your finger. | 0:06:26 | 0:06:30 | |
No, not on this hand, you idiot! | 0:06:30 | 0:06:32 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
Oh, God! | 0:06:36 | 0:06:38 | |
On your hand without the monkey on it. | 0:06:38 | 0:06:40 | |
OK, good. | 0:06:42 | 0:06:44 | |
All right, we're ready. I'm going to sing. Can I have track one, please? | 0:06:44 | 0:06:48 | |
I'd like to sing an aria. | 0:06:48 | 0:06:50 | |
MUSIC: "Nessun Dorma" by Puccini | 0:06:50 | 0:06:54 | |
Yes, it's quite ambitious. | 0:06:55 | 0:06:58 | |
I'm not sure she's up to it. | 0:06:59 | 0:07:01 | |
Let's see if I can do it. | 0:07:01 | 0:07:03 | |
Here we go. | 0:07:03 | 0:07:05 | |
# Dilegua, o notte! | 0:07:05 | 0:07:11 | |
# Tramontate, stelle! | 0:07:11 | 0:07:16 | |
# Tramontate, stelle... # | 0:07:16 | 0:07:20 | |
Wow, that's low for a girl! | 0:07:20 | 0:07:22 | |
# All'alba vincero... # | 0:07:22 | 0:07:28 | |
Breathe, Nina. | 0:07:28 | 0:07:29 | |
# Vincero... # | 0:07:29 | 0:07:33 | |
Breathe, Nina, I'm dying, I need more air. | 0:07:33 | 0:07:35 | |
# Vincero! # | 0:07:35 | 0:07:42 | |
Thank you very much. | 0:07:42 | 0:07:43 | |
APPLAUSE AND CHEERING | 0:07:43 | 0:07:47 | |
Thank you so much. | 0:07:53 | 0:07:54 | |
Oh, it's so classy without you here. | 0:07:56 | 0:07:58 | |
OK, wake up. | 0:07:58 | 0:08:00 | |
Oh! | 0:08:00 | 0:08:01 | |
-What happened? -You took your clothes off, it was ill-judged, Nina. | 0:08:01 | 0:08:06 | |
The badger died of fright. | 0:08:07 | 0:08:09 | |
So, are you done with your thing, what you were going to do? | 0:08:10 | 0:08:14 | |
-Yes, I'm done with it. That's excellent, thank you. -OK. | 0:08:14 | 0:08:17 | |
-So I get up? -Yeah, you get up. | 0:08:17 | 0:08:19 | |
God, I want freedom. | 0:08:19 | 0:08:21 | |
I'm sorry, you can't have it. | 0:08:21 | 0:08:22 | |
I live vicariously through her all the time. | 0:08:22 | 0:08:24 | |
It's so depressing, I've had it up to here. | 0:08:24 | 0:08:27 | |
-Lift it. Here. -OK. | 0:08:27 | 0:08:29 | |
Was there anybody else you wanted to talk to on the front row? | 0:08:29 | 0:08:32 | |
I'd like to talk to you a little more. | 0:08:32 | 0:08:34 | |
-Is it fun in the school kitchen? Do you have japes. -Yeah, it's OK. | 0:08:34 | 0:08:38 | |
You do? What do you cook? What's the nicest thing you cook? | 0:08:38 | 0:08:42 | |
-Spaghetti Bolognese. -Spaghetti Bolognese. | 0:08:42 | 0:08:45 | |
That's the nicest thing she cooks, ladies and gentlemen. | 0:08:45 | 0:08:48 | |
I'd love to try some. Listen, are you... | 0:08:48 | 0:08:50 | |
Are you free to help out with our act for a little minute | 0:08:50 | 0:08:54 | |
cos Nina needs a new puppet and I think you might be the one. | 0:08:54 | 0:08:58 | |
-Would you join us? -Yes. | 0:08:58 | 0:08:59 | |
OK, Kay is going to join us on the stage, ladies and gentleman. | 0:08:59 | 0:09:03 | |
-APPLAUSE -Thank you very much! | 0:09:03 | 0:09:05 | |
Keep clapping, keeping clapping. | 0:09:05 | 0:09:07 | |
We don't want her to lose heart. | 0:09:07 | 0:09:09 | |
I'm going to take my bag now. | 0:09:09 | 0:09:11 | |
What are you going to do, get her to get in the bag? | 0:09:11 | 0:09:13 | |
No, I'm not. | 0:09:13 | 0:09:14 | |
Thank you so much, Kay. | 0:09:14 | 0:09:15 | |
OK, I'm going to go now, and from now on you're taking over, OK? | 0:09:15 | 0:09:19 | |
Good luck! | 0:09:19 | 0:09:20 | |
Now, what I want to do, Kay, is just give you a make over | 0:09:21 | 0:09:24 | |
which is going to take the heat off you | 0:09:24 | 0:09:26 | |
and then you don't have to worry about what you say. | 0:09:26 | 0:09:29 | |
I'm going to do your talking for you. | 0:09:29 | 0:09:31 | |
-I'm just going to put this on you. -OK. | 0:09:31 | 0:09:33 | |
OK, thank you, Kay. | 0:09:33 | 0:09:35 | |
Fantastic, how are you feeling? | 0:09:40 | 0:09:41 | |
Ha-ha, loving it! | 0:09:41 | 0:09:43 | |
HIGH-PITCHED GIGGLE | 0:09:43 | 0:09:46 | |
You all right? | 0:09:49 | 0:09:51 | |
-Ha-ha-ha! -SQUEAKING LAUGHTER | 0:09:51 | 0:09:53 | |
-You've got a funny laugh! -I've got a funny laugh! | 0:09:55 | 0:09:58 | |
-You all right? -Yeah, I love it! | 0:10:01 | 0:10:03 | |
We don't have this much fun in the kitchen! | 0:10:06 | 0:10:08 | |
Oh, dear, how lovely! | 0:10:11 | 0:10:12 | |
Yes, isn't it lovely? Look at this. | 0:10:12 | 0:10:14 | |
I'll just hold my hands together like this. | 0:10:14 | 0:10:17 | |
-You will? -No, I'll let them go. | 0:10:17 | 0:10:19 | |
HIGHPITCHED GIGGLE | 0:10:19 | 0:10:22 | |
SHE SQUEAKS INTERMITTENTLY | 0:10:25 | 0:10:29 | |
Are you all right? | 0:10:29 | 0:10:30 | |
Yeah, I can't decided what to do with my hands. I can't decide. | 0:10:30 | 0:10:33 | |
Oh, dear, they're here for... | 0:10:33 | 0:10:35 | |
No, they're here. No, they're here. | 0:10:35 | 0:10:37 | |
Where will they go next? | 0:10:39 | 0:10:41 | |
I have no idea! | 0:10:41 | 0:10:43 | |
Here they go... | 0:10:43 | 0:10:45 | |
behind the back! | 0:10:45 | 0:10:46 | |
And here they are again! | 0:10:49 | 0:10:51 | |
That's lovely! | 0:10:51 | 0:10:52 | |
It's the disappearing hand trick. | 0:10:52 | 0:10:53 | |
It's really nice. | 0:10:53 | 0:10:54 | |
I could do this for hours, couldn't I? | 0:10:54 | 0:10:57 | |
-They've gone again! -They've gone! | 0:10:57 | 0:10:59 | |
Where are they? | 0:10:59 | 0:11:01 | |
Here they are! | 0:11:01 | 0:11:02 | |
That's brilliant! | 0:11:07 | 0:11:08 | |
Oh, yeah, love it. I love it, I'm a natural. I'm a natural performer. | 0:11:08 | 0:11:12 | |
That's amazing! | 0:11:12 | 0:11:13 | |
Just the hand movements, that's all you need. | 0:11:13 | 0:11:15 | |
There they are. | 0:11:15 | 0:11:17 | |
-Magic hands! -Magic hands! Amazing! | 0:11:17 | 0:11:20 | |
Yeah, always on the move, there they go. | 0:11:20 | 0:11:22 | |
Oh! Hiding them! | 0:11:22 | 0:11:23 | |
Where are they now, ladies and gentleman? There they are! | 0:11:25 | 0:11:28 | |
Fantastic! | 0:11:32 | 0:11:34 | |
Oh, where are the fingers? There they are, magic hands. | 0:11:34 | 0:11:36 | |
Wonderful, magic hands. So what else do you do with them? | 0:11:36 | 0:11:39 | |
Oh, I do mime. | 0:11:39 | 0:11:40 | |
-Mime? -Yeah, you know, like the brick wall. | 0:11:40 | 0:11:43 | |
There it is, you can see it there, that's... | 0:11:43 | 0:11:47 | |
-What is it? -It's a robot. -It was a robot? | 0:11:48 | 0:11:51 | |
SHE GIGGLES | 0:11:51 | 0:11:54 | |
Magic, magic hands! | 0:11:54 | 0:11:56 | |
I love it, what else do you do? | 0:11:56 | 0:11:57 | |
Oh, I do lots of mimes, like this one. | 0:11:57 | 0:11:59 | |
What's that? | 0:12:01 | 0:12:03 | |
It's just, er, tassels. | 0:12:03 | 0:12:04 | |
Lots of tassels hanging down. | 0:12:05 | 0:12:07 | |
Sort of like a tassely thing. | 0:12:07 | 0:12:09 | |
A tassely thing? | 0:12:09 | 0:12:10 | |
Yeah, you know, one of those things. | 0:12:10 | 0:12:13 | |
I don't know what you mean. | 0:12:13 | 0:12:14 | |
You know, with tassels and things and those bits. | 0:12:14 | 0:12:17 | |
That's amazing! | 0:12:17 | 0:12:18 | |
Oh, you can see it, can't you? There it is! | 0:12:18 | 0:12:20 | |
-I'm insane! -I love it! | 0:12:22 | 0:12:25 | |
I'm mad, me. I'm such a tiger inside! | 0:12:25 | 0:12:28 | |
I love it! | 0:12:28 | 0:12:30 | |
Oh, dear, fingers, fingers. | 0:12:30 | 0:12:31 | |
-That's wonderful, so... -Can I do my whole act? | 0:12:31 | 0:12:34 | |
-Sorry? -I'd like to do my act. | 0:12:35 | 0:12:37 | |
Well, more than the mime? | 0:12:37 | 0:12:39 | |
Yeah, I mean, this is some of what I do, but... | 0:12:39 | 0:12:42 | |
That's great. I mean, it's so fast! | 0:12:44 | 0:12:45 | |
Yeah, you just can't keep up with me, can you? | 0:12:45 | 0:12:48 | |
-I can't get enough! -It's amazing. | 0:12:48 | 0:12:50 | |
Yeah, one of those, one of these, some of them! | 0:12:50 | 0:12:53 | |
HIGH-PITCHED GIGGLE | 0:12:54 | 0:12:58 | |
Sure, you can do your act - what do you do? | 0:12:58 | 0:13:01 | |
Oh, I do a bit of juggling. | 0:13:01 | 0:13:02 | |
Yeah, yeah. It's good with balls, though. | 0:13:04 | 0:13:07 | |
-Yes, I bet. -Have you got any? | 0:13:07 | 0:13:08 | |
I'm presuming you haven't, hence shaking my head. Have you got any? | 0:13:15 | 0:13:20 | |
Have I got any balls? Yes, I have. | 0:13:20 | 0:13:22 | |
Oh, excellent! | 0:13:22 | 0:13:23 | |
-Hand them over! -Really? | 0:13:26 | 0:13:27 | |
Yeah, I'll do the juggling. | 0:13:27 | 0:13:29 | |
All right. | 0:13:29 | 0:13:31 | |
-OK, there's two. -OK, I'll need one more, one more. | 0:13:31 | 0:13:35 | |
AUDIENCE CHEERS | 0:13:35 | 0:13:37 | |
Oh, my God, that's amazing! | 0:13:40 | 0:13:42 | |
-Wow! -Can I have three? | 0:13:42 | 0:13:44 | |
-You can do three as well? -Oh, yeah. | 0:13:46 | 0:13:48 | |
I can't believe you can... | 0:13:48 | 0:13:49 | |
What the hell, I'll just throw them into the crowd! | 0:13:52 | 0:13:55 | |
That's for you, Bill Oddie! | 0:13:55 | 0:13:56 | |
-There's one there. -Yeah, just leave it there. | 0:13:59 | 0:14:01 | |
It's fine. | 0:14:01 | 0:14:02 | |
That's really good, I can't believe you can juggle. | 0:14:04 | 0:14:06 | |
Yeah, you couldn't do your normal jokes, could you? | 0:14:06 | 0:14:09 | |
Cos I could juggle. | 0:14:09 | 0:14:10 | |
Keeping you on your toes, aren't I? | 0:14:12 | 0:14:15 | |
-That's brilliant. -And there's something else I do. | 0:14:15 | 0:14:18 | |
You want to do it here now? | 0:14:18 | 0:14:19 | |
Yes, I think they're liking it. | 0:14:19 | 0:14:21 | |
OK, what would you like? | 0:14:21 | 0:14:23 | |
Can I do my balloon modelling? | 0:14:23 | 0:14:24 | |
-Yeah, sure. -Have you got a balloon? | 0:14:26 | 0:14:28 | |
Yes, I have. | 0:14:28 | 0:14:29 | |
What are the chances! | 0:14:29 | 0:14:31 | |
-There you go. -Oh, lovely, OK. I'll just stretch it out. | 0:14:33 | 0:14:37 | |
-Have you got a pump? -Yes, I've got a pump. | 0:14:37 | 0:14:39 | |
Hand it over. | 0:14:39 | 0:14:41 | |
There you go. | 0:14:41 | 0:14:42 | |
Put it in like that. | 0:14:43 | 0:14:44 | |
Insert it. | 0:14:44 | 0:14:46 | |
Don't look at me doing this. Oh, there it goes! | 0:14:46 | 0:14:49 | |
I'll just fill it up like this. | 0:14:51 | 0:14:53 | |
-That's amazing. -All the way. | 0:14:53 | 0:14:54 | |
-Wow! That's really long! -Yeah, yeah. | 0:14:54 | 0:14:56 | |
Oh, my goodness! | 0:14:56 | 0:14:57 | |
I'm crazy, me. Anything could happen now! | 0:14:57 | 0:15:00 | |
Wow! I like to fill it really full! | 0:15:02 | 0:15:04 | |
No-one's ever done this! | 0:15:04 | 0:15:07 | |
Yeah, well, I'm keeping you on your toes. I'm mad, me. | 0:15:07 | 0:15:10 | |
-Is this your balloon modelling? -Yeah, it's a snake! | 0:15:10 | 0:15:13 | |
That is the fullest I've ever seen one! | 0:15:17 | 0:15:19 | |
Yeah, well, watch and learn, Conti, watch and learn. | 0:15:19 | 0:15:23 | |
-What are you doing? -I'm tying it in a knot! | 0:15:24 | 0:15:26 | |
APPLAUSE | 0:15:31 | 0:15:33 | |
-Brilliant! -There, you keep that. I'm mad, me. | 0:15:35 | 0:15:38 | |
I said I was mad. | 0:15:38 | 0:15:39 | |
The fun we have in the kitchen. | 0:15:39 | 0:15:41 | |
Wow, are you done? | 0:15:43 | 0:15:44 | |
Well, not exactly. I've got my closing bit. | 0:15:44 | 0:15:47 | |
What's your closing bit? | 0:15:47 | 0:15:49 | |
I like a cream pie at the end of my act. | 0:15:49 | 0:15:52 | |
-Cream pie? -Yeah, have you got the makings of one? | 0:15:52 | 0:15:55 | |
Well, yes, I suppose so. | 0:15:55 | 0:15:57 | |
What are the chances?! Hand it over. | 0:15:57 | 0:16:00 | |
-What, like that? -Yeah, I'll just take that out of the wrapper. -OK. | 0:16:00 | 0:16:04 | |
Have you got any cream? | 0:16:04 | 0:16:05 | |
Well, yes, I've got something you could use as cream. | 0:16:05 | 0:16:08 | |
Hand it over, I'll put that in the bag. | 0:16:08 | 0:16:10 | |
All right, there you go. | 0:16:10 | 0:16:12 | |
And I'll simply squeeze the cream all over the... | 0:16:12 | 0:16:15 | |
All over the base. | 0:16:15 | 0:16:17 | |
Wow, that's loads! | 0:16:17 | 0:16:18 | |
Yeah, lots and lots, I like lots and lots. | 0:16:18 | 0:16:21 | |
Lots and lots, that's lovely. Look at that - isn't that tasty? | 0:16:21 | 0:16:25 | |
-Wow! -That's better than my spaghetti bolognaise! | 0:16:25 | 0:16:28 | |
So what then do you do? | 0:16:28 | 0:16:30 | |
Well, that'd be telling, wouldn't it? | 0:16:30 | 0:16:33 | |
What are you going to do with it? | 0:16:37 | 0:16:38 | |
Well, I've got a choice, haven't I? | 0:16:38 | 0:16:40 | |
What's your choice? | 0:16:45 | 0:16:46 | |
Well, I could do you or me or... | 0:16:46 | 0:16:49 | |
Or my son. | 0:16:49 | 0:16:50 | |
Do you know what you're going to do? | 0:17:01 | 0:17:03 | |
I'm working on it. | 0:17:03 | 0:17:05 | |
Just thinking about it. | 0:17:06 | 0:17:08 | |
You're just going to throw it into the crowd? | 0:17:08 | 0:17:10 | |
I might, I'm crazy, I'll do what I want. | 0:17:10 | 0:17:12 | |
What does the crowd want me to do? | 0:17:14 | 0:17:16 | |
That's the thing you've got to guess, isn't it? | 0:17:16 | 0:17:18 | |
AUDIENCE SHOUTS SUGGESTIONS | 0:17:18 | 0:17:22 | |
They want me to do you. | 0:17:22 | 0:17:24 | |
-What? No, not me! -Yes, you! | 0:17:24 | 0:17:26 | |
-No! -Yes! | 0:17:26 | 0:17:27 | |
On the count of three, I'm going to do it! | 0:17:30 | 0:17:33 | |
What are you going to do? | 0:17:33 | 0:17:34 | |
Oh, my God, you're going to throw it! It could hit anyone! | 0:17:34 | 0:17:36 | |
I could hit Fiona Gruce! Hello! | 0:17:36 | 0:17:39 | |
-Now, that'd be tempting. -No, don't! | 0:17:42 | 0:17:44 | |
You know what you're going to do? | 0:17:45 | 0:17:47 | |
Yes, I've decided. On the count of three... | 0:17:47 | 0:17:49 | |
Really? | 0:17:49 | 0:17:50 | |
Yeah, count to three and then I'll do something. | 0:17:50 | 0:17:53 | |
-What are you going to do? -I'm going to do...we'll see. | 0:17:53 | 0:17:56 | |
One, two, three... | 0:17:58 | 0:18:01 | |
AUDIENCE CHEERS | 0:18:01 | 0:18:03 | |
Wasn't she brilliant?! | 0:18:07 | 0:18:09 | |
That was fantastic, well done! | 0:18:09 | 0:18:11 | |
Thank you so much, well done! | 0:18:11 | 0:18:14 | |
You can go that way, you did so brilliantly. | 0:18:15 | 0:18:18 | |
Ladies and gentleman, thank you very much. | 0:18:23 | 0:18:26 | |
Wasn't she brilliant?! | 0:18:26 | 0:18:27 | |
-Now... -CHEERING | 0:18:27 | 0:18:29 | |
Fantastic! | 0:18:29 | 0:18:31 | |
Now keep the applause going for your next act of this evening. | 0:18:32 | 0:18:35 | |
He's absolutely hilarious and wonderful. You'll love him. | 0:18:35 | 0:18:38 | |
It's Jimeoin, ladies and gentleman! | 0:18:38 | 0:18:41 | |
CHEERING AND APPLAUSE | 0:18:41 | 0:18:43 | |
AUDIENCE CLAPS ALONG | 0:19:01 | 0:19:04 | |
MUSIC STOPS ABRUPTLY | 0:19:12 | 0:19:14 | |
Right... | 0:19:14 | 0:19:16 | |
How's that for a start, was that OK? | 0:19:16 | 0:19:18 | |
-AUDIENCE: -Yes! | 0:19:18 | 0:19:19 | |
Very important, your entrance. | 0:19:19 | 0:19:21 | |
You know this, don't you? | 0:19:21 | 0:19:22 | |
You're fully aware of this. You know when you're in a pub | 0:19:22 | 0:19:25 | |
and new people arrive in the pub, everybody looks at the new people. | 0:19:25 | 0:19:29 | |
"Who are the new people? | 0:19:29 | 0:19:30 | |
"What have the new people got on?" | 0:19:31 | 0:19:33 | |
So you know whenever you arrive in the pub, everyone's looking at you. | 0:19:33 | 0:19:37 | |
So you do a good-looking version of yourself. | 0:19:37 | 0:19:39 | |
You do good-looking looking around, too. | 0:19:44 | 0:19:47 | |
You don't see anything when you're doing good-looking looking around. | 0:19:53 | 0:19:56 | |
Cos that's not looking around, is it? | 0:19:56 | 0:19:58 | |
This is looking around. | 0:19:58 | 0:20:00 | |
You know, that guy on the beach, | 0:20:11 | 0:20:13 | |
he's gone to get his family ice creams | 0:20:13 | 0:20:15 | |
and he's come back to the beach and he can't find his family. | 0:20:15 | 0:20:18 | |
He's in trouble here - it's a hot day, | 0:20:32 | 0:20:34 | |
he's got to find his family soon! | 0:20:34 | 0:20:36 | |
Do you do that? Do you go, like, two one way | 0:20:45 | 0:20:47 | |
and then a correcting one the other way? | 0:20:47 | 0:20:50 | |
Some people do the... | 0:20:55 | 0:20:56 | |
I don't trust them. | 0:20:58 | 0:20:59 | |
You never see busy people with ice creams. | 0:21:04 | 0:21:06 | |
People with things to do. | 0:21:06 | 0:21:08 | |
You never see a foreman on a building site going, | 0:21:08 | 0:21:10 | |
"I want all this shit cleaned out. | 0:21:10 | 0:21:13 | |
"Get on with it, boys!" | 0:21:13 | 0:21:15 | |
I hope my show's not too blokey. | 0:21:33 | 0:21:35 | |
I always try and do jokes for girls as well. | 0:21:35 | 0:21:38 | |
Keep everybody included. | 0:21:38 | 0:21:40 | |
Don't you hate it when you get an itchy fanny? | 0:21:41 | 0:21:44 | |
That's why I love a big handbag. | 0:21:52 | 0:21:54 | |
Ain't that the truth? | 0:21:58 | 0:21:59 | |
I don't really mean these clothes, by the way. | 0:22:08 | 0:22:11 | |
This isn't my look, this isn't what I normally wear. | 0:22:11 | 0:22:13 | |
I just thought I'd dress up for the gig. | 0:22:13 | 0:22:16 | |
But I don't really mean these clothes. | 0:22:16 | 0:22:18 | |
I mean the belt, though. | 0:22:18 | 0:22:20 | |
LAUGHTER AND WHISTLING | 0:22:20 | 0:22:24 | |
Easy! | 0:22:24 | 0:22:26 | |
That's how it works, belts, just a glimpse from time to time, isn't it? | 0:22:26 | 0:22:30 | |
I was at the airport going through security, security guard said, | 0:22:34 | 0:22:37 | |
"Do you mind removing your belt?" I went, "Love to." | 0:22:37 | 0:22:40 | |
He saw the fun in it, he tipped his hat forward and did... | 0:22:53 | 0:22:56 | |
I don't like the way models come out in new clothes - | 0:23:04 | 0:23:06 | |
that walk, that over-confident walk that they do. | 0:23:06 | 0:23:10 | |
Then they give you that look as if to say, | 0:23:13 | 0:23:15 | |
"You'll never be able to afford these clothes." | 0:23:15 | 0:23:17 | |
That's just not the way you wear new clothes, is it? | 0:23:22 | 0:23:26 | |
I'd love to see a catwalk | 0:23:26 | 0:23:27 | |
like the way my wife comes out in a new outfit. | 0:23:27 | 0:23:29 | |
She comes out... | 0:23:29 | 0:23:31 | |
APPLAUSE | 0:23:37 | 0:23:41 | |
Do you think that's how Beyonce takes her bins out? | 0:23:47 | 0:23:50 | |
Empties the dishwasher... | 0:24:04 | 0:24:05 | |
Cleans the piss from round the bottom of the toilet. | 0:24:11 | 0:24:13 | |
"Jay Z, there's piss everywhere here!" | 0:24:20 | 0:24:22 | |
I'm staying at this hotel at the moment. | 0:24:34 | 0:24:36 | |
It's got revolving doors. | 0:24:36 | 0:24:38 | |
It's not a great entrance, is it, revolving doors? | 0:24:38 | 0:24:41 | |
You have to take tiny steps on your arrival. | 0:24:41 | 0:24:43 | |
And they can see you coming, too. No element of surprise. | 0:24:45 | 0:24:49 | |
"Look at this idiot!" | 0:24:49 | 0:24:50 | |
Sometimes your friend gets in with you and it stops - "Oh, you...! | 0:24:52 | 0:24:55 | |
"Get your own cubicle!" "Oh, come with me now, come with me. | 0:24:56 | 0:25:00 | |
"Stay close, stay close, stay close. | 0:25:00 | 0:25:02 | |
"Oh, they're looking at us now, | 0:25:02 | 0:25:04 | |
"they're looking at us, they're looking at us!" | 0:25:04 | 0:25:06 | |
"Forget it with this hotel, I'm going to find a new hotel." | 0:25:06 | 0:25:09 | |
It's just not a great entrance. | 0:25:13 | 0:25:14 | |
My favourite doors to come through, by the way, are saloon doors. | 0:25:14 | 0:25:17 | |
You ever come through saloon doors? | 0:25:17 | 0:25:19 | |
You can push them out of the way quite aggressively... | 0:25:19 | 0:25:22 | |
do good-looking looking around... | 0:25:22 | 0:25:24 | |
..tilt your hat back. | 0:25:26 | 0:25:27 | |
You never see cowboys in Westerns coming through revolving doors. | 0:25:28 | 0:25:32 | |
"There's going to be trouble when I get in here, | 0:25:34 | 0:25:36 | |
"sort this shit out once and for all." | 0:25:36 | 0:25:38 | |
HE MUTTERS MENACINGLY | 0:25:38 | 0:25:41 | |
APPLAUSE | 0:25:54 | 0:25:57 | |
Or people getting chucked out through revolving doors - | 0:26:02 | 0:26:05 | |
"Come out, you idiot!" | 0:26:05 | 0:26:06 | |
I don't like coming through doors in general, I just, you know... | 0:26:16 | 0:26:19 | |
Have you ever come through a hotel door, | 0:26:19 | 0:26:21 | |
and you've got to walk to the reception area | 0:26:21 | 0:26:23 | |
and it's just a long way away from reception? | 0:26:23 | 0:26:25 | |
And the people are looking at you walking through the doors | 0:26:25 | 0:26:28 | |
and you've forgotten how to walk cos they're watching you walking. | 0:26:28 | 0:26:31 | |
Don't look at me when I'm walking. | 0:26:36 | 0:26:39 | |
Don't need that pressure. | 0:26:39 | 0:26:40 | |
You're going through an airport and you can see that one-way glass | 0:26:42 | 0:26:45 | |
and you're thinking, "There's cops in behind that, isn't there?" | 0:26:45 | 0:26:48 | |
They're looking at me right now. | 0:26:48 | 0:26:50 | |
I should be doing my "I don't have any drugs" face. | 0:26:50 | 0:26:53 | |
Then you start thinking, "What is my 'don't have any drugs' face?" | 0:26:55 | 0:26:59 | |
LAUGHTER AND APPLAUSE | 0:27:09 | 0:27:12 | |
I forget a lot of my funny thoughts. | 0:27:16 | 0:27:18 | |
I was in bed the other night, had a funny thought, and I thought, | 0:27:18 | 0:27:22 | |
"I'll remember that." | 0:27:22 | 0:27:24 | |
But when I woke up in the morning, I'd forgotten it. | 0:27:26 | 0:27:30 | |
But I remember thinking, "I'll remember that." | 0:27:30 | 0:27:32 | |
I thought, "Why didn't I just make that the funny thought?" | 0:27:34 | 0:27:37 | |
So I did. | 0:27:39 | 0:27:40 | |
We've got a washing machine in our house. | 0:27:48 | 0:27:50 | |
And there's parts of the wash I'm not too sure of. | 0:27:50 | 0:27:55 | |
There's a bit in the middle where it just goes | 0:27:55 | 0:27:57 | |
"Ommmmm." | 0:27:57 | 0:28:00 | |
"Omm-omm. Om!" | 0:28:02 | 0:28:05 | |
That's washing nothing, that is. | 0:28:07 | 0:28:10 | |
You expect to look in and catch it having a cigarette and a beer. | 0:28:10 | 0:28:13 | |
Do you ever do spin? | 0:28:25 | 0:28:27 | |
Don't know if you notice, people give you a warning | 0:28:31 | 0:28:33 | |
that they're going to do a little spin before they do it. | 0:28:33 | 0:28:35 | |
They just do a little nod of their head before they go round. | 0:28:35 | 0:28:38 | |
That's that signal, "Back off, I could be going round here." | 0:28:41 | 0:28:44 | |
Sometimes I do the nod then don't do the spin, | 0:28:48 | 0:28:51 | |
just keep people on their toes. | 0:28:51 | 0:28:53 | |
Washing machine always comes home strong, doesn't it? | 0:29:04 | 0:29:07 | |
Goes ballistic at the end. | 0:29:07 | 0:29:09 | |
Always after the final rinse you would swear it was telling you | 0:29:11 | 0:29:13 | |
this is the big finish. Does that, "Shhh! Shhh! | 0:29:13 | 0:29:18 | |
"Shun-shun-shun!" | 0:29:18 | 0:29:20 | |
If you're in the kitchen at that point, you think, "Here we go." | 0:29:20 | 0:29:23 | |
Starts off, kind of, low. | 0:29:25 | 0:29:27 | |
Moves up in that higher section. | 0:29:30 | 0:29:32 | |
If it's not plumbed in properly | 0:29:34 | 0:29:36 | |
it can shake the whole kitchen, at this point. | 0:29:36 | 0:29:38 | |
Then it gets to the point | 0:29:42 | 0:29:43 | |
where you just don't think it can go any further. | 0:29:43 | 0:29:46 | |
And it just kicks in to all these gears you didn't know were there. | 0:29:46 | 0:29:49 | |
MIMICS INTENSIFYING SCALE | 0:29:49 | 0:29:53 | |
"Whooooo!" | 0:29:53 | 0:29:56 | |
SILENCE | 0:30:05 | 0:30:07 | |
MIMICS DESCENDING SCALE | 0:30:16 | 0:30:20 | |
LAUGHTER AND APPLAUSE | 0:30:20 | 0:30:24 | |
That's all from me, thank you very much! | 0:30:24 | 0:30:26 | |
Good night, thank you! | 0:30:26 | 0:30:28 | |
Jimeoin, ladies and gentlemen! | 0:30:36 | 0:30:39 | |
-What a funny guy! Imagine how funny I'd be if he was a ventriloquist. -OK. | 0:30:39 | 0:30:45 | |
So, next up is a very funny guy. | 0:30:45 | 0:30:48 | |
Je-sus, he is a funny guy. | 0:30:48 | 0:30:50 | |
He's amazing, he's hilarious, you're going to love him. | 0:30:50 | 0:30:53 | |
Can we give it up for Rob Beckett, ladies and gentleman? | 0:30:53 | 0:30:56 | |
CHEERING AND APPLAUSE | 0:30:56 | 0:30:59 | |
Hello! | 0:31:09 | 0:31:12 | |
-Are we all right? AUDIENCE: -Yeah! | 0:31:12 | 0:31:15 | |
I'm Rob and I've got massive teeth. | 0:31:15 | 0:31:17 | |
Fully aware of that, so you don't need to tell me. | 0:31:19 | 0:31:22 | |
People think I haven't realised yet and let me know. | 0:31:22 | 0:31:24 | |
They go, "Cor, you've got massive teeth, ain't you?" | 0:31:24 | 0:31:28 | |
I go, "Have I? Didn't realise, mate!" | 0:31:28 | 0:31:30 | |
No wonder me dentist drives a Merc. | 0:31:30 | 0:31:32 | |
I'm from south-east London. I'm very working class. | 0:31:34 | 0:31:37 | |
AUDIENCE WHOOPS Working class people in? | 0:31:37 | 0:31:39 | |
Cos doing this job, you meet a lot of middle-class people. | 0:31:39 | 0:31:42 | |
I did the Royal Albert Hall, the small room, | 0:31:42 | 0:31:44 | |
the Elgar room, right, in there with another comedian. | 0:31:44 | 0:31:47 | |
His mum was in there, we're all chatting, and I was like, | 0:31:47 | 0:31:49 | |
"Who's this Elgar bloke and why's he got a room? "What's going on?" | 0:31:49 | 0:31:52 | |
She went, "You don't know who Elgar is? "Your mother would be ashamed!" | 0:31:52 | 0:31:56 | |
I'm like, "Ashamed? She don't know either!" | 0:31:56 | 0:31:59 | |
I've texted her and she said, "Ask someone." | 0:32:00 | 0:32:04 | |
Done that and I'm embarrassed. | 0:32:04 | 0:32:06 | |
Thing is, my girlfriend's very middle class as well. | 0:32:06 | 0:32:09 | |
She used to be upper class, but we're together now. | 0:32:09 | 0:32:12 | |
That's how it works. | 0:32:12 | 0:32:15 | |
Dragging her down. | 0:32:15 | 0:32:17 | |
Her family, in their front room they've got four sofas, no telly. | 0:32:17 | 0:32:21 | |
You just look at each other. | 0:32:22 | 0:32:24 | |
I've never been in a front room without a focal point before! | 0:32:25 | 0:32:29 | |
It's like a doctor's waiting room! | 0:32:29 | 0:32:32 | |
Even they've got a shit telly in the corner. | 0:32:32 | 0:32:35 | |
I'll be honest with you, after an hour of a group crossword, | 0:32:35 | 0:32:38 | |
I'll take a measles jab advert. | 0:32:38 | 0:32:40 | |
They're trying to me a bit more cultured. | 0:32:42 | 0:32:44 | |
Went to Barcelona, which is nice. | 0:32:44 | 0:32:46 | |
Went to a spa. Spas are fun, ain't they? | 0:32:46 | 0:32:49 | |
Had a go in Jacuzzi. Love a Jacuzzi. We all love Jacuzzis don't we? | 0:32:49 | 0:32:52 | |
Know what I mean? Like, but we're British. | 0:32:52 | 0:32:54 | |
We love Jacuzzis so much we get in them with strangers. | 0:32:54 | 0:32:57 | |
I don't even sit next to a stranger on the bus. | 0:32:57 | 0:33:00 | |
Chuck in a bit of bubbly water - I'm all over it! | 0:33:00 | 0:33:04 | |
Loving a Jacuzzi, it's fun. You're sitting in there - bubble, bubble! | 0:33:04 | 0:33:08 | |
Bubble, bubble - oh, trunks - bubble, bubble, bubble, bubble. | 0:33:08 | 0:33:11 | |
Bubble, bubble - strange bloke, you don't care - bubble, bubble. | 0:33:11 | 0:33:14 | |
Only problem is, once the bubbles stop, it's a weird bath. Innit? | 0:33:14 | 0:33:19 | |
It's a weird bath for your new mate. | 0:33:22 | 0:33:24 | |
It is the only time in your life you'll ever to someone. | 0:33:26 | 0:33:28 | |
"Come on, mate, stick the bubbles back on to make it normal." | 0:33:28 | 0:33:32 | |
"It's getting a bit weird in here flat." | 0:33:32 | 0:33:35 | |
We're trying to get a flat in south-east London. Her family's | 0:33:35 | 0:33:38 | |
not that keen on her moving here. It's a bit rough, | 0:33:38 | 0:33:40 | |
get a lot of geezers, lads. | 0:33:40 | 0:33:42 | |
They love fighting, they're the kind of lads... | 0:33:42 | 0:33:44 | |
You've seen these lads on a night out that don't say | 0:33:44 | 0:33:46 | |
any actual words to each other. All night it's just, "Ay-ay, bey-uh! | 0:33:46 | 0:33:51 | |
"Ay-ayyy", like that. | 0:33:51 | 0:33:54 | |
I went on a stag do once - 48 hours, no-one said a word. | 0:33:54 | 0:33:57 | |
"Ay-oop, ay!" - It's like a language! | 0:33:58 | 0:34:00 | |
It's like Pingu, innit? | 0:34:00 | 0:34:02 | |
A whole generation of kids watched too much Pingu, | 0:34:04 | 0:34:06 | |
don't know any actual words! | 0:34:06 | 0:34:08 | |
"Ay-oop ub-ayyy ay!" | 0:34:10 | 0:34:11 | |
Me dad's like it. Me dad's a bit of an old-school Pingu lad, me dad. | 0:34:14 | 0:34:18 | |
He's always lived in south-east London, me dad. | 0:34:18 | 0:34:20 | |
Not always, he's not Highlander, just born there. | 0:34:20 | 0:34:23 | |
I like ringing home as well, cos you have mum chat and dad chat. | 0:34:25 | 0:34:28 | |
I rung home the other week, I was going to the Reading festival, | 0:34:28 | 0:34:31 | |
to do a gig there. | 0:34:31 | 0:34:32 | |
I spoke to Mum, classic mum chat - "Oh, what you doing there? | 0:34:32 | 0:34:35 | |
"What time you home? Who you with? "Da da da da da." | 0:34:35 | 0:34:38 | |
Told my dad I was going to Reading, he just went, "M25, M4?" | 0:34:38 | 0:34:42 | |
They love a route, dads, they love it. He don't even care | 0:34:51 | 0:34:54 | |
what I'm doing there. "What you doing there?" "I'm murdering prostitutes." | 0:34:54 | 0:34:57 | |
"As long as you're on time, son, don't care. | 0:34:57 | 0:34:59 | |
"I'll have a convict in our house but no-one who's late, yeah?" | 0:34:59 | 0:35:02 | |
And he tries... My dad was a lorry driver. Now he's a taxi driver. | 0:35:02 | 0:35:06 | |
He knows all the roads, I don't know any roads. | 0:35:06 | 0:35:08 | |
I got sat nav, I don't need to know roads. All I need to know is | 0:35:08 | 0:35:11 | |
wherever the blue arrow's going, I'm going with him, yeah? | 0:35:11 | 0:35:15 | |
Dead end? Sat nav says, sat nav goes! | 0:35:15 | 0:35:17 | |
He tries to give me routes and I have to pretend to know | 0:35:19 | 0:35:21 | |
the routes so I can feel like a proper son, like we're bonding. | 0:35:21 | 0:35:24 | |
He'll be like, "Yeah, what you want to do is take the lower road." | 0:35:24 | 0:35:27 | |
I didn't even know there was a higher road! What is this? | 0:35:27 | 0:35:29 | |
It's not Play Your Cards Right, Dad, I'm just trying to get to Reading! | 0:35:29 | 0:35:33 | |
He's like "Do a left, do a right, follow it round." What, the road? | 0:35:34 | 0:35:37 | |
Cheers for that, I was going to stay still on it! | 0:35:37 | 0:35:40 | |
He's giving me more directions - "Left, right, left, | 0:35:41 | 0:35:44 | |
"bey, bo, ayyy! | 0:35:44 | 0:35:47 | |
"Down the slope on your belly, you're in the igloo." | 0:35:47 | 0:35:50 | |
I was proper fat as a kid. I'll tell you this, right - | 0:35:54 | 0:35:57 | |
I was so fat as a toddler, I couldn't wear socks. | 0:35:57 | 0:36:00 | |
Not even joking. | 0:36:01 | 0:36:03 | |
The elastic in the sock cut off the circulation to my feet. | 0:36:03 | 0:36:06 | |
I had big, purple feet. Looked like I'd been dipped in Ribena! | 0:36:07 | 0:36:11 | |
I had to wear jellies for about four years! | 0:36:12 | 0:36:15 | |
The shoes, not dessert - that's not going to help anyone. | 0:36:15 | 0:36:19 | |
Diet or stability-wise. | 0:36:19 | 0:36:22 | |
I remember at school, I was still fat when I was a teenager, | 0:36:22 | 0:36:24 | |
I had little glasses like the Milky Bar kid. | 0:36:24 | 0:36:27 | |
I thought I'd use this Milky Bar kid thing to get girls. | 0:36:27 | 0:36:30 | |
"Hello, girls, Milky Bars are on me." | 0:36:30 | 0:36:32 | |
They go, "No, they're in you, mate, that's the problem. | 0:36:33 | 0:36:36 | |
"Stop eating them, you'll be all right." | 0:36:39 | 0:36:42 | |
I think you want to be grown up too quick. Cos when you're a kid, | 0:36:42 | 0:36:45 | |
you want to be a grown-up but now it'd be quality being a kid. | 0:36:45 | 0:36:47 | |
Even being grounded, that was the worst thing as a kid, | 0:36:47 | 0:36:50 | |
that would come in handy now. If my girlfriend goes, | 0:36:50 | 0:36:53 | |
"Oh, we need to go to my friend from work's engagement party." | 0:36:53 | 0:36:56 | |
"Sorry, love, grounded, nothing I can do. | 0:36:56 | 0:36:59 | |
"You got a problem with it, take it up with Big Suze." | 0:36:59 | 0:37:01 | |
That's my mum. My mum's Big Suze. The reason we call her that is cos... | 0:37:03 | 0:37:06 | |
She's not fat or nothing but if you borrow money off her, | 0:37:06 | 0:37:08 | |
she writes it in a little black book like a loan shark. | 0:37:08 | 0:37:12 | |
Only reason she's here tonight is I owe her 100 quid. | 0:37:12 | 0:37:15 | |
But, as well, the worst thing that can be told... | 0:37:17 | 0:37:19 | |
When you're little, the worst thing your mum can say to you as a kid | 0:37:19 | 0:37:22 | |
if you're being naughty at a birthday party, your mum goes, | 0:37:22 | 0:37:25 | |
"You keep being naughty, I'm going to take you home, feed you, | 0:37:25 | 0:37:27 | |
"bath you and straight to bed!" You're like, "That is awful." Now? | 0:37:27 | 0:37:30 | |
Absolute quality! | 0:37:30 | 0:37:32 | |
You're going to drive me home, feed me, | 0:37:34 | 0:37:36 | |
albeit the bath's a bit weird, but put me to bed? | 0:37:36 | 0:37:38 | |
Chuck in a buggy, best night ever! | 0:37:40 | 0:37:42 | |
I like being a bit of a div. It's fun, innit? I can't change who I am. | 0:37:44 | 0:37:47 | |
Like, me ex-girlfriend didn't really like it, cos I'm a bit of a div. | 0:37:47 | 0:37:50 | |
I only recently found out that raisins used to be grapes. | 0:37:50 | 0:37:54 | |
I had no idea! | 0:37:54 | 0:37:56 | |
No-one tells you. It's not Raisin Grape Day at school, is it? | 0:37:56 | 0:38:00 | |
Some of you are finding out for the first time as well here. | 0:38:00 | 0:38:03 | |
I'm forgetful. Sometimes I go upstairs in me mum's house | 0:38:06 | 0:38:10 | |
get upstairs and go, "Absolutely no idea why I'm up here." | 0:38:10 | 0:38:14 | |
Me phone, don't need a wee. | 0:38:14 | 0:38:16 | |
Just sit down in the front room shell-shocked after. | 0:38:16 | 0:38:20 | |
Me not knowing about raisins and grapes, the worst one is me mum. | 0:38:20 | 0:38:24 | |
My mum didn't realise sea horses were real | 0:38:24 | 0:38:26 | |
until my dad took her to an aquarium. | 0:38:26 | 0:38:29 | |
She thought they were Walt Disney. | 0:38:29 | 0:38:31 | |
She had no idea. And she was like, "What is that in there?" | 0:38:33 | 0:38:36 | |
And you laugh, but what an amazing way to live your life. | 0:38:36 | 0:38:39 | |
It's like us getting to the zoo, seeing Winnie The Pooh and going, | 0:38:39 | 0:38:42 | |
"What is he doing in there?! | 0:38:42 | 0:38:44 | |
"And who's got his pants? You can't lock up a kid with him, | 0:38:47 | 0:38:50 | |
"this is mental!" | 0:38:50 | 0:38:52 | |
But I'm a bit of a div and I can't help it. | 0:38:52 | 0:38:55 | |
That's why it didn't really work with my ex-girlfriend. | 0:38:55 | 0:38:57 | |
This is the argument where I knew | 0:38:57 | 0:38:59 | |
it was never going to last with her, right? | 0:38:59 | 0:39:01 | |
I was in the front with her, I was a bit hungry. I said to her, | 0:39:01 | 0:39:04 | |
"I'm going to get myself a bowl of cereals. Do you want anything?" | 0:39:04 | 0:39:07 | |
She went, "It's cereal." | 0:39:07 | 0:39:08 | |
That's not how she spoke, but that's what it felt in me head. | 0:39:08 | 0:39:11 | |
She went, "It's cereal." | 0:39:15 | 0:39:17 | |
Which is correct. It's a singular, not a plural. | 0:39:17 | 0:39:19 | |
It's a bowl of cereal, not cereals. | 0:39:19 | 0:39:22 | |
It's ridiculous, cos there's loads in there, innit? | 0:39:22 | 0:39:25 | |
So, I thought, "I've had enough of this, I'm going to mess her up." | 0:39:30 | 0:39:33 | |
Not in a bad way! | 0:39:33 | 0:39:34 | |
She could probably take me, if I'm honest with you. | 0:39:38 | 0:39:42 | |
So, I thought, "Right, I'm going to mess her up." I went in the kitchen. | 0:39:42 | 0:39:45 | |
Got an empty bowl. | 0:39:45 | 0:39:47 | |
I put Coco Pops in it. | 0:39:47 | 0:39:50 | |
And Kellogg's Crunchy Nut. | 0:39:50 | 0:39:51 | |
That's a bowl of cereals there, guys. | 0:39:53 | 0:39:55 | |
If they get wise to it, do Coco Pops and Rice Krispies - | 0:40:03 | 0:40:06 | |
once the milk goes brown they can't tell. | 0:40:06 | 0:40:09 | |
They're stealth, yeah? | 0:40:09 | 0:40:11 | |
Bit of Solid Snake. | 0:40:11 | 0:40:12 | |
Anyway, I'm going back in the front room to have an argument | 0:40:15 | 0:40:17 | |
I cannot lose and I'm excited about this | 0:40:17 | 0:40:19 | |
because I've never won an argument about grammar before. | 0:40:19 | 0:40:22 | |
Apart from "Who's that bloke in Frasier?" | 0:40:22 | 0:40:24 | |
I'm going back in to have this argument and I can't lose | 0:40:28 | 0:40:31 | |
because of this little fella, the bowl of truth. | 0:40:31 | 0:40:33 | |
Right? | 0:40:33 | 0:40:35 | |
So, I go back in the front room all confident. I swagger into the room. | 0:40:35 | 0:40:39 | |
It's a small flat - I'm here. | 0:40:39 | 0:40:41 | |
She goes, "What you got there?" | 0:40:45 | 0:40:48 | |
I'm like, "Just a bowl of cereals. | 0:40:48 | 0:40:51 | |
"Cereals." | 0:40:53 | 0:40:55 | |
She went, "It's cereal." | 0:40:55 | 0:40:56 | |
I said, "I think you'll find... | 0:40:58 | 0:41:01 | |
"it's actually Coco Pops and Crunchy Nut. | 0:41:01 | 0:41:04 | |
"So, up yours!" | 0:41:04 | 0:41:06 | |
I like being silly, I can't help it, it's fun. | 0:41:11 | 0:41:13 | |
Me and one of my best mates, Tim, went on holiday. | 0:41:13 | 0:41:15 | |
He's gay, Tim. He bought a pack of gay playing cards, | 0:41:15 | 0:41:18 | |
blokes with their willies out, right? | 0:41:18 | 0:41:20 | |
Basically, what I'm trying to say is they're pornographic ones. | 0:41:20 | 0:41:23 | |
Not just gay people doing normal things. | 0:41:23 | 0:41:25 | |
The 7 of clubs ain't Gok Wan gardening, do you know what I mean? | 0:41:25 | 0:41:29 | |
These are full-on, right? | 0:41:30 | 0:41:33 | |
And we got them. Get some, it's the best prank you can do. | 0:41:33 | 0:41:36 | |
We shared a house with a few housemates | 0:41:36 | 0:41:38 | |
and we hid them in everyone's stuff. | 0:41:38 | 0:41:40 | |
It's the best thing you can do cos they keep appearing for ages. | 0:41:40 | 0:41:44 | |
And you can never explain having one gay naked playing card. | 0:41:44 | 0:41:48 | |
If you've got a pack you can have a game. | 0:41:51 | 0:41:54 | |
If you've got one, it's like you're sentimental over him. | 0:41:54 | 0:41:57 | |
So we hid them in everyone's stuff, it was brilliant. We put one | 0:42:01 | 0:42:04 | |
in my mate's coat pocket. He sold his coat on eBay, got a bit of feedback. | 0:42:04 | 0:42:09 | |
"The coat did arrive on time, just a cock in the pocket." | 0:42:11 | 0:42:14 | |
Put one in me mate's wallet. He's in Sainsbury's, | 0:42:15 | 0:42:18 | |
"Got a Nectar card?" "No, but I've got a flaccid penis if that helps." | 0:42:18 | 0:42:21 | |
Best one, my mate Jack had an umbrella - popped open like that. | 0:42:23 | 0:42:27 | |
We got ten cards, put them all in it - we all worked together. | 0:42:27 | 0:42:30 | |
"Jack, show them how your umbrella pops open" | 0:42:30 | 0:42:32 | |
Bang! Massive fountain of gay dick everywhere. | 0:42:32 | 0:42:35 | |
You've been lovely, I've been Rob Beckett. | 0:42:42 | 0:42:44 | |
Be lucky, I'll see you soon. Thank you very much. | 0:42:44 | 0:42:47 | |
Rob Beckett, ladies and gentlemen! | 0:42:52 | 0:42:54 | |
What a night it's been at Live At The Apollo. Well done to everyone. | 0:42:56 | 0:43:00 | |
Yeah, well done. You've seen Rob Beckett. | 0:43:00 | 0:43:02 | |
CHEERING | 0:43:02 | 0:43:04 | |
-Jimeoin! -Jimeoin! | 0:43:04 | 0:43:07 | |
I've been Nina Conti. Thanks to all of you! | 0:43:07 | 0:43:10 | |
-Thank you very much, good night! -Thank you! | 0:43:10 | 0:43:12 | |
CHEERING AND APPLAUSE | 0:43:12 | 0:43:15 |