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This programme contains strong language | 0:00:02 | 0:00:04 | |
-Wet floor side. -Nothing's wet. -Exactly, a little joke of mine. | 0:00:04 | 0:00:07 | |
Joe. Joe! Joe Wilkinson! | 0:00:07 | 0:00:09 | |
Too slow. | 0:00:09 | 0:00:11 | |
Fuse box for the lighting rig. | 0:00:11 | 0:00:12 | |
HE SQUEALS | 0:00:12 | 0:00:15 | |
Should be down, actually. Ow. | 0:00:15 | 0:00:17 | |
Rosie, the make-up lady. | 0:00:17 | 0:00:19 | |
She's sort of a mother figure. | 0:00:19 | 0:00:21 | |
HE PRETENDS TO GAG | 0:00:21 | 0:00:22 | |
-Think she saw that. -Good. She's fit. | 0:00:22 | 0:00:24 | |
Next time I do that, do it with me. Could be like our thing. | 0:00:24 | 0:00:28 | |
-Gobos. Monitors. Familiar with these things? -Yep. | 0:00:28 | 0:00:31 | |
-What's this? -Er, I don't know. | 0:00:31 | 0:00:34 | |
It's just a fucking pencil, mate. | 0:00:34 | 0:00:37 | |
Has anyone, erm, seen my eyeliner? | 0:00:37 | 0:00:39 | |
-Oh, is it like a pencil? -Yeah. | 0:00:39 | 0:00:42 | |
-The make-up lady had it. -Why's she got it? -Probably tarting herself up. | 0:00:42 | 0:00:46 | |
-What? That's not like her. -I know, what a bitch. | 0:00:46 | 0:00:48 | |
Still, though. | 0:00:48 | 0:00:50 | |
HE PRETENDS TO GAG | 0:00:50 | 0:00:52 | |
What the F, guys, that is well sexist, yeah? | 0:00:53 | 0:00:57 | |
-Well done, mate. That tanked. -That's hardly fair, you told me to do it. | 0:00:57 | 0:01:00 | |
Buckle up, Dorothy. Kansas is going bye-bye. | 0:01:00 | 0:01:04 | |
APPLAUSE AND CHEERING | 0:01:21 | 0:01:24 | |
Hello. Welcome. | 0:01:30 | 0:01:32 | |
This is Live At The Electric. | 0:01:32 | 0:01:34 | |
My name is Russell Kane, and I'm the third Russell of comedy. | 0:01:34 | 0:01:37 | |
The one whose hair's got more volume than a pensioner's telly, yeah? | 0:01:37 | 0:01:41 | |
It's got more volume than your telly! | 0:01:41 | 0:01:43 | |
-LAUGHTER -Some of you are thinking, "Russ, totes, | 0:01:43 | 0:01:46 | |
"what is Live At The Electric?" Good question. Tell you what it is. | 0:01:46 | 0:01:49 | |
It's sketches and characters that will blow your mind, | 0:01:49 | 0:01:52 | |
introduced by me, yeah. The stand-up, | 0:01:52 | 0:01:54 | |
the lube preparing you for full comedy entry, | 0:01:54 | 0:01:58 | |
over and over again. Yeah. | 0:01:58 | 0:02:00 | |
By the time we finish our relentless pounding, | 0:02:00 | 0:02:02 | |
there won't be a single comedy orifice on your body | 0:02:02 | 0:02:04 | |
that's not dripping with the DNA of mirth. That's right! | 0:02:04 | 0:02:07 | |
I've been loading up my laughter gun with Onken yoghurt, | 0:02:07 | 0:02:11 | |
Papa got some whole-grain in da house tonight! | 0:02:11 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:14 | |
I'm talking about yoghurt. You're making it spunk in your mind! | 0:02:14 | 0:02:18 | |
You may be wondering why I introduced myself so formally. | 0:02:18 | 0:02:21 | |
It's because I look so horrifically different. | 0:02:21 | 0:02:23 | |
Every time I appear on TV, you must be thinking, what's wrong with him? | 0:02:23 | 0:02:26 | |
Has he taken a fashion pill that's turned him into a total wanker? | 0:02:26 | 0:02:29 | |
Or is has his personal life fallen apart? | 0:02:29 | 0:02:32 | |
I tell you what happened, I found myself single | 0:02:32 | 0:02:34 | |
for the first time, by the way. | 0:02:34 | 0:02:35 | |
And I am straight, just to make that clear for some of you. | 0:02:35 | 0:02:37 | |
I've now... I know all the people at home and people in the room, | 0:02:37 | 0:02:41 | |
all the older men have gone, "Thank God. | 0:02:41 | 0:02:43 | |
"Because I'm not homophobic. But before, when I laughed, | 0:02:43 | 0:02:45 | |
"it was like you were entering me. No disrespect." | 0:02:45 | 0:02:49 | |
If you type my name into Google, | 0:02:49 | 0:02:50 | |
the most predictive word should, at very least, be "comedian", or "TV". | 0:02:50 | 0:02:54 | |
Do you know what it is? "Gay." | 0:02:54 | 0:02:55 | |
"Russell Kane, gay." Next one, "topless." Gay and topless! | 0:02:55 | 0:02:58 | |
What am I doing? Then I realised it's how I move and speak. | 0:02:58 | 0:03:01 | |
I can't help it, I love moving like this. | 0:03:01 | 0:03:04 | |
Yeah. | 0:03:04 | 0:03:05 | |
Some of the boys in the room are going, "Yeah, I don't care. | 0:03:05 | 0:03:08 | |
"A proper man should be a man. | 0:03:08 | 0:03:09 | |
"Do you think you can do all that gender politics, | 0:03:09 | 0:03:11 | |
"and cover up you're not a proper man?" You're wrong, gentlemen. | 0:03:11 | 0:03:14 | |
There are two competing types of masculinity. | 0:03:14 | 0:03:16 | |
Are there not, ladies? There is, I'm not denying it. | 0:03:16 | 0:03:18 | |
Maybe you more mature ladies, "I'm sorry, I do like a man to be a man. | 0:03:18 | 0:03:21 | |
"It's old-fashioned, but I like a man who's big, can protect you, | 0:03:21 | 0:03:24 | |
"can do things around the house, step in, if there's trouble. | 0:03:24 | 0:03:27 | |
"It's old-fashioned, but I like it, I'm sorry." | 0:03:27 | 0:03:29 | |
That's fine, ladies, no-one's trying to take that away from you. No-one. | 0:03:29 | 0:03:33 | |
But, thank God there's another type of masculinity coming through. | 0:03:33 | 0:03:36 | |
I can see some of my One Direction band mates in the room tonight! | 0:03:36 | 0:03:39 | |
LAUGHTER | 0:03:39 | 0:03:41 | |
You all know the second type of masculinity. | 0:03:41 | 0:03:43 | |
Girls that like helpless, thin idiots, like me. | 0:03:43 | 0:03:46 | |
Thank you for that rule, God. | 0:03:46 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:49 | |
Some women that are mums will know that's what the girls like. | 0:03:49 | 0:03:52 | |
"Mum, he's so vulnerable, he even cries at Dog Whisperer. | 0:03:52 | 0:03:55 | |
"I think I love him." | 0:03:55 | 0:03:56 | |
LAUGHTER | 0:03:56 | 0:03:57 | |
"He looks like the vampire one, | 0:03:57 | 0:03:58 | |
"but he's got the Wolf one's colouring. I can't explain it. | 0:03:58 | 0:04:01 | |
LAUGHTER | 0:04:01 | 0:04:03 | |
-HE PRETENDS TO SOB -Convert me, Bella. | 0:04:03 | 0:04:05 | |
LAUGHTER | 0:04:05 | 0:04:06 | |
We do. | 0:04:06 | 0:04:08 | |
How many of these slightly younger heterosexual whippets in the room | 0:04:08 | 0:04:12 | |
have cottoned on to this, and now play up to it? | 0:04:12 | 0:04:14 | |
"Oh, my God, I might be gay, that's why I'm doing stand-up about it. | 0:04:14 | 0:04:18 | |
"Come over, we can talk about it. Hooray. | 0:04:18 | 0:04:20 | |
"Let's do these Sambuca shots in this well locked room | 0:04:20 | 0:04:23 | |
"and discuss how camp I am. Hooray. | 0:04:23 | 0:04:25 | |
"I'm just so vulnerable. Suck me off! I'm sorry, I'm just so sorry! | 0:04:25 | 0:04:29 | |
LAUGHTER | 0:04:29 | 0:04:31 | |
Time now for our first piece of comedy, | 0:04:31 | 0:04:34 | |
that's been cultured off-site, in one of our bizarre laboratories. | 0:04:34 | 0:04:37 | |
Ladies and gentlemen, it's Wit Tank! | 0:04:37 | 0:04:39 | |
CHEERING AND APPLAUSE | 0:04:39 | 0:04:41 | |
Well, I must say, Mr Fitzgerald, | 0:04:49 | 0:04:50 | |
considering the rigorous nature of this interview process, | 0:04:50 | 0:04:54 | |
I think both of us have been very impressed. | 0:04:54 | 0:04:56 | |
Thank you. I'm just very grateful for the opportunity. | 0:04:57 | 0:05:02 | |
Obviously, we can't promise anything definite at this stage, | 0:05:02 | 0:05:05 | |
but we would both like to reiterate that we were very impressed. | 0:05:05 | 0:05:09 | |
Thank you. | 0:05:09 | 0:05:10 | |
So. | 0:05:10 | 0:05:13 | |
You'll be hearing from us shortly. | 0:05:13 | 0:05:15 | |
It's not mine. | 0:06:29 | 0:06:31 | |
APPLAUSE | 0:06:31 | 0:06:33 | |
Thanks, we'll speak to number 33. | 0:06:36 | 0:06:38 | |
Hello, trouble! Ha-ha. | 0:06:38 | 0:06:40 | |
Hey ya, Ben! | 0:06:40 | 0:06:43 | |
I've got your nose! | 0:06:43 | 0:06:46 | |
I've got your nose! | 0:06:46 | 0:06:50 | |
I've got your... | 0:06:50 | 0:06:51 | |
THE BOYS SCREAMS | 0:06:51 | 0:06:54 | |
HE WAILS | 0:06:54 | 0:06:56 | |
I think I'll leave that with you. | 0:07:00 | 0:07:03 | |
APPLAUSE | 0:07:03 | 0:07:05 | |
Ladies and gentlemen, it is time now to welcome to the stage | 0:07:10 | 0:07:12 | |
Joe Wilkinson and Diane Morgan or, as you'll soon know them, | 0:07:12 | 0:07:15 | |
Two Episodes Of Mash! | 0:07:15 | 0:07:17 | |
APPLAUSE AND CHEERING | 0:07:23 | 0:07:24 | |
All right? | 0:07:26 | 0:07:28 | |
How are you doing, all right? | 0:07:28 | 0:07:31 | |
-Erm. I'm Joe, she's Diane. -Hello. -Erm. | 0:07:31 | 0:07:36 | |
This is our bit. | 0:07:36 | 0:07:37 | |
Hope you like it. | 0:07:40 | 0:07:41 | |
Could be, could be awkward. | 0:07:43 | 0:07:46 | |
SHE MUMBLES INAUDIBLY | 0:07:46 | 0:07:48 | |
Erm. | 0:07:53 | 0:07:55 | |
Diane likes to have it made clear at the start that we're not going out. | 0:07:59 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:04 | |
Otherwise she won't do the show. Er. | 0:08:10 | 0:08:13 | |
-Happy? -Yeah. | 0:08:13 | 0:08:15 | |
Er, so, yeah, | 0:08:15 | 0:08:18 | |
shall we get on with it? Erm. | 0:08:18 | 0:08:19 | |
Oh, yeah, I should point out at this point that | 0:08:19 | 0:08:22 | |
our sketches don't really have ends. | 0:08:22 | 0:08:25 | |
They're just going to sort of peter off. | 0:08:28 | 0:08:31 | |
So if you're wondering where our sketch is going, it's not. | 0:08:31 | 0:08:35 | |
Hi, Joe, what are you up to? | 0:08:36 | 0:08:39 | |
Oh, hi, Diane, I'm just waiting for my Peregrine falcon to come back. | 0:08:39 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:44 | |
It's been gone a few hours, actually. | 0:08:48 | 0:08:53 | |
-HIS VOICE QUIVERS -I'm really starting to worry. | 0:08:53 | 0:08:56 | |
Has he ran off before? | 0:08:56 | 0:08:59 | |
-HE SOBS -I'm sorry, no, he hasn't. | 0:08:59 | 0:09:02 | |
Oh, God. Have you called the police? | 0:09:03 | 0:09:05 | |
Of course I've called the police! | 0:09:05 | 0:09:07 | |
But they said a Peregrine falcon has to be missing a decade. | 0:09:07 | 0:09:12 | |
Before they put out an APB. I don't even know what an APB is. | 0:09:13 | 0:09:17 | |
-What have I done to deserve this? -Come on, Joe. | 0:09:19 | 0:09:21 | |
You haven't done anything wrong. You can't blame yourself. | 0:09:21 | 0:09:24 | |
It's not your fault. | 0:09:24 | 0:09:27 | |
I did fuck it once. | 0:09:27 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:31 | |
APPLAUSE | 0:09:33 | 0:09:35 | |
-Right, that's different. -Is it? -Yeah. | 0:09:37 | 0:09:39 | |
-That's disgusting, I'm glad... -Oh, look, there he is. | 0:09:39 | 0:09:42 | |
-Where? -By that chandelier, look. -Oh, yeah. | 0:09:42 | 0:09:46 | |
-It looks like he's been crying. -Yeah, he would have been, yeah. | 0:09:46 | 0:09:50 | |
Come down here, boy, let's get you out of those wet clothes. | 0:09:52 | 0:09:54 | |
That's it, it just sort of peters off. | 0:09:54 | 0:09:56 | |
LAUGHTER | 0:09:56 | 0:09:58 | |
APPLAUSE | 0:09:58 | 0:10:01 | |
CHANTING Let's play fucking netball! | 0:10:04 | 0:10:08 | |
Na na-na na! Wa-hey! Na na-na na! Wey! | 0:10:08 | 0:10:13 | |
Where did you go last night? You fucking mental. Hey! | 0:10:13 | 0:10:17 | |
Got shagged, didn't I? | 0:10:19 | 0:10:21 | |
THEY CHEER | 0:10:21 | 0:10:22 | |
Girls on tour! | 0:10:22 | 0:10:24 | |
-Fit. -Fit as fuck, mate. | 0:10:24 | 0:10:28 | |
-Where did you pick him up, in that club? -Nah, outside. | 0:10:28 | 0:10:30 | |
He couldn't get in. Under age. | 0:10:30 | 0:10:33 | |
-ALL: -Ooh! | 0:10:33 | 0:10:34 | |
-How old? -16. | 0:10:34 | 0:10:35 | |
Just legal. He was gagging for it. | 0:10:35 | 0:10:39 | |
Look what I kept? | 0:10:39 | 0:10:40 | |
THEY HOWL | 0:10:40 | 0:10:43 | |
THEY CHANT Oohh! Sam, Sam, the shagger. | 0:10:43 | 0:10:45 | |
Sam, Sam, the shagger. | 0:10:45 | 0:10:48 | |
Sam, the shagger, Sam, Sam, the shagger! | 0:10:48 | 0:10:51 | |
Ah. Who the fuck has put a tampon in my pint? | 0:10:53 | 0:10:56 | |
THEY SCREAM | 0:10:56 | 0:10:58 | |
Hey! Girls on tour! | 0:10:58 | 0:11:01 | |
I'm not having that, get me another one, mate. | 0:11:01 | 0:11:04 | |
Yeah, yeah, and give the barman one from me | 0:11:04 | 0:11:06 | |
while you're at it, wa-hey! | 0:11:06 | 0:11:08 | |
I'm gonna piss in her pint. | 0:11:15 | 0:11:17 | |
Not again. | 0:11:17 | 0:11:19 | |
That's right. | 0:11:19 | 0:11:21 | |
Anyone copping off tonight, then? | 0:11:31 | 0:11:33 | |
-You got your eye on Larry with the big fingers, haven't you? -Yep. | 0:11:33 | 0:11:36 | |
I might take him off your hands, actually. | 0:11:36 | 0:11:38 | |
If he fancies a bit of rough, yeah. | 0:11:38 | 0:11:39 | |
SHE LAUGHS | 0:11:39 | 0:11:41 | |
Fuck off! | 0:11:41 | 0:11:43 | |
He fancies my massive boobs! Wa-hey! | 0:11:43 | 0:11:46 | |
What are you talking about? That's padding. You're faking it. | 0:11:46 | 0:11:50 | |
It's not what your dad said last night! Oh, yeah! | 0:11:50 | 0:11:52 | |
Oh yeah, right in the fanny! | 0:11:54 | 0:11:57 | |
SHE GRUNTS | 0:11:58 | 0:12:00 | |
-What the fuck's going on here? Fucking lesbians or summat? -Fuck off. | 0:12:00 | 0:12:03 | |
-I'm not a lesbian. -I'm not a lesbian. | 0:12:03 | 0:12:06 | |
Here. Take this. Cheers. | 0:12:06 | 0:12:07 | |
Wa-hey! | 0:12:07 | 0:12:08 | |
Whoar! Sarah's pissed in it! | 0:12:10 | 0:12:14 | |
THEY SCREAM | 0:12:14 | 0:12:15 | |
THEY CHANT Girls on tour! | 0:12:15 | 0:12:18 | |
THEY SCREAM | 0:12:18 | 0:12:19 | |
THEY CHANT Sarah's got her minge out! Sarah's got her minge out! | 0:12:19 | 0:12:24 | |
Na na-na na! Whoa! | 0:12:24 | 0:12:27 | |
CHEERING | 0:12:27 | 0:12:29 | |
MUSIC: "The Star-Spangled Banner" | 0:12:29 | 0:12:32 | |
Hello, Britain. This is Hari Kondabolu, and I'm an American. | 0:12:32 | 0:12:36 | |
Today, I will be discussing British things I don't understand. | 0:12:36 | 0:12:39 | |
Of all things to take from America, you took sleazy daytime TV? | 0:12:39 | 0:12:43 | |
How about a healthier attitude towards alcohol? | 0:12:43 | 0:12:47 | |
A general mistrust of anyone wearing a crown? | 0:12:47 | 0:12:50 | |
A single tap for hot and cold water, | 0:12:50 | 0:12:53 | |
as opposed to your impractical two-tap system, | 0:12:53 | 0:12:55 | |
which never leads to a satisfying hand-washing experience? | 0:12:55 | 0:13:00 | |
Hey, Britain, let's not wash our hands. Let's just repeatedly freeze. | 0:13:00 | 0:13:03 | |
Then burn them. Freeze. Then burn them. | 0:13:03 | 0:13:07 | |
Why? | 0:13:07 | 0:13:08 | |
Why do you Brits like pies so much? | 0:13:08 | 0:13:10 | |
When Indian people want to make food more interesting, | 0:13:10 | 0:13:13 | |
they add spices to it and they make it delicious. | 0:13:13 | 0:13:16 | |
You simply take food, and put a pastry hat on it. | 0:13:16 | 0:13:20 | |
Jeremy Clarkson. | 0:13:20 | 0:13:21 | |
No real joke here. | 0:13:21 | 0:13:23 | |
I just don't like cars enough to justify casual racism. | 0:13:23 | 0:13:27 | |
Guy Fawkes night. | 0:13:27 | 0:13:28 | |
You light a bonfire every night to celebrate a failed terrorist? | 0:13:28 | 0:13:32 | |
What are you, gonna light fireworks every four years | 0:13:32 | 0:13:34 | |
when England loses another soccer World Cup? | 0:13:34 | 0:13:38 | |
Yeah, that's right. | 0:13:38 | 0:13:40 | |
I said soccer. | 0:13:40 | 0:13:41 | |
I root for soccer. | 0:13:41 | 0:13:43 | |
Soccer, soccer, soccer! | 0:13:43 | 0:13:46 | |
Soccer! Soccer! Soccer! | 0:13:46 | 0:13:49 | |
You know what? | 0:13:49 | 0:13:50 | |
On second thoughts, you can keep the bonfire. | 0:13:50 | 0:13:53 | |
As long as you burn Jeremy Clarkson. | 0:13:53 | 0:13:56 | |
Good night, Britain. | 0:13:56 | 0:13:58 | |
APPLAUSE | 0:13:58 | 0:14:00 | |
Coming up for the second time, it's Two Episodes Of Mash! | 0:14:02 | 0:14:05 | |
APPLAUSE AND CHEERING | 0:14:05 | 0:14:07 | |
I, I, I'm going to walk off, for this one. Add a bit of drama. | 0:14:11 | 0:14:16 | |
LAUGHTER | 0:14:16 | 0:14:18 | |
Hi! I just moved in upstairs, | 0:14:21 | 0:14:23 | |
and I was wondering if I could borrow a cup of gherkins? | 0:14:23 | 0:14:26 | |
This is a bungalow. | 0:14:34 | 0:14:36 | |
LAUGHTER | 0:14:36 | 0:14:38 | |
APPLAUSE | 0:14:38 | 0:14:41 | |
Yeah, yeah, I know, I broke into your loft. Erm. | 0:14:47 | 0:14:49 | |
Give me the fucking gherkins! | 0:14:49 | 0:14:52 | |
That's how we end, that's it. So, sorry. | 0:14:52 | 0:14:55 | |
APPLAUSE AND CHEERING | 0:14:55 | 0:14:57 | |
-What are you doing? -It's just my insurance form. | 0:15:10 | 0:15:14 | |
Your name's Tom? That's my name. | 0:15:14 | 0:15:17 | |
I know. It's gonna be a bit confusing. | 0:15:17 | 0:15:18 | |
It's gonna be a bit hilarious. | 0:15:18 | 0:15:20 | |
People are going to be like, "You're both called Tom? 0h? | 0:15:20 | 0:15:24 | |
"You guys must be best friends." | 0:15:24 | 0:15:27 | |
Yeah. | 0:15:27 | 0:15:29 | |
-What did you put for medical stuff? -It's meant to be confidential. | 0:15:29 | 0:15:32 | |
IN A GEEKY VOICE It's meant to be confidential. | 0:15:32 | 0:15:35 | |
Translation: I've got an embarrassing disease, like testicular cancer. | 0:15:35 | 0:15:38 | |
-Why's that embarrassing? -Because you have to show the doctor your balls. | 0:15:38 | 0:15:42 | |
-Have you never done that? -Er, no. | 0:15:42 | 0:15:45 | |
Urgh. They're really lumpy. | 0:15:45 | 0:15:48 | |
Very edgy signature, dude. | 0:15:48 | 0:15:51 | |
That's the date. | 0:15:51 | 0:15:53 | |
CHEERING AND APPLAUSE | 0:15:58 | 0:16:00 | |
Now, the next item is what happens if you cross something like The Wire | 0:16:03 | 0:16:06 | |
with the original comedy mind of Humphrey Ker. | 0:16:06 | 0:16:10 | |
I give you The Van. | 0:16:10 | 0:16:12 | |
APPLAUSE | 0:16:12 | 0:16:14 | |
"We sell ice cream, or we die." | 0:16:23 | 0:16:27 | |
"It's as simple as that." | 0:16:27 | 0:16:29 | |
-VOICEOVER: -Previously, on The Van. | 0:16:29 | 0:16:31 | |
HE SOBS I'll play ice cream van. | 0:16:31 | 0:16:33 | |
Just like we always wanted. We'll sell ice cream. | 0:16:33 | 0:16:36 | |
So much of it. | 0:16:36 | 0:16:38 | |
-Claire. We mustn't. What if she wakes up? -Shush. | 0:16:38 | 0:16:42 | |
It's been 11 years, Mark. | 0:16:42 | 0:16:45 | |
She's not waking up. | 0:16:45 | 0:16:48 | |
Oh, God. | 0:16:48 | 0:16:49 | |
And we both have needs. | 0:16:49 | 0:16:50 | |
MONOTONE BEEPING FROM MACHINE | 0:16:50 | 0:16:53 | |
If Mark knew you were pulling this shit. | 0:16:54 | 0:16:58 | |
Please. Don't tell him, Dale. | 0:16:58 | 0:17:00 | |
What's in it for me? | 0:17:00 | 0:17:02 | |
How am I supposed to go on selling ice cream after this? | 0:17:05 | 0:17:08 | |
It's what your dead wife would have wanted. | 0:17:08 | 0:17:11 | |
-Mark, quickly, the Feests. -What about them? | 0:17:11 | 0:17:13 | |
-They're past their sell-by date. -How many? | 0:17:13 | 0:17:16 | |
All of them. | 0:17:16 | 0:17:18 | |
You told me these were legit! | 0:17:29 | 0:17:33 | |
2,000 Feests, for 20 quid? | 0:17:33 | 0:17:34 | |
You knew what you were getting into. | 0:17:34 | 0:17:36 | |
-I'll kill you! -No! Stop it! | 0:17:36 | 0:17:38 | |
Do it! Do it! | 0:17:38 | 0:17:40 | |
Mark! | 0:17:40 | 0:17:42 | |
I'm pregnant. | 0:17:42 | 0:17:44 | |
CHEERING AND APPLAUSE | 0:17:46 | 0:17:49 | |
Brilliant. So who's here in couples tonight, give me a cheer? | 0:17:49 | 0:17:52 | |
I don't want to come across like a sad, sorry case. | 0:17:52 | 0:17:55 | |
Does anyone else not find it tiring, the falling in love stage? | 0:17:55 | 0:17:58 | |
It's fine, two or three times. | 0:17:58 | 0:18:00 | |
But once you fall in love four or five times, it gets a bit boring. | 0:18:00 | 0:18:03 | |
Over and over again. That stressful bit at the beginning. | 0:18:03 | 0:18:06 | |
Pretending you're well matched to each other. | 0:18:06 | 0:18:08 | |
Two lying bits of Tetris coming towards... | 0:18:08 | 0:18:10 | |
"We are perfect matches, we've been going at six weeks. | 0:18:10 | 0:18:12 | |
"I'm a dog breeder." "I'm allergic to dogs." Ignore it, ignore it. | 0:18:12 | 0:18:16 | |
LAUGHTER | 0:18:16 | 0:18:17 | |
I know what it is when you're young. | 0:18:17 | 0:18:19 | |
Not particularly tiddly young, | 0:18:19 | 0:18:21 | |
but I'm talking like, even 17 to 21. | 0:18:21 | 0:18:24 | |
I think it's more stressful that stage. | 0:18:24 | 0:18:27 | |
Getting to the comfort stage. | 0:18:27 | 0:18:29 | |
You know where, for example, | 0:18:29 | 0:18:30 | |
when you're too shy to even poo at a new girlfriend or boyfriend's house. | 0:18:30 | 0:18:34 | |
Is there anything worse than denying that most basic body function? | 0:18:34 | 0:18:37 | |
"There's no poo in me, just Baudelaire and Beaujolais, look! | 0:18:37 | 0:18:40 | |
"I don't even have a bum hole, I've evolved it away." | 0:18:40 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:44 | |
"Here's a diamond where my rectum should be, my love." | 0:18:44 | 0:18:47 | |
HE SINGS OPERATICALLY | 0:18:47 | 0:18:48 | |
Yeah. I think I'm going home. | 0:18:50 | 0:18:51 | |
-HE GRUNTS FRUSTRATEDLY -Two days is enough. | 0:18:51 | 0:18:53 | |
LAUGHTER AND APPLAUSE | 0:18:53 | 0:18:55 | |
Don't tickle me. | 0:18:55 | 0:18:57 | |
APPLAUSE | 0:18:57 | 0:18:59 | |
There's one thing I never want to see in a relationship, Ls and Gs. | 0:19:02 | 0:19:05 | |
All right. And, I know there's couples in the room who do it. | 0:19:05 | 0:19:09 | |
Do you know what, if you do do this, go home from this room. | 0:19:09 | 0:19:12 | |
If you watching this at home, leave, go upstairs now. | 0:19:12 | 0:19:14 | |
Go online and dissolve your marriage instantly. | 0:19:14 | 0:19:17 | |
And that's where one of you's in the bath. | 0:19:17 | 0:19:19 | |
And that's fine to be in the bath with the door open, why not? | 0:19:19 | 0:19:22 | |
"I'm in the bath. Door's open. | 0:19:22 | 0:19:24 | |
"You're chopping onions. Different states but connected." | 0:19:24 | 0:19:26 | |
Random. I just love it. | 0:19:26 | 0:19:28 | |
That's fine. | 0:19:28 | 0:19:30 | |
That's nice, when you can see someone while you're there. | 0:19:30 | 0:19:33 | |
But, if one of you walks into the bathroom, boy or girl, no sexism, | 0:19:33 | 0:19:36 | |
I'm post-modern, remember. | 0:19:36 | 0:19:39 | |
If one of you walks into the bathroom, continuing that conversation, | 0:19:39 | 0:19:43 | |
and quite openly sits down on the toilet, | 0:19:43 | 0:19:47 | |
and has a poo. Right? | 0:19:47 | 0:19:49 | |
You have lost your way, and your love is dead forever, yeah? | 0:19:49 | 0:19:52 | |
Dead! | 0:19:52 | 0:19:54 | |
If a girl did that to me. | 0:19:54 | 0:19:55 | |
I'm straight, remember. I know, just keep your head around it. | 0:19:55 | 0:19:58 | |
LAUGHTER | 0:19:58 | 0:19:59 | |
If a girl did that to me and I was in the bath, | 0:19:59 | 0:20:01 | |
I wouldn't even pack my stuff. | 0:20:01 | 0:20:03 | |
I'd run down the street with bubble bath on my knob, going... | 0:20:03 | 0:20:06 | |
HE SCREAMS | 0:20:06 | 0:20:08 | |
-I don't want to see it. -APPLAUSE | 0:20:09 | 0:20:12 | |
I never want to see | 0:20:12 | 0:20:13 | |
the love of my life, the angel who sends a frisson down my spine, | 0:20:13 | 0:20:17 | |
doing a walnut whip while... | 0:20:17 | 0:20:19 | |
LAUGHTER | 0:20:19 | 0:20:20 | |
Especially if she did poo eyes. Can you imagine seeing her poo eyes? | 0:20:20 | 0:20:23 | |
-HE GRUNTS -"It's quite... | 0:20:23 | 0:20:25 | |
stressful at the moment. | 0:20:25 | 0:20:26 | |
-HE GRUNTS -The office is put under... a lot of pressure. | 0:20:26 | 0:20:30 | |
-HE GRUNTS -There's a real strain in the recession. | 0:20:30 | 0:20:32 | |
No. No. | 0:20:32 | 0:20:34 | |
APPLAUSE | 0:20:34 | 0:20:35 | |
Oh, ladies and gentlemen. | 0:20:35 | 0:20:39 | |
I might have actually done a turtle there. | 0:20:39 | 0:20:40 | |
LAUGHTER | 0:20:40 | 0:20:43 | |
What a lovely audience you are. | 0:20:43 | 0:20:45 | |
It's time to reward you with the lovely. | 0:20:45 | 0:20:47 | |
Something like this. | 0:20:47 | 0:20:49 | |
APPLAUSE AND CHEERING | 0:20:49 | 0:20:50 | |
"There's nothing worse than finding out what I'll alibi means. | 0:22:12 | 0:22:18 | |
"After your friend's been executed." | 0:22:18 | 0:22:20 | |
"We were playing table tennis on the 14th, but... | 0:22:42 | 0:22:45 | |
"I didn't think it was important." | 0:22:45 | 0:22:48 | |
APPLAUSE | 0:22:50 | 0:22:51 | |
Joe Wilkinson there, ladies and gentlemen. How about that? | 0:22:55 | 0:22:58 | |
CHEERING AND APPLAUSE | 0:22:58 | 0:23:00 | |
There's F loads more content at... | 0:23:00 | 0:23:02 | |
But, what would be the point of all this comedic thrusting | 0:23:04 | 0:23:08 | |
if we couldn't be bespatter you with a musical climax? | 0:23:08 | 0:23:10 | |
Ladies and gentlemen, get ready to blink in the viscous talent | 0:23:10 | 0:23:13 | |
that is the one, the only, | 0:23:13 | 0:23:14 | |
Nick Helm! | 0:23:14 | 0:23:17 | |
APPLAUSE AND CHEERING | 0:23:17 | 0:23:19 | |
HE SHOUTS Good evening, ladies and gentlemen! | 0:23:25 | 0:23:28 | |
LAUGHTER | 0:23:28 | 0:23:29 | |
Are you all right? | 0:23:29 | 0:23:31 | |
-AUDIENCE: -Yes. | 0:23:31 | 0:23:33 | |
Louder, are you all right? | 0:23:33 | 0:23:34 | |
-AUDIENCE: -Yes! | 0:23:34 | 0:23:35 | |
Louder, are you all right? | 0:23:35 | 0:23:37 | |
-AUDIENCE: -Yes!! | 0:23:37 | 0:23:38 | |
Let's kick this in the dick! | 0:23:38 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:41 | |
I got to get my guitar. | 0:23:43 | 0:23:45 | |
What? | 0:23:52 | 0:23:53 | |
Who here's in a relationship? | 0:23:54 | 0:23:56 | |
AUDIENCE WHOOPS QUIETLY | 0:23:56 | 0:23:58 | |
Who here's in a fucking relationship? I'm not going to follow you home! | 0:23:58 | 0:24:01 | |
Who here's in a relationship? | 0:24:03 | 0:24:04 | |
CHEERING | 0:24:04 | 0:24:06 | |
Yeah? Fuck you! | 0:24:06 | 0:24:07 | |
This is a song. Um. | 0:24:07 | 0:24:10 | |
This is a song. | 0:24:10 | 0:24:11 | |
GUITAR INTRO | 0:24:11 | 0:24:14 | |
# I've seen your new boyfriend He's really good-looking. | 0:24:14 | 0:24:16 | |
# If he was a rent boy I'd probably book him | 0:24:16 | 0:24:19 | |
# Not that I'm really into that stuff | 0:24:19 | 0:24:21 | |
# I'm just saying Your boyfriend's incredibly buff | 0:24:21 | 0:24:23 | |
# He's got a really nice face Really nice hair | 0:24:23 | 0:24:26 | |
# He's really polite And he's really aware | 0:24:26 | 0:24:28 | |
# He's got really nice teeth A really nice tan | 0:24:28 | 0:24:31 | |
He's really relaxed when the shit hits the fan. # | 0:24:31 | 0:24:33 | |
LAUGHTER | 0:24:33 | 0:24:35 | |
APPLAUSE | 0:24:35 | 0:24:37 | |
No. | 0:24:41 | 0:24:43 | |
# But he makes you look fat! | 0:24:43 | 0:24:46 | |
# He makes you look ugly, like a man | 0:24:46 | 0:24:49 | |
# He makes you look old Just like his nan | 0:24:49 | 0:24:52 | |
# Yeah, he makes you look fat! | 0:24:52 | 0:24:55 | |
# He makes you look fat | 0:24:55 | 0:24:57 | |
# He makes you look lardy round the arse | 0:24:57 | 0:24:58 | |
# Don't you know that He's in a different class | 0:24:58 | 0:25:02 | |
# Yeah, he makes you look fat! | 0:25:02 | 0:25:05 | |
# You two together What's wrong with this picture? | 0:25:05 | 0:25:08 | |
# You need a man Whose waistline will eclipse you | 0:25:08 | 0:25:10 | |
# You need a man Who's a little more shoddy | 0:25:10 | 0:25:13 | |
# A gap in his teeth And an imperfect body. # | 0:25:13 | 0:25:17 | |
LAUGHTER | 0:25:17 | 0:25:18 | |
Good evening. | 0:25:18 | 0:25:20 | |
APPLAUSE | 0:25:20 | 0:25:22 | |
It's going to take all fucking night if you keep doing that. | 0:25:22 | 0:25:26 | |
# It's nothing you've done You've just shot far too high | 0:25:26 | 0:25:30 | |
# You get ignored While they give him the eye | 0:25:30 | 0:25:32 | |
# Don't get me wrong I'm not saying you're fat | 0:25:32 | 0:25:35 | |
# It's just anyone'd look fat When they're sat next to that. # | 0:25:35 | 0:25:38 | |
LAUGHTER | 0:25:38 | 0:25:39 | |
We're all thinking it. | 0:25:43 | 0:25:46 | |
Don't shoot the messenger. | 0:25:50 | 0:25:52 | |
# Yeah, he makes you look fat! | 0:25:53 | 0:25:56 | |
# He makes you look ugly In your face | 0:25:56 | 0:25:58 | |
# Don't you know that You're looking out of place, | 0:25:58 | 0:26:01 | |
# Yeah, he makes you look fat | 0:26:01 | 0:26:04 | |
# He makes you look fat | 0:26:04 | 0:26:06 | |
# He makes you look fat Oh, yes, indeed | 0:26:06 | 0:26:09 | |
# Don't you know that he's well out of your league | 0:26:09 | 0:26:10 | |
# Yeah, he makes you look fat | 0:26:10 | 0:26:14 | |
# I've got a solution You might like to try it | 0:26:14 | 0:26:17 | |
# You won't have to jog And you won't have to diet | 0:26:17 | 0:26:20 | |
# I'm sure you will see To a certain degree | 0:26:20 | 0:26:22 | |
# How good-looking you'd be If you stood... # | 0:26:22 | 0:26:25 | |
LAUGHTER | 0:26:27 | 0:26:28 | |
-LONE VOICE: -Next to me. | 0:26:32 | 0:26:33 | |
Next to me! | 0:26:33 | 0:26:34 | |
Couldn't get you to fucking shut up two seconds ago! | 0:26:37 | 0:26:41 | |
Why, when I needed you? Nowhere to be seen! | 0:26:41 | 0:26:44 | |
LAUGHTER | 0:26:44 | 0:26:46 | |
Thank you. | 0:26:46 | 0:26:48 | |
Next to me. | 0:26:50 | 0:26:51 | |
# I can make you look fit | 0:26:52 | 0:26:55 | |
# I can make you look much fitter than him | 0:26:55 | 0:26:57 | |
# Take a look at my saggy dump old chin | 0:26:57 | 0:27:01 | |
# I can make you look fit | 0:27:01 | 0:27:02 | |
# I can make you look fit | 0:27:02 | 0:27:04 | |
# I can make you look fit Oh, yes, I can | 0:27:04 | 0:27:07 | |
# Don't you know that I am your ideal man | 0:27:07 | 0:27:10 | |
# I can make you look in fit, fit | 0:27:10 | 0:27:12 | |
# Fit, fit, fit! # | 0:27:12 | 0:27:13 | |
That's the song, that's it. | 0:27:13 | 0:27:15 | |
CHEERING AND APPLAUSE | 0:27:15 | 0:27:17 | |
Congratulations, you made it through your first day. | 0:27:25 | 0:27:29 | |
There's just one more thing. | 0:27:29 | 0:27:30 | |
The initiation. | 0:27:30 | 0:27:31 | |
What do I have to do? | 0:27:31 | 0:27:33 | |
Get your cock out. | 0:27:33 | 0:27:36 | |
Really? | 0:27:36 | 0:27:37 | |
-Hm. No. -Right. | 0:27:37 | 0:27:39 | |
Well, listen, I was thinking of going for a drink, | 0:27:39 | 0:27:42 | |
-do you want to come? -Oh, my God, it sounds amazing. | 0:27:42 | 0:27:44 | |
Er, but you know, Russell? | 0:27:44 | 0:27:47 | |
Russell Kane. The guy who hosts the show, pretty much... | 0:27:47 | 0:27:49 | |
Yeah, I was nodding. | 0:27:49 | 0:27:51 | |
Well, er, it's a little bit embarrassing. | 0:27:51 | 0:27:53 | |
But, erm, | 0:27:53 | 0:27:55 | |
we get on pretty well. And I said I'd do him a favour, | 0:27:55 | 0:27:58 | |
-walk his dog when we were done. -Hey. Erm. | 0:27:58 | 0:28:00 | |
A few of us are going for a beer, want to come along? | 0:28:00 | 0:28:02 | |
-Oh, yeah, cheers. Awesome. -You don't mind looking after Colin. | 0:28:02 | 0:28:05 | |
-It's Tim, isn't it? -Tom. | 0:28:05 | 0:28:07 | |
Here we are. There's some bags for the shit. | 0:28:07 | 0:28:09 | |
It's quite watery, I've left some in there. So just give it... | 0:28:09 | 0:28:11 | |
You might need to mop it or something. Let's go get drunk! | 0:28:11 | 0:28:14 | |
HE LAUGHS Right, cheers. | 0:28:14 | 0:28:16 | |
There's this great bar... | 0:28:16 | 0:28:17 | |
Subtitles by Red Bee Media Ltd | 0:28:24 | 0:28:26 |