Episode 1 Live at the Electric



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Transcript


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This programme contains some strong language

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-Are there any questions so far?

-Yeah, are the fire exits located...

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Does anyone know the way to Buckingham Palace?

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-I want to meet the Queen. Excuse me, please.

-What are you doing?

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Disculpeme. I am Fernando Paritso, the new Spanish exchange.

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-Go slow, please.

-OK, I see.

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You haven't seen my colleague Tom anywhere, have you?

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Knowing him, he's probably round the corner screwing a hot chick.

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Right, well, if you see him, could you give him his piles cream.

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-He left it in the toilet.

-Sure. Not that he needs it any more.

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-Moving on. These are gobos.

-El gobos!

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-Pulleys.

-El police.

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-Me no smuggle drugs!

-That's Diane and Joe.

-What a strange bearded man.

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-Fuck off.

-(Don't worry, it's me.)

-I know. Fuck off.

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Now, remember, the audience will be able to hear you back here

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so keep quiet or, if you're going to say something, make sure it's funny!

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Ha-ha-ha, OK, yeah, joke's over.

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I'm not really a hilarious Spanish character, I am actually your boss.

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-Oh, my God. Your false nose is brilliant.

-This is my real...

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THEY LAUGH

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-Tom, we all knew it was you.

-Yeah?

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Well, when I'm wearing a real disguise

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you won't even know I'm in the room.

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Well, that's something to look forward to.

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Right, do you want to start the show, Tom? Tom?

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Tom? Who is Tom?

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CHEERING AND APPLAUSE

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Hello, dearest comedy sucklers, this is Live At The Electric!

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CHEERING AND APPLAUSE

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Now, listen, if you get aroused at the thought of sketch

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and character mirth exfoliated from the British comedy scene

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then you've flicked the right bean of your remote.

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Not only that, not just sketch and character, you get me, the fluffer.

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The jester sat outside the theatre brokenly bobbing

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and priming you for full comedy penetration.

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That's my job. "Go on then, love, you ready for your sketches now?

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"In you go."

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You know when I put myself down, don't panic. Some people are like,

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"You can't be negative, people won't trust you."

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You don't get it. It's easier to hate yourself, isn't it? It's very British.

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It's a sort of Twitter troll immunisation. Think of it like that.

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"I hate you, you spiky-haired twat, I wish you were dead!"

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"Yeah? Well, I hate myself more and I wish I'd never been born. I win!"

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# It's weird but it works! # Take that! Goth logic.

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Now...

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APPLAUSE

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We learn pretty early on whether we're going to be dominant

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or dominated, yeah? Our siblings help us learn that.

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Some of us are horrible little shits till we're up 11

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and we make up, for the rest of our lives, being the underdog,

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like me, because I wasn't the underdog between the age

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of nought and 11, cos I had a younger brother.

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Who, in the room, has got younger siblings? Give me a cheer.

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CHEERING AND APPLAUSE

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Who are the younger siblings?

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CHEERING AND APPLAUSE

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How much reedier and weak was that cheer?

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"No, please, don't punch my BCG!"

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How many of those people, at home, right now,

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who are the older siblings, feel weirdly guilty about some

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of the cruel and twisted shit you did to your younger brother?

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The things you devised. Do you know what I boiled it down to?

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When you get a bit older you can't do it

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because the little shits tell on you, don't they?

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"I'm going to tell Mum."

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In fact, why do we inflict that age gap, mums and dads of the land?

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Three years, isn't it?

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Most of you watching this will have a sibling approximately two

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to three years older than the younger.

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The worst possible age gap.

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What does that mean? I'll tell you what it means.

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It means they're just,

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just old enough to join in with all the shit you do.

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A small, crap version of you,

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devaluing everything you ever achieve. "I want to join in."

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"Join in with that!"

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You can't tell, especially if you've got a dad on the scene,

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that is the purpose of dads in a working-class neighbourhood anyway.

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A House of Lords, an unelected official who comes in at the end

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of the day and goes, "Anything to report?" to the second office.

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"Anything to report?" "Nothing, sire, nothing."

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"If anything, my halo is so bright it might offend thee."

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Look at those of you, "I didn't even have a dad." You lucky fuckers!

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I used to find clever ways to wind my brother up.

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Blinking was my thing. I don't know if anyone else did this?

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I boiled it down to just going, "Ee-e, ee-e, ee-e." For hours.

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"Ee-e, ee-e, ee-e." "Stop blinking!" "Ee-e, ee-e, ee-e."

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You know, he'd wake up in the morning and I'd be over him,

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like that, with his Ready Brek, going, "Ee-e, ee-e, ee-e."

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There was nothing my mum could do. It was full diplomatic immunity.

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"Stop blinking."

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"Think about what you've just said, mofo."

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The only way you could do it was to get them to join in with games they weren't physically ready for.

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Knowing they would be hurt as a consequence, yeah?

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"Let him join in."

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"No problem, let him join in. Let's play jump off the wall, jump off the wall!

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"We're going to play jump off the really high wall!"

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"Ahh!"

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"Oh, no..."

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"What are we playing today?"

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"Dance around the rusty spike until the music stops."

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"Ahh!"

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"Oh, no, you got hepatitis! Random!"

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Right, so, as we're here in this broken down British theatre,

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how about another broken down British institution?

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Ladies and gentlemen, here's The School!

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CHEERING AND APPLAUSE

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Jones, are those the Headmaster's?

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Yes, we've run out of polish.

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Christ, Jones, you don't have to do everything he tells you to!

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I know!

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Well, if it isn't James and the giant prick!

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You're the prick, Jones. Ah, I see you finished. Just in time.

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I've been out shit walking.

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-Morning, headmaster.

-Fuck you.

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Right, we need a new drama teacher.

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I could always teach drama...

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What happened to Mrs Cooper?

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I showed her my nuts, she lost her complaint so I sacked her.

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I'm worried I might be losing my touch.

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-Well, we need to find a replacement immediately.

-A replacement?

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-Well, I could always...

-Yes...

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It's just I can't think of anyone who'd want to do it.

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-Excuse me, I...

-I suppose Jones is always free but he's just so useless.

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God, no, we can't use Jones. He can barely eat without fucking it up.

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You're right, I shouldn't have mentioned it.

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If there's one thing I know for sure is that Jones could never

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teach drama on account of being a totally useless...

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I CAN do it!

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I am young and Father has left home.

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Ahh!

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The wall approaches.

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Ah!

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Headmaster.

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Follow. Help me! Don't search me!

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I'm teacher.

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Children, hide.

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Ha-ha-ha! Rebirth.

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Inexplicably, I am a puffin.

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HE GIBBERS

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HE SQUAWKS

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I am loyal to Headmaster. And, in a show of his approval, he joins me.

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I'm instantly erect. What?

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I have butterflies in my stomach.

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Also...a flump.

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He turns to me and says, "I've always loved you."

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He calls my name. "Jones, Jones, Jones..."

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-Jones!

-Oh, headmaster...

-Jones!

-Oh, headmaster...

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-He thinks that's me, doesn't he?

-I think so, sir.

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Still got it.

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Lovely(!)

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I never want to see that again.

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Now, it's time for our resident flaneur, raconteur and bon viveur.

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Ladies and gentlemen, it's Marcel Lucont.

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CHEERING AND APPLAUSE

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Salut.

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I am Marcel Lucont, France's premier misanthropist...and lover.

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Tonight, from me, some sex advice...

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..because you need it. You need it.

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In English, the way you talk of sex, so bizarre.

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How baffling is the term "blow job".

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It's a misnomer. Blow...job.

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It implies it is some kind of task.

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Well, of course, we know it is an honour.

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I say let's call it what it is -

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a suck treat.

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So...the education begins here.

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This, of course, we know the 69, the soixante-neuf,

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a classic sex position but...

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..so many more you are missing out on.

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In my opinion, every bit as classic.

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It's where the man simply lies there and the woman gets on with the job.

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APPLAUSE

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Here, a couple attempt a 69 while another tries to sleep.

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It's a classic from the student days.

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This is a man attempting to fuck an angry cobra.

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It's quite an advanced move.

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Now, with a king-size bed, so much more can be achieved.

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This couple have taken with them, to the boudoir, a stepladder.

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Little bit of fun.

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Oh...this shepherd is not guarding his flock!

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APPLAUSE

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I know what you are thinking.

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"Oh, Marcel, with this it could be a bishop maybe..."

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It's not.

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It's not a bishop.

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THIS is the bishop.

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GROANING AND LAUGHTER

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"Oh!"

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APPLAUSE Don't shoot the messenger.

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And, finally, why not bury some treasure beneath the bed?

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True reward for a job well done.

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CHEERING AND APPLAUSE

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How brilliant is Marcel?

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Now, Barry Norman, Jonathan Ross and Claudia Winkleman -

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it's time to move you over because this is Film Fizz!

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CHEERING AND APPLAUSE

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Hello and welcome to Film Fizz.

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-Ryan Kessington, hello.

-Hi, Chris.

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-And Alison Stephens. Hi.

-Yes.

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So, four hit films, five years and millions of fans worldwide,

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you must be devastated that these films are finally coming to an end?

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Hm, let me think about it.

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Er, underage girls screaming at me, 17 months filming in Bolivia.

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Let me just run that through a computer.

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Oh, it's come up saying, "Happiness not found."

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So, Alison, how are you feeling now it's finally over?

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There's this one time we were on set and...

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I had a cheese sandwich and it had cheese in it,

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and I ate the cheese but I didn't like the bread.

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Will you stop telling that story? Jesus Christ!

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I'm not going to miss working with THAT.

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So, you didn't enjoy the role at all?

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Hm, well, there was that one time on set when I got my bollocks trapped in a harness

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and, for one brief, beautiful moment,

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the pain made me forget where I was.

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I put the bread in my pocket and I ate the cheese.

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OMG, seriously?

0:13:280:13:31

Hollywood Reporter have just been told that LR Sophie

0:13:310:13:34

has finished writing a new Vampire Boyfriend trilogy.

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Ha-ha-ha! Oh, God, that would be awful.

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Oh, God, just imagine, after everything I just said!

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PHONE RINGING

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It's my agent.

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Yeah, Tia, hi. I just heard.

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Right, how much are they offering?

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Sure, yeah, I'll do it.

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Film Fizz exclusive.

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Ryan Kessington is going to be in the new Vampire Boyfriend trilogy.

0:14:000:14:03

Exclusive.

0:14:030:14:05

-Well, guys, I wish you all the best of luck.

-Argh!

0:14:050:14:09

Yeah.

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Yeah, I really can't wait

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to put those jagged vampire contact lenses back in.

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My sandwich.

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Sorry to bother you! Except I'm not.

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My name is DCI Sweener.

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-Is your name Tom?

-Erm, well, there is another Tom.

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Tall geezer with very blue eyes and a normal sized nose?

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-I'll speak to him later.

-Right, well, good luck finding him.

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He's a master of disguise.

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Now, I don't want to intimidate you...

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except I do.

0:15:110:15:12

-Sorry, what's all this about, Detective Wiener?

-Sweener!

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Now, you're in a lot of trouble...

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except you ain't.

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Well, am I or aren't I?

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Yes, you are but it'll all go away

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if you sign this here police form what everybody signs.

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Well, I have to speak to my lawyer, obviously.

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And I'd better just check the small print.

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Oh, yeah, I'm not going to sign this.

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Tom, I can see through your disguise.

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Yeah? Well, good luck seeing through this.

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Is that supposed to be a smoke bomb?

0:15:450:15:47

Tom?

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Tom, I can see you.

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CHEERING

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Right, it's better than one episode of M*A*S*H

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but not quite as sickening as three.

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Ladies and gentlemen, it's Two Episodes of Mash!

0:16:020:16:06

CHEERING AND APPLAUSE

0:16:060:16:09

Hello.

0:16:210:16:22

-ALL:

-Hello!

0:16:220:16:25

-I'm Joe, this is Diane.

-Hello.

-Er...

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..we're back for the second series thanks to a clerical error!

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CHEERING AND APPLAUSE

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And we've got a green screen.

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CHEERING AND APPLAUSE

0:16:440:16:46

On this we can...

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we can project...anything.

0:16:480:16:52

What shall we project up there?

0:16:540:16:56

I don't know. I haven't really thought about it.

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Nor have I.

0:17:020:17:03

(Shit, what are we going to do?)

0:17:040:17:07

We've got to put something up.

0:17:110:17:14

Otherwise we're going to look really shit.

0:17:140:17:16

What if we put corn on the cob up there?

0:17:180:17:21

-Why? Why?

-Well, we both like corn on the cob.

-That's a really good idea.

0:17:230:17:27

Can we put corn on the cob up?

0:17:270:17:28

I don't really like the look of that one. Can we change it?

0:17:320:17:35

Not that one.

0:17:370:17:39

No. No.

0:17:390:17:41

No.

0:17:410:17:43

No. No.

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No. No.

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No. No.

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No...

0:17:490:17:50

No. No.

0:17:510:17:53

No. No.

0:17:530:17:56

No. No.

0:17:560:17:57

No.

0:17:580:18:00

No. Oh, yeah, I like that one!

0:18:000:18:01

Yeah, can we keep that one?

0:18:030:18:05

Let's do the sketch.

0:18:050:18:07

Just had a... Actually, just had a thought. Can we...?

0:18:070:18:10

Can we take that off? It's distracting.

0:18:100:18:12

-Diane?

-Yes?

0:18:340:18:36

Fancy a game of Guess Who?

0:18:370:18:38

Yeah, all right.

0:18:400:18:41

The board looks different.

0:18:440:18:45

Yeah, I've changed it to faces

0:18:450:18:48

we know of people who are in the middle of a custody battle.

0:18:480:18:51

-Why?

-To make it more interesting. Do you want to go first?

0:18:530:18:56

Yeah, all right.

0:18:560:18:57

Erm, does he have limited weekend access to the kids

0:18:570:19:02

but still has to pay for the upkeep of the family home?

0:19:020:19:05

-Yes.

-Is it Mark?

-Yes.

0:19:050:19:07

APPLAUSE

0:19:070:19:09

-They all look a bit disappointed.

-Oh, yes.

0:19:150:19:17

Actually, we...we can't end like that. I can't...

0:19:190:19:23

Could we...?

0:19:230:19:25

As a finale, could we, can you put a crossbow up?

0:19:250:19:30

And then spin it?

0:19:300:19:31

There's your big finish. Come on.

0:19:340:19:36

CHEERING AND APPLAUSE

0:19:360:19:39

Now, a while back, I imagined what it would be like

0:19:490:19:51

if everyone in Essex could only speak in Shakespearean verse

0:19:510:19:55

and then I thought,

0:19:550:19:56

"Where's my camera crew? That could be quite compelling."

0:19:560:19:58

CHEERING AND APPLAUSE

0:19:580:20:01

Kiss me, Daveutio.

0:20:130:20:15

Kiss me deeper than a Tweet by the Dalai Lama.

0:20:150:20:18

Ooh-hoo-hoo, aye, my love, and then what?

0:20:180:20:22

Then rod me, dear Daveutio.

0:20:220:20:24

Destroy me like an African currency.

0:20:240:20:28

-Go at me so thy legs do quiver in randy irritation of an Elvis.

-Yes?

0:20:280:20:35

But I was thinking, on this, our weekly shag night,

0:20:350:20:38

we might other avenues explore? Hm?

0:20:380:20:42

Avenue?

0:20:420:20:44

The motorway of my lust is ablaze with cat's eyes.

0:20:440:20:48

Do not leave my engine purring upon the hard shoulder of thy love.

0:20:480:20:53

Oh, well, well, but mean I perhaps another lane?

0:20:530:20:59

To be a-laying with me should be enough.

0:20:590:21:01

Aye, aye, lay we will

0:21:010:21:03

but see how love's drive might another passage take.

0:21:030:21:06

If our sex doth move along the speedy road,

0:21:070:21:10

then what of its dual carriageway?

0:21:100:21:13

The TomTom of thy lust be diverted,

0:21:130:21:15

thus travelling from the country into the south.

0:21:150:21:20

Oh, most vile Michael Jackson sleepover.

0:21:210:21:25

Thou meanest botty sex.

0:21:250:21:27

Nay, nay, nay. Put so, it sounds so wrong!

0:21:270:21:29

Yes.

0:21:290:21:31

Get out our love chamber!

0:21:310:21:32

For thou hast presumed upon another chamber

0:21:320:21:35

whose doors are firmly locked.

0:21:350:21:37

I'll do it slowly.

0:21:370:21:39

Take a Mr Muscle wipe to thy mind

0:21:390:21:42

for it has been smeared with the dark wrongness of bum love.

0:21:420:21:46

Burger me, I am unkinged.

0:21:480:21:51

The whopper of my love rejected so that no meat remains.

0:21:510:21:54

Goodbye then...Love.

0:21:540:21:58

-Hand job?

-Yeah, all right.

0:22:010:22:03

CHEERING AND APPLAUSE

0:22:050:22:08

See you in Hollywood, bitches!

0:22:120:22:14

Now, to keep my energy up

0:22:140:22:15

there's nothing I like more than a curry

0:22:150:22:18

and I've brought enough for everyone tonight.

0:22:180:22:20

It's Paul Currie!

0:22:200:22:22

CHEERING AND APPLAUSE

0:22:220:22:24

Ahem.

0:22:330:22:35

# Doo-doo doo-doo. #

0:22:380:22:40

MUSIC: "Cavatina" by Stanley Myers

0:22:420:22:45

GUN CLICKING

0:24:220:24:24

GUN CLICKING

0:24:310:24:33

GUN CLICKING

0:24:410:24:44

HE SOBS

0:24:570:24:59

GROANING AND LAUGHTER

0:26:140:26:16

CHEERING AND APPLAUSE

0:26:160:26:19

Right, who's coming on? Right, yeah.

0:26:250:26:28

Wow...do not take any drugs and watch what just happened.

0:26:300:26:35

I'll continue flicking your clips

0:26:360:26:38

long after the show has finished at...

0:26:380:26:40

That's it from me and my little lightning rods - goodbye!

0:26:430:26:47

CHEERING AND APPLAUSE

0:26:470:26:49

Hi. Are you OK?

0:27:030:27:05

Yeah, no, I'm fine but...

0:27:050:27:08

-Are you lost?

-Yeah, completely.

0:27:080:27:10

-It's, like, a maze in here.

-I know.

0:27:100:27:12

I always carry my survival kit, in case I get lost!

0:27:120:27:15

Erm...

0:27:170:27:18

sometimes getting lost can be fun.

0:27:180:27:21

If you're with the right person.

0:27:210:27:23

Oh, I'm sorry, that was...

0:27:250:27:28

No, er, no, no. It's fine.

0:27:280:27:31

-I can sign for this.

-Yeah, thanks.

0:27:320:27:35

Nice signature.

0:27:400:27:41

Nice hands.

0:27:430:27:45

Nice lips.

0:27:460:27:48

Wow.

0:28:000:28:01

-TOM'S VOICE:

-You huge newbie!

0:28:150:28:17

What?

0:28:170:28:18

Ha-ha-ha! I wish you could see your face!

0:28:220:28:25

-How did you...?

-I can't believe you fell for that.

0:28:270:28:30

Wait, why did you kiss me?

0:28:320:28:33

See you on Monday, newbie.

0:28:330:28:35

Or should I say "Buttface"?

0:28:370:28:40

Subtitles by Red Bee Media Ltd

0:29:080:29:12

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