Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:06 | |
-Are there any questions so far? -Yeah, are the fire exits located... | 0:00:06 | 0:00:10 | |
Does anyone know the way to Buckingham Palace? | 0:00:10 | 0:00:13 | |
-I want to meet the Queen. Excuse me, please. -What are you doing? | 0:00:13 | 0:00:16 | |
Disculpeme. I am Fernando Paritso, the new Spanish exchange. | 0:00:16 | 0:00:21 | |
-Go slow, please. -OK, I see. | 0:00:21 | 0:00:23 | |
You haven't seen my colleague Tom anywhere, have you? | 0:00:23 | 0:00:26 | |
Knowing him, he's probably round the corner screwing a hot chick. | 0:00:26 | 0:00:29 | |
Right, well, if you see him, could you give him his piles cream. | 0:00:29 | 0:00:32 | |
-He left it in the toilet. -Sure. Not that he needs it any more. | 0:00:32 | 0:00:35 | |
-Moving on. These are gobos. -El gobos! | 0:00:35 | 0:00:38 | |
-Pulleys. -El police. | 0:00:38 | 0:00:40 | |
-Me no smuggle drugs! -That's Diane and Joe. -What a strange bearded man. | 0:00:40 | 0:00:44 | |
-Fuck off. -(Don't worry, it's me.) -I know. Fuck off. | 0:00:44 | 0:00:47 | |
Now, remember, the audience will be able to hear you back here | 0:00:49 | 0:00:51 | |
so keep quiet or, if you're going to say something, make sure it's funny! | 0:00:51 | 0:00:55 | |
Ha-ha-ha, OK, yeah, joke's over. | 0:00:56 | 0:01:00 | |
I'm not really a hilarious Spanish character, I am actually your boss. | 0:01:00 | 0:01:04 | |
-Oh, my God. Your false nose is brilliant. -This is my real... | 0:01:04 | 0:01:08 | |
THEY LAUGH | 0:01:08 | 0:01:10 | |
-Tom, we all knew it was you. -Yeah? | 0:01:10 | 0:01:12 | |
Well, when I'm wearing a real disguise | 0:01:12 | 0:01:14 | |
you won't even know I'm in the room. | 0:01:14 | 0:01:16 | |
Well, that's something to look forward to. | 0:01:16 | 0:01:18 | |
Right, do you want to start the show, Tom? Tom? | 0:01:18 | 0:01:22 | |
Tom? Who is Tom? | 0:01:22 | 0:01:24 | |
CHEERING AND APPLAUSE | 0:01:43 | 0:01:47 | |
Hello, dearest comedy sucklers, this is Live At The Electric! | 0:01:50 | 0:01:55 | |
CHEERING AND APPLAUSE | 0:01:55 | 0:01:56 | |
Now, listen, if you get aroused at the thought of sketch | 0:01:57 | 0:02:00 | |
and character mirth exfoliated from the British comedy scene | 0:02:00 | 0:02:03 | |
then you've flicked the right bean of your remote. | 0:02:03 | 0:02:06 | |
Not only that, not just sketch and character, you get me, the fluffer. | 0:02:06 | 0:02:10 | |
The jester sat outside the theatre brokenly bobbing | 0:02:10 | 0:02:14 | |
and priming you for full comedy penetration. | 0:02:14 | 0:02:17 | |
That's my job. "Go on then, love, you ready for your sketches now? | 0:02:17 | 0:02:20 | |
"In you go." | 0:02:20 | 0:02:21 | |
You know when I put myself down, don't panic. Some people are like, | 0:02:21 | 0:02:24 | |
"You can't be negative, people won't trust you." | 0:02:24 | 0:02:26 | |
You don't get it. It's easier to hate yourself, isn't it? It's very British. | 0:02:26 | 0:02:30 | |
It's a sort of Twitter troll immunisation. Think of it like that. | 0:02:30 | 0:02:33 | |
"I hate you, you spiky-haired twat, I wish you were dead!" | 0:02:33 | 0:02:36 | |
"Yeah? Well, I hate myself more and I wish I'd never been born. I win!" | 0:02:36 | 0:02:40 | |
# It's weird but it works! # Take that! Goth logic. | 0:02:40 | 0:02:42 | |
Now... | 0:02:42 | 0:02:43 | |
APPLAUSE | 0:02:43 | 0:02:45 | |
We learn pretty early on whether we're going to be dominant | 0:02:50 | 0:02:53 | |
or dominated, yeah? Our siblings help us learn that. | 0:02:53 | 0:02:56 | |
Some of us are horrible little shits till we're up 11 | 0:02:56 | 0:02:59 | |
and we make up, for the rest of our lives, being the underdog, | 0:02:59 | 0:03:02 | |
like me, because I wasn't the underdog between the age | 0:03:02 | 0:03:04 | |
of nought and 11, cos I had a younger brother. | 0:03:04 | 0:03:06 | |
Who, in the room, has got younger siblings? Give me a cheer. | 0:03:06 | 0:03:08 | |
CHEERING AND APPLAUSE | 0:03:08 | 0:03:10 | |
Who are the younger siblings? | 0:03:10 | 0:03:11 | |
CHEERING AND APPLAUSE | 0:03:11 | 0:03:13 | |
How much reedier and weak was that cheer? | 0:03:13 | 0:03:17 | |
"No, please, don't punch my BCG!" | 0:03:17 | 0:03:19 | |
How many of those people, at home, right now, | 0:03:22 | 0:03:24 | |
who are the older siblings, feel weirdly guilty about some | 0:03:24 | 0:03:28 | |
of the cruel and twisted shit you did to your younger brother? | 0:03:28 | 0:03:31 | |
The things you devised. Do you know what I boiled it down to? | 0:03:31 | 0:03:34 | |
When you get a bit older you can't do it | 0:03:34 | 0:03:36 | |
because the little shits tell on you, don't they? | 0:03:36 | 0:03:38 | |
"I'm going to tell Mum." | 0:03:38 | 0:03:39 | |
In fact, why do we inflict that age gap, mums and dads of the land? | 0:03:39 | 0:03:42 | |
Three years, isn't it? | 0:03:42 | 0:03:44 | |
Most of you watching this will have a sibling approximately two | 0:03:44 | 0:03:47 | |
to three years older than the younger. | 0:03:47 | 0:03:48 | |
The worst possible age gap. | 0:03:48 | 0:03:51 | |
What does that mean? I'll tell you what it means. | 0:03:51 | 0:03:53 | |
It means they're just, | 0:03:53 | 0:03:54 | |
just old enough to join in with all the shit you do. | 0:03:54 | 0:03:57 | |
A small, crap version of you, | 0:03:57 | 0:04:00 | |
devaluing everything you ever achieve. "I want to join in." | 0:04:00 | 0:04:03 | |
"Join in with that!" | 0:04:03 | 0:04:05 | |
You can't tell, especially if you've got a dad on the scene, | 0:04:06 | 0:04:09 | |
that is the purpose of dads in a working-class neighbourhood anyway. | 0:04:09 | 0:04:12 | |
A House of Lords, an unelected official who comes in at the end | 0:04:12 | 0:04:15 | |
of the day and goes, "Anything to report?" to the second office. | 0:04:15 | 0:04:19 | |
"Anything to report?" "Nothing, sire, nothing." | 0:04:19 | 0:04:22 | |
"If anything, my halo is so bright it might offend thee." | 0:04:22 | 0:04:25 | |
Look at those of you, "I didn't even have a dad." You lucky fuckers! | 0:04:28 | 0:04:32 | |
I used to find clever ways to wind my brother up. | 0:04:34 | 0:04:36 | |
Blinking was my thing. I don't know if anyone else did this? | 0:04:36 | 0:04:39 | |
I boiled it down to just going, "Ee-e, ee-e, ee-e." For hours. | 0:04:39 | 0:04:42 | |
"Ee-e, ee-e, ee-e." "Stop blinking!" "Ee-e, ee-e, ee-e." | 0:04:42 | 0:04:45 | |
You know, he'd wake up in the morning and I'd be over him, | 0:04:45 | 0:04:47 | |
like that, with his Ready Brek, going, "Ee-e, ee-e, ee-e." | 0:04:47 | 0:04:50 | |
There was nothing my mum could do. It was full diplomatic immunity. | 0:04:50 | 0:04:53 | |
"Stop blinking." | 0:04:53 | 0:04:55 | |
"Think about what you've just said, mofo." | 0:04:55 | 0:04:57 | |
The only way you could do it was to get them to join in with games they weren't physically ready for. | 0:05:00 | 0:05:04 | |
Knowing they would be hurt as a consequence, yeah? | 0:05:04 | 0:05:07 | |
"Let him join in." | 0:05:07 | 0:05:08 | |
"No problem, let him join in. Let's play jump off the wall, jump off the wall! | 0:05:08 | 0:05:12 | |
"We're going to play jump off the really high wall!" | 0:05:12 | 0:05:15 | |
"Ahh!" | 0:05:15 | 0:05:16 | |
"Oh, no..." | 0:05:16 | 0:05:18 | |
"What are we playing today?" | 0:05:18 | 0:05:20 | |
"Dance around the rusty spike until the music stops." | 0:05:20 | 0:05:22 | |
"Ahh!" | 0:05:22 | 0:05:23 | |
"Oh, no, you got hepatitis! Random!" | 0:05:23 | 0:05:26 | |
Right, so, as we're here in this broken down British theatre, | 0:05:27 | 0:05:33 | |
how about another broken down British institution? | 0:05:33 | 0:05:35 | |
Ladies and gentlemen, here's The School! | 0:05:35 | 0:05:38 | |
CHEERING AND APPLAUSE | 0:05:38 | 0:05:40 | |
Jones, are those the Headmaster's? | 0:05:55 | 0:05:57 | |
Yes, we've run out of polish. | 0:05:57 | 0:06:00 | |
Christ, Jones, you don't have to do everything he tells you to! | 0:06:00 | 0:06:03 | |
I know! | 0:06:03 | 0:06:04 | |
Well, if it isn't James and the giant prick! | 0:06:07 | 0:06:10 | |
You're the prick, Jones. Ah, I see you finished. Just in time. | 0:06:10 | 0:06:13 | |
I've been out shit walking. | 0:06:14 | 0:06:17 | |
-Morning, headmaster. -Fuck you. | 0:06:17 | 0:06:18 | |
Right, we need a new drama teacher. | 0:06:18 | 0:06:20 | |
I could always teach drama... | 0:06:20 | 0:06:22 | |
What happened to Mrs Cooper? | 0:06:22 | 0:06:23 | |
I showed her my nuts, she lost her complaint so I sacked her. | 0:06:23 | 0:06:27 | |
I'm worried I might be losing my touch. | 0:06:27 | 0:06:30 | |
-Well, we need to find a replacement immediately. -A replacement? | 0:06:30 | 0:06:33 | |
-Well, I could always... -Yes... | 0:06:33 | 0:06:35 | |
It's just I can't think of anyone who'd want to do it. | 0:06:35 | 0:06:37 | |
-Excuse me, I... -I suppose Jones is always free but he's just so useless. | 0:06:37 | 0:06:40 | |
God, no, we can't use Jones. He can barely eat without fucking it up. | 0:06:40 | 0:06:44 | |
You're right, I shouldn't have mentioned it. | 0:06:44 | 0:06:46 | |
If there's one thing I know for sure is that Jones could never | 0:06:46 | 0:06:49 | |
teach drama on account of being a totally useless... | 0:06:49 | 0:06:52 | |
I CAN do it! | 0:06:52 | 0:06:53 | |
I am young and Father has left home. | 0:07:01 | 0:07:04 | |
Ahh! | 0:07:04 | 0:07:05 | |
The wall approaches. | 0:07:05 | 0:07:06 | |
Ah! | 0:07:06 | 0:07:07 | |
Headmaster. | 0:07:07 | 0:07:09 | |
Follow. Help me! Don't search me! | 0:07:09 | 0:07:12 | |
I'm teacher. | 0:07:12 | 0:07:13 | |
Children, hide. | 0:07:13 | 0:07:14 | |
Ha-ha-ha! Rebirth. | 0:07:14 | 0:07:16 | |
Inexplicably, I am a puffin. | 0:07:16 | 0:07:18 | |
HE GIBBERS | 0:07:18 | 0:07:19 | |
HE SQUAWKS | 0:07:19 | 0:07:21 | |
I am loyal to Headmaster. And, in a show of his approval, he joins me. | 0:07:22 | 0:07:27 | |
I'm instantly erect. What? | 0:07:27 | 0:07:29 | |
I have butterflies in my stomach. | 0:07:30 | 0:07:32 | |
Also...a flump. | 0:07:32 | 0:07:35 | |
He turns to me and says, "I've always loved you." | 0:07:35 | 0:07:38 | |
He calls my name. "Jones, Jones, Jones..." | 0:07:38 | 0:07:43 | |
-Jones! -Oh, headmaster... -Jones! -Oh, headmaster... | 0:07:43 | 0:07:48 | |
-He thinks that's me, doesn't he? -I think so, sir. | 0:07:49 | 0:07:52 | |
Still got it. | 0:07:54 | 0:07:55 | |
Lovely(!) | 0:08:04 | 0:08:05 | |
I never want to see that again. | 0:08:06 | 0:08:08 | |
Now, it's time for our resident flaneur, raconteur and bon viveur. | 0:08:09 | 0:08:13 | |
Ladies and gentlemen, it's Marcel Lucont. | 0:08:13 | 0:08:17 | |
CHEERING AND APPLAUSE | 0:08:17 | 0:08:19 | |
Salut. | 0:08:40 | 0:08:41 | |
I am Marcel Lucont, France's premier misanthropist...and lover. | 0:08:42 | 0:08:48 | |
Tonight, from me, some sex advice... | 0:08:51 | 0:08:54 | |
..because you need it. You need it. | 0:08:55 | 0:08:57 | |
In English, the way you talk of sex, so bizarre. | 0:08:58 | 0:09:03 | |
How baffling is the term "blow job". | 0:09:03 | 0:09:08 | |
It's a misnomer. Blow...job. | 0:09:08 | 0:09:12 | |
It implies it is some kind of task. | 0:09:13 | 0:09:16 | |
Well, of course, we know it is an honour. | 0:09:19 | 0:09:22 | |
I say let's call it what it is - | 0:09:26 | 0:09:28 | |
a suck treat. | 0:09:28 | 0:09:30 | |
So...the education begins here. | 0:09:36 | 0:09:40 | |
This, of course, we know the 69, the soixante-neuf, | 0:09:43 | 0:09:47 | |
a classic sex position but... | 0:09:47 | 0:09:50 | |
..so many more you are missing out on. | 0:09:51 | 0:09:53 | |
In my opinion, every bit as classic. | 0:09:58 | 0:10:02 | |
It's where the man simply lies there and the woman gets on with the job. | 0:10:02 | 0:10:08 | |
APPLAUSE | 0:10:10 | 0:10:12 | |
Here, a couple attempt a 69 while another tries to sleep. | 0:10:17 | 0:10:21 | |
It's a classic from the student days. | 0:10:25 | 0:10:28 | |
This is a man attempting to fuck an angry cobra. | 0:10:32 | 0:10:35 | |
It's quite an advanced move. | 0:10:40 | 0:10:41 | |
Now, with a king-size bed, so much more can be achieved. | 0:10:43 | 0:10:48 | |
This couple have taken with them, to the boudoir, a stepladder. | 0:10:48 | 0:10:53 | |
Little bit of fun. | 0:10:56 | 0:10:58 | |
Oh...this shepherd is not guarding his flock! | 0:11:00 | 0:11:04 | |
APPLAUSE | 0:11:06 | 0:11:08 | |
I know what you are thinking. | 0:11:14 | 0:11:15 | |
"Oh, Marcel, with this it could be a bishop maybe..." | 0:11:15 | 0:11:20 | |
It's not. | 0:11:22 | 0:11:23 | |
It's not a bishop. | 0:11:25 | 0:11:27 | |
THIS is the bishop. | 0:11:27 | 0:11:29 | |
GROANING AND LAUGHTER | 0:11:29 | 0:11:32 | |
"Oh!" | 0:11:32 | 0:11:33 | |
APPLAUSE Don't shoot the messenger. | 0:11:33 | 0:11:37 | |
And, finally, why not bury some treasure beneath the bed? | 0:11:38 | 0:11:43 | |
True reward for a job well done. | 0:11:43 | 0:11:47 | |
CHEERING AND APPLAUSE | 0:11:47 | 0:11:49 | |
How brilliant is Marcel? | 0:11:59 | 0:12:01 | |
Now, Barry Norman, Jonathan Ross and Claudia Winkleman - | 0:12:02 | 0:12:06 | |
it's time to move you over because this is Film Fizz! | 0:12:06 | 0:12:10 | |
CHEERING AND APPLAUSE | 0:12:10 | 0:12:12 | |
Hello and welcome to Film Fizz. | 0:12:16 | 0:12:18 | |
-Ryan Kessington, hello. -Hi, Chris. | 0:12:24 | 0:12:27 | |
-And Alison Stephens. Hi. -Yes. | 0:12:27 | 0:12:31 | |
So, four hit films, five years and millions of fans worldwide, | 0:12:31 | 0:12:36 | |
you must be devastated that these films are finally coming to an end? | 0:12:36 | 0:12:39 | |
Hm, let me think about it. | 0:12:39 | 0:12:40 | |
Er, underage girls screaming at me, 17 months filming in Bolivia. | 0:12:40 | 0:12:44 | |
Let me just run that through a computer. | 0:12:44 | 0:12:47 | |
Oh, it's come up saying, "Happiness not found." | 0:12:47 | 0:12:49 | |
So, Alison, how are you feeling now it's finally over? | 0:12:51 | 0:12:54 | |
There's this one time we were on set and... | 0:12:54 | 0:12:57 | |
I had a cheese sandwich and it had cheese in it, | 0:12:57 | 0:13:00 | |
and I ate the cheese but I didn't like the bread. | 0:13:00 | 0:13:04 | |
Will you stop telling that story? Jesus Christ! | 0:13:06 | 0:13:08 | |
I'm not going to miss working with THAT. | 0:13:09 | 0:13:12 | |
So, you didn't enjoy the role at all? | 0:13:12 | 0:13:14 | |
Hm, well, there was that one time on set when I got my bollocks trapped in a harness | 0:13:14 | 0:13:17 | |
and, for one brief, beautiful moment, | 0:13:17 | 0:13:20 | |
the pain made me forget where I was. | 0:13:20 | 0:13:22 | |
I put the bread in my pocket and I ate the cheese. | 0:13:22 | 0:13:25 | |
OMG, seriously? | 0:13:28 | 0:13:31 | |
Hollywood Reporter have just been told that LR Sophie | 0:13:31 | 0:13:34 | |
has finished writing a new Vampire Boyfriend trilogy. | 0:13:34 | 0:13:37 | |
Ha-ha-ha! Oh, God, that would be awful. | 0:13:37 | 0:13:40 | |
Oh, God, just imagine, after everything I just said! | 0:13:40 | 0:13:44 | |
PHONE RINGING | 0:13:44 | 0:13:46 | |
It's my agent. | 0:13:46 | 0:13:47 | |
Yeah, Tia, hi. I just heard. | 0:13:49 | 0:13:51 | |
Right, how much are they offering? | 0:13:53 | 0:13:55 | |
Sure, yeah, I'll do it. | 0:13:55 | 0:13:57 | |
Film Fizz exclusive. | 0:13:58 | 0:14:00 | |
Ryan Kessington is going to be in the new Vampire Boyfriend trilogy. | 0:14:00 | 0:14:03 | |
Exclusive. | 0:14:03 | 0:14:05 | |
-Well, guys, I wish you all the best of luck. -Argh! | 0:14:05 | 0:14:09 | |
Yeah. | 0:14:09 | 0:14:12 | |
Yeah, I really can't wait | 0:14:12 | 0:14:14 | |
to put those jagged vampire contact lenses back in. | 0:14:14 | 0:14:16 | |
My sandwich. | 0:14:18 | 0:14:19 | |
Sorry to bother you! Except I'm not. | 0:14:45 | 0:14:48 | |
My name is DCI Sweener. | 0:14:50 | 0:14:52 | |
-Is your name Tom? -Erm, well, there is another Tom. | 0:14:54 | 0:14:58 | |
Tall geezer with very blue eyes and a normal sized nose? | 0:14:58 | 0:15:01 | |
-I'll speak to him later. -Right, well, good luck finding him. | 0:15:01 | 0:15:05 | |
He's a master of disguise. | 0:15:05 | 0:15:08 | |
Now, I don't want to intimidate you... | 0:15:08 | 0:15:11 | |
except I do. | 0:15:11 | 0:15:12 | |
-Sorry, what's all this about, Detective Wiener? -Sweener! | 0:15:12 | 0:15:16 | |
Now, you're in a lot of trouble... | 0:15:16 | 0:15:17 | |
except you ain't. | 0:15:17 | 0:15:19 | |
Well, am I or aren't I? | 0:15:19 | 0:15:21 | |
Yes, you are but it'll all go away | 0:15:21 | 0:15:24 | |
if you sign this here police form what everybody signs. | 0:15:24 | 0:15:28 | |
Well, I have to speak to my lawyer, obviously. | 0:15:28 | 0:15:30 | |
And I'd better just check the small print. | 0:15:30 | 0:15:32 | |
Oh, yeah, I'm not going to sign this. | 0:15:32 | 0:15:36 | |
Tom, I can see through your disguise. | 0:15:37 | 0:15:39 | |
Yeah? Well, good luck seeing through this. | 0:15:39 | 0:15:42 | |
Is that supposed to be a smoke bomb? | 0:15:45 | 0:15:47 | |
Tom? | 0:15:49 | 0:15:50 | |
Tom, I can see you. | 0:15:50 | 0:15:51 | |
CHEERING | 0:15:53 | 0:15:57 | |
Right, it's better than one episode of M*A*S*H | 0:15:57 | 0:16:00 | |
but not quite as sickening as three. | 0:16:00 | 0:16:02 | |
Ladies and gentlemen, it's Two Episodes of Mash! | 0:16:02 | 0:16:06 | |
CHEERING AND APPLAUSE | 0:16:06 | 0:16:09 | |
Hello. | 0:16:21 | 0:16:22 | |
-ALL: -Hello! | 0:16:22 | 0:16:25 | |
-I'm Joe, this is Diane. -Hello. -Er... | 0:16:25 | 0:16:28 | |
..we're back for the second series thanks to a clerical error! | 0:16:30 | 0:16:34 | |
CHEERING AND APPLAUSE | 0:16:34 | 0:16:37 | |
And we've got a green screen. | 0:16:41 | 0:16:44 | |
CHEERING AND APPLAUSE | 0:16:44 | 0:16:46 | |
On this we can... | 0:16:46 | 0:16:48 | |
we can project...anything. | 0:16:48 | 0:16:52 | |
What shall we project up there? | 0:16:54 | 0:16:56 | |
I don't know. I haven't really thought about it. | 0:16:57 | 0:17:00 | |
Nor have I. | 0:17:02 | 0:17:03 | |
(Shit, what are we going to do?) | 0:17:04 | 0:17:07 | |
We've got to put something up. | 0:17:11 | 0:17:14 | |
Otherwise we're going to look really shit. | 0:17:14 | 0:17:16 | |
What if we put corn on the cob up there? | 0:17:18 | 0:17:21 | |
-Why? Why? -Well, we both like corn on the cob. -That's a really good idea. | 0:17:23 | 0:17:27 | |
Can we put corn on the cob up? | 0:17:27 | 0:17:28 | |
I don't really like the look of that one. Can we change it? | 0:17:32 | 0:17:35 | |
Not that one. | 0:17:37 | 0:17:39 | |
No. No. | 0:17:39 | 0:17:41 | |
No. | 0:17:41 | 0:17:43 | |
No. No. | 0:17:43 | 0:17:45 | |
No. No. | 0:17:45 | 0:17:47 | |
No. No. | 0:17:47 | 0:17:49 | |
No... | 0:17:49 | 0:17:50 | |
No. No. | 0:17:51 | 0:17:53 | |
No. No. | 0:17:53 | 0:17:56 | |
No. No. | 0:17:56 | 0:17:57 | |
No. | 0:17:58 | 0:18:00 | |
No. Oh, yeah, I like that one! | 0:18:00 | 0:18:01 | |
Yeah, can we keep that one? | 0:18:03 | 0:18:05 | |
Let's do the sketch. | 0:18:05 | 0:18:07 | |
Just had a... Actually, just had a thought. Can we...? | 0:18:07 | 0:18:10 | |
Can we take that off? It's distracting. | 0:18:10 | 0:18:12 | |
-Diane? -Yes? | 0:18:34 | 0:18:36 | |
Fancy a game of Guess Who? | 0:18:37 | 0:18:38 | |
Yeah, all right. | 0:18:40 | 0:18:41 | |
The board looks different. | 0:18:44 | 0:18:45 | |
Yeah, I've changed it to faces | 0:18:45 | 0:18:48 | |
we know of people who are in the middle of a custody battle. | 0:18:48 | 0:18:51 | |
-Why? -To make it more interesting. Do you want to go first? | 0:18:53 | 0:18:56 | |
Yeah, all right. | 0:18:56 | 0:18:57 | |
Erm, does he have limited weekend access to the kids | 0:18:57 | 0:19:02 | |
but still has to pay for the upkeep of the family home? | 0:19:02 | 0:19:05 | |
-Yes. -Is it Mark? -Yes. | 0:19:05 | 0:19:07 | |
APPLAUSE | 0:19:07 | 0:19:09 | |
-They all look a bit disappointed. -Oh, yes. | 0:19:15 | 0:19:17 | |
Actually, we...we can't end like that. I can't... | 0:19:19 | 0:19:23 | |
Could we...? | 0:19:23 | 0:19:25 | |
As a finale, could we, can you put a crossbow up? | 0:19:25 | 0:19:30 | |
And then spin it? | 0:19:30 | 0:19:31 | |
There's your big finish. Come on. | 0:19:34 | 0:19:36 | |
CHEERING AND APPLAUSE | 0:19:36 | 0:19:39 | |
Now, a while back, I imagined what it would be like | 0:19:49 | 0:19:51 | |
if everyone in Essex could only speak in Shakespearean verse | 0:19:51 | 0:19:55 | |
and then I thought, | 0:19:55 | 0:19:56 | |
"Where's my camera crew? That could be quite compelling." | 0:19:56 | 0:19:58 | |
CHEERING AND APPLAUSE | 0:19:58 | 0:20:01 | |
Kiss me, Daveutio. | 0:20:13 | 0:20:15 | |
Kiss me deeper than a Tweet by the Dalai Lama. | 0:20:15 | 0:20:18 | |
Ooh-hoo-hoo, aye, my love, and then what? | 0:20:18 | 0:20:22 | |
Then rod me, dear Daveutio. | 0:20:22 | 0:20:24 | |
Destroy me like an African currency. | 0:20:24 | 0:20:28 | |
-Go at me so thy legs do quiver in randy irritation of an Elvis. -Yes? | 0:20:28 | 0:20:35 | |
But I was thinking, on this, our weekly shag night, | 0:20:35 | 0:20:38 | |
we might other avenues explore? Hm? | 0:20:38 | 0:20:42 | |
Avenue? | 0:20:42 | 0:20:44 | |
The motorway of my lust is ablaze with cat's eyes. | 0:20:44 | 0:20:48 | |
Do not leave my engine purring upon the hard shoulder of thy love. | 0:20:48 | 0:20:53 | |
Oh, well, well, but mean I perhaps another lane? | 0:20:53 | 0:20:59 | |
To be a-laying with me should be enough. | 0:20:59 | 0:21:01 | |
Aye, aye, lay we will | 0:21:01 | 0:21:03 | |
but see how love's drive might another passage take. | 0:21:03 | 0:21:06 | |
If our sex doth move along the speedy road, | 0:21:07 | 0:21:10 | |
then what of its dual carriageway? | 0:21:10 | 0:21:13 | |
The TomTom of thy lust be diverted, | 0:21:13 | 0:21:15 | |
thus travelling from the country into the south. | 0:21:15 | 0:21:20 | |
Oh, most vile Michael Jackson sleepover. | 0:21:21 | 0:21:25 | |
Thou meanest botty sex. | 0:21:25 | 0:21:27 | |
Nay, nay, nay. Put so, it sounds so wrong! | 0:21:27 | 0:21:29 | |
Yes. | 0:21:29 | 0:21:31 | |
Get out our love chamber! | 0:21:31 | 0:21:32 | |
For thou hast presumed upon another chamber | 0:21:32 | 0:21:35 | |
whose doors are firmly locked. | 0:21:35 | 0:21:37 | |
I'll do it slowly. | 0:21:37 | 0:21:39 | |
Take a Mr Muscle wipe to thy mind | 0:21:39 | 0:21:42 | |
for it has been smeared with the dark wrongness of bum love. | 0:21:42 | 0:21:46 | |
Burger me, I am unkinged. | 0:21:48 | 0:21:51 | |
The whopper of my love rejected so that no meat remains. | 0:21:51 | 0:21:54 | |
Goodbye then...Love. | 0:21:54 | 0:21:58 | |
-Hand job? -Yeah, all right. | 0:22:01 | 0:22:03 | |
CHEERING AND APPLAUSE | 0:22:05 | 0:22:08 | |
See you in Hollywood, bitches! | 0:22:12 | 0:22:14 | |
Now, to keep my energy up | 0:22:14 | 0:22:15 | |
there's nothing I like more than a curry | 0:22:15 | 0:22:18 | |
and I've brought enough for everyone tonight. | 0:22:18 | 0:22:20 | |
It's Paul Currie! | 0:22:20 | 0:22:22 | |
CHEERING AND APPLAUSE | 0:22:22 | 0:22:24 | |
Ahem. | 0:22:33 | 0:22:35 | |
# Doo-doo doo-doo. # | 0:22:38 | 0:22:40 | |
MUSIC: "Cavatina" by Stanley Myers | 0:22:42 | 0:22:45 | |
GUN CLICKING | 0:24:22 | 0:24:24 | |
GUN CLICKING | 0:24:31 | 0:24:33 | |
GUN CLICKING | 0:24:41 | 0:24:44 | |
HE SOBS | 0:24:57 | 0:24:59 | |
GROANING AND LAUGHTER | 0:26:14 | 0:26:16 | |
CHEERING AND APPLAUSE | 0:26:16 | 0:26:19 | |
Right, who's coming on? Right, yeah. | 0:26:25 | 0:26:28 | |
Wow...do not take any drugs and watch what just happened. | 0:26:30 | 0:26:35 | |
I'll continue flicking your clips | 0:26:36 | 0:26:38 | |
long after the show has finished at... | 0:26:38 | 0:26:40 | |
That's it from me and my little lightning rods - goodbye! | 0:26:43 | 0:26:47 | |
CHEERING AND APPLAUSE | 0:26:47 | 0:26:49 | |
Hi. Are you OK? | 0:27:03 | 0:27:05 | |
Yeah, no, I'm fine but... | 0:27:05 | 0:27:08 | |
-Are you lost? -Yeah, completely. | 0:27:08 | 0:27:10 | |
-It's, like, a maze in here. -I know. | 0:27:10 | 0:27:12 | |
I always carry my survival kit, in case I get lost! | 0:27:12 | 0:27:15 | |
Erm... | 0:27:17 | 0:27:18 | |
sometimes getting lost can be fun. | 0:27:18 | 0:27:21 | |
If you're with the right person. | 0:27:21 | 0:27:23 | |
Oh, I'm sorry, that was... | 0:27:25 | 0:27:28 | |
No, er, no, no. It's fine. | 0:27:28 | 0:27:31 | |
-I can sign for this. -Yeah, thanks. | 0:27:32 | 0:27:35 | |
Nice signature. | 0:27:40 | 0:27:41 | |
Nice hands. | 0:27:43 | 0:27:45 | |
Nice lips. | 0:27:46 | 0:27:48 | |
Wow. | 0:28:00 | 0:28:01 | |
-TOM'S VOICE: -You huge newbie! | 0:28:15 | 0:28:17 | |
What? | 0:28:17 | 0:28:18 | |
Ha-ha-ha! I wish you could see your face! | 0:28:22 | 0:28:25 | |
-How did you...? -I can't believe you fell for that. | 0:28:27 | 0:28:30 | |
Wait, why did you kiss me? | 0:28:32 | 0:28:33 | |
See you on Monday, newbie. | 0:28:33 | 0:28:35 | |
Or should I say "Buttface"? | 0:28:37 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:29:08 | 0:29:12 |