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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
-Internet's down again. -Oh, no! Now I can't watch farmyard porn. | 0:00:04 | 0:00:07 | |
-Yeah, it's really bad. It's frozen on a woman having sex with a pig. -Really? | 0:00:07 | 0:00:11 | |
Very funny. | 0:00:13 | 0:00:14 | |
Joke's on you cos I've actually seen 90% of the piggy porn out | 0:00:14 | 0:00:17 | |
-there already. -Gross. Have you called the IT guy? | 0:00:17 | 0:00:19 | |
I have called the nerd hotline, yes. | 0:00:19 | 0:00:21 | |
-One very spotty dork coming right up. That's why I brought my towel? -Why? | 0:00:21 | 0:00:26 | |
Because as a jock, it is my duty to ass whip him! | 0:00:26 | 0:00:29 | |
Oh, speak of the nerd and he shall appear. I thought I could smell skid marks. | 0:00:29 | 0:00:33 | |
-All right, guys? Hear you got a problem with... -Urgh! | 0:00:33 | 0:00:36 | |
Nipple gripple! Dorkazoid! | 0:00:36 | 0:00:39 | |
-Hey, man. I'm Tom. -Hey. Mike. What's the problem? | 0:00:39 | 0:00:42 | |
-I just dragged this file into network settings. -You did what?! Holy shit! | 0:00:42 | 0:00:46 | |
We've got about ten seconds. This whole place is going to blow. | 0:00:46 | 0:00:49 | |
-Nah, you're all right. I'll fix it. -Cool. -Ha-ha-ha! Why were you late? | 0:00:49 | 0:00:53 | |
-Did someone wedgie you? -I didn't think I was late. | 0:00:53 | 0:00:55 | |
-What's your name again? -Mike. | 0:00:55 | 0:00:59 | |
-Mike... Your parents didn't give you a chance, did they? -LAUGHS | 0:00:59 | 0:01:04 | |
-Classic dork. Glasses. -I'm not wearing any. -Spots. -Shorts?! | 0:01:04 | 0:01:09 | |
-And shorts! -You're wearing shorts. | 0:01:09 | 0:01:12 | |
These aren't shorts. They're three-quarter lengths. | 0:01:12 | 0:01:16 | |
Basically trousers, except...you don't look stupid wearing Crocs. | 0:01:16 | 0:01:21 | |
CHEERING AND APPLAUSE | 0:01:41 | 0:01:44 | |
Good evening, milkers at the teats of comedy, | 0:01:47 | 0:01:50 | |
-this is Live At The Electric! -CHEERING AND APPLAUSE | 0:01:50 | 0:01:54 | |
Yup. Yes. | 0:01:54 | 0:01:57 | |
I am bursting with inapprops excitement this week. | 0:01:57 | 0:02:00 | |
My gang of sketch and character comedians are booted up and ready to go. | 0:02:00 | 0:02:04 | |
We weren't popular at school, but at least now we've found our niche. Niche. | 0:02:04 | 0:02:08 | |
I still can't believe I'm hosting this cracking show. | 0:02:10 | 0:02:13 | |
I remember when I was a kid, my dad used to say, | 0:02:13 | 0:02:15 | |
"It's tough now, son, but don't worry, it only gets better." | 0:02:15 | 0:02:19 | |
Did he eff say that?! "Life will always be tough! | 0:02:19 | 0:02:22 | |
"It gets harder, if you don't die of something 'orrible!" | 0:02:22 | 0:02:25 | |
My dad, he was a proper Essex geezer. Have we got any Essex people in the room? | 0:02:25 | 0:02:29 | |
CHEERS | 0:02:29 | 0:02:31 | |
One of my best friends as well, Eve, is from Essex. You know when someone's so Essex, | 0:02:31 | 0:02:36 | |
it's almost like they've got a disability from it? | 0:02:36 | 0:02:39 | |
"I'm so Essex, I can't move from it, Russ." | 0:02:39 | 0:02:42 | |
Everything she says is crippled in her vocal chords. Massive. Massive amounts of vowels. | 0:02:42 | 0:02:46 | |
"Do you want to go for a sambuca-a-a-ah?" | 0:02:46 | 0:02:49 | |
Pronounce everything that can be pronounced wrong is | 0:02:49 | 0:02:51 | |
pronounced wrong. It was amazing. Her boyfriend's called Mickey. | 0:02:51 | 0:02:55 | |
By the way, I'm not making these up. That would make me a good writer. | 0:02:55 | 0:02:58 | |
These are things that actually happened to me. "Mickey bought me some of that underwear. | 0:02:58 | 0:03:03 | |
"It's right sexy." What did she say next? "It was that agent prov-oh-cay-tah." | 0:03:03 | 0:03:08 | |
When she was trying to woo Mickey, that was my favourite one. "Mickey, the guy who owns the car | 0:03:11 | 0:03:15 | |
"garage across the road. I sent him a pair of knickers in the post to try and entice him. | 0:03:15 | 0:03:19 | |
"I downsized a bit, sent 14s, didn't want him to think I was fat." | 0:03:19 | 0:03:22 | |
Genuine quote. | 0:03:22 | 0:03:24 | |
I'm from Essex. The more regional you get in Essex, the more the regional rule applies. | 0:03:25 | 0:03:30 | |
I've recently started dating a girl from the north. That's right. Northern girls. | 0:03:30 | 0:03:35 | |
-< Yes! -Look at a man cheering! "Yes!" | 0:03:35 | 0:03:38 | |
"Mate with our females! They're right high quality, those!" | 0:03:38 | 0:03:43 | |
"Our Sharon's got a lovely vulva!" | 0:03:43 | 0:03:45 | |
No, I've been... I'm seeing a girl from Manchester. | 0:03:48 | 0:03:51 | |
That's how they have sex in Manchester. "Yeo-oh, don't stop. | 0:03:51 | 0:03:54 | |
"Yeo-oh, don't stop. Hacienda!" | 0:03:54 | 0:03:59 | |
It's going really well. I've been really impressed with girls from the north. | 0:03:59 | 0:04:03 | |
They're stereotypes that I thought were stereotypes, but they're true. | 0:04:03 | 0:04:06 | |
I love the strength of northern women. I'm the type of guy that can walk out of a shop cos | 0:04:06 | 0:04:10 | |
I didn't get the assistant's attention. I didn't pay, I ran out, I couldn't get his attention. | 0:04:10 | 0:04:14 | |
"It's all right, babe. I'll go in. I'll sort it out. You stay in the car." | 0:04:14 | 0:04:17 | |
The type of girl that's going to just go, "Don't worry. I'll break his fucking collar bone for you. | 0:04:17 | 0:04:21 | |
"You bastard!" Those women. And also, really grateful for affection. | 0:04:21 | 0:04:27 | |
Down south where I'm from, in Essex, it's considered needy | 0:04:27 | 0:04:30 | |
if you just stare at a girl the whole time you're out. | 0:04:30 | 0:04:32 | |
"I don't want to take my eyes off you. "I'm going to wait outside the toilet while you're in there." | 0:04:32 | 0:04:38 | |
But up north, "It's so nice the way you gave me attention all night. | 0:04:38 | 0:04:41 | |
"It wasn't like stalking for me and I'm from Manchester. | 0:04:41 | 0:04:43 | |
"We'd never do that." This is a genuine quote, by the way. | 0:04:43 | 0:04:47 | |
Please tell me, ladies from the north, that this girl is winding me up. It cannot be true. | 0:04:47 | 0:04:51 | |
I worry for you gentlemen from the north, if this is true. | 0:04:51 | 0:04:54 | |
"It was so nice the way you held me after we did what we did last night. | 0:04:54 | 0:04:59 | |
"A man from Manchester would never do that. It's very rare." Oh, my God! That cannot be true. | 0:04:59 | 0:05:05 | |
That's just standard where I'm from. "Oh, we had a sexual experience. | 0:05:05 | 0:05:08 | |
"Let's hold each other and watch Twilight. I love you. | 0:05:08 | 0:05:12 | |
"Let's straighten each other's hair while we cry about our orgasms. | 0:05:12 | 0:05:15 | |
"Uh-huh-huh-huh." | 0:05:15 | 0:05:18 | |
What the hell is going on up north, gentlemen?! | 0:05:18 | 0:05:22 | |
"I've ejaculated, I'll be in the shed." | 0:05:22 | 0:05:25 | |
APPLAUSE | 0:05:27 | 0:05:30 | |
Right, let's shake the soft drinks can of entertainment because here is Film Fizz. | 0:05:30 | 0:05:35 | |
APPLAUSE AND CHEERING | 0:05:35 | 0:05:38 | |
Hi, and welcome back to Film Fizz. | 0:05:42 | 0:05:45 | |
OK, Liam will only be answering questions about Lethal Assignment 4 | 0:05:50 | 0:05:54 | |
and do not, I repeat, do not ask him about any of the rumours. | 0:05:54 | 0:05:59 | |
Absolutely. Wasn't going to. What rumours? | 0:05:59 | 0:06:03 | |
So, Liam Watson, what a pleasure to meet you. How are you doing? | 0:06:03 | 0:06:07 | |
Super, thank you. It's a pleasure to be in Britain. | 0:06:07 | 0:06:11 | |
I tried fish and chips for the first time. I never want to leave. | 0:06:11 | 0:06:14 | |
So, when you were filming Lethal Assignment 4, | 0:06:14 | 0:06:17 | |
you had to spend a lot of time away from home. Did you get homesick? | 0:06:17 | 0:06:21 | |
-What does he mean by that? -He's asking you if you got homesick. | 0:06:24 | 0:06:28 | |
-As in "gay"? -No, as in you miss your home. | 0:06:28 | 0:06:31 | |
No, I didn't. | 0:06:36 | 0:06:37 | |
I'm always travelling on the road and like I say, | 0:06:37 | 0:06:40 | |
home is where the heart is. | 0:06:40 | 0:06:42 | |
So, in the movie, you do all of your own stunts. | 0:06:43 | 0:06:47 | |
OK, this interview is over! | 0:06:47 | 0:06:51 | |
-"Doing your own stunts" is gay slang for fisting. -No, it's not. | 0:06:51 | 0:06:54 | |
How does he know I'm gay? Who showed him this photo? | 0:06:54 | 0:06:57 | |
-Ask him if he's seen it. -Have you ever seen this photo? | 0:06:57 | 0:07:01 | |
-Well, I have now. -What does me mean by that? Why did he say that? | 0:07:01 | 0:07:04 | |
All right, just stick to questions about the movie, please. | 0:07:04 | 0:07:07 | |
So, Liam, what was your inspiration | 0:07:10 | 0:07:13 | |
for the char...film character in the movie...in the film? | 0:07:13 | 0:07:19 | |
My boyfriend. By which I mean...my wife. It's a pet name for my wife. | 0:07:19 | 0:07:27 | |
OK. | 0:07:27 | 0:07:29 | |
Nailed it. | 0:07:29 | 0:07:31 | |
APPLAUSE AND CHEERING | 0:07:32 | 0:07:35 | |
How good was that? | 0:07:36 | 0:07:39 | |
Now, an act so influential to me, I've removed my Prince Albert | 0:07:41 | 0:07:45 | |
and replaced it with a King Edward. That's right. | 0:07:45 | 0:07:48 | |
It's Two Episodes Of Mash. | 0:07:48 | 0:07:50 | |
APPLAUSE AND CHEERING | 0:07:50 | 0:07:53 | |
-Good evening. I'm Joe. This is Diane. -Hello. | 0:08:02 | 0:08:06 | |
Oh! | 0:08:06 | 0:08:08 | |
-Tonight, we're going to do something magical. -Can I take it off. -No. | 0:08:08 | 0:08:12 | |
Turn it on. | 0:08:12 | 0:08:15 | |
We're going to make history because this here that Di's wearing, | 0:08:15 | 0:08:20 | |
my Aunty Pam made. | 0:08:20 | 0:08:22 | |
Basically, using this equipment, Diane can control what | 0:08:22 | 0:08:25 | |
pictures come up on the green screen, just using her mind. | 0:08:25 | 0:08:31 | |
AUDIENCE: Woo! | 0:08:31 | 0:08:34 | |
So, go on then. Put...think something and put it on the background. | 0:08:34 | 0:08:37 | |
-Is that an Eccles cake? -Yeah, I really fancy an Eccles cake. | 0:08:40 | 0:08:45 | |
Can't have an Eccles cake. Think of something else. | 0:08:52 | 0:08:57 | |
Don't make it bigger, you prick! | 0:09:00 | 0:09:03 | |
-Think of something else. -I'm trying, but I really fancy an Eccles cake! | 0:09:05 | 0:09:09 | |
-Got the taste for one. -Think of something else, you dick. | 0:09:09 | 0:09:13 | |
LAUGHTER AND APPLAUSE | 0:09:17 | 0:09:21 | |
-I'm thinking about punching you. -Yeah, I gathered that. | 0:09:40 | 0:09:43 | |
Right, think of an Eccles cake then. | 0:09:44 | 0:09:48 | |
Let's do the first sketch. | 0:09:48 | 0:09:51 | |
Thank you. | 0:09:57 | 0:09:59 | |
HE WHISTLES TO HIMSELF | 0:10:16 | 0:10:18 | |
Hiya. | 0:10:20 | 0:10:21 | |
Hi, love. You all right? | 0:10:24 | 0:10:26 | |
Yeah, yeah, I'm fine. | 0:10:26 | 0:10:27 | |
SHE SOBS | 0:10:31 | 0:10:33 | |
-Everything all right? -Yeah, yeah, everything's fine! | 0:10:34 | 0:10:38 | |
-Well, clearly there's something wrong. -Nothing's wrong! | 0:10:40 | 0:10:43 | |
What's wrong? Just... What's wrong? | 0:10:43 | 0:10:45 | |
Just tell me. What's wrong? | 0:10:49 | 0:10:50 | |
-If I tell you, do you promise not to get angry? -I don't know, do I? | 0:10:50 | 0:10:54 | |
-I don't know what's happened. -Promise? -Just tell me! | 0:10:54 | 0:10:57 | |
I crashed the car! | 0:10:58 | 0:11:00 | |
APPLAUSE | 0:11:03 | 0:11:05 | |
Not again. | 0:11:08 | 0:11:10 | |
CHEERING AND APPLAUSE | 0:11:13 | 0:11:16 | |
Two Episodes Of MASH. Give it up. | 0:11:21 | 0:11:23 | |
Wittank now, guys who are so sketch, | 0:11:27 | 0:11:30 | |
they can only be pictured in soft pencil. | 0:11:30 | 0:11:32 | |
Make some noise for The School! | 0:11:32 | 0:11:35 | |
CHEERING AND APPLAUSE | 0:11:35 | 0:11:37 | |
Jones, you know it's the French listening exam today? | 0:11:49 | 0:11:53 | |
France isn't real! | 0:11:53 | 0:11:55 | |
Is it? | 0:11:56 | 0:11:58 | |
Well, if it isn't Anthony and Cleotwatra. | 0:11:58 | 0:12:00 | |
-Morning, headmaster. -Shut up and listen. | 0:12:00 | 0:12:03 | |
One of the exams has gone out of control. There's French everywhere. | 0:12:03 | 0:12:08 | |
-What do you mean? -I mean... | 0:12:08 | 0:12:11 | |
MUSIC: "Non, Je Ne Regrette Rien" by Edith Piaf | 0:12:11 | 0:12:14 | |
It's spreading. | 0:12:14 | 0:12:16 | |
Don't be so silly. | 0:12:16 | 0:12:18 | |
HE SHRIEKS | 0:12:20 | 0:12:22 | |
-Do something! -I'll call the police. | 0:12:22 | 0:12:24 | |
-What the hell's going on? -OK, everybody just stay calm. | 0:12:26 | 0:12:30 | |
Qu'est-ce que c'est? | 0:12:30 | 0:12:32 | |
He's infected! | 0:12:32 | 0:12:34 | |
HE YELLS | 0:12:34 | 0:12:35 | |
THUNDEROUS CRASH | 0:12:40 | 0:12:43 | |
Bonjour. | 0:12:50 | 0:12:51 | |
Oh, God, it stinks! Let's get out of here. | 0:12:51 | 0:12:54 | |
Not you as well! Get away from me! | 0:12:56 | 0:12:58 | |
Both of you, get away from me! | 0:12:58 | 0:13:01 | |
No! No! | 0:13:01 | 0:13:03 | |
MUSIC SWELLS | 0:13:03 | 0:13:05 | |
Merci. | 0:13:11 | 0:13:12 | |
ACCORDION PLAYS THE CAN-CAN | 0:13:19 | 0:13:22 | |
DISTORTED MUSIC | 0:13:24 | 0:13:27 | |
Haw-haw-haw! | 0:13:29 | 0:13:31 | |
No-o-o-on! | 0:13:33 | 0:13:35 | |
End of examination. | 0:13:38 | 0:13:40 | |
-Thank God it's over. -Yes. | 0:13:42 | 0:13:44 | |
But I'm worried it's history next. | 0:13:45 | 0:13:48 | |
What? No, it isn't. I'm just going to a... | 0:13:48 | 0:13:51 | |
..a meeting. | 0:13:52 | 0:13:54 | |
CHEERING AND APPLAUSE | 0:13:56 | 0:13:59 | |
That was Wittank. | 0:13:59 | 0:14:01 | |
Now, let's extend our hand of friendship up the M1, | 0:14:01 | 0:14:05 | |
divert it on the A1 due to a lorry fire | 0:14:05 | 0:14:08 | |
and make some noise for Lucy Beaumont! | 0:14:08 | 0:14:11 | |
CHEERING AND APPLAUSE | 0:14:12 | 0:14:15 | |
Hello. I'm Lucy. | 0:14:17 | 0:14:19 | |
Some people have described me as quite odd, | 0:14:19 | 0:14:22 | |
but I always say I'm not odd, I'm from Hull. | 0:14:22 | 0:14:25 | |
People pick on the way we speak, you know. | 0:14:26 | 0:14:29 | |
I've never been insecure about it before | 0:14:29 | 0:14:31 | |
but I was talking to this man in the street in London | 0:14:31 | 0:14:34 | |
and he was like, "Whoa, where's your accent from? It's mental!" Like that. | 0:14:34 | 0:14:39 | |
And I went, "From the East Coast." | 0:14:39 | 0:14:42 | |
And he went, "Say East Coast again." | 0:14:42 | 0:14:44 | |
I went, "East Coast," | 0:14:44 | 0:14:46 | |
and he went, "Aw, bless you." | 0:14:46 | 0:14:48 | |
And he had no legs. | 0:14:50 | 0:14:52 | |
But they do say that people are friendlier in the North, don't they? | 0:14:54 | 0:14:58 | |
I mean, I think we are, in Hull. | 0:14:58 | 0:15:00 | |
But I wouldn't go clubbing in Hull. | 0:15:00 | 0:15:02 | |
The last time I went clubbing in Hull was for a school reunion | 0:15:02 | 0:15:06 | |
and we ended up in this real dodgy bar, | 0:15:06 | 0:15:08 | |
and there was a woman on the table with her top off | 0:15:08 | 0:15:11 | |
and all these men, like, stood leering around her | 0:15:11 | 0:15:13 | |
and me friend went, "Don't look, Lucy." Like that. | 0:15:13 | 0:15:17 | |
And I went, "Why?" | 0:15:17 | 0:15:18 | |
And she went, "It's your mam." | 0:15:18 | 0:15:20 | |
I know. But my mum does worry about me, though. | 0:15:22 | 0:15:25 | |
You know, walking around on a night, and she said if I'm ever on me own | 0:15:25 | 0:15:29 | |
and I think there's someone following me, | 0:15:29 | 0:15:32 | |
all I have to do is just bend down and pretend to be a chicken. | 0:15:32 | 0:15:37 | |
Like that. I know. And there was this time I was on me own | 0:15:37 | 0:15:40 | |
and there was this man behind me | 0:15:40 | 0:15:43 | |
and I went to bend down and I thought, | 0:15:43 | 0:15:45 | |
"I'd just rather him attack me. It'd be less embarrassing." | 0:15:45 | 0:15:49 | |
But, like, we all make mistakes, don't we? | 0:15:49 | 0:15:52 | |
I know this hairdresser in Hull. She's made a big mistake, actually. | 0:15:52 | 0:15:57 | |
She was cutting this man's hair recently, like this, | 0:15:57 | 0:16:00 | |
and when she finished, she held up a mirror | 0:16:00 | 0:16:03 | |
and she went, "What do you think?" And when she looked down, | 0:16:03 | 0:16:07 | |
his hand was moving up and down underneath his gown. | 0:16:07 | 0:16:10 | |
I know. She hit him over the head with the mirror | 0:16:10 | 0:16:13 | |
and she went, "What do you think you're doing, you dirty bugger?" | 0:16:13 | 0:16:16 | |
He went, "I'm cleaning my glasses so I can have a look." | 0:16:16 | 0:16:20 | |
Thank you. | 0:16:20 | 0:16:21 | |
CHEERING AND APPLAUSE | 0:16:21 | 0:16:24 | |
The lovely Lucy Beaumont! | 0:16:26 | 0:16:28 | |
CHEERING | 0:16:28 | 0:16:30 | |
So I'm hiding in the cupboard and her dad walks in. | 0:16:32 | 0:16:35 | |
Shit, man, you must have been bricking yourself. | 0:16:35 | 0:16:37 | |
No, I was quite chilled out cos I'd been on that weed, remember? | 0:16:37 | 0:16:40 | |
Oh, yeah. Awesome. | 0:16:40 | 0:16:42 | |
-(HIGH-PITCHED): -Ha-ha! | 0:16:42 | 0:16:44 | |
Nelson from The Simpsons. | 0:16:44 | 0:16:46 | |
I do a good Bart, as well, but then my balls dropped. | 0:16:46 | 0:16:50 | |
Bart's actually played by a woman. | 0:16:50 | 0:16:52 | |
Cool fact. Do you want to see a magic trick? | 0:16:52 | 0:16:55 | |
"Do you want to see a magic trick?" Yeah, go on. This should be good. | 0:16:55 | 0:16:59 | |
-Right, imagine there's a salt shaker there. -OK. -Pick it up. -OK. | 0:16:59 | 0:17:04 | |
Now shake the salt into your mouth. | 0:17:04 | 0:17:06 | |
-Abracadabra, you're sucking a dick. -A man's dick. | 0:17:07 | 0:17:09 | |
Obviously it's a man's dick. | 0:17:09 | 0:17:11 | |
By the way, I think you meant to put this on my back. Here, you hold it. | 0:17:11 | 0:17:14 | |
I'll turn around for you. | 0:17:14 | 0:17:16 | |
What? It's what the sign said. | 0:17:17 | 0:17:19 | |
-I should do that more often. -What, kick him? | 0:17:21 | 0:17:23 | |
Should do more than that, mate. | 0:17:23 | 0:17:25 | |
Don't let a freak like that walk all over you. | 0:17:25 | 0:17:27 | |
-I've stabbed a man for less. -LAUGHS: Yeah! | 0:17:27 | 0:17:30 | |
Seriously. | 0:17:30 | 0:17:31 | |
If he'd have kicked me, or you for that matter, I'd have stabbed him. | 0:17:31 | 0:17:36 | |
Why? Do you carry a machete? | 0:17:36 | 0:17:37 | |
Machetes are for pussies. | 0:17:37 | 0:17:39 | |
I like to get close. | 0:17:45 | 0:17:46 | |
Now, people often say that despite my Essex roots, | 0:17:51 | 0:17:55 | |
I speak in a mellifluous lyrical lilt, | 0:17:55 | 0:17:57 | |
as if I was scripted by the Bard, Shakespeare himself. | 0:17:57 | 0:18:00 | |
But I say no, because that would sound like this. | 0:18:00 | 0:18:04 | |
CHEERING AND APPLAUSE | 0:18:04 | 0:18:07 | |
Oh, pluck out my pussy-loving eyes. | 0:18:18 | 0:18:22 | |
The cat is dead. | 0:18:23 | 0:18:24 | |
Oh, Tiddles! | 0:18:24 | 0:18:26 | |
Oh, speak not the furry bastard's name. Tiddles. | 0:18:26 | 0:18:30 | |
And to be thus run from life by a Nissan Micra Verve, | 0:18:30 | 0:18:35 | |
a car of city convenience that doth inconvenience our hearts. | 0:18:35 | 0:18:39 | |
Five gears shifting the acceleration of my grief | 0:18:39 | 0:18:42 | |
so that tears, like brake fluid, do spill over the chassis of my cheeks. | 0:18:42 | 0:18:46 | |
Goodbye, fair Tiddles. | 0:18:46 | 0:18:49 | |
For much like one of your ferocious morning curl-offs, | 0:18:49 | 0:18:52 | |
you are dug and buried. | 0:18:52 | 0:18:54 | |
No strokes, no purrs, no hugs in bed. | 0:18:54 | 0:18:59 | |
For life's dry of pussy now Tiddles is dead. | 0:18:59 | 0:19:03 | |
Pussy! | 0:19:06 | 0:19:07 | |
Pussy! | 0:19:10 | 0:19:12 | |
CHEERING AND APPLAUSE | 0:19:13 | 0:19:16 | |
OK, he's been a hit with all the ladies backstage, | 0:19:17 | 0:19:20 | |
or at least he's been hit by a few of them. | 0:19:20 | 0:19:23 | |
Please welcome Marcel Lucont! | 0:19:23 | 0:19:26 | |
CHEERING AND APPLAUSE | 0:19:26 | 0:19:28 | |
Mesdames, messieurs, | 0:19:39 | 0:19:42 | |
a brief extract now from my next book, | 0:19:42 | 0:19:48 | |
a manual for the sex addict... | 0:19:48 | 0:19:52 | |
..entitled Thinking Outside The Box. | 0:19:55 | 0:19:58 | |
I present to you 50 actual ways to leave your lover. | 0:20:04 | 0:20:11 | |
Walk. | 0:20:19 | 0:20:21 | |
Run. | 0:20:24 | 0:20:25 | |
Swim. | 0:20:27 | 0:20:29 | |
Location dependent. | 0:20:30 | 0:20:32 | |
Bicycle. | 0:20:34 | 0:20:36 | |
Motor bicycle. | 0:20:36 | 0:20:37 | |
Tricycle. | 0:20:39 | 0:20:40 | |
Unicycle. | 0:20:42 | 0:20:43 | |
Segway. | 0:20:45 | 0:20:47 | |
Tractor. | 0:20:50 | 0:20:51 | |
Tank. | 0:20:52 | 0:20:54 | |
Telephone. | 0:20:54 | 0:20:56 | |
Telegram. | 0:20:56 | 0:20:58 | |
Television. If she is worth it. | 0:20:58 | 0:21:02 | |
Telepathy. | 0:21:06 | 0:21:07 | |
Telemarketer. If she is not worth it. | 0:21:09 | 0:21:12 | |
Mail. | 0:21:14 | 0:21:15 | |
E-mail. | 0:21:15 | 0:21:17 | |
She-mail. | 0:21:18 | 0:21:20 | |
Exotic. | 0:21:23 | 0:21:25 | |
And for the more advanced, | 0:21:27 | 0:21:30 | |
plant seeds in her garden, or a nearby hillside, | 0:21:30 | 0:21:35 | |
arranged in such a way that when they bloom, | 0:21:35 | 0:21:38 | |
they form a perfect picture of you fucking her best friend. | 0:21:38 | 0:21:43 | |
LAUGHTER AND APPLAUSE | 0:21:43 | 0:21:47 | |
Sign up together to run a marathon. | 0:21:52 | 0:21:55 | |
Five minutes in, tell to her your ankle is hurt, | 0:21:59 | 0:22:02 | |
but you will catch her up. | 0:22:02 | 0:22:04 | |
Then run back to the start | 0:22:09 | 0:22:11 | |
and use the following five hours to get home, pack all of your bags... | 0:22:11 | 0:22:16 | |
..and catch the flight to Mexico, | 0:22:22 | 0:22:25 | |
using the sponsorship money you have raised. | 0:22:25 | 0:22:29 | |
CHEERING AND APPLAUSE | 0:22:31 | 0:22:35 | |
COUGHING AND RATTLING | 0:22:55 | 0:22:57 | |
What was that? | 0:22:57 | 0:22:58 | |
We've got a live one! We've got a live one! | 0:22:58 | 0:23:01 | |
Sometimes we get a live one, which we have to deal with. | 0:23:24 | 0:23:27 | |
Right. Shouldn't we have tried to resuscitate him or something? | 0:23:27 | 0:23:31 | |
-Yeah, then we don't get paid. -Oh. | 0:23:31 | 0:23:34 | |
This one's going to need a closed coffin | 0:23:34 | 0:23:36 | |
because it's been shot in the face so many times. | 0:23:36 | 0:23:39 | |
APPLAUSE | 0:23:40 | 0:23:43 | |
Now please welcome a lady who mixes sexy and miserable so well | 0:23:48 | 0:23:52 | |
that if misexerable was a word, she'd be that. | 0:23:52 | 0:23:56 | |
Hang on, I've just been told misexerable IS a word. | 0:23:56 | 0:23:58 | |
It means a flaky rash on the scrotum brought on by vitamin D deficiency. | 0:23:58 | 0:24:02 | |
Sorry. What she is is absolutely bloody brilliant. | 0:24:03 | 0:24:06 | |
Make some noise for Loretta Maine! | 0:24:06 | 0:24:09 | |
CHEERING AND APPLAUSE | 0:24:09 | 0:24:11 | |
Hello. | 0:24:15 | 0:24:17 | |
Thank you. I'm just going to do a quick soundtrack. | 0:24:17 | 0:24:20 | |
# I'm bleeding, I'm bleeding! # | 0:24:20 | 0:24:22 | |
Can you hear that? Is that OK? Is that loud enough? Great. OK, um... | 0:24:22 | 0:24:27 | |
I'm here to sing some songs. Um... | 0:24:27 | 0:24:29 | |
My songs are off my new album I'm Not Drunk, I Just Need To Talk To You. | 0:24:29 | 0:24:33 | |
The, uh... | 0:24:36 | 0:24:37 | |
The song that I'm going to sing for you now, | 0:24:37 | 0:24:40 | |
I actually wrote for my new boyfriend. | 0:24:40 | 0:24:42 | |
He was supposed to be here tonight, but his wife went into labour, so... | 0:24:42 | 0:24:46 | |
Selfish! | 0:24:48 | 0:24:49 | |
# Sometimes I'm up, sometimes I'm down | 0:24:53 | 0:24:56 | |
# Sometimes it goes the other way round | 0:24:56 | 0:25:01 | |
# Sometimes I'm happy, sometimes I'm sad | 0:25:01 | 0:25:04 | |
# Sometimes it feels like I'm going mad | 0:25:04 | 0:25:08 | |
# Stop looking at me | 0:25:08 | 0:25:10 | |
# But keep looking at me | 0:25:10 | 0:25:12 | |
# But stop looking at me | 0:25:12 | 0:25:13 | |
# But come closer | 0:25:13 | 0:25:15 | |
# Stop looking at me but keep looking at me | 0:25:15 | 0:25:19 | |
# Sometimes I feel bipolar | 0:25:19 | 0:25:22 | |
CHEERING AND APPLAUSE | 0:25:25 | 0:25:28 | |
# I'm 29, not going far | 0:25:30 | 0:25:35 | |
# No tax to dodge like Jimmy Carr | 0:25:35 | 0:25:39 | |
# A record deal, no boyfriend too | 0:25:39 | 0:25:43 | |
# Sometimes it feels like life is shitting on you | 0:25:43 | 0:25:45 | |
# Stop shitting on me | 0:25:45 | 0:25:47 | |
# But keep shitting on me | 0:25:47 | 0:25:49 | |
# But stop shitting on me | 0:25:49 | 0:25:51 | |
# But come closer | 0:25:51 | 0:25:53 | |
# Stop shitting on me but keep shitting on me | 0:25:53 | 0:25:56 | |
# Sometimes I feel bipolar. # | 0:25:56 | 0:26:00 | |
Some people don't think this is a great introductory song. | 0:26:01 | 0:26:06 | |
But to those people I say FUCK YOU! | 0:26:06 | 0:26:09 | |
The same people don't believe that I'm bipolar. | 0:26:09 | 0:26:11 | |
Well, yes, actually, I am bipolar. | 0:26:11 | 0:26:13 | |
I was bipolar back when it was called manic depression. | 0:26:13 | 0:26:17 | |
Of course I'm bipolar. All the best people are bipolar. | 0:26:17 | 0:26:20 | |
The magazines have told us that. | 0:26:21 | 0:26:24 | |
# Stephen Fry, he is bipolar | 0:26:24 | 0:26:27 | |
# Catherine Zeta Jones, she is bipolar | 0:26:27 | 0:26:31 | |
# Kurt Cobain is...was bipolar | 0:26:31 | 0:26:36 | |
# Mel Gibson is probably bipolar | 0:26:36 | 0:26:39 | |
# Amy Whitehouse was bipolar | 0:26:39 | 0:26:43 | |
# Katie Melua wishes she was bipolar | 0:26:43 | 0:26:46 | |
# Kerry Katona - shock horror - is bipolar | 0:26:46 | 0:26:50 | |
# Sinead O'Connor is a nun! | 0:26:50 | 0:26:55 | |
# Stop looking at me, but keep looking at me | 0:26:55 | 0:26:57 | |
# Sometimes I feel bipolar | 0:26:57 | 0:27:02 | |
# (SOFTLY) Sometimes I feel bipolar | 0:27:02 | 0:27:05 | |
# Sometimes I feel bipolar! # | 0:27:05 | 0:27:10 | |
CHEERING AND APPLAUSE | 0:27:10 | 0:27:14 | |
Loretta Maine! Fantastic. | 0:27:19 | 0:27:23 | |
If we left you wanting more after the show, | 0:27:24 | 0:27:26 | |
part the folds of the internet and flick our clips at... | 0:27:26 | 0:27:30 | |
Me and the electrolytes | 0:27:34 | 0:27:35 | |
bid you farewell. Goodbye! | 0:27:35 | 0:27:37 | |
CHEERING AND APPLAUSE | 0:27:37 | 0:27:40 | |
Everyone is literally bricking their pants except for yours truly. | 0:27:45 | 0:27:48 | |
Why, cos you'd had more weed? | 0:27:48 | 0:27:50 | |
-Well, skunk. -Right. | 0:27:50 | 0:27:52 | |
Hey, man. I, uh... | 0:27:52 | 0:27:54 | |
I just wanted to say sorry for the whole calling-you-a-dork thing. | 0:27:54 | 0:27:57 | |
You must have got enough of that at school from jocks like me. | 0:27:57 | 0:28:00 | |
It's him you should be apologising to. He has to work with you. | 0:28:00 | 0:28:03 | |
Yeah, you're right. | 0:28:03 | 0:28:05 | |
Anyway, see you later. | 0:28:05 | 0:28:07 | |
Look, man, you got my number, yeah? | 0:28:09 | 0:28:10 | |
I've got hydroponic, I've got special blend | 0:28:10 | 0:28:13 | |
and my own one called Mikey's Weed. | 0:28:13 | 0:28:14 | |
WHISPERS: Don't, no. | 0:28:14 | 0:28:16 | |
No, no! Tom, don't! | 0:28:17 | 0:28:18 | |
Fucking scary dork! | 0:28:21 | 0:28:23 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:53 |