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This programme contains some strong language | 0:00:02 | 0:00:07 | |
Looks pretty similar - | 0:00:07 | 0:00:09 | |
hopefully the showers here don't have holes in the doors. | 0:00:09 | 0:00:11 | |
Some creep always used to spy on me. | 0:00:11 | 0:00:13 | |
You used so much soap, you couldn't actually see anything. | 0:00:13 | 0:00:16 | |
Probably. | 0:00:16 | 0:00:17 | |
Should probably say hello to the new crew. | 0:00:17 | 0:00:19 | |
-Whoa - you putting on that funny accent to impress them? -What? No... | 0:00:19 | 0:00:22 | |
STRANGE ACCENT: What?! No! | 0:00:22 | 0:00:24 | |
So lame, how you want to be the funny one. | 0:00:24 | 0:00:26 | |
Really desperate... | 0:00:26 | 0:00:27 | |
-Why have you got a banana skin? -No reason. | 0:00:27 | 0:00:29 | |
Whoa...ho! I slipped on that! | 0:00:29 | 0:00:32 | |
Way to show yourself up as the accident-prone likeable one, Tom. | 0:00:32 | 0:00:35 | |
Hi. I'm Tom. | 0:00:35 | 0:00:37 | |
Oh, no! A girl. | 0:00:37 | 0:00:38 | |
If I had sex with you, I'd probably poo myself. | 0:00:38 | 0:00:41 | |
-What was that? -Slapstick. People love it. Makes you look cool. | 0:00:44 | 0:00:47 | |
Tell you what's not cool - | 0:00:47 | 0:00:48 | |
one wet floor sign and no cable covers. | 0:00:48 | 0:00:50 | |
Oh, dude, no-one gives a shit about the odd loose cable... | 0:00:50 | 0:00:54 | |
THUD! | 0:00:54 | 0:00:55 | |
ELECTRICITY CRACKLES | 0:01:00 | 0:01:01 | |
APPLAUSE | 0:01:13 | 0:01:15 | |
Welcome, welcome - Live At The Electric, | 0:01:25 | 0:01:28 | |
Britain's Premier Inn of sketch and character comedy | 0:01:28 | 0:01:32 | |
and we're back for a third series. | 0:01:32 | 0:01:34 | |
Yeah! | 0:01:37 | 0:01:38 | |
Papa has put some honey on that toast. | 0:01:38 | 0:01:42 | |
We're back for another eight succulent episodes, Electrolytes - | 0:01:42 | 0:01:46 | |
how about that? | 0:01:46 | 0:01:47 | |
CHEERING AND APPLAUSE | 0:01:47 | 0:01:49 | |
We're here - how lucky am I? A fricking nobody, | 0:01:50 | 0:01:53 | |
childhood split between Essex and Enfield - | 0:01:53 | 0:01:55 | |
I don't know if it's cos I'm called Russell, | 0:01:55 | 0:01:57 | |
people lump me in the same bag with other comedy Russells. | 0:01:57 | 0:01:59 | |
I think the main thing with me is I've kept the magic | 0:01:59 | 0:02:02 | |
of being amazed by the stuff I've got. | 0:02:02 | 0:02:04 | |
I still, when I get in a posh hotel for free, | 0:02:04 | 0:02:06 | |
I don't swan in and go, "So boring, five-star hotels" | 0:02:06 | 0:02:08 | |
No - I check in. I can't believe it, I use everything in the room. | 0:02:08 | 0:02:12 | |
Gargling the conditioner. | 0:02:12 | 0:02:13 | |
HE GARGLES | 0:02:13 | 0:02:15 | |
Does anyone else do this? | 0:02:15 | 0:02:16 | |
If I'm in the room alone, I take off my clothes | 0:02:16 | 0:02:18 | |
and roll on the bed, like a washed dog - | 0:02:18 | 0:02:20 | |
"It's mine, it's mine! It's all mine, all of it's mine!" | 0:02:20 | 0:02:23 | |
Then you put your knob in the fruit. Does no-one else do that? | 0:02:23 | 0:02:26 | |
Come on, we all do that. | 0:02:28 | 0:02:29 | |
And...I went to this film premiere, red carpet one - I love them. | 0:02:30 | 0:02:34 | |
But if you ever see me on red carpets, | 0:02:34 | 0:02:36 | |
I always mess around, cos I can't believe I'm there - | 0:02:36 | 0:02:38 | |
I have to take the piss out of the thing I've achieved | 0:02:38 | 0:02:41 | |
otherwise I feel like I'm not being true to my roots, | 0:02:41 | 0:02:43 | |
that's why I'm always camping it up, | 0:02:43 | 0:02:45 | |
even though I'm hetero...fanny! | 0:02:45 | 0:02:47 | |
I love fanny, so much. | 0:02:49 | 0:02:51 | |
I went to this premiere | 0:02:55 | 0:02:57 | |
and they'd lined up shots, beers and champagne in a tower - | 0:02:57 | 0:03:02 | |
loads of it. | 0:03:02 | 0:03:03 | |
I couldn't believe it. | 0:03:03 | 0:03:05 | |
I sent a picture message to my mum of all this mountain of booze | 0:03:05 | 0:03:08 | |
that was ours for the taking, the attendees of the premiere, | 0:03:08 | 0:03:11 | |
and within one minute, one text message came back to me. | 0:03:11 | 0:03:14 | |
60 characters long, one word - | 0:03:14 | 0:03:17 | |
FAAAAAACK! | 0:03:17 | 0:03:19 | |
By the way, I spelled that with an A. | 0:03:20 | 0:03:22 | |
Permission to broadcast. Ding! | 0:03:22 | 0:03:24 | |
When I grew up, | 0:03:26 | 0:03:28 | |
things that were unlimited were magical. | 0:03:28 | 0:03:30 | |
I know people think it shows ill-breeding | 0:03:30 | 0:03:32 | |
and if you're posh, you have class, | 0:03:32 | 0:03:34 | |
things are supposed to be smaller and more classy. | 0:03:34 | 0:03:36 | |
I've been brought up on "loads is better". | 0:03:36 | 0:03:38 | |
Portions - the unlimited buffet. | 0:03:38 | 0:03:40 | |
I never saw my dad get so excited | 0:03:40 | 0:03:42 | |
on the nights before the unlimited Chinese buffet - | 0:03:42 | 0:03:44 | |
"You will starve yourself. You will...starve...yourself." | 0:03:44 | 0:03:48 | |
It wasn't a figure of speech. | 0:03:48 | 0:03:49 | |
"No food for 24 hours, yeah? | 0:03:49 | 0:03:51 | |
"I smell toast - which prick has had toast?" | 0:03:51 | 0:03:53 | |
"Wasn't me. I'm so hungry, Dad. | 0:03:53 | 0:03:56 | |
"I'm so hungry." | 0:03:56 | 0:03:58 | |
"We'll go in there | 0:03:58 | 0:03:59 | |
"and no-one stops eating till we're in profit - no-one." | 0:03:59 | 0:04:02 | |
Ming, Ming the Merciless, | 0:04:04 | 0:04:05 | |
the guy that ran the Chinese, he always... | 0:04:05 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:09 | |
He had his little mind trick - anyone else fall for this? | 0:04:09 | 0:04:12 | |
The mind trick? They don't want you to get to the unlimited king prawns, | 0:04:12 | 0:04:15 | |
cos everyone's starving - | 0:04:15 | 0:04:17 | |
working class people dragging themselves there | 0:04:17 | 0:04:19 | |
like zombies from 28 Days Later. | 0:04:19 | 0:04:20 | |
Arr-agh-argh-ack! | 0:04:20 | 0:04:22 | |
"Please - soon we will serve unlimited green lip mussels, | 0:04:24 | 0:04:28 | |
"unlimited prawns." | 0:04:28 | 0:04:29 | |
"Yeah, bring 'em!" | 0:04:29 | 0:04:31 | |
"But first, won't you have several bowls | 0:04:31 | 0:04:34 | |
"of these bloating, valueless crackers?" | 0:04:34 | 0:04:36 | |
"Thank you! Thank you!" | 0:04:36 | 0:04:38 | |
"You have defeated me again, Ming." | 0:04:39 | 0:04:41 | |
"Indeed!" | 0:04:41 | 0:04:42 | |
"£17.50 for a pound's worth of crackers - go." | 0:04:43 | 0:04:46 | |
APPLAUSE | 0:04:46 | 0:04:48 | |
Right, we are going to move on with the show. | 0:04:48 | 0:04:51 | |
Now, last time I saw people in suits being this hard, | 0:04:52 | 0:04:56 | |
I was searching for office porn at Red Tube. | 0:04:56 | 0:04:58 | |
Ladies and gentlemen, make some noise | 0:04:58 | 0:05:00 | |
for WitTank in The Situation Room! | 0:05:00 | 0:05:03 | |
Prime Minister, the enemy have nuclear warheads within range | 0:05:14 | 0:05:17 | |
and primed to fire - time is running out. | 0:05:17 | 0:05:19 | |
Special Forces are currently on the ground, | 0:05:19 | 0:05:21 | |
infiltrating their weapons facility. | 0:05:21 | 0:05:23 | |
We're relying on them to destroy the nuclear missile silos. | 0:05:23 | 0:05:26 | |
This is Control, come in. | 0:05:26 | 0:05:27 | |
-RADIO: -Reading you loud and clear, Control. Standing by. | 0:05:27 | 0:05:30 | |
We're your eyes and ears on this one, boys. | 0:05:30 | 0:05:32 | |
The next few minutes are critical. | 0:05:32 | 0:05:33 | |
It's time to save the world. | 0:05:33 | 0:05:35 | |
SOMEONE KNOCKS THE DOOR | 0:05:35 | 0:05:37 | |
Who the hell is that? | 0:05:37 | 0:05:38 | |
Come in? | 0:05:38 | 0:05:39 | |
Hi - are you nearly done in here? | 0:05:41 | 0:05:44 | |
Uh...no. Who are you? | 0:05:44 | 0:05:48 | |
Uh, it's just that we booked this room. | 0:05:48 | 0:05:50 | |
We've got it from one o'clock, so... | 0:05:50 | 0:05:52 | |
But we've got this room booked all week, don't we? | 0:05:52 | 0:05:54 | |
-Oh, shit! -But I'm the Prime Minister? | 0:05:54 | 0:05:56 | |
Just it doesn't say "Prime Minister" in the book? | 0:05:56 | 0:05:59 | |
It says "Michelle", and, well... | 0:05:59 | 0:06:02 | |
-That's my name. -Maybe it's a double booking. | 0:06:02 | 0:06:05 | |
-I'll talk to Richard. -Sorry! | 0:06:05 | 0:06:07 | |
Embarrassing... | 0:06:07 | 0:06:09 | |
Hi, Richard... | 0:06:09 | 0:06:10 | |
-RADIO: -Control, how should we proceed? | 0:06:10 | 0:06:12 | |
Can you just hang on a minute? | 0:06:12 | 0:06:14 | |
He's driving. | 0:06:18 | 0:06:19 | |
THEY GROAN | 0:06:19 | 0:06:20 | |
They've launched! | 0:06:20 | 0:06:21 | |
We need the intercept codes right now! | 0:06:21 | 0:06:24 | |
Look, sorry, can you just hang on for two minutes? | 0:06:24 | 0:06:26 | |
It's just that we booked the room from one o'clock, so... | 0:06:26 | 0:06:29 | |
She's got a point. It's 1.05 now. | 0:06:29 | 0:06:31 | |
-And it is in the book. -Argh! | 0:06:31 | 0:06:33 | |
Bloody Richard! | 0:06:33 | 0:06:34 | |
Rrrgh! | 0:06:34 | 0:06:36 | |
Is there anywhere else we can go? | 0:06:36 | 0:06:38 | |
Nando's has free Wi-Fi. | 0:06:38 | 0:06:39 | |
-I don't really like Nando's. -Come on! | 0:06:42 | 0:06:44 | |
Intercept codes! | 0:06:44 | 0:06:46 | |
Give us the bloody intercept codes or it's all over! | 0:06:46 | 0:06:48 | |
Oh, Richard. | 0:06:54 | 0:06:56 | |
Wow. Right. | 0:07:02 | 0:07:03 | |
Before I'd met our next high-status guest, | 0:07:03 | 0:07:06 | |
she's only see Essex people in documentaries | 0:07:06 | 0:07:08 | |
and she still needs subtitles for people north of Milton Keynes. | 0:07:08 | 0:07:12 | |
It's Chastity Butterworth! | 0:07:12 | 0:07:13 | |
Oh, gosh! | 0:07:15 | 0:07:16 | |
Oh, how lovely! | 0:07:18 | 0:07:19 | |
Oh! | 0:07:20 | 0:07:22 | |
Oh...ha! | 0:07:22 | 0:07:23 | |
Oh, good evening, ladies and gentlemen. | 0:07:25 | 0:07:27 | |
I am overjoyed to be here as your one-woman variety act, | 0:07:27 | 0:07:32 | |
so without further ado, I shall now, | 0:07:32 | 0:07:35 | |
like a proud pussycat vomiting up a vole, | 0:07:35 | 0:07:38 | |
I shall labour for you some of my magnificent comedy titbits...ooh! | 0:07:38 | 0:07:42 | |
Ooh...ooh... | 0:07:42 | 0:07:44 | |
SHE RETCHES SLIGHTLY | 0:07:44 | 0:07:45 | |
Oh! | 0:07:47 | 0:07:48 | |
Get my first GAG out of the way. | 0:07:50 | 0:07:52 | |
GROANING AND LAUGHTER | 0:07:52 | 0:07:54 | |
Thank you. | 0:07:54 | 0:07:55 | |
Thank you. | 0:07:56 | 0:07:57 | |
Thank you. | 0:07:57 | 0:07:59 | |
The jigsaws were having a peace protest. | 0:07:59 | 0:08:03 | |
Edgy. | 0:08:03 | 0:08:05 | |
Thank you! | 0:08:05 | 0:08:06 | |
Stop it, really! Thank you. | 0:08:06 | 0:08:08 | |
Thank you - ooh, oh, gosh. Hold on. | 0:08:08 | 0:08:10 | |
Ooh...ooh... | 0:08:10 | 0:08:12 | |
Oh...ooh... | 0:08:12 | 0:08:13 | |
Fanny wedgie, excuse me. | 0:08:15 | 0:08:16 | |
It's...it's out now, | 0:08:19 | 0:08:22 | |
it's just I can't concentrate when they're...asymmetric. | 0:08:22 | 0:08:25 | |
GROANING AND LAUGHTER | 0:08:25 | 0:08:26 | |
She knows. | 0:08:26 | 0:08:28 | |
Anyway, it's out now. Panic over. | 0:08:29 | 0:08:31 | |
The band is back together. | 0:08:31 | 0:08:33 | |
Actually, forgive me if I seem...a little distracted, | 0:08:38 | 0:08:42 | |
ladies and gentlemen, but it's awfully hot in here | 0:08:42 | 0:08:46 | |
and I got creamed off my cracker on crystal meth last night. | 0:08:46 | 0:08:50 | |
And so...to be perfectly frank with you all, | 0:08:52 | 0:08:55 | |
I am trying quite desperately not to shit myself right now. | 0:08:55 | 0:08:59 | |
It's chaos back there. | 0:09:04 | 0:09:05 | |
Now, chaps, I am deliriously tired today | 0:09:07 | 0:09:11 | |
because I could not get to sleep last night, | 0:09:11 | 0:09:14 | |
so my husband Horace and I decided to conduct a little experiment | 0:09:14 | 0:09:19 | |
using a bow tie, a snorkel | 0:09:19 | 0:09:21 | |
and a safe word. | 0:09:21 | 0:09:23 | |
Thank you. Oh... | 0:09:24 | 0:09:26 | |
We thought we'd try to find out | 0:09:28 | 0:09:30 | |
just how intensely certain experiences can be enhanced | 0:09:30 | 0:09:34 | |
when the breath is restricted. | 0:09:34 | 0:09:36 | |
Oh... | 0:09:36 | 0:09:37 | |
Now, the safe word we went for was "bread buns", | 0:09:37 | 0:09:41 | |
because we do so love a bread bun. | 0:09:41 | 0:09:43 | |
But it turns out | 0:09:45 | 0:09:46 | |
it's quite impossible to shout "bread buns" | 0:09:46 | 0:09:49 | |
through a snorkel. | 0:09:49 | 0:09:51 | |
I found that out the hard way | 0:09:53 | 0:09:54 | |
and now poor Horace is in intensive care. | 0:09:54 | 0:09:56 | |
Oops! | 0:09:58 | 0:09:59 | |
Oh, look - this poor boy looks a bit confused. | 0:09:59 | 0:10:02 | |
Strangle wank. | 0:10:02 | 0:10:04 | |
Thank you. | 0:10:08 | 0:10:09 | |
Oh, sorry. Thank you. | 0:10:09 | 0:10:11 | |
So, I would like to leave you all wanting more. | 0:10:11 | 0:10:14 | |
"Oh, what's next?" I hear you cry. | 0:10:14 | 0:10:17 | |
So I've made you something. | 0:10:17 | 0:10:19 | |
It's a Cliff hanger. | 0:10:19 | 0:10:21 | |
GROANING AND LAUGHTER | 0:10:21 | 0:10:22 | |
Thank you so very much. Thank you. | 0:10:22 | 0:10:25 | |
Thank you...oh! | 0:10:25 | 0:10:27 | |
Chastity Butterworth, ladies and gentlemen. | 0:10:31 | 0:10:34 | |
"Thank you! Thank you!" | 0:10:34 | 0:10:36 | |
Now, the fact that Tennyson said | 0:10:36 | 0:10:38 | |
"It's better to have loved and lost than to have never loved at all" | 0:10:38 | 0:10:42 | |
just proves that he never saw the lovelorn antics | 0:10:42 | 0:10:45 | |
of Luke McQueen! | 0:10:45 | 0:10:46 | |
I didn't mean to cheat on my girlfriend, but I did - | 0:10:52 | 0:10:54 | |
accidentally. | 0:10:54 | 0:10:55 | |
Sarah's left me, so I need her to see how sorry I am. | 0:10:55 | 0:10:59 | |
I'll do anything to get her back. | 0:10:59 | 0:11:01 | |
When I cheated on Sarah, I humiliated her. | 0:11:04 | 0:11:07 | |
If I want to get her back, I have to humiliate myself even more. | 0:11:07 | 0:11:11 | |
MUSIC: "Pow" by Lethal Bizzle | 0:11:11 | 0:11:13 | |
It's quite aggressive. | 0:11:13 | 0:11:14 | |
I like it, though. | 0:11:17 | 0:11:18 | |
Battle rapping is full-on, it's intense. | 0:11:18 | 0:11:20 | |
They humiliate people for a living. And I want to be humiliated. | 0:11:20 | 0:11:23 | |
It's win-win. | 0:11:23 | 0:11:25 | |
Start around nine, I'm going to get there a bit early, | 0:11:27 | 0:11:29 | |
just to check the place out, have a look at the competition. | 0:11:29 | 0:11:33 | |
Hopefully, they're nice people and they support me. | 0:11:33 | 0:11:36 | |
I'm going to bring out two battlers. Let's go, bring 'em out. | 0:11:36 | 0:11:40 | |
-Yeah... -Whoa... | 0:11:40 | 0:11:42 | |
On the second mike, it's Luke. | 0:11:42 | 0:11:45 | |
Yeah - all right, this is how we're doing this. | 0:11:45 | 0:11:47 | |
Luke, you go first - | 0:11:47 | 0:11:48 | |
they're the rules, they're the rules. | 0:11:48 | 0:11:50 | |
Em, yeah. Hi, my name's Luke. | 0:11:51 | 0:11:53 | |
Em, I've never actually done this before, | 0:11:53 | 0:11:55 | |
but basically, recently, I cheated on my girlfriend. | 0:11:55 | 0:12:00 | |
It was an accident. | 0:12:00 | 0:12:01 | |
But the reason I'm doing this is because I want to show her | 0:12:01 | 0:12:04 | |
that I'm sorry and that I want us to get back together. | 0:12:04 | 0:12:08 | |
He seems like a really nice guy, | 0:12:08 | 0:12:09 | |
I don't really have anything negative to say at the moment. | 0:12:09 | 0:12:13 | |
# Do you seriously think trying to spit a rap | 0:12:14 | 0:12:16 | |
# Is gonna help you get your missus back? | 0:12:16 | 0:12:18 | |
# Things like this are the reason she left you in the first place | 0:12:18 | 0:12:21 | |
# You little twat | 0:12:21 | 0:12:23 | |
# No, honestly, she left you cos you're a massive loser | 0:12:23 | 0:12:26 | |
# She said your dick is as thin as a plastic ruler | 0:12:26 | 0:12:28 | |
# Remember that night she cheated on you when you were at the boozer? | 0:12:28 | 0:12:31 | |
# Well, say hello to the guy that made her fanny looser. # | 0:12:31 | 0:12:34 | |
CROWD: Ooh...! | 0:12:34 | 0:12:36 | |
Thank you. | 0:12:37 | 0:12:39 | |
CROWD LAUGHS | 0:12:39 | 0:12:41 | |
That was...um...that was quite good. | 0:12:41 | 0:12:43 | |
Um... | 0:12:43 | 0:12:44 | |
I also struggle to hold an erection when having sex, | 0:12:44 | 0:12:47 | |
so if you want to use that, you can. | 0:12:47 | 0:12:49 | |
Also... | 0:12:49 | 0:12:51 | |
GROANING AND LAUGHTER | 0:12:52 | 0:12:54 | |
..I haven't got a particularly good physique. | 0:12:54 | 0:12:57 | |
I've got a third nipple. I've actually got a rash. | 0:12:57 | 0:13:00 | |
It's not contagious, but it's kind of gross. | 0:13:02 | 0:13:04 | |
When I was school, I got bullied. | 0:13:04 | 0:13:06 | |
One time, they made me eat my own pubes. | 0:13:06 | 0:13:08 | |
When my nan died, I stole £20 from her purse | 0:13:08 | 0:13:11 | |
and I never told anyone about it. | 0:13:11 | 0:13:13 | |
TRACK INTRO PLAYS | 0:13:13 | 0:13:14 | |
-Sorry, can we have some silence? -Silence? | 0:13:14 | 0:13:17 | |
Could you please not say negative things about Sarah? | 0:13:18 | 0:13:21 | |
You can punish me, but she's got nothing to do with this. | 0:13:21 | 0:13:25 | |
Time. | 0:13:25 | 0:13:26 | |
Luke just said time. | 0:13:26 | 0:13:28 | |
# You've got a fucking big head and crossed eyes | 0:13:28 | 0:13:31 | |
# And you look like...someone poured a litre of water... # | 0:13:31 | 0:13:35 | |
-LAUGHING: -Oh, my God! | 0:13:35 | 0:13:36 | |
CROWD ROARS WITH LAUGHTER | 0:13:36 | 0:13:38 | |
It went really well - | 0:13:39 | 0:13:40 | |
I wasn't sure how the crowd would react, | 0:13:40 | 0:13:42 | |
but they were totally on my side, really supportive. | 0:13:42 | 0:13:45 | |
You know, Sarah will see that and respect me again. | 0:13:45 | 0:13:47 | |
I would've liked to have been humiliated a little bit more. | 0:13:47 | 0:13:50 | |
But there's lots going on tonight - hopefully, I can get involved with something else. | 0:13:50 | 0:13:53 | |
RAGGA MUSIC PLAYS | 0:13:53 | 0:13:57 | |
Ow! | 0:13:59 | 0:14:00 | |
Yeah, I think that'll definitely be enough, what I did tonight. | 0:14:07 | 0:14:09 | |
She has to look at that and think I'm doing everything I can. | 0:14:09 | 0:14:14 | |
I'm pretty confident she'll call me know. | 0:14:14 | 0:14:16 | |
APPLAUSE | 0:14:16 | 0:14:19 | |
Luke McQueen! | 0:14:23 | 0:14:25 | |
I actually want to experience that. | 0:14:25 | 0:14:28 | |
So it's rigging down by nine o'clock, e-mail Sue for anything HR-related | 0:14:28 | 0:14:31 | |
and don't use the flares before checking with Gary. | 0:14:31 | 0:14:34 | |
I've been here three years and I didn't know any of that, | 0:14:34 | 0:14:36 | |
-but I'm guessing that's right. -It is right. | 0:14:36 | 0:14:39 | |
Sorry I'm late. | 0:14:39 | 0:14:40 | |
Did I miss a meeting or something? | 0:14:41 | 0:14:43 | |
-No. -Cool, cos I was just bunking off in the bogs. | 0:14:43 | 0:14:47 | |
Smoking on my faggies. | 0:14:47 | 0:14:49 | |
-Anyone seen them, by the way? -No. | 0:14:49 | 0:14:51 | |
Must have left them in my sports car. | 0:14:51 | 0:14:53 | |
Didn't know you had a sports car. What type is it? | 0:14:53 | 0:14:55 | |
Dunno. Not into brands. | 0:14:55 | 0:14:58 | |
Right, I just had one more question. | 0:14:58 | 0:15:00 | |
-If... -Oh, fuck! I love this song! | 0:15:00 | 0:15:03 | |
Ho-ho! You realise these guys are banned from playing Reading? | 0:15:03 | 0:15:07 | |
-Are they? -Yeah. One of them threw a bottle at me | 0:15:07 | 0:15:09 | |
and I told the police. | 0:15:09 | 0:15:11 | |
Who is this prick? | 0:15:11 | 0:15:12 | |
Oh, look. Another one of Tom's lame rotas. | 0:15:14 | 0:15:16 | |
-Yeah. -"Hello, I'm Tom, and I've already finished a rota." | 0:15:16 | 0:15:19 | |
You'll notice it's not actually finished yet. | 0:15:19 | 0:15:21 | |
I hadn't scheduled you being a massive prat at this point. | 0:15:21 | 0:15:24 | |
Oh, fuck you, guys. | 0:15:24 | 0:15:26 | |
What do you want from me? I've been funny, cool, generous - | 0:15:27 | 0:15:31 | |
I gave you my nectarine. | 0:15:31 | 0:15:32 | |
You'd eaten half of it, it wasn't very hygienic. | 0:15:32 | 0:15:34 | |
Which is my I then gave you the cold sore cream. | 0:15:34 | 0:15:36 | |
What does it take? Do you want me to dress up as a pig? | 0:15:36 | 0:15:39 | |
Let you kick me? | 0:15:39 | 0:15:40 | |
Yeah, that'd be good. | 0:15:40 | 0:15:42 | |
Whatever. I don't need to impress you. | 0:15:42 | 0:15:45 | |
Just stay here and play on your little computers. | 0:15:45 | 0:15:49 | |
Try not to break anything...nerds. | 0:15:49 | 0:15:52 | |
CABLES DRAG ALONG THE FLOOR | 0:15:58 | 0:16:01 | |
Right, shall we press on? | 0:16:02 | 0:16:04 | |
One of the unique things about this show | 0:16:04 | 0:16:06 | |
is how we give opportunities to those people totally new | 0:16:06 | 0:16:09 | |
to the world of entertainment - | 0:16:09 | 0:16:11 | |
now, I mean TOTALLY new, OK? | 0:16:11 | 0:16:14 | |
Make some noise for Roger Showbusiness! | 0:16:14 | 0:16:16 | |
CHEERING AND APPLAUSE | 0:16:16 | 0:16:19 | |
Come on, Rodge! | 0:16:45 | 0:16:46 | |
VOICE TREMBLES: Um... | 0:16:47 | 0:16:49 | |
LAUGHTER | 0:16:49 | 0:16:51 | |
Good evening, ladies and gentlemen. | 0:16:57 | 0:16:59 | |
My name is... | 0:17:02 | 0:17:03 | |
..Roger Showbusiness. | 0:17:05 | 0:17:07 | |
SCATTERED APPLAUSE | 0:17:07 | 0:17:09 | |
(Oh, God...) | 0:17:10 | 0:17:11 | |
Using my talent for ventriloquism... | 0:17:14 | 0:17:17 | |
..tonight, I'm going to introduce you to a very special friend of mine. | 0:17:19 | 0:17:24 | |
He's, uh...he's in the briefcase. | 0:17:25 | 0:17:28 | |
Sorry, it's a surprise. | 0:17:29 | 0:17:32 | |
He's not in the briefcase. | 0:17:32 | 0:17:34 | |
He might be - oh, God...! | 0:17:36 | 0:17:38 | |
My psychiatrist suggested that I try ventriloquism | 0:17:41 | 0:17:45 | |
as a way of externalising the voices in my own head. | 0:17:45 | 0:17:50 | |
Also, she refuses to see me any more. | 0:17:52 | 0:17:54 | |
So the dummy gives me someone to talk to. | 0:17:56 | 0:17:59 | |
-AUDIENCE: -Aw! | 0:17:59 | 0:18:02 | |
So... | 0:18:02 | 0:18:03 | |
..who likes ventriloquism? | 0:18:05 | 0:18:07 | |
Yay! | 0:18:07 | 0:18:08 | |
CHEERING | 0:18:08 | 0:18:10 | |
"I do, Roger." | 0:18:14 | 0:18:15 | |
"I like ventriloquism." | 0:18:22 | 0:18:23 | |
Oh... | 0:18:25 | 0:18:27 | |
Hm... | 0:18:28 | 0:18:29 | |
Who said that? | 0:18:32 | 0:18:33 | |
It must have been my son - | 0:18:35 | 0:18:37 | |
Little Randy Showbusiness. | 0:18:37 | 0:18:39 | |
Would you like to meet him, ladies and gentlemen, boys and girls? | 0:18:42 | 0:18:45 | |
AUDIENCE: Yes! | 0:18:45 | 0:18:47 | |
Why? | 0:18:49 | 0:18:50 | |
This can only be awful. | 0:18:54 | 0:18:56 | |
Well, here he comes - ready or not. | 0:19:02 | 0:19:05 | |
(Oh, God...) | 0:19:14 | 0:19:15 | |
I've, uh... | 0:19:28 | 0:19:29 | |
I've forgotten the combination to the briefcase. | 0:19:29 | 0:19:32 | |
LAUGHTER | 0:19:41 | 0:19:42 | |
Hello, Little Randy Showbusiness. | 0:19:57 | 0:19:59 | |
"Hello, everyone." | 0:20:04 | 0:20:06 | |
"Daddy, can I ever be a real little boy?" | 0:20:08 | 0:20:14 | |
No. | 0:20:16 | 0:20:18 | |
Because if you were... | 0:20:20 | 0:20:21 | |
..they'd take you away. | 0:20:22 | 0:20:23 | |
Just like they did the real one. | 0:20:28 | 0:20:30 | |
I haven't really forgotten the combination. | 0:20:35 | 0:20:38 | |
-AUDIENCE: -Aw! | 0:20:45 | 0:20:47 | |
I left him on a train, two years ago. | 0:20:49 | 0:20:52 | |
And I haven't seen him since. | 0:20:52 | 0:20:54 | |
And when I say "him"... | 0:20:56 | 0:20:58 | |
..I mean my real son. | 0:20:59 | 0:21:01 | |
I don't even know how he got out of the briefcase. | 0:21:05 | 0:21:07 | |
I've been Roger Showbusiness. | 0:21:14 | 0:21:17 | |
Please don't hate me. | 0:21:17 | 0:21:18 | |
Good night. | 0:21:20 | 0:21:21 | |
CHEERING AND APPLAUSE | 0:21:21 | 0:21:24 | |
Moron! | 0:21:24 | 0:21:25 | |
Aw! | 0:21:29 | 0:21:31 | |
It'll develop from there. | 0:21:32 | 0:21:34 | |
Now, Live At The Electric is one of the least commercial shows | 0:21:35 | 0:21:37 | |
you'll find on the BBC. | 0:21:37 | 0:21:39 | |
That's why we're about to shove some commercials right up your eye holes. | 0:21:39 | 0:21:42 | |
See you after the break! | 0:21:42 | 0:21:43 | |
Do you want to give up smoking, but can't? | 0:21:48 | 0:21:50 | |
Well then, why not try these? | 0:21:50 | 0:21:52 | |
They look like ordinary cigarettes, and they are, | 0:21:52 | 0:21:56 | |
except that one of these cigarettes has been up a dog's arse. | 0:21:56 | 0:21:59 | |
The tip of one of these cigarettes | 0:21:59 | 0:22:02 | |
has been gently pushed up this small dog's arse | 0:22:02 | 0:22:05 | |
and then placed carefully back into the packet. | 0:22:05 | 0:22:08 | |
But which one? That's the risk you take. | 0:22:08 | 0:22:12 | |
New One Of These Cigarettes Has Been Up A Dog's Arse. | 0:22:16 | 0:22:19 | |
Really makes you think "How badly do I want this cigarette? | 0:22:19 | 0:22:22 | |
"Bad enough to risk smoking a cigarette | 0:22:22 | 0:22:24 | |
"that's been up a dog's arse?" | 0:22:24 | 0:22:26 | |
Now there's a risk your cigarette will taste of arse - dog arse. | 0:22:28 | 0:22:33 | |
New One Of These Cigarettes Has Been Up A Dog's Arse. | 0:22:33 | 0:22:36 | |
Because no-one wants to smoke a cigarette | 0:22:36 | 0:22:39 | |
that's been up a dog's arse. | 0:22:39 | 0:22:40 | |
Sorry... | 0:22:49 | 0:22:51 | |
And now, a quality performer who is the epitome of superiority - | 0:22:51 | 0:22:55 | |
that's high-status high jinks | 0:22:55 | 0:22:56 | |
in an organic, fair trade, Tesco Finest nutshell. | 0:22:56 | 0:22:59 | |
It's Alex Smith! | 0:22:59 | 0:23:00 | |
Hello! | 0:23:07 | 0:23:08 | |
-AUDIENCE: -Hello! | 0:23:08 | 0:23:10 | |
Em..I'm Alex Smith | 0:23:10 | 0:23:11 | |
and I would like to play you a little song now about problems. | 0:23:11 | 0:23:15 | |
I think we've all got problems. | 0:23:15 | 0:23:17 | |
I've certainly been told that I have some. | 0:23:17 | 0:23:20 | |
So this song's about my problems - it's called | 0:23:21 | 0:23:23 | |
It's Not Easy Being White, Middle Class And Vaguely Attractive. | 0:23:23 | 0:23:29 | |
LAUGHTER | 0:23:29 | 0:23:31 | |
I did say "vaguely". | 0:23:31 | 0:23:32 | |
HE PLAYS A SLOW TUNE | 0:23:34 | 0:23:36 | |
# Don't you hate it when your salad fork | 0:23:41 | 0:23:44 | |
# Is on the wrong side of your dinner fork? | 0:23:48 | 0:23:51 | |
# And there's no distinction between red and white wine glasses | 0:23:54 | 0:23:58 | |
# And you're accidentally mixing with the...lower classes | 0:24:00 | 0:24:05 | |
# Shit, I'm in a Harvester | 0:24:08 | 0:24:09 | |
# There are animals at the salad cart | 0:24:14 | 0:24:17 | |
# It can only spell disaster | 0:24:17 | 0:24:20 | |
# The Africans think they have a reason to despair | 0:24:23 | 0:24:27 | |
# They think they've got problems? | 0:24:28 | 0:24:30 | |
# My iPhone is in for repair | 0:24:30 | 0:24:33 | |
# I know your water is undrinkably dirty | 0:24:33 | 0:24:38 | |
# But I have to play Snake on a Nokia 3330 | 0:24:38 | 0:24:42 | |
# I try to fight everything life throws | 0:24:49 | 0:24:51 | |
# But how can I when my hometown has no Waitrose? | 0:24:55 | 0:24:59 | |
# You try buying hummus in ASDA | 0:25:01 | 0:25:04 | |
# They only have normal, they don't do Roasted Red Pepper | 0:25:07 | 0:25:11 | |
# I feel like people don't take me seriously | 0:25:13 | 0:25:16 | |
# They don't think I'm urban | 0:25:17 | 0:25:20 | |
# They don't even think I'm street | 0:25:20 | 0:25:23 | |
# Kick the remix! | 0:25:23 | 0:25:24 | |
TEMPO PICKS UP | 0:25:24 | 0:25:27 | |
APPLAUSE | 0:25:27 | 0:25:29 | |
# Oh, well, I can be urban, I can be street | 0:25:31 | 0:25:33 | |
# I'm fucking people up before I've had Shredded Wheat, yeah | 0:25:33 | 0:25:35 | |
# Eating breakfast in a gangsta way | 0:25:35 | 0:25:36 | |
# Poppin...some cherries - that's one of my five a day | 0:25:36 | 0:25:39 | |
# I know that haters, you're going to hate | 0:25:44 | 0:25:46 | |
# But did you know that I grew up on an estate? # | 0:25:46 | 0:25:48 | |
Well, it was actually more of a gated community. | 0:25:48 | 0:25:50 | |
# Don't get it when bitches don't like my flavour | 0:25:52 | 0:25:54 | |
# I'm like, "Sket, maybe you should have gone to Specsavers" | 0:25:54 | 0:25:56 | |
# I went there to sort out my opticals | 0:25:56 | 0:25:58 | |
# But did you know they don't even stock monocles? | 0:25:58 | 0:26:00 | |
# I keep my threads fresh, like Dr Dre | 0:26:00 | 0:26:01 | |
# Ask the ironing lady - she comes on a Wednesday | 0:26:01 | 0:26:03 | |
# Don't step to me, I own many guns | 0:26:03 | 0:26:05 | |
# They're antique Civil War reproductions | 0:26:05 | 0:26:07 | |
# Drop beats fatter than my Auntie Karen | 0:26:07 | 0:26:09 | |
# She's got heart problems - can't wait for the inheritance | 0:26:09 | 0:26:12 | |
LAUGHTER AND APPLAUSE | 0:26:12 | 0:26:14 | |
# I've got middle class blues... # | 0:26:20 | 0:26:23 | |
Well, middle-upper class. | 0:26:23 | 0:26:24 | |
# I've got middle-upper class blues | 0:26:26 | 0:26:29 | |
# It's not easy being this much better | 0:26:31 | 0:26:34 | |
# Better than you. # | 0:26:37 | 0:26:42 | |
Thank you very much. | 0:26:44 | 0:26:46 | |
Alex Smith! | 0:26:53 | 0:26:54 | |
I think a star has just been born right here at the Electric, amazing. | 0:26:54 | 0:26:58 | |
That's it for now, but if we've left you gasping for more, | 0:26:58 | 0:27:00 | |
head straight to... | 0:27:00 | 0:27:02 | |
Or one of the other popular internet sites - | 0:27:04 | 0:27:06 | |
Friends Reunited, Bebo, MySpace. | 0:27:06 | 0:27:08 | |
See you on Yahoo Messenger, kids! | 0:27:08 | 0:27:10 | |
From me and the Electrolytes, goodbye! | 0:27:10 | 0:27:12 | |
SOMEONE KNOCKS ON DOOR | 0:27:17 | 0:27:20 | |
-Yeah. -Hey. Can I borrow your laptop and desk phone? | 0:27:20 | 0:27:23 | |
I was having sex on mine and they all sort of... | 0:27:23 | 0:27:25 | |
Tom, we all saw you break them earlier. | 0:27:25 | 0:27:28 | |
Yeah. Um...can I borrow them anyway? | 0:27:28 | 0:27:32 | |
-They're at the work desk. -Cheers. | 0:27:32 | 0:27:34 | |
LAUGHTER AND CHATTER | 0:27:34 | 0:27:35 | |
-What's going on in there? -Having a few after-work beers. | 0:27:35 | 0:27:39 | |
On your own, or...? | 0:27:39 | 0:27:42 | |
No, Tom. | 0:27:42 | 0:27:43 | |
Look, they're a nice bunch. | 0:27:45 | 0:27:46 | |
You just need to stop...trying so hard. | 0:27:46 | 0:27:49 | |
I'm not... | 0:27:49 | 0:27:50 | |
They'll like you for who you are, OK? I'll put in a good word for you. | 0:27:53 | 0:27:57 | |
Cheers, mate. | 0:27:57 | 0:27:58 | |
Right. Sorry about that. On the floor again? | 0:27:59 | 0:28:03 | |
-Don't forget to squeal this time. -You still want the oinks? -Yeah. | 0:28:03 | 0:28:08 | |
This is so great...sorry. | 0:28:08 | 0:28:11 | |
ALL: Yeah! Pig! Pig! Pig! Pig! | 0:28:11 | 0:28:16 | |
Weeeee! | 0:28:16 | 0:28:17 |