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That's the fifth time you've shaved today, why you bothering? | 0:00:02 | 0:00:04 | |
-We all know you don't gots pubes. -Is it cool to have lots of pubes? | 0:00:04 | 0:00:07 | |
I guess not. Brazilian. | 0:00:07 | 0:00:08 | |
Oh, listen, Tom, my dad's coming to the show tonight, | 0:00:08 | 0:00:11 | |
-so I was wondering if maybe we could be left alone. -OK, cool. | 0:00:11 | 0:00:14 | |
-What's your dad going to do? -No, no, not me and you, me and my dad. Just try not to be annoying. | 0:00:14 | 0:00:17 | |
-What's your dad like? Is he a DILF? -No. | 0:00:17 | 0:00:20 | |
What? No. | 0:00:20 | 0:00:22 | |
-He's actually a professional singer. -Oh, God. | 0:00:22 | 0:00:25 | |
Another one of Simon Cowell's robots, no doubt. | 0:00:25 | 0:00:28 | |
Erm, Dad's a bit more highbrow than that. | 0:00:28 | 0:00:30 | |
-What's the last thing he did? -Jersey Boys. | 0:00:30 | 0:00:32 | |
Has your dad ever seen The Scorpion King with Dwain "The Rock" Johnson? | 0:00:32 | 0:00:36 | |
-I doubt it. -Because that is begging to be made into a musical. | 0:00:36 | 0:00:39 | |
I think I speak for my dad in saying that is a terrible idea, Tom. | 0:00:39 | 0:00:43 | |
People are always saying how similar we are. | 0:00:43 | 0:00:45 | |
I guess that's why we both ended up working in the world of stage. | 0:00:45 | 0:00:47 | |
-Backstage. Very different. -Hello Papa. | 0:00:47 | 0:00:51 | |
-Hello, Silly Socks. -Silly Socks. | 0:00:51 | 0:00:54 | |
Let me look at you. | 0:00:54 | 0:00:56 | |
Oh, my finger is raw from your face. | 0:00:56 | 0:00:58 | |
So once you've shaved, let's get on with this little backstage tour | 0:00:58 | 0:01:01 | |
so Papa can enjoy the real show. | 0:01:01 | 0:01:03 | |
Well, interestingly, Papa, the show doesn't actually start without | 0:01:03 | 0:01:06 | |
my say so. So without further ado, strap in and enjoy the ride. | 0:01:06 | 0:01:11 | |
You left the safety on. | 0:01:13 | 0:01:15 | |
THIS PROGRAMME CONTAINS STRONG LANGUAGE | 0:01:16 | 0:01:24 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:34 | |
Good evening, ladies and gentlemen, welcome to Live At The Electric! | 0:01:42 | 0:01:46 | |
CHEERING | 0:01:46 | 0:01:49 | |
A circus of character and carefully choreographed sketch | 0:01:49 | 0:01:53 | |
with me at the centre. | 0:01:53 | 0:01:54 | |
Now, you're probably sitting at home watching this thinking, | 0:01:54 | 0:01:57 | |
"Hey, that looks pretty glamorous doing stand-up in a piss-smelling, | 0:01:57 | 0:02:00 | |
"condemned theatre with a smashed-up piano." But let me tell you, | 0:02:00 | 0:02:03 | |
my feet are firmly on the ground. They're so firmly on the ground that I refuse, whenever I can, | 0:02:03 | 0:02:07 | |
VIP - I like to mingle with normal people, and recently | 0:02:07 | 0:02:10 | |
I was on holiday in Thailand, I was having a wicked night, | 0:02:10 | 0:02:13 | |
I was there with my girlfriend, Lindsey from Manchester, Linz-ehh! | 0:02:13 | 0:02:16 | |
-As it's pronounced. -LAUGHTER | 0:02:16 | 0:02:18 | |
And this was the mistake I made, | 0:02:18 | 0:02:21 | |
instead of going through the lit path down the beach on the way home, | 0:02:21 | 0:02:24 | |
I thought, right, take the short cut, through the dark path, | 0:02:24 | 0:02:26 | |
to where the taxi was waiting, and that's when this little incident happened. | 0:02:26 | 0:02:31 | |
As I was walking, I heard this, | 0:02:31 | 0:02:32 | |
"Russell, can I have a photo, please? Please, Russell?" | 0:02:32 | 0:02:36 | |
So I turned around to do the photo. As I turned round to do | 0:02:36 | 0:02:39 | |
the photo, and I'm cleaning the language up a lot for BBC THREE, | 0:02:39 | 0:02:43 | |
this guy said, "Don't effing bother, I think yer effing shite." Right? | 0:02:43 | 0:02:48 | |
Two big Geordies start abusing me verbally, | 0:02:48 | 0:02:51 | |
"That's right, you're effing shite, don't come back. | 0:02:51 | 0:02:53 | |
"We don't want an effing photo and that." What am I going to do? | 0:02:53 | 0:02:56 | |
It's two massive Geordie guys. Big. | 0:02:56 | 0:02:58 | |
You know how big the Geordie guys are. It was two of them, | 0:02:58 | 0:03:00 | |
with the vest, with one bit of string vest going down the middle, | 0:03:00 | 0:03:03 | |
and a tit muscle hanging over each one. | 0:03:03 | 0:03:05 | |
They'd been doing that dance some men have all night, which is the | 0:03:05 | 0:03:08 | |
heterosexual fist pump dance. "It's the only dance move I've | 0:03:08 | 0:03:10 | |
"effing well got, it's like punching and dancing at the same time." | 0:03:10 | 0:03:14 | |
I'd been dancing next to them going "Oh, I can feel the sand on my feet, I love Thailand. | 0:03:16 | 0:03:19 | |
"It's so amazing. I'm just so connected." | 0:03:19 | 0:03:22 | |
I've got a brilliant ability to resist abuse. | 0:03:22 | 0:03:24 | |
I wouldn't have become a stand-up otherwise, but it's carrying on. | 0:03:24 | 0:03:27 | |
"That's right, walk off, you effing shite." Doing the fist pump. But I'd forgotten, | 0:03:27 | 0:03:31 | |
I'm dating a Northern girl, not a Southern girl, | 0:03:31 | 0:03:34 | |
and Northern girls attack, yeah? | 0:03:34 | 0:03:37 | |
But Lindsey, she's just lost it. Turned around, in a dark alley, | 0:03:37 | 0:03:41 | |
to two pissed-up Geordies and gone... | 0:03:41 | 0:03:43 | |
-IN NORTHERN ACCENT: -"Why don't you both piss off? You're just fucking jealouuuus." | 0:03:43 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:50 | |
Now, something went in my brain and I felt myself turning. | 0:03:50 | 0:03:53 | |
Five foot ten and 11st | 0:03:53 | 0:03:57 | |
of eyeliner-wearing ponce | 0:03:57 | 0:03:59 | |
is turning around. | 0:03:59 | 0:04:01 | |
I've turned, I've turned. In my bag is two bottles of beer. | 0:04:01 | 0:04:07 | |
They are plastic, but these two guys don't know that, right? | 0:04:07 | 0:04:10 | |
I pulled these two bottles out and went, | 0:04:10 | 0:04:12 | |
"Come on then, let's do this." | 0:04:12 | 0:04:15 | |
-LAUGHTER -Now, you know that thing your parents tell you? | 0:04:15 | 0:04:18 | |
"Hey, just stand up to bullies, they soon back down." | 0:04:18 | 0:04:21 | |
Thanks for that lie. Thanks for that lie, Mum. | 0:04:21 | 0:04:24 | |
And these guys are coming towards me, I can't get out of it. | 0:04:24 | 0:04:27 | |
Lindsey has lost it, she's not tough any more. | 0:04:27 | 0:04:29 | |
-IN NORTHERN ACCENT -"I'm sorry, let's go, don't look back in anger, I'm sorry." | 0:04:29 | 0:04:32 | |
LAUGHTER | 0:04:32 | 0:04:35 | |
But I've... I've suddenly got the testosterone of three bouncers, right? | 0:04:35 | 0:04:39 | |
I'm just stood there like that going, "All right?" | 0:04:39 | 0:04:41 | |
I'm even doing what some men do, which is, you know the fight salsa | 0:04:41 | 0:04:44 | |
with the hips? I've got a bit of fight salsa going, | 0:04:44 | 0:04:46 | |
"You want some of that, do you? | 0:04:46 | 0:04:48 | |
"Got a bot of fight salsa in my hips mate, do you want that?" | 0:04:48 | 0:04:51 | |
Hip fight salsa. | 0:04:51 | 0:04:53 | |
I didn't even know I could do fight salsa! | 0:04:53 | 0:04:55 | |
These guys are coming towards me. | 0:04:57 | 0:04:59 | |
As his face has entered the orb of light, it's completely | 0:04:59 | 0:05:04 | |
changed into this wonderful, benevolent smile, and he said this... | 0:05:04 | 0:05:09 | |
"Oh, it's you! Sorry, mate, I thought you were | 0:05:09 | 0:05:11 | |
"Nick Grimshaw, the shit one from Radio One, I'm sorry. I love you." | 0:05:11 | 0:05:16 | |
"It was just banter, that's my banter, mate." | 0:05:16 | 0:05:18 | |
LAUGHTER AND APPLAUSE | 0:05:18 | 0:05:21 | |
So, prepare yourselves for political drama so full of credibility, | 0:05:21 | 0:05:26 | |
the script is in 24 point, bold and underlined. Set the font to | 0:05:26 | 0:05:30 | |
impact and the printer to landscape, it's The Situation Room! | 0:05:30 | 0:05:35 | |
CHEERING AND APPLAUSE | 0:05:35 | 0:05:38 | |
The system is still down, this is code-red. | 0:05:45 | 0:05:47 | |
-Prime Minister, we've been hacked. -How serious? -Damn serious. | 0:05:47 | 0:05:50 | |
-They have control of our missile systems. -We have to reset the nuclear passwords immediately. | 0:05:50 | 0:05:54 | |
-Give me the laptop. It can be anything? -Something secure. | 0:05:54 | 0:05:56 | |
-OK done. -Great, what was it? | 0:06:00 | 0:06:02 | |
What? | 0:06:02 | 0:06:04 | |
But it's my password. | 0:06:04 | 0:06:05 | |
Look, this is a matter for national security, | 0:06:05 | 0:06:07 | |
-you can't be the only one that knows. -Erm... | 0:06:07 | 0:06:09 | |
We need that password now, sir. | 0:06:09 | 0:06:11 | |
Oh. Oh, no, I think I've forgotten it. | 0:06:11 | 0:06:13 | |
-Nuclear firewalls have been breached. -Can I pick a new one? | 0:06:13 | 0:06:15 | |
Give us the password now or you'll get us all killed! | 0:06:15 | 0:06:18 | |
Oh, really? | 0:06:18 | 0:06:19 | |
OK, then. | 0:06:19 | 0:06:21 | |
-I... -Yes. | 0:06:21 | 0:06:23 | |
-..want... -Quickly. | 0:06:23 | 0:06:24 | |
..to see | 0:06:24 | 0:06:26 | |
Sarah's... | 0:06:26 | 0:06:27 | |
Oh, my God. | 0:06:27 | 0:06:29 | |
LAUGHTER | 0:06:29 | 0:06:31 | |
..muff... | 0:06:31 | 0:06:33 | |
..now. | 0:06:35 | 0:06:36 | |
LAUGHTER | 0:06:36 | 0:06:38 | |
Was that it? | 0:06:40 | 0:06:42 | |
4. | 0:06:42 | 0:06:44 | |
Because I needed a number. | 0:06:44 | 0:06:46 | |
Hurry, the hackers are taking control. | 0:06:46 | 0:06:48 | |
-It hasn't worked. -Wait. How do you spell muff? | 0:06:48 | 0:06:51 | |
Quick tank. | 0:06:57 | 0:06:59 | |
Now, it's time to spin the gentrification dial all the way to | 0:06:59 | 0:07:02 | |
borderline royalty, it's Chastity Butterworth! | 0:07:02 | 0:07:06 | |
Oh, gosh! Ooh! | 0:07:07 | 0:07:10 | |
Ooh! | 0:07:10 | 0:07:12 | |
Ooh. Oh! | 0:07:14 | 0:07:17 | |
So, my name is Chastity Butterworth | 0:07:19 | 0:07:22 | |
and being called such a name led me to have | 0:07:22 | 0:07:25 | |
a lot of nicknames at school. | 0:07:25 | 0:07:27 | |
Like Chaz and Titty... | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:30 | |
Titty Butts... | 0:07:30 | 0:07:32 | |
Butty Face. | 0:07:32 | 0:07:34 | |
Squirter, but... | 0:07:34 | 0:07:37 | |
that's another story. | 0:07:37 | 0:07:40 | |
So I wonder if anyone here has any nicknames. | 0:07:40 | 0:07:43 | |
Sir, do you have a nickname at all? | 0:07:43 | 0:07:44 | |
What do you call him? | 0:07:44 | 0:07:46 | |
Tight Git. | 0:07:46 | 0:07:47 | |
The Tight Git. Well, Tight Git, | 0:07:48 | 0:07:51 | |
will you join me on stage? Tight Git everybody, come! | 0:07:51 | 0:07:54 | |
Come along. | 0:07:56 | 0:07:57 | |
Good evening, what a lovely pair of legs. | 0:07:59 | 0:08:02 | |
So, if I may shorten your name to Git, is that all right? | 0:08:02 | 0:08:04 | |
Perfect. | 0:08:04 | 0:08:06 | |
So if you can come closer, come on, don't be scared. | 0:08:06 | 0:08:08 | |
So, now then, | 0:08:08 | 0:08:10 | |
I have written some plays, | 0:08:10 | 0:08:12 | |
and now Git and I are going to perform them for you, aren't we, Git? | 0:08:12 | 0:08:16 | |
-Yes. -Good boy. All right. | 0:08:16 | 0:08:19 | |
So, this first play is set in the very dramatic setting | 0:08:19 | 0:08:23 | |
of a pharmacy. | 0:08:23 | 0:08:24 | |
I know, "Oh, Doctor, stop it." All right. | 0:08:24 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:29 | |
Ready, go. | 0:08:29 | 0:08:30 | |
Hello, sir, and welcome to the pharmacy, how may I help you? | 0:08:30 | 0:08:35 | |
Just some paracetamol, please? | 0:08:35 | 0:08:37 | |
Ooh, paracetamol. | 0:08:37 | 0:08:39 | |
I like the way you say that, say it again? | 0:08:39 | 0:08:42 | |
-No. -Oh, no. | 0:08:42 | 0:08:44 | |
I like the way you say that, say it again. | 0:08:44 | 0:08:48 | |
No. | 0:08:48 | 0:08:49 | |
Ha-ha. | 0:08:49 | 0:08:51 | |
Thank you. | 0:08:51 | 0:08:53 | |
Thank you. Thank you, thank you. | 0:08:53 | 0:08:56 | |
Now, erm... | 0:08:56 | 0:08:58 | |
This next play, there's two plays in this next section | 0:08:58 | 0:09:01 | |
entitled, How To Disarm And Overt Violence With Manners. | 0:09:01 | 0:09:05 | |
I know. So we're going to see the first play without manners | 0:09:05 | 0:09:09 | |
and the second one with, just to see the power of them. | 0:09:09 | 0:09:12 | |
All right. Where it says, you, "Because I'm incredibly angry," Git, | 0:09:12 | 0:09:16 | |
that would be lovely, incredibly angry. Ready, go. | 0:09:16 | 0:09:19 | |
You just stood on my toe, you absolute craphead. | 0:09:19 | 0:09:21 | |
LAUGHTER | 0:09:21 | 0:09:23 | |
Well, you deserved it, prat face. | 0:09:23 | 0:09:25 | |
Fuck you. | 0:09:25 | 0:09:26 | |
Fuck you. | 0:09:26 | 0:09:28 | |
I'm going to kill your family. | 0:09:28 | 0:09:30 | |
LAUGHTER | 0:09:30 | 0:09:33 | |
Right, so, you can see, because I didn't apologise | 0:09:33 | 0:09:36 | |
for stepping on Git's toe, | 0:09:36 | 0:09:38 | |
now my family are in grave danger. | 0:09:38 | 0:09:42 | |
So we're going to see the second play, but this time with manners, | 0:09:42 | 0:09:45 | |
just to see the power of them. | 0:09:45 | 0:09:46 | |
Nice and angry again, Git. Ready, go. | 0:09:46 | 0:09:49 | |
You just stood on my toe, you absolute craphead. | 0:09:49 | 0:09:51 | |
Oh, I am so, so sorry. | 0:09:51 | 0:09:53 | |
That's OK. | 0:09:53 | 0:09:55 | |
CHEERING AND APPLAUSE | 0:09:55 | 0:09:57 | |
Family saved. | 0:09:58 | 0:10:00 | |
Family saved, unless of course you don't like your family, | 0:10:02 | 0:10:04 | |
in which case do tell them to fuck off. Now... | 0:10:04 | 0:10:07 | |
Thank you. Well that's it, everybody. | 0:10:07 | 0:10:09 | |
Git, thank you, the drama section everybody, off you go. | 0:10:09 | 0:10:12 | |
Off you go. Off you go. | 0:10:12 | 0:10:14 | |
Now, finally, a short one-woman play | 0:10:17 | 0:10:20 | |
I've written about safe driving. | 0:10:20 | 0:10:22 | |
Indicate! | 0:10:24 | 0:10:26 | |
Thank you. Thank you. | 0:10:26 | 0:10:27 | |
Good night, thank you. Oh, gosh, thank you so much. | 0:10:27 | 0:10:30 | |
Oh, ooh. | 0:10:30 | 0:10:32 | |
Are you fed up with your large vegetables being stolen? | 0:10:35 | 0:10:38 | |
Well, thanks to genetic engineering, | 0:10:38 | 0:10:40 | |
we've managed to create boiling hot marrows. | 0:10:40 | 0:10:43 | |
SIZZLING | 0:10:58 | 0:10:59 | |
Fuck, that's hot! | 0:10:59 | 0:11:00 | |
Shitheads! Argh! | 0:11:02 | 0:11:04 | |
Boiling hot. | 0:11:04 | 0:11:05 | |
It's taken the skin off my shitting hands! | 0:11:05 | 0:11:09 | |
Boiling hot marrows, touch them | 0:11:09 | 0:11:11 | |
and they'll take the skin off your hands. | 0:11:11 | 0:11:13 | |
Arseholes! | 0:11:13 | 0:11:15 | |
LAUGHTER AND APPLAUSE | 0:11:15 | 0:11:18 | |
What a brilliant idea! Now, this truly is a new discovery, | 0:11:18 | 0:11:22 | |
someone who's hardly ever been on stage in his life. | 0:11:22 | 0:11:25 | |
Be gentle with him, give him lots of support, because I think there's | 0:11:25 | 0:11:28 | |
some real talent there. Ladies and gentlemen, | 0:11:28 | 0:11:30 | |
it's Roger Showbusiness. | 0:11:30 | 0:11:32 | |
CHEERING AND APPLAUSE | 0:11:32 | 0:11:34 | |
MUSIC: "Money for Nothing" by Dire Straits | 0:11:34 | 0:11:37 | |
MUSIC FADES | 0:11:52 | 0:11:54 | |
LAUGHTER | 0:12:02 | 0:12:04 | |
Good evening, ladies and gentlemen. | 0:12:07 | 0:12:11 | |
I'm Roger Showbusiness. | 0:12:11 | 0:12:13 | |
Oh, God... | 0:12:15 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:18 | |
I'm here tonight because my psychiatrist suggested that | 0:12:18 | 0:12:21 | |
I try stand-up to help build my confidence. | 0:12:21 | 0:12:25 | |
LAUGHTER | 0:12:27 | 0:12:30 | |
What's with that? | 0:12:32 | 0:12:34 | |
A catch phrase. | 0:12:38 | 0:12:40 | |
Are you ready to laugh? | 0:12:43 | 0:12:45 | |
AUDIENCE: Yes! | 0:12:45 | 0:12:46 | |
Roger can't hear you. | 0:12:49 | 0:12:51 | |
LAUGHTER | 0:12:52 | 0:12:54 | |
I said, are you ready to laugh? | 0:12:55 | 0:12:58 | |
AUDIENCE: Yes! | 0:12:58 | 0:13:00 | |
Oh, God, really? | 0:13:01 | 0:13:03 | |
Let the fun begin. | 0:13:04 | 0:13:06 | |
Don't make me COMB over there... | 0:13:08 | 0:13:11 | |
..said Bobby Charlton | 0:13:13 | 0:13:15 | |
when taunted about his balding hairstyle. | 0:13:15 | 0:13:19 | |
AWKWARD SILENCE | 0:13:19 | 0:13:22 | |
LAUGHTER | 0:13:22 | 0:13:23 | |
Jesus Christ. | 0:13:23 | 0:13:25 | |
If a box of paperclips is travelling at 30mph in one direction, | 0:13:28 | 0:13:33 | |
and a stack of photocopy paper is | 0:13:33 | 0:13:35 | |
travelling at 30mph in the other direction, | 0:13:35 | 0:13:38 | |
and they collide... | 0:13:38 | 0:13:41 | |
are they still both stationary? | 0:13:41 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:46 | |
APPLAUSE | 0:13:47 | 0:13:49 | |
I can't even remember why that's supposed to be funny. | 0:13:54 | 0:13:58 | |
And I wrote it. | 0:13:58 | 0:14:00 | |
What's with that? | 0:14:02 | 0:14:04 | |
LAUGHTER | 0:14:04 | 0:14:06 | |
Well, that's all from me, Roger Showbusiness. | 0:14:06 | 0:14:10 | |
To be honest, the thought of continuing in front of all of you | 0:14:10 | 0:14:14 | |
makes me want to be sick in my own mouth. | 0:14:14 | 0:14:17 | |
HE GAGS | 0:14:22 | 0:14:24 | |
Oh, God, I'm so sorry... | 0:14:27 | 0:14:29 | |
What's with that? | 0:14:34 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:37 | |
Good night. | 0:14:37 | 0:14:39 | |
This is bullshit. | 0:14:42 | 0:14:43 | |
So, next up we've got the rota I designed. I know what you're thinking. "Aah!" | 0:14:48 | 0:14:51 | |
But luminous highlighter's kind of my trademark. | 0:14:51 | 0:14:54 | |
# How very, very boring. # | 0:14:54 | 0:14:56 | |
You'll notice everyone's got a... | 0:14:56 | 0:14:58 | |
Boo! Oh, dear, someone's booing you. | 0:14:58 | 0:15:01 | |
Papa, I saw it was you. | 0:15:01 | 0:15:02 | |
What? Me? | 0:15:02 | 0:15:04 | |
It WAS me. | 0:15:04 | 0:15:06 | |
# The man who booed his son. # | 0:15:06 | 0:15:10 | |
Your voice is incredible. | 0:15:10 | 0:15:12 | |
Yep, should have heard him in Jersey Boys, still one of my faves. | 0:15:12 | 0:15:15 | |
Oh, how strange. It's one of my least favourites. | 0:15:15 | 0:15:19 | |
Although, you're the expert, I suppose. | 0:15:19 | 0:15:21 | |
Since you're tone deaf and you work backstage. | 0:15:21 | 0:15:23 | |
# And a huge disappointment. # | 0:15:23 | 0:15:26 | |
# Sorry pa... # | 0:15:26 | 0:15:27 | |
Oh, God, Tom, warn us! | 0:15:27 | 0:15:29 | |
-What are you up to next? -Oh, presently working with | 0:15:29 | 0:15:31 | |
Dwayne "The Rock" Johnson on a musical adaptation | 0:15:31 | 0:15:34 | |
of The Scorpion King. | 0:15:34 | 0:15:36 | |
Yes, Mackintosh is sniffing around for a writing credit. | 0:15:36 | 0:15:39 | |
I guess some things never change. | 0:15:39 | 0:15:41 | |
Come on, Dad, now it's time for my performance. | 0:15:41 | 0:15:43 | |
You know those Excel short cuts I was telling you about? | 0:15:43 | 0:15:46 | |
-Going to do them blindfolded. -Oh, dear. | 0:15:46 | 0:15:48 | |
I thought for a moment you might mean perform on stage. | 0:15:48 | 0:15:52 | |
-I'll give it a miss. -I do mean on the stage. | 0:15:52 | 0:15:55 | |
Tonight. | 0:15:56 | 0:15:58 | |
-I'm going to do five minutes. -Five minutes of what? | 0:15:58 | 0:16:01 | |
Of entertainment. | 0:16:01 | 0:16:02 | |
-Russell said I could do five minutes at the end. -No, he didn't. | 0:16:02 | 0:16:05 | |
That actually works perfectly for me, guys. | 0:16:05 | 0:16:07 | |
I'm leaving early to bleach my J-Cloths, so you're on. | 0:16:07 | 0:16:10 | |
Sorry, I was listening to the whole thing. | 0:16:10 | 0:16:12 | |
Oh, looking forward to it. | 0:16:12 | 0:16:14 | |
-CHEERING AND APPLAUSE -Oh, thank you. | 0:16:16 | 0:16:20 | |
And now, please welcome a minstrel so submerged in mirth, | 0:16:20 | 0:16:22 | |
his delightful ditties could give you decompression sickness. | 0:16:22 | 0:16:25 | |
Chortle snorkels on stand-by, | 0:16:25 | 0:16:27 | |
it's Alex Smith! | 0:16:27 | 0:16:30 | |
CHEERING AND APPLAUSE | 0:16:30 | 0:16:32 | |
Hello. | 0:16:34 | 0:16:35 | |
Well, you might think that women flock to someone who looks like | 0:16:38 | 0:16:42 | |
if Princess Anne joined Wham... | 0:16:42 | 0:16:44 | |
Erm, but it's not the case, but luckily I've found | 0:16:44 | 0:16:47 | |
the perfect place to meet women. We had one at university, it was | 0:16:47 | 0:16:51 | |
a medical health centre, and erm... | 0:16:51 | 0:16:54 | |
I found a leaflet, it was a condom instruction leaflet | 0:16:54 | 0:16:57 | |
and it said, "These condoms work fantastically with lubrication. | 0:16:57 | 0:17:02 | |
"However, don't use any natural lubricants like baby oil | 0:17:02 | 0:17:06 | |
"or butter." | 0:17:06 | 0:17:07 | |
LAUGHTER | 0:17:07 | 0:17:10 | |
Now, if you are out of KY, | 0:17:11 | 0:17:13 | |
Lurpak should not be your go-to. | 0:17:13 | 0:17:16 | |
And I really can't stress this enough, | 0:17:16 | 0:17:19 | |
despite appearances, a vagina... | 0:17:19 | 0:17:22 | |
is not a jacket potato. | 0:17:22 | 0:17:24 | |
LAUGHTER | 0:17:24 | 0:17:26 | |
# It's 10pm | 0:17:34 | 0:17:36 | |
# And MasterChef is over | 0:17:36 | 0:17:39 | |
# You say you're going to bed | 0:17:42 | 0:17:43 | |
# I know you're down for some sexual exposure | 0:17:43 | 0:17:47 | |
# You like to talk dirty | 0:17:50 | 0:17:51 | |
# You like to be so rude | 0:17:51 | 0:17:55 | |
# Say something filthy like | 0:17:58 | 0:17:59 | |
# Not tonight, not really in the mood | 0:17:59 | 0:18:02 | |
# I know what you're saying | 0:18:03 | 0:18:06 | |
# So I go down to the box of refrigeration | 0:18:06 | 0:18:11 | |
# And I grab us some dairy lubrication | 0:18:14 | 0:18:19 | |
# Got butter, got a rubber | 0:18:21 | 0:18:23 | |
# Maybe me and you should spend a night under the covers | 0:18:23 | 0:18:26 | |
# Take off your jeans Let's get obscene | 0:18:26 | 0:18:28 | |
# Oh, girl, thanks to margarine | 0:18:28 | 0:18:31 | |
# Oh-oh-oh... # | 0:18:31 | 0:18:32 | |
Oh! | 0:18:32 | 0:18:33 | |
# And now I have to eat all of my sandwiches dry | 0:18:37 | 0:18:42 | |
LAUGHTER | 0:18:42 | 0:18:44 | |
# My bed looks like where Homer Simpson died | 0:18:46 | 0:18:50 | |
LAUGHTER | 0:18:50 | 0:18:53 | |
# I used up | 0:18:54 | 0:18:56 | |
# All of my low-fat Flora-ah-ah-ah | 0:18:56 | 0:19:00 | |
# When I was breaking in | 0:19:02 | 0:19:05 | |
# Your back door, ah-ah-ah-ah | 0:19:05 | 0:19:08 | |
# You were on your knees You were looking pleased | 0:19:10 | 0:19:13 | |
# You were full of Omega 3 | 0:19:13 | 0:19:17 | |
LAUGHTER AND APPLAUSE | 0:19:17 | 0:19:19 | |
# We were all a-flutter and then you utter | 0:19:23 | 0:19:25 | |
# I can't believe we just used butter. # | 0:19:25 | 0:19:27 | |
LAUGHTER AND APPLAUSE | 0:19:27 | 0:19:30 | |
Thank you very much. | 0:19:30 | 0:19:32 | |
In 2013, a BBC documentary crew filmed the everyday | 0:19:42 | 0:19:46 | |
happenings of a North London youth club on Bullsmoor Lane. | 0:19:46 | 0:19:50 | |
Its name, the BYC. | 0:19:50 | 0:19:52 | |
It's leader, Pete Swivel. | 0:19:52 | 0:19:54 | |
-Just leave it with me, you don't need names. You don't, honestly. -Just make sure it's done, then. | 0:19:55 | 0:20:00 | |
Will do, I've known these kids for years. You don't need to get involved. | 0:20:00 | 0:20:03 | |
-Any trouble, come back, but for now... -Just sort it out. -Thanks a lot. | 0:20:03 | 0:20:06 | |
Yeah, cheers, mate. Thank you. | 0:20:06 | 0:20:09 | |
I can't believe it, he said some of the kids had been seen | 0:20:09 | 0:20:11 | |
smoking weed round the back of the bins. | 0:20:11 | 0:20:13 | |
I ain't seen nothing though, and if it's one thing we pride ourselves on here | 0:20:13 | 0:20:16 | |
at the BYC, is that you're innocent until proven guilty. | 0:20:16 | 0:20:20 | |
No matter what's gone on before. | 0:20:20 | 0:20:23 | |
I don't need proof, you punk - you've got previous smoking that shit. | 0:20:23 | 0:20:26 | |
And why are you still doing it anyway? You'll put on weight with all the munchies, you know that, | 0:20:26 | 0:20:30 | |
-and you don't need it with your complexion. -Pete, man, | 0:20:30 | 0:20:33 | |
I'm a musician - smoking the green is what we do, bruv. | 0:20:33 | 0:20:35 | |
You can just about play Happy Birthday on your | 0:20:35 | 0:20:38 | |
Cash Converters keyboard - you ain't selling out the O2 just yet. | 0:20:38 | 0:20:41 | |
It makes me more creative, though. It unlocks doors in my mind, blud. | 0:20:41 | 0:20:44 | |
Look at Shakespeare, he loved a Jamaican Benson. | 0:20:44 | 0:20:46 | |
Yeah, and look at the tripe he churned out. | 0:20:46 | 0:20:49 | |
-What? He's the greatest! -Is he?! | 0:20:49 | 0:20:52 | |
Me and the ex went to see Macbeth at the Old Vic last year | 0:20:52 | 0:20:54 | |
and couldn't make head nor tail of it, right? | 0:20:54 | 0:20:56 | |
I was yawning after 20 minutes and Trudy passed out on a bloke's lap. | 0:20:56 | 0:20:59 | |
If you want to show a girl a really good night, | 0:20:59 | 0:21:02 | |
Starlight Express. | 0:21:02 | 0:21:04 | |
Rock music, dancing, roller skates, | 0:21:04 | 0:21:07 | |
girls in little hot pants shaking their arses, blinding. | 0:21:07 | 0:21:10 | |
And you know who it was written by? | 0:21:10 | 0:21:12 | |
Sir Andrew Lloyd Webber, and he's clean as a whistle. | 0:21:12 | 0:21:16 | |
Even though he does look like a smackhead. | 0:21:18 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:22 | |
Anthony needs to learn that if he does the crime, he'll do the time. | 0:21:22 | 0:21:26 | |
And the same goes for anyone else around here. | 0:21:26 | 0:21:28 | |
If my kindness is abused and they act like animals, | 0:21:28 | 0:21:30 | |
then that's how I'll treat them. | 0:21:30 | 0:21:32 | |
Look, there's loads here, pick it up. | 0:21:32 | 0:21:34 | |
I mean, I caught a kid with half a gram of cocaine on him the other month, you know what I did? | 0:21:34 | 0:21:37 | |
Exactly what I did to my cat when it shit on the carpet, | 0:21:37 | 0:21:40 | |
I rubbed his nose in it. | 0:21:40 | 0:21:42 | |
Unorthodox. | 0:21:42 | 0:21:44 | |
And it did accelerate the problem, he's in rehab now. | 0:21:44 | 0:21:46 | |
But, you know, you can't save them all, can you? | 0:21:46 | 0:21:50 | |
I can try and stamp out drugs around here | 0:21:50 | 0:21:52 | |
until I'm blue in the face, but I need support off the parents as well. | 0:21:52 | 0:21:55 | |
people like Anthony's dad, who's been absolutely brilliant. | 0:21:55 | 0:21:58 | |
Nice one, Barry, straight ahead. | 0:21:58 | 0:22:00 | |
He's had 100 of these T-shirts printed up as well for me | 0:22:00 | 0:22:02 | |
to hand round. He's loaded, but it's still really good of him. | 0:22:02 | 0:22:05 | |
And he's obviously been affected by what Anthony's going through, so... | 0:22:05 | 0:22:09 | |
he's set up a helpline. | 0:22:09 | 0:22:11 | |
Really nice touch. | 0:22:11 | 0:22:13 | |
CHEERING AND APPLAUSE | 0:22:13 | 0:22:15 | |
Pete Swivel doing important work in our community. | 0:22:18 | 0:22:22 | |
Our next act are such a part of this show's foundations | 0:22:22 | 0:22:24 | |
we have to inspect them twice a year for structural defects, | 0:22:24 | 0:22:27 | |
and I'm pleased to report that Joe has passed his survey! | 0:22:27 | 0:22:30 | |
It's Two Episodes of Mash! | 0:22:30 | 0:22:32 | |
It's the last episode! | 0:22:41 | 0:22:43 | |
Which is lucky for us. | 0:22:46 | 0:22:47 | |
Kind of run out of stuff. | 0:22:47 | 0:22:49 | |
Yeah, we're really scraping the bottom of the barrel now. | 0:22:50 | 0:22:53 | |
Oh, shit. | 0:22:53 | 0:22:55 | |
-But as it's the last one... -Oh! -..thought we'd... | 0:22:56 | 0:22:59 | |
I've found the remote control for the screen. | 0:22:59 | 0:23:02 | |
Brilliant. As it's the last one... | 0:23:02 | 0:23:04 | |
Been looking for that for the whole series. | 0:23:04 | 0:23:07 | |
-It was in my pocket the whole time. -Hmmm. | 0:23:07 | 0:23:11 | |
-As it's the last one... -Oh, it's working. | 0:23:11 | 0:23:13 | |
LAUGHTER | 0:23:13 | 0:23:15 | |
Do you think we can get ITV on here? | 0:23:16 | 0:23:19 | |
-As it's the last one... -I'm going to try anyway. -OK, then. | 0:23:22 | 0:23:25 | |
-I'll try. -Hmmm. | 0:23:25 | 0:23:28 | |
Oh... I've pressed settings. | 0:23:28 | 0:23:31 | |
Oh. As it's the last one of the series... | 0:23:31 | 0:23:33 | |
I've pressed something called Old People. | 0:23:33 | 0:23:35 | |
-I don't care. As it... -What does that mean? | 0:23:35 | 0:23:38 | |
I don't... Ooh. As it's the last one of the series, what we're going to do is, we're | 0:23:38 | 0:23:41 | |
going to start with a dance routine we've been practising, come on, | 0:23:41 | 0:23:45 | |
let's do the dancing, we've got to put on white gloves, | 0:23:45 | 0:23:47 | |
so give us a sec. Hold on. | 0:23:47 | 0:23:49 | |
APPLAUSE DANCE MUSIC PLAYS | 0:24:05 | 0:24:09 | |
MUSIC STOPS | 0:24:19 | 0:24:21 | |
CHEERING AND APPLAUSE | 0:24:21 | 0:24:24 | |
CHEERING AND APPLAUSE | 0:24:36 | 0:24:39 | |
That went all right. | 0:24:39 | 0:24:40 | |
Thank you. | 0:24:42 | 0:24:45 | |
Carpet! | 0:24:45 | 0:24:46 | |
LAUGHTER | 0:24:48 | 0:24:50 | |
SOMEONE WOLF-WHISTLES | 0:24:55 | 0:24:56 | |
-Don't like your carpet. -Don't give a shit. | 0:25:00 | 0:25:02 | |
That's magic. | 0:25:04 | 0:25:05 | |
-It's not magic. -That is magic. -It's not. | 0:25:06 | 0:25:10 | |
-You don't believe me? Get on it, then. Go on. -I'm not getting... | 0:25:10 | 0:25:12 | |
-Go on. -No. -Go on. -No. | 0:25:12 | 0:25:14 | |
Get on it! | 0:25:14 | 0:25:15 | |
-Nothing's happening. -Oh, is it not? Is it not? | 0:25:21 | 0:25:24 | |
Nope. | 0:25:24 | 0:25:26 | |
Check behind your ear, go on. | 0:25:26 | 0:25:27 | |
It's a 50 pence piece. | 0:25:29 | 0:25:31 | |
CHEERING AND APPLAUSE | 0:25:31 | 0:25:33 | |
Check it, check it. Check in your pocket, go on. | 0:25:35 | 0:25:39 | |
Go on. | 0:25:39 | 0:25:40 | |
An egg. | 0:25:41 | 0:25:43 | |
Check... Go on, eh? Check... | 0:25:44 | 0:25:47 | |
Check backstage, check backstage. | 0:25:47 | 0:25:49 | |
Go on, go on. | 0:25:49 | 0:25:51 | |
-My elephant's gone! -Check under the carpet. | 0:25:53 | 0:25:56 | |
The ace of clubs. | 0:26:01 | 0:26:03 | |
Oh, shit, something's gone wrong. | 0:26:03 | 0:26:04 | |
LAUGHTER | 0:26:04 | 0:26:07 | |
I think I'm going to have to buy you a new elephant. | 0:26:20 | 0:26:23 | |
LAUGHTER AND APPLAUSE | 0:26:23 | 0:26:25 | |
Two Episodes of Mash, ladies and gentlemen. | 0:26:32 | 0:26:35 | |
That's it for now, but if you're after more exclusive content, | 0:26:35 | 0:26:38 | |
head straight to... | 0:26:38 | 0:26:41 | |
Or alternatively, send us a stamped, addressed envelope | 0:26:41 | 0:26:44 | |
and we'll send it to you on Betamax, MiniDisc or DAT cassette. | 0:26:44 | 0:26:47 | |
In brackets, we won't. | 0:26:47 | 0:26:49 | |
Now, to finish up today, as it's the last show, we've got | 0:26:49 | 0:26:52 | |
something a little bit different, you're going to love him, please welcome to the stage - Tom! | 0:26:52 | 0:26:57 | |
-Right, they're ready for you, mate. -Here's the thing, my dad's here... | 0:26:58 | 0:27:01 | |
Yeah, I know, your dad's here and you want to impress him, this is your chance. | 0:27:01 | 0:27:05 | |
-No, I was just pretending so that he... -Good luck, mate. | 0:27:05 | 0:27:08 | |
WHISTLE | 0:27:11 | 0:27:13 | |
I... | 0:27:13 | 0:27:14 | |
I... | 0:27:15 | 0:27:17 | |
I... | 0:27:18 | 0:27:20 | |
# I dreamed a dream in time gone by | 0:27:20 | 0:27:26 | |
# When hope was high and life worth living | 0:27:26 | 0:27:31 | |
# I had a dream my life would be | 0:27:31 | 0:27:36 | |
# So different from this hell I'm living | 0:27:36 | 0:27:41 | |
# So different now from what it seemed | 0:27:41 | 0:27:45 | |
# Now life has killed the dream | 0:27:45 | 0:27:49 | |
# I dreamed. # | 0:27:49 | 0:27:53 | |
CHEERING AND APPLAUSE | 0:27:53 | 0:27:55 | |
Phew. Thanks so much, mate. | 0:28:01 | 0:28:04 | |
God, I feel guilty, though - | 0:28:04 | 0:28:06 | |
maybe I should tell my dad it was you singing. | 0:28:06 | 0:28:08 | |
What do you mean? He knew it was me. | 0:28:08 | 0:28:09 | |
He was auditioning me as a dubber. | 0:28:09 | 0:28:11 | |
And yes, I got the job - you are looking at the voice | 0:28:11 | 0:28:14 | |
of Dwain "The Rock" Johnson in Scorpion King: The Musical. | 0:28:14 | 0:28:17 | |
Great. | 0:28:18 | 0:28:20 | |
So I guess this is goodbye. | 0:28:20 | 0:28:22 | |
At least I finally get to be floor manager. | 0:28:23 | 0:28:25 | |
What? | 0:28:25 | 0:28:27 | |
I'm assuming I'll get your job. | 0:28:27 | 0:28:29 | |
I don't work here, mate! | 0:28:29 | 0:28:31 | |
I just like hanging out here. | 0:28:31 | 0:28:34 | |
See you on Monday, newbie. | 0:28:34 | 0:28:35 |