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This programme contains some strong language and adult humour | 0:00:02 | 0:00:06 | |
ELECTRIC BUZZ Ow! Jesus! | 0:00:06 | 0:00:08 | |
Stand aside. It's overheating. | 0:00:08 | 0:00:10 | |
Don't! It's a circuit board, you moron. | 0:00:10 | 0:00:12 | |
Which is why I'm wearing the fire blanket. | 0:00:12 | 0:00:15 | |
Not that I need it. My grandfather was dragon born. | 0:00:15 | 0:00:18 | |
-Tom, this is your job. -Yeah, well, you haven't fixed that loose scaffolding. | 0:00:18 | 0:00:22 | |
-Almost broke my neck up there! -What were you doing? -Parkour. Get it fixed. | 0:00:22 | 0:00:25 | |
I would. It's just I'm a bit scared of heights. | 0:00:25 | 0:00:28 | |
-You... -..huge dork! | 0:00:28 | 0:00:30 | |
Found your security pass outside. | 0:00:30 | 0:00:32 | |
Nice facial expression...not! | 0:00:32 | 0:00:35 | |
Thanks. I lost this. Who are you? | 0:00:35 | 0:00:39 | |
-Hi, I'm Jim. This is... -MOCKING: -"Oh, hi, I'm Jim. It's Jim." | 0:00:39 | 0:00:43 | |
Please excuse the massive butthole on my elbow. | 0:00:43 | 0:00:45 | |
-You've got a butthole on your elbow? -Yeah, you might want to get that looked at. -Bite me. | 0:00:45 | 0:00:49 | |
What brings you here, cowboy? Not you. | 0:00:49 | 0:00:51 | |
Been sent in from the next door studio to help you guys out. | 0:00:51 | 0:00:54 | |
What's the matter? Smokin' too much wacky backy? | 0:00:54 | 0:00:57 | |
Just a bit, cos our mamas is so fat! | 0:00:57 | 0:01:00 | |
Nice ball-busting, dude! Liking your smack talk. | 0:01:00 | 0:01:03 | |
Cheers, right back at ya. | 0:01:03 | 0:01:05 | |
Nice to meet someone who can finally take my wicked side | 0:01:05 | 0:01:08 | |
without peeing in their panties or assing on me. | 0:01:08 | 0:01:10 | |
BOTH: You mean crossing. | 0:01:10 | 0:01:12 | |
Whatever. I'm just saying. It's much more fun doing these things... | 0:01:12 | 0:01:15 | |
..Together? | 0:01:15 | 0:01:16 | |
APPLAUSE AND CHEERING | 0:01:31 | 0:01:37 | |
Good evening, ladies and gentlemen, and welcome to Live At The Electric! | 0:01:43 | 0:01:46 | |
Oh, can you hear that? I love it. | 0:01:46 | 0:01:50 | |
This is our yogic retreat of comedy. | 0:01:50 | 0:01:53 | |
Join our disciples as they walk the middle way of spiritual sketch | 0:01:53 | 0:01:57 | |
and ecclesiastic character en route to their comedic nirvana. | 0:01:57 | 0:02:01 | |
And showing the way is me, Guru Kane, your leader, | 0:02:01 | 0:02:05 | |
the Dalai Drama enlightening the path to light entertainment. | 0:02:05 | 0:02:09 | |
Though inevitably I will turn out to be a fraud | 0:02:09 | 0:02:11 | |
that pushes us all into a weird sex tepee where we're burnt out | 0:02:11 | 0:02:14 | |
by the Texan authorities. | 0:02:14 | 0:02:17 | |
-TEXAN ACCENT: -"Come out, Kane. We don't want no more of your horseshit!" | 0:02:17 | 0:02:20 | |
You wouldn't know this, people at home, | 0:02:22 | 0:02:24 | |
but we have an Italian person in the audience. | 0:02:24 | 0:02:26 | |
Italian person - cheer for the people at home. | 0:02:26 | 0:02:29 | |
-AUDIENCE MEMBER: -Yay! -Yeah! | 0:02:29 | 0:02:31 | |
When an Italian person cheers, when a Spanish person cheers, | 0:02:31 | 0:02:33 | |
it's different to when a British person cheers. | 0:02:33 | 0:02:36 | |
We are obsessed with smallness. | 0:02:36 | 0:02:38 | |
Do you think any other country, | 0:02:38 | 0:02:40 | |
apart from the Greeks that do it ironically and in celebration, | 0:02:40 | 0:02:43 | |
cheer when a plate smashes in a restaurant or bar? | 0:02:43 | 0:02:47 | |
No! We're the only ones. No-one else feels the need to cheer | 0:02:47 | 0:02:50 | |
when something's dropped or fallen over. | 0:02:50 | 0:02:53 | |
Has anyone...? I'll tell you, do an experiment, go to America and fall over, right. | 0:02:53 | 0:02:57 | |
What do you think happens? Anyone want to guess? | 0:02:57 | 0:02:59 | |
I'll tell you what happens if you fall over in America. | 0:02:59 | 0:03:01 | |
This. Boom. Two seconds, someone rushes to you. | 0:03:01 | 0:03:04 | |
"Oh, my God, buddy, are you OK? You really took a tumble there, are you OK? | 0:03:04 | 0:03:07 | |
"I'll get Biff and Scooter and maybe some malt shake. Are you OK?" | 0:03:07 | 0:03:10 | |
That's what happens. Genuine concern, right. | 0:03:10 | 0:03:13 | |
Have you, er, have you seen what happens if you fall over in the UK? | 0:03:15 | 0:03:20 | |
Have a little fall over. Wahhh! Baboom! | 0:03:21 | 0:03:24 | |
The van will actually slow down, the window will come open, | 0:03:24 | 0:03:27 | |
"Wanker! Wanker's fallen over! The wanker's fallen over! Wanker's fallen over!" | 0:03:27 | 0:03:33 | |
"Femur's sticking out! Your femur's sticking out! | 0:03:33 | 0:03:36 | |
"Your femur's sticking out, yeah!" Drive off. | 0:03:36 | 0:03:38 | |
Yeah. | 0:03:40 | 0:03:42 | |
But, on the more... It does flow through to some more serious things | 0:03:42 | 0:03:45 | |
because don't you ever wonder, people of the United Kingdom... | 0:03:45 | 0:03:48 | |
I know we're in a bit of a bad way and there's been a recession and things haven't been too good | 0:03:48 | 0:03:52 | |
the last couple of years, but we're still, relatively, one of the wealthiest countries in Europe. | 0:03:52 | 0:03:56 | |
But if I had children, particularly if I ever have a daughter, | 0:03:56 | 0:04:00 | |
I'll be terrified that we hold the title | 0:04:00 | 0:04:02 | |
for the worst teenage pregnancy in Europe, right? | 0:04:02 | 0:04:05 | |
A FEW AUDIENCE MEMBERS: Yay! | 0:04:05 | 0:04:07 | |
Some Essex people in cheering that, not getting it. | 0:04:07 | 0:04:10 | |
"Go on, Leanne, you're 17 now, carry on the tradition." | 0:04:10 | 0:04:13 | |
"Form a queue, Darren, hold my chips while Gary does me." | 0:04:13 | 0:04:15 | |
LAUGHTER AND APPLAUSE | 0:04:15 | 0:04:18 | |
It's not a positive thing, it's not. | 0:04:18 | 0:04:21 | |
It terrifies me, right? | 0:04:22 | 0:04:24 | |
Why is our teenage pregnancy the highest? | 0:04:24 | 0:04:26 | |
Why do we get pissed the most in the evening more than | 0:04:26 | 0:04:29 | |
somewhere in Spain or Italy where the booze laws are more relaxed? | 0:04:29 | 0:04:32 | |
Well, isn't that the point? It's about this smallness, this inwardness, | 0:04:32 | 0:04:35 | |
this tightness that Brits suffer from. | 0:04:35 | 0:04:38 | |
The more you suppress something, the more appealing it becomes. | 0:04:38 | 0:04:41 | |
The British mind is like a bouncy castle, | 0:04:41 | 0:04:43 | |
if you push down hard enough - wa-hey! | 0:04:43 | 0:04:45 | |
Teenage sex pops up at the other end. | 0:04:45 | 0:04:48 | |
Give us some more sex education for our teenagers, please. | 0:04:48 | 0:04:50 | |
I all I had was the drop-and-run technique from my mum - | 0:04:50 | 0:04:53 | |
leaflet in the bedroom, drop, run. That's it. | 0:04:53 | 0:04:56 | |
That's it. Just my mum disappearing out the door. | 0:04:56 | 0:04:58 | |
We tried to bring this into Parliament, it was like, we know, | 0:04:58 | 0:05:01 | |
in Sweden, in countries like that, they teach sex education to five year olds. | 0:05:01 | 0:05:05 | |
We should do it. Their teenage pregnancy is lower. What happens? I'll tell you. | 0:05:05 | 0:05:08 | |
All the working class dads go, "Anyone speaks to my little girl about sex, | 0:05:08 | 0:05:12 | |
"I'm comin' up that school, I'll rip his 'ucking head off!" That's what happens. | 0:05:12 | 0:05:16 | |
Do you not understand? | 0:05:16 | 0:05:18 | |
It's like having a travel jab before you go on holiday. | 0:05:18 | 0:05:21 | |
A little bit of knowledge about sex stops you wanting to have it earlier. | 0:05:21 | 0:05:25 | |
Can you not see it? I feel sorry for primary school teachers if a little | 0:05:25 | 0:05:28 | |
eight-year-old girl says, "Excuse me, teacher, I'm ready to learn. Where do babies come from?" | 0:05:28 | 0:05:32 | |
The teacher legally has to say, "I'm sorry, I can't tell you where babies come from. | 0:05:32 | 0:05:37 | |
"Why don't you come back when you're 14 WITH the baby, and I'll backdate the information." | 0:05:37 | 0:05:41 | |
APPLAUSE | 0:05:41 | 0:05:44 | |
This is the Electric, ladies and gentlemen! | 0:05:44 | 0:05:47 | |
And now the look behind the scenes the NUT have been desperate to hide from view. | 0:05:47 | 0:05:52 | |
It's Wit Tank! The School! | 0:05:52 | 0:05:54 | |
CHEERING AND APPLAUSE | 0:05:54 | 0:05:58 | |
-Good morning, deputy. -You're in a good mood. | 0:06:05 | 0:06:07 | |
Yes. The headmaster gave me this lollipop. | 0:06:07 | 0:06:11 | |
Jones, your trousers? | 0:06:12 | 0:06:14 | |
Oh! No, no, no! Don't worry I've just spilt some tea. | 0:06:14 | 0:06:17 | |
And then I wet myself. | 0:06:17 | 0:06:19 | |
What are you doing? | 0:06:19 | 0:06:21 | |
I'm trying to decipher your medical form. | 0:06:21 | 0:06:23 | |
Mmm. Medical rhymes with wedical. | 0:06:23 | 0:06:25 | |
Jones, sometimes you're such an idiot I think you might actually | 0:06:25 | 0:06:29 | |
be some sort of mad genius. | 0:06:29 | 0:06:32 | |
BLEEPING AND WHIRRING | 0:06:32 | 0:06:35 | |
They're pencils. | 0:06:35 | 0:06:37 | |
Where's headmaster? He's been gone for over an hour. | 0:06:38 | 0:06:42 | |
And THAT'S how long a shit should take. | 0:06:42 | 0:06:46 | |
Jones, have that clean. | 0:06:46 | 0:06:47 | |
I may have misunderstood what toilet book actually means. | 0:06:47 | 0:06:51 | |
Headmaster, I'm trying to work out Jones' medical form. | 0:06:51 | 0:06:53 | |
-He's left place of birth blank, and for blood type he's just written "red". -Leave it with me. | 0:06:53 | 0:06:58 | |
-Sir, he doesn't even know where he was born. -I said I'll deal with it. | 0:06:58 | 0:07:02 | |
Jones is...not from this place. | 0:07:03 | 0:07:07 | |
What do you mean? | 0:07:07 | 0:07:08 | |
He's different. | 0:07:08 | 0:07:10 | |
You see, it was years ago when I found him. | 0:07:11 | 0:07:15 | |
I was still young. | 0:07:15 | 0:07:16 | |
I was very different back then. | 0:07:17 | 0:07:20 | |
DIGITAL WATCH BLEEPS | 0:07:20 | 0:07:21 | |
And THAT'S how long a shit should take! | 0:07:21 | 0:07:25 | |
'And then one day I found a mysterious basket | 0:07:25 | 0:07:29 | |
'and inside - a magnificent egg! | 0:07:29 | 0:07:31 | |
'Immediately I was awestruck. | 0:07:34 | 0:07:37 | |
'Oh! How its beauty touched my very soul.' | 0:07:37 | 0:07:40 | |
Fuck me - that's a big egg! | 0:07:40 | 0:07:42 | |
'And so I cared for it.' | 0:07:42 | 0:07:44 | |
Humpty Dumpty sat on a wall. Humpty Dumpty had a great fall. | 0:07:44 | 0:07:49 | |
HE LAUGHS | 0:07:49 | 0:07:51 | |
'Nourished it, loved it. We were inseparable. | 0:07:51 | 0:07:55 | |
'For the first time in my life, something was actually important to me.' | 0:07:55 | 0:07:59 | |
Get out! | 0:07:59 | 0:08:00 | |
'And then one day, a few weeks later, | 0:08:02 | 0:08:07 | |
'it happened. My baby was about to be born. | 0:08:07 | 0:08:10 | |
'It felt like my own flesh and blood. | 0:08:10 | 0:08:14 | |
-'And then, suddenly...' -Hello, I'm Jones. | 0:08:14 | 0:08:18 | |
SQUISH | 0:08:18 | 0:08:19 | |
I've trod on an egg! | 0:08:19 | 0:08:21 | |
And just like that... | 0:08:22 | 0:08:24 | |
..he was gone. | 0:08:26 | 0:08:27 | |
My sweet Benjamin...little egg. | 0:08:30 | 0:08:33 | |
So, where's Jones actually from? | 0:08:34 | 0:08:37 | |
I don't know. I think he's from Kent. | 0:08:37 | 0:08:39 | |
LAUGHTER | 0:08:41 | 0:08:44 | |
The School, ladies and gentlemen. | 0:08:44 | 0:08:46 | |
In a world of CGI, animatronics and impossible 3D digital after effects, | 0:08:46 | 0:08:51 | |
it's good to know that one of this next act has a genuine beard. | 0:08:51 | 0:08:54 | |
But it's not just about Diane, Joe's in it too. | 0:08:54 | 0:08:57 | |
-It's Two Episodes Of Mash! -CHEERING | 0:08:57 | 0:09:01 | |
CHEERING | 0:09:05 | 0:09:07 | |
Hello! Er, I'm Di... Er... | 0:09:09 | 0:09:13 | |
Er... We're going to do some sketches. | 0:09:13 | 0:09:17 | |
-There's a bloke at the back that looks like you. -Eh? | 0:09:17 | 0:09:20 | |
-There's a bloke at the back of the room that looks like you. -Really? | 0:09:20 | 0:09:23 | |
Yeah. Can we can we put him on the screen? | 0:09:23 | 0:09:27 | |
-The... The bloke there. -LAUGHTER | 0:09:27 | 0:09:30 | |
-Which one? -The bloke with the beard! | 0:09:34 | 0:09:37 | |
-That? -Yes! | 0:09:38 | 0:09:40 | |
Doesn't look anything like me. He's a... He's a right oddball! | 0:09:40 | 0:09:43 | |
He looks like a gormless erection. | 0:09:43 | 0:09:46 | |
-Shall we do a sketch? -You talk some shit! | 0:09:47 | 0:09:50 | |
Actually can we get rid of that? It's making me feel sick. | 0:09:50 | 0:09:53 | |
Put somebody else up. I don't know, picture of something. | 0:09:55 | 0:09:59 | |
Blue bucket. | 0:09:59 | 0:10:00 | |
-That'll do, yeah. -Sketch. | 0:10:03 | 0:10:06 | |
Right, ready? | 0:10:10 | 0:10:11 | |
LOUD, CLEAR VOICE: Diane, I've... I've put soundproof glass across the stage. | 0:10:14 | 0:10:18 | |
LOUDER: Diane, I've put... I've put... | 0:10:24 | 0:10:27 | |
I've put soundproof glass across the stage! | 0:10:27 | 0:10:30 | |
SHOUTING: I've put soundproof... | 0:10:36 | 0:10:40 | |
TRAILING OFF: ..glass across the... | 0:10:40 | 0:10:42 | |
I don't really know how else to say it. | 0:10:42 | 0:10:44 | |
I've put I've put soundproof glass across the stage! | 0:10:44 | 0:10:48 | |
No, you haven't. | 0:10:48 | 0:10:49 | |
LAUGHTER AND APPLAUSE | 0:10:49 | 0:10:52 | |
I thought that was horseshit. | 0:10:59 | 0:11:00 | |
-RUSSELL: -Two episodes of Mash, ladies and gentlemen! | 0:11:03 | 0:11:06 | |
Now, this is a little project I've been involved with. | 0:11:06 | 0:11:08 | |
It's called The Only Way Is Shakespeare. | 0:11:08 | 0:11:11 | |
CHEERING AND APPLAUSE | 0:11:11 | 0:11:14 | |
A botched proposal and months of letting down | 0:11:18 | 0:11:22 | |
means Sharon and Elaine must murder their clown. | 0:11:22 | 0:11:26 | |
# One way or another I'm going to win you | 0:11:26 | 0:11:30 | |
# I'm going to get you get you, get you | 0:11:30 | 0:11:33 | |
# One way or another...# | 0:11:33 | 0:11:35 | |
But to kill him, mother, 'tis too much. | 0:11:35 | 0:11:37 | |
Nay! 'Tis not enough. | 0:11:37 | 0:11:40 | |
SHE CHUCKLES | 0:11:40 | 0:11:42 | |
To twice do away with him would down this double measure. | 0:11:42 | 0:11:47 | |
To resurrect him, for his own erections have pricked him thus. | 0:11:47 | 0:11:52 | |
Plus, in death his gaffes will pay for this Essex gaff | 0:11:53 | 0:11:58 | |
is insured in thy name! | 0:11:58 | 0:12:01 | |
He hath undone himself with his own oiled keys. | 0:12:02 | 0:12:06 | |
A backspace stuck down with spunk, thus deleting himself. | 0:12:06 | 0:12:10 | |
-DOOR CLOSES -Hark! The tosser approaches. | 0:12:10 | 0:12:13 | |
Speak once more the plan. | 0:12:13 | 0:12:15 | |
These slapper mags will slap him hard down. | 0:12:15 | 0:12:19 | |
In boyish lust will he reach for 3D-specs so that tarts' floppers | 0:12:19 | 0:12:25 | |
slap-bang in his face! | 0:12:25 | 0:12:28 | |
So doodled by D cups he cannot draw breath? | 0:12:28 | 0:12:30 | |
Mmmm! Like a politician's expense - conceal thyself! | 0:12:30 | 0:12:35 | |
Ah, the day indeed! It's brighter than a savant child and... | 0:12:43 | 0:12:46 | |
Tits! | 0:12:48 | 0:12:49 | |
Ah! So many tits! | 0:12:50 | 0:12:52 | |
I'll pluck out mine eyes for areole do disrupt my pupils | 0:12:52 | 0:12:55 | |
so that no teacher could bring focus. | 0:12:55 | 0:12:57 | |
Oh! More tits than an office party! | 0:13:01 | 0:13:03 | |
Oh, now the slappers' bangers! They do smother me! | 0:13:05 | 0:13:11 | |
Ah, ghost tits - can I taste thy spectral nips? | 0:13:11 | 0:13:15 | |
Oh ho, man! | 0:13:15 | 0:13:17 | |
HE GASPS | 0:13:17 | 0:13:19 | |
The boner... it draws the blood from my lungs. | 0:13:19 | 0:13:22 | |
HE WHEEZES | 0:13:22 | 0:13:25 | |
I die! I die! | 0:13:29 | 0:13:31 | |
Chris Moyles' career! | 0:13:31 | 0:13:32 | |
In lust did he wank himself unconscious. | 0:13:39 | 0:13:42 | |
Look, even in death does his boner live on. | 0:13:42 | 0:13:44 | |
Bless. | 0:13:44 | 0:13:46 | |
He is deader than Jeremy Paxman's eyes. | 0:13:46 | 0:13:49 | |
Hashtag - gutted. | 0:13:49 | 0:13:51 | |
CHEERING AND APPLAUSE | 0:13:53 | 0:13:56 | |
I see your nine and I raise you ten. Magic attack! Moshi monster. | 0:13:58 | 0:14:02 | |
Fuck! You're good at this! | 0:14:02 | 0:14:04 | |
-Give me them moshlings, baby! -I'm out. I'm haemorrhaging shinies. | 0:14:04 | 0:14:07 | |
And for Jim. | 0:14:09 | 0:14:10 | |
What's that guy's deal? | 0:14:15 | 0:14:16 | |
I don't know. I'm thinking of getting rid of him. | 0:14:16 | 0:14:19 | |
Nice little hideaway you got here. Is it top secret? | 0:14:19 | 0:14:22 | |
Not really. Everybody knows about it. They just seem to keep their distance. | 0:14:22 | 0:14:25 | |
That's the way it should be, man. I've given up on trying to get on with my crew, | 0:14:25 | 0:14:29 | |
especially since Clara. Let me tell you something - do not shit where you eat. | 0:14:29 | 0:14:33 | |
-Did you sleep with her? -Nah. Pooed myself in the canteen. | 0:14:33 | 0:14:36 | |
Clara told everyone. | 0:14:36 | 0:14:39 | |
So, you're a fan of Carmen Electra? More of a Pam Anderson man myself. | 0:14:39 | 0:14:43 | |
Yeah, I told Tom once I had sex with Carmen Electra and he believed me. BOTH LAUGH | 0:14:43 | 0:14:48 | |
You know I had sex with Pam Anderson. | 0:14:48 | 0:14:50 | |
-Yeah, I had sex with Carmen Electra. -Nice. | 0:14:50 | 0:14:53 | |
Wonder what those two chumps are up to now. | 0:14:53 | 0:14:55 | |
Don't know. Doubt they're having as much fun as us. | 0:14:55 | 0:14:58 | |
JAUNTY ITALIAN OPERA MUSIC | 0:14:58 | 0:15:03 | |
PHONE RINGS | 0:15:03 | 0:15:05 | |
INAUDIBLE SPEECH | 0:15:05 | 0:15:07 | |
SLURPING | 0:15:07 | 0:15:08 | |
Now, for the kids on the street, their lives aren't complete | 0:15:16 | 0:15:20 | |
without access to our main man, Pete. It's Pete Swivel! | 0:15:20 | 0:15:24 | |
CHEERING AND APPLAUSE | 0:15:24 | 0:15:26 | |
In 2013, a BBC documentary crew filmed the everyday | 0:15:29 | 0:15:33 | |
happenings of a north London youth club on Bullsmoor Lane. | 0:15:33 | 0:15:37 | |
Its name - the BYC. Its leader - Pete Swivel. | 0:15:37 | 0:15:40 | |
-Greg, what you got in your pockets? -Nothing. Nothing. | 0:15:42 | 0:15:45 | |
All right, go on. What you...? Oi, oi, oi. Come here. | 0:15:45 | 0:15:48 | |
-You got to hide it better than that. -SHE GROANS | 0:15:48 | 0:15:51 | |
'I'm running a Question Time style thing here this afternoon. | 0:15:51 | 0:15:53 | |
'I want these kids to know that their voices are important | 0:15:53 | 0:15:56 | |
'and should be heard, right.' | 0:15:56 | 0:15:59 | |
So I've created a forum where they can get whatever they feel | 0:15:59 | 0:16:01 | |
like off their chests without fear of judgment or limitation. | 0:16:01 | 0:16:05 | |
Right, everybody, the thing is... | 0:16:05 | 0:16:06 | |
All right, Trev, we've heard enough boring shit off you now. | 0:16:06 | 0:16:09 | |
There's no bent coppers round here. Just let it go. | 0:16:09 | 0:16:12 | |
Right, has anyone else got any questions? | 0:16:12 | 0:16:14 | |
-Yeah, I've got a question about the club. -Yeah, brilliant. Fire away. | 0:16:14 | 0:16:17 | |
-Do you lot clean up around here? -Yeah, of course. -HE SCOFFS | 0:16:17 | 0:16:20 | |
Then why is the bogs like the one out of Trainspotting? | 0:16:20 | 0:16:22 | |
-OTHERS AGREE -Well, it keeps the flies out the kitchen, doesn't it? | 0:16:22 | 0:16:25 | |
It's out of order. Can't even use the disabled cos it's your personal throne. | 0:16:25 | 0:16:29 | |
My back stiffens up in the mornings. I need the handle things to hold on to. | 0:16:29 | 0:16:33 | |
OTHERS GRUMBLE What about when that disabled kid came in here the other week? | 0:16:33 | 0:16:37 | |
He had to wait for you to finish. | 0:16:37 | 0:16:38 | |
He had an Arsenal sticker on his wheelchair. | 0:16:38 | 0:16:41 | |
He's lucky I didn't make him go in the bushes. | 0:16:41 | 0:16:43 | |
-So why are the activities round here so rubbish? -Leave it out! | 0:16:43 | 0:16:46 | |
I bought you lot a ping-pong table last month. | 0:16:46 | 0:16:48 | |
Give me a break! | 0:16:48 | 0:16:49 | |
-We helped you take it out of the skip! -Yeah! | 0:16:49 | 0:16:51 | |
And we're still waiting for bats. | 0:16:51 | 0:16:53 | |
Well, use your imagination then, Ty, you know? Or your hands. | 0:16:53 | 0:16:58 | |
It's Question Time not a bloody witch hunt. | 0:16:58 | 0:17:00 | |
I've had enough. Time for a few home truths, right. | 0:17:00 | 0:17:03 | |
-You lot...are fat bastards. -What? | 0:17:03 | 0:17:07 | |
-It's true. -I'm sorry, but... | 0:17:07 | 0:17:09 | |
All I see you doing is stuffing your faces with shit. | 0:17:09 | 0:17:13 | |
I mean, have a look. He's eating a burger and these two have got a large donner on the go. | 0:17:13 | 0:17:17 | |
What's going on here? That's why you've been spouting all this rubbish today, innit? | 0:17:17 | 0:17:21 | |
It's all this crap turning your brains to mush. | 0:17:21 | 0:17:23 | |
You all know my mate Gary who runs the marathons? | 0:17:23 | 0:17:26 | |
-ALL AGREE -Right? | 0:17:26 | 0:17:29 | |
Well, he's on a diet of nothing but steamed veg and salad. | 0:17:29 | 0:17:32 | |
He's coming first in every race he enters. | 0:17:32 | 0:17:35 | |
Do you know why? It's cos he's got that winning, mental attitude. | 0:17:35 | 0:17:39 | |
Healthy body, healthy mind. | 0:17:39 | 0:17:42 | |
Didn't that guy try to kill himself? | 0:17:44 | 0:17:46 | |
He did, yeah. | 0:17:46 | 0:17:48 | |
I think the strict dieting triggered his depression, so... | 0:17:48 | 0:17:52 | |
Don't believe everything you hear. Right, Ellie? | 0:17:52 | 0:17:56 | |
-Yeah. -Next up. | 0:17:56 | 0:17:58 | |
Is society still inherently racist? | 0:17:58 | 0:18:00 | |
Didn't you have one about the Thorpe Park entrance fees? | 0:18:03 | 0:18:07 | |
CHEERING AND APPLAUSE | 0:18:07 | 0:18:10 | |
Love it. | 0:18:11 | 0:18:13 | |
Now, if you think a baguette is a small bag, prepare to get le sac! | 0:18:13 | 0:18:16 | |
-It's Marcel Lucont! -CHEERING AND APPLAUSE | 0:18:16 | 0:18:20 | |
Salut! | 0:18:29 | 0:18:30 | |
Time for a titbit from my forthcoming autobiography, Moi, | 0:18:30 | 0:18:35 | |
part of which I am told is too explicit for broadcast. | 0:18:35 | 0:18:39 | |
So, chapter four, the loss of my virginity. | 0:18:41 | 0:18:46 | |
I hope you enjoy it. | 0:18:47 | 0:18:49 | |
HUSKILY: I know I did. | 0:18:49 | 0:18:51 | |
It was autumn 1993, in Montmartre, Paris. | 0:18:54 | 0:18:59 | |
"Paradis", read the sign in filthy but beautifully curved letters, | 0:19:00 | 0:19:04 | |
just as Father had described. | 0:19:04 | 0:19:07 | |
"Mimi," I enquired. | 0:19:07 | 0:19:10 | |
I think I may have stammered, | 0:19:10 | 0:19:11 | |
but when one is saying the name Mimi, | 0:19:11 | 0:19:13 | |
one can get away with such things. | 0:19:13 | 0:19:16 | |
It was not Mimi, and for this I was thankful. | 0:19:16 | 0:19:19 | |
There stood a woman of an indeterminate age. | 0:19:19 | 0:19:22 | |
Half-smoked roll-up cigarette hung from her frowning mouth. | 0:19:22 | 0:19:26 | |
Her hair, once perhaps cascading in carefully teased ringlets, | 0:19:26 | 0:19:31 | |
had now taken on an entirely more pubic nature. | 0:19:31 | 0:19:34 | |
And there was no doubt she had seen more cocks | 0:19:36 | 0:19:39 | |
than an Alsace chicken farmer. | 0:19:39 | 0:19:42 | |
She led me down the corridor. | 0:19:44 | 0:19:45 | |
The gloomy wallpaper trying its best to escape from the walls | 0:19:45 | 0:19:49 | |
and largely succeeding. | 0:19:49 | 0:19:51 | |
The floorboards beneath her heavy frame squeaking | 0:19:51 | 0:19:54 | |
like an over-exuberant gay. | 0:19:54 | 0:19:56 | |
The madam rapped a fat knuckle on the door, grunted, | 0:19:59 | 0:20:02 | |
pushed me forward and trudged back to her menopause. | 0:20:02 | 0:20:06 | |
And now, here stood Mimi. | 0:20:08 | 0:20:10 | |
Beautiful, pale complexion, | 0:20:10 | 0:20:13 | |
hair luxurious chocolate brown, large, doughy, come-to-bed... | 0:20:13 | 0:20:18 | |
tits. | 0:20:18 | 0:20:19 | |
The boudoir strewn with petals, created an intoxicating aroma. | 0:20:21 | 0:20:26 | |
To this day, even the sight of so many flowers sends me back | 0:20:26 | 0:20:30 | |
and plays wonders with my senses. | 0:20:30 | 0:20:32 | |
I believe this is why I get aroused at funerals. | 0:20:32 | 0:20:36 | |
I hope this is why. | 0:20:39 | 0:20:40 | |
She beckoned me in with an innocent smile, | 0:20:43 | 0:20:46 | |
which belied her experience, which I was about to discover. | 0:20:46 | 0:20:51 | |
SEXY SAXOPHONE MUSIC PLAYS | 0:20:53 | 0:20:56 | |
MUSIC FADES INTO FAST ACID JAZZ | 0:21:00 | 0:21:05 | |
Seven hours later... | 0:21:22 | 0:21:25 | |
I left the establishment a man. | 0:21:25 | 0:21:27 | |
And five years later, I returned to look for Mimi, | 0:21:27 | 0:21:31 | |
hoping I may receive a loyalty discount. | 0:21:31 | 0:21:33 | |
But, in place of Paradis, was a whitewashed building, | 0:21:35 | 0:21:38 | |
soulless, sexless, sanitized. | 0:21:38 | 0:21:42 | |
An estate agency. | 0:21:42 | 0:21:44 | |
I walked away, disappointed, | 0:21:44 | 0:21:47 | |
yet somehow content in the knowledge that, | 0:21:47 | 0:21:50 | |
although Paradis was gone, | 0:21:50 | 0:21:52 | |
persons were still going to that building | 0:21:52 | 0:21:54 | |
on a daily basis to be fucked in exchange for money. | 0:21:54 | 0:21:58 | |
My name is Ivy Macabre. | 0:22:17 | 0:22:19 | |
I have summoned demons from the ashes of hell | 0:22:19 | 0:22:22 | |
and I have walked in the fiery footsteps of Lucifer himself. | 0:22:22 | 0:22:27 | |
This is my brother, Maurice. | 0:22:27 | 0:22:29 | |
I ate my hamster. | 0:22:30 | 0:22:32 | |
Since leaving the circus, we've been living in this house all on our own. | 0:22:35 | 0:22:39 | |
Our parents died, tragically locked in the hall of mirrors. | 0:22:39 | 0:22:42 | |
The cause of the fire was never discovered. | 0:22:42 | 0:22:44 | |
We were born with very special gifts. | 0:22:46 | 0:22:48 | |
I can fly! | 0:22:48 | 0:22:50 | |
We also have psychic abilities. | 0:22:55 | 0:22:57 | |
We can channel the spirits who have passed onto the other side. | 0:22:57 | 0:23:01 | |
HE WHEEZES | 0:23:01 | 0:23:04 | |
That's his asthma. | 0:23:04 | 0:23:06 | |
This is our pet. His name is Kruger. | 0:23:10 | 0:23:13 | |
He's always asleep. | 0:23:13 | 0:23:14 | |
SCREAMING AND BANGING BEHIND DOOR Why?! | 0:23:14 | 0:23:16 | |
Um, don't worry about that. It's just the boiler... | 0:23:16 | 0:23:19 | |
A very large donkey. | 0:23:19 | 0:23:20 | |
A very large donkey. | 0:23:20 | 0:23:22 | |
In the boiler. | 0:23:22 | 0:23:23 | |
Definitely not somebody inside that we're going to kill in a minute. | 0:23:23 | 0:23:27 | |
We're just like any other brother and sister really. | 0:23:27 | 0:23:30 | |
GUNSHOT | 0:23:30 | 0:23:32 | |
It wasn't me. | 0:23:34 | 0:23:36 | |
-ONSTAGE: -The Twins Macabre! | 0:23:43 | 0:23:47 | |
I feel a desperate urge for cabaret. | 0:23:47 | 0:23:50 | |
Dimly-lit rooms, intimate candlelit settings | 0:23:50 | 0:23:53 | |
and a complete disregard for fire regulations. | 0:23:53 | 0:23:56 | |
Sate me now, lord of the cabaret! | 0:23:56 | 0:23:58 | |
It's East End Cabaret! | 0:23:58 | 0:24:01 | |
Hello, darlings, hello, hello! | 0:24:02 | 0:24:06 | |
I am Miss Bernadette Burn | 0:24:06 | 0:24:09 | |
and this is my pet weirdo behind the bush, Victor Victoria. | 0:24:09 | 0:24:13 | |
It will all make sense in a minute. | 0:24:13 | 0:24:15 | |
Now, darlings, we need to ask you a very personal question, OK? | 0:24:15 | 0:24:18 | |
We want you to answer honestly, openly. | 0:24:18 | 0:24:21 | |
Just shout it out into the room. | 0:24:21 | 0:24:22 | |
Darlings, have you touched yourselves today? | 0:24:22 | 0:24:26 | |
GIGGLING / NO-ONE ANSWERS | 0:24:26 | 0:24:29 | |
-No-one?! -Really, really? -Not a single person? | 0:24:29 | 0:24:33 | |
My God, Victor, it's worse than I thought! | 0:24:33 | 0:24:36 | |
Normally, we get at least one creepy guy at the back going, "Yes!" | 0:24:36 | 0:24:40 | |
Darlings! | 0:24:41 | 0:24:42 | |
It is so important, so important that you take the time | 0:24:42 | 0:24:46 | |
out of your crazy, busy, stressful day to just have a fiddle. | 0:24:46 | 0:24:53 | |
OK, no matter where you are, no matter what you are doing, | 0:24:53 | 0:24:56 | |
when you feel that beautiful urge, | 0:24:56 | 0:24:58 | |
you just have to play with yourselves, darlings. | 0:24:58 | 0:25:03 | |
DARK ELECTRO MUSIC PLAYS | 0:25:03 | 0:25:04 | |
Oh, yes, especially you! | 0:25:04 | 0:25:07 | |
# Walking through the bushes and a twig goes snap | 0:25:07 | 0:25:12 | |
# Snap! | 0:25:12 | 0:25:13 | |
# Night is getting darker but it's not time to nap | 0:25:13 | 0:25:18 | |
# Don't nap! | 0:25:18 | 0:25:20 | |
# You don't know who's watching | 0:25:20 | 0:25:23 | |
# But you know that it's part of the thrill | 0:25:23 | 0:25:26 | |
# Danger wank! | 0:25:26 | 0:25:28 | |
# Danger wank! Uh-ohhh! | 0:25:29 | 0:25:32 | |
# Danger wank! | 0:25:32 | 0:25:34 | |
# Oh ye-es! Danger wank | 0:25:34 | 0:25:39 | |
# Afternoon screening in the cinema | 0:25:39 | 0:25:44 | |
# The cinema | 0:25:44 | 0:25:45 | |
# No-one else around you, just an old grandma | 0:25:45 | 0:25:50 | |
# Hey, grandma! | 0:25:50 | 0:25:52 | |
# She's three rows away and the film has started to play | 0:25:52 | 0:25:58 | |
# Danger wank! | 0:25:58 | 0:26:00 | |
# It's a thrill! | 0:26:00 | 0:26:01 | |
# Danger wank! | 0:26:01 | 0:26:03 | |
# Lots of explosions! | 0:26:03 | 0:26:04 | |
# Danger wank! | 0:26:04 | 0:26:06 | |
# Uh-oh! | 0:26:06 | 0:26:08 | |
# Danger wa-a-a-ank! | 0:26:08 | 0:26:10 | |
# Bang! | 0:26:10 | 0:26:11 | |
# Bus is stuck in traffic and you can't get off | 0:26:11 | 0:26:16 | |
# Oh, yes, you can | 0:26:16 | 0:26:17 | |
# Sweaty people push you and that guy has got a cough | 0:26:17 | 0:26:22 | |
# Don't think about it | 0:26:22 | 0:26:24 | |
# Just put your paper on your lap now and don't look them in the eyes! | 0:26:24 | 0:26:30 | |
# Danger wank! | 0:26:30 | 0:26:32 | |
# Embarrassed... | 0:26:32 | 0:26:33 | |
# Danger wank! | 0:26:33 | 0:26:35 | |
-# That you unzipped your fly! -Danger wank! | 0:26:35 | 0:26:39 | |
# From nine to five you've had a bad day at work | 0:26:39 | 0:26:42 | |
# What? | 0:26:42 | 0:26:43 | |
# You're feeling stressed out and your boss is a jerk | 0:26:43 | 0:26:45 | |
# Your boss is a jerk | 0:26:45 | 0:26:47 | |
# This is what you should do - put your hands down your pants | 0:26:47 | 0:26:49 | |
# Wait till he's watching then do a little hand dance | 0:26:49 | 0:26:52 | |
# Chokin' the chicken | 0:26:52 | 0:26:54 | |
# In the back of the bus | 0:26:54 | 0:26:55 | |
# Bashin' the bishop | 0:26:55 | 0:26:57 | |
# It's time to relax | 0:26:57 | 0:26:59 | |
# Spanking the monkey | 0:26:59 | 0:27:00 | |
# Between the shadows in the alley! | 0:27:00 | 0:27:02 | |
# Flicking the bean | 0:27:02 | 0:27:03 | |
# At Starbucks! | 0:27:03 | 0:27:05 | |
# Fluffin' the hamster | 0:27:05 | 0:27:07 | |
# Greasing the gherkin | 0:27:07 | 0:27:08 | |
# Fluffing the muffin | 0:27:08 | 0:27:10 | |
# Massaging the kebab! | 0:27:10 | 0:27:14 | |
# In public! | 0:27:15 | 0:27:21 | |
# Danger wank! # | 0:27:21 | 0:27:23 | |
Thank you, darlings! | 0:27:24 | 0:27:26 | |
We have been East End Cabaret and we will see you at the bar! | 0:27:26 | 0:27:31 | |
Oh! | 0:27:38 | 0:27:40 | |
So, that is the end of the show. | 0:27:40 | 0:27:42 | |
If you need even more extra special bits go to.... | 0:27:42 | 0:27:47 | |
But from me and the electrolytes, goodbye! | 0:27:47 | 0:27:50 | |
Listen, Tom, please don't take this the wrong way, | 0:27:54 | 0:27:57 | |
but...I managed to switch the rotas. | 0:27:57 | 0:28:00 | |
I'm going to be working with Jim in studio eight. | 0:28:00 | 0:28:02 | |
Oh, that is such a relief! | 0:28:02 | 0:28:04 | |
I was going to say the same thing. | 0:28:04 | 0:28:06 | |
I'm going to be working with Jim too. | 0:28:06 | 0:28:08 | |
The cool one, obviously, not the massive lanky dork. | 0:28:08 | 0:28:11 | |
Right, well, I guess this is goodbye. | 0:28:11 | 0:28:14 | |
Hasta la vista, buttface! | 0:28:14 | 0:28:17 | |
Just going to fix the scaffolding. | 0:28:17 | 0:28:19 | |
Shit! I didn't fix that circuit... | 0:28:19 | 0:28:20 | |
See you on Monday, newbie. | 0:28:30 | 0:28:32 |