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This programme contains strong language | 0:00:02 | 0:00:04 | |
Welcome to the studio tour. Through there is the green room, so-called | 0:00:04 | 0:00:07 | |
because the acts go green with nerves. | 0:00:07 | 0:00:08 | |
-Allow pause...allow pause for chuckle. -John, turn around. | 0:00:08 | 0:00:11 | |
-I saw you wearing that earlier. -Oh...well, did it scare you? | 0:00:11 | 0:00:14 | |
-Not really, you fell down the stairs. -You saw that? | 0:00:14 | 0:00:16 | |
Why didn't you help me? I only just got my leg out of the banister. | 0:00:16 | 0:00:18 | |
Well, it's your tour group that are going to be screaming for help, when they see this! | 0:00:18 | 0:00:23 | |
-Ring-ding-ding-ding, ring! -Is that a whisk? -Yeah, for your brains! | 0:00:23 | 0:00:26 | |
I'd feel very threatened if you were near a plug. | 0:00:26 | 0:00:28 | |
Well, very, very threatened... HE HISSES | 0:00:28 | 0:00:30 | |
-What is this? Why are you trying to ruin my tour? -Ruin? | 0:00:30 | 0:00:32 | |
I'm trying to help it. Ever been to London Dungeons? | 0:00:32 | 0:00:35 | |
Yeah, with those weirdos in fancy dress. | 0:00:35 | 0:00:36 | |
Scare artists, yes, of which I am one. | 0:00:36 | 0:00:39 | |
Just left the dungeons, actually. It really started to fuck with my head. | 0:00:39 | 0:00:42 | |
Plus, I accidentally punched a girl. | 0:00:42 | 0:00:44 | |
-I think I read about that. -It's possible. | 0:00:44 | 0:00:46 | |
Anyway, I'm just trialling out a new character. | 0:00:46 | 0:00:48 | |
Introducing...Toxic Angel! | 0:00:48 | 0:00:51 | |
Please, Tom, don't. | 0:00:51 | 0:00:53 | |
My evaluation is today. So far, I've only got one really good joke. | 0:00:53 | 0:00:57 | |
It's about BBC bureaucracy. | 0:00:57 | 0:00:59 | |
Anyone feel like there's too much red tape? Three whole rolls! | 0:00:59 | 0:01:04 | |
Oh, my God! | 0:01:04 | 0:01:06 | |
There's only one thing that's going to stink worse than that joke... | 0:01:06 | 0:01:10 | |
toxic waste! | 0:01:10 | 0:01:12 | |
-Have you actually farted? -Yes. | 0:01:14 | 0:01:16 | |
APPLAUSE AND CHEERING | 0:01:29 | 0:01:32 | |
Good evening, ladies and gentlemen! Welcome to Live At The Electric! | 0:01:44 | 0:01:47 | |
APPLAUSE AND CHEERING | 0:01:47 | 0:01:49 | |
We've shipped the beasts of buffoonery from the three | 0:01:51 | 0:01:53 | |
continents of comedy, sketch, character and stand-up, | 0:01:53 | 0:01:56 | |
to create our very own Zaney Zoo. | 0:01:56 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:00 | |
Yes, I am the master of this menagerie. | 0:02:00 | 0:02:02 | |
You're grinning baboon host, | 0:02:02 | 0:02:03 | |
defecating hefty chunks of hilarity into my curled paw, | 0:02:03 | 0:02:07 | |
then flinging it at your faces. | 0:02:07 | 0:02:09 | |
HE IMPERSONATES A MONKEY | 0:02:09 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:15 | |
Now, why am I here? I do lots of stand-up about my dad. | 0:02:15 | 0:02:18 | |
You often get criticised for doing too much about your dad, | 0:02:18 | 0:02:20 | |
"That's all he talks about is his dad." | 0:02:20 | 0:02:22 | |
I've got a strong relationship with the bastard! | 0:02:22 | 0:02:24 | |
I think it's time to talk a little bit about my mum. | 0:02:24 | 0:02:26 | |
A new character to be welcomed to the stage, someone that looks like me, sounds like me. | 0:02:26 | 0:02:30 | |
As opposed to my dad, who's six foot tall, blonde, curly hair, | 0:02:30 | 0:02:33 | |
body builder and manly. | 0:02:33 | 0:02:34 | |
-HE GIGGLES -Glittery question, Ma, Papa! | 0:02:34 | 0:02:37 | |
LAUGHTER | 0:02:37 | 0:02:39 | |
My mum...I look too much like my mum. | 0:02:39 | 0:02:41 | |
Is there anyone in the room who looks too much like one parent, | 0:02:41 | 0:02:44 | |
so that it's a bit creepy? | 0:02:44 | 0:02:45 | |
It's even worse when it's the opposite gender parent. | 0:02:45 | 0:02:48 | |
No little boy wants to look like a woman! | 0:02:48 | 0:02:50 | |
LAUGHTER | 0:02:50 | 0:02:51 | |
I can see it's worse for girls when you look like your dads. | 0:02:51 | 0:02:54 | |
I know that's worse! | 0:02:54 | 0:02:55 | |
Here come the twins, one's old with a penis. | 0:02:55 | 0:02:57 | |
LAUGHTER | 0:02:57 | 0:02:59 | |
But my mum's brilliant. | 0:02:59 | 0:03:00 | |
We've got the same energy, spring out of bed after six hours' sleep, | 0:03:00 | 0:03:03 | |
make lists, clean, clean, clean... | 0:03:03 | 0:03:06 | |
..clean until you're through to the magma. | 0:03:06 | 0:03:08 | |
LAUGHTER | 0:03:08 | 0:03:09 | |
In fact, the only time when we ever fall out is anything to do | 0:03:09 | 0:03:13 | |
with teaching my mum technology or her not understanding technology. | 0:03:13 | 0:03:16 | |
The five bars conversation...I've gone through three phones, | 0:03:16 | 0:03:18 | |
through throwing them at the wall because of the five bars. | 0:03:18 | 0:03:21 | |
"'I've got five bars." "I've got five bars as well." | 0:03:21 | 0:03:23 | |
One of you is lying...yeah? | 0:03:23 | 0:03:26 | |
LAUGHTER | 0:03:26 | 0:03:27 | |
I've got five bars. No, you haven't! | 0:03:27 | 0:03:29 | |
You can't have five bars cos I've got five bars | 0:03:29 | 0:03:31 | |
and all I can hear is...eh-oh-eh-oh-eh-oh. | 0:03:31 | 0:03:33 | |
The only thing worse is the time difference. What is it? | 0:03:33 | 0:03:36 | |
I don't know what's in a mum's brain | 0:03:36 | 0:03:37 | |
but she cannot get her head around time difference. | 0:03:37 | 0:03:40 | |
"If you're three hours ahead, what time is it there?" | 0:03:40 | 0:03:42 | |
It's midday, have a guess, Mum. | 0:03:42 | 0:03:44 | |
What's that plus three? | 0:03:44 | 0:03:45 | |
"I don't know". | 0:03:45 | 0:03:46 | |
The most irritating one was Australia. | 0:03:46 | 0:03:49 | |
Australia, 12 hours difference, yeah. | 0:03:49 | 0:03:51 | |
You just change the AM to a PM. A toddler could work it out, mum! | 0:03:51 | 0:03:55 | |
It's midday here, so it's midnight at home. | 0:03:55 | 0:03:58 | |
"Right..." | 0:03:58 | 0:04:00 | |
LAUGHTER | 0:04:00 | 0:04:01 | |
So, if I call you in three hours will you be up? | 0:04:01 | 0:04:03 | |
LAUGHTER | 0:04:03 | 0:04:05 | |
No...in three hours' time! | 0:04:05 | 0:04:07 | |
You all know people that have moved to Australia. | 0:04:08 | 0:04:11 | |
Who's got friends or family that have moved to Australia? | 0:04:11 | 0:04:13 | |
Now, British people, it makes me laugh, | 0:04:13 | 0:04:15 | |
they go on their gap years in their teens, "Australia was so amazing! | 0:04:15 | 0:04:18 | |
"Sod this, this country's just a waste of time! | 0:04:18 | 0:04:20 | |
"It's economically bankrupt, the weather's horrible, I'm going to move to Australia. | 0:04:20 | 0:04:24 | |
-"See you later, England, you stink!" -LAUGHTER | 0:04:24 | 0:04:26 | |
We stay here. How long is it? | 0:04:26 | 0:04:28 | |
Two, three, four, five years before you get that phone call, | 0:04:28 | 0:04:32 | |
"I just want to come home." | 0:04:32 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:35 | |
"It's so boring. Everyone's so happy, everything's so perfect. | 0:04:35 | 0:04:37 | |
"I've not seen a dog shit for weeks!" | 0:04:37 | 0:04:40 | |
LAUGHTER | 0:04:40 | 0:04:41 | |
It is not in your DNA to be happy. | 0:04:41 | 0:04:44 | |
It's not in your DNA, United Kingdom, to be bathed in sunshine. | 0:04:44 | 0:04:47 | |
We're not cut out for it. It's even worse when people move to America. | 0:04:47 | 0:04:50 | |
"Have a nice day." You don't know anything about my life, mate. I'm going to kick your teeth out, yeah!? | 0:04:50 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:55 | |
"You have a nice day now." | 0:04:55 | 0:04:57 | |
I'm surprised the phrase "have a shit day" hasn't started in England. | 0:04:57 | 0:05:00 | |
LAUGHTER | 0:05:00 | 0:05:01 | |
It's just too happy for us in Australia, we don't like it, | 0:05:01 | 0:05:04 | |
we're not cut out for that level of happiness. | 0:05:04 | 0:05:06 | |
Mind you, has anyone ever been out with an Australian girl or an American girl | 0:05:06 | 0:05:09 | |
or an American man or an Australian guy? | 0:05:09 | 0:05:11 | |
They're fun to go out with. | 0:05:11 | 0:05:13 | |
Australian girls in bed are brilliant! | 0:05:13 | 0:05:14 | |
"Yeah, that's so flaming bonzer! Oh, that's flaming bonzer, don't stop! | 0:05:14 | 0:05:19 | |
"That's so flaming bonz..." You know how they finish, don't you? | 0:05:19 | 0:05:22 | |
IMPERSONATES DIDGERIDOO | 0:05:22 | 0:05:25 | |
APPLAUSE | 0:05:25 | 0:05:27 | |
Now, if political correctness meant a day working with these guys, | 0:05:29 | 0:05:32 | |
I'd dropkick a puppy just to show off my soft side. | 0:05:32 | 0:05:35 | |
Make way for the Electric's resident political thriller, | 0:05:35 | 0:05:38 | |
it's WitTank, The Situation Room. | 0:05:38 | 0:05:40 | |
APPLAUSE | 0:05:40 | 0:05:42 | |
Prime Minister, this is a very real nuclear threat. | 0:05:53 | 0:05:56 | |
They're bluffing. | 0:05:56 | 0:05:57 | |
They have missiles targeting every major | 0:05:57 | 0:05:59 | |
city around the world, we can't take that chance. | 0:05:59 | 0:06:01 | |
They won't blow up the world, it would be madness! | 0:06:01 | 0:06:04 | |
We need a decision now, sir! | 0:06:04 | 0:06:06 | |
-We give them what they want. -Sir! | 0:06:06 | 0:06:07 | |
Anything. Understood? | 0:06:07 | 0:06:09 | |
Bring up the video link. | 0:06:11 | 0:06:13 | |
-Hello. -This is the Prime Minister of Great Britain. | 0:06:17 | 0:06:20 | |
I urge you, stop this madness. | 0:06:20 | 0:06:24 | |
Nobody has to die. | 0:06:24 | 0:06:25 | |
-We will give you what you want. -Anything? | 0:06:25 | 0:06:28 | |
-Anything. -OK. | 0:06:28 | 0:06:30 | |
Demobilise your troops, immediately. | 0:06:30 | 0:06:33 | |
-Done. -Relinquish control of our territory. | 0:06:33 | 0:06:37 | |
-Fine. Is that all? -Yes. | 0:06:37 | 0:06:40 | |
-Actually, there is one more thing. -What? | 0:06:41 | 0:06:45 | |
You sing "Believe" by Cher for me now. | 0:06:45 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:50 | |
-What? -Cher, "Believe", now! | 0:06:50 | 0:06:53 | |
-I'm not doing that. -Engage missiles! | 0:06:53 | 0:06:56 | |
# Do you believe in life after love...# | 0:06:56 | 0:06:59 | |
Do it properly. | 0:06:59 | 0:07:00 | |
# Do you believe in life after love? | 0:07:00 | 0:07:03 | |
Yeah, work it. | 0:07:03 | 0:07:04 | |
# I can feel something inside me say | 0:07:04 | 0:07:07 | |
# I really don't think you're strong enough, wow! | 0:07:07 | 0:07:11 | |
Enough! | 0:07:11 | 0:07:13 | |
Very good. | 0:07:13 | 0:07:14 | |
Thank you. | 0:07:14 | 0:07:16 | |
Like I said, anything in the name of peace. | 0:07:16 | 0:07:19 | |
Now, for me, you sing "Summer of '69". | 0:07:19 | 0:07:22 | |
Bryan Adams? | 0:07:23 | 0:07:24 | |
Fuck off! | 0:07:24 | 0:07:26 | |
LAUGHTER | 0:07:26 | 0:07:28 | |
LAUGHTER AND APPLAUSE | 0:07:30 | 0:07:34 | |
WitTank! | 0:07:34 | 0:07:35 | |
OK, well, our next act is such a ladies' man, his photo has to | 0:07:35 | 0:07:38 | |
be printed on sponge to soak up the tsunami of feminine drool. | 0:07:38 | 0:07:42 | |
It's the premier product of the Costa Del Macho, esta Antonio! | 0:07:42 | 0:07:48 | |
APPLAUSE AND CHEERING | 0:07:50 | 0:07:52 | |
Hola, muchachos! | 0:07:56 | 0:07:58 | |
It's me, Antonio, seduction expert, master love-maker | 0:07:58 | 0:08:04 | |
and vilified physiotherapist. | 0:08:04 | 0:08:07 | |
I am world famous for my ferocious love-making skills. | 0:08:08 | 0:08:13 | |
What can I say? | 0:08:13 | 0:08:15 | |
I have a very, very talented penis. | 0:08:15 | 0:08:18 | |
HE GROANS | 0:08:22 | 0:08:24 | |
CHEERING | 0:08:28 | 0:08:31 | |
APPLAUSE | 0:08:31 | 0:08:33 | |
Here, that's for you. | 0:08:33 | 0:08:35 | |
AUDIENCE GROAN | 0:08:35 | 0:08:37 | |
You might want to wash your hands. | 0:08:37 | 0:08:39 | |
Being impressively arrogant, I can deal with any situation. | 0:08:41 | 0:08:46 | |
You see, every now and again in life, you're going | 0:08:46 | 0:08:49 | |
to be forced into a difficult position. | 0:08:49 | 0:08:51 | |
And I'm not talking about the reverse cowgirl. | 0:08:51 | 0:08:54 | |
LAUGHTER | 0:08:54 | 0:08:55 | |
So, tonight, I'm going | 0:08:55 | 0:08:57 | |
to show you a foolproof method to resolve any conflict, OK? | 0:08:57 | 0:09:02 | |
Me, I'm like Gandhi, except I'm not a skinny little bitch! | 0:09:02 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:09 | |
But I'm not just going to tell you how to resolve conflict, | 0:09:09 | 0:09:13 | |
I'm going to show you. Look at this couple arguing. | 0:09:13 | 0:09:16 | |
They need someone to help them resolve their conflict. | 0:09:16 | 0:09:19 | |
Plus, she's pretty hot, so I'm going in. | 0:09:19 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:24 | |
We have to carefully get their attention, OK? | 0:09:24 | 0:09:27 | |
Me, I like to throw a massive ham into the situation. | 0:09:27 | 0:09:32 | |
HE GRUNTS | 0:09:32 | 0:09:34 | |
Yes! | 0:09:34 | 0:09:36 | |
You see, when you're arguing | 0:09:36 | 0:09:39 | |
and suddenly a pound of ham hits the floor, you stop being angry | 0:09:39 | 0:09:42 | |
and you start being all, "Fuck me, it's a giant ham!" | 0:09:42 | 0:09:45 | |
LAUGHTER | 0:09:45 | 0:09:47 | |
Now that we've got control of the situation, | 0:09:47 | 0:09:50 | |
we have to separate the conflicting parties, OK, | 0:09:50 | 0:09:54 | |
but make sure you treat them both equally, OK? | 0:09:54 | 0:09:58 | |
Hey, baby! Hey, come over here. | 0:09:58 | 0:10:00 | |
Yes, nice. Fuck you! | 0:10:00 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:04 | |
You look gorgeous. Can I get you a beverage? Here you go. | 0:10:04 | 0:10:07 | |
Hey, lovely, have a drink, yes. | 0:10:07 | 0:10:09 | |
Don't worry, you can have one as well...mmm. | 0:10:09 | 0:10:11 | |
LAUGHTER | 0:10:11 | 0:10:13 | |
Asshole...mmm. | 0:10:13 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:17 | |
I think he's had a bit too much to drink. | 0:10:17 | 0:10:20 | |
That's probably the cause of all your problems in your terrible, | 0:10:20 | 0:10:23 | |
terrible relationship. | 0:10:23 | 0:10:26 | |
HE GRUNTS | 0:10:26 | 0:10:27 | |
I think, at last, we have found the problem of their conflict. | 0:10:27 | 0:10:31 | |
So now, what do we do? We resolve it... | 0:10:31 | 0:10:34 | |
..with a cattle prod. | 0:10:35 | 0:10:37 | |
Just one for luck...excellent. | 0:10:42 | 0:10:44 | |
LAUGHTER | 0:10:44 | 0:10:46 | |
Problem resolved! | 0:10:46 | 0:10:47 | |
And I'm pretty sure it's pissed itself. | 0:10:47 | 0:10:51 | |
LAUGHTER | 0:10:51 | 0:10:52 | |
Now, eat your ham. | 0:10:52 | 0:10:53 | |
Later, make some bacon...mmm. | 0:10:53 | 0:10:57 | |
Thank you. | 0:10:57 | 0:10:59 | |
APPLAUSE AND CHEERING | 0:10:59 | 0:11:01 | |
Antonio, ladies and gentlemen. | 0:11:03 | 0:11:05 | |
Time to go and check on the Bullsmoor Youth Club to see the man | 0:11:08 | 0:11:11 | |
entrusted with the future of our youth - it's Pete Swivel! | 0:11:11 | 0:11:14 | |
APPLAUSE AND CHEERING | 0:11:14 | 0:11:16 | |
REPORTER: In 2013, a BBC documentary crew filmed the everyday | 0:11:20 | 0:11:23 | |
happenings of a North London youth club on Bullsmoor Lane. | 0:11:23 | 0:11:27 | |
Its name, the BYC. Its leader, Pete Swivel. | 0:11:27 | 0:11:31 | |
I don't care what you've seen outside Chicken Cottage, | 0:11:33 | 0:11:35 | |
all right, this ain't some kind of laugh. | 0:11:35 | 0:11:37 | |
I run knife awareness courses every couple of months and they are, | 0:11:37 | 0:11:40 | |
without doubt, the most important thing I do here at the BYC, | 0:11:40 | 0:11:44 | |
hands down! | 0:11:44 | 0:11:46 | |
Unless there's Champions League on and then I just scrap it. | 0:11:46 | 0:11:49 | |
But, yeah, violent crime's a problem in the area | 0:11:49 | 0:11:51 | |
but you've got to think why these kids are doing it. | 0:11:51 | 0:11:54 | |
Right, I have kids come to me every day here that are bored | 0:11:54 | 0:11:57 | |
and frustrated, no-one listens to them. | 0:11:57 | 0:11:59 | |
Not the police, their parents, the Government | 0:11:59 | 0:12:01 | |
and that's why my job is so important. | 0:12:01 | 0:12:04 | |
I mean, I have little Darren come to me and say on Friday night, | 0:12:04 | 0:12:08 | |
he got his mate's dog and wanked it off! | 0:12:08 | 0:12:11 | |
LAUGHTER | 0:12:11 | 0:12:13 | |
Obviously, my first question was, "Why on earth did you do that?" | 0:12:13 | 0:12:17 | |
He said, "Pete, it looked like he had the hump." | 0:12:17 | 0:12:21 | |
But my point is, they know they can come to me in the strictest | 0:12:21 | 0:12:25 | |
confidence and I'll zip my mouth up and throw away the key. | 0:12:25 | 0:12:28 | |
All knife attacks have one thing in common, knives. | 0:12:28 | 0:12:34 | |
LAUGHTER | 0:12:34 | 0:12:35 | |
Right, and jealousy is the number one trigger. | 0:12:35 | 0:12:39 | |
Right, there's sexual jealousy. | 0:12:39 | 0:12:41 | |
For example, well...like, Jane, | 0:12:41 | 0:12:46 | |
you've potentially got a motive to attack Keisha cos she's got | 0:12:46 | 0:12:49 | |
a picture of your boyfriend on her phone. | 0:12:49 | 0:12:52 | |
-He's chatting shit. -You fucking serious? -No, he's joking. | 0:12:52 | 0:12:55 | |
Right, a naughty one, with all his plums hanging out. | 0:12:55 | 0:12:58 | |
Swear down, you've asked for it, I'll fucking rip your weave out! | 0:12:58 | 0:13:01 | |
I was expecting tension, yeah. | 0:13:01 | 0:13:03 | |
Jealousy's a touchy subject but my philosophy is, | 0:13:03 | 0:13:05 | |
if you come face-to-face with the green-eyed monster, | 0:13:05 | 0:13:08 | |
you don't back down. | 0:13:08 | 0:13:10 | |
No, you stab him up. | 0:13:10 | 0:13:13 | |
I'm telling you now... | 0:13:13 | 0:13:15 | |
Right, yeah, there's material jealousy as well. | 0:13:15 | 0:13:19 | |
For example, Tony, | 0:13:19 | 0:13:21 | |
it's no surprise those Jay-Z head phones went | 0:13:21 | 0:13:23 | |
missing from your bag the other week | 0:13:23 | 0:13:25 | |
and then I see Mike warming his ears with a pair over the park. | 0:13:25 | 0:13:28 | |
-You steal my beats, bruv!? -You knew it was my birthday the other week! | 0:13:28 | 0:13:32 | |
ARGUMENTS DESCEND INTO CHAOS | 0:13:32 | 0:13:33 | |
I had to do something! | 0:13:38 | 0:13:40 | |
THEY SHOUT | 0:13:40 | 0:13:42 | |
Right, listen! Just calm down, will you? | 0:13:42 | 0:13:45 | |
Just shut up, will you?! | 0:13:45 | 0:13:47 | |
Darren wanks off Antony's dog! | 0:13:51 | 0:13:53 | |
LAUGHTER | 0:13:54 | 0:13:56 | |
They do say, "A problem shared is a problem halved." | 0:13:56 | 0:13:59 | |
I just hope, for Darren's sake, a problem tweeted is a problem solved! | 0:13:59 | 0:14:03 | |
Cos this thing's trending now. | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:07 | |
SHOUTING | 0:14:07 | 0:14:09 | |
Well, at least there's no helicopters about. | 0:14:11 | 0:14:14 | |
So, turned out better than the last one. | 0:14:14 | 0:14:16 | |
APPLAUSE AND CHEERING | 0:14:18 | 0:14:20 | |
Pete Swivel! | 0:14:22 | 0:14:24 | |
Now, it's time for a woman | 0:14:24 | 0:14:25 | |
so difficult she won't even make time to boil your bunny. | 0:14:25 | 0:14:28 | |
Please welcome America's favourite bunny microwaver, | 0:14:28 | 0:14:31 | |
it's Loretta Maine! | 0:14:31 | 0:14:33 | |
APPLAUSE AND CHEERING | 0:14:34 | 0:14:36 | |
Woohoo! Hi! | 0:14:39 | 0:14:42 | |
Hi, they're hearing. | 0:14:42 | 0:14:44 | |
Just going to do a quick sound check. | 0:14:44 | 0:14:47 | |
# Someone's going to die tonight! # | 0:14:47 | 0:14:49 | |
Can you hear that? Is that loud enough? Is that OK? | 0:14:49 | 0:14:52 | |
Erm, hi. | 0:14:52 | 0:14:54 | |
I'm from the US, erm, but I live in the UK now | 0:14:54 | 0:14:57 | |
because they said I should go somewhere with tighter gun control. | 0:14:57 | 0:15:01 | |
Erm, and I'm really enjoying meeting British people | 0:15:01 | 0:15:06 | |
and I'd like to dedicate this song to, erm, | 0:15:06 | 0:15:09 | |
all the British men that I've loved and lost since I arrived here... | 0:15:09 | 0:15:14 | |
on Friday. | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:18 | |
# My love is like a box, it's big and open | 0:15:21 | 0:15:26 | |
# And inside you know you want to climb | 0:15:26 | 0:15:30 | |
# But if you find someone like you to share the space | 0:15:30 | 0:15:35 | |
# My box can be sublime | 0:15:35 | 0:15:40 | |
# But love is like a box | 0:15:40 | 0:15:42 | |
# It does fold easily | 0:15:42 | 0:15:45 | |
# And suddenly it's not quite what it seems | 0:15:45 | 0:15:49 | |
# And if our love should ever fold | 0:15:49 | 0:15:51 | |
# I'll shut you up in that box | 0:15:51 | 0:15:54 | |
# And I'll tape it up so you can never go | 0:15:54 | 0:15:58 | |
# And it won't be with weak Sellotape | 0:15:58 | 0:16:03 | |
# And it won't be with weak masking tape | 0:16:03 | 0:16:07 | |
# It will be with branding duct tape | 0:16:07 | 0:16:10 | |
# Yeah, I'm going to tape you in | 0:16:10 | 0:16:12 | |
# And I'll reinforce the corners so you can't kick it in | 0:16:12 | 0:16:16 | |
# Never leave me, yeah | 0:16:17 | 0:16:22 | |
# You like sunshine | 0:16:22 | 0:16:26 | |
# And never leave me | 0:16:26 | 0:16:30 | |
# If you like fresh air | 0:16:30 | 0:16:35 | |
# And never leave me | 0:16:35 | 0:16:39 | |
# If you like living | 0:16:39 | 0:16:44 | |
# And never leave me, if you... | 0:16:44 | 0:16:47 | |
# Like your heart beating | 0:16:47 | 0:16:51 | |
# Cos my love is like a box, it's decomposable | 0:16:51 | 0:16:55 | |
# And it can disappear without a trace | 0:16:55 | 0:17:00 | |
# And if you keep on trying | 0:17:00 | 0:17:02 | |
# To escape from that box | 0:17:02 | 0:17:05 | |
# I'll throw you in the Thames | 0:17:05 | 0:17:09 | |
# And watch you slowly drown | 0:17:09 | 0:17:13 | |
# And when they finally fish you out | 0:17:13 | 0:17:15 | |
# They won't be able to identify who you are | 0:17:15 | 0:17:19 | |
# So they'll bury you in a cardboard coffin | 0:17:19 | 0:17:23 | |
# At least you'll feel at home | 0:17:23 | 0:17:27 | |
APPLAUSE | 0:17:27 | 0:17:29 | |
# My love is like a box | 0:17:31 | 0:17:33 | |
# It's big and open | 0:17:33 | 0:17:36 | |
# Come on in. # | 0:17:36 | 0:17:40 | |
Bye. | 0:17:40 | 0:17:42 | |
CHEERING AND APPLAUSE | 0:17:42 | 0:17:45 | |
Wow! Never get a joint mortgage with anyone! | 0:17:51 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:57 | |
Although, I think I've got quite enough red tape already. | 0:17:57 | 0:17:59 | |
Now, moving on, the green... | 0:18:01 | 0:18:04 | |
HISSING | 0:18:04 | 0:18:05 | |
What was that? | 0:18:05 | 0:18:07 | |
Nothing. Erm, through there is the green room, which is... | 0:18:07 | 0:18:11 | |
Toxic Angel. | 0:18:11 | 0:18:12 | |
..which is full of sick. | 0:18:12 | 0:18:14 | |
The acts go green while the nerves, well, before they're nervous. | 0:18:14 | 0:18:18 | |
-Is that child OK? -What child? | 0:18:18 | 0:18:21 | |
-CHILD SOBS -Yes, he's fine. | 0:18:21 | 0:18:23 | |
Just ignore him. Now over here is where Russell... | 0:18:23 | 0:18:26 | |
He sounds really upset. | 0:18:26 | 0:18:27 | |
You OK, little guy? | 0:18:27 | 0:18:29 | |
HE HISSES | 0:18:29 | 0:18:30 | |
-Aww! He bit me. -Ishmael, what are you doing? | 0:18:30 | 0:18:32 | |
I'm so sorry, sir. | 0:18:32 | 0:18:35 | |
Woooooo! | 0:18:35 | 0:18:37 | |
Can anybody help me? | 0:18:37 | 0:18:39 | |
I've escaped from a mental asylum...for killing a human man. | 0:18:39 | 0:18:44 | |
Tom, this has gone too far. | 0:18:44 | 0:18:46 | |
-Ishmael just bit this lovely gentleman's hand. -I saw that. | 0:18:46 | 0:18:48 | |
Look, guys, I'm afraid the rules are, if you touch the scare artists, | 0:18:48 | 0:18:51 | |
they are allowed to fight back. | 0:18:51 | 0:18:53 | |
Just fuck off! | 0:18:53 | 0:18:54 | |
HE GRUNTS | 0:18:55 | 0:18:56 | |
APPLAUSE | 0:19:03 | 0:19:06 | |
Hello, welcome to the make-up department. My name's Linda. | 0:19:06 | 0:19:09 | |
Where are you from? | 0:19:09 | 0:19:11 | |
-Roubaix in France. -Oh, we have a French speaker in the room! | 0:19:11 | 0:19:14 | |
-FRENCH ACCENT: -I am actually fluent in zee French. | 0:19:14 | 0:19:17 | |
My name is Linda and I work in the make-up room. | 0:19:19 | 0:19:23 | |
Is somebody over-tired and needs a nap? | 0:19:25 | 0:19:28 | |
We can have chocolate biscuits later. | 0:19:28 | 0:19:31 | |
Look how happy he is! | 0:19:31 | 0:19:32 | |
Did you do a wee-wee in your knickers, sweetie? | 0:19:32 | 0:19:35 | |
-SHE WHISPERS: -Is that why you're so quiet? | 0:19:35 | 0:19:38 | |
Come on, let me get those knickers. | 0:19:38 | 0:19:40 | |
-No, no, no... -Come on, they're nice. | 0:19:40 | 0:19:42 | |
Marcel's done a wee-wee in his knickers on the make-up chair. | 0:19:42 | 0:19:45 | |
We've got a poo in the make-up room. | 0:19:45 | 0:19:47 | |
-GERMAN ACCENT: -My name is Linda and I work in ze make-up room! | 0:19:49 | 0:19:54 | |
-FRENCH ACCENT: -I don't think he speaks the French. | 0:19:55 | 0:19:58 | |
Now, let's digress from our progress with a recess. | 0:19:59 | 0:20:02 | |
It's just part of the progress, you know this! | 0:20:02 | 0:20:04 | |
See you after the break. | 0:20:04 | 0:20:06 | |
APPLAUSE AND CHEERING | 0:20:06 | 0:20:08 | |
Can I make my hair as heavy as cement, without ruining my look? | 0:20:11 | 0:20:14 | |
Now I can, thanks to new "Make My Hair As Heavy As Cement Shampoo". | 0:20:14 | 0:20:19 | |
"Make My Hair As Heavy As Cement" tackles dry hair, dandruff | 0:20:19 | 0:20:23 | |
and split-ends, as well as making my hair as heavy as cement. | 0:20:23 | 0:20:27 | |
In just 15 minutes, your hair will be as heavy as cement. | 0:20:27 | 0:20:31 | |
I tried to make my hair as heavy as cement | 0:20:31 | 0:20:34 | |
and already my hair's starting to feel as heavy as cement. | 0:20:34 | 0:20:37 | |
Now my hair's so heavy I can't lift up my head. | 0:20:37 | 0:20:40 | |
And now new, heavier "Sheet Metal". | 0:20:43 | 0:20:45 | |
LAUGHTER | 0:20:47 | 0:20:49 | |
"Make My Hair As Heavy As Cement" and now new "Sheet Metal". | 0:20:49 | 0:20:54 | |
Now, you can have heavy hair without compromising your look. | 0:20:54 | 0:20:57 | |
Wash your hair heavy today! | 0:20:57 | 0:21:00 | |
APPLAUSE AND LAUGHTER | 0:21:00 | 0:21:02 | |
And now, a Frenchman | 0:21:06 | 0:21:08 | |
so supportive of his countrywomen he refuses to trim his own pubic hair. | 0:21:08 | 0:21:13 | |
It's Marcel Lucont! | 0:21:13 | 0:21:15 | |
APPLAUSE AND CHEERING | 0:21:15 | 0:21:17 | |
WOLF WHISTLE FROM AUDIENCE | 0:21:28 | 0:21:29 | |
Bonsoir. | 0:21:29 | 0:21:31 | |
For you now, an extract from my exquisite autobiography, "Moi". | 0:21:31 | 0:21:37 | |
Concerning my first visit to England | 0:21:39 | 0:21:42 | |
on a school exchange. | 0:21:42 | 0:21:45 | |
Which promised to us a rich, cultural experience which would | 0:21:45 | 0:21:49 | |
alter our view of the British, as repressed, thuggish, simpletons. | 0:21:49 | 0:21:54 | |
LAUGHTER | 0:21:55 | 0:21:56 | |
The coach pulled into Coventry. | 0:22:03 | 0:22:06 | |
LAUGHTER | 0:22:06 | 0:22:08 | |
I emerged drowsy and agitated, having been made to sit by Maurice. | 0:22:08 | 0:22:13 | |
Like me, on his final warning at school. | 0:22:13 | 0:22:16 | |
Him, for farting a surprising | 0:22:16 | 0:22:18 | |
substantial amount of La Marseillaise... | 0:22:18 | 0:22:21 | |
LAUGHTER | 0:22:21 | 0:22:22 | |
..me, for smoking and coarse language, | 0:22:22 | 0:22:24 | |
while fucking the philosophy teacher. | 0:22:24 | 0:22:27 | |
LAUGHTER | 0:22:27 | 0:22:29 | |
During this long trip, | 0:22:29 | 0:22:30 | |
Maurice had discovered that he could fellate himself. | 0:22:30 | 0:22:34 | |
A trick he unveiled via the back window, causing a lorry to crash. | 0:22:34 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:41 | |
For a country termed by Napoleon, "a nation of shopkeepers", | 0:22:42 | 0:22:47 | |
we were, naturally, bemused to find all of England's shops were shit. | 0:22:47 | 0:22:52 | |
LAUGHTER | 0:22:52 | 0:22:53 | |
By day three, naturally, | 0:22:53 | 0:22:55 | |
I had attracted the attention of an English girl, Helen. | 0:22:55 | 0:22:59 | |
The locations for our romantic encounters included cinemas, | 0:22:59 | 0:23:04 | |
cemeteries and swimming pools, | 0:23:04 | 0:23:07 | |
where I learned the phrase "heavy petting". | 0:23:07 | 0:23:10 | |
LAUGHTER | 0:23:10 | 0:23:11 | |
My father told me always that "heavy petting" | 0:23:11 | 0:23:14 | |
was what had killed my hamster. | 0:23:14 | 0:23:16 | |
LAUGHTER | 0:23:16 | 0:23:18 | |
The school had organised for us a discotheque on the final night. | 0:23:18 | 0:23:22 | |
We knew our small stash of alcohol would temper the lurid, fizzy, | 0:23:22 | 0:23:27 | |
red piss we received in bottles, which the | 0:23:27 | 0:23:29 | |
English boys attempted to convince us contained traces of panda. | 0:23:29 | 0:23:33 | |
LAUGHTER | 0:23:33 | 0:23:35 | |
In the toilets, however, I managed to obtain some speed from Gary. | 0:23:37 | 0:23:42 | |
Ironically, the slowest boy in the class. | 0:23:42 | 0:23:45 | |
Because of this, I soon misplaced Helen. | 0:23:45 | 0:23:49 | |
My search led me to the biology cupboard, | 0:23:49 | 0:23:52 | |
where I found Helen, alas, not alone. | 0:23:52 | 0:23:56 | |
She looked up at me with sheepish eyes, | 0:23:58 | 0:24:01 | |
next to where they kept the sheep's eyes. | 0:24:01 | 0:24:04 | |
LAUGHTER | 0:24:04 | 0:24:05 | |
But, like the sheep's heart in biology class, | 0:24:05 | 0:24:09 | |
mine was torn in two as I found her there semi-nude... | 0:24:09 | 0:24:14 | |
with Maurice. | 0:24:14 | 0:24:16 | |
Finally, he had found someone to do the job for him. | 0:24:17 | 0:24:20 | |
LAUGHTER | 0:24:20 | 0:24:23 | |
I learnt many English swear words that night, including | 0:24:23 | 0:24:26 | |
"go fuck yourself!"... An action I made sure Maurice was unable to | 0:24:26 | 0:24:30 | |
practise for many weeks to follow. | 0:24:30 | 0:24:33 | |
APPLAUSE | 0:24:34 | 0:24:36 | |
Goodbye. | 0:24:38 | 0:24:39 | |
CHEERING | 0:24:42 | 0:24:44 | |
In the last instalment Dave shagged Sharon's mum. | 0:24:49 | 0:24:53 | |
It makes no difference, it was an accident done. | 0:24:53 | 0:24:57 | |
-Like herpes he returns. -Itch not, mother. | 0:25:05 | 0:25:10 | |
Useless shit! Rodding action shittier than a Diana Rod's rod. | 0:25:10 | 0:25:14 | |
Draining mother's quim of its dignity. | 0:25:14 | 0:25:17 | |
May the gods pass over the trespasses done to my fuper. | 0:25:17 | 0:25:21 | |
Look, ask ye if I'm serious. | 0:25:21 | 0:25:25 | |
Then, for the grasp of thy Essex claw, present I this. | 0:25:26 | 0:25:32 | |
Engagement! | 0:25:32 | 0:25:36 | |
-Not quite engagement but... -Not quite? Div thou. | 0:25:36 | 0:25:40 | |
What means thou "not quite", wank-air!? | 0:25:40 | 0:25:43 | |
Sweet Harry and I have co-invented a pre-engagement ring, upon which the | 0:25:43 | 0:25:49 | |
magic of cubic zirconia sparkles | 0:25:49 | 0:25:52 | |
with the promise of what might follow. | 0:25:52 | 0:25:55 | |
Perhaps, here after, maybe... | 0:25:55 | 0:25:59 | |
Engaged to be engaged. Ta-da! | 0:26:01 | 0:26:03 | |
Thou whitened dog turd thou! | 0:26:03 | 0:26:06 | |
Aye, thou bit of shit left in the tread of a caterpillar boot! | 0:26:06 | 0:26:11 | |
Engaged to be engaged, spiceless drumstick! | 0:26:11 | 0:26:13 | |
Why not serve me an empty KFC carton and be pretend it's zinger? | 0:26:13 | 0:26:16 | |
Lemon-white mo-fo! | 0:26:16 | 0:26:18 | |
Peck no more at my womanhood. | 0:26:18 | 0:26:20 | |
My final, paltry attempt to build a tower burger | 0:26:24 | 0:26:28 | |
from the breadcrumb of my sin. | 0:26:28 | 0:26:31 | |
My chips are gambled and served, salted in the wounds of lost love. | 0:26:31 | 0:26:36 | |
I shall flee the family bucket of these birds! | 0:26:37 | 0:26:40 | |
It is me who has become a chicken. | 0:26:41 | 0:26:44 | |
LAUGHTER | 0:26:45 | 0:26:47 | |
Cock! | 0:26:47 | 0:26:49 | |
LAUGHTER | 0:26:49 | 0:26:51 | |
APPLAUSE AND CHEERING | 0:26:53 | 0:26:56 | |
Thank you but that is the end of the show. | 0:26:56 | 0:26:59 | |
If we've left you wanting more, after the show head straight to... | 0:26:59 | 0:27:01 | |
Or if you're scared of technology, scratch out extra sketches | 0:27:03 | 0:27:06 | |
on some crude bits of slate and then just move them really quickly. | 0:27:06 | 0:27:09 | |
From me and the Electrolytes, goodbye! | 0:27:09 | 0:27:13 | |
APPLAUSE AND CHEERING | 0:27:13 | 0:27:14 | |
Thanks for being so understanding, it won't happen again. | 0:27:14 | 0:27:18 | |
I just spoke to the guy, luckily he says he still enjoyed the tour. | 0:27:18 | 0:27:21 | |
-So, fingers crossed they'll be keeping it. -Who, that guy? | 0:27:21 | 0:27:25 | |
He wasn't evaluating you. | 0:27:25 | 0:27:26 | |
-What? -No, he's just a huge fan of the show. | 0:27:26 | 0:27:29 | |
He's fucking weird if you ask me. | 0:27:29 | 0:27:32 | |
I think he might genuinely be from a mental asylum. | 0:27:32 | 0:27:35 | |
So, who was evaluating you, Tom? | 0:27:35 | 0:27:39 | |
-I don't know. -It was me. | 0:27:39 | 0:27:41 | |
You'll be hearing from me in due course. | 0:27:41 | 0:27:43 | |
Such a freak! | 0:27:43 | 0:27:45 | |
Tell me something I don't know. | 0:27:45 | 0:27:47 | |
-What are you going to do about that girl you punched? -What girl? | 0:27:47 | 0:27:50 | |
The girl on the tour. | 0:27:50 | 0:27:51 | |
Tom, there was no girl on the tour. | 0:27:51 | 0:27:54 | |
Just joking, she's suing me. See you on Monday, newbie. | 0:27:55 | 0:27:59 | |
Igor! | 0:27:59 | 0:28:01 | |
HE HISSES | 0:28:01 | 0:28:03 |