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This programme contains very strong language and adult humour. | 0:00:02 | 0:00:05 | |
BAGPIPES SKIRL | 0:00:07 | 0:00:08 | |
-Get this. -Good weekend? | 0:00:11 | 0:00:13 | |
SCOTTISH ACCENT: Ach, not bad and thanks for asking! | 0:00:13 | 0:00:16 | |
Found I've got a bit of Scottish heritage on my mother's side. Dram of whiskey? | 0:00:16 | 0:00:19 | |
Real Scottish people drink it through their eye. | 0:00:19 | 0:00:21 | |
I know! Smart-arse Brit! | 0:00:21 | 0:00:25 | |
Agh. | 0:00:25 | 0:00:27 | |
-Please don't tell me you're a true Scot under there. -Aye, I'm wearing | 0:00:27 | 0:00:30 | |
-the traditional nappy. -That's not a thing, Tom. | 0:00:30 | 0:00:33 | |
-It is in my family. -From the famous McHuggies clan(!) -Never heard of them. | 0:00:33 | 0:00:37 | |
I'm a McLoughlin, hence the purple braid. | 0:00:37 | 0:00:39 | |
-Is this because the producer from BBC Scotland is coming on set? -Is he? Hadn't heard. | 0:00:39 | 0:00:44 | |
-Couldn't get the Braveheart? -ENGLISH ACCENT: They're all out. -That's subtle. | 0:00:44 | 0:00:48 | |
Shut up, Tom, you're just nervous about there being so many Scots, | 0:00:48 | 0:00:50 | |
because you English... SCOTTISH ACCENT: ..raped our women | 0:00:50 | 0:00:53 | |
and banished us to live in swamps with nothing but talking donkeys! | 0:00:53 | 0:00:57 | |
-Shrek's a cartoon character. -ENGLISH ACCENT: Yeah, but it's based on Alex Salmond. | 0:00:57 | 0:01:01 | |
Right. I'm sure this Scottish guy will forgive me. | 0:01:01 | 0:01:03 | |
It was all a long time ago. | 0:01:03 | 0:01:05 | |
Yeah, but unfortunately for you Tom... | 0:01:05 | 0:01:07 | |
SCOTTISH ACCENT: ..a Scotsman never forgets. | 0:01:07 | 0:01:10 | |
-We need to start this show. -I know. | 0:01:11 | 0:01:13 | |
APPLAUSE AND CHEERING | 0:01:28 | 0:01:30 | |
Good evening, ladies and gentlemen, welcome to Live At The Electric! | 0:01:39 | 0:01:42 | |
CHEERING AND APPLAUSE | 0:01:42 | 0:01:45 | |
We've got sketches, characters and me, | 0:01:45 | 0:01:47 | |
the spiky-haired one with a healthy appeal to the Goth demographic to cover my mortgage. | 0:01:47 | 0:01:51 | |
Remember, I'm not really like you, I just pretend to be to pay my bills! | 0:01:51 | 0:01:56 | |
So I travel up and down the country doing stand-up. | 0:01:57 | 0:01:59 | |
I realise we're such a regional country. | 0:01:59 | 0:02:02 | |
We're almost afflicted by it. Essex people have Essex head disease, pulling themselves along, | 0:02:02 | 0:02:06 | |
with the traction of their Essex head. Yorkshire people are the best. | 0:02:06 | 0:02:10 | |
Any Yorkshire people in the room? Yorkshire. | 0:02:10 | 0:02:13 | |
-YORKSHIRE ACCENT: -Actually it's got t'bones. I can't move. | 0:02:13 | 0:02:16 | |
It's actually a debilitating condition. | 0:02:16 | 0:02:18 | |
Finishes with them in a nursing home going "Leeds, Leeds, Leeds!" | 0:02:18 | 0:02:21 | |
Lindsey, my girlfriend, she's got full Mancinson's disease! | 0:02:23 | 0:02:26 | |
-MANCHESTER ACCENT: -Ah-ah-ah-ah! | 0:02:26 | 0:02:29 | |
Just to be clear, before my social networks are flooded | 0:02:29 | 0:02:32 | |
with complaints, I'm not saying northern accidents are inferior. | 0:02:32 | 0:02:35 | |
They're not, they're better, more interesting, musical and lovely. | 0:02:35 | 0:02:38 | |
However, I cannot be the only one to notice that, when on holiday, | 0:02:38 | 0:02:41 | |
there is a prejudice against accents from the north of England. | 0:02:41 | 0:02:44 | |
You end up translating for the northerner you're away with. | 0:02:44 | 0:02:47 | |
I went away with Lindsey to Amsterdam. | 0:02:47 | 0:02:50 | |
You wouldn't think you could be misunderstood there. | 0:02:50 | 0:02:52 | |
Their English is off the hook. "Do some quadratic equations, I'll solve them in your language. | 0:02:52 | 0:02:56 | |
"Clogs, windmills, past tense, mofo!" | 0:02:56 | 0:02:59 | |
There may have been a stereotyping there. Hashtag-don't-complain. | 0:03:00 | 0:03:03 | |
Anyway, she just couldn't get breakfast to the room. | 0:03:04 | 0:03:07 | |
She was getting more wound up every day. It culminated with this. | 0:03:07 | 0:03:12 | |
She was trying to order just some toast. | 0:03:12 | 0:03:14 | |
How hard can it be? People from the north, I feel for you. This is how it went. | 0:03:14 | 0:03:17 | |
"Excuse me." Remember, she's got full Mancinson's. | 0:03:17 | 0:03:21 | |
# Wonderwall. # | 0:03:21 | 0:03:23 | |
-MANCHESTER ACCENT: -"Excuse me, can I have some toast?" Toast is quite normal, isn't it? | 0:03:25 | 0:03:29 | |
-Toast. Still quite nasal, though. -DUTCH ACCENT: -"Was that toast?" | 0:03:29 | 0:03:32 | |
"Toast. that's what I said. But can you please make sure, because yesterday you forgot... | 0:03:32 | 0:03:36 | |
"Can you please make sure you bring...butter." | 0:03:36 | 0:03:39 | |
"I'm sorry?" | 0:03:41 | 0:03:42 | |
"Butter! Butter! You spread it - butter." | 0:03:42 | 0:03:44 | |
You know when someone is getting annoyed really quickly and repeating themselves? | 0:03:44 | 0:03:48 | |
It's funny, but it shouldn't be. | 0:03:48 | 0:03:49 | |
"Butter. You spread it. Butter!" "I'm sorry I don't..." | 0:03:49 | 0:03:52 | |
Then she started giving out clues getting further away... | 0:03:52 | 0:03:55 | |
"Toast, you spread it with a knife. Cutlery. Goes next to a plate! | 0:03:55 | 0:03:59 | |
"Butter! Butter! Butter!" | 0:03:59 | 0:04:04 | |
I picked up the phone and went, "Butter, mate." "No problem, two minutes." | 0:04:04 | 0:04:07 | |
The only other worse one was in Thailand. Who's been to Thailand? | 0:04:09 | 0:04:14 | |
You go thinking, "This will be culturally different. | 0:04:14 | 0:04:16 | |
"I won't even recognise anything. It's just so far away." It's not. | 0:04:16 | 0:04:19 | |
A country of people, quite introverted by day, | 0:04:19 | 0:04:22 | |
and wild and pissed up in the evening with a reverence for the Royal family. | 0:04:22 | 0:04:25 | |
Sound familiar, UK? | 0:04:25 | 0:04:27 | |
Anyway, we were there and there's one word you really need in Thailand, | 0:04:28 | 0:04:33 | |
if you're a pussy when it comes to food, and that word is "mild". | 0:04:33 | 0:04:37 | |
Right? You need that word to be understood, or you're going to be in trouble. | 0:04:37 | 0:04:41 | |
This is Lindsey. "Can I have a green coorry?" | 0:04:41 | 0:04:44 | |
Not "curry". "Can I have a green coorry?" | 0:04:44 | 0:04:46 | |
-Wonderwall. -HE MAKES A NASAL SOUND | 0:04:46 | 0:04:49 | |
"Can I have a green curry, but can you please make sure it's mi-i-ild?" | 0:04:49 | 0:04:53 | |
-The Thai dude's head's going... -MAKES SOUND OF EXPLOSION | 0:04:55 | 0:04:58 | |
"Mi-i-ild?" | 0:04:58 | 0:05:00 | |
-AS LINDSEY: -"Mi-i-ild. Curry, mi-i-i-ild. | 0:05:00 | 0:05:03 | |
"Mi-i-i-ild. Mi-i-i-ild." | 0:05:03 | 0:05:07 | |
-And she went, "Not hot." -AS WAITER: -"Hot? No problem." | 0:05:07 | 0:05:10 | |
It's a shame, because it left her with a ruined bum hole and, for once, it wasn't my fault. | 0:05:13 | 0:05:17 | |
APPLAUSE | 0:05:17 | 0:05:19 | |
Moving swiftly on, ladies and gentlemen. | 0:05:19 | 0:05:22 | |
Now, to his family and associates, he's Peter. | 0:05:22 | 0:05:25 | |
But to the kids of Bullsmoor Youth Club, he's Pete, | 0:05:25 | 0:05:27 | |
because that, you know, makes him more approachable. | 0:05:27 | 0:05:30 | |
Obvos. It's Pete Swivel! | 0:05:30 | 0:05:32 | |
CHEERING AND APPLAUSE | 0:05:32 | 0:05:37 | |
In 2013, a BBC documentary crew filmed the everyday happenings | 0:05:37 | 0:05:42 | |
of a North London youth club on Bullsmoor Lane. | 0:05:42 | 0:05:45 | |
Its name - the BYC. | 0:05:45 | 0:05:47 | |
Its leader - Pete Swivel. | 0:05:47 | 0:05:49 | |
Makes my bloody blood boil! | 0:05:51 | 0:05:53 | |
I've just caught more kids round the back, having it off. | 0:05:53 | 0:05:56 | |
I feel like I'm working in a fucking rabbit hutch. | 0:05:56 | 0:05:59 | |
I've got to take some action now. I've got the right arsehole! | 0:05:59 | 0:06:03 | |
Right, you lot need to know the devastating consequences | 0:06:03 | 0:06:07 | |
all this humpty-dumpty can have on you, right? | 0:06:07 | 0:06:09 | |
Have a look at the state of this. | 0:06:09 | 0:06:13 | |
LAUGHTER | 0:06:13 | 0:06:14 | |
-It's Anthony's dad, innit? -Take me seriously, Darren, or get out. | 0:06:14 | 0:06:18 | |
Although it could be. Right. | 0:06:19 | 0:06:22 | |
Now, this lady was fresh-faced and full of life | 0:06:22 | 0:06:25 | |
until she got lured into the sex trade. | 0:06:25 | 0:06:27 | |
Some say no one's had more sausage than her. | 0:06:27 | 0:06:31 | |
Others say she should be kept in a cage, | 0:06:31 | 0:06:33 | |
which I think is a bit harsh, because she only bites when asked. Apparently. | 0:06:33 | 0:06:37 | |
She's very kindly agreed to come and meet you today. | 0:06:37 | 0:06:40 | |
Pat Porridge, everyone. | 0:06:40 | 0:06:42 | |
-Hello, everyone. -Have a sit down. | 0:06:43 | 0:06:45 | |
Right, now, I know shagging is a very natural thing. | 0:06:47 | 0:06:52 | |
Depending on your boundaries, obviously. | 0:06:52 | 0:06:54 | |
As you can clearly see, the years and years of relentless banging, | 0:06:54 | 0:07:00 | |
have now turned Pat into an extremely acquired taste. No offence. | 0:07:00 | 0:07:06 | |
That's fine. Business is good. | 0:07:06 | 0:07:09 | |
No, I bet it is. I'm sure there's loads of pervs, I mean punters. | 0:07:09 | 0:07:13 | |
People who love this sort of thing. I bet you're rolling in it. Right? | 0:07:13 | 0:07:18 | |
But the financial benefits aside, right? | 0:07:18 | 0:07:21 | |
All this rumpy-pumpy has not just had a physical effect, | 0:07:21 | 0:07:24 | |
but an emotional one, as well. | 0:07:24 | 0:07:26 | |
50 years on Prozac has taken its toll on poor old Pat. | 0:07:26 | 0:07:31 | |
I'm 43, you cheeky git! | 0:07:31 | 0:07:33 | |
Oh, did you see that? Eh? | 0:07:33 | 0:07:37 | |
After all she's been through, | 0:07:37 | 0:07:39 | |
she's still kept that wicked sense of humour. | 0:07:39 | 0:07:41 | |
That's the class of the woman. | 0:07:41 | 0:07:44 | |
Right? Now, Pat's got a booking at one, so we won't keep her. | 0:07:44 | 0:07:49 | |
But, to sum up, the story of your life is etched on your face. | 0:07:49 | 0:07:54 | |
So just make sure when you get to Pat's age, it's not been a fucking horror movie. | 0:07:54 | 0:07:59 | |
-All right? No offence, Pat. -None taken. It's been a pleasure. | 0:07:59 | 0:08:03 | |
-I like a good slasher film, anyway. -What did I say? That's a bit near the bone. | 0:08:03 | 0:08:07 | |
What are you on about? | 0:08:07 | 0:08:09 | |
Well, for those of you that are not in on the joke, | 0:08:09 | 0:08:13 | |
slasher films are the ones where - for want of a better phrase - | 0:08:13 | 0:08:18 | |
people piss all over each other for kicks. | 0:08:18 | 0:08:22 | |
Er, no, Pete, it's a type of horror film. | 0:08:22 | 0:08:24 | |
Eh? Ah, yeah! Course it is, innit? | 0:08:26 | 0:08:31 | |
HE SNIFFS | 0:08:33 | 0:08:35 | |
What did I say? | 0:08:35 | 0:08:37 | |
They've heard the myth, the legend, | 0:08:37 | 0:08:39 | |
but actually seeing Pat in the flesh today | 0:08:39 | 0:08:41 | |
has struck the fear of God into 'em, I think. | 0:08:41 | 0:08:44 | |
Nothing I do here is without purpose. And it gets results. | 0:08:44 | 0:08:49 | |
APPLAUSE | 0:08:55 | 0:08:58 | |
CHEERING | 0:09:00 | 0:09:01 | |
< Pete Swivel! Right. | 0:09:01 | 0:09:05 | |
If you thought Francophile was an Irishman, | 0:09:05 | 0:09:07 | |
have this renaissance on us. | 0:09:07 | 0:09:09 | |
It's Marcel Lucont! | 0:09:09 | 0:09:11 | |
APPLAUSE AND CHEERING | 0:09:11 | 0:09:15 | |
Salut. | 0:09:22 | 0:09:25 | |
Since my last televisual appearance, I've received many letters | 0:09:25 | 0:09:29 | |
enquiring about my past. | 0:09:29 | 0:09:32 | |
Ranging from the inquisitive, to the creepy. | 0:09:32 | 0:09:36 | |
Lucky for you, it is all here, | 0:09:37 | 0:09:40 | |
the first draft of my autobiography entitled simply 'Moi'. | 0:09:40 | 0:09:46 | |
I don't fuck around. | 0:09:46 | 0:09:47 | |
I do fuck around! | 0:09:51 | 0:09:53 | |
HE CLEARS HIS THROAT Birth - | 0:09:59 | 0:10:02 | |
my first time inside a woman. | 0:10:02 | 0:10:05 | |
My first ever word emerged from my mouth just seconds after my birth. | 0:10:11 | 0:10:16 | |
"Pourquoi?" | 0:10:16 | 0:10:18 | |
Although Father insisted this was probably just hiccupping. | 0:10:18 | 0:10:21 | |
By all accounts, he was too drunk to know, anyway. | 0:10:22 | 0:10:26 | |
As I reached up for a breast, | 0:10:26 | 0:10:27 | |
my father was doing the same to one of the nurses. | 0:10:27 | 0:10:30 | |
I learned quickly that shrill, insistent screaming | 0:10:32 | 0:10:35 | |
would result in breasts being presented to me immediately - | 0:10:35 | 0:10:39 | |
a technique which is sadly less successful for me nowadays. | 0:10:39 | 0:10:43 | |
One of my most early memories was on the steps of our old apartment, | 0:10:45 | 0:10:49 | |
aged seven. | 0:10:49 | 0:10:51 | |
"Father," I asked inquisitively, "where do the babies come from?" | 0:10:51 | 0:10:56 | |
"I don't know," he said, | 0:10:56 | 0:10:58 | |
panicking at what to do with the screaming baskets on the step. | 0:10:58 | 0:11:01 | |
"This one seemed to have arrived without a note, for once. | 0:11:04 | 0:11:08 | |
"Wait here, do not tell your mother, I will return in one hour." | 0:11:08 | 0:11:12 | |
And he quickly sped away. | 0:11:12 | 0:11:14 | |
My parents never married and Father refused to give Mother another child. | 0:11:14 | 0:11:19 | |
So she left when I was eight, | 0:11:19 | 0:11:21 | |
claiming she did not wish to put all of her eggs into one bastard. | 0:11:21 | 0:11:25 | |
At school, I was a disruptive child. | 0:11:27 | 0:11:30 | |
Partially due to my domestic situation, I suppose, | 0:11:30 | 0:11:34 | |
but largely due to me being better than all the other children. | 0:11:34 | 0:11:39 | |
By the age of ten, I could roll a cigarette with one hand, | 0:11:39 | 0:11:42 | |
while writing poetry with the other. | 0:11:42 | 0:11:44 | |
I shall never forget the words of my writing teacher, | 0:11:46 | 0:11:49 | |
"If you throw enough shit at a wall, some of the teachers will complain." | 0:11:49 | 0:11:55 | |
I was suspended for two weeks for what I did to that wall. | 0:11:57 | 0:12:01 | |
A dirty protest against Monsieur Leblanc, the filthy bastard. | 0:12:01 | 0:12:05 | |
Monsieur Leblanc was our physical education teacher, my nemesis, | 0:12:05 | 0:12:09 | |
a notorious pervert. | 0:12:09 | 0:12:12 | |
I believe his favourite sexual position was probably | 0:12:12 | 0:12:15 | |
the recovery position. | 0:12:15 | 0:12:17 | |
LAUGHTER AND GROANING | 0:12:17 | 0:12:19 | |
Ah, those formative years, | 0:12:20 | 0:12:23 | |
the innocent joy of having dirty feelings | 0:12:23 | 0:12:26 | |
for a 15-year-old Vanessa Paradis, | 0:12:26 | 0:12:28 | |
which we were allowed to do so, being also ourselves underage. | 0:12:28 | 0:12:32 | |
A rule not applying to Monsieur Leblanc, as he discovered - | 0:12:32 | 0:12:36 | |
soon suspended himself, due to the contents of his cupboard. | 0:12:36 | 0:12:41 | |
Vengeance was achieved. Yes. | 0:12:41 | 0:12:44 | |
Even at school, I knew it helped to have friends in high places. | 0:12:44 | 0:12:48 | |
Literally, in this case - | 0:12:48 | 0:12:50 | |
a boy half a metre taller, who could reach his cupboard key. | 0:12:50 | 0:12:53 | |
Monsieur Leblanc, | 0:12:54 | 0:12:56 | |
or Monsignor Leblanc, to give you your current title, | 0:12:56 | 0:13:00 | |
thank you for my first taste of revenge. | 0:13:00 | 0:13:03 | |
A dish which, like gazpacho soup, is best served to dicks. | 0:13:03 | 0:13:10 | |
APPLAUSE AND CHEERING | 0:13:10 | 0:13:12 | |
HE GRUNTS | 0:13:21 | 0:13:22 | |
-What are you doing? -2.5 metres. New record. -Excellent. | 0:13:22 | 0:13:27 | |
Sorry, Tom, old Highland tradition - tossing the stapler. | 0:13:27 | 0:13:31 | |
Extra points for hitting a filthy Brit. | 0:13:31 | 0:13:34 | |
Ismail! | 0:13:34 | 0:13:36 | |
Wait until I'm ready! | 0:13:36 | 0:13:38 | |
Just piss off. | 0:13:38 | 0:13:39 | |
I just came to get those contracts. Have you put these in Gaelic? | 0:13:39 | 0:13:43 | |
Oh, yeah, sorry, you know what it's like. I slip in and out. To-may-to, tom-ah-to. | 0:13:43 | 0:13:48 | |
-McLou... -You don't speak it, do you? | 0:13:48 | 0:13:50 | |
No, but I know all the swear words. | 0:13:50 | 0:13:52 | |
Not that I'd teach you, you English boot face. | 0:13:52 | 0:13:54 | |
You realise this BBC Scotland guy isn't going to care that I'm English? | 0:13:54 | 0:13:58 | |
-He's just going to care you're not doing your work. -I don't care about him. | 0:13:58 | 0:14:02 | |
I am merely celebrating my culture. | 0:14:02 | 0:14:03 | |
-Jesus Christ, there's a snake in my drawer! -That's Nessie. | 0:14:03 | 0:14:07 | |
She's a Scottish adder. | 0:14:07 | 0:14:08 | |
Bit me earlier, but, being a fellow Scot, it's had no effect. | 0:14:08 | 0:14:12 | |
CHEERING AND APPLAUSE | 0:14:14 | 0:14:17 | |
# Welcome to the make-up room | 0:14:18 | 0:14:20 | |
# The world of dreams and transformations # | 0:14:20 | 0:14:23 | |
I'm Linda, the make-up artist, and I'm an ugly person's best friend. | 0:14:23 | 0:14:27 | |
-Do you want to know a secret? It's my birthday. -Oh, happy birthday. | 0:14:27 | 0:14:33 | |
And you're the only one invited. | 0:14:33 | 0:14:35 | |
Cheers. | 0:14:37 | 0:14:39 | |
SHE BLOWS BUBBLES THROUGH STRAW | 0:14:39 | 0:14:41 | |
JAUNTY MUSIC PLAYS | 0:14:43 | 0:14:47 | |
-MUSIC STOPS -Ooh! -Oh, what's it going to be?! | 0:14:47 | 0:14:51 | |
-Diamonds! -That's mine. -No, it's mine. -That's mine. -No, it's mine! | 0:14:52 | 0:14:57 | |
I found them in a dressing room. | 0:14:57 | 0:14:59 | |
MUSIC PLAYS | 0:14:59 | 0:15:01 | |
MUSIC STOPS Oh! Beautiful gems. | 0:15:02 | 0:15:06 | |
They're all mine. | 0:15:06 | 0:15:08 | |
No! They're mine, I'm winning. | 0:15:08 | 0:15:10 | |
MUSIC PLAYS | 0:15:10 | 0:15:12 | |
MUSIC STOPS Oh, me again! | 0:15:13 | 0:15:17 | |
SHE GASPS | 0:15:17 | 0:15:19 | |
Oh, God. | 0:15:21 | 0:15:23 | |
They said there would never be ads on the BBC. | 0:15:25 | 0:15:28 | |
Well, this is intermission impossible. See you after the break. | 0:15:28 | 0:15:32 | |
CHEERING AND APPLAUSE | 0:15:32 | 0:15:34 | |
SLOW MUSIC PLAYS | 0:15:36 | 0:15:39 | |
Maintain your guttering! | 0:15:55 | 0:15:57 | |
Guttering. It stops you getting wet. | 0:15:57 | 0:16:01 | |
Guttering. It stops you getting wet. | 0:16:01 | 0:16:04 | |
Guttering. | 0:16:04 | 0:16:05 | |
APPLAUSE AND CHEERING | 0:16:05 | 0:16:08 | |
Now it's time for me to introduce our next act. | 0:16:12 | 0:16:15 | |
a lady so gentrified, that the only clue she's reached sexual climax | 0:16:15 | 0:16:19 | |
is that her jewellery starts rattling faster. | 0:16:19 | 0:16:21 | |
She doesn't come, she arrives. | 0:16:21 | 0:16:23 | |
Thank you. It's Chastity Butterworth! | 0:16:23 | 0:16:26 | |
CHEERING AND APPLAUSE Oh. | 0:16:26 | 0:16:31 | |
Oh! | 0:16:31 | 0:16:33 | |
Ooh. | 0:16:33 | 0:16:36 | |
Ooh. Oh, oh, good evening, | 0:16:36 | 0:16:38 | |
I am overjoyed to have been invited here. | 0:16:38 | 0:16:42 | |
I got a call from the producer this morning, asking me to come here | 0:16:42 | 0:16:45 | |
and just do something on the show, | 0:16:45 | 0:16:47 | |
which suits me rather well, as I'm actually a one-woman variety act | 0:16:47 | 0:16:51 | |
and, also, the water's been cut off at home and there are showers here. | 0:16:51 | 0:16:55 | |
Thank you. SHE LAUGHS NERVOUSLY | 0:16:55 | 0:16:57 | |
I've just come from my BMX lesson, | 0:16:57 | 0:17:00 | |
so I'm nursing a bit of a sore bottom, but, | 0:17:00 | 0:17:03 | |
what's new? | 0:17:03 | 0:17:05 | |
Ouch. | 0:17:07 | 0:17:10 | |
And speaking of sore bottoms, I was in my parlour yesterday morning, | 0:17:10 | 0:17:16 | |
practising self-restraint with a cupcake and a whip. | 0:17:16 | 0:17:20 | |
And I suddenly had a flash of culinary inspiration. | 0:17:22 | 0:17:26 | |
Why not make some kettle chips? | 0:17:26 | 0:17:28 | |
I'll tell you why not. It would appear | 0:17:31 | 0:17:33 | |
that kettle chips are not actually made in a kettle at all. No. | 0:17:33 | 0:17:37 | |
I found that out the hard way and now my kettle is fucked. | 0:17:37 | 0:17:40 | |
Thank you. Thank you. CHEERING AND APPLAUSE | 0:17:42 | 0:17:45 | |
I've written a poem for you. Pay attention. | 0:17:48 | 0:17:51 | |
SHE CLEARS HER THROAT | 0:17:51 | 0:17:53 | |
Naughty pig, nickname Pam. | 0:17:53 | 0:17:56 | |
Angry farmer, | 0:17:56 | 0:17:57 | |
tasty ham! | 0:17:57 | 0:17:59 | |
Thank you. APPLAUSE | 0:17:59 | 0:18:01 | |
Thank you, stop it, really. Thank you. | 0:18:01 | 0:18:04 | |
So I am married to a wonderful man named Horace | 0:18:06 | 0:18:10 | |
and we are perfectly suited, because Horace is a deeply, | 0:18:10 | 0:18:15 | |
deeply ugly man and, of course, | 0:18:15 | 0:18:18 | |
opposite attract. | 0:18:18 | 0:18:19 | |
Who, me? Oh! | 0:18:21 | 0:18:22 | |
We live in an enormous house with our darling cat, George, | 0:18:25 | 0:18:29 | |
and poor George has a fatal dairy allergy. | 0:18:29 | 0:18:33 | |
So, for his birthday, | 0:18:33 | 0:18:35 | |
I thought it should be nice to make him some soya milk. | 0:18:35 | 0:18:39 | |
However, it soon became horrendously apparent | 0:18:39 | 0:18:42 | |
that you don't make soya milk out of normal milk | 0:18:42 | 0:18:45 | |
and soy sauce. | 0:18:45 | 0:18:47 | |
Oops. | 0:18:48 | 0:18:49 | |
I found that out the hard way and now my cat is dead. | 0:18:50 | 0:18:53 | |
And don't be sad, he was a dickhead. | 0:18:55 | 0:18:57 | |
Now that George is dead, I have more time for my hobbies, | 0:18:59 | 0:19:03 | |
so, along with my modelling, ho-ho, | 0:19:03 | 0:19:06 | |
and part-time drug dealing, | 0:19:06 | 0:19:09 | |
I've also been on a play-writing course. | 0:19:09 | 0:19:14 | |
How hard can it be? | 0:19:14 | 0:19:16 | |
I'd like to share with you now a short piece I've written, entitled Outsider. | 0:19:16 | 0:19:21 | |
Thank you. | 0:19:21 | 0:19:22 | |
SHE CLEARS HER THROAT | 0:19:22 | 0:19:23 | |
MAKES REPEATED POPPING NOISES | 0:19:23 | 0:19:26 | |
SHE MAKES GASPING AND POPPING NOISES THROUGHOUT | 0:19:40 | 0:19:44 | |
SHE GASPS SLOWLY | 0:19:52 | 0:19:55 | |
That's a short play about a fish out of water. | 0:19:57 | 0:20:00 | |
Thank you so much. Thank you. APPLAUSE AND CHEERING | 0:20:01 | 0:20:04 | |
'For indiscretions, Dave has been forgiv'n, | 0:20:13 | 0:20:17 | |
'but Sharon still hates him and thinks he's a-dim.' | 0:20:17 | 0:20:21 | |
-Night, Mum. -Night. | 0:20:27 | 0:20:29 | |
That was a sick night, fair Knave. | 0:20:33 | 0:20:36 | |
Aye, football, fighting and darts. | 0:20:36 | 0:20:40 | |
-Anyway, show yourself out. -HE HICCUPS | 0:20:40 | 0:20:44 | |
He thinks I should decant myself in the spare room | 0:20:45 | 0:20:48 | |
and spare Sharonetti my fumes. | 0:20:48 | 0:20:50 | |
'Tis a shame, for I am hornier than a rhinoceros, | 0:20:53 | 0:20:57 | |
but to breathe Sambuca, | 0:20:57 | 0:20:58 | |
it would inflame the violence of her shots. | 0:20:58 | 0:21:01 | |
And yet, | 0:21:03 | 0:21:05 | |
in here, Sharonetti sleeps. | 0:21:05 | 0:21:10 | |
'Tis a code. | 0:21:10 | 0:21:11 | |
To let me know all is forgiv'n. | 0:21:11 | 0:21:14 | |
To remove her slip and slip inside at the slip of a moment. | 0:21:14 | 0:21:19 | |
OWL HOOTS | 0:21:19 | 0:21:22 | |
And now, firm love, sweetly with my stick of man rock, | 0:21:22 | 0:21:28 | |
for my balls are heavier | 0:21:28 | 0:21:30 | |
than a documentary about Anne Frank. | 0:21:30 | 0:21:32 | |
SHE SCREAMS | 0:21:34 | 0:21:37 | |
Oh, the treachery! Poison. | 0:21:37 | 0:21:40 | |
I am stabbed by the pork sword of thy pink warrior. | 0:21:40 | 0:21:44 | |
-You are quite literally a motherfu... -Nay! | 0:21:45 | 0:21:48 | |
Ladies, driving my stake thus was a mistake. You, I thought it. | 0:21:48 | 0:21:53 | |
Lies. 'Twas all lust. He could not resist my new permed locks. | 0:21:53 | 0:22:00 | |
Sharonetti, that is false. Yea, I stuck my willy in your mum. | 0:22:00 | 0:22:05 | |
The pure intention was to bone you while you slept. | 0:22:06 | 0:22:10 | |
A blanket of honour covers this rager of untruth. | 0:22:10 | 0:22:13 | |
Your coffin is sealed shut, Daveutio, | 0:22:13 | 0:22:15 | |
and you have nailed it with my mum. | 0:22:15 | 0:22:18 | |
-Nailed! -Nay, babe, think on. | 0:22:18 | 0:22:22 | |
I have but loved you twice. | 0:22:22 | 0:22:25 | |
By entering the thing from which you came out. | 0:22:25 | 0:22:28 | |
Out! | 0:22:28 | 0:22:30 | |
Pleasure with me have no more thought. | 0:22:30 | 0:22:33 | |
Now the pleasure has been in my mother's minge sought. | 0:22:33 | 0:22:39 | |
But I didn't enjoy it! | 0:22:40 | 0:22:42 | |
APPLAUSE | 0:22:45 | 0:22:48 | |
Thank you. | 0:22:48 | 0:22:50 | |
And now, a musical duo who put the word "filth" into the sentence, | 0:22:50 | 0:22:54 | |
"Oh, fabulous, some filth!" It's EastEnd Cabaret! | 0:22:54 | 0:22:57 | |
CHEERING | 0:22:57 | 0:22:59 | |
Hello, darlings, hello, hello. I am Miss Bernadette Byrne | 0:22:59 | 0:23:06 | |
and this is my half-moustached accompanist, Victor Victoria. | 0:23:06 | 0:23:09 | |
But darlings, I need some advice from you. | 0:23:09 | 0:23:11 | |
I went on a very strange date on Tuesday. | 0:23:11 | 0:23:13 | |
Oh, no, no, no, not Tuesday. Let's... We need to | 0:23:13 | 0:23:15 | |
-talk about something else. -And we tried to work out what happened, | 0:23:15 | 0:23:18 | |
because the date was great. | 0:23:18 | 0:23:20 | |
We had dinner, we had lots of gin, and then he came back to our place, | 0:23:20 | 0:23:23 | |
and we started to fool around, you know. | 0:23:23 | 0:23:25 | |
Things started to get a bit heated. | 0:23:25 | 0:23:27 | |
So I went to the bathroom to slip into something a little bit more... | 0:23:27 | 0:23:30 | |
naked. | 0:23:30 | 0:23:32 | |
And when I came back, it was really quite...bizarre. | 0:23:32 | 0:23:37 | |
# He was lying on the bed | 0:23:37 | 0:23:40 | |
# He was naked, toe to head | 0:23:40 | 0:23:42 | |
# And his penis was the first thing that I saw | 0:23:42 | 0:23:45 | |
# With a member so enraged | 0:23:45 | 0:23:47 | |
# Like a beast had been uncaged | 0:23:47 | 0:23:50 | |
# I had never seen such rigidness before | 0:23:50 | 0:23:52 | |
# So I hopped on and had my fun | 0:23:52 | 0:23:55 | |
# In half an hour the job was done | 0:23:55 | 0:23:57 | |
# I got off, I rolled over and I saw | 0:23:57 | 0:24:00 | |
-# It was still hard... -Psst! | 0:24:00 | 0:24:04 | |
# It was standing stiff and tall and proud and strong | 0:24:04 | 0:24:08 | |
-# It was still hard... -Psst! | 0:24:08 | 0:24:10 | |
-# Well, you know... -Bernadette! | 0:24:10 | 0:24:12 | |
I thought he'd be a quickie! I was wrong. | 0:24:12 | 0:24:15 | |
# It didn't seem to need a rest | 0:24:15 | 0:24:18 | |
# And I do enjoy a test | 0:24:18 | 0:24:20 | |
# So penis, I say to you "En garde!" | 0:24:20 | 0:24:23 | |
-# It was still hard... -Ahem! | 0:24:23 | 0:24:26 | |
-Bernadette! No! -# I got back on for round two | 0:24:26 | 0:24:29 | |
-# There was much work left to do -No! | 0:24:29 | 0:24:31 | |
# And one orgasm is not enough for some | 0:24:31 | 0:24:33 | |
Oh, crap! | 0:24:33 | 0:24:34 | |
# But in rounds three and four and five | 0:24:34 | 0:24:36 | |
-# How is this penis still alive?! -No! | 0:24:36 | 0:24:38 | |
# With all that sexing you would think the guy would come, you know? | 0:24:38 | 0:24:41 | |
# So I licked him round the rim | 0:24:41 | 0:24:43 | |
# And I stuck my finger in | 0:24:43 | 0:24:45 | |
# And I wiggled but the bastard didn't flinch | 0:24:45 | 0:24:48 | |
Oh, God. | 0:24:48 | 0:24:50 | |
-# It was still hard -No, no, no! | 0:24:50 | 0:24:53 | |
# It mocked me with its bald and shiny head | 0:24:53 | 0:24:56 | |
# It was still hard - fuck, seriously? | 0:24:56 | 0:24:59 | |
# So defiant, like a flagpole on the bed | 0:24:59 | 0:25:03 | |
# So I put on some crotchless pants | 0:25:03 | 0:25:06 | |
# And I did a sexy dance | 0:25:06 | 0:25:08 | |
# Oh, penis, to you I say "En garde!" | 0:25:08 | 0:25:11 | |
-# It was still hard... -I need to tell you something! | 0:25:11 | 0:25:14 | |
# I couldn't believe what I saw | 0:25:14 | 0:25:16 | |
# Six times and still it wanted more | 0:25:16 | 0:25:18 | |
# I showed it porno films and then Two Girls, One Cup | 0:25:18 | 0:25:21 | |
Is that still relevant?! | 0:25:21 | 0:25:23 | |
-# After seven hours straight I shoved a japple up his ass. -What?! | 0:25:23 | 0:25:26 | |
# But this giant, ugly penis was still up | 0:25:26 | 0:25:30 | |
# So I punched it in the head | 0:25:30 | 0:25:33 | |
# Then I taped it to the bed | 0:25:33 | 0:25:35 | |
# But it sprung back up and slapped me in the face | 0:25:35 | 0:25:39 | |
No more! | 0:25:47 | 0:25:48 | |
Yippee-ki-yay, motherfucker! | 0:25:48 | 0:25:52 | |
-# I poked it, choked it Hit it with a leather strap. -Bern! | 0:25:53 | 0:25:58 | |
# I flicked it, kicked it Even gave his balls a slap | 0:25:58 | 0:26:01 | |
# I humped it, pumped it | 0:26:01 | 0:26:02 | |
# Covered it in Deep Heat - feel the burn | 0:26:02 | 0:26:05 | |
# How do you like that? Blow jobs, hand jobs | 0:26:05 | 0:26:07 | |
-# Use my feet to rub it -Please stop! | 0:26:07 | 0:26:09 | |
# Whipped cream, chocolate Shouted for the best | 0:26:09 | 0:26:11 | |
# There was nothing less I tried it all | 0:26:11 | 0:26:13 | |
-# And this erection would not fall -Wait! | 0:26:13 | 0:26:15 | |
# How dare it mock me on my bed... # | 0:26:15 | 0:26:17 | |
Damn it! He was dead! | 0:26:17 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:22 | |
APPLAUSE | 0:26:25 | 0:26:27 | |
APPLAUSE | 0:26:37 | 0:26:40 | |
-Well. -APPLAUSE AND CHEERING | 0:26:48 | 0:26:50 | |
That is... That's weirdly humbling, to have a song based on me. | 0:26:50 | 0:26:55 | |
LAUGHTER | 0:26:55 | 0:26:57 | |
If we've left you wanting more after the show, head straight to: | 0:26:57 | 0:27:02 | |
Or Nan, we'll scan the word "laugh" | 0:27:02 | 0:27:04 | |
and send it on a piece of A4 through to your fax machine. | 0:27:04 | 0:27:07 | |
For now, from me and the Electrolytes, goodbye! | 0:27:07 | 0:27:10 | |
APPLAUSE AND CHEERING | 0:27:10 | 0:27:13 | |
I'm sure it's pretty similar to BBC Scotland, but that was the studio. | 0:27:14 | 0:27:17 | |
-SCOTTISH ACCENT: -He's saying that was the studio. | 0:27:17 | 0:27:19 | |
There's the kitchen, where you can make tea. | 0:27:19 | 0:27:21 | |
He's saying there's the kitchen, where you can make yer English piss. | 0:27:21 | 0:27:24 | |
And that's basically it. | 0:27:24 | 0:27:25 | |
And now he's saying he's basically a massive butthole. | 0:27:25 | 0:27:28 | |
So I'll be in the kirn, if you have any further questions. | 0:27:28 | 0:27:31 | |
Sorry about him. I think he's trying to impress you | 0:27:31 | 0:27:34 | |
with the whole Scottish thing. | 0:27:34 | 0:27:35 | |
He was hoping you'd hate me because I was English. | 0:27:35 | 0:27:37 | |
Oh, right! I didn't even realise you were English. | 0:27:37 | 0:27:40 | |
Yep. Born and bred. | 0:27:40 | 0:27:42 | |
Anyway, just got to go and lock up the production office. | 0:27:42 | 0:27:44 | |
Take that, ya filthy Brit! | 0:27:50 | 0:27:53 | |
BAGPIPES PLAY | 0:27:54 | 0:27:58 |