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This programme contains some strong language | 0:00:02 | 0:00:07 | |
# Me and my girlfriend... # | 0:00:07 | 0:00:10 | |
-You OK? -Yeah, sorry, I just can't stop singing love songs. | 0:00:10 | 0:00:13 | |
# Girl, you're my angel, you're my darling angel... # | 0:00:13 | 0:00:18 | |
-I hear you... -# Check out me run-time want to do me bam-bam! # | 0:00:18 | 0:00:22 | |
I hear you have a girlfriend. | 0:00:22 | 0:00:23 | |
Oh, do not put a label on it, please. I hate that. | 0:00:23 | 0:00:26 | |
Just, on the e-mail you sent around to the whole production, | 0:00:26 | 0:00:29 | |
-you called her your girlfriend. -Whatever she is, | 0:00:29 | 0:00:31 | |
she has had the most incredible effect on me. I mean, | 0:00:31 | 0:00:33 | |
she's really mellowed me out. | 0:00:33 | 0:00:35 | |
-Do you want to go see Bob Marley with me later? -I don't think he's alive. | 0:00:35 | 0:00:38 | |
-Cool, man. Whatever. -Well, if you're not too loved up, | 0:00:38 | 0:00:41 | |
-maybe you can help me with these purchase orders... -Hi, Tom. | 0:00:41 | 0:00:43 | |
-Hello. -You look great. Have you lost weight? | 0:00:43 | 0:00:46 | |
Sorry. You know what it's like when you're in love, | 0:00:46 | 0:00:48 | |
everything coming up roses, can't eat, can't sleep, | 0:00:48 | 0:00:51 | |
bleeding out your butthole 24/7. | 0:00:51 | 0:00:53 | |
I don't think that's a thing, Tom. | 0:00:53 | 0:00:55 | |
Well, anyway, she is coming to the studio tonight, | 0:00:55 | 0:00:59 | |
so try not to be a huge dork. | 0:00:59 | 0:01:01 | |
Why are you getting that out now, Tom? | 0:01:01 | 0:01:03 | |
Do you know what those things are for? | 0:01:03 | 0:01:05 | |
Uh, spare me the birds and bees, newbie. | 0:01:05 | 0:01:07 | |
I think I got this covered. | 0:01:07 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:29 | 0:01:31 | |
Hello, hello, hello. | 0:01:31 | 0:01:32 | |
Hello. All right? | 0:01:32 | 0:01:34 | |
Welcome to Live at the Electric, a bukkake of sketch and stand-up | 0:01:34 | 0:01:37 | |
spattering mirth in your direction for the next half-hour. | 0:01:37 | 0:01:40 | |
I'm Russell Kane, | 0:01:40 | 0:01:42 | |
and I'll be the person guiding you through this orgy of wonderment, | 0:01:42 | 0:01:45 | |
but first, I am obsessed. This year my theme is family | 0:01:45 | 0:01:48 | |
and what's going to happen to me. | 0:01:48 | 0:01:50 | |
I think for men, the choice is quite simple, isn't it, gentlemen? | 0:01:50 | 0:01:53 | |
As we become men ourselves, we choose this. | 0:01:53 | 0:01:56 | |
I'm either going to be like my dad, or I'm going to be the opposite. | 0:01:56 | 0:01:59 | |
They're your options. There are no more options when you're a man. | 0:01:59 | 0:02:02 | |
We're simple creatures - black or white, like my dad or the opposite. | 0:02:02 | 0:02:05 | |
They're the options for a man. | 0:02:05 | 0:02:06 | |
"As long as I can be one percent like that man." | 0:02:06 | 0:02:08 | |
It's either that or, "As long as I'm nothing like that pig. | 0:02:08 | 0:02:11 | |
"And the things he did to my mum and woo-ey-hey-hey." All right? | 0:02:11 | 0:02:14 | |
Whereas, women tend to be, | 0:02:14 | 0:02:16 | |
"Are you going to be like your mum or the opposite?" | 0:02:16 | 0:02:18 | |
"I think it's a bit more complicated than that. | 0:02:18 | 0:02:20 | |
"I'll be a bit like her, but there's aunts in my life, women, | 0:02:20 | 0:02:22 | |
"lots of people. Let's light a candle and break this down." | 0:02:22 | 0:02:26 | |
Uh... I know this is a bit disrespectful, | 0:02:28 | 0:02:30 | |
because those of you who follow my comedy career will know | 0:02:30 | 0:02:32 | |
my dad passed away years ago. | 0:02:32 | 0:02:33 | |
Those of you that didn't know my dad was dead, think it through. | 0:02:33 | 0:02:36 | |
Do you think I'd do stand-up about a man like that | 0:02:36 | 0:02:38 | |
if he were still alive? | 0:02:38 | 0:02:39 | |
I'd be on Imodium every night of the frigging week. | 0:02:39 | 0:02:42 | |
16 stone of highly racist, non-artistic lump of steak here, | 0:02:42 | 0:02:47 | |
proper job hands, used to take his food out of the microwave fresh | 0:02:47 | 0:02:50 | |
while looking at me. "I can't even feel it!" One of those. | 0:02:50 | 0:02:53 | |
And he was one of those men you never see laugh. You know those men? | 0:02:54 | 0:02:57 | |
I've never seen it. The only thing that made my dad laugh - | 0:02:57 | 0:03:00 | |
horrible, racist comedy, | 0:03:00 | 0:03:01 | |
or if he saw, you know a posh car in an accident - | 0:03:01 | 0:03:03 | |
"That'll be a write-off." | 0:03:03 | 0:03:05 | |
HE CACKLES | 0:03:05 | 0:03:06 | |
An emotionally violent man, not physically violent. | 0:03:07 | 0:03:10 | |
"I don't know my own strength." That's what he used to say. | 0:03:10 | 0:03:13 | |
"I don't know my own strength, so I can't hit..." | 0:03:13 | 0:03:16 | |
Here's a bit of advice. | 0:03:16 | 0:03:17 | |
Learn it, gentlemen. Learn your strength. | 0:03:17 | 0:03:20 | |
"Do you mind if I hold the baby?" | 0:03:20 | 0:03:21 | |
Splat! "Oh, I'm sorry." | 0:03:21 | 0:03:23 | |
"I popped its head." | 0:03:24 | 0:03:25 | |
This is how violent my dad was. | 0:03:25 | 0:03:27 | |
He wasn't physically violent cos he didn't trust his own strength. | 0:03:27 | 0:03:30 | |
Yeah! Trying to turn it into a positive. | 0:03:30 | 0:03:32 | |
Only a white working-class man could try and turn the fact | 0:03:32 | 0:03:35 | |
that he didn't trust his own strength into a masculine positive. | 0:03:35 | 0:03:38 | |
"I'm so strong, I'm so buff, I can't discipline my own kids." | 0:03:38 | 0:03:42 | |
There are no women that find that attractive. | 0:03:42 | 0:03:44 | |
There are no women in nightclubs going, | 0:03:44 | 0:03:46 | |
"Look at him, he looks like he could kill a baby. He's my kind of stuff. | 0:03:46 | 0:03:49 | |
"He's mine. He might have destroyed my child, but look at his biceps. | 0:03:49 | 0:03:53 | |
"He's so buff!" No. | 0:03:53 | 0:03:56 | |
This is one I'll never forget. | 0:03:56 | 0:03:57 | |
I'll take this one to the nursing home with me. | 0:03:57 | 0:03:59 | |
We were out having a ploughman's over the Warren Wood in Epping, | 0:03:59 | 0:04:03 | |
having a ploughman's, | 0:04:03 | 0:04:04 | |
and we were outside, | 0:04:04 | 0:04:06 | |
and a bluebottle landed on my dad's cheddar, right? | 0:04:06 | 0:04:10 | |
Now, most mentally normal humans, | 0:04:10 | 0:04:12 | |
and abnormal ones, would waft the fly away. Would you not? | 0:04:12 | 0:04:15 | |
Do you know what my old man did? | 0:04:15 | 0:04:17 | |
Tracked it with his eyes like that. | 0:04:17 | 0:04:19 | |
Wanting it to land on his food, like that. | 0:04:20 | 0:04:23 | |
We're all sat there, me and my brother James and my mum, | 0:04:23 | 0:04:25 | |
thinking, "this'll be a table tip, a roar, what's going to happen?" | 0:04:25 | 0:04:28 | |
This is what he did. | 0:04:28 | 0:04:29 | |
This is the most pathetic, impotent display of testosterone | 0:04:29 | 0:04:32 | |
I've ever seen in my life. The fly was sat there on his cheese. | 0:04:32 | 0:04:35 | |
He leant in to that fly, about this far from its wings, | 0:04:35 | 0:04:38 | |
and went, "Wanker!" at the fly. | 0:04:38 | 0:04:40 | |
LAUGHTER AND APPLAUSE | 0:04:40 | 0:04:43 | |
Ladies and gentlemen, we've got an amazing show for you tonight. | 0:04:44 | 0:04:48 | |
We've got sketches and characters all over the shop, | 0:04:48 | 0:04:50 | |
and now it's time for Wittank to welcome us to their comedic realm. | 0:04:50 | 0:04:54 | |
It'll be an education. This is The School! | 0:04:54 | 0:04:57 | |
CHEERING AND APPLAUSE | 0:04:57 | 0:05:00 | |
MUSIC DROWNS SPEECH | 0:05:00 | 0:05:04 | |
Jones? I could use a hand with this stationery order. | 0:05:08 | 0:05:11 | |
In a minute. I'm just finishing my lunch. | 0:05:11 | 0:05:13 | |
Listen up, pricks. | 0:05:16 | 0:05:17 | |
Who do you think would win | 0:05:17 | 0:05:19 | |
in a fight between Miss Watts and an orang-utan? | 0:05:19 | 0:05:22 | |
The orang-utan? | 0:05:22 | 0:05:23 | |
Correct. | 0:05:23 | 0:05:25 | |
But she fought well. Jones. | 0:05:25 | 0:05:27 | |
Headmaster, I need a stationery inventory. | 0:05:31 | 0:05:33 | |
I've got no idea what to order. | 0:05:33 | 0:05:35 | |
Why don't we just ask the Oracle? | 0:05:35 | 0:05:37 | |
-The what? -It knows everything. | 0:05:37 | 0:05:39 | |
Who's the Oracle? | 0:05:39 | 0:05:40 | |
Many years ago, in Ulan Bator, I happened upon a wise shaman. | 0:05:43 | 0:05:47 | |
He told me about a mysterious cave deep in the mountains | 0:05:47 | 0:05:52 | |
known for its mysterious powers. | 0:05:52 | 0:05:55 | |
I never went, but on the way back I met this Oracle chap. | 0:05:56 | 0:05:59 | |
He's a magic head who can see into the future | 0:05:59 | 0:06:02 | |
-and he makes a fabulous pet. -So where is he? | 0:06:02 | 0:06:05 | |
ANGELIC CHORUS | 0:06:11 | 0:06:13 | |
Greetings. I am the Oracle. | 0:06:15 | 0:06:17 | |
My knowledge and wisdom knows no boundaries. | 0:06:17 | 0:06:20 | |
I take it somebody wants to order some stationery. | 0:06:20 | 0:06:22 | |
-Hello, you bollockless box-bound bitch! -Hello. | 0:06:22 | 0:06:26 | |
It's amazing. It knows literally everything. | 0:06:26 | 0:06:28 | |
The great Oracle also sees the future. | 0:06:28 | 0:06:31 | |
OK, if you can really see into the future, | 0:06:31 | 0:06:34 | |
then what's Jones going to do with that pen? | 0:06:34 | 0:06:36 | |
He's going to poke it in his eye. | 0:06:36 | 0:06:38 | |
No, I'm actually going to... | 0:06:38 | 0:06:40 | |
Ow! OK, very good. | 0:06:40 | 0:06:41 | |
Sir, surely we should use it for more than stationery. | 0:06:41 | 0:06:44 | |
He could cure disease or solve world hunger. | 0:06:44 | 0:06:47 | |
Yes, well, the solution to world hunger is actually | 0:06:47 | 0:06:49 | |
-a very simple system of crop... -Hey, guys, watch this. | 0:06:49 | 0:06:52 | |
HE CHUCKLES | 0:06:52 | 0:06:54 | |
Oh! It's not fair... I mean, it's not fair in any way. | 0:06:54 | 0:06:57 | |
I mean, I'm just a head. | 0:06:57 | 0:06:59 | |
Oh. Oh... | 0:07:01 | 0:07:02 | |
Ah! That one hurt. Ow! | 0:07:04 | 0:07:05 | |
Shall I put a finger up his nose? | 0:07:05 | 0:07:07 | |
OK, what? Really? | 0:07:07 | 0:07:09 | |
There we go. | 0:07:10 | 0:07:11 | |
What am I supposed to do? | 0:07:11 | 0:07:13 | |
-What'll you do about it? -What? Oh. | 0:07:13 | 0:07:16 | |
-Jones, fart in his face. -OK! | 0:07:16 | 0:07:18 | |
HE PARPS | 0:07:18 | 0:07:21 | |
Ooh! | 0:07:19 | 0:07:21 | |
He could tell us the meaning of life. | 0:07:21 | 0:07:23 | |
Yes, at last. The meaning of life is actually, it's to try... | 0:07:23 | 0:07:27 | |
-I'm allergic. -What was that? | 0:07:27 | 0:07:29 | |
I was just going to explain the meaning... | 0:07:29 | 0:07:31 | |
-He doesn't have any hands. -Can I tell you? | 0:07:31 | 0:07:33 | |
No, no, seriously, go on. No, we're listening. | 0:07:33 | 0:07:36 | |
The meaning of life... | 0:07:36 | 0:07:37 | |
Ah! | 0:07:37 | 0:07:38 | |
The meaning of life... | 0:07:40 | 0:07:41 | |
Right, that's the stationery done. | 0:07:42 | 0:07:45 | |
Oh, but what about my other duties? | 0:07:45 | 0:07:47 | |
OK, I think that's enough of the disembodied head for now. | 0:07:47 | 0:07:50 | |
-But I still haven't sucked your... -Goodbye. | 0:07:50 | 0:07:53 | |
What? | 0:07:54 | 0:07:55 | |
BELL RINGS | 0:07:55 | 0:07:57 | |
Right, that's lessons. Off you piss. Go on. | 0:07:57 | 0:08:00 | |
-(MUFFLED) -Would you mind opening the box? | 0:08:03 | 0:08:05 | |
HE HUMS | 0:08:12 | 0:08:13 | |
You know how you can see into the future? | 0:08:16 | 0:08:18 | |
UNZIPS HIS FLY | 0:08:20 | 0:08:22 | |
You're welcome. | 0:08:22 | 0:08:23 | |
CHEERING AND APPLAUSE | 0:08:26 | 0:08:30 | |
Wittank. And now, a lady who, when it comes to beauty and fitness, | 0:08:30 | 0:08:34 | |
has spectacularly pert tips. | 0:08:34 | 0:08:36 | |
It's Marijana. | 0:08:36 | 0:08:38 | |
CHEERING | 0:08:38 | 0:08:40 | |
MUSIC: "Love To Love You Baby" by Donna Summer | 0:08:40 | 0:08:44 | |
MUSIC FADES OUT | 0:08:50 | 0:08:52 | |
They play this music, | 0:08:52 | 0:08:55 | |
because they know it's what you're hearing in your head | 0:08:55 | 0:08:58 | |
when you are looking at me. | 0:08:58 | 0:09:01 | |
Here is me. Me is Marijana, | 0:09:01 | 0:09:04 | |
health and happiness guru to the stars. | 0:09:04 | 0:09:07 | |
Follow me, and I guarantee | 0:09:07 | 0:09:10 | |
you will have a body to die for and a reason to live. | 0:09:10 | 0:09:13 | |
I have many celebrity client following the Marijana method. | 0:09:13 | 0:09:18 | |
Two of the Sugababes, original line-up, to name but a few. | 0:09:18 | 0:09:22 | |
But my biggest celebrity client, | 0:09:22 | 0:09:25 | |
and please keep this on the hush low, but my biggest one | 0:09:25 | 0:09:29 | |
is being David Cameraman, yes! Prime Minister! | 0:09:29 | 0:09:33 | |
Leader of the Conservatories, yes. | 0:09:33 | 0:09:36 | |
It's not all celebrities, please rest assured | 0:09:38 | 0:09:40 | |
that I am just as comfortable working with the poor and the ugly. | 0:09:40 | 0:09:45 | |
So, let's get crackling. | 0:09:45 | 0:09:46 | |
Now, my love affair with health and fitness begin five year ago. | 0:09:46 | 0:09:51 | |
When I wake up in the middle of the night with very bad pain in my chest, | 0:09:52 | 0:09:56 | |
very strange sensation, like fa-doom. | 0:09:56 | 0:09:58 | |
LAUGHTER | 0:09:58 | 0:10:01 | |
At first, I did not know if it was trapped wind or a panic attack, | 0:10:01 | 0:10:05 | |
but turns out was neither. | 0:10:05 | 0:10:07 | |
Turns out was my emotions. | 0:10:07 | 0:10:11 | |
My emotions was manifestationing themself in my physical health, | 0:10:13 | 0:10:17 | |
so I decided, no, Marijana, enough is being enough. | 0:10:17 | 0:10:20 | |
And I start working out. | 0:10:20 | 0:10:22 | |
And not because I want to be more attractive, no. | 0:10:22 | 0:10:25 | |
It's really not about that for me. | 0:10:25 | 0:10:28 | |
I've always been fucking gorgeous. | 0:10:28 | 0:10:30 | |
My own husband finds me so attractive, | 0:10:31 | 0:10:34 | |
he can't actually live with me. Yes. | 0:10:34 | 0:10:37 | |
He's had to move very far away. | 0:10:37 | 0:10:40 | |
But you know, boys, while the cat is away, | 0:10:41 | 0:10:44 | |
the mice will have some cheese. | 0:10:44 | 0:10:46 | |
Maybe some wine. | 0:10:47 | 0:10:49 | |
See what happens. | 0:10:49 | 0:10:51 | |
No. | 0:10:51 | 0:10:53 | |
Looking at you all now, I think we will start with the body, eh? | 0:10:54 | 0:10:57 | |
Leave the mind and soul for later. | 0:10:57 | 0:11:00 | |
Let's not run before we can walk out of the front door | 0:11:00 | 0:11:02 | |
without scaring the birds! No. No. | 0:11:02 | 0:11:05 | |
Some of you are fine. | 0:11:05 | 0:11:08 | |
I can see we have some younger ladies here. | 0:11:08 | 0:11:10 | |
You are very nice, very attractive, very lovely. Well done, you. | 0:11:10 | 0:11:14 | |
If you are not careful, | 0:11:14 | 0:11:16 | |
then in five, ten, maybe 13 years, top whack, | 0:11:16 | 0:11:19 | |
it is all going to be going down to the south. | 0:11:19 | 0:11:22 | |
Your face, your boob - they will be like pack of migrating birds | 0:11:22 | 0:11:26 | |
going south for the winter of your life. | 0:11:26 | 0:11:29 | |
And this is not winter that would last nine, ten months of the year, | 0:11:29 | 0:11:34 | |
like in England, no. | 0:11:34 | 0:11:36 | |
This is a winter that will last forever. | 0:11:36 | 0:11:39 | |
And once it has gone, it has gone. | 0:11:39 | 0:11:41 | |
Because what a lot of people don't realise is that your body | 0:11:41 | 0:11:44 | |
is not going to be takings care of itself, OK? | 0:11:44 | 0:11:47 | |
It takes hard work and defecation. | 0:11:47 | 0:11:50 | |
LAUGHTER | 0:11:50 | 0:11:52 | |
I always say that looking after the body | 0:11:56 | 0:12:00 | |
is much like looking after a small island. | 0:12:00 | 0:12:03 | |
Look at David Cameraman. | 0:12:03 | 0:12:04 | |
He is full of defecation. | 0:12:04 | 0:12:07 | |
He is spreading this defecation all over the country. | 0:12:07 | 0:12:10 | |
CHEERING AND APPLAUSE | 0:12:10 | 0:12:12 | |
I've been Marijana. | 0:12:14 | 0:12:16 | |
You have been unattractive and miserable for too long. | 0:12:16 | 0:12:19 | |
I will be back to help. Take cares of yourself. | 0:12:19 | 0:12:21 | |
CHEERING AND APPLAUSE | 0:12:21 | 0:12:24 | |
Marijana! | 0:12:26 | 0:12:28 | |
And now, make way for the undervalued lord of unrequited love. | 0:12:31 | 0:12:35 | |
It's Luke McQueen. | 0:12:35 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:38 | 0:12:41 | |
I didn't mean to cheat on my girlfriend, but I did, accidentally. | 0:12:43 | 0:12:47 | |
Sarah's left me, so I need her to see how sorry I am. | 0:12:47 | 0:12:51 | |
I'll do anything to get her back. | 0:12:51 | 0:12:52 | |
Today I'm going to do something really romantic for Sarah. | 0:12:54 | 0:12:57 | |
I don't think she's ever really had anyone do something special for her | 0:12:57 | 0:13:00 | |
'so yeah, today is going to be a great day. | 0:13:00 | 0:13:02 | |
'I know where she works, actually, so I'm going to head down there. | 0:13:02 | 0:13:05 | |
'I haven't told her I'm coming. This is going to be a surprise. | 0:13:05 | 0:13:09 | |
'I'm going to put some posters up, hand some flyers out, | 0:13:09 | 0:13:12 | |
'tell people about this big event. | 0:13:12 | 0:13:15 | |
'I want people to see how much I love Sarah. | 0:13:15 | 0:13:18 | |
'I want Sarah to see how much I love Sarah. | 0:13:18 | 0:13:20 | |
'Yeah, I just can't wait to see her face.' | 0:13:20 | 0:13:22 | |
Thanks for coming, guys. Thank you for coming. | 0:13:22 | 0:13:25 | |
Let me explain why I'm doing this. | 0:13:25 | 0:13:28 | |
Basically, my girlfriend recently dumped me, | 0:13:28 | 0:13:31 | |
because I cheated on her, and I just want to do something now for her. | 0:13:31 | 0:13:36 | |
SLOW PIANO MUSIC | 0:13:36 | 0:13:37 | |
My girlfriend actually works in this shopping centre | 0:13:38 | 0:13:42 | |
and I know what I did was wrong. | 0:13:42 | 0:13:44 | |
Sarah, I just want to show you now how much you mean to me. I love you. | 0:13:44 | 0:13:49 | |
# What have I got to do to make you love me? # | 0:13:51 | 0:13:55 | |
Just works up there. Sarah! | 0:13:55 | 0:13:57 | |
# What have I got to do to make you care? # | 0:13:59 | 0:14:02 | |
I'll tell you what I'm going to do, Sarah. | 0:14:03 | 0:14:06 | |
I'm going to see you exactly what I'm willing to give up for you. | 0:14:06 | 0:14:10 | |
Sarah used to say that I spent too much time on my Xbox 360. | 0:14:10 | 0:14:14 | |
Not any more! | 0:14:15 | 0:14:16 | |
That's worth over £150. | 0:14:21 | 0:14:24 | |
But do you know what, Sarah? | 0:14:24 | 0:14:26 | |
You're worth more than £150. | 0:14:26 | 0:14:28 | |
That's my Xbox! | 0:14:28 | 0:14:30 | |
I think in hindsight, I probably should have sold the Xbox, | 0:14:40 | 0:14:43 | |
but, you know, I wanted to make a statement and I did that. | 0:14:43 | 0:14:46 | |
I really wanted her to see the gammon | 0:14:46 | 0:14:48 | |
because you know, that's commitment. | 0:14:48 | 0:14:50 | |
Now we can both be vegetarians. | 0:14:52 | 0:14:54 | |
# The hardest word... # | 0:14:56 | 0:14:57 | |
It went so well. I'm really pleased. | 0:14:57 | 0:15:00 | |
I was hoping that maybe she'd come out after I'd smashed the flowers, | 0:15:00 | 0:15:04 | |
but you know, I was prepared for that. That was fine. | 0:15:04 | 0:15:07 | |
-Everybody! Sarah, Sarah! -Sarah! | 0:15:07 | 0:15:10 | |
Sarah! Sarah! Sa... | 0:15:10 | 0:15:13 | |
No, she's not there. All right. | 0:15:14 | 0:15:16 | |
She didn't come out, which is disappointing, but | 0:15:16 | 0:15:18 | |
she'll definitely hear about this and you know, it was pretty romantic. | 0:15:18 | 0:15:21 | |
Do you think it was the singing? | 0:15:21 | 0:15:23 | |
Anyone want that? | 0:15:25 | 0:15:27 | |
Cheers, then, guys. | 0:15:27 | 0:15:29 | |
So, this is the exciting part now. I've got my phone on, | 0:15:30 | 0:15:33 | |
and I'm just waiting for the call. | 0:15:33 | 0:15:34 | |
I'm sure she'll respect me after this. | 0:15:34 | 0:15:36 | |
CHEERING AND APPLAUSE | 0:15:41 | 0:15:43 | |
What are you doing? | 0:15:48 | 0:15:50 | |
Taking down my beer pyramid. | 0:15:50 | 0:15:51 | |
Girlfriend wants me to cut back on the binge drink stacking. | 0:15:51 | 0:15:54 | |
-Women, eh? -Yeah. | 0:15:54 | 0:15:56 | |
She wanted me to get rid of the dildo collection. I was like, "No way!" | 0:15:56 | 0:15:59 | |
-It's a guy thing, right? -Yeah, I never understood why you have them. | 0:15:59 | 0:16:02 | |
Exactly. | 0:16:02 | 0:16:03 | |
So, how did we meet the lucky lady? | 0:16:03 | 0:16:05 | |
We actually met in this really cool little cafe. | 0:16:05 | 0:16:08 | |
-An internet cafe? -Yeah. | 0:16:08 | 0:16:10 | |
-So, you met on the web. -Yes. | 0:16:10 | 0:16:13 | |
-So, do you video chat or...? -We try, but often her camera is broken | 0:16:13 | 0:16:17 | |
or there's a power cut, or she hides. | 0:16:17 | 0:16:20 | |
-So, you haven't actually seen her. -Not in the flesh, no, | 0:16:20 | 0:16:22 | |
but she sent me a picture and that picture tells 1,000 words. | 0:16:22 | 0:16:25 | |
Hot, fit, and model. | 0:16:25 | 0:16:27 | |
So, what's her name? | 0:16:27 | 0:16:29 | |
Angelina Lopez. | 0:16:29 | 0:16:31 | |
Tom... | 0:16:31 | 0:16:32 | |
I don't think she's real. | 0:16:32 | 0:16:33 | |
Oh. Wait. Because I've never actually seen her? | 0:16:33 | 0:16:37 | |
Yeah. | 0:16:37 | 0:16:39 | |
And because she said her ex-boyfriend was Brad Pitt? | 0:16:39 | 0:16:42 | |
That also sounds suspicious. | 0:16:42 | 0:16:43 | |
Well, it's a good thing she said it was Johnny Depp. | 0:16:43 | 0:16:46 | |
Try to be happy for me, newbie. | 0:16:46 | 0:16:48 | |
Oh. Will we be seeing you at the meet and greet? | 0:16:49 | 0:16:51 | |
-Yep. Sure. -Great. | 0:16:53 | 0:16:55 | |
Oh, and between you and me, | 0:16:56 | 0:16:59 | |
Johnny Depp... | 0:16:59 | 0:17:00 | |
Tiny little finger. | 0:17:00 | 0:17:02 | |
Now, you only get the freshest talent here at the Electric, | 0:17:05 | 0:17:07 | |
and our next act is so new that | 0:17:07 | 0:17:10 | |
this is literally one of his very first live performances, | 0:17:10 | 0:17:13 | |
but everything seems really positive | 0:17:13 | 0:17:15 | |
and I think he's going to make a big impact. | 0:17:15 | 0:17:17 | |
It's Roger Showbusiness. | 0:17:17 | 0:17:19 | |
CHEERING AND APPLAUSE | 0:17:19 | 0:17:22 | |
MUSIC: "Nutbush City Limits" by Ike and Tina Turner | 0:17:22 | 0:17:25 | |
# Church house, jailhouse | 0:17:25 | 0:17:27 | |
# Schoolhouse, outhouse | 0:17:28 | 0:17:31 | |
# On Highway Number 19 | 0:17:31 | 0:17:33 | |
# The people keep the city clean | 0:17:35 | 0:17:37 | |
# They call it Nutbush... # | 0:17:37 | 0:17:39 | |
HE BREATHES HEAVILY | 0:17:45 | 0:17:47 | |
Good evening, ladies and gentlemen. | 0:17:51 | 0:17:53 | |
My name is Roger Showbusiness. | 0:17:53 | 0:17:57 | |
(Oh, God.) | 0:17:59 | 0:18:01 | |
By perf... | 0:18:03 | 0:18:04 | |
By performing stage hypnotism tonight... | 0:18:06 | 0:18:10 | |
..I'm going to prove to you all | 0:18:14 | 0:18:17 | |
what a massive mindbender I am. | 0:18:17 | 0:18:20 | |
LAUGHTER | 0:18:20 | 0:18:22 | |
Why is that funny? | 0:18:25 | 0:18:27 | |
LAUGHTER | 0:18:27 | 0:18:29 | |
I am a massive mindbender. | 0:18:30 | 0:18:32 | |
I'm here tonight because my psychiatrist suggested I try | 0:18:36 | 0:18:40 | |
stage hypnosis to better understand the workings of my own mind. | 0:18:40 | 0:18:45 | |
Tonight, I'm going to hypnotise one member of the audience, | 0:18:47 | 0:18:51 | |
and then get them to eat this entire block of Red Leicester cheese. | 0:18:51 | 0:18:56 | |
Then we'll all laugh at that person, | 0:19:02 | 0:19:05 | |
and I can finally feel like part of a group! | 0:19:05 | 0:19:08 | |
So, who wants to come up on stage and be hypnotised? | 0:19:14 | 0:19:19 | |
LAUGHTER | 0:19:23 | 0:19:26 | |
(Oh, God!) | 0:19:30 | 0:19:31 | |
Don't be shy. | 0:19:35 | 0:19:36 | |
As my foster mother always said, | 0:19:36 | 0:19:39 | |
what doesn't kill you will make you stronger. | 0:19:39 | 0:19:42 | |
Ironically, she died bench-pressing weights at the gym. | 0:19:43 | 0:19:47 | |
AUDIENCE GROANS | 0:20:10 | 0:20:12 | |
HE BREATHES HEAVILY | 0:20:17 | 0:20:20 | |
AUDIENCE GROANS | 0:20:25 | 0:20:28 | |
Just one word of warning before I get someone up here on stage. | 0:20:36 | 0:20:40 | |
I make them look like an absolute dick. | 0:20:41 | 0:20:44 | |
Stage hypnosis should only be attempted by a trained professional, | 0:20:46 | 0:20:50 | |
like me. | 0:20:50 | 0:20:51 | |
Otherwise, there is a chance that you somehow hypnotise yourself. | 0:20:52 | 0:20:56 | |
And no-one wants to be the moron on stage eating the cheese. | 0:20:58 | 0:21:02 | |
AUDIENCE GROANS | 0:21:08 | 0:21:11 | |
APPLAUSE | 0:21:25 | 0:21:28 | |
Oh, God! | 0:21:30 | 0:21:32 | |
Wurgh... | 0:21:37 | 0:21:38 | |
Oh, God. I'm so sorry. Wurgh... | 0:21:42 | 0:21:45 | |
Goodnight. | 0:21:50 | 0:21:52 | |
CHEERING AND APPLAUSE | 0:21:52 | 0:21:55 | |
Idiot! | 0:21:57 | 0:21:58 | |
'80S-STYLE POP MUSIC | 0:22:03 | 0:22:05 | |
Introducing new Shrink, the soft drink that makes bits of you shrink. | 0:22:05 | 0:22:10 | |
# Shrink your head, even your foot | 0:22:10 | 0:22:13 | |
# Shrinking your bits never tasted so good | 0:22:13 | 0:22:17 | |
# Knock back a juice and it's making you shrink | 0:22:17 | 0:22:20 | |
# Twisting and shrinking with every drink! # | 0:22:20 | 0:22:24 | |
I shrunk my bladder, and now I need a piss all the time. | 0:22:26 | 0:22:29 | |
CHEERING AND APPLAUSE | 0:22:33 | 0:22:37 | |
And now, we must muster the musical musings of | 0:22:37 | 0:22:39 | |
our venerable, vulnerable virtuoso. | 0:22:39 | 0:22:42 | |
It's Gareth Richards! | 0:22:42 | 0:22:44 | |
CHEERING AND APPLAUSE | 0:22:44 | 0:22:47 | |
Hello! | 0:22:51 | 0:22:52 | |
-AUDIENCE: -Hello! | 0:22:52 | 0:22:54 | |
Hello, my name is Gareth. Say, "Hello, Gareth." | 0:22:54 | 0:22:57 | |
-Hello, Gareth. -Hello, everybody. | 0:22:57 | 0:22:59 | |
So, I'm going to be playing a song for you today. | 0:22:59 | 0:23:02 | |
This is the QChord. | 0:23:02 | 0:23:04 | |
It's sort of like a one-man band, | 0:23:04 | 0:23:06 | |
but you don't need any other musicians. | 0:23:06 | 0:23:09 | |
It's ideal. | 0:23:09 | 0:23:11 | |
I used to be in a band called Spinal Argos. | 0:23:11 | 0:23:14 | |
We had an excellent back catalogue. | 0:23:15 | 0:23:18 | |
LAUGHTER | 0:23:18 | 0:23:20 | |
So, this is the QChord. | 0:23:20 | 0:23:22 | |
It's a bit like me as an instrument. | 0:23:22 | 0:23:24 | |
You may not have heard of it before. | 0:23:24 | 0:23:27 | |
It's a little bit unusual, | 0:23:27 | 0:23:29 | |
but I think if you give it a chance, you might like it. | 0:23:29 | 0:23:32 | |
This is a song for all the single ladies in the audience tonight. | 0:23:32 | 0:23:35 | |
# Don't go out with a policeman | 0:23:43 | 0:23:45 | |
# It's a risk you shouldn't take | 0:23:45 | 0:23:49 | |
# He'll jump to wrong conclusions | 0:23:49 | 0:23:51 | |
# And they shoot you by mistake | 0:23:51 | 0:23:54 | |
# Don't go out with a postman | 0:23:54 | 0:23:57 | |
# He'll make you wait in line | 0:23:57 | 0:24:00 | |
# He's obsessed with the size of his package | 0:24:00 | 0:24:03 | |
# And he never comes on time | 0:24:03 | 0:24:05 | |
# Don't go out with a drug dealer | 0:24:05 | 0:24:08 | |
# Think where he'll hide the stash | 0:24:08 | 0:24:11 | |
# He'll get it all through customs by sticking it up your ass | 0:24:11 | 0:24:17 | |
# I don't want to be negative but I'm trying to make you see | 0:24:17 | 0:24:22 | |
# There's one guy you should be with | 0:24:22 | 0:24:25 | |
# And that one guy is me | 0:24:25 | 0:24:28 | |
# Don't go out with a banker | 0:24:34 | 0:24:37 | |
# He's got no more cash to loan us | 0:24:37 | 0:24:40 | |
# It's all gone down, now he can't get it up | 0:24:40 | 0:24:42 | |
# He's obsessed with the size of his bonus | 0:24:42 | 0:24:45 | |
# Don't go out with an IT man cos whenever things go wrong | 0:24:45 | 0:24:51 | |
# He'll try to turn you off, and then turn you back on | 0:24:51 | 0:24:56 | |
# Don't go out with a footballer | 0:24:56 | 0:24:59 | |
# He'll share you with his friends | 0:24:59 | 0:25:02 | |
# He can't make love without company and at half-time they'll change ends | 0:25:02 | 0:25:07 | |
# Go out with a comedian | 0:25:13 | 0:25:16 | |
# Because if you never see him | 0:25:16 | 0:25:19 | |
# It's not because he doesn't care | 0:25:19 | 0:25:22 | |
# It's because he works in the evening | 0:25:22 | 0:25:25 | |
# Go out with a comedian, he'll spend all your hard-earned money | 0:25:25 | 0:25:30 | |
# He'll spout a stream of endless drivel | 0:25:30 | 0:25:33 | |
# And then ask you if it's funny. | 0:25:33 | 0:25:36 | |
# Go out with a comedian | 0:25:36 | 0:25:39 | |
# You'll get true love and affection | 0:25:39 | 0:25:41 | |
# But you'll probably have to make the first move | 0:25:41 | 0:25:45 | |
# Cos he's on the autistic spectrum. # | 0:25:45 | 0:25:48 | |
CHEERING AND APPLAUSE | 0:25:55 | 0:25:59 | |
Thank you very much. I've been Gareth Richards. Goodbye! | 0:25:59 | 0:26:02 | |
Aw! It's the end, though! | 0:26:04 | 0:26:07 | |
We've come to the end, ladies and gentlemen. | 0:26:11 | 0:26:13 | |
-AUDIENCE: -Aw! -I know. | 0:26:13 | 0:26:14 | |
But if we left you wanting more after the show, just head to... | 0:26:14 | 0:26:19 | |
From me and the Electrolytes, | 0:26:19 | 0:26:20 | |
goodbye! | 0:26:20 | 0:26:22 | |
CHEERING AND APPLAUSE | 0:26:22 | 0:26:24 | |
-Are you OK? -Yep. | 0:26:27 | 0:26:30 | |
Funny how a player only realises he has a heart when it gets broken. | 0:26:30 | 0:26:34 | |
-So, it was a scam after all. -Yes. | 0:26:34 | 0:26:36 | |
Sorry, dude. | 0:26:36 | 0:26:38 | |
-Do you want to get a beer? -Yeah, sure. | 0:26:38 | 0:26:40 | |
Well, can you hurry up, then? I don't want to be left alone. | 0:26:40 | 0:26:43 | |
Please, Tom! You're breaking my heart. | 0:26:43 | 0:26:46 | |
-You broke it yourself, kid. Now get out of here! -No, please! | 0:26:46 | 0:26:49 | |
I said leave! | 0:26:49 | 0:26:50 | |
Oh, and tell Johnny Depp he's welcome to you. | 0:26:50 | 0:26:53 | |
And that he was awesome in Pirates of the Caribbean. | 0:26:53 | 0:26:56 | |
Curse of the Black Pearl. | 0:26:56 | 0:26:58 | |
I thought you said it was a... | 0:26:58 | 0:27:00 | |
Scam. Yeah. She used a fake photo. That was not the girl I fell for. | 0:27:00 | 0:27:03 | |
Really? | 0:27:03 | 0:27:04 | |
Sorry about all the lovey-dovey stuff. | 0:27:04 | 0:27:06 | |
In my defence, though, I thought I was talking to this. | 0:27:06 | 0:27:10 | |
She's out there somewhere. | 0:27:10 | 0:27:11 | |
Guess it serves me right for lying on my profile. | 0:27:13 | 0:27:15 | |
I said I had a tiny dick. It's actually three inches when erect. | 0:27:15 | 0:27:20 | |
But I didn't want to scare her. | 0:27:20 | 0:27:22 | |
See you on Monday, newbie. | 0:27:23 | 0:27:25 |