Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Thank you so much for this chance. I know you're seeing a lot of people. | 0:00:02 | 0:00:06 | |
Well, I shall see you Friday. I'll be the one in the red dress and the pink carnation. | 0:00:06 | 0:00:09 | |
-LOUD DRILLING -Yes, suit and tie. Yes, obviously. Sorry. | 0:00:09 | 0:00:13 | |
-What are you making? -Drilldo. | 0:00:13 | 0:00:16 | |
-Who was that? Your girlfriend? -Yeah. -Yeah, right, what was her name? | 0:00:16 | 0:00:20 | |
Mariah Carey. | 0:00:20 | 0:00:22 | |
-Don't worry. I'm joking. -Yeah, right! | 0:00:22 | 0:00:24 | |
-As if she'd cheat on the Nick Cannon. -It was one of the producers. | 0:00:24 | 0:00:28 | |
I've got an interview tomorrow for assistant floor manager. | 0:00:28 | 0:00:31 | |
Is this your CV? | 0:00:31 | 0:00:34 | |
Oh, my God! | 0:00:34 | 0:00:35 | |
You studied English at university?! | 0:00:35 | 0:00:38 | |
You realise that's not a subject, Tom? Can't say what I studied though. | 0:00:38 | 0:00:41 | |
-That's fine. -I studied mentalism. | 0:00:41 | 0:00:43 | |
-I'm assuming you're familiar with Derren Brown? -Yes. | 0:00:43 | 0:00:46 | |
Well, his best mate taught our course. | 0:00:46 | 0:00:49 | |
-Sounds amazing. -It was. One mentalism session with me, I could guarantee you get that job. | 0:00:49 | 0:00:53 | |
-I don't think magic's going to help me. -Magic(!) Mentalism is about awakening the subconscious, | 0:00:53 | 0:00:58 | |
allowing ordinary people to do extraordinary things. | 0:00:58 | 0:01:01 | |
And then hopefully getting your own show on Channel 4. | 0:01:01 | 0:01:04 | |
-So you don't do kids parties? -Wrong, I did my niece's. | 0:01:04 | 0:01:07 | |
-What did you do? -You'll find out in due course. | 0:01:07 | 0:01:10 | |
What I will tell you is that each child was forced to face their greatest fear. | 0:01:10 | 0:01:15 | |
And then give me all their cake. | 0:01:15 | 0:01:18 | |
This programme contains strong language. | 0:01:23 | 0:01:29 | |
CHEERING AND APPLAUSE | 0:01:36 | 0:01:40 | |
Hello. Hello, hello. | 0:01:40 | 0:01:43 | |
Hello. All right? Welcome to Live At The Electric. | 0:01:43 | 0:01:46 | |
CHEERING AND APPLAUSE | 0:01:46 | 0:01:49 | |
This is where you come when you want something tasty. | 0:01:49 | 0:01:52 | |
A chocolate box of the freshest comedy with layer upon | 0:01:52 | 0:01:55 | |
layer of unfudged characters and swirls of sketch, | 0:01:55 | 0:01:58 | |
yet devoid of overvalued, over-processed caramel. | 0:01:58 | 0:02:02 | |
-The other channels. -EVIL LAUGH | 0:02:02 | 0:02:04 | |
And there's me, the cherry brandy, the viscous liqueur, | 0:02:04 | 0:02:08 | |
spurting surprisingly alcohol liquid direct onto your dangling uvula. | 0:02:08 | 0:02:12 | |
La-bla-la-bla! | 0:02:12 | 0:02:14 | |
By the way, uvula is the correct medical term for that bit at the back of the throat. | 0:02:14 | 0:02:18 | |
I know it sounded like vulva, but at least I didn't say vulva. La-bla-la-bla! | 0:02:18 | 0:02:22 | |
# Vulva, vulva! # | 0:02:22 | 0:02:25 | |
By the way, if I'm losing any of you, | 0:02:25 | 0:02:27 | |
I know it seems like I've got sexual language the whole time, | 0:02:27 | 0:02:31 | |
but I'm actually the opposite of that kind of jester. | 0:02:31 | 0:02:33 | |
You're not going to believe what I've been fixated with this year. | 0:02:33 | 0:02:37 | |
Anywhere you've seen me, I'm talking about it. Babies. | 0:02:37 | 0:02:41 | |
My boyvaries are aching for a child! | 0:02:41 | 0:02:44 | |
My boyvaries ache, yeah! And when you say it, | 0:02:44 | 0:02:46 | |
you get a strange ripple of silence go through the room. | 0:02:46 | 0:02:49 | |
Do you know why? Apparently, men aren't allowed to talk about it. | 0:02:49 | 0:02:52 | |
You can't confide in your male friends. "Hey, guys. | 0:02:52 | 0:02:55 | |
"I like to talk about my emotions and I'd like to have babies." "Put him in the van. | 0:02:55 | 0:02:58 | |
"He's not one of us! "Stand him by the waste ground. He no longer belongs." | 0:02:58 | 0:03:03 | |
Have you tried to confide in a girl? Anyone tried to speak to women about it? | 0:03:03 | 0:03:06 | |
"Please, this is not a male debate. This is a debate for women. Only women have a biological clock. | 0:03:06 | 0:03:12 | |
"Only women have a deadline. Do you know how hard it is to be a woman, to be 35 | 0:03:12 | 0:03:16 | |
"and not be ready, your body's telling you there's a deadline? It's so hard to be a woman." | 0:03:16 | 0:03:20 | |
I'm not hearing it any more, ladies. You're better off with a deadline. | 0:03:20 | 0:03:24 | |
Name me one thing in life that isn't improved with a deadline. | 0:03:24 | 0:03:27 | |
Apart from death. | 0:03:27 | 0:03:29 | |
Name me another thing. There's an essay. You can finish it whenever you want. There's no deadline. | 0:03:29 | 0:03:34 | |
Will that essay ever get done? Will it fuck? Of course it won't! | 0:03:34 | 0:03:37 | |
You're better off with a deadline. It might be inconvenient, ladies. | 0:03:37 | 0:03:41 | |
But at least you can go, "There's a deadline. I want to hit it or I don't." | 0:03:41 | 0:03:44 | |
What's the options for men? "There's no deadline, man. I'm young. | 0:03:44 | 0:03:47 | |
"Even though I'm 50. I've got silver hair." Before you know it, you're a stereotype. | 0:03:47 | 0:03:51 | |
Your girlfriend's 18 years old, Lithuanian, you're 70 and she hates your guts. | 0:03:51 | 0:03:54 | |
-LITHUANIAN ACCENT: -"Fall down the stairs, Barry. Please die quickly." | 0:03:54 | 0:03:59 | |
I don't want that to be me. | 0:03:59 | 0:04:02 | |
I know it might seem quite weird, fantasising about having a kid | 0:04:02 | 0:04:06 | |
when I don't have one. Maybe I'm the equivalent of the girl that turns up to the first date | 0:04:06 | 0:04:11 | |
in a wedding dress. At Pizza Express, going, "I'd really like one of your Sloppy Giuseppes." | 0:04:11 | 0:04:17 | |
And there are some things about children that freak me out, | 0:04:17 | 0:04:21 | |
the weird stuff they come out with. Not the weird stuff as in, | 0:04:21 | 0:04:25 | |
"Hey, don't kids say the funniest things?" Huh-huh-huh(!) | 0:04:25 | 0:04:28 | |
Not that. I mean some of the dark twisted stuff a child... | 0:04:28 | 0:04:32 | |
Have you ever seen a three-year-old | 0:04:32 | 0:04:34 | |
when it has a drink of juice after a moment of joy? | 0:04:34 | 0:04:37 | |
That is one of the most terrifying things you'll ever witness. | 0:04:37 | 0:04:41 | |
"Mummy, I've had a great time. can I have my juice, Mummy? Juice, Mummy." Just a ball of joy. | 0:04:41 | 0:04:47 | |
What happens as soon as they start drinking that juice? | 0:04:47 | 0:04:50 | |
That's right, serial killer eyes. | 0:04:50 | 0:04:52 | |
SLURPING AND HEAVY BREATHING | 0:04:52 | 0:04:58 | |
-EVIL VOICE: -"I will kill one day!" | 0:04:59 | 0:05:02 | |
"Bye, Mummy." | 0:05:02 | 0:05:04 | |
No-one likes serial killer eyes. And the other thing that scares me, | 0:05:06 | 0:05:11 | |
if you have two, how cruel little brothers can be. | 0:05:11 | 0:05:14 | |
I was vile to my brother. I was just... I jellyfished my brother. | 0:05:14 | 0:05:17 | |
Does anyone know that term? | 0:05:17 | 0:05:20 | |
Jellyfishing is where you dead all four limbs. | 0:05:20 | 0:05:23 | |
He was just on the floor, going, "Urgh!" | 0:05:23 | 0:05:26 | |
And when he was down, I did squid gas to the face. # Squid gas to the face! | 0:05:26 | 0:05:30 | |
# Squid gas to the face! # Squid gas to the face! # | 0:05:30 | 0:05:35 | |
Fart delivery. Fart delivery. Smell my fart. | 0:05:35 | 0:05:38 | |
I was a master fart deliver. I was one of the best. | 0:05:38 | 0:05:41 | |
Some of the set ups I came up with... | 0:05:41 | 0:05:43 | |
There's a parcel, you might want to sign for it. Urgh! | 0:05:43 | 0:05:46 | |
Have a look at this species of ladybird. It's so tiny. | 0:05:46 | 0:05:49 | |
Get in close. It's eggy! | 0:05:49 | 0:05:50 | |
-APPLAUSE -OK, ladies and gentlemen, prepare yourselves for political drama | 0:05:51 | 0:05:57 | |
so full of credibility, the script is in 24 point, bold and underlined. | 0:05:57 | 0:06:01 | |
Set the font to Impact and the printer to Landscape. | 0:06:01 | 0:06:04 | |
It's the Situation Room. | 0:06:04 | 0:06:07 | |
CHEERING AND APPLAUSE | 0:06:07 | 0:06:09 | |
DRAMATIC TENSE MUSIC | 0:06:13 | 0:06:16 | |
Can't we just impose sanctions? | 0:06:18 | 0:06:19 | |
No, Prime Minister. You have to reach an agreement today. | 0:06:19 | 0:06:23 | |
This man is looking for any excuse for nuclear war. | 0:06:23 | 0:06:25 | |
He carries the trigger round with him at all times. | 0:06:25 | 0:06:28 | |
I understand. | 0:06:28 | 0:06:29 | |
Send him in. | 0:06:29 | 0:06:31 | |
Good luck, sir. | 0:06:31 | 0:06:33 | |
-For the good of the country. -For the good of the world. | 0:06:33 | 0:06:37 | |
Oh, and, sir, they're an extremely sensitive people. | 0:06:37 | 0:06:40 | |
-You don't want to inadvertently offend him. -Come on. I'm an experienced diplomat. | 0:06:40 | 0:06:44 | |
I think I understand the importance of respect. | 0:06:44 | 0:06:47 | |
Look at...his...nose. | 0:06:58 | 0:07:01 | |
Sorry. | 0:07:02 | 0:07:05 | |
Your Excellency. | 0:07:05 | 0:07:07 | |
What a pleasure it is to welcome you. | 0:07:07 | 0:07:11 | |
-HIGH PITCHED: -Thank you, Prime Minister. | 0:07:11 | 0:07:13 | |
HE LAUGHS LOUDLY | 0:07:13 | 0:07:16 | |
-Amazing. -BEEPS | 0:07:16 | 0:07:20 | |
EXPLOSION | 0:07:20 | 0:07:23 | |
APPLAUSE | 0:07:25 | 0:07:27 | |
How good was that? Now, our next guest is | 0:07:27 | 0:07:30 | |
so well bred that she has to carry her own personal roll of red | 0:07:30 | 0:07:34 | |
carpet with her, in case she has to take any detours from her predetermined walks. | 0:07:34 | 0:07:38 | |
That's right, it's Chastity Butterworth. | 0:07:38 | 0:07:40 | |
CHEERING AND APPLAUSE | 0:07:40 | 0:07:43 | |
Oh! | 0:07:45 | 0:07:47 | |
Oh! | 0:07:48 | 0:07:49 | |
Oh! | 0:07:50 | 0:07:53 | |
Oh! | 0:07:53 | 0:07:54 | |
Oh, good evening. I am delighted to be here. | 0:07:54 | 0:07:58 | |
Oh...stop it. | 0:07:58 | 0:08:00 | |
So without further ado, let me introduce myself. | 0:08:02 | 0:08:05 | |
My name is Chastity Butterworth, named after the famous belt. Oh! | 0:08:05 | 0:08:11 | |
Keep out. | 0:08:12 | 0:08:14 | |
I'm only joking. You're welcome here. | 0:08:16 | 0:08:18 | |
Thank you. Now, forgive me. | 0:08:20 | 0:08:22 | |
I am a little flustered arriving here this evening, | 0:08:22 | 0:08:25 | |
I have just come from my advanced zumba classes. | 0:08:25 | 0:08:29 | |
This bad boy doesn't chisel itself. | 0:08:29 | 0:08:31 | |
During class this evening, my instructor, Rodrigo, his arms are | 0:08:33 | 0:08:39 | |
longer than his legs, but holy shit, he can shimmy like a daddy fucker. | 0:08:39 | 0:08:43 | |
He fandangoed over to me and said, | 0:08:46 | 0:08:49 | |
"Chastity, I want to see you sweating like a pig." | 0:08:49 | 0:08:55 | |
Oh! Rodrigo! | 0:08:55 | 0:08:57 | |
So, of course, this piqued my curiosity such that I dashed | 0:08:58 | 0:09:03 | |
home briefly to conduct a little experiment | 0:09:03 | 0:09:05 | |
and I can now tell you all that pigs don't actually sweat. | 0:09:05 | 0:09:10 | |
No. I found that out the hard way and now my pig is exhausted. | 0:09:10 | 0:09:15 | |
That's the joke section. Thank you. | 0:09:16 | 0:09:19 | |
The thing with cows is it's not all black and white, is it? No. | 0:09:22 | 0:09:27 | |
That's the philosophy section. | 0:09:28 | 0:09:30 | |
Or is it? | 0:09:31 | 0:09:33 | |
Thank you. | 0:09:35 | 0:09:38 | |
Thank you. Thank you. | 0:09:38 | 0:09:40 | |
Now, speaking of wisdom, my life coach, Dick Butkiss, | 0:09:40 | 0:09:44 | |
he's a wonderful man. | 0:09:44 | 0:09:46 | |
He's a watersports enthusiast. And an amateur filmmaker. | 0:09:46 | 0:09:51 | |
Oh, Dick! | 0:09:52 | 0:09:54 | |
He said to me recently, "Chastity, if you're good at something, | 0:09:56 | 0:10:00 | |
"you should never do it for free." | 0:10:00 | 0:10:03 | |
So I happen to be particularly good at sex. | 0:10:03 | 0:10:07 | |
Thank you. | 0:10:07 | 0:10:09 | |
Now, my husband's not happy about it, but then, he has the money. | 0:10:11 | 0:10:17 | |
He says to me sometimes, "Chastity, I'm terribly good at sex too." | 0:10:18 | 0:10:23 | |
And I say, "No, you're not, Horace. That will be £20." | 0:10:23 | 0:10:27 | |
I give him mates' rates. | 0:10:29 | 0:10:31 | |
It's quite sweet how I met my husband, Horace, actually. | 0:10:32 | 0:10:35 | |
We met on an internet dating website called Uniformdating.com. | 0:10:35 | 0:10:41 | |
I don't know if you know it, | 0:10:41 | 0:10:43 | |
but lots of people are in military uniforms and doctors and nurses. | 0:10:43 | 0:10:48 | |
Horace stood out immediately because he was wearing an ASDA uniform. | 0:10:48 | 0:10:52 | |
But further to that, his message stood out in amongst the other sort | 0:10:52 | 0:10:57 | |
of, "Hello, hot tits," and, "You plus me plus Bukkake equals heaven, baby." | 0:10:57 | 0:11:03 | |
Don't get me wrong, I love Bukkake as much as the next lady, | 0:11:03 | 0:11:06 | |
but I cannot stand being called baby, so he was no. | 0:11:06 | 0:11:10 | |
As I say, Horace's message stood out and it read thus, | 0:11:11 | 0:11:15 | |
"You remind me of a toe. | 0:11:15 | 0:11:18 | |
"Not because you are small and cute, but because when I am drunk, | 0:11:18 | 0:11:22 | |
"I shall bang you on the coffee table." | 0:11:22 | 0:11:25 | |
CHEERING AND APPLAUSE | 0:11:27 | 0:11:29 | |
Thank you. Oh! | 0:11:29 | 0:11:31 | |
Oh, gosh! | 0:11:32 | 0:11:34 | |
Chastity Butterworth, there. Now, let's take a look behind the scenes at the | 0:11:34 | 0:11:38 | |
Bullsmoor Youth Club, where the children of the future are being moulded in the present, | 0:11:38 | 0:11:42 | |
on the potting wheel of our very own Pete Swivel. | 0:11:42 | 0:11:45 | |
CHEERING AND APPLAUSE | 0:11:45 | 0:11:48 | |
'In 2013, a BBC documentary crew filmed the everyday | 0:11:50 | 0:11:55 | |
'happenings of a North London youth club on Bullsmoor Lane. | 0:11:55 | 0:11:58 | |
'Its name - the BYC. | 0:11:58 | 0:12:00 | |
'Its leader - Pete Swivel.' | 0:12:00 | 0:12:02 | |
Youth unemployment's through the roof at the minute, so I'm | 0:12:06 | 0:12:09 | |
holding mock job interviews today to help the kids sharpen their skills. | 0:12:09 | 0:12:14 | |
This is Michael. Used to come here. | 0:12:14 | 0:12:16 | |
Two years ago, he was living on benefits | 0:12:16 | 0:12:19 | |
and spent all day sniffing glue with his mates. And now... | 0:12:19 | 0:12:22 | |
This is like something out of a film... | 0:12:22 | 0:12:26 | |
He's a trainee reconciliations clerk for ASDA at their HQ in Tottenham. | 0:12:26 | 0:12:32 | |
Free coffee all day! | 0:12:32 | 0:12:34 | |
I'm not their mate today, I'm their potential boss. | 0:12:37 | 0:12:40 | |
Two very different things. I've got to be cruel to be kind. | 0:12:40 | 0:12:43 | |
It's a tough old world out there. Now, they've all written down what company they want to interview for. | 0:12:43 | 0:12:49 | |
So one of the things I really want to drum into them, very important, sell yourself. | 0:12:49 | 0:12:55 | |
I'll ask you again, Trev, what makes you think you've got | 0:12:55 | 0:12:58 | |
the attributes to be a security guard here at Claire's Accessories? | 0:12:58 | 0:13:02 | |
Um... | 0:13:02 | 0:13:04 | |
Oh, come on! | 0:13:04 | 0:13:07 | |
How about you've been nicking stuff your whole life, so if thieves | 0:13:07 | 0:13:10 | |
did come in the shop, you'd know exactly what to look out for? | 0:13:10 | 0:13:15 | |
Always demonstrate what your past experiences can bring to the role. | 0:13:15 | 0:13:20 | |
You've got those GBH charges you were up on last year. Say that. | 0:13:20 | 0:13:24 | |
Lets them know that if you did have to get physical with anyone, | 0:13:24 | 0:13:29 | |
you're not afraid to let your hands go. | 0:13:29 | 0:13:32 | |
Yeah. It's all good stuff. | 0:13:32 | 0:13:34 | |
Doing your research is vital. | 0:13:34 | 0:13:36 | |
You need to know the ins and outs of a duck's arse about the company before you go in. | 0:13:36 | 0:13:42 | |
Welcome to Flames, Enfield's premiere strip club. | 0:13:42 | 0:13:46 | |
I'll start by saying, we run a strict no touching policy here, so | 0:13:46 | 0:13:49 | |
you can get up and shake your bits about without fear of being groped. | 0:13:49 | 0:13:53 | |
But what do you know about us? | 0:13:53 | 0:13:55 | |
You're a chicken shop. | 0:13:55 | 0:13:57 | |
'Obviously, Flames is a chicken shop. I've apologised to Jane. | 0:13:57 | 0:14:02 | |
'I just assumed stripping was a natural career path for her.' | 0:14:02 | 0:14:05 | |
But like the saying goes, don't believe everything you read. | 0:14:05 | 0:14:09 | |
Especially if it's written on toilet walls. | 0:14:09 | 0:14:12 | |
In some of these top places, the interviewer will do something out | 0:14:12 | 0:14:16 | |
of the blue just to surprise you, to see how you cope under pressure. | 0:14:16 | 0:14:20 | |
I need to prepare these kids for every eventuality. | 0:14:20 | 0:14:23 | |
Next! | 0:14:23 | 0:14:25 | |
No, I don't think you're cut out for the public sector, Del. | 0:14:27 | 0:14:31 | |
Next! | 0:14:31 | 0:14:34 | |
Michael's inspired this whole thing really. I'm so proud of him. | 0:14:34 | 0:14:38 | |
It shows you what you can achieve if you knuckle down and work hard. | 0:14:38 | 0:14:44 | |
And your mum's sucking off the head of HR at ASDA. | 0:14:44 | 0:14:47 | |
APPLAUSE | 0:14:47 | 0:14:51 | |
Pete Swivel, ladies and gentlemen. | 0:14:53 | 0:14:55 | |
Now, our favourite Spanish dish. Expect womanising to be taught 'ere. | 0:14:55 | 0:14:58 | |
Ladies and gentlemen, you tap-his-ass, it's Antonio! | 0:14:58 | 0:15:02 | |
CHEERING | 0:15:05 | 0:15:06 | |
FUNK MUSIC | 0:15:08 | 0:15:11 | |
Buenas noches, you naughty little gringos! | 0:15:11 | 0:15:15 | |
It's me, Antonio, seduction expert. | 0:15:15 | 0:15:19 | |
My ex-wife used to describe me as one giant erogenous zone. | 0:15:19 | 0:15:23 | |
Or as she put it, "A total prick." | 0:15:23 | 0:15:27 | |
LAUGHTER | 0:15:27 | 0:15:29 | |
Being from the Mediterranean, I enjoy good food, | 0:15:29 | 0:15:31 | |
hot weather and boning your girlfriend. | 0:15:31 | 0:15:35 | |
You're welcome. | 0:15:35 | 0:15:36 | |
Me? I'm a real man, and I know how to do things, OK? | 0:15:37 | 0:15:42 | |
So tonight, I'm going to show you how to ride a horse. | 0:15:42 | 0:15:48 | |
Me? I'm a lot like a stallion myself. | 0:15:48 | 0:15:51 | |
Red-blooded, virile and when you ride me, I like to neigh. | 0:15:51 | 0:15:55 | |
Also, I shit standing up. | 0:15:57 | 0:15:59 | |
Anyway, horses, they are also like the women. | 0:16:01 | 0:16:05 | |
Beautiful, well-groomed, and if you try to mount them from behind, | 0:16:05 | 0:16:09 | |
they kick you hard. | 0:16:09 | 0:16:10 | |
Also, I find if you put your hand out like this and put some grass in it... | 0:16:11 | 0:16:15 | |
Oh, that's just horses. | 0:16:15 | 0:16:16 | |
I think it's time for a riding lesson. | 0:16:18 | 0:16:20 | |
For assistance, this is Jackie, our equestrian expert. | 0:16:20 | 0:16:26 | |
Tell me, Jackie, where exactly is Equestria? | 0:16:26 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:32 | |
I'm only joking, I know perfectly well an equestrian is someone | 0:16:32 | 0:16:36 | |
who is born between the 20th of January and the 18th of February. | 0:16:36 | 0:16:39 | |
It's a star sign, like Capri-Sun. | 0:16:41 | 0:16:44 | |
Now unfortunately, my stallion Miguel is still outside the building, | 0:16:46 | 0:16:51 | |
as we're not allowed horses in here. | 0:16:51 | 0:16:53 | |
Which is weird, because horses and I, we have at least one thing in common. | 0:16:53 | 0:16:57 | |
HE CHUCKLES | 0:16:57 | 0:16:58 | |
We both wear shoes. | 0:16:58 | 0:16:59 | |
So, Jackie, as my horse Miguel is outside, | 0:17:01 | 0:17:04 | |
perhaps it's best that you show me how to ride you. | 0:17:04 | 0:17:08 | |
GIGGLING: She's kinky. | 0:17:08 | 0:17:10 | |
Now remember, when mounting you want to... Ah! No... | 0:17:10 | 0:17:13 | |
Ah, ow, ah, shit, no, no, | 0:17:13 | 0:17:16 | |
yes, yes, more, more, oh, ah, ah, | 0:17:16 | 0:17:19 | |
ah, oh, my bum, oh, oh, oh... | 0:17:19 | 0:17:24 | |
Ho! | 0:17:25 | 0:17:26 | |
PAINED: She's a very good actress! | 0:17:28 | 0:17:30 | |
LAUGHTER | 0:17:31 | 0:17:33 | |
Never mount a woman from behind! | 0:17:33 | 0:17:35 | |
I should have seen this coming - equestrians hate Capri-Suns. | 0:17:37 | 0:17:41 | |
Well, if Jackie's having none of it... | 0:17:43 | 0:17:46 | |
I'm pretty sure Miguel is game. | 0:17:46 | 0:17:48 | |
HORSE NEIGHS | 0:17:48 | 0:17:50 | |
That's right. I'm going to go fuck a horse. | 0:17:54 | 0:17:57 | |
WHOOPING | 0:18:01 | 0:18:03 | |
Antonio, ladies and gentlemen. Ladies and gentlemen, | 0:18:03 | 0:18:07 | |
you're a lovely audience, | 0:18:07 | 0:18:08 | |
give yourself a round of applause for being so absolutely awesome. | 0:18:08 | 0:18:11 | |
CHEERING | 0:18:11 | 0:18:12 | |
-And what do you see when you look at this image? -A vagina. | 0:18:12 | 0:18:15 | |
Again! Very interesting. | 0:18:15 | 0:18:17 | |
And what about this image? | 0:18:17 | 0:18:18 | |
A vagina, they're all photos of vaginas, | 0:18:18 | 0:18:20 | |
what's this got to do with my interview? | 0:18:20 | 0:18:22 | |
Tom, it'll all be clear at the end of my programme. | 0:18:22 | 0:18:24 | |
It's about the power of suggestion, | 0:18:24 | 0:18:26 | |
and nothing is more suggestive than a vagina. | 0:18:26 | 0:18:28 | |
CAMERAMAN MIMICS GUITAR RIFF | 0:18:28 | 0:18:30 | |
Stop doing that, Ishmael, the soundtrack goes in after. | 0:18:30 | 0:18:33 | |
Up until this morning, Tom was hopeless. A freak. L'etranger. | 0:18:33 | 0:18:38 | |
Translation - a massive dufus. | 0:18:38 | 0:18:40 | |
Having never succeeded at anything in his life, he's going | 0:18:40 | 0:18:43 | |
to do a job interview, and he's going to get it. | 0:18:43 | 0:18:45 | |
Tom, I'm not any more prepared for this interview, | 0:18:45 | 0:18:47 | |
can you please just leave me alone? | 0:18:47 | 0:18:48 | |
Mm-hmm, yeah, yeah. Not prepared, or more prepared? | 0:18:48 | 0:18:52 | |
What's that mug you've been slurping all day? | 0:18:52 | 0:18:54 | |
-Sure it hasn't been motivating you? -Obama. Great. | 0:18:54 | 0:18:56 | |
Now check your screensaver. | 0:18:56 | 0:18:59 | |
-Is that my head on Hitler? -Feeling inspired? | 0:18:59 | 0:19:01 | |
Just leave me alone, the rota says you're meant | 0:19:01 | 0:19:03 | |
-to be doing stage lights. -What, this rota here? | 0:19:03 | 0:19:05 | |
Tom, that took me ages... | 0:19:05 | 0:19:07 | |
"You will not fali this interview"? | 0:19:08 | 0:19:11 | |
Ishmael - fail! F-A-L-E, like I said! | 0:19:11 | 0:19:13 | |
Tom, I'd really rather prepare for this on my own. | 0:19:13 | 0:19:16 | |
-None of this makes any sense. -Well done. | 0:19:16 | 0:19:19 | |
As I always say, senses are very overrated. | 0:19:19 | 0:19:23 | |
FAINT CHEERING AND APPLAUSE | 0:19:36 | 0:19:38 | |
Hello, welcome to the make-up department, my name's Linda. | 0:19:39 | 0:19:44 | |
Now, who do we have here? No, don't tell me, I'm going to guess! | 0:19:44 | 0:19:48 | |
Hey, Nick, could you say hello to my friend? It's Nick Grimshaw. | 0:19:48 | 0:19:53 | |
Very funny, it's not, it's Russell Howard - Kane! | 0:19:53 | 0:19:57 | |
Look, I'm really, I'm in a hurry...here. | 0:19:57 | 0:19:59 | |
He think he's Russell Howard but he's actually Nick Grimshaw. | 0:19:59 | 0:20:02 | |
SHE LAUGHS | 0:20:02 | 0:20:03 | |
Oh, it's disappointing when you meet them and they're not that great. | 0:20:03 | 0:20:08 | |
-I'm actually in a bit of a hurry, if we could... -Yeah, we all are. | 0:20:08 | 0:20:13 | |
So we're just going to highlight your cheeks and try | 0:20:13 | 0:20:16 | |
and make the nose smaller. | 0:20:16 | 0:20:17 | |
I wish you were Nick Grimshaw. | 0:20:18 | 0:20:21 | |
There's no reason why you'd know, but I'm the host, Russell Kane. | 0:20:21 | 0:20:24 | |
(Stop lying to yourself, sweetie.) | 0:20:24 | 0:20:27 | |
Are you doing some juggling for us today? Are you the juggling girl? | 0:20:27 | 0:20:31 | |
I really am the host, if you don't know I'm the host, | 0:20:31 | 0:20:34 | |
how are you going to do my eyeliner the way I like it? | 0:20:34 | 0:20:36 | |
OK, so I just keep him under observation? | 0:20:36 | 0:20:39 | |
OK, thank you, doctor, thank you very much. | 0:20:39 | 0:20:41 | |
I've got it, you're the Dutch milking girl act! Where are your clogs? | 0:20:41 | 0:20:47 | |
Yeah, that's right, that's who I am, I am Annika the Dutch milking girl. | 0:20:47 | 0:20:51 | |
Yes, I knew it! | 0:20:51 | 0:20:54 | |
Do we need the Dutch girl on stage? | 0:20:54 | 0:20:56 | |
OK, sweetie, you're up. | 0:20:56 | 0:20:57 | |
In episode last, gay slurs were cast. | 0:21:05 | 0:21:10 | |
And Dave was flung out of Essex pad, fast. | 0:21:10 | 0:21:14 | |
Thou art better purged of that prick. | 0:21:19 | 0:21:21 | |
He ain't not a prick, Mum, not no he ain't. | 0:21:21 | 0:21:24 | |
He is so much a prick that 10,000 spears topped with a million | 0:21:24 | 0:21:28 | |
gold-plate javelins, and each of those adorned with a billion | 0:21:28 | 0:21:32 | |
platinum drawing pins would still be less of a prick than that cu... | 0:21:32 | 0:21:36 | |
Ladies. | 0:21:36 | 0:21:37 | |
LAUGHTER | 0:21:37 | 0:21:39 | |
Ah, I perceive the atmosphere is ripe for reconciliation. | 0:21:39 | 0:21:42 | |
My sixth sense is Bruce Willis on Ritalin. | 0:21:42 | 0:21:45 | |
It's Uri Geller on MDMA. | 0:21:45 | 0:21:47 | |
Watch how I, with words smoother than a Jamaican hip, | 0:21:47 | 0:21:51 | |
do grind and bogle things in my favour. | 0:21:51 | 0:21:54 | |
-Elainia. -Prick, get out. | 0:21:55 | 0:21:58 | |
Sharonetti? Babe! | 0:22:00 | 0:22:03 | |
What, be there no chance? | 0:22:04 | 0:22:06 | |
There is more chance of John Terry fingering Michelle Obama. | 0:22:06 | 0:22:11 | |
Mother please, quell thy wrinkled beak. | 0:22:11 | 0:22:13 | |
Dave, thou art a cheater and a wanker quite useless. | 0:22:14 | 0:22:18 | |
Yet I love thee for that! Oh, my God, Oh, my God though. | 0:22:19 | 0:22:24 | |
My eldest slapper, nay! | 0:22:24 | 0:22:26 | |
I do love the div, dear dowager, though he be more pointless | 0:22:26 | 0:22:30 | |
than a little pencil, tis with he that I hath merries made. | 0:22:30 | 0:22:34 | |
Like that time I got it in thine eye, | 0:22:34 | 0:22:36 | |
and we had to go down A&E to unstick thy Cheryl Cole lash. | 0:22:36 | 0:22:39 | |
Yeah, and when I slashed in an alley while you got kicked in... | 0:22:39 | 0:22:42 | |
BOTH: ..by that coke dealer! | 0:22:42 | 0:22:44 | |
Magic memories make sin slight in hand. | 0:22:44 | 0:22:46 | |
Despite myself, their tasty affections have poured | 0:22:48 | 0:22:52 | |
cold balsamic on the spicy beans of mine anger. | 0:22:52 | 0:22:56 | |
Love is like a sit-down Wimpy. | 0:22:57 | 0:22:59 | |
What seems bastard base burger in fact is a fine feast fed upon | 0:22:59 | 0:23:05 | |
with fly cutlery. | 0:23:05 | 0:23:07 | |
My daughter's yeasty loaves, his risen sun, | 0:23:07 | 0:23:11 | |
my future son-in-law - a bender in a bun. | 0:23:11 | 0:23:16 | |
LAUGHTER | 0:23:16 | 0:23:17 | |
-RUSSELL ON STAGE: -See? Comprehensives can work. | 0:23:21 | 0:23:24 | |
Right, our next acts are such a part of the Electric furniture | 0:23:25 | 0:23:29 | |
IKEA make them in a flat-pack called "Mashkoop", | 0:23:29 | 0:23:33 | |
but we known them as...Two Episodes of Mash! | 0:23:33 | 0:23:35 | |
CHEERING | 0:23:36 | 0:23:38 | |
-Hello! -AUDIENCE: Hello. | 0:23:45 | 0:23:47 | |
-I'm Joe, she's Diane. -Hello. -Eh, tonight... | 0:23:47 | 0:23:51 | |
We're going to do some sketches, woo! | 0:23:54 | 0:23:58 | |
-Yes, yes, yes! -Just get on with it before you irritate them too much. | 0:23:58 | 0:24:01 | |
Good point, right. | 0:24:01 | 0:24:04 | |
Some of you might know that we can project pictures on our | 0:24:04 | 0:24:08 | |
green screen, but we thought tonight it'd be fun - bit of fun, you know - | 0:24:08 | 0:24:11 | |
to project an image that you choose, someone in the audience, | 0:24:11 | 0:24:16 | |
to go up here. | 0:24:16 | 0:24:18 | |
And it's a way of killing a bit of time. | 0:24:18 | 0:24:20 | |
And it's a way of killing a bit of time. | 0:24:20 | 0:24:22 | |
LAUGHTER | 0:24:22 | 0:24:23 | |
So, hello. | 0:24:23 | 0:24:25 | |
-What would you like projected there? -Watermelon. -Watermelon! | 0:24:26 | 0:24:32 | |
-Can we have...? -What, a what? -It's a bit shit, it'll do. | 0:24:32 | 0:24:36 | |
LAUGHTER | 0:24:36 | 0:24:37 | |
-What does he want? -UNDER HIS BREATH: -I'll knock his teeth... | 0:24:38 | 0:24:42 | |
Can we have a picture of a water melon up here? | 0:24:42 | 0:24:46 | |
-That's rubbish. -No, a watermelon. Water... | 0:24:46 | 0:24:51 | |
-Oh! -You anus! | 0:24:57 | 0:25:00 | |
APPLAUSE | 0:25:02 | 0:25:04 | |
What'd you ask for a pissing water melon for?! It's a foreign fruit! | 0:25:04 | 0:25:08 | |
You've caused a power cut, I've got a Cornetto in the freezer! | 0:25:08 | 0:25:11 | |
If it melts, so help me, God, I will fucking kill... | 0:25:12 | 0:25:14 | |
Oh, it's all right, the back-up generator's kicked in. | 0:25:16 | 0:25:19 | |
The Cornetto's going to be fine. | 0:25:19 | 0:25:21 | |
-Shall we do a sketch? -Yeah...you got lucky there, son. | 0:25:21 | 0:25:24 | |
All right, here we are. | 0:25:26 | 0:25:27 | |
CAPES! | 0:25:29 | 0:25:31 | |
LAUGHTER | 0:25:32 | 0:25:35 | |
Up you go! | 0:25:44 | 0:25:45 | |
Up you go! | 0:25:49 | 0:25:51 | |
Up you go... | 0:25:54 | 0:25:55 | |
Go on, up you go. | 0:25:57 | 0:25:58 | |
-Up you go, you're not going up. -No. -Why aren't you going up? | 0:26:00 | 0:26:03 | |
-I don't know. -Oh, for fu... | 0:26:04 | 0:26:06 | |
When we said we were going to do the trick, we divvied up the tasks. | 0:26:11 | 0:26:15 | |
-I know, I know. -I got the capes. -Yeah. | 0:26:15 | 0:26:18 | |
You were going to learn to levitate. | 0:26:18 | 0:26:20 | |
-Sorry. -I had to get two capes - one fucking thing you had to do. | 0:26:22 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:28 | |
-Been really busy. -Shut up! | 0:26:28 | 0:26:30 | |
-Flap your cape. -What? -Flap your cape. | 0:26:33 | 0:26:35 | |
Thank God we've got the capes, | 0:26:47 | 0:26:49 | |
-otherwise that could have been embarrassing. -Yeah. | 0:26:49 | 0:26:52 | |
CHEERING | 0:26:53 | 0:26:55 | |
Two Episodes of Mash, ladies and gentlemen. | 0:26:56 | 0:26:59 | |
If we've left you wanting more after the show, head straight to... | 0:26:59 | 0:27:03 | |
Or if any of my family are watching, top up your mobiles | 0:27:05 | 0:27:07 | |
with at least a fiver, and you should be able to see it. | 0:27:07 | 0:27:10 | |
Don't click on video though, or your 3GS will explode. | 0:27:10 | 0:27:12 | |
From me and the Electrolytes - goodbye! | 0:27:12 | 0:27:15 | |
CHEERING | 0:27:15 | 0:27:17 | |
Feeling more positive about the interview, Tom? | 0:27:21 | 0:27:23 | |
Not really, just got an e-mail | 0:27:23 | 0:27:25 | |
saying they're not seeing people any more. | 0:27:25 | 0:27:27 | |
Then your wish is granted. | 0:27:27 | 0:27:29 | |
What'd you mean? | 0:27:29 | 0:27:30 | |
You didn't fail the interview, because there was no interview. | 0:27:30 | 0:27:35 | |
Please don't tell me you cancelled it. | 0:27:35 | 0:27:37 | |
I didn't have cancelled, I did have it moved forward and went myself. | 0:27:37 | 0:27:42 | |
-And yes, I got the job, thanks for asking(!) -I fucking hate you. | 0:27:42 | 0:27:45 | |
I had no idea you were going to say that. | 0:27:45 | 0:27:50 | |
Or did I? | 0:27:50 | 0:27:51 | |
ISHMAEL MIMICS GUITAR RIFF | 0:27:51 | 0:27:54 | |
ISHMAEL: Yeaaaaaah. | 0:27:56 | 0:27:58 |