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This programme contains some strong language. | 0:00:03 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:33 | 0:00:37 | |
Hi! | 0:00:42 | 0:00:44 | |
Hi, guys, how's it going? | 0:00:45 | 0:00:48 | |
AUDIENCE CHEERS This is very exciting, isn't it? | 0:00:48 | 0:00:51 | |
I'm Mae Martin. Is everybody good? Are you guys well? | 0:00:51 | 0:00:53 | |
-AUDIENCE: -Yes! -Did everyone have a good...childhood? | 0:00:53 | 0:00:56 | |
LAUGHTER | 0:00:56 | 0:00:57 | |
Our childhoods are over. | 0:00:57 | 0:00:59 | |
I'm excited to be here. Thank you for having me in this country. | 0:00:59 | 0:01:02 | |
I'm from Canada originally. Anybody from Canada? | 0:01:02 | 0:01:04 | |
ONE PERSON WHOOPS | 0:01:04 | 0:01:06 | |
Oh, really? Do we know each other? Do we...? | 0:01:06 | 0:01:08 | |
-Where are you from? -Alberta. | 0:01:08 | 0:01:10 | |
Oh, cool. That's... Don't know. | 0:01:10 | 0:01:13 | |
Cool. Nice to meet you. | 0:01:14 | 0:01:16 | |
-What's your name? -Shannon. | 0:01:16 | 0:01:17 | |
Hey, Shannon. Cool. | 0:01:17 | 0:01:19 | |
I'm not going to talk to you any more. | 0:01:19 | 0:01:22 | |
I'm excited to be in England, though. This is very exciting. | 0:01:24 | 0:01:26 | |
My parents are very worried about me, though. | 0:01:26 | 0:01:28 | |
My parents, Wendy and James. Give it up for Wendy and James, please. | 0:01:28 | 0:01:31 | |
CHEERING AND APPLAUSE | 0:01:31 | 0:01:33 | |
Please! They're the best. They're so worried about me living overseas. | 0:01:33 | 0:01:37 | |
They're just worried about me being alive on this earth in general | 0:01:37 | 0:01:40 | |
but my mum, Wendy Martin, poor Wendy, is so anxious. | 0:01:40 | 0:01:43 | |
The sentence that she says | 0:01:43 | 0:01:45 | |
more than any other sentence in the English language is just... | 0:01:45 | 0:01:48 | |
"Oh, my God." | 0:01:48 | 0:01:50 | |
That's her level of stress, her base level that she just operates on | 0:01:50 | 0:01:54 | |
all the time is just, "Oh, my God." | 0:01:54 | 0:01:56 | |
I'll speak to her on the phone a lot, she'll call from Canada, | 0:01:56 | 0:02:00 | |
she's always like, "How's the weather? | 0:02:00 | 0:02:02 | |
"How's the weather in London?" Just furious about it. | 0:02:02 | 0:02:05 | |
I'm like, "Oh, it's fine, it's a little bit damp." | 0:02:05 | 0:02:08 | |
"Oh, my God. | 0:02:08 | 0:02:09 | |
"You're going to get spores." | 0:02:11 | 0:02:13 | |
Is that a threat in England? Spores? She's stressed about it. | 0:02:13 | 0:02:16 | |
Today, she was like, "What are you doing this evening?" | 0:02:16 | 0:02:19 | |
I was like, "Oh, actually, I'm doing a BBC gig." | 0:02:19 | 0:02:21 | |
"Oh, my God. | 0:02:21 | 0:02:23 | |
"That could make you or break you." | 0:02:23 | 0:02:26 | |
"Thanks, Mum! Oh, cool, I'll just relax, then." | 0:02:26 | 0:02:29 | |
They're calling twice as much as they normally would as well. | 0:02:31 | 0:02:35 | |
They're very concerned. I just got out of a long-term relaish, | 0:02:35 | 0:02:38 | |
so they're very worried. Thank you for your sympathy, by the way(!) | 0:02:38 | 0:02:41 | |
-Aw! -Thanks. It was a real, it was a three-year relaish. | 0:02:41 | 0:02:44 | |
It was a proper, long-term... I think one of the early signs | 0:02:44 | 0:02:46 | |
you're not mature enough to be in a long-term relaish | 0:02:46 | 0:02:49 | |
is you're abbreviating the word "relationship". | 0:02:49 | 0:02:52 | |
I can't get through the word, but... | 0:02:52 | 0:02:54 | |
It's fine, we broke up in Decembs and, er... | 0:02:54 | 0:02:57 | |
And I'm fine, guys, I'm so good. Just catching up on my reading. | 0:02:57 | 0:03:01 | |
Just reading her Facebook page. | 0:03:01 | 0:03:04 | |
As if it's a thriller, I'm reading it. | 0:03:04 | 0:03:07 | |
But, you know what - who's single, by the way? | 0:03:07 | 0:03:09 | |
WHOOPING | 0:03:09 | 0:03:10 | |
OK, a good number. Do you feel, | 0:03:10 | 0:03:12 | |
the only time that I really feel alone, like, "Oh, no," | 0:03:12 | 0:03:15 | |
is when I'm trying to put a duvet cover on a duvet. | 0:03:15 | 0:03:19 | |
It's the loneliest task. Something about it is so bleak. | 0:03:20 | 0:03:24 | |
I get halfway through doing that, | 0:03:24 | 0:03:26 | |
I'm like, "I'm going to go write my will. | 0:03:26 | 0:03:28 | |
"I'm going to sleep in the bathtub tonight." | 0:03:28 | 0:03:30 | |
Yeah, but it's fine because... | 0:03:32 | 0:03:34 | |
My mum, I went home to visit Canada after my break-up | 0:03:34 | 0:03:38 | |
and my mum used the opportunity of my break-up | 0:03:38 | 0:03:41 | |
to broach some topics with me, | 0:03:41 | 0:03:43 | |
because I was in a relationship with a woman | 0:03:43 | 0:03:45 | |
and my mum was like, she was like, | 0:03:45 | 0:03:47 | |
"Your father and I are very sad, obviously, very concerned, | 0:03:47 | 0:03:51 | |
"but we were wondering - silver lining - | 0:03:51 | 0:03:55 | |
"have you thought about switching it up?" | 0:03:55 | 0:03:57 | |
I was like, yeah, like, I don't talk to my mum | 0:03:59 | 0:04:02 | |
about the intricacies of my dating life, but I do really like men. | 0:04:02 | 0:04:06 | |
I've dated men, an eclectic group of very...lucky men in my life. | 0:04:06 | 0:04:11 | |
I got Tinder, as soon as I was single, I got Tinder... | 0:04:11 | 0:04:14 | |
All right, sorry, slightly before I was single... | 0:04:14 | 0:04:17 | |
I got Tinder. And you know how you set your settings on Tinder, | 0:04:17 | 0:04:21 | |
on that dating app, to attract a certain demographic, | 0:04:21 | 0:04:24 | |
so you'll put, like, you put age, I put "18 to 700". | 0:04:24 | 0:04:28 | |
Like, I'm open, and you put the gender you want to attract, | 0:04:28 | 0:04:31 | |
so I put my settings to match with men and women. | 0:04:31 | 0:04:34 | |
I was really surprised by, not just how shocked my friends were | 0:04:34 | 0:04:37 | |
in England because they've only known me to date this one girl, | 0:04:37 | 0:04:40 | |
but they were annoyed at me about it. My friends were like, | 0:04:40 | 0:04:43 | |
they were like, "What?" They were like, "No." | 0:04:43 | 0:04:46 | |
Like, "But...your hair..." | 0:04:47 | 0:04:48 | |
They were like "You... You lied." | 0:04:51 | 0:04:53 | |
I was like, "How did I lie? I didn't mean to." | 0:04:53 | 0:04:56 | |
They were like, "You lied with your hair." | 0:04:56 | 0:04:59 | |
Um... | 0:04:59 | 0:05:01 | |
Yeah, but I did, my first boyfriend when I was 13, | 0:05:01 | 0:05:04 | |
his name was Ian Peach. I think we only hung out, like, twice | 0:05:04 | 0:05:07 | |
but we were in love | 0:05:07 | 0:05:09 | |
and Ian Peach broke up with me on speakerphone | 0:05:09 | 0:05:11 | |
while all of his friends were laughing. | 0:05:11 | 0:05:13 | |
They were in the room, laughing. | 0:05:13 | 0:05:15 | |
-Aw! -Thanks, ten of you. | 0:05:15 | 0:05:17 | |
What, 80% of you are like, "Yeah, fine, that seems... | 0:05:17 | 0:05:20 | |
"That seems normal." | 0:05:20 | 0:05:21 | |
No, it was the absolute worst, it was so harsh, | 0:05:21 | 0:05:24 | |
and he had brought a CD player in | 0:05:24 | 0:05:26 | |
-and he was playing our song over the phone, which was... -Aw! | 0:05:26 | 0:05:28 | |
I know! He was playing our song, | 0:05:28 | 0:05:30 | |
which is Aerosmith's Don't Want To Miss A Thing. | 0:05:30 | 0:05:32 | |
That was our song because we slow-danced to it at a party | 0:05:32 | 0:05:35 | |
and he got a semi, so that was our song. | 0:05:35 | 0:05:38 | |
That will... That will always be our song. And he was like, | 0:05:38 | 0:05:41 | |
"Look, I don't think we should see each other any more" | 0:05:41 | 0:05:43 | |
and then I hear these peals of laughter, | 0:05:43 | 0:05:46 | |
realise his whole class is listening. I'm... | 0:05:46 | 0:05:48 | |
I'm over it now. Like, I rarely discuss it publicly... | 0:05:48 | 0:05:52 | |
But, um... I was doing an interview recently for a magazine | 0:05:53 | 0:05:57 | |
and the structure of the interview was ten rapid-fire questions, | 0:05:57 | 0:06:01 | |
so they were like, "This will be really fun, it's word association, | 0:06:01 | 0:06:04 | |
"just say the first thing that pops into your head. Easy questions." | 0:06:04 | 0:06:07 | |
So we start off and it's like, "What's your favourite ice cream?" | 0:06:07 | 0:06:10 | |
"What's the best thing about London?" Like, easy stuff. | 0:06:10 | 0:06:12 | |
We get to the final question, they're like, "Last question." | 0:06:12 | 0:06:15 | |
Rapid-fire - "Why are you gay?" | 0:06:15 | 0:06:18 | |
As a rapid-fire question. And I was like... | 0:06:18 | 0:06:20 | |
SHE GURGLES | 0:06:20 | 0:06:22 | |
Panicking! I think if I'd had any time to think it over, | 0:06:22 | 0:06:25 | |
I would have come up with something vaguely progressive like, | 0:06:25 | 0:06:28 | |
"I think labels can be divisive and I don't feel the need | 0:06:28 | 0:06:30 | |
"to identify as anything other than a human being" | 0:06:30 | 0:06:33 | |
but I panicked and said, "Maybe Ian Peach in grade nine." | 0:06:33 | 0:06:36 | |
For real, the first thing that came to my mind was his face | 0:06:38 | 0:06:42 | |
and the worst part is - and I wish I had written this as a joke, | 0:06:42 | 0:06:45 | |
but you can Google the interview - | 0:06:45 | 0:06:48 | |
they've misquoted me and they won't change it | 0:06:48 | 0:06:50 | |
and I'm now on record as saying | 0:06:50 | 0:06:52 | |
in answer to the question, "Why are you gay?" | 0:06:52 | 0:06:55 | |
they've put, "Maybe eating a peach in grade nine." | 0:06:55 | 0:06:58 | |
It's the worst misquote... | 0:07:02 | 0:07:05 | |
And the worst part is, my mum has a Google alert set up. | 0:07:08 | 0:07:11 | |
You know you can set up an alert on Google where if key words come up | 0:07:11 | 0:07:15 | |
you get an e-mail, so my mum has one with my name. Of course. | 0:07:15 | 0:07:18 | |
So my mum got an e-mail with that interview | 0:07:18 | 0:07:20 | |
and then I got a phone call, like, "Oh, my God." | 0:07:20 | 0:07:23 | |
She was like, "Is it true?" | 0:07:23 | 0:07:26 | |
She was like, "I don't understand. | 0:07:26 | 0:07:28 | |
"We gave your brother the same peaches." | 0:07:28 | 0:07:30 | |
Guys, you've been so nice. I've been Mae Martin. Thank you very much. | 0:07:31 | 0:07:35 | |
CHEERING AND APPLAUSE | 0:07:35 | 0:07:38 | |
CHEERING | 0:07:50 | 0:07:52 | |
Yes! | 0:08:01 | 0:08:03 | |
Good evening, ladies and gentlemen. My name is Nish Kumar. | 0:08:03 | 0:08:06 | |
How are you? You all right? | 0:08:06 | 0:08:08 | |
CHEERING | 0:08:08 | 0:08:09 | |
What was that somebody shouted at the top? | 0:08:09 | 0:08:11 | |
-Yeah! -Yeah, hi. Who's from Croydon? | 0:08:11 | 0:08:14 | |
-Yeah! -Yeah! -I'm from Croydon! | 0:08:14 | 0:08:16 | |
CHEERING AND WHISTLES | 0:08:16 | 0:08:18 | |
I am, yeah. I'm a prominent Croydoner. | 0:08:18 | 0:08:20 | |
The only other two things to come out of Croydon | 0:08:20 | 0:08:22 | |
are Kate Moss and the concept of crime, so... | 0:08:22 | 0:08:25 | |
-Great to see you all, ladies and gentlemen. -And me! -And you, yeah. | 0:08:26 | 0:08:30 | |
Of course it would be the people from Croydon who are shouting. | 0:08:30 | 0:08:34 | |
Not doing anything to help our image. | 0:08:34 | 0:08:36 | |
It's nice to be here, ladies and gentlemen. My name is Nish. | 0:08:36 | 0:08:39 | |
I hope you enjoy the jokes. I've got some jokes to tell you. | 0:08:39 | 0:08:42 | |
I hope you enjoy them. If you don't, wow! I am sorry! | 0:08:42 | 0:08:47 | |
That will almost certainly have been my fault. | 0:08:49 | 0:08:52 | |
At least 60-40, that way round. You know? | 0:08:52 | 0:08:55 | |
Because the problem is, that's the problem with comedy, | 0:08:55 | 0:08:57 | |
I love being a comedian and it's a job that I absolutely adore | 0:08:57 | 0:09:01 | |
but it's a strange job | 0:09:01 | 0:09:02 | |
because I might do it to the best of my abilities | 0:09:02 | 0:09:04 | |
and you might not enjoy it. | 0:09:04 | 0:09:06 | |
That's the nature of comedy, it's an inherently subjective medium, | 0:09:06 | 0:09:09 | |
no two people can agree on what's funny, | 0:09:09 | 0:09:11 | |
so if you don't think I'm funny, that's absolutely fine. | 0:09:11 | 0:09:13 | |
The only problem I have as a comedian is that | 0:09:13 | 0:09:15 | |
if somebody thinks what I'm doing is not funny, it stops being comedy. | 0:09:15 | 0:09:19 | |
And there's no other job like that. | 0:09:19 | 0:09:21 | |
If you're a builder and you build a wall, | 0:09:21 | 0:09:23 | |
people go, "That's a good wall," or, "That's a shit wall." | 0:09:23 | 0:09:26 | |
No-one says, "That is not a wall! | 0:09:26 | 0:09:29 | |
"You built a bloody duck, mate! What were you thinking?" | 0:09:29 | 0:09:32 | |
And I like the fact that people have different opinions. I like arguing. | 0:09:32 | 0:09:35 | |
I think it's part of what makes being a human being | 0:09:35 | 0:09:37 | |
interesting and exciting. | 0:09:37 | 0:09:39 | |
I don't like it when people can't justify their opinions | 0:09:39 | 0:09:41 | |
or they do so on spurious grounds, | 0:09:41 | 0:09:42 | |
like my dad doesn't like rap music. Now, listen, I like rap music | 0:09:42 | 0:09:46 | |
but I know there's a lot of good reasons to not like rap music - | 0:09:46 | 0:09:49 | |
misogyny, homophobia, the needless celebration of wealth. | 0:09:49 | 0:09:52 | |
My dad doesn't like... LAUGHTER | 0:09:52 | 0:09:54 | |
That does not normally get a laugh. | 0:09:54 | 0:09:57 | |
Very unusual, people being like, "Ha-ha! Yeah. | 0:09:57 | 0:10:00 | |
"I love all three of those things." | 0:10:00 | 0:10:02 | |
My dad doesn't like rap music because he says it's easy | 0:10:05 | 0:10:08 | |
and then he will prove that by doing a rap. | 0:10:08 | 0:10:12 | |
He'll go, "Rap music is really easy, Nish. Watch this." | 0:10:12 | 0:10:15 | |
"My name is Dad and I'm here to say I'm a really great guy..." | 0:10:15 | 0:10:19 | |
That's not proof of anything. | 0:10:19 | 0:10:21 | |
You can't say something is easy and your evidence is you do it badly. | 0:10:21 | 0:10:25 | |
It's like me going, "Jazz music's really easy. Watch this - | 0:10:25 | 0:10:28 | |
"Bladi-bladi-bla!" | 0:10:28 | 0:10:30 | |
"Oh, check out this easy juggling." | 0:10:30 | 0:10:32 | |
MIC THUDS ON FLOOR | 0:10:32 | 0:10:34 | |
And I had two different arguments with two separate friends | 0:10:37 | 0:10:41 | |
because they didn't go and see 12 Years A Slave. | 0:10:41 | 0:10:43 | |
Now, did anyone go and see 12 Years A Slave? | 0:10:43 | 0:10:46 | |
-Yes! -I like that movie, I thought it was really good. | 0:10:46 | 0:10:48 | |
I mean, by the end, I was crying out of my mouth. | 0:10:48 | 0:10:50 | |
I didn't even know that was possible. | 0:10:50 | 0:10:52 | |
But two of my friends didn't go and see that film. | 0:10:52 | 0:10:54 | |
One of my friends said, "Oh, I'm not going to see that film, Nish." | 0:10:54 | 0:10:57 | |
I said, "Why not?" He said, "Cos it's not even a good film." | 0:10:57 | 0:11:00 | |
Which I think is logically...interesting. | 0:11:00 | 0:11:04 | |
I was like, "Why? What do you mean it's not a good film?" | 0:11:04 | 0:11:06 | |
He said, "Well, it's just cos it's about slavery, isn't it? | 0:11:06 | 0:11:09 | |
"People just think it's good cos it's about slavery. | 0:11:09 | 0:11:11 | |
"It's not good. People are just tricked cos it's about slavery." | 0:11:11 | 0:11:14 | |
Now, I'm pretty sure that's not the case, right, | 0:11:14 | 0:11:16 | |
I'm pretty sure 12 Years A Slave did really well | 0:11:16 | 0:11:18 | |
cos at least some people think it's a good film. | 0:11:18 | 0:11:20 | |
In fact, I know that's the case | 0:11:20 | 0:11:22 | |
cos I don't think 12 Years A Slave would have won all the Oscars it won | 0:11:22 | 0:11:25 | |
if it had starred Eddie Murphy as four different slaves | 0:11:25 | 0:11:28 | |
and a Chinese man for no reason. | 0:11:28 | 0:11:30 | |
Then one of my other friends went, | 0:11:32 | 0:11:33 | |
"I don't need to see that film, Nish." I said, "Why not?" | 0:11:33 | 0:11:36 | |
He said, "Oh, because I already know slavery was bad." | 0:11:36 | 0:11:39 | |
It wasn't a twist ending! | 0:11:42 | 0:11:44 | |
It's not like the rest of us got to the ending and went, | 0:11:45 | 0:11:47 | |
"Oh, my God! Slavery was the bad guy! This is like The Sixth Sense!" | 0:11:47 | 0:11:52 | |
I went to see 12 Years A Slave and I really enjoyed it | 0:11:52 | 0:11:55 | |
but, at the end, I made a slight faux pas in my mind, | 0:11:55 | 0:11:58 | |
because at the end of the movie, the lights came back up | 0:11:58 | 0:12:01 | |
and everybody was sort of recovering from it, | 0:12:01 | 0:12:03 | |
you know, it was a very moving film, | 0:12:03 | 0:12:05 | |
and there was a girl behind me who was still crying, | 0:12:05 | 0:12:07 | |
and this girl was black, | 0:12:07 | 0:12:09 | |
and I was like, "Oh, my God, this is incredible. | 0:12:09 | 0:12:12 | |
"She must have had some kind of personal connection to this film. | 0:12:12 | 0:12:15 | |
"I'm so moved that I'm here to share what is clearly an important moment | 0:12:15 | 0:12:18 | |
"in her cultural and personal development." And then I realised | 0:12:18 | 0:12:21 | |
that's the most patronising thing I've ever thought in my life. | 0:12:21 | 0:12:24 | |
I know it is, because I remember how I felt a couple of years ago | 0:12:24 | 0:12:27 | |
when people kept coming up to me, going, "Dude, Slumdog!" | 0:12:27 | 0:12:30 | |
LAUGHTER AND APPLAUSE | 0:12:30 | 0:12:32 | |
"Slumdog Millionaire. I have tasted your pain." | 0:12:34 | 0:12:38 | |
So I like the fact that | 0:12:44 | 0:12:45 | |
people can sort of agree and disagree about different things | 0:12:45 | 0:12:47 | |
but, like I say, you just have to think about what the grounds are | 0:12:47 | 0:12:50 | |
you're justifying it on. | 0:12:50 | 0:12:51 | |
One of my dad's friends was arguing with me recently and he said, | 0:12:51 | 0:12:54 | |
"Nish, everyone your age is really weak. You're a weak generation." | 0:12:54 | 0:12:58 | |
Now, there is definitely a good argument to be made on that case, | 0:12:58 | 0:13:01 | |
but not the grounds he chose, because he chose to justify that, | 0:13:01 | 0:13:04 | |
he said, "You're all weak, Nish," and his justification for it | 0:13:04 | 0:13:08 | |
was lactose intolerance. | 0:13:08 | 0:13:10 | |
He's like, "Nish, look how many people your age | 0:13:10 | 0:13:12 | |
"are lactose intolerant. | 0:13:12 | 0:13:13 | |
"Back in my day we fought milk, that's how tough we were." | 0:13:13 | 0:13:16 | |
But of course we all know that's not how disease and discovery works. | 0:13:16 | 0:13:19 | |
The same number of people have always been lactose intolerant. | 0:13:19 | 0:13:22 | |
It's just now we know it's called that. | 0:13:22 | 0:13:24 | |
50 years ago, somebody would go to the doctor and be like, | 0:13:24 | 0:13:26 | |
"Doctor, I don't know what's wrong with me. | 0:13:26 | 0:13:28 | |
"I drink milk all the time and I feel awful. What's wrong with me?" | 0:13:28 | 0:13:31 | |
And the doctor would just go, "Pfft... | 0:13:31 | 0:13:33 | |
"..ghosts?" | 0:13:34 | 0:13:36 | |
Like, that was the best guess that they could come up with. | 0:13:36 | 0:13:40 | |
So, er, I'm a British Asian gentleman. | 0:13:40 | 0:13:43 | |
It's a good time to be a British Asian gentleman right now. | 0:13:43 | 0:13:46 | |
It's a pretty sweet time, you know? It's pretty good. | 0:13:46 | 0:13:48 | |
I really believe there's nothing I can't do right now | 0:13:48 | 0:13:50 | |
that a white person can. I really believe that. | 0:13:50 | 0:13:52 | |
There's nothing I can't do that a white person can do. | 0:13:52 | 0:13:55 | |
Oh, there's one thing I can't do that white people can do | 0:13:55 | 0:13:57 | |
and that's play pranks at an international airport, because... | 0:13:57 | 0:14:01 | |
You know, I don't care what you say, that fun is not open to you | 0:14:01 | 0:14:04 | |
if you have the voice of Downton Abbey but the face of Homeland. | 0:14:04 | 0:14:08 | |
That is not an option. My white friends are always like, | 0:14:08 | 0:14:11 | |
"Nish, let's have some banter with the customs officials." | 0:14:11 | 0:14:13 | |
I say, "No, thank you, the only prank I'm playing | 0:14:13 | 0:14:16 | |
"is Let's Not Get Fingered, OK?" | 0:14:16 | 0:14:18 | |
I walk into airports, my bag in one hand, my shoes in the other. | 0:14:18 | 0:14:21 | |
I wear T-shirts that say "I heart the West." | 0:14:21 | 0:14:25 | |
Going up to random white people, "You know what sucks? Jihad! Ha-ha!" | 0:14:25 | 0:14:29 | |
I have what's known scientifically as an ethnically ambiguous face. | 0:14:31 | 0:14:36 | |
No-one really seems to know where I come from, | 0:14:36 | 0:14:38 | |
which just means I get searched at customs everywhere. | 0:14:38 | 0:14:42 | |
I don't know, people just really hedging their bets with me. | 0:14:42 | 0:14:46 | |
But generally, you know, things are getting easier, | 0:14:46 | 0:14:49 | |
things are getting much better. | 0:14:49 | 0:14:50 | |
Even conversationally we've moved so far. | 0:14:50 | 0:14:52 | |
Conversationally it's no longer acceptable to do an accent | 0:14:52 | 0:14:55 | |
if it's clearly an impersonation of a non-white ethnicity. | 0:14:55 | 0:14:57 | |
If you do it, people get really uncomfortable. | 0:14:57 | 0:14:59 | |
It's like Benny Hill doing Chinese voices in the '70s, | 0:14:59 | 0:15:02 | |
it's seen as something that we just don't do any more, | 0:15:02 | 0:15:04 | |
apart from one ethnic group. There is one ethnic group | 0:15:04 | 0:15:07 | |
we have no problem impersonating for some reason, | 0:15:07 | 0:15:10 | |
and that ethnic group is black women from the southern states of America, | 0:15:10 | 0:15:14 | |
because for some weird reason, no matter how liberal a person is, | 0:15:14 | 0:15:17 | |
occasionally they'll just go, "And you know momma don't like that!" | 0:15:17 | 0:15:20 | |
How is that OK?! That is definitely not OK! | 0:15:22 | 0:15:26 | |
If I do an Indian accent, | 0:15:28 | 0:15:29 | |
people go, "Nish, you should not do that, it's crass, it's offensive. | 0:15:29 | 0:15:32 | |
"And you know momma don't like that!" | 0:15:32 | 0:15:34 | |
And if you take nothing away from anything else | 0:15:36 | 0:15:38 | |
I say to you tonight, ladies and gentlemen, let it be this. | 0:15:38 | 0:15:40 | |
I think we can all agree that "Momma Don't Like That" would | 0:15:40 | 0:15:43 | |
definitely be the name of that Eddie Murphy remake of 12 Years a Slave. | 0:15:43 | 0:15:46 | |
That is...almost beyond doubt. | 0:15:46 | 0:15:49 | |
I've had a lot of changes in my personal life. | 0:15:50 | 0:15:53 | |
I was single for a long time but I've recently, er, taken a woman. | 0:15:53 | 0:15:56 | |
LAUGHTER | 0:15:56 | 0:15:58 | |
I am almost certain that is not how you're supposed to phrase that. | 0:15:59 | 0:16:02 | |
I was single for a long time | 0:16:02 | 0:16:03 | |
because I was always quite sexually reticent. | 0:16:03 | 0:16:05 | |
Like, when I was at school, I didn't really kiss girls, | 0:16:05 | 0:16:08 | |
largely because I was busy getting some excellent A-level results... | 0:16:08 | 0:16:12 | |
Did very well. | 0:16:12 | 0:16:14 | |
APPLAUSE Thank you, yes, correct. | 0:16:14 | 0:16:17 | |
I was that kind of kid. | 0:16:21 | 0:16:22 | |
And I'm aware there might be some people in here | 0:16:22 | 0:16:24 | |
who kissed loads of people and did really well in their exams, | 0:16:24 | 0:16:27 | |
and let me just take this opportunity to say this - | 0:16:27 | 0:16:29 | |
go fuck yourself! | 0:16:29 | 0:16:30 | |
No-one likes you. | 0:16:30 | 0:16:32 | |
I was not the most sporty kid, to be honest. | 0:16:34 | 0:16:37 | |
When I was at school, | 0:16:37 | 0:16:38 | |
the only sport I really played to any distinction was cricket. | 0:16:38 | 0:16:41 | |
I loved playing cricket. I still love it now | 0:16:41 | 0:16:43 | |
but I loved playing cricket when I was at school, | 0:16:43 | 0:16:45 | |
and eventually I won an award for playing cricket. | 0:16:45 | 0:16:47 | |
Every year they'd give out awards for cricket | 0:16:47 | 0:16:49 | |
that were pretty self-explanatory. | 0:16:49 | 0:16:51 | |
There was Best Batsman, that's for best batsman, | 0:16:51 | 0:16:53 | |
Best Bowler, for best bowler, Best Player, the best all-round player. | 0:16:53 | 0:16:56 | |
Then there was the award I won - an award called Clubman of the Year, | 0:16:56 | 0:16:59 | |
an award which I have subsequently found out was | 0:16:59 | 0:17:02 | |
presented on the criteria of the boy who'd shown the most enthusiasm | 0:17:02 | 0:17:05 | |
in the face of, and I quote "an overwhelming lack of ability", so... | 0:17:05 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:11 | |
So I was quite, you know, I was shy around girls | 0:17:14 | 0:17:17 | |
when I was at school, which is fine, it's not a problem. | 0:17:17 | 0:17:20 | |
The only problem is, | 0:17:20 | 0:17:21 | |
if you're shy around people you're sexually interested in | 0:17:21 | 0:17:24 | |
when you're a younger person, you don't make mistakes, | 0:17:24 | 0:17:26 | |
and you should make mistakes so you can have some idea | 0:17:26 | 0:17:28 | |
about how to talk to these people when you become an adult, | 0:17:28 | 0:17:31 | |
so I grew up, because I wasn't really trying, with some bad ideas. | 0:17:31 | 0:17:35 | |
About five years ago I became obsessed with the idea | 0:17:35 | 0:17:38 | |
that I needed to be more mysterious. | 0:17:38 | 0:17:39 | |
I was like, "I need to be more mysterious, that's what girls like." | 0:17:39 | 0:17:42 | |
Now, yeah, fair enough, OK? | 0:17:42 | 0:17:45 | |
Let me explain my reasoning. | 0:17:45 | 0:17:47 | |
At the time I was watching a lot of episodes of the TV show Mad Men. | 0:17:47 | 0:17:51 | |
Now, the lead character in Mad Men is Don Draper, | 0:17:51 | 0:17:54 | |
and he's really mysterious and attractive, so I was like, | 0:17:54 | 0:17:57 | |
"Well, that's what I'll do. I'll be mysterious | 0:17:57 | 0:17:59 | |
"and so I'll become attractive." | 0:17:59 | 0:18:01 | |
Now, the key problem here is that Don Draper is played by Jon Hamm. | 0:18:01 | 0:18:06 | |
I am not played by Jon Hamm. | 0:18:06 | 0:18:09 | |
And when I try and be mysterious, it just comes off as threatening. | 0:18:09 | 0:18:13 | |
I once said to a woman, with no discernible trace of irony, | 0:18:13 | 0:18:16 | |
"You have no idea what I'm capable of." | 0:18:16 | 0:18:19 | |
LAUGHTER AND APPLAUSE | 0:18:19 | 0:18:21 | |
Sometimes it wasn't even like I was trying to chat these women up. | 0:18:23 | 0:18:26 | |
Once I went into this pub and saw a girl I know, I'm friends with her, | 0:18:26 | 0:18:28 | |
and I went up behind her, put my hands on her shoulders | 0:18:28 | 0:18:31 | |
and went to kiss her on the cheek and at this point I realised, | 0:18:31 | 0:18:33 | |
this was not a girl I knew. | 0:18:33 | 0:18:35 | |
This was a girl who looked like a girl I knew. | 0:18:36 | 0:18:39 | |
Now, that is a retrievable situation. | 0:18:39 | 0:18:41 | |
All you have to do is say, "I do apologise, madam, | 0:18:41 | 0:18:43 | |
"I thought you were someone else. Have a nice day." | 0:18:43 | 0:18:45 | |
What you must not do | 0:18:45 | 0:18:46 | |
is have your hands on a woman's shoulders, be this close to her face | 0:18:46 | 0:18:50 | |
and when she turns around, just go, "Oh, dear!" Because... | 0:18:50 | 0:18:53 | |
..you have just scared a woman, ladies and gentlemen. | 0:18:56 | 0:18:59 | |
Scared and kind of insulted, to be honest. | 0:19:01 | 0:19:04 | |
So I'm in a relationship. The relationship is going... | 0:19:09 | 0:19:11 | |
is going well, because she's a nice lady, you know? | 0:19:11 | 0:19:16 | |
"Nice lady" never sounds strong enough, does it? | 0:19:16 | 0:19:18 | |
"She's a nice lady. She's a solid fellow." | 0:19:18 | 0:19:22 | |
If there was one thing I could change about my relationship, | 0:19:22 | 0:19:24 | |
and it really would just be one thing, it's a very small thing, | 0:19:24 | 0:19:27 | |
it's one thing, very small. It's one thing - it's very small. | 0:19:27 | 0:19:30 | |
It's one thing - it's very small! It's one thing... | 0:19:30 | 0:19:32 | |
It's one thing. | 0:19:32 | 0:19:33 | |
And that thing would be my entire personality, | 0:19:33 | 0:19:36 | |
because I really believe that's the last obstacle | 0:19:36 | 0:19:38 | |
to us being truly happy, right? | 0:19:38 | 0:19:41 | |
My girlfriend and I were in Australia last year | 0:19:41 | 0:19:43 | |
and we were in Sydney and Sydney's an incredibly beautiful city. | 0:19:43 | 0:19:46 | |
It really delivers on its postcard. | 0:19:46 | 0:19:48 | |
There's a point you can stand in Sydney | 0:19:48 | 0:19:49 | |
where you have the Harbour Bridge on one side | 0:19:49 | 0:19:51 | |
and the Opera House on the other side and you can just stand there | 0:19:51 | 0:19:54 | |
and look at this incredible view. | 0:19:54 | 0:19:56 | |
It's really, really beautiful, and I'm there with my girlfriend, | 0:19:56 | 0:19:59 | |
we've had this amazing holiday together, | 0:19:59 | 0:20:01 | |
we've grown closer as a couple and we're in this incredible place. | 0:20:01 | 0:20:04 | |
Now, that should be a moment of real fundamental existential calm for me, | 0:20:04 | 0:20:08 | |
right? But for some reason, at that exact moment, | 0:20:08 | 0:20:11 | |
the thought in my head was, | 0:20:11 | 0:20:13 | |
"This'll be one of those things you'll look back on fondly | 0:20:13 | 0:20:15 | |
"when you've broken up." | 0:20:15 | 0:20:17 | |
Who the hell thinks like that?! | 0:20:17 | 0:20:19 | |
Who can't experience one moment of joy without immediately thinking, | 0:20:19 | 0:20:22 | |
"That's one for the sorrow montage"? | 0:20:22 | 0:20:24 | |
That is weapons-grade pessimism. That's like someone saying, | 0:20:26 | 0:20:29 | |
"Do you think this glass is half full or half empty? | 0:20:29 | 0:20:31 | |
And me just replying, "Does it matter? One day we'll all be dead." | 0:20:31 | 0:20:35 | |
And it surprised me. | 0:20:36 | 0:20:37 | |
I didn't know I was capable of that sort of volcanic pessimism. | 0:20:37 | 0:20:41 | |
It sort of came out of nowhere, and I said to my girlfriend afterwards, | 0:20:41 | 0:20:44 | |
"I think I might be quite, you know, quite a pessimistic person" | 0:20:44 | 0:20:48 | |
and she was like, "Ha-ha-ha! | 0:20:48 | 0:20:51 | |
"Yes, you are, Nish. Me and your friends talk about it all the time." | 0:20:51 | 0:20:55 | |
And I felt so foolish, | 0:20:55 | 0:20:57 | |
because I felt like I had this whole sense of who I was as a person | 0:20:57 | 0:21:00 | |
and the more I talked to my girlfriend, | 0:21:00 | 0:21:01 | |
the more that turned out to not be the case. | 0:21:01 | 0:21:04 | |
I sort of think of myself as a sort of free spirit, | 0:21:04 | 0:21:06 | |
an optimistic dreamer who wears his heart on his sleeve, | 0:21:06 | 0:21:09 | |
his sleeve on his shirt and his shirt on his torso, right? | 0:21:09 | 0:21:12 | |
Now that I have a girlfriend, | 0:21:12 | 0:21:13 | |
she's like, "Nish, you are none of those things. | 0:21:13 | 0:21:15 | |
"You are an introverted pessimist | 0:21:15 | 0:21:17 | |
"and frankly it's quite difficult to be around you a lot of the time." | 0:21:17 | 0:21:21 | |
Now, the problem is that for a long time I was single, | 0:21:21 | 0:21:24 | |
so my personality was under no real intimate scrutiny, | 0:21:24 | 0:21:27 | |
so I basically thought about a person that I would like to be | 0:21:27 | 0:21:31 | |
and then I just pretended I was that person. | 0:21:31 | 0:21:34 | |
And because there was no-one checking, there was no problem! | 0:21:34 | 0:21:38 | |
So I was just walking around being like, "I'm a great guy." | 0:21:38 | 0:21:40 | |
And the only person there was me, who was going, "Yes, you are, Nish, | 0:21:40 | 0:21:43 | |
"you are an absolute legend. You're lucky to have you." | 0:21:43 | 0:21:47 | |
And my problem is that if my personality has drifted, | 0:21:47 | 0:21:49 | |
that is a serious issue, because I currently believe myself | 0:21:49 | 0:21:52 | |
to be the best version of myself that I'd ever been. | 0:21:52 | 0:21:55 | |
I think that I've learned a lot | 0:21:55 | 0:21:56 | |
and I'm acting in a way in which I am really proud. | 0:21:56 | 0:21:59 | |
Now, the problem is, clearly, I'm not the best version of myself | 0:21:59 | 0:22:01 | |
that I have ever been, and this has happened before. | 0:22:01 | 0:22:04 | |
I thought I was the best version of myself I'd ever been | 0:22:04 | 0:22:06 | |
when I was 18 years old | 0:22:06 | 0:22:07 | |
and when I was 18 years old I was a jet-powered bell-end. | 0:22:07 | 0:22:10 | |
I used to wear a bandanna and call people daddy-o. | 0:22:10 | 0:22:12 | |
That's not acceptable. | 0:22:12 | 0:22:14 | |
And the other problem is that I have a giant ego. Huge. | 0:22:15 | 0:22:19 | |
I know you know, of all people, | 0:22:19 | 0:22:21 | |
given what is happening right in front of you, right? | 0:22:21 | 0:22:24 | |
I obviously think I'm something of a laugh, | 0:22:24 | 0:22:26 | |
clearly, by my choice of profession, | 0:22:26 | 0:22:29 | |
but you have no idea the extent to which my ego has got out of hand, | 0:22:29 | 0:22:33 | |
right? A couple of days ago, I was having a coffee with my friend | 0:22:33 | 0:22:36 | |
and as I was speaking, I lost my train of thought, | 0:22:36 | 0:22:39 | |
and the reason I lost my train of thought | 0:22:39 | 0:22:40 | |
is because, as I was speaking, in my head I started thinking, | 0:22:40 | 0:22:43 | |
"Well, I am being very interesting here. | 0:22:43 | 0:22:46 | |
"I'm so interesting, I'm intellectually stimulating, | 0:22:49 | 0:22:52 | |
"I'm a great laugh, I'm jealous of people who get to meet me." | 0:22:52 | 0:22:55 | |
That's the thing. | 0:22:55 | 0:22:56 | |
Um, so... | 0:22:59 | 0:23:01 | |
The reason my girlfriend and I had been out in Australia is | 0:23:01 | 0:23:04 | |
I'd been out in Australia doing some gigs. | 0:23:04 | 0:23:05 | |
I was doing some gigs at the Melbourne Comedy Festival. | 0:23:05 | 0:23:08 | |
Now, the gigs were really fun, | 0:23:08 | 0:23:09 | |
which is good because I didn't think they were going to be, | 0:23:09 | 0:23:12 | |
because before I went to do the gigs, there was an incident. | 0:23:12 | 0:23:15 | |
Now, a lot of the time when you go to a comedy festival, | 0:23:15 | 0:23:17 | |
there's too many comedians to interview all individually, | 0:23:17 | 0:23:20 | |
so what they'll do is send out Q&As. | 0:23:20 | 0:23:22 | |
Now, these are all the same questions everyone gets | 0:23:22 | 0:23:25 | |
and it's like a standard form that you get sent out, | 0:23:25 | 0:23:28 | |
and they're all boring questions like, "Where are you from?" | 0:23:28 | 0:23:31 | |
"Who are your favourite comedians?" Blah, blah, blah. | 0:23:31 | 0:23:33 | |
Then, occasionally, journalists will get creative. | 0:23:33 | 0:23:35 | |
I have no idea why they feel the need to ask wacky questions, | 0:23:35 | 0:23:38 | |
but they ask some wacky, wacky questions. | 0:23:38 | 0:23:40 | |
There'll be a question like, "Oh... | 0:23:40 | 0:23:42 | |
HE GIGGLES | 0:23:42 | 0:23:43 | |
"If your comedy show was a dog, what kind of dog would it be?!" | 0:23:43 | 0:23:48 | |
HE GIGGLES | 0:23:48 | 0:23:49 | |
"I'm so wacky! | 0:23:50 | 0:23:52 | |
-"Maybe -I -should be a comedian. | 0:23:53 | 0:23:55 | |
"What? Shut up." Now... | 0:23:55 | 0:23:57 | |
I'm filling one of these things out | 0:23:58 | 0:24:00 | |
and I'm happy to do it because I get to go to Australia. | 0:24:00 | 0:24:03 | |
I'm going through these questions and there's boring questions | 0:24:03 | 0:24:06 | |
like where are you from, who are your favourite comedians, | 0:24:06 | 0:24:08 | |
then there is a question that's been personalised for me. | 0:24:08 | 0:24:11 | |
It's in a different font so I spot it a mile off. | 0:24:11 | 0:24:13 | |
It's clearly been inserted into an existing document, | 0:24:13 | 0:24:16 | |
and the question that these people had personalised for me was this - | 0:24:16 | 0:24:19 | |
"How come Christians are allowed to draw pictures of their prophets | 0:24:19 | 0:24:22 | |
"and Muslims aren't?" | 0:24:22 | 0:24:24 | |
To which the obvious answer is... | 0:24:26 | 0:24:28 | |
I don't know! My parents are Hindus! | 0:24:28 | 0:24:31 | |
I've got no idea why they would think I would know! | 0:24:31 | 0:24:36 | |
Now, one of two things has happened here. | 0:24:36 | 0:24:38 | |
Either these people have seen that I've got a foreign name | 0:24:38 | 0:24:40 | |
and just thought, "Must be a Muzzer, definite Muzzer. | 0:24:40 | 0:24:43 | |
"Nish Kumar is a classic Muzzer name." | 0:24:43 | 0:24:46 | |
Or they think we have non-white-people meetings | 0:24:46 | 0:24:49 | |
where we assemble, set the non-white agenda for the year | 0:24:49 | 0:24:52 | |
and then retire to a screening room | 0:24:52 | 0:24:54 | |
where we watch a DVD of Boyz N The Hood. | 0:24:54 | 0:24:57 | |
And let me tell you something, ladies and gentlemen, | 0:24:57 | 0:25:00 | |
I was doing a gig in a part of the UK which I will not name | 0:25:00 | 0:25:02 | |
and there was a group | 0:25:02 | 0:25:03 | |
of nervous-looking middle-aged white people here | 0:25:03 | 0:25:05 | |
and it was a three-sided room, so there were two banks of seats here | 0:25:05 | 0:25:09 | |
which were empty apart from one black guy who was sat here, | 0:25:09 | 0:25:12 | |
presumably because they were keeping an eye on him, | 0:25:12 | 0:25:15 | |
and this guy obviously decided he was going to have some fun, right? | 0:25:15 | 0:25:20 | |
Because when I used the phrase "non-white people meetings" | 0:25:20 | 0:25:23 | |
he turned to make sure that they were all looking at him | 0:25:23 | 0:25:26 | |
and then, in full view of all these people, | 0:25:26 | 0:25:28 | |
just looked at me and went... | 0:25:28 | 0:25:30 | |
You have not lived until you've seen | 0:25:36 | 0:25:38 | |
a room full of middle-aged white people | 0:25:38 | 0:25:40 | |
simultaneously shit their pants, right? | 0:25:40 | 0:25:42 | |
So, obviously, I didn't know how to answer this question | 0:25:44 | 0:25:46 | |
cos this is a contentious subject | 0:25:46 | 0:25:48 | |
and, you know, I don't want to upset anybody, but I was offended. | 0:25:48 | 0:25:51 | |
I didn't think they had the right to ask me those kinds of questions. | 0:25:51 | 0:25:54 | |
My Muslim friends wouldn't know how to answer that question, | 0:25:54 | 0:25:57 | |
so I felt very uncomfortable, but it was hard for me | 0:25:57 | 0:25:59 | |
to articulate my discomfort cos the next question was, | 0:25:59 | 0:26:02 | |
"Oh, if your comedy show was grass, would you feed it to a horse?!" | 0:26:02 | 0:26:05 | |
And I was like, "You can't jump back into whimsy | 0:26:05 | 0:26:08 | |
"after you've just asked me a serious theological question!" | 0:26:08 | 0:26:12 | |
But then, luckily, there was a little scope for discussion | 0:26:12 | 0:26:15 | |
because the last question wasn't really a question. It was a task. | 0:26:15 | 0:26:19 | |
They had given us the first half of a joke | 0:26:19 | 0:26:21 | |
and we had to complete the second half. | 0:26:21 | 0:26:23 | |
They'd given us the feed line, we had to write the punchline. | 0:26:23 | 0:26:26 | |
You were supposed to complete this | 0:26:26 | 0:26:27 | |
in a way that shows your distinctive style of humour, | 0:26:27 | 0:26:30 | |
so people will come and watch you do the show, | 0:26:30 | 0:26:32 | |
and the feed line they'd given us, the first half of the joke, was, | 0:26:32 | 0:26:35 | |
"A book walks into a bar and sees a bookcase." | 0:26:35 | 0:26:38 | |
And this is how I finished the joke. | 0:26:38 | 0:26:40 | |
A book walks into a bar and sees a bookcase. | 0:26:42 | 0:26:46 | |
The book says... | 0:26:46 | 0:26:48 | |
"Hey, bookcase! | 0:26:49 | 0:26:51 | |
"How come Christians are allowed to draw pictures of their prophets | 0:26:52 | 0:26:56 | |
"and Muslims aren't?" | 0:26:56 | 0:26:57 | |
And the bookcase said... | 0:26:59 | 0:27:01 | |
"I don't know. | 0:27:01 | 0:27:04 | |
"I am a bookcase." | 0:27:04 | 0:27:06 | |
LAUGHTER AND APPLAUSE | 0:27:06 | 0:27:09 | |
"And, as such, have no idea about Islamic theology. | 0:27:15 | 0:27:20 | |
"I assume you've asked me because I am a brown bookcase. | 0:27:20 | 0:27:24 | |
"In which case, you can go to hell." | 0:27:26 | 0:27:29 | |
Ladies and gentlemen, you have been an absolute delight. | 0:27:29 | 0:27:32 | |
My name is Nish Kumar. Thank you very much. Goodnight! | 0:27:32 | 0:27:35 | |
CHEERING AND APPLAUSE | 0:27:35 | 0:27:38 |