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When I think of Michael, I think of... | 0:00:05 | 0:00:08 | |
Shaking of the hair. | 0:00:08 | 0:00:09 | |
This programme contains some strong language. | 0:00:09 | 0:00:13 | |
INDISTINCT | 0:00:13 | 0:00:15 | |
Some people say that my husband Mark | 0:00:15 | 0:00:17 | |
looks rather like Michael McIntyre. | 0:00:17 | 0:00:19 | |
I think you'll find, pal, that is legal tender! | 0:00:21 | 0:00:25 | |
In my house we don't just have one mad drawer, we have two. | 0:00:25 | 0:00:29 | |
Drachma! | 0:00:29 | 0:00:31 | |
SHE PUFFS LOUDLY WITH EACH STROKE | 0:00:31 | 0:00:34 | |
-I'm not a glider. -I'm a glider. | 0:00:37 | 0:00:39 | |
Yes, that IS wine. | 0:00:43 | 0:00:45 | |
It's cheesy! | 0:00:47 | 0:00:48 | |
The fake tan's out, ready to become mahogany Katie. Pow! | 0:00:48 | 0:00:52 | |
-BOTH: -But the plane won't leave without us! | 0:00:52 | 0:00:55 | |
Noooo juice. | 0:00:55 | 0:00:57 | |
No...juice. | 0:00:57 | 0:00:59 | |
I'm in Ireland. Where do I go, "fir" or "mna"? | 0:01:00 | 0:01:04 | |
Do you want some? | 0:01:07 | 0:01:08 | |
Me...and you...outside. | 0:01:08 | 0:01:12 | |
I'm utterly gazebo'ed. | 0:01:12 | 0:01:15 | |
That slow car in this lane. Retreat to the loser lane where you belong! | 0:01:15 | 0:01:19 | |
My name is fiiive-spiiice. | 0:01:20 | 0:01:23 | |
Five-spice! | 0:01:23 | 0:01:25 | |
-ALL: -Five-spice. | 0:01:25 | 0:01:27 | |
I'm five times as good as all of you. | 0:01:27 | 0:01:30 | |
"Excuse me!" "What is it, who are you?" | 0:01:30 | 0:01:34 | |
"Well, I've been in the cupboard longer | 0:01:34 | 0:01:37 | |
"than these four put together." | 0:01:37 | 0:01:39 | |
"Well, what's your name then?" | 0:01:39 | 0:01:41 | |
"John West tuna, nice to meet you." | 0:01:41 | 0:01:44 | |
Pants down! | 0:01:44 | 0:01:45 | |
CHILDREN SCREAM | 0:01:45 | 0:01:46 | |
-Ladies... -..and... -..gentlemen... | 0:01:47 | 0:01:50 | |
-please... -..welcome... | 0:01:50 | 0:01:51 | |
ALL: ..Michael McIntyre! | 0:01:51 | 0:01:53 | |
CHEERING | 0:01:53 | 0:01:55 | |
Come on! Bravo! | 0:01:55 | 0:01:57 | |
HIGH-PITCHED: Let's goooo! | 0:01:57 | 0:02:00 | |
Let's do this! Yay! | 0:02:02 | 0:02:05 | |
Oh, yeah, it's on. | 0:02:08 | 0:02:10 | |
Oh, this is very exciting for me. | 0:02:12 | 0:02:14 | |
Welcome, ladies and gentlemen, welcome to my show. | 0:02:14 | 0:02:17 | |
It's a special night. It's my last night here... | 0:02:17 | 0:02:20 | |
CHEERING | 0:02:20 | 0:02:21 | |
So, look, do you think I've lost weight? | 0:02:21 | 0:02:25 | |
Is that something...? | 0:02:25 | 0:02:26 | |
CHEERING Come on! | 0:02:26 | 0:02:28 | |
I'm so hungry! | 0:02:30 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:33 | |
The truth is, I lost quite a lot of weight and I'm putting it back on. | 0:02:33 | 0:02:36 | |
I've got to that stage where it's going back on and I'm in denial. | 0:02:36 | 0:02:39 | |
I'm lying to myself about it. | 0:02:39 | 0:02:40 | |
I still weigh myself every day on the scales, | 0:02:40 | 0:02:42 | |
but I do it first thing in the morning. | 0:02:42 | 0:02:44 | |
I take all my clothes off, take my watch off, breathe out... | 0:02:44 | 0:02:46 | |
and then I stand on it, | 0:02:46 | 0:02:48 | |
but I don't stay on the scales for it to tell me the full reading. | 0:02:48 | 0:02:51 | |
I don't know why I do this to myself. I'm lying to myself. | 0:02:51 | 0:02:53 | |
I literally just sort of go, "That seems fine. What's for breakfast?" | 0:02:53 | 0:02:57 | |
I've got these old-fashioned scales. | 0:02:59 | 0:03:00 | |
I've actually twiddled the thing below the zero. | 0:03:00 | 0:03:03 | |
"I'm exactly the same." | 0:03:03 | 0:03:04 | |
It all started last, well, last year, | 0:03:06 | 0:03:09 | |
sometimes people when they lose weight they have a moment | 0:03:09 | 0:03:11 | |
in their life and they think, "I'm going to go on a diet now. | 0:03:11 | 0:03:14 | |
"I'm determined to lose weight." | 0:03:14 | 0:03:15 | |
I had a thing happen to me. I was on my son's iPad. | 0:03:15 | 0:03:18 | |
I say it's my son's iPad, he's only ten, it's obviously my iPad. | 0:03:18 | 0:03:21 | |
He has it a lot. If you're a parent and you're raising your children | 0:03:21 | 0:03:24 | |
without the use of iPads, I applaud you. | 0:03:24 | 0:03:26 | |
I don't know how you're doing that. iPads are magical. | 0:03:26 | 0:03:29 | |
They are magical. They shut your children up | 0:03:29 | 0:03:31 | |
at any time, day or night. | 0:03:31 | 0:03:33 | |
My eldest, he wakes up at about 5:30 every morning. | 0:03:33 | 0:03:35 | |
He just runs in. "Morning!" | 0:03:35 | 0:03:37 | |
I'm like, "Not for me", and I just frisbee an iPad at him. | 0:03:37 | 0:03:42 | |
"88% battery, that's you for two hours, go on. | 0:03:42 | 0:03:44 | |
"Lower the brightness, you might get more time out of it." | 0:03:44 | 0:03:47 | |
They're so lucky, our children, | 0:03:47 | 0:03:49 | |
they've got iPads and iPods and iPhones. | 0:03:49 | 0:03:51 | |
In our day we had i...spy. | 0:03:51 | 0:03:53 | |
How shit... LAUGHTER | 0:03:53 | 0:03:55 | |
..was our life compared to the lives of our children get to enjoy today? | 0:03:55 | 0:03:59 | |
"I spy with my little eye something beginning with... | 0:03:59 | 0:04:03 | |
"C." "Is it cloud?" | 0:04:03 | 0:04:04 | |
"No." "Is it car?" | 0:04:04 | 0:04:05 | |
"Yes. Your turn." | 0:04:05 | 0:04:07 | |
What?! | 0:04:07 | 0:04:09 | |
I actually played thumb war with my ten-year-old the other day | 0:04:09 | 0:04:12 | |
to show him some of the games that we had to endure. | 0:04:12 | 0:04:14 | |
I said to him, "Do you want to play thumb war? | 0:04:14 | 0:04:16 | |
He was like, "Shall I download it?" "No, you can't download thumb war." | 0:04:16 | 0:04:18 | |
This is a battle between my thumb and your thumb, you know? | 0:04:18 | 0:04:21 | |
You interlock hands, you declare it - one, two, three, four - | 0:04:21 | 0:04:24 | |
you don't go straight into battle. "I declare a thumb war." | 0:04:24 | 0:04:26 | |
Then you sort of jockey for position, | 0:04:26 | 0:04:28 | |
hold the other person's thumb down and you're the winner. | 0:04:28 | 0:04:30 | |
He's got his little ten-year-old thumb, | 0:04:30 | 0:04:32 | |
I've got my huge daddy thumb, I thought I'd go easy on him. | 0:04:32 | 0:04:34 | |
But, of course, I didn't realise | 0:04:34 | 0:04:36 | |
that he's been texting since he was born! | 0:04:36 | 0:04:38 | |
He was some kind of thumb war ninja. | 0:04:39 | 0:04:41 | |
I could barely see his thumb moving. | 0:04:41 | 0:04:44 | |
It was like the mini Matrix. | 0:04:44 | 0:04:47 | |
He just kept beating me over and over again. | 0:04:47 | 0:04:49 | |
"Agh! Stop doing that, get back on the iPad." | 0:04:49 | 0:04:51 | |
But sometimes you need to use iPads. | 0:04:53 | 0:04:55 | |
It's a pacifier. Parents know what it's like, | 0:04:55 | 0:04:56 | |
sometimes you need to calm your children down. | 0:04:56 | 0:04:58 | |
You need a break, you need a break from your children. | 0:04:58 | 0:05:01 | |
The best way, of course, to pacify your children, as we all know, | 0:05:01 | 0:05:04 | |
is drugs. Actual drugs are the most effective. | 0:05:04 | 0:05:07 | |
Calpol is the drug of choice for children. | 0:05:07 | 0:05:09 | |
You give them Calpol when they have colds and runny noses and stuff. | 0:05:09 | 0:05:13 | |
But there are side effects. | 0:05:13 | 0:05:15 | |
You notice it, it sort of calms them down, | 0:05:15 | 0:05:17 | |
makes them more lucid, they sleep through the night... | 0:05:17 | 0:05:20 | |
They become better people, you'll prefer them. | 0:05:20 | 0:05:23 | |
You'll find yourself almost hoping | 0:05:23 | 0:05:24 | |
that they get slight little colds and things. | 0:05:24 | 0:05:26 | |
"Someone just needs to sneeze near my children." | 0:05:26 | 0:05:29 | |
"Atchoo!" "I think we should give both children Calpol just in case." | 0:05:29 | 0:05:33 | |
I remember the first time I gave my eldest Calpol. | 0:05:33 | 0:05:35 | |
He was a little baby. | 0:05:35 | 0:05:37 | |
We were so worried about him, my wife and I kept rereading | 0:05:37 | 0:05:39 | |
the instructions, 1.5ml, you know, | 0:05:39 | 0:05:42 | |
we were apologising to his little runny nose. | 0:05:42 | 0:05:44 | |
"Mummy and daddy, we love you so much, | 0:05:44 | 0:05:46 | |
"we're so sorry to put this foreign substance into your body, | 0:05:46 | 0:05:48 | |
"but we wouldn't do it if we didn't love you." | 0:05:48 | 0:05:50 | |
Within a few months, we're just hosing him in the face. | 0:05:50 | 0:05:53 | |
HOARSE: "Go to sleep!" | 0:05:54 | 0:05:56 | |
It's even more fun now, because you don't have to put it on spoons. | 0:05:58 | 0:06:01 | |
Oh, it's so satisfying. They come with these little plastic syringes. | 0:06:01 | 0:06:04 | |
You can just suck it up and squirt it in their little face | 0:06:04 | 0:06:06 | |
like you're filling them up with petrol. | 0:06:06 | 0:06:08 | |
"Schoom, schoom!" | 0:06:08 | 0:06:10 | |
Sometimes they don't even know I've done it. | 0:06:10 | 0:06:12 | |
They're just watching telly with their mouths slightly hanging open. | 0:06:12 | 0:06:15 | |
I just come in with a couple of loaded syringes. "Schoom, schoom." | 0:06:15 | 0:06:19 | |
"Right, that's the kids done, come on, darling, | 0:06:19 | 0:06:21 | |
"let's go upstairs for some us time." | 0:06:21 | 0:06:23 | |
Frisbee a couple of iPads in case they cotton on to the situation. | 0:06:23 | 0:06:26 | |
My wife's actually got a belt | 0:06:27 | 0:06:29 | |
with ready-made Calpol syringes holstered. | 0:06:29 | 0:06:31 | |
She does other people's children after school. | 0:06:33 | 0:06:35 | |
HE MIMICS FIRING SYRINGES | 0:06:35 | 0:06:37 | |
"You'll thank me for that, guys. | 0:06:37 | 0:06:38 | |
"Call me in four to six hours if you need." | 0:06:38 | 0:06:42 | |
And it's a wonderful moment in every parent's life when you find out | 0:06:42 | 0:06:45 | |
the news that you can give your children Calpol AND Nurofen... | 0:06:45 | 0:06:48 | |
..at the same time! | 0:06:50 | 0:06:51 | |
You can double-barrel this! | 0:06:52 | 0:06:54 | |
"Pa-ching, pa-ching." | 0:06:54 | 0:06:55 | |
"See you next Thursday, | 0:06:55 | 0:06:57 | |
"your mother and I are off to France on a mini break." | 0:06:57 | 0:07:00 | |
APPLAUSE | 0:07:01 | 0:07:02 | |
It's not quite that bad. | 0:07:04 | 0:07:06 | |
-AUDIENCE: -Woo! -They've sort of... | 0:07:06 | 0:07:08 | |
They've sort of become addicted, if I'm honest, | 0:07:10 | 0:07:13 | |
maybe not to Calpol, but certainly to the iPads. | 0:07:13 | 0:07:16 | |
We all are, aren't we? | 0:07:16 | 0:07:17 | |
We are all addicted to iPads and technology and phones. | 0:07:17 | 0:07:19 | |
Let's be honest, I say good morning to my phone | 0:07:19 | 0:07:21 | |
before I say good morning to my wife. | 0:07:21 | 0:07:23 | |
I literally roll over and check my messages. | 0:07:23 | 0:07:25 | |
I have it everywhere - in the bath with me. | 0:07:25 | 0:07:27 | |
I was thinking, I've not had a bath | 0:07:27 | 0:07:29 | |
without taking my phone for years. | 0:07:29 | 0:07:30 | |
I just need to be constantly entertained on Google, | 0:07:30 | 0:07:32 | |
and internet, looking at old photos and stuff. | 0:07:32 | 0:07:34 | |
But sometimes it rings in the bath and you don't know what to do. | 0:07:34 | 0:07:37 | |
You don't know whether to pick it up. | 0:07:37 | 0:07:38 | |
There's something about being in the bathroom, | 0:07:38 | 0:07:41 | |
there is some kind of echo that goes on. | 0:07:41 | 0:07:42 | |
That even though you don't tell them you're in the bath, | 0:07:42 | 0:07:44 | |
because it's very embarrassing for them, | 0:07:44 | 0:07:46 | |
they always seem to know. Something goes on. | 0:07:46 | 0:07:48 | |
They always go, "Are you in the bath?" | 0:07:48 | 0:07:50 | |
And I deny it. "I'm not in the bath." | 0:07:50 | 0:07:52 | |
The other day I was chatting away on loudspeaker, | 0:07:52 | 0:07:54 | |
my friend said "Are you in the bath? | 0:07:54 | 0:07:55 | |
I said, "How do people always know I'm in the bath?" | 0:07:55 | 0:07:58 | |
And he said, "Because you FaceTime me." "Shit! | 0:07:58 | 0:08:00 | |
"I'll call you back!" | 0:08:02 | 0:08:03 | |
I was literally sort of dangling it around my belly button, | 0:08:03 | 0:08:06 | |
it was awful. | 0:08:06 | 0:08:07 | |
So I went on this, I went to my son's iPad, my iPad, on this app, | 0:08:09 | 0:08:13 | |
it's called the Akinator, | 0:08:13 | 0:08:14 | |
this was the encouragement for me to start losing weight. | 0:08:14 | 0:08:16 | |
It's basically quite a boring game, | 0:08:16 | 0:08:19 | |
it's like 20 Questions, you think of a famous person, | 0:08:19 | 0:08:21 | |
it asks you a series of questions, you answer yes or no | 0:08:21 | 0:08:23 | |
and it narrows it down and suggests the famous person you're thinking of. | 0:08:23 | 0:08:26 | |
And while my son was at school, purely for egotistical reasons, | 0:08:26 | 0:08:30 | |
I thought I would see if I was featured as a famous person | 0:08:30 | 0:08:32 | |
in the game. So, it goes... | 0:08:32 | 0:08:34 | |
"Think of a famous person." | 0:08:34 | 0:08:36 | |
I'm, like, "OK, got him. | 0:08:36 | 0:08:37 | |
"I've been thinking about him a lot recently." | 0:08:37 | 0:08:40 | |
And then it starts asking questions. | 0:08:40 | 0:08:42 | |
"Is he a man?" I go, "Yes, obviously." | 0:08:42 | 0:08:44 | |
"Is he American?" | 0:08:44 | 0:08:46 | |
"No." "Is he a singer?" "No." | 0:08:46 | 0:08:47 | |
It narrowed it down to a British comedian with dark hair, | 0:08:47 | 0:08:49 | |
and I was getting a bit excited, I thought, "I wonder if I'm featured?" | 0:08:49 | 0:08:52 | |
It's nearly time. And then it goes... On the actual app, it said, | 0:08:52 | 0:08:55 | |
"Is he slightly overweight - yes or no?" | 0:08:55 | 0:08:58 | |
So I had this horrible moment of brutal honesty, took a deep breath, | 0:08:59 | 0:09:04 | |
clicked yes, and it went, "Is it Michael McIntyre?" | 0:09:04 | 0:09:06 | |
And showed me... | 0:09:06 | 0:09:08 | |
LAUGHTER AND APPLAUSE | 0:09:08 | 0:09:09 | |
A picture of my fat face! | 0:09:09 | 0:09:11 | |
It felt so official. So I haven't really eaten since then. | 0:09:11 | 0:09:15 | |
That was the encouragement for me. | 0:09:15 | 0:09:18 | |
And I've been exercising as well. | 0:09:18 | 0:09:20 | |
I mean, I've been exercising less recently, but, like, | 0:09:20 | 0:09:22 | |
my wife was much more keen for me to get fit than not fat. | 0:09:22 | 0:09:25 | |
She doesn't mind what I look like, as long as I stop hurting myself. | 0:09:25 | 0:09:28 | |
Normally people injure themselves and they have a story. | 0:09:28 | 0:09:30 | |
You say, "How'd you do that?" "I've hurt my arm." "What happened?" | 0:09:30 | 0:09:33 | |
And they'll tell you something landed on it, or they fell. | 0:09:33 | 0:09:35 | |
I just kept hurting myself and I had no idea what happened. | 0:09:35 | 0:09:38 | |
Just by being alive. I would just start hurting myself. | 0:09:38 | 0:09:40 | |
An example of this, a good example, | 0:09:40 | 0:09:42 | |
is last year I actually pulled a muscle in my back | 0:09:42 | 0:09:45 | |
reaching for food on the lower shelf of the fridge! | 0:09:45 | 0:09:48 | |
This is a sign, isn't it? | 0:09:48 | 0:09:49 | |
I felt it go, "Crack", and rather than calling for help | 0:09:49 | 0:09:52 | |
I ate all the food that I could reach. | 0:09:52 | 0:09:56 | |
There was a Yop that was slightly out of my reach. | 0:09:56 | 0:09:58 | |
That's when I called for... | 0:09:58 | 0:10:00 | |
"Help! I need that Yop and I may have broken my back." | 0:10:00 | 0:10:02 | |
These are sad signs. | 0:10:02 | 0:10:05 | |
I did this terrible thing to my arm as well. | 0:10:05 | 0:10:06 | |
No idea how it happened. | 0:10:06 | 0:10:08 | |
Right in here. Total agony. I couldn't even open my arm. | 0:10:08 | 0:10:11 | |
It was... "Agh!" ..excruciating. | 0:10:11 | 0:10:12 | |
I had to open it in the morning, | 0:10:12 | 0:10:14 | |
just spend the day with it open like this. | 0:10:14 | 0:10:16 | |
I didn't even know how I did it. | 0:10:16 | 0:10:18 | |
Finally I went to the doctor, he examined me | 0:10:18 | 0:10:20 | |
and he said, "I know exactly what this is. | 0:10:20 | 0:10:21 | |
"You've got golfer's elbow. How often do you play?" | 0:10:21 | 0:10:23 | |
I'm like, "I don't play golf." | 0:10:23 | 0:10:25 | |
He said, "You must, you've got golfer's elbow." | 0:10:25 | 0:10:27 | |
"I've never played golf." "This is very peculiar, | 0:10:27 | 0:10:29 | |
"I've never seen anybody with this who doesn't play golf. | 0:10:29 | 0:10:31 | |
"It's a very specific injury to golfers. | 0:10:31 | 0:10:33 | |
"You must have recreated golf somehow in your domestic life." | 0:10:33 | 0:10:36 | |
You must have been shouting at the children, "Whose shoe is this? | 0:10:36 | 0:10:39 | |
"This shoe should be by the door! | 0:10:39 | 0:10:41 | |
"We're late, get your bag and get in the car!" | 0:10:43 | 0:10:46 | |
I cricked my neck last year watching a football match. | 0:10:49 | 0:10:51 | |
I wasn't even playing in the match. I was at the football, | 0:10:51 | 0:10:53 | |
I wanted them to head it, I was like, | 0:10:53 | 0:10:55 | |
"Get in", and cricked my neck, got it stuck in this position. | 0:10:55 | 0:10:58 | |
I could only watch one half of the match. | 0:10:58 | 0:11:00 | |
That's embarrassing to go to the doctor. | 0:11:00 | 0:11:02 | |
"Who do you play for?" "I don't play, | 0:11:02 | 0:11:04 | |
"I was watching other people and I've hurt myself terribly. | 0:11:04 | 0:11:06 | |
It was like that for days. | 0:11:06 | 0:11:08 | |
Because we've all cricked our necks, haven't we? | 0:11:08 | 0:11:10 | |
We've all done that. But it normally comes from sleeping, sleeping funny. | 0:11:10 | 0:11:13 | |
Because we do, we sleep funny. | 0:11:13 | 0:11:14 | |
You wake up and you're in pain, you discuss it with your partner. | 0:11:14 | 0:11:17 | |
"I must have slept funny, did you see me? Was it hilarious? | 0:11:17 | 0:11:20 | |
"I'm in a lot of pain from my funny sleep. | 0:11:20 | 0:11:23 | |
"I must have slept really funny. | 0:11:23 | 0:11:24 | |
"I've hurt my neck. "Did you sleep funny? You must have slept hilariously funny." | 0:11:24 | 0:11:28 | |
Because every position we can get our bodies into | 0:11:28 | 0:11:30 | |
we would have slept in at one time or another, | 0:11:30 | 0:11:33 | |
and I don't know why. | 0:11:33 | 0:11:34 | |
Because we always start the night as we hope to go on. | 0:11:34 | 0:11:37 | |
You don't start like that, you don't go, "Goodnight", and suddenly... | 0:11:37 | 0:11:40 | |
You start in the perfect position. | 0:11:40 | 0:11:43 | |
You get your head on the pillow, | 0:11:43 | 0:11:44 | |
duvet comes in, "Night, darling, love you. | 0:11:44 | 0:11:46 | |
"I'm in my perfect position. She's in her perfect position." | 0:11:46 | 0:11:49 | |
"Love you, too." Sometimes there's some cuddling, | 0:11:49 | 0:11:52 | |
sometimes I cuddle her in her perfect position, "I love you", | 0:11:52 | 0:11:55 | |
but I'm not in my perfect position. And my arm is trapped. | 0:11:55 | 0:11:57 | |
I can't sleep like that. I'm just reassuring her of love. | 0:11:57 | 0:11:59 | |
Because soon I have to roll away. | 0:11:59 | 0:12:01 | |
"I love you, but now it is time for me to roll away | 0:12:01 | 0:12:03 | |
"to my perfect position." | 0:12:03 | 0:12:05 | |
To be honest, she normally initiates the roll away. | 0:12:05 | 0:12:07 | |
"That's enough now, it's time for you to roll away, go on, I'm tired." | 0:12:07 | 0:12:11 | |
You're interrupting my perfect position. | 0:12:11 | 0:12:14 | |
Then you roll away. | 0:12:14 | 0:12:15 | |
That could be quite an ambiguous move. Sometimes I... | 0:12:16 | 0:12:18 | |
"Are you inviting the situation? I didn't know we're scheduled..." | 0:12:18 | 0:12:21 | |
"No, no, darling, quite the opposite, roll away now." | 0:12:21 | 0:12:25 | |
You roll away. | 0:12:25 | 0:12:27 | |
In fact, as you get quite old, you actually roll away | 0:12:27 | 0:12:29 | |
and you go down the corridor to your new room. | 0:12:29 | 0:12:32 | |
That...is a depressing moment in the relationship. | 0:12:32 | 0:12:35 | |
"I love you, but not enough to sleep in the same room. | 0:12:36 | 0:12:39 | |
"I'm going to take the one where the children have now vacated." | 0:12:39 | 0:12:42 | |
My wife goes to sleep before me because she's tired. | 0:12:43 | 0:12:45 | |
I think that's the thing, why people go to sleep. | 0:12:45 | 0:12:47 | |
She is exhausted. She works very hard. | 0:12:47 | 0:12:49 | |
I don't. I do this. It's a riot. | 0:12:49 | 0:12:52 | |
I'm up all night, just watching telly. | 0:12:52 | 0:12:53 | |
Sitting there. Lying there, watching telly with the controls. | 0:12:53 | 0:12:56 | |
And I see her sleeping. I'm an observer of the sleeping person. | 0:12:56 | 0:12:58 | |
And I see how the perfect position | 0:12:58 | 0:13:00 | |
almost immediately starts to mess up. | 0:13:00 | 0:13:02 | |
The leg comes out and she starts edging over to my side. | 0:13:02 | 0:13:05 | |
HE MIMICS SNORING | 0:13:05 | 0:13:06 | |
Breathing. The mouth sort of falls. | 0:13:06 | 0:13:08 | |
Pushing me off. Even though I've seen her brushing her teeth | 0:13:10 | 0:13:13 | |
ten, 15 minutes before, the breath is already slightly on the turn. | 0:13:13 | 0:13:16 | |
HE MIMICS SNORING | 0:13:16 | 0:13:18 | |
Wedge pillows in front of her. | 0:13:18 | 0:13:20 | |
She does that weird jolting thing. | 0:13:24 | 0:13:26 | |
You know, when she just nods off and then she suddenly | 0:13:26 | 0:13:28 | |
will wake herself up. "Ahh!" | 0:13:28 | 0:13:30 | |
"You all right, darling?" | 0:13:30 | 0:13:32 | |
"Oh, my God. Oh, Michael, I thought I was falling, | 0:13:32 | 0:13:35 | |
"I thought I was falling." | 0:13:35 | 0:13:37 | |
"You're not falling, darling, if anything you're too much on my side. | 0:13:37 | 0:13:40 | |
"You're pushing me. You should be closer to falling. | 0:13:40 | 0:13:43 | |
"You keep moving over here. I'm going to be falling, darling. | 0:13:43 | 0:13:46 | |
"Go on, get back to sleep. | 0:13:46 | 0:13:48 | |
"I love you, darling." | 0:13:48 | 0:13:49 | |
Then she'll go back to sleep in the perfect position. | 0:13:49 | 0:13:51 | |
Then the leg comes back out. HE MIMICS SNORING | 0:13:51 | 0:13:54 | |
The breath, the mumbling. | 0:13:54 | 0:13:55 | |
HE TALKS GIBBERISH | 0:13:55 | 0:13:57 | |
She mumbles to herself as well. | 0:13:57 | 0:13:58 | |
"How am I supposed to...?" | 0:13:58 | 0:14:00 | |
Because it's not beautiful. She's a beautiful woman, | 0:14:00 | 0:14:02 | |
my wife, but it's supposed to be romantic. | 0:14:02 | 0:14:04 | |
In movies, we see people looking at each other sleeping, | 0:14:04 | 0:14:06 | |
and it's quite romantic, isn't it, when they're falling in love? | 0:14:06 | 0:14:09 | |
I'll watch you when you're sleeping, she'll be lying there, | 0:14:09 | 0:14:11 | |
look at my beautiful face in the moonlight. | 0:14:11 | 0:14:13 | |
And he's like, "I'm falling in love with you, | 0:14:13 | 0:14:15 | |
"you're so beautiful in the perfect position | 0:14:15 | 0:14:17 | |
"with your beautiful face." Maybe she turns a bit. | 0:14:17 | 0:14:19 | |
"I'm even more beautiful over here. | 0:14:19 | 0:14:21 | |
"Maybe I'll just do this a little bit, | 0:14:21 | 0:14:23 | |
"but I'm still incredibly gorgeous." | 0:14:23 | 0:14:25 | |
The reality is not romantic. | 0:14:25 | 0:14:27 | |
It's more of a horror movie, if I'm honest. | 0:14:27 | 0:14:29 | |
Sometimes I look over and my wife's eyes just pop open in my face. | 0:14:29 | 0:14:33 | |
Terrifying! | 0:14:33 | 0:14:34 | |
I'll look over and she's... | 0:14:34 | 0:14:36 | |
HE MIMICS SNORING | 0:14:36 | 0:14:37 | |
Then suddenly... | 0:14:37 | 0:14:39 | |
HE TALKS GIBBERISH | 0:14:41 | 0:14:43 | |
"Are you awake?" | 0:14:43 | 0:14:45 | |
HE TALKS GIBBERISH | 0:14:45 | 0:14:46 | |
She mumbles in a language that I don't even understand. | 0:14:46 | 0:14:49 | |
Sometimes she argues with herself in tongues. | 0:14:49 | 0:14:52 | |
"Bla-bla-bla. How did I even know that? | 0:14:52 | 0:14:54 | |
"Michael? Mich..." | 0:14:54 | 0:14:57 | |
HE MIMICS SNORING | 0:14:59 | 0:15:02 | |
HE ALTERNATES GIBBERISH AND SNORING | 0:15:02 | 0:15:04 | |
The only time she smiles sweetly, and I regret saying this, | 0:15:09 | 0:15:12 | |
is when the night farts kick in. | 0:15:12 | 0:15:14 | |
I think it's important that | 0:15:14 | 0:15:16 | |
we establish that my wife is a beautiful woman. | 0:15:16 | 0:15:18 | |
She's very prim and proper. | 0:15:18 | 0:15:21 | |
And she hasn't actually farted in the daytime | 0:15:21 | 0:15:23 | |
in the 15 years we've been together. | 0:15:23 | 0:15:25 | |
And it's a record we're both very proud of. | 0:15:25 | 0:15:28 | |
But I'm here to tell you, unfortunately, | 0:15:28 | 0:15:30 | |
her night record is not nearly as strong. | 0:15:30 | 0:15:32 | |
It's biology. They have to come out at some stage. | 0:15:33 | 0:15:36 | |
And she sort of reacts to them as well. | 0:15:36 | 0:15:38 | |
HE MIMICS SNORING, BREAKING WIND | 0:15:38 | 0:15:40 | |
"Oh!" | 0:15:40 | 0:15:41 | |
LAUGHTER, HE TALKS GIBBERISH | 0:15:41 | 0:15:42 | |
HE MIMICS BREAKING WIND, TALKS GIBBERISH | 0:15:44 | 0:15:50 | |
"Michael?" | 0:15:52 | 0:15:53 | |
HE MIMICS SNORING | 0:15:53 | 0:15:55 | |
The other night, I don't what she'd eaten, | 0:15:55 | 0:15:57 | |
but it was like a fireworks display. | 0:15:57 | 0:16:00 | |
It sort of built to a finale. | 0:16:00 | 0:16:02 | |
She was literally like... | 0:16:03 | 0:16:05 | |
HE MIMICS SNORING, BREAKING WIND | 0:16:05 | 0:16:06 | |
HE TALKS GIBBERISH | 0:16:06 | 0:16:08 | |
HE MIMICS RAPID-FIRE BREAKING OF WIND | 0:16:11 | 0:16:14 | |
Then one big one at the end. She woke herself up! "Agh! | 0:16:14 | 0:16:18 | |
"My God. Michael. | 0:16:18 | 0:16:20 | |
"There was a bang, what was that bang? | 0:16:20 | 0:16:22 | |
"I heard a really big bang. | 0:16:22 | 0:16:24 | |
"Why's the TV on so loud? Why's this pillow on my face? | 0:16:25 | 0:16:28 | |
"What's been going on? | 0:16:28 | 0:16:29 | |
"Why is the window open? Talk to me. | 0:16:31 | 0:16:33 | |
"What time is it? What's the lamp doing on the floor? | 0:16:35 | 0:16:37 | |
"There was a bang. | 0:16:37 | 0:16:39 | |
I love telling this, because I literally look into the audience | 0:16:41 | 0:16:44 | |
and I see men pissing themselves laughing, | 0:16:44 | 0:16:46 | |
and just the occasional woman sitting there going, | 0:16:46 | 0:16:48 | |
"I'm not exactly sure what you're laughing at." | 0:16:48 | 0:16:51 | |
So, this happens last year, one of these big sleeps, | 0:16:55 | 0:16:58 | |
and my wife's been sleeping funny all night. | 0:16:58 | 0:16:59 | |
And she wakes up and she cricks her neck. | 0:16:59 | 0:17:01 | |
And she's, like, Michael, "I must have slept funny, are you there? | 0:17:01 | 0:17:04 | |
"I've slept really funny. I've got a cricked neck. | 0:17:04 | 0:17:06 | |
"Are you there, Michael? Wake up!" | 0:17:06 | 0:17:08 | |
And I'm asleep doing all my own... | 0:17:08 | 0:17:10 | |
HE MIMICS SNORING, BREAKING WIND | 0:17:10 | 0:17:11 | |
And the shock of her hitting me and my general lack of fitness | 0:17:11 | 0:17:14 | |
at the time meant that I woke up... "Crack." ..and I crick my own neck. | 0:17:14 | 0:17:17 | |
I'm now stuck in this position. | 0:17:17 | 0:17:20 | |
I'm, like, "Shit, ow, I think I've cricked my neck, | 0:17:20 | 0:17:22 | |
"I must have slept funny. Are you there, darling? Are you there?" | 0:17:22 | 0:17:25 | |
"Come round." She's like, "Don't take the piss." | 0:17:25 | 0:17:27 | |
"Come round. I'm not taking the piss. | 0:17:27 | 0:17:29 | |
"But I've cricked my neck!" "But I've cricked MY neck." | 0:17:29 | 0:17:31 | |
So we had this really weird sort of half-awake argument, | 0:17:31 | 0:17:34 | |
which actually turned quite nasty at one point. | 0:17:34 | 0:17:36 | |
She is, like, "Say that to my face." | 0:17:36 | 0:17:37 | |
"I wish I could, I've got no way of doing that right now." | 0:17:37 | 0:17:40 | |
So, of course, I was the one to cave in. | 0:17:40 | 0:17:42 | |
I got out of the bed slowly... | 0:17:42 | 0:17:43 | |
..made my way around. | 0:17:45 | 0:17:46 | |
It took me a while to locate her. | 0:17:50 | 0:17:52 | |
"Hello? Hello, darling, are you OK?" | 0:17:52 | 0:17:54 | |
"Michael, if you're taking the piss out of me, | 0:17:54 | 0:17:56 | |
"I will divorce you, do you understand?" | 0:17:56 | 0:17:58 | |
It was this really weird day | 0:17:58 | 0:18:00 | |
where I was literally stuck in this position, | 0:18:00 | 0:18:02 | |
she was stuck in that position. | 0:18:02 | 0:18:03 | |
We should never have driven the children to school. | 0:18:03 | 0:18:06 | |
I think this just shows how desperate | 0:18:06 | 0:18:08 | |
you are to get your kids to school. | 0:18:08 | 0:18:10 | |
We should have walked or got a taxi, but literally, | 0:18:10 | 0:18:12 | |
the kids are in the back, obviously, | 0:18:12 | 0:18:14 | |
I went sort of side-saddle in the passenger seat. | 0:18:14 | 0:18:16 | |
My wife was even worse, she's just looking at the house. | 0:18:16 | 0:18:19 | |
"Well, everything's fine at home, shall we head off slowly?" | 0:18:19 | 0:18:21 | |
And I directed her. | 0:18:21 | 0:18:22 | |
It was going fine until we got to the roundabout | 0:18:22 | 0:18:25 | |
where we literally just risked it. We just sailed in... | 0:18:25 | 0:18:28 | |
"ARGHHH!" | 0:18:28 | 0:18:29 | |
Until I saw the turning. "Left, now, left, now!" | 0:18:29 | 0:18:32 | |
Crossing the road was fun because I had to go this | 0:18:36 | 0:18:38 | |
until I reached halfway, and then turned. | 0:18:38 | 0:18:40 | |
With her doing exactly the opposite. It was like it was choreographed. | 0:18:42 | 0:18:45 | |
The other parents were like, | 0:18:45 | 0:18:47 | |
"They've got a lot of time on their hands. | 0:18:47 | 0:18:48 | |
"Synchronised dropping off the kids to school. | 0:18:48 | 0:18:50 | |
"How creepy." When we were picking up the kids, I was like this, | 0:18:50 | 0:18:53 | |
my wife's like that, | 0:18:53 | 0:18:55 | |
people are walking past going, "Wow, they've had a row." | 0:18:55 | 0:18:57 | |
But my best news, physically, which I'd like to share with you, | 0:18:59 | 0:19:02 | |
ladies and gentlemen, is that I can walk properly now. | 0:19:02 | 0:19:05 | |
OK? I walk heel-to-toe, which is the recommended way to walk. | 0:19:05 | 0:19:09 | |
I'm hamming it up slightly. CHEERING | 0:19:09 | 0:19:11 | |
You seem very impressed. That's how you're supposed to walk, | 0:19:11 | 0:19:13 | |
that's how you walk - heel-to-toe, | 0:19:13 | 0:19:15 | |
it's not something that comes naturally to me. | 0:19:15 | 0:19:17 | |
I actually walk on my toes naturally, | 0:19:17 | 0:19:19 | |
but I now have something called corrective shoes. | 0:19:19 | 0:19:21 | |
Very sexy(!) | 0:19:21 | 0:19:23 | |
And they force me to be a normal person like you. | 0:19:23 | 0:19:26 | |
I'll show you, they're called orthotics, they're in my shoes, | 0:19:26 | 0:19:28 | |
and they basically, they're shaped to push my feet to behave normal, | 0:19:28 | 0:19:33 | |
heel-to-toe. Because without them, I revert, I'll show you. | 0:19:33 | 0:19:36 | |
I've got these little, flat feet, and I walk as if I'm falling. | 0:19:36 | 0:19:39 | |
That's my natural walk. | 0:19:39 | 0:19:41 | |
Completely on my toes. | 0:19:41 | 0:19:43 | |
Like I'm being pushed at the beginning of the day. | 0:19:43 | 0:19:45 | |
"See you later. Oh, am I off? Thanks, darling. | 0:19:45 | 0:19:47 | |
"I'll be home at about 5:30 if I can find a route back to you." | 0:19:47 | 0:19:52 | |
You'll have seen on my other DVDs, I can't stop myself, | 0:19:52 | 0:19:55 | |
I'm literally just... | 0:19:55 | 0:19:56 | |
And I run on my toes as well. | 0:19:58 | 0:19:59 | |
I run up. This is my natural run. | 0:19:59 | 0:20:01 | |
This is how I feel most comfortable. | 0:20:01 | 0:20:03 | |
Please, don't laugh, because people have laughed... | 0:20:03 | 0:20:06 | |
CHEERING | 0:20:06 | 0:20:08 | |
..at my proper run. I run up. | 0:20:08 | 0:20:09 | |
Because you're supposed to run on your heels and toes, | 0:20:09 | 0:20:13 | |
but...my feet won't do it. | 0:20:13 | 0:20:15 | |
I've tried my whole life to be like you, but it just doesn't... | 0:20:15 | 0:20:19 | |
I can't get it going. | 0:20:19 | 0:20:21 | |
It just feels so unnatural to run like that. | 0:20:22 | 0:20:26 | |
And how do you get any speed, anyway? | 0:20:26 | 0:20:28 | |
I don't get it. I mean, why don't you just fucking run? | 0:20:32 | 0:20:36 | |
HE SIGHS | 0:20:36 | 0:20:39 | |
I know what you're thinking, you're thinking, | 0:20:39 | 0:20:41 | |
"Why don't you just run on your toes and walk on your toes? | 0:20:41 | 0:20:43 | |
"Be the man you were born to be. | 0:20:43 | 0:20:45 | |
"You don't have to conform to the masses." | 0:20:45 | 0:20:46 | |
But the thing is, I do, | 0:20:46 | 0:20:48 | |
because when you're on your toes all the time, | 0:20:48 | 0:20:50 | |
I had terrible pain in my calf muscles. And also, they've ballooned | 0:20:50 | 0:20:54 | |
to a quite unhealthy sort of monster level. | 0:20:54 | 0:20:58 | |
I'm going to show you what I've done. | 0:20:58 | 0:20:59 | |
But seriously, this will frighten some of you. | 0:20:59 | 0:21:02 | |
You'll be pleased at your seats | 0:21:02 | 0:21:04 | |
when I show you the monster that I have become. | 0:21:04 | 0:21:07 | |
I literally have the biggest calves you've ever seen. | 0:21:07 | 0:21:10 | |
I mean, to put it in perspective, they're the size of a shoe! | 0:21:10 | 0:21:15 | |
Look at this. | 0:21:15 | 0:21:17 | |
Yes, don't zoom in, that's just taking the piss, isn't it? | 0:21:18 | 0:21:22 | |
You can see what I've done, look. | 0:21:22 | 0:21:25 | |
That's what's happened. | 0:21:25 | 0:21:28 | |
When you're on your toes... | 0:21:28 | 0:21:30 | |
HE GIGGLES | 0:21:30 | 0:21:31 | |
It's like someone's trying to get out. | 0:21:31 | 0:21:34 | |
HIGH-PITCHED: "Help...me..." | 0:21:34 | 0:21:36 | |
Because I've actually got quite little thighs. | 0:21:37 | 0:21:40 | |
Don't worry, I'm not going to take my trousers off. | 0:21:40 | 0:21:42 | |
Cos I don't really use my thighs. | 0:21:42 | 0:21:45 | |
I was on holiday in the summer, and I was in my shorts by the pool, | 0:21:45 | 0:21:48 | |
and there was this kid and his mum, and he said, | 0:21:48 | 0:21:50 | |
"Mummy, why is that man's legs on upside-down?" | 0:21:50 | 0:21:53 | |
That's rude. I chased him round the pool. | 0:21:53 | 0:21:56 | |
"Say that to my face, you little shit." | 0:21:56 | 0:21:58 | |
People started laughing at my run. "I know how to run, you wankers!" | 0:22:00 | 0:22:03 | |
So, I got sent off to the clinic, the orthotics clinic, | 0:22:07 | 0:22:10 | |
where they analysed my walking and they prescribed these things. | 0:22:10 | 0:22:12 | |
I've got to tell you, one of the funniest places I've never been, | 0:22:12 | 0:22:15 | |
because everybody in there was like me. | 0:22:15 | 0:22:17 | |
They're all my peeps. They all needed walking correcting. | 0:22:17 | 0:22:20 | |
Nobody could walk in there. So I came in with my flat foot. | 0:22:20 | 0:22:23 | |
My wife gave me a push from the car. | 0:22:23 | 0:22:25 | |
"Oh, I'm going in now, OK." Hello, I'm here for my 11:30." | 0:22:25 | 0:22:29 | |
"Do take a seat. You'll be in shortly." | 0:22:29 | 0:22:31 | |
"Thank you." I went to take a seat. | 0:22:31 | 0:22:33 | |
The next guy came in, - I'm not exaggerating - | 0:22:33 | 0:22:35 | |
it was like he was ice skating. | 0:22:35 | 0:22:36 | |
I literally, I don't even know how he was walking forward. | 0:22:36 | 0:22:39 | |
His legs were thrusting left and right, but not forward. | 0:22:39 | 0:22:42 | |
It was like he was doing everything. Like he kept changing his mind. | 0:22:42 | 0:22:45 | |
"Is it that way or that way? I've no idea." | 0:22:45 | 0:22:48 | |
He might as well have just put his hands behind his back | 0:22:48 | 0:22:50 | |
and just gone the whole hog. | 0:22:50 | 0:22:52 | |
"I'm here for my 11:45, I set off on foot at 6am." | 0:22:53 | 0:22:56 | |
"Take a seat, please." "Is it all the way over there? Very annoying. | 0:22:57 | 0:23:00 | |
"Shit, I've kicked you, I do that, I'm sorry. | 0:23:01 | 0:23:03 | |
"It's one of the reasons I'm here." This guy came out before us, | 0:23:03 | 0:23:07 | |
who'd been seen. And he had this amazing sort of rolling hip, | 0:23:07 | 0:23:11 | |
sort of all pelvis, | 0:23:11 | 0:23:13 | |
like he was listening to music that you couldn't hear. | 0:23:13 | 0:23:15 | |
It was actually pretty cool. | 0:23:15 | 0:23:17 | |
But this guy had come out. He was in his orthotics. | 0:23:17 | 0:23:20 | |
He had been fixed. | 0:23:20 | 0:23:21 | |
God only knows the state of the man as he came to pick them up. | 0:23:21 | 0:23:26 | |
"Hello, I'm here to pick up my orthotics." | 0:23:26 | 0:23:28 | |
"Thank you. It's better, I wouldn't say it was perfect, but it's good. | 0:23:28 | 0:23:31 | |
"It's a step in the right direction." | 0:23:31 | 0:23:34 | |
"Which is more than you can do, I saw you come in, sorry about that." | 0:23:34 | 0:23:38 | |
I would have loved to have seen us all walking together. | 0:23:38 | 0:23:41 | |
If somebody came in and said, "Traffic warden outside. | 0:23:41 | 0:23:43 | |
"Oh, shit, mine's the Vauxhall Astra, I'm never going to make it." | 0:23:43 | 0:23:46 | |
"I'm coming, I'll sort you out, don't worry about that." | 0:23:46 | 0:23:49 | |
"Did somebody say traffic warden? Here I come. | 0:23:50 | 0:23:53 | |
"I'm faster without these. Come on!" | 0:23:53 | 0:23:55 | |
So now I'm back, I'm 100%, I'm heel-to-toe, I'm thrilled. | 0:23:58 | 0:24:02 | |
My calves are actually getting a little smaller. | 0:24:02 | 0:24:05 | |
I've got my shoes on like that, so as not to waste time. | 0:24:05 | 0:24:07 | |
BREATHLESS: And I... | 0:24:08 | 0:24:10 | |
LAUGHTER | 0:24:10 | 0:24:12 | |
This happened the other night. I've got this slightly tight suit. | 0:24:12 | 0:24:14 | |
All right. We're nearly there... | 0:24:20 | 0:24:22 | |
LAUGHING: This one's... Fuck. | 0:24:25 | 0:24:27 | |
I've made it worse! | 0:24:31 | 0:24:32 | |
You're sitting there watching me do this on the screen. | 0:24:35 | 0:24:38 | |
I wonder if you'll help me, please. | 0:24:38 | 0:24:40 | |
I can't do the show. Can you just pull it down? Would you mind? | 0:24:40 | 0:24:42 | |
Don't pull me off the stage. | 0:24:42 | 0:24:45 | |
I thought maybe your husband would help. | 0:24:45 | 0:24:47 | |
Look at him, he's a... I'm sorry, do you mind? | 0:24:47 | 0:24:50 | |
Sorry. I do have a show to do. | 0:24:50 | 0:24:52 | |
Literally 15,000 people waiting, if you don't mind. | 0:24:54 | 0:24:57 | |
Why didn't you do it? You're so strong. | 0:24:57 | 0:25:00 | |
She's a doctor, apparently. | 0:25:00 | 0:25:01 | |
LAUGHTER | 0:25:02 | 0:25:04 | |
She's a doctor! | 0:25:04 | 0:25:05 | |
Thank you so much. Doctor... Thank you, doctor. | 0:25:08 | 0:25:11 | |
Stu, you should have done that. He's sitting going, "She's a doctor." | 0:25:15 | 0:25:19 | |
You can't use that as every excuse. | 0:25:19 | 0:25:21 | |
"Darling, get the bags from the car." | 0:25:21 | 0:25:23 | |
"You're the doctor. I'll be inside." | 0:25:23 | 0:25:25 | |
So I can walk properly now, | 0:25:29 | 0:25:30 | |
it's not to say walking isn't without incident. | 0:25:30 | 0:25:32 | |
I was telling a story the other day and I remembered this. | 0:25:32 | 0:25:34 | |
A very odd walking occurrence. Probably the weirdest in my life. | 0:25:34 | 0:25:37 | |
I don't think this happened to anybody | 0:25:37 | 0:25:38 | |
apart from me and this other person. | 0:25:38 | 0:25:40 | |
Certainly nobody in here. You know when you're walking along | 0:25:40 | 0:25:42 | |
and you sometimes walk next to a stranger, | 0:25:42 | 0:25:44 | |
you don't know them, but you find yourself | 0:25:44 | 0:25:46 | |
walking in the same direction alongside them? | 0:25:46 | 0:25:48 | |
You know. Same speed and everything. | 0:25:48 | 0:25:50 | |
And then you realise, and they realise, | 0:25:50 | 0:25:52 | |
so you slow down, speed up, you separate, | 0:25:52 | 0:25:54 | |
you don't spend the rest of the day with them. | 0:25:54 | 0:25:56 | |
Right? It must have been about ten years ago. | 0:25:56 | 0:25:58 | |
And there was a stranger, | 0:25:58 | 0:26:00 | |
a Japanese businessman, and he's walking, | 0:26:00 | 0:26:01 | |
I'm oblivious to him, he's very much oblivious to me, | 0:26:01 | 0:26:04 | |
because I'm behind him. | 0:26:04 | 0:26:06 | |
And I'm sort of catching up to him, and you know as you walk, | 0:26:06 | 0:26:09 | |
your arms swing, you have a natural sort of arm swing, like that? | 0:26:09 | 0:26:12 | |
So, I'm catching up to him, and just as I'm catching up to him, | 0:26:12 | 0:26:14 | |
my right hand was on the upswing, like this, slow motion. | 0:26:14 | 0:26:19 | |
And the left hand of this Japanese businessman was on the downswing. | 0:26:19 | 0:26:22 | |
And our hands not only met in the street, | 0:26:22 | 0:26:26 | |
but interlocked with perfect precision. | 0:26:26 | 0:26:29 | |
And that's not even an easy thing to do with yourself. | 0:26:29 | 0:26:31 | |
Actually quite difficult. And you would think that | 0:26:31 | 0:26:33 | |
when that happens you would immediately pull away and go, | 0:26:33 | 0:26:36 | |
"That's really creepy, I'm sorry." | 0:26:36 | 0:26:38 | |
But our brains couldn't compute just how odd this moment was. | 0:26:38 | 0:26:40 | |
And we held on. We clutched for two or three of the most awkward strides | 0:26:40 | 0:26:46 | |
of my entire life. I'm literally walking along the street, | 0:26:46 | 0:26:48 | |
and suddenly I'm holding hands with a Japanese businessman. | 0:26:48 | 0:26:51 | |
I'll never forget his face. | 0:26:51 | 0:26:53 | |
He was, like... | 0:26:53 | 0:26:54 | |
ORIENTAL ACCENT: .."Who the fuck are you?! | 0:26:54 | 0:26:57 | |
"What are you doing holding my hand?! | 0:26:57 | 0:27:00 | |
"I don't know you! | 0:27:00 | 0:27:01 | |
He must have seen me on TV over the years. | 0:27:04 | 0:27:06 | |
"This is the guy! He held my hand in the road!" | 0:27:06 | 0:27:11 | |
I don't know what happened to him. | 0:27:11 | 0:27:13 | |
But I've got to tell you, these shoes, | 0:27:13 | 0:27:15 | |
they've slowed me down a little bit. | 0:27:15 | 0:27:17 | |
My old walk was faster, heel-to-toe, it's quite leisurely, | 0:27:17 | 0:27:20 | |
because sometimes you need to walk fast, | 0:27:20 | 0:27:22 | |
because you're not allowed to run in some social situations, | 0:27:22 | 0:27:25 | |
but you need to be going as fast as you can. | 0:27:25 | 0:27:27 | |
Like, when I came back from holiday recently, you're racing. | 0:27:27 | 0:27:30 | |
When the plane lands, you're racing. | 0:27:30 | 0:27:31 | |
Everybody on the plane, to get to the bags. | 0:27:31 | 0:27:33 | |
It's a race but it's not acknowledged. | 0:27:33 | 0:27:35 | |
Nobody acknowledges it's a race but there are passengers | 0:27:35 | 0:27:38 | |
who become competitors as soon as the seat belt sign is on. | 0:27:38 | 0:27:40 | |
The captain might as well go, | 0:27:40 | 0:27:41 | |
"Welcome to London Heathrow, on your marks, get set, go!" | 0:27:41 | 0:27:45 | |
Sometimes you politely let people off into the aisle. | 0:27:47 | 0:27:49 | |
"After you, no, please, after you." But you're eyeballing them, | 0:27:49 | 0:27:52 | |
"I'll get you in the tunnel, dickhead." | 0:27:52 | 0:27:54 | |
"This lead that I just gave you, | 0:27:55 | 0:27:56 | |
"I'll be reclaiming that in the funnel | 0:27:56 | 0:27:58 | |
"before we even reach the tunnel." | 0:27:58 | 0:28:00 | |
Because as soon as you get out, you've got your bags, | 0:28:00 | 0:28:03 | |
you start jockeying for position, overtaking. | 0:28:03 | 0:28:05 | |
Sometimes they respond, but they never look over. | 0:28:05 | 0:28:07 | |
They never acknowledge there's a race. | 0:28:07 | 0:28:09 | |
They speed up. "No, you bloody don't." | 0:28:09 | 0:28:11 | |
But they never will acknowledge that it's a race. | 0:28:11 | 0:28:13 | |
I know exactly what's going on here. | 0:28:13 | 0:28:15 | |
People's children. "I need to pee!" "There's no way we can pee, | 0:28:15 | 0:28:18 | |
"we're in fourth place, piss your pants, we could win this, come on." | 0:28:18 | 0:28:21 | |
I like it when you get to the moving floor, you know, the travelator? | 0:28:24 | 0:28:27 | |
When you step on and suddenly you're moving at twice the speed. | 0:28:27 | 0:28:30 | |
Because right next to the moving floor is a non-moving floor option. | 0:28:30 | 0:28:33 | |
Which I think we can just call "floor" now that I think of it. | 0:28:34 | 0:28:37 | |
"Floor." | 0:28:37 | 0:28:39 | |
And most normal people take the moving floor option | 0:28:39 | 0:28:42 | |
because the bloody floor is moving! | 0:28:42 | 0:28:44 | |
But some people, you know who you are, you decide, | 0:28:44 | 0:28:46 | |
for some reason, you can beat all of the people on the moving floor. | 0:28:46 | 0:28:50 | |
And you realise your mistake quite early and have to justify it | 0:28:50 | 0:28:53 | |
by bringing out the fastest walk you've ever even attempted. | 0:28:53 | 0:28:57 | |
"I'm justified to take the non-moving floor. | 0:28:57 | 0:28:59 | |
"I will beat all of you. | 0:28:59 | 0:29:01 | |
But you can't. People on the moving floor are just like, | 0:29:01 | 0:29:03 | |
"You're never going to beat me. I'm on a moving floor, dickhead." | 0:29:03 | 0:29:08 | |
It doesn't matter how well you do in the race, | 0:29:08 | 0:29:10 | |
there's only one actual winner of the race, as we all know, | 0:29:10 | 0:29:13 | |
and that's the elderly on the back of the buggy. | 0:29:13 | 0:29:16 | |
And don't they love their little moment as they come beeping past? | 0:29:16 | 0:29:20 | |
"Beep, beep, beep, beep, beep!" | 0:29:20 | 0:29:22 | |
But then you've got to get through customs. | 0:29:26 | 0:29:28 | |
And let's be honest, that slows you down. | 0:29:28 | 0:29:30 | |
It doesn't matter if you've done very well out of your plane, | 0:29:30 | 0:29:32 | |
because lots of other planes are arriving at the same time. | 0:29:32 | 0:29:35 | |
And then when you've got to do the passport, | 0:29:35 | 0:29:36 | |
that's when it can be big queues regardless | 0:29:36 | 0:29:38 | |
of how well you've done in your initial race. | 0:29:38 | 0:29:40 | |
That's where they have the big ropes. | 0:29:40 | 0:29:42 | |
The big zigzag rope system, to accommodate all the people. | 0:29:42 | 0:29:46 | |
Right? And sometimes you get that and there are no people. | 0:29:46 | 0:29:49 | |
You can't believe it. It's amazing. | 0:29:49 | 0:29:51 | |
It's just like, "Oh, this is the holy grail! | 0:29:51 | 0:29:53 | |
"It's just empty ropes and people waiting for their passports. | 0:29:53 | 0:29:56 | |
"We're going to be out of here in no time." | 0:29:56 | 0:29:58 | |
I don't know how other nationalities deal with this situation. | 0:29:58 | 0:30:01 | |
I presume that Americans just hurdle the ropes. | 0:30:01 | 0:30:03 | |
"Yee-hah!" "Yee-hah!" | 0:30:03 | 0:30:06 | |
"Pass me the kids, honey!" "Whoo!" | 0:30:06 | 0:30:08 | |
"Whoo!" "Yee-hah!" | 0:30:08 | 0:30:11 | |
Germans, probably, "Unhook ze rope," family comes through, | 0:30:11 | 0:30:14 | |
"then rehooks ze rope on ze other side." | 0:30:14 | 0:30:15 | |
"Unhook ze next rope, family, come on through, | 0:30:15 | 0:30:18 | |
"and now I shall rehook ze rope on the other side!" | 0:30:18 | 0:30:21 | |
"Unhook ze following rope, family comes through." | 0:30:21 | 0:30:24 | |
Brazilians probably do limbo under the rope. | 0:30:24 | 0:30:28 | |
British people, it doesn't even cross their minds. | 0:30:28 | 0:30:31 | |
We just look at the ropes, and off we go. | 0:30:31 | 0:30:35 | |
Pause for an American - "Yee-hah!" | 0:31:03 | 0:31:07 | |
You can shake the passport guy's hand. | 0:31:07 | 0:31:09 | |
You've still got a 45-minute walk ahead of you. | 0:31:09 | 0:31:11 | |
They don't check your passports. They know you're British by the way you handle the rope system. | 0:31:11 | 0:31:16 | |
"Put that passport away, sir. Come on through. Welcome home." | 0:31:16 | 0:31:20 | |
"Baggage reclaim 4. Hope you had a great hol." | 0:31:22 | 0:31:24 | |
I think it's amazing how British people are so obedient of the rope system. | 0:31:24 | 0:31:29 | |
I feel we should have them up and about in life to force people into exercise. | 0:31:29 | 0:31:32 | |
Those problems in this country with obesity and lack of | 0:31:32 | 0:31:37 | |
exercise - let's have rope systems people just find themselves in. | 0:31:37 | 0:31:40 | |
As it stands, you can just go to the supermarket. | 0:31:40 | 0:31:42 | |
You go to the cake aisle and put cake in your trolley, | 0:31:42 | 0:31:44 | |
and chocolate biscuits, | 0:31:44 | 0:31:45 | |
and profiteroles, and doughnuts, and cheese. | 0:31:45 | 0:31:48 | |
What I'm suggesting is, just as you're reaching for the doughnuts, | 0:31:48 | 0:31:52 | |
there's a little rope system that you find yourself... "What?!" | 0:31:52 | 0:31:55 | |
"I wanted the doughnuts! | 0:31:55 | 0:31:57 | |
"Where am I going?" | 0:31:59 | 0:32:01 | |
"You're going to the park, fatty!" | 0:32:01 | 0:32:03 | |
"Those doughnuts are eight miles from you. | 0:32:05 | 0:32:07 | |
"You'll get them when you deserve them." | 0:32:07 | 0:32:09 | |
I don't even go to the supermarket any more. | 0:32:11 | 0:32:13 | |
I think this is why I've put on so much weight. | 0:32:13 | 0:32:15 | |
I just order food on my laptop. | 0:32:15 | 0:32:17 | |
Online, you know? They just deliver it. | 0:32:17 | 0:32:19 | |
You just keep clicking food. "I want that, that looks yummy. | 0:32:19 | 0:32:21 | |
"Put it in my basket, bring it to me and I will eat it!" | 0:32:21 | 0:32:23 | |
"I don't know how to change the amount. I don't care. I'll eat them all!" | 0:32:23 | 0:32:26 | |
Click a time slot and they come round. | 0:32:26 | 0:32:28 | |
Open the door, they're on the doorstep with all the bags. | 0:32:28 | 0:32:30 | |
Then they're like, "Would you like me to bring it in?" | 0:32:30 | 0:32:33 | |
I'm like, "Ideally, I want you to feed me. | 0:32:33 | 0:32:34 | |
"Shovel it in my mouth! Then take the bags for recycling." | 0:32:34 | 0:32:37 | |
Although at least when you don't go to the supermarket, you don't eat on the way round. | 0:32:37 | 0:32:41 | |
That's always very depressing. You know, I'm just so greedy. | 0:32:41 | 0:32:43 | |
We've all done this. You haven't even bought it yet, but you start consuming it. | 0:32:43 | 0:32:47 | |
Then you've got that horrible moment of confession at the till. | 0:32:47 | 0:32:49 | |
You just have to present wrappers. | 0:32:49 | 0:32:51 | |
"I'm so sorry, I had this. I've got the wrapper. | 0:32:51 | 0:32:54 | |
"Can you get the information required, | 0:32:54 | 0:32:55 | |
"and I'll pay you back, because it's in my tummy? | 0:32:55 | 0:32:58 | |
"I appear to have had this lasagne. It was frozen. | 0:32:58 | 0:33:02 | |
And I get sick. "It just looked so yummy on the photo!" | 0:33:02 | 0:33:05 | |
"Would you like a bag, sir?" | 0:33:05 | 0:33:07 | |
"I just need a bin. I've eaten it all. It's in my tummy." | 0:33:07 | 0:33:11 | |
You don't do that in any other shop. | 0:33:11 | 0:33:14 | |
In a shop, in a clothes shop, wearing everything. | 0:33:14 | 0:33:17 | |
"Scan me! I'm double parked, I've got to get out of here." Beep, beep, beep! | 0:33:17 | 0:33:20 | |
My wife shops at Waitrose. | 0:33:22 | 0:33:23 | |
People who shop at Waitrose just love shopping at Waitrose. | 0:33:23 | 0:33:27 | |
WHOOPING People are whooping Waitrose. | 0:33:27 | 0:33:30 | |
What a moment to reveal just how middle-class you are. | 0:33:30 | 0:33:34 | |
The middle classes DIG Waitrose. | 0:33:34 | 0:33:36 | |
They love telling people about it because they're basically saying | 0:33:36 | 0:33:38 | |
they can afford it. "I shop at Waitrose!" | 0:33:38 | 0:33:40 | |
They just drop it into conversation. "I've got to stop off at WAITROSE! | 0:33:40 | 0:33:43 | |
"So I'll see you later, I'm going to WAITROSE. | 0:33:43 | 0:33:45 | |
"Just so you all know, I can afford WAITROSE!" | 0:33:45 | 0:33:48 | |
They sell all the same stuff as other supermarkets. | 0:33:48 | 0:33:51 | |
They just charge more for it and people enjoy going there. | 0:33:51 | 0:33:53 | |
There are no deals. That's what frustrates you. | 0:33:53 | 0:33:55 | |
Every other supermarket has deals. | 0:33:55 | 0:33:57 | |
Like, buy-one-get-one-free exists in every other supermarket but not in Waitrose. | 0:33:57 | 0:34:00 | |
In Waitrose, it's, "Buy one, and you're perfectly welcome to buy another one, | 0:34:00 | 0:34:03 | |
"but it'll cost you the same as the first, | 0:34:03 | 0:34:05 | |
"but about ten times more than any other supermarket." | 0:34:05 | 0:34:08 | |
"Do come in." "Don't mind if I do! WAITROSE!" | 0:34:08 | 0:34:11 | |
I've never seen anybody in the Waitrose car park return the trolley for the pound. | 0:34:11 | 0:34:16 | |
It is simply not worth it to them. | 0:34:16 | 0:34:19 | |
They unload the bags into the back of the Range Rover. | 0:34:19 | 0:34:21 | |
They think about it, they try to get the pound. | 0:34:21 | 0:34:24 | |
"Oh, no, the pound, it's stuck. It's stuck. | 0:34:24 | 0:34:25 | |
"I've got to go all the way over there to the trolley chain for a pound. | 0:34:25 | 0:34:29 | |
"Well, that's not exactly worth it after I've spent all this on my shopping." | 0:34:29 | 0:34:32 | |
And then they do the sort of push away. | 0:34:33 | 0:34:35 | |
They just go... | 0:34:35 | 0:34:37 | |
"Fuck off." | 0:34:37 | 0:34:38 | |
It's the Waitrose posh push! | 0:34:40 | 0:34:42 | |
"Fuck off." | 0:34:42 | 0:34:44 | |
And the trolley sort of rolls away, | 0:34:46 | 0:34:49 | |
and then careers into another Range Rover for another posh person. | 0:34:49 | 0:34:53 | |
"What the - fuck off! - is that doing there?" | 0:34:53 | 0:34:55 | |
There's normally someone from Aldi in the bushes. "I'll have that!" | 0:34:57 | 0:35:00 | |
"Get my week's shopping done on that quid, you idiot. | 0:35:04 | 0:35:06 | |
"It's all the same shit you just bought, darling. Half the price." | 0:35:06 | 0:35:09 | |
They've got Waitrose and Marks & Spencer's now | 0:35:12 | 0:35:15 | |
in the motorway services. It's like, this is good news for me | 0:35:15 | 0:35:18 | |
because this is where I live my life. | 0:35:18 | 0:35:19 | |
Some of the entertainment options are a little bit peculiar. | 0:35:19 | 0:35:22 | |
I mean, what about those massage chairs?! | 0:35:22 | 0:35:25 | |
Who goes on those? Those big leather massage chairs, in the daylight, | 0:35:25 | 0:35:28 | |
in the middle of the services. I've never seen a trucker sitting on that | 0:35:28 | 0:35:32 | |
going, "Yeah, after a few hours on Britain's uneven roads, | 0:35:32 | 0:35:36 | |
"this is-is-is exactly what I require. | 0:35:36 | 0:35:38 | |
"Oh, look, there's a shiatsu option. | 0:35:38 | 0:35:40 | |
"Cancel the spa break, darling, it's like a holiday." | 0:35:40 | 0:35:43 | |
I saw one the other day that was outside the loos. | 0:35:45 | 0:35:47 | |
People were coming out sort of splashing their washed hands. | 0:35:47 | 0:35:50 | |
"Oh, hydrotherapy - I'm getting more than I bargained for here!" | 0:35:50 | 0:35:53 | |
But those loos, seriously, in the services, | 0:35:55 | 0:35:57 | |
are the most depressing place that I have to go in my life. | 0:35:57 | 0:35:59 | |
I can't stand it, when you've got to actually go into the cubicle. | 0:35:59 | 0:36:02 | |
Because I never just open doors or anything, I always spend a bit of time. | 0:36:02 | 0:36:05 | |
There's always, like, a long line of doors. | 0:36:05 | 0:36:07 | |
I spend a bit of time trying to work out which one I want to open, which one feels lucky, you know? | 0:36:07 | 0:36:11 | |
Because you don't want to open it and see something that you don't want to see. Understand? | 0:36:11 | 0:36:16 | |
It's like the most unimaginably awful episode of Deal Or No Deal. | 0:36:16 | 0:36:21 | |
In Deal Or No Deal, if you win, you get £250,000. | 0:36:21 | 0:36:24 | |
In this motorway services loo selection version, | 0:36:24 | 0:36:27 | |
a win is just clean. | 0:36:27 | 0:36:29 | |
Just clean! | 0:36:29 | 0:36:31 | |
You open the door, it's like, "Oh, I won! | 0:36:31 | 0:36:34 | |
It's clean. | 0:36:34 | 0:36:35 | |
There's a loo seat and a lock. | 0:36:35 | 0:36:37 | |
It's beautiful, there's lots of loo roll. | 0:36:37 | 0:36:40 | |
Deal! | 0:36:40 | 0:36:41 | |
But we've all had that equivalent of the 1p box. | 0:36:43 | 0:36:46 | |
When you open the door | 0:36:46 | 0:36:48 | |
and you're like, "Oh, it's a full house...of depravity." | 0:36:48 | 0:36:54 | |
Overflowing, unflushed loo. | 0:36:54 | 0:36:56 | |
No loo roll, no loo seat. | 0:36:56 | 0:36:59 | |
Piss all over the floor. | 0:36:59 | 0:37:00 | |
Obscenities written on the wall. No lock on the door. | 0:37:00 | 0:37:02 | |
I was in one the other day. | 0:37:02 | 0:37:04 | |
I opened the door, it was exactly the situation. | 0:37:04 | 0:37:06 | |
As I walked in, there was a sign that said, | 0:37:06 | 0:37:07 | |
"These loos were last checked and cleaned at 2:30." | 0:37:07 | 0:37:10 | |
I looked at my watch, it was 2:42. | 0:37:10 | 0:37:12 | |
THIS had happened in the last 12 minutes! | 0:37:13 | 0:37:17 | |
What kind of MONSTER had been in there? | 0:37:18 | 0:37:22 | |
Who in their right mind goes in and fills up the whole loo, | 0:37:22 | 0:37:24 | |
and then thinks, "I'm going to need all this. | 0:37:24 | 0:37:26 | |
"Oh, there's a fresh loo roll, good. | 0:37:26 | 0:37:28 | |
"I'm going to need every single bit to deal with this situation! | 0:37:28 | 0:37:30 | |
"Whilst I was pissing on the floor, I forgot to piss. | 0:37:30 | 0:37:33 | |
"Might as well fill that in all around there - that looks nice." | 0:37:33 | 0:37:35 | |
Writing obscenities on the wall. | 0:37:35 | 0:37:37 | |
Then rips off the loo seat, | 0:37:37 | 0:37:39 | |
kicks off the lock and carries on with their life! | 0:37:39 | 0:37:41 | |
They could still be on the premises! | 0:37:43 | 0:37:44 | |
"Oh, that massage chair really got me going." | 0:37:46 | 0:37:48 | |
I don't understand. | 0:37:48 | 0:37:49 | |
And I don't understand where all the loo seats are. | 0:37:49 | 0:37:52 | |
You ask yourself these questions - | 0:37:52 | 0:37:54 | |
so many times in my life I've got into a public loo, | 0:37:54 | 0:37:56 | |
you open the door and there is no loo seat. | 0:37:56 | 0:37:57 | |
You just go, "Oh, there's no seat in that one. | 0:37:57 | 0:37:59 | |
"What about that one? Oh, there's no seat in that one. | 0:37:59 | 0:38:02 | |
"Oh, this one's got a seat. Yeah, I'll go in there." | 0:38:02 | 0:38:04 | |
Back up. Where are the seats? Who are you? | 0:38:04 | 0:38:08 | |
Where are they going? | 0:38:08 | 0:38:09 | |
Who in their right mind finishes on the loo and just thinks, | 0:38:09 | 0:38:12 | |
"That would look quite nice at home. Does that just screw off, does it?" | 0:38:12 | 0:38:16 | |
I've never seen anybody running through the services' car park | 0:38:16 | 0:38:20 | |
with a loo seat on their head. | 0:38:20 | 0:38:21 | |
"Don't ask, just drive. Look what Daddy got. | 0:38:21 | 0:38:24 | |
"And I got all the loo roll." | 0:38:24 | 0:38:26 | |
The doors, I don't understand as well. | 0:38:27 | 0:38:29 | |
Of all the doors in the world, | 0:38:29 | 0:38:30 | |
and there are a lot of doors in the world, | 0:38:30 | 0:38:32 | |
don't you think that the doors of a place where you are on the loo in | 0:38:32 | 0:38:36 | |
public should fill the space around you and give you maximum privacy? | 0:38:36 | 0:38:39 | |
These are the smallest doors in the world. | 0:38:39 | 0:38:41 | |
They literally don't even... | 0:38:41 | 0:38:42 | |
They sort of start from here, then they don't even go to the edges. | 0:38:42 | 0:38:45 | |
I was sitting on the loo the other day. I could see right through. | 0:38:45 | 0:38:48 | |
Just someone at the hand-dryer., just staring at me. | 0:38:49 | 0:38:51 | |
They're like cowboy doors. | 0:38:54 | 0:38:55 | |
They sort of go from... Why do they start here? I don't understand. | 0:38:55 | 0:38:58 | |
Why do people want to see the shitting feet of strangers? | 0:38:58 | 0:39:01 | |
Is that important to you? They come in, | 0:39:01 | 0:39:02 | |
"Oh, look. Some shitting feet. Shitting feet there. | 0:39:02 | 0:39:04 | |
"I feel great here, I know exactly what I'm supposed to do." | 0:39:04 | 0:39:07 | |
I don't understand it! | 0:39:07 | 0:39:08 | |
They sort of start here and they go sort of to here. | 0:39:08 | 0:39:12 | |
No, not to here. They go above your head. | 0:39:12 | 0:39:14 | |
That would be even worse. I suppose we need to be grateful for that. | 0:39:14 | 0:39:19 | |
Can you imagine? | 0:39:19 | 0:39:20 | |
"Are you going to be long, mate?" "A couple of minutes, I'd say." | 0:39:27 | 0:39:31 | |
They do. They do cut off your head. | 0:39:31 | 0:39:35 | |
But it goes all the way round. You can even see it in the next one. | 0:39:35 | 0:39:38 | |
The other day, there was a newspaper in my bit and I thought, | 0:39:38 | 0:39:41 | |
"That's going to be mine. I'm going to read that." | 0:39:41 | 0:39:43 | |
And I just reached for it, and a hand came under the door | 0:39:43 | 0:39:46 | |
and started taking it away. "No, you bloody don't!" | 0:39:46 | 0:39:50 | |
Although this is all I need to reveal now | 0:39:50 | 0:39:53 | |
for people to recognise me. | 0:39:53 | 0:39:54 | |
"I know those calves - it's Mr McIntyre, isn't it?" | 0:39:54 | 0:39:57 | |
Can I get a selfie?" | 0:39:57 | 0:39:58 | |
But obviously you have to go. | 0:40:02 | 0:40:03 | |
If you need to go, you've got to pull over. That's my life. | 0:40:03 | 0:40:06 | |
Children, of course, don't tolerate that. | 0:40:06 | 0:40:08 | |
When the children need to go to the loo and we're in the car, | 0:40:08 | 0:40:10 | |
I always say the same thing. | 0:40:10 | 0:40:11 | |
"You should've thought of that before." | 0:40:11 | 0:40:13 | |
"You should've thought of that before." | 0:40:13 | 0:40:15 | |
I say that because I've heard other parents say it. | 0:40:15 | 0:40:17 | |
But it's a very unreasonable request if you actually think it through. | 0:40:17 | 0:40:21 | |
People don't pre-plan when they need to go to the loo. | 0:40:21 | 0:40:23 | |
They just need to go to the loo. ADULTS don't think of it before. | 0:40:23 | 0:40:26 | |
But apparently children have to think of it before. | 0:40:26 | 0:40:28 | |
I think it would be quite creepy if they did. | 0:40:28 | 0:40:30 | |
"Before we set off, Daddy, I'd just like to point out | 0:40:30 | 0:40:32 | |
"that I did have two apple juices with my breakfast. | 0:40:32 | 0:40:35 | |
"And with my usual rate of digestion, | 0:40:35 | 0:40:36 | |
"I'd say I'll be needing a pee between 40 and 45 minutes. | 0:40:36 | 0:40:39 | |
"If you maintain this speed or between 70-75 mph, | 0:40:39 | 0:40:42 | |
"then speed equals distance over time | 0:40:42 | 0:40:44 | |
"and, according to this map, we'll be between junctions 14 and 17 of the M4 when I'm desperate for a pee. | 0:40:44 | 0:40:50 | |
"So I'm going to pee now in advance of setting off so as not to annoy you." | 0:40:50 | 0:40:53 | |
"You're a freak. I don't even think I want you in the car." | 0:40:53 | 0:40:55 | |
Don't think of it before! | 0:40:57 | 0:40:59 | |
But my children are doing very well. | 0:40:59 | 0:41:00 | |
They're ten and seven. They're amazing, | 0:41:00 | 0:41:02 | |
and I have to say, all respect to my wife, | 0:41:02 | 0:41:04 | |
who's doing an incredible, patient job of raising them. | 0:41:04 | 0:41:07 | |
I don't know how she does it. Because I can't do it. I had to babysit the other night. | 0:41:07 | 0:41:10 | |
I lose it very quickly. But it's not like my wife isn't without limits. | 0:41:10 | 0:41:13 | |
She has this thing - all women have this - she has a thing called a tether. | 0:41:13 | 0:41:16 | |
Now, I don't know what a tether is. | 0:41:16 | 0:41:17 | |
Men aren't allowed to know what a tether is. | 0:41:17 | 0:41:19 | |
All we know is that women will find themselves somewhere along the tether at any time of the day. | 0:41:19 | 0:41:23 | |
But we're not allowed any information as to where she is located upon it. | 0:41:23 | 0:41:27 | |
There's no tether monitor. | 0:41:27 | 0:41:28 | |
There's no updates. She doesn't update us. | 0:41:28 | 0:41:30 | |
No women update us on where they are on the tether. | 0:41:30 | 0:41:32 | |
The first we learn of where they are on the tether | 0:41:32 | 0:41:35 | |
is when they reach the END of the tether. | 0:41:35 | 0:41:37 | |
And this can literally happen at any time, out of the blue. | 0:41:39 | 0:41:41 | |
This happened the other day. I opened the fridge and it was empty. | 0:41:41 | 0:41:44 | |
I was like, "Darling, there's nothing in the fridge." | 0:41:44 | 0:41:47 | |
She just mimicked me. "Is there nothing in the fridge?!" | 0:41:47 | 0:41:49 | |
"I was just wondering what was for dinner." | 0:41:49 | 0:41:51 | |
"Whatever the fuck you want, Michael." | 0:41:51 | 0:41:53 | |
I think I know what's happened here. | 0:41:55 | 0:41:57 | |
"You've reached the end of your tether, haven't you? | 0:41:57 | 0:42:00 | |
"I didn't even know you were in the danger zone, darling. | 0:42:00 | 0:42:03 | |
"You should have warned me." | 0:42:03 | 0:42:04 | |
I took my wife out the other night for a date night. | 0:42:06 | 0:42:09 | |
This is a great way to get her down | 0:42:09 | 0:42:10 | |
to the more desirable place along the tether. | 0:42:10 | 0:42:13 | |
Great for tether readjustment, date night. | 0:42:13 | 0:42:16 | |
Of course, I ruined it. I took her to this really expensive restaurant and it just really wound me up. | 0:42:16 | 0:42:20 | |
They did this thing I've never seen before. | 0:42:20 | 0:42:22 | |
They gave me a menu, a normal menu with the food and the prices. | 0:42:22 | 0:42:25 | |
Then they gave her a menu with just the food. No prices. | 0:42:25 | 0:42:27 | |
So we had a very different experience in this restaurant. | 0:42:27 | 0:42:31 | |
She was like, "Oh, the lobster looks good." | 0:42:31 | 0:42:33 | |
I'm like, "No, it doesn't. It looks awful!" | 0:42:33 | 0:42:35 | |
"I think the green beans as a side order to share looks rather yummy." | 0:42:35 | 0:42:38 | |
She said, "I wonder what the catch of the day is." | 0:42:38 | 0:42:41 | |
"It's £45 and you're not having it, OK?" | 0:42:41 | 0:42:43 | |
I actually called the waiter over. | 0:42:45 | 0:42:47 | |
I'm like, "Sorry, £45 for the catch of the day? | 0:42:47 | 0:42:49 | |
"What is it you've caught? | 0:42:49 | 0:42:51 | |
"Because if it's not a mermaid, you're overcharging. | 0:42:51 | 0:42:53 | |
"Do you understand?" | 0:42:53 | 0:42:54 | |
But the best news for my wife's tether position and my whole family, | 0:42:57 | 0:43:01 | |
in fact, is that we've moved to the country. | 0:43:01 | 0:43:04 | |
It's been my wife's dream to have a place in the country. | 0:43:04 | 0:43:06 | |
It became my dream when she told me about it every day for 15 years. | 0:43:06 | 0:43:10 | |
So we've finally done it, this beautiful place in the country. | 0:43:10 | 0:43:12 | |
And I'm readjusting to country life. | 0:43:12 | 0:43:14 | |
There are things I didn't know about. | 0:43:14 | 0:43:16 | |
I mean, I'm a Londoner, I've lived here my whole life. | 0:43:16 | 0:43:18 | |
Things like plumbing. Never knew about plumbing. | 0:43:18 | 0:43:20 | |
You don't think about plumbing in London. | 0:43:20 | 0:43:22 | |
you just flush the loo and don't really care what goes on. | 0:43:22 | 0:43:24 | |
I wash my hands and carry on with my life. | 0:43:24 | 0:43:26 | |
But now I've bought a house, and there's no plumbing to it. | 0:43:26 | 0:43:28 | |
Didn't know that when I bought it. | 0:43:28 | 0:43:30 | |
There's a tank next to the house and everything from the loo goes into the tank. | 0:43:30 | 0:43:33 | |
It's called a septic tank and it gets changed once a year. | 0:43:33 | 0:43:36 | |
Tell me, honestly, is that living the dream, would you say? | 0:43:36 | 0:43:38 | |
You know when you buy a house and people are like, | 0:43:38 | 0:43:40 | |
"Oh, the previous owners left all their shit behind"? | 0:43:40 | 0:43:43 | |
That is exactly the situation I'm in! | 0:43:43 | 0:43:45 | |
I've got a shit tank next to my house! | 0:43:46 | 0:43:48 | |
So, I have to be honest with you, | 0:43:50 | 0:43:52 | |
being here is such a pleasure for me, you know? | 0:43:52 | 0:43:54 | |
I'm a little bit upset it's my last time. | 0:43:54 | 0:43:56 | |
But it really is, honestly, so much fun playing to you here. | 0:43:56 | 0:43:59 | |
CHEERING | 0:43:59 | 0:44:01 | |
Because I've been...all around the country building up to here. | 0:44:01 | 0:44:04 | |
And I've been going abroad as well. | 0:44:04 | 0:44:06 | |
That's nice, I didn't know that people knew me abroad. | 0:44:06 | 0:44:09 | |
I didn't know if they had YouTube, or something. | 0:44:09 | 0:44:11 | |
I don't know, the show was sold there. | 0:44:11 | 0:44:13 | |
But I started getting these phone calls, | 0:44:13 | 0:44:14 | |
and I went to Norway, and I went to... | 0:44:14 | 0:44:16 | |
IN SOUTH AFRICAN ACCENT: South Africa. | 0:44:16 | 0:44:18 | |
I got invited to go to South Africa. I'm sorry to do the accent, | 0:44:18 | 0:44:20 | |
but it's just too fun not to do, you know? | 0:44:20 | 0:44:22 | |
If you've got a little bit of time on your hands, | 0:44:22 | 0:44:25 | |
just talk to yourself in a South African accent, like this! | 0:44:25 | 0:44:28 | |
And if you don't know how to do it, just make sure that every syllable | 0:44:28 | 0:44:32 | |
that you say has nothing to do with the syllable directly before it, OK? | 0:44:32 | 0:44:37 | |
So I went to South Africa, and they invited me | 0:44:38 | 0:44:40 | |
to go to Cape Town and Johannesburg. And I kept telling people, | 0:44:40 | 0:44:42 | |
I'm going to Cape Town and Johannesburg to do comedy. | 0:44:42 | 0:44:45 | |
They'd always say the same thing - "You're going to love Cape Town." | 0:44:45 | 0:44:47 | |
I'd go, "What about Johannesburg?" | 0:44:47 | 0:44:49 | |
And they told me, almost to a man, that they knew somebody | 0:44:49 | 0:44:51 | |
or knew somebody who knew somebody who was shot in Johannesburg. | 0:44:51 | 0:44:54 | |
I looked it up online. Big mistake - it's murder capital of the world. | 0:44:54 | 0:44:57 | |
More people are shot in Johannesburg than anywhere else. | 0:44:57 | 0:44:59 | |
I tried to pull out. I called the office and said, | 0:44:59 | 0:45:01 | |
"Can I not do the Johannesburg one and just do Cape Town?" | 0:45:01 | 0:45:04 | |
They said, "Too late. You've sold the tickets, you've got to go." | 0:45:04 | 0:45:07 | |
"You're overreacting. It's a lovely venue. Look it up online." | 0:45:07 | 0:45:09 | |
So rather than going on the website, modern day, I went on Google Street View. | 0:45:09 | 0:45:13 | |
You know when there's that green man, | 0:45:13 | 0:45:14 | |
and you pick him up, and you drag him? | 0:45:14 | 0:45:16 | |
Then you drop him on the road, and that road comes up | 0:45:18 | 0:45:20 | |
because they photographed all the roads in the world. | 0:45:20 | 0:45:23 | |
So I dropped him outside the venue in Johannesburg to see what it looked like. | 0:45:23 | 0:45:26 | |
And HE got shot. That's when I knew... | 0:45:26 | 0:45:29 | |
..it wasn't such a good idea. | 0:45:30 | 0:45:31 | |
I also went to Australia. I went to 'Stralia, yeah. | 0:45:31 | 0:45:34 | |
Don't know if there's any Aussies in tonight, | 0:45:34 | 0:45:36 | |
but I went all the way to 'Stralia to do some shows. | 0:45:36 | 0:45:38 | |
The Aussies who live over here, they're kind of wild, you know? | 0:45:38 | 0:45:41 | |
Because they've come a long way. | 0:45:41 | 0:45:42 | |
They're like, "I'm going to make the most of it. | 0:45:42 | 0:45:44 | |
"Come on, yeah! I'm in London!" | 0:45:44 | 0:45:46 | |
The ones in Australia, they're the most relaxed people | 0:45:46 | 0:45:49 | |
I've ever met in my entire life. | 0:45:49 | 0:45:50 | |
They speak so slowly! | 0:45:50 | 0:45:52 | |
"Basically, I'm in no rush whatsoever. | 0:45:52 | 0:45:54 | |
"I mean, I'm miles away from everywhere on Earth. | 0:45:54 | 0:45:57 | |
"What's the point of rushing? | 0:45:57 | 0:46:00 | |
"I mean, we're 12 hours ahead. | 0:46:00 | 0:46:02 | |
"You're never going to catch up anyway." | 0:46:02 | 0:46:04 | |
Even in the airport, I've never heard less urgency. | 0:46:06 | 0:46:09 | |
"Flight number two... | 0:46:09 | 0:46:10 | |
.."Seven... | 0:46:12 | 0:46:14 | |
"Is that a four? Would you call that a four?!" | 0:46:14 | 0:46:16 | |
"Oh, that one's gone, that's my mistake. | 0:46:17 | 0:46:19 | |
"Too slow, I'm afraid. That's happened again!" | 0:46:19 | 0:46:23 | |
They go, "How you going?" They don't go, "How are you?" | 0:46:23 | 0:46:25 | |
They go, "How you going? How you going?" I'd never heard this. | 0:46:25 | 0:46:28 | |
I was checking in on an internal flight from Sydney to Adelaide. | 0:46:28 | 0:46:30 | |
I was like, "I'd like to go to Adelaide, please." | 0:46:30 | 0:46:32 | |
And this woman went, "How you going?" | 0:46:32 | 0:46:34 | |
I was like, "Aircraft? What kind of a place is this?!" | 0:46:34 | 0:46:37 | |
And I even went to Dubai, which was very good. | 0:46:39 | 0:46:41 | |
I wasn't playing to locals in Dubai. I was playing to expats. | 0:46:41 | 0:46:43 | |
I sold a load of tickets, | 0:46:43 | 0:46:44 | |
but I think they were just getting out of the heat. | 0:46:44 | 0:46:46 | |
I think it's really air conditioning that's the biggest draw in Dubai. | 0:46:46 | 0:46:50 | |
Because I've been to Dubai in the summer, last summer, on holiday. | 0:46:50 | 0:46:53 | |
The biggest mistake of my life. It is so hot | 0:46:53 | 0:46:55 | |
that you can't actually believe they built it. | 0:46:55 | 0:46:57 | |
It makes you quite angry. It's like an oven. | 0:46:57 | 0:46:59 | |
You know when people go, "It's like an oven!" It is. | 0:46:59 | 0:47:01 | |
The only other time I've experienced heat like this is, when you leave the oven on a long time | 0:47:01 | 0:47:05 | |
and you open it and it hits you in the face, like that. And I've never at that moment thought, | 0:47:05 | 0:47:09 | |
"I want to go on holiday in there." | 0:47:09 | 0:47:12 | |
"What do you think, darling? | 0:47:12 | 0:47:13 | |
"You, me and the kids, 280 degrees C, fan-assisted?" | 0:47:13 | 0:47:16 | |
I can't tell you how hot it was. | 0:47:16 | 0:47:19 | |
There was a revolving door in our hotel. | 0:47:19 | 0:47:21 | |
And when I revolved out from the air conditioning into the outside of Dubai, | 0:47:21 | 0:47:24 | |
I literally just revolved straight back in. | 0:47:24 | 0:47:26 | |
"We cannot go out there!" I can't tell you what it was like. | 0:47:26 | 0:47:29 | |
There were people going through with frozen chickens, coming round with Sunday lunches on the other side. | 0:47:29 | 0:47:34 | |
If the juices run clear, then it's ready. | 0:47:35 | 0:47:37 | |
"More crispy? One more revolution will do this!" | 0:47:37 | 0:47:39 | |
I don't understand revolving doors. | 0:47:42 | 0:47:43 | |
I think it should be illegal for strangers to get into your segment. | 0:47:43 | 0:47:47 | |
There it is, I said it. | 0:47:47 | 0:47:48 | |
It's hard enough when you've got in your segment | 0:47:49 | 0:47:52 | |
and you're trying to make your way round in that weird sort of segment revolving door walk. | 0:47:52 | 0:47:56 | |
It's the oddest thing, when a stranger slots in. | 0:47:56 | 0:47:58 | |
"Whoa, there's a stranger in my segment! | 0:47:58 | 0:48:00 | |
"Why doesn't he just wait a microsecond for his own segment?" | 0:48:00 | 0:48:05 | |
It's very hard to walk with another person in your segment. | 0:48:05 | 0:48:09 | |
I cannot believe a stranger has joined me in my segment! | 0:48:09 | 0:48:12 | |
I always eyeball them. | 0:48:12 | 0:48:13 | |
"I don't know you, you're a stranger!" | 0:48:13 | 0:48:15 | |
"I do know you! I hold your hand once in the road. | 0:48:17 | 0:48:20 | |
"Why you never remember me? | 0:48:20 | 0:48:21 | |
"You not call me or nothing. You come on so strong, then you disappear!" | 0:48:21 | 0:48:24 | |
But obviously, when we're on holiday in Dubai, | 0:48:28 | 0:48:30 | |
very dangerous for children. | 0:48:30 | 0:48:31 | |
The sun is so strong, it's very dangerous for the children. | 0:48:31 | 0:48:33 | |
This is why I have to put them in the shade. That's my responsibility. | 0:48:33 | 0:48:36 | |
You know, as a father. That's my responsibility. | 0:48:36 | 0:48:38 | |
I'm not married to a doctor, so I have to do things myself. | 0:48:38 | 0:48:41 | |
And by the pool, it's always about moving these umbrellas. | 0:48:43 | 0:48:45 | |
We've got these umbrellas. They block the sun. That's what they're for. | 0:48:45 | 0:48:48 | |
My wife always goes, "Can you just move the umbrella, darling, | 0:48:48 | 0:48:51 | |
"get the kids in the shade?" Well, this is easier said than done. | 0:48:51 | 0:48:53 | |
These umbrellas are the heaviest things in the world. | 0:48:53 | 0:48:55 | |
You can't just drag it to where you want to go. Oh, no! | 0:48:55 | 0:48:58 | |
The only way to move it is, you have to tilt it and twirl it, | 0:48:58 | 0:49:01 | |
like this. And twirl it. | 0:49:01 | 0:49:02 | |
And keep twirling it. | 0:49:02 | 0:49:04 | |
And twirl it again. And twirl it. | 0:49:04 | 0:49:06 | |
And then you end up where you started. | 0:49:06 | 0:49:08 | |
Sometimes you have to do a series of alternate tilts and twirls | 0:49:08 | 0:49:11 | |
to try and reach your destination. | 0:49:11 | 0:49:13 | |
And you find yourself moving further away. | 0:49:13 | 0:49:15 | |
You don't know how to get to where you're going. | 0:49:15 | 0:49:17 | |
My wife's like, "Where are you going?" | 0:49:17 | 0:49:18 | |
"I'm trying to get to you. Let me try and work this out!" | 0:49:18 | 0:49:21 | |
I saw another dad get closer to my kids. | 0:49:21 | 0:49:23 | |
"Why don't you save my children and I'll try and get round to yours?" | 0:49:23 | 0:49:27 | |
And then when I was checking in, | 0:49:27 | 0:49:29 | |
this bloke came through reception with an umbrella, like this. | 0:49:29 | 0:49:32 | |
He was like, "I'm not even staying at this hotel." | 0:49:32 | 0:49:35 | |
"I'm supposed to be in Sharm El Sheikh. | 0:49:35 | 0:49:38 | |
"Tell my wife I love her. My kids must have melted by now!" | 0:49:38 | 0:49:42 | |
Obviously, going on holiday, it's about getting away from the country. | 0:49:45 | 0:49:48 | |
It's also about getting away from people as well. | 0:49:48 | 0:49:50 | |
I want you to know that I love British people. | 0:49:50 | 0:49:52 | |
I would never live anywhere but here. | 0:49:52 | 0:49:54 | |
I'm one of you, I love you. But on holiday... | 0:49:54 | 0:49:56 | |
..I can't really stand you. There's something about Brits. | 0:49:57 | 0:50:00 | |
I'm one of them, but I just feel so much better with foreigners because | 0:50:00 | 0:50:03 | |
you feel like you're away. We seem to be quite whiny, don't we, | 0:50:03 | 0:50:06 | |
by the pool? | 0:50:06 | 0:50:08 | |
"Dave? Da-a-ave? | 0:50:08 | 0:50:10 | |
"Da-a-ave?" I'm always like, "I don't want to be on holiday with Dave." | 0:50:10 | 0:50:13 | |
"Da-a-ave? | 0:50:13 | 0:50:14 | |
Have you seen my other flip-flop, Da-a-ave?" | 0:50:14 | 0:50:17 | |
"I dunno, love. It's your flip-flop. Where d'you last see it?" | 0:50:17 | 0:50:20 | |
The other one's like, "Oh, I don't know." | 0:50:20 | 0:50:22 | |
But, you know, foreigners are having exactly the same conversations. | 0:50:22 | 0:50:25 | |
They just sound so much better coming from them. | 0:50:25 | 0:50:28 | |
"Davido. Come la vale la flippa-floppa?" | 0:50:28 | 0:50:31 | |
"Mi scusi, Maria, ma flippa-floppa, come la tutta la flippa-floppa?!" | 0:50:33 | 0:50:37 | |
I'm just lying there like, | 0:50:38 | 0:50:40 | |
"Oh, it's so great to be away, isn't it? Loving it." | 0:50:40 | 0:50:43 | |
Even the kids. I don't want to be rude about our children. | 0:50:43 | 0:50:46 | |
But foreign children - they seem to be amazing. | 0:50:46 | 0:50:48 | |
They play all day. They have golden-brown tans. | 0:50:48 | 0:50:51 | |
They swim like dolphins. They dive into the water, you don't even see a splash. | 0:50:51 | 0:50:56 | |
They just disappear and emerge at the other side of the water. | 0:50:56 | 0:50:59 | |
"Oh, Mama, Papa, la agua. Issa magnifico." | 0:50:59 | 0:51:04 | |
"Oh, Mama! La flippa-floppa! Come le latte la flippa-floppa!" | 0:51:06 | 0:51:10 | |
British children have so much cream on, you could see them from space. | 0:51:11 | 0:51:14 | |
We LOVE basting them. We'd like to baste the kids in cream. | 0:51:16 | 0:51:20 | |
All in their eyes, and their noses, and their mouth. | 0:51:20 | 0:51:22 | |
"Come here!" Reluctantly, "I don't like it, I don't like it!" | 0:51:22 | 0:51:25 | |
And they don't just have armbands any more. | 0:51:25 | 0:51:27 | |
We like to put these flotation suits. | 0:51:27 | 0:51:29 | |
They're the most buoyant things on Earth, | 0:51:29 | 0:51:32 | |
bobbing around with cream in their eyes. | 0:51:32 | 0:51:34 | |
And the tightest goggles. There's something about goggles | 0:51:34 | 0:51:37 | |
where, once you over-tighten them, you can't reverse it. | 0:51:37 | 0:51:39 | |
And they're always, "Daddy, can you get my goggles right?" | 0:51:39 | 0:51:42 | |
But you can't do it. You fight with it for a while. Then you give up, | 0:51:42 | 0:51:45 | |
pretend you've done it and just strap them on that tight. | 0:51:45 | 0:51:48 | |
"Ow, Daddy, that really hurts! | 0:51:48 | 0:51:50 | |
Ow! Ow, the cream's dripping in my eyes!" There's a bubble! | 0:51:50 | 0:51:54 | |
"Go on, make a friend." | 0:51:54 | 0:51:56 | |
"I can't see where the pool is!" | 0:51:56 | 0:52:00 | |
Foreign kids are just smoking cigarettes, drinking coffee. | 0:52:00 | 0:52:03 | |
"Bambino Inglese. Stupido!" | 0:52:03 | 0:52:05 | |
Swimming is the big thing for us. | 0:52:08 | 0:52:09 | |
I mean, seriously, compared to foreigners | 0:52:09 | 0:52:11 | |
it's absolutely hysterical. | 0:52:11 | 0:52:13 | |
I've seen what foreigners do when they're by the pool | 0:52:13 | 0:52:16 | |
and they need to swim. They get hot, they get up, and they get in. | 0:52:16 | 0:52:19 | |
That's the process. Hot, up, in. | 0:52:19 | 0:52:21 | |
Yeah, just doing lengths. Ciao! Hot, up, in. | 0:52:21 | 0:52:24 | |
That's it. Easy. It's an amazing thing. | 0:52:24 | 0:52:26 | |
We can't do that in pools. We, as British people, | 0:52:26 | 0:52:29 | |
need to enter into a whole process. | 0:52:29 | 0:52:31 | |
First of all, we have to announce to all the British people we are with... | 0:52:31 | 0:52:34 | |
.."I'm going in." | 0:52:35 | 0:52:37 | |
"You going in?" "Yes, I am going in." | 0:52:38 | 0:52:41 | |
"What's it like? What's it like?" | 0:52:41 | 0:52:42 | |
Because going in doesn't actually mean going in. | 0:52:42 | 0:52:45 | |
Going in means reviewing the temperature of the water, | 0:52:45 | 0:52:47 | |
as everybody waits for the result. | 0:52:47 | 0:52:49 | |
And it's always the same. | 0:52:49 | 0:52:50 | |
HE GASPS "It's freezing!" | 0:52:50 | 0:52:53 | |
"What's it like?" "It's freezing!" | 0:52:53 | 0:52:54 | |
This is where you enter the next phase of the production. | 0:52:54 | 0:52:57 | |
This is where there'll already be a British person in the pool, | 0:52:57 | 0:52:59 | |
who will swim up to you and offer you some advice. | 0:52:59 | 0:53:01 | |
This is actually advice you've received on every previous swim of your entire life | 0:53:01 | 0:53:05 | |
and advice that you will receive on every future swim of your entire life. | 0:53:05 | 0:53:08 | |
But this advice at this very key moment means nothing to you at all. | 0:53:08 | 0:53:11 | |
And that is that it is "all right once you're in". | 0:53:11 | 0:53:13 | |
But it means nothing! | 0:53:13 | 0:53:14 | |
"It's all right, just get in." | 0:53:16 | 0:53:18 | |
"It's all right once you're in." | 0:53:18 | 0:53:19 | |
"It's actually quite warm in here." | 0:53:19 | 0:53:23 | |
"I was like you, but look at me now!" | 0:53:25 | 0:53:28 | |
But you don't believe a word of it. You give yourself maximum pain. | 0:53:31 | 0:53:35 | |
You take it one step at a time. | 0:53:35 | 0:53:37 | |
Some people just wait with the water around their waist, | 0:53:37 | 0:53:39 | |
just complaining, trying to build the courage. | 0:53:39 | 0:53:41 | |
HE PANTS PATHETICALLY | 0:53:41 | 0:53:44 | |
"I don't like it. It's freezing. It's freezing!" | 0:53:44 | 0:53:47 | |
Some people just launch themselves in. | 0:53:47 | 0:53:50 | |
HE GASPS | 0:53:50 | 0:53:52 | |
GASPS HYSTERICALLY | 0:53:52 | 0:53:54 | |
It only takes about four strokes before they make their announcement. | 0:53:54 | 0:53:57 | |
HE GASPS | 0:53:57 | 0:53:58 | |
"It's all right once you're in." | 0:53:58 | 0:54:00 | |
For fuck's sake! We all told you this. | 0:54:00 | 0:54:03 | |
The very fact there are people swimming happily in the pool | 0:54:03 | 0:54:07 | |
implies that it's all right once you're in. | 0:54:07 | 0:54:09 | |
It's not like you're standing there going, "Oh, it's freezing," | 0:54:09 | 0:54:12 | |
and there are just blue bodies floating on the surface. | 0:54:12 | 0:54:15 | |
"I don't think it is all right once you're in. | 0:54:17 | 0:54:19 | |
"There are dead, blue people in the pool. Darling - dead, blue people!" | 0:54:19 | 0:54:23 | |
We had this lovely man looking after us when we were on holiday in Dubai. | 0:54:23 | 0:54:27 | |
Don't know where he was from. He was a tiny little person. | 0:54:27 | 0:54:29 | |
He could never say my name as well. | 0:54:29 | 0:54:31 | |
"Hello, Mr Macintakarey, Mr Macalakataka!" | 0:54:31 | 0:54:34 | |
"McIntyre." | 0:54:34 | 0:54:35 | |
"Mackintakintakareyah!" | 0:54:35 | 0:54:37 | |
Macasilly-silly-mackey-yackey-mackey -yackey. | 0:54:37 | 0:54:40 | |
"Hello, Mr Mackey-yackey!" | 0:54:40 | 0:54:42 | |
He did this thing where he made a swan out of the towel, out of the bath towel. | 0:54:42 | 0:54:46 | |
Amazing. My wife loved it. | 0:54:46 | 0:54:48 | |
We came back to the room and there was a swan in the room, like that, | 0:54:48 | 0:54:50 | |
made out of towels. I was like, "Oh, look what that man did. | 0:54:50 | 0:54:53 | |
"He made us a beautiful, beautiful swan out of the towel." | 0:54:53 | 0:54:56 | |
I use it now as an excuse when I leave my wet towels on the floor. | 0:54:56 | 0:54:59 | |
"Michael, why did you leave your wet towels on the floor last night?" | 0:54:59 | 0:55:02 | |
"THAT...is a platypus." | 0:55:02 | 0:55:03 | |
"How dare you criticise my early work!" | 0:55:05 | 0:55:07 | |
So I come out of the shower, I'm on holiday, and there's no towels. | 0:55:09 | 0:55:12 | |
The kids have used all the towels. Typical. | 0:55:12 | 0:55:14 | |
So I go and reach for the swan, because it is a towel, first and foremost. | 0:55:14 | 0:55:17 | |
My wife goes mental. "Don't you dare touch that swan! | 0:55:17 | 0:55:19 | |
"That man made that beautiful swan and you're going to ruin it now, like you ruin everything." | 0:55:19 | 0:55:23 | |
I'm like, "But there are no towels." | 0:55:23 | 0:55:24 | |
"OK, fine, use it. But work around it, Michael. | 0:55:24 | 0:55:26 | |
"Don't ruin it. Don't spoil it." | 0:55:26 | 0:55:28 | |
So I'm standing there, naked, drying myself on this swan, like this. | 0:55:28 | 0:55:32 | |
And the bloody man who made it walks in. | 0:55:34 | 0:55:36 | |
"Mr Mackintakarey... Shit!" "Oh!" | 0:55:38 | 0:55:41 | |
It felt awful. | 0:55:41 | 0:55:43 | |
When we left, I thought, | 0:55:43 | 0:55:44 | |
I'm going to give him all my money that I had left, | 0:55:44 | 0:55:46 | |
all the dirhams, the currency for Dubai. | 0:55:46 | 0:55:48 | |
And it worked out to be 90 quid. | 0:55:48 | 0:55:49 | |
I thought, I'm going to give him 90 quid. He's been charming, he deserves it. | 0:55:49 | 0:55:52 | |
And as I told him, I shook his hand. | 0:55:52 | 0:55:54 | |
I gave him the money and I went, "You deserve this." | 0:55:54 | 0:55:56 | |
And he just rolled his eyes and walked off. | 0:55:56 | 0:55:57 | |
I thought, "That's a bit rude, a bit weird." | 0:55:57 | 0:56:00 | |
Felt a bit odd about it. And then of course, on the plane, | 0:56:00 | 0:56:02 | |
I worked it out that I had worked out the exchange rate wrong | 0:56:02 | 0:56:04 | |
and actually gave him 9p. I gave him 9p. | 0:56:04 | 0:56:06 | |
I gave him and 9p and I told them he deserved it as I gave it to him. | 0:56:06 | 0:56:09 | |
I think of all the people in the world, he hates me the most. | 0:56:09 | 0:56:12 | |
I can only imagine him getting home to his wife. | 0:56:12 | 0:56:15 | |
"I cannot believe Mr Mackintakarey! He give me 9p! | 0:56:15 | 0:56:18 | |
"9p! I had to look at his upside- down, creepy legs for ten days. | 0:56:18 | 0:56:24 | |
"He drugs his children, you know. | 0:56:24 | 0:56:26 | |
"He would leave syringes on the floor. | 0:56:26 | 0:56:28 | |
"I have to pick them up and say nothing as he drugs his children! | 0:56:28 | 0:56:31 | |
"They're on the iPad 24 hours a day. | 0:56:31 | 0:56:33 | |
"Mr Mackintakarey is disgustings! | 0:56:33 | 0:56:36 | |
"And he fucked my swan. I hate him!" | 0:56:36 | 0:56:40 | |
Ladies and gentlemen, thank you so much for coming out tonight. | 0:56:40 | 0:56:42 | |
Thank you very much! | 0:56:42 | 0:56:45 | |
To everyone at the top, thank you so much for coming. Thank you all. | 0:56:47 | 0:56:50 | |
HE SIGHS | 0:56:50 | 0:56:52 | |
You're very kind. | 0:56:52 | 0:56:55 | |
From the bottom of my heart, thank you so much. I will see you again. | 0:56:55 | 0:56:57 | |
Goodnight. Bravo! | 0:56:57 | 0:56:59 | |
Whoo! | 0:56:59 | 0:57:01 | |
CHEERING AND APPLAUSE | 0:57:01 | 0:57:03 | |
APPLAUSE AND CHEERING | 0:58:14 | 0:58:16 |