Browse content similar to Michael McIntyre's Christmas Comedy Roadshow. Check below for episodes and series from the same categories and more!
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'Ladies and gentlemen, | 0:00:09 | 0:00:12 | |
'please give a big Christmas welcome to Michael McIntyre!' | 0:00:12 | 0:00:17 | |
Bravo! | 0:00:17 | 0:00:19 | |
What do you know? | 0:00:19 | 0:00:22 | |
Good evening! Hello! | 0:00:22 | 0:00:25 | |
Bravo, let's have it! | 0:00:25 | 0:00:28 | |
Good evening, ladies and gentlemen, and welcome to my Comedy Roadshow. | 0:00:28 | 0:00:34 | |
Right here in my favourite festival of them all, it's Christmas! | 0:00:36 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:46 | |
Christmas, all happening now, innit? It's all happening. | 0:00:46 | 0:00:49 | |
All the women, | 0:00:49 | 0:00:50 | |
you can see they get that sort of organisational look in their eye. | 0:00:50 | 0:00:56 | |
Just completely obsessed with planning. | 0:00:56 | 0:00:58 | |
I've got to get ready! Got so much to think about. | 0:00:58 | 0:01:01 | |
It happens at the final firework on fireworks night, | 0:01:01 | 0:01:04 | |
when you have the finale... Pttfft! | 0:01:04 | 0:01:07 | |
The smoke clears and you see all the women going, "Christmas!" | 0:01:07 | 0:01:10 | |
LAUGHTER | 0:01:10 | 0:01:13 | |
"Got to start getting ready for Christmas now. Christmas is coming. | 0:01:13 | 0:01:17 | |
"Don't talk to me, I'm thinking, I'm planning! | 0:01:17 | 0:01:19 | |
"There's so much to do, darling!" | 0:01:19 | 0:01:21 | |
LAUGHTER | 0:01:21 | 0:01:24 | |
Men do the tree. | 0:01:24 | 0:01:26 | |
I love getting my tree and putting my tree up in my house. | 0:01:26 | 0:01:29 | |
"Come, darling, see the tree I chose. Big, bushy tree." | 0:01:29 | 0:01:34 | |
Then you decorate it, it looks beautiful, doesn't it? | 0:01:34 | 0:01:36 | |
One of the main things to do when decorating a tree, | 0:01:36 | 0:01:39 | |
as we all know, you have to make sure that the plug is at the back, | 0:01:39 | 0:01:42 | |
so it doesn't ruin the aesthetic. | 0:01:42 | 0:01:44 | |
The problem is that every night you leave it on, cos it looks so lovely | 0:01:44 | 0:01:47 | |
then you're halfway up the stairs and you stop and you think... | 0:01:47 | 0:01:51 | |
"There could be a fire." | 0:01:51 | 0:01:53 | |
Which means that literally, every night of December before bed, | 0:01:53 | 0:01:57 | |
I'm downstairs under the tree... | 0:01:57 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:03 | |
"Darling, can you help me? I can't reach the button. | 0:02:03 | 0:02:06 | |
"Button!" | 0:02:06 | 0:02:08 | |
I tell you what, | 0:02:12 | 0:02:13 | |
December, prime-time for Sellotape and scissors. | 0:02:13 | 0:02:18 | |
It's when these two really come into their own, isn't it? | 0:02:18 | 0:02:21 | |
Everyone in this room has Sellotape and scissors. | 0:02:21 | 0:02:24 | |
You think you know where they are. | 0:02:24 | 0:02:27 | |
They're probably not there. | 0:02:27 | 0:02:29 | |
They're always on the move. | 0:02:29 | 0:02:31 | |
You're going, "I know where my Sellotape and scissors are." | 0:02:31 | 0:02:34 | |
But not when you want them, not when you bloody want them! | 0:02:34 | 0:02:37 | |
You open the drawer. "I thought they... Who's moved the scissors?!" | 0:02:37 | 0:02:40 | |
They move on their own, scissors. They're crafty little bastards. | 0:02:40 | 0:02:43 | |
And Sellotape, as soon as you leave Sellotape unattended, | 0:02:43 | 0:02:46 | |
it'll wind itself up when you're not looking. | 0:02:46 | 0:02:48 | |
Days on end in December are spent with me just looking round the tape. | 0:02:48 | 0:02:53 | |
"How could this have happened? | 0:02:53 | 0:02:55 | |
"Surely, soon, soon I will find a way. | 0:02:55 | 0:02:57 | |
"I think I've been here now for three days." | 0:02:58 | 0:03:00 | |
And then you find it. "Finally! I'm in!" | 0:03:00 | 0:03:03 | |
And you get some kind of weird backward triangle bit. | 0:03:03 | 0:03:07 | |
"I'm not in. I thought I was in, but I'm not in!" | 0:03:07 | 0:03:09 | |
Sometimes you give up. | 0:03:11 | 0:03:12 | |
"I'm not going to look for the scissors any more. | 0:03:12 | 0:03:15 | |
"I'm going to buy new scissors, I don't care. | 0:03:15 | 0:03:17 | |
"I don't need to spend my life looking for scissors. | 0:03:17 | 0:03:19 | |
"I'm going to get new scissors." You think you've won, don't you? | 0:03:19 | 0:03:22 | |
You get new scissors. | 0:03:22 | 0:03:24 | |
"I got some new scissors, forget the old scissors, | 0:03:24 | 0:03:26 | |
"I'm not going to spend my life looking for those babies. | 0:03:26 | 0:03:28 | |
"Here's my new scissors." | 0:03:28 | 0:03:29 | |
Then you realise the scissors | 0:03:29 | 0:03:32 | |
come in a plastic packaging that closely... | 0:03:32 | 0:03:35 | |
closely covers the scissors. | 0:03:35 | 0:03:37 | |
And you can't get in unless you have scissors. | 0:03:37 | 0:03:42 | |
LAUGHTER | 0:03:42 | 0:03:43 | |
The very thing you need is staring at you through the plastic window. | 0:03:43 | 0:03:49 | |
They look at you, don't they? "Find a way in, dickhead! | 0:03:49 | 0:03:52 | |
"You can't, can you? | 0:03:52 | 0:03:54 | |
"Go on, find your old scissors. You thought you'd won! | 0:03:54 | 0:03:57 | |
"You haven't won. We've won. The scissors have won." | 0:03:57 | 0:04:00 | |
Most people use scissors in the classic way, don't they? | 0:04:02 | 0:04:05 | |
They cut. You know how to use scissors. | 0:04:05 | 0:04:07 | |
You get paper, you see how much you might need, | 0:04:07 | 0:04:10 | |
then you start cutting like that. That's how people cut. | 0:04:10 | 0:04:12 | |
But there are some people amongst us, gifted, special people... | 0:04:12 | 0:04:17 | |
The gliders. | 0:04:17 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:21 | |
These people are amazing. | 0:04:21 | 0:04:23 | |
Hidden within normal society... | 0:04:23 | 0:04:25 | |
Sss! | 0:04:25 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:31 | |
Sss! | 0:04:31 | 0:04:33 | |
Some can even do the ribbon thing. | 0:04:33 | 0:04:36 | |
Sss, prr-prr! | 0:04:36 | 0:04:37 | |
Most of us, we're not gifted in this way. | 0:04:39 | 0:04:42 | |
But every single year, | 0:04:42 | 0:04:44 | |
each and every non-gifted glider attempts the glide. | 0:04:44 | 0:04:48 | |
You make sure nobody is looking. | 0:04:50 | 0:04:52 | |
You try and do something you've seen others do. | 0:04:52 | 0:04:54 | |
I think you probably just push it there... | 0:04:54 | 0:04:57 | |
Bfft! "I've ruined the paper! I've ruined the paper! | 0:04:57 | 0:05:01 | |
"It was supposed to go "Sss" and it went "Bffp!" | 0:05:01 | 0:05:04 | |
"I will save my next attempt for next year!" | 0:05:04 | 0:05:06 | |
It's for the kids, isn't it, Christmas? | 0:05:10 | 0:05:13 | |
Christmas, it's a time for the kids. | 0:05:13 | 0:05:14 | |
And there are people in this room who do have children | 0:05:14 | 0:05:17 | |
and there are people in this room who don't. | 0:05:17 | 0:05:19 | |
CHEERING | 0:05:19 | 0:05:21 | |
And the people who don't have children, | 0:05:21 | 0:05:24 | |
they think they know, don't they? | 0:05:24 | 0:05:25 | |
They think they know what it means to have children. | 0:05:25 | 0:05:28 | |
Sometimes they chat about it in their couples. | 0:05:28 | 0:05:30 | |
"Oh, I'd love to start a family one day with you, it'd be lovely. | 0:05:30 | 0:05:33 | |
"You'd make a really good dad." | 0:05:33 | 0:05:35 | |
"I think you'd be an amazing mum. | 0:05:35 | 0:05:36 | |
"Wouldn't be so lovely, | 0:05:36 | 0:05:37 | |
"having little versions of you and me running around? | 0:05:37 | 0:05:40 | |
"I'd love to have a family." | 0:05:40 | 0:05:42 | |
And you think you know what you're talking about! | 0:05:42 | 0:05:46 | |
You have no idea! You have no idea what it's like. | 0:05:46 | 0:05:50 | |
You have no idea how difficult things will become in your life. | 0:05:50 | 0:05:54 | |
Things that you don't even consider to be things | 0:05:54 | 0:05:57 | |
will become nearly impossible when you have children. | 0:05:57 | 0:05:59 | |
I'm talking about things like leaving the house, for example. | 0:05:59 | 0:06:03 | |
This is how people without children leave the house... | 0:06:04 | 0:06:07 | |
"Shall we leave the house?" | 0:06:07 | 0:06:09 | |
"Yes." | 0:06:09 | 0:06:10 | |
This is how I leave the house almost every day. | 0:06:18 | 0:06:19 | |
"Lucas! Oscar! Come downstairs! | 0:06:19 | 0:06:22 | |
"We're late. Why aren't you downstairs? Put your shoes on." | 0:06:22 | 0:06:25 | |
"I don't know where my shoes are!" | 0:06:25 | 0:06:27 | |
"Put your shoes on. | 0:06:27 | 0:06:28 | |
"Go and find your shoes. Where did you see them last?" | 0:06:28 | 0:06:31 | |
"On my feet." | 0:06:31 | 0:06:33 | |
"After that?! Get your shoes on. Come here, come here. | 0:06:33 | 0:06:35 | |
"Arms up, arms up, arms in, arms in, arms up, arms up, arms in, arms in." | 0:06:35 | 0:06:39 | |
That's my wife. She's so tired, she can't dress herself. | 0:06:39 | 0:06:43 | |
"What arms? Darling, where are we going? I want to go to bed." | 0:06:45 | 0:06:49 | |
"Where are we going?" | 0:06:49 | 0:06:50 | |
"You've got Lucas's shoes on your hands. | 0:06:50 | 0:06:52 | |
"I found your shoes, darling. | 0:06:52 | 0:06:53 | |
"You put your shoes on. Where's Ozzie? Come downstairs! We're late! | 0:06:53 | 0:06:57 | |
"Put your coat on." | 0:06:57 | 0:06:58 | |
"I don't want to wear my coat." | 0:06:58 | 0:07:00 | |
You know people without children, you know how you do zips up? | 0:07:00 | 0:07:04 | |
I've seen how much time you have in your lives, how you focus on it. | 0:07:04 | 0:07:08 | |
You get the one with the fabric, you just pop it in, don't you? | 0:07:08 | 0:07:11 | |
It nestles in and then you pause, thinking about your free life | 0:07:11 | 0:07:14 | |
and what you might like to do later that day. | 0:07:14 | 0:07:17 | |
And then you just glide up, don't you? | 0:07:17 | 0:07:20 | |
Do you think I have time for that shit in my life? | 0:07:20 | 0:07:22 | |
Every single morning, | 0:07:22 | 0:07:24 | |
"Argh! | 0:07:24 | 0:07:25 | |
"Stay still! | 0:07:25 | 0:07:27 | |
"You'll have to put another coat on. I've ruined the zip. | 0:07:31 | 0:07:34 | |
"I've made the situation worse. Ozzie!" | 0:07:34 | 0:07:35 | |
My three-year-old will never come downstairs. | 0:07:35 | 0:07:39 | |
The only way to get him to leave the house is to bluff, | 0:07:39 | 0:07:42 | |
to pretend we're leaving without him, | 0:07:42 | 0:07:43 | |
It's the only way it'll work. | 0:07:43 | 0:07:45 | |
We have to all go, "Bye, Ozzie, we're all going." | 0:07:45 | 0:07:47 | |
My other son loves it, the six-year-old. | 0:07:47 | 0:07:49 | |
"Are we leaving Ozzie? Is he going to stay here? I hate him!" | 0:07:49 | 0:07:52 | |
"Don't be so rude about your brother. Say goodbye. | 0:07:52 | 0:07:55 | |
"We're not really leaving, we're pretending to leave. Say goodbye. | 0:07:55 | 0:07:58 | |
"Bye-bye, Ozzie, bye-bye!" | 0:07:58 | 0:07:59 | |
But he doesn't care, he just goes, "Bye-bye." | 0:07:59 | 0:08:03 | |
LAUGHTER | 0:08:03 | 0:08:05 | |
Then we have to come back in and explain, | 0:08:05 | 0:08:06 | |
"We're not really leaving, we love you." | 0:08:06 | 0:08:08 | |
"It's OK, I'll buy you something if you come." | 0:08:08 | 0:08:11 | |
This is every single time we leave the house. | 0:08:11 | 0:08:14 | |
The other day, I had enough. I said, | 0:08:14 | 0:08:15 | |
"I can't do this. We're bluffing, saying bye-bye to him." | 0:08:15 | 0:08:18 | |
My wife says, "Let's go and get him." | 0:08:18 | 0:08:20 | |
I'm like, "Stop, no... No, stop. | 0:08:20 | 0:08:22 | |
"I cannot go through this every single time we leave the house. | 0:08:22 | 0:08:26 | |
"He's driving me insane. | 0:08:26 | 0:08:28 | |
"I say we call his bluff. I think he has to learn a lesson, OK? | 0:08:28 | 0:08:33 | |
"Let's go, let's just go. | 0:08:33 | 0:08:34 | |
"Let's go to Corfu, let's have a nice holiday." | 0:08:34 | 0:08:36 | |
LAUGHTER | 0:08:36 | 0:08:40 | |
You've no idea what it's like. You childless people, you have no idea. | 0:08:40 | 0:08:45 | |
Driving, you go driving, you drive in cars, don't you? | 0:08:45 | 0:08:49 | |
What's the biggest drama you have to put up with? | 0:08:49 | 0:08:51 | |
"Oh, it's a bit chilly. Put the blower on. Oh, that's nice now. | 0:08:51 | 0:08:55 | |
"Oh, look, they've opened a new Carluccio's. We should go there. | 0:08:55 | 0:08:58 | |
"We could go there any night. We could go there any night. | 0:08:58 | 0:09:02 | |
"What's this song? I love this one." | 0:09:02 | 0:09:05 | |
# Freedom! Freedom! # | 0:09:05 | 0:09:08 | |
I strap my children into the car, | 0:09:09 | 0:09:12 | |
I work out what'll cut off the blood supply and I ease it a bit. | 0:09:12 | 0:09:15 | |
"Stay there!" | 0:09:15 | 0:09:18 | |
We try and behave normally. "Oh, what's this song?" | 0:09:18 | 0:09:20 | |
It's "The wheels on the bus go round and round, round and round..." | 0:09:20 | 0:09:23 | |
"Again, again!" | 0:09:23 | 0:09:25 | |
"Look, darling, there's a new Carluccio's there." | 0:09:25 | 0:09:28 | |
"We will never go there." | 0:09:28 | 0:09:30 | |
The other day I was checking my children in the rear-view mirror | 0:09:31 | 0:09:34 | |
to see that they're safe. | 0:09:34 | 0:09:36 | |
We're on the motorway, OK. | 0:09:36 | 0:09:37 | |
You angle it to check they're OK, because you're looking after them. | 0:09:37 | 0:09:41 | |
Neither of them were there. | 0:09:41 | 0:09:43 | |
They had both wound the windows down | 0:09:43 | 0:09:45 | |
and had their heads on the motorway out of the window, going, | 0:09:45 | 0:09:49 | |
"Yay!" | 0:09:49 | 0:09:51 | |
Both of them, either side. "Yay!" | 0:09:51 | 0:09:54 | |
My wife and I just lost it. "Get in the car!" | 0:09:54 | 0:09:57 | |
They can't hear us, they're having the times of their lives. | 0:09:57 | 0:10:00 | |
"Yay! Daddy, what are you saying, Daddy?" | 0:10:00 | 0:10:03 | |
On the motorway, going 80mph, | 0:10:03 | 0:10:06 | |
I had to stick my head out of my window | 0:10:06 | 0:10:09 | |
to try and communicate with my child. | 0:10:09 | 0:10:11 | |
"Get in the car!" | 0:10:11 | 0:10:13 | |
"What are you saying?" | 0:10:13 | 0:10:14 | |
My wife's doing it too. "Get in the car!" | 0:10:14 | 0:10:16 | |
"What is it, Mummy?" | 0:10:16 | 0:10:18 | |
All four of us had our heads out of the window. | 0:10:18 | 0:10:21 | |
APPLAUSE | 0:10:21 | 0:10:23 | |
Meanwhile, a childless couple is driving past. | 0:10:26 | 0:10:29 | |
"Oh, look at the kids. I'd love to start a family one day." | 0:10:29 | 0:10:32 | |
You have no idea what you're talking about! | 0:10:32 | 0:10:36 | |
Sleeping? Ha ha ha ha! | 0:10:36 | 0:10:40 | |
Sleeping at night? | 0:10:40 | 0:10:42 | |
People without children, most nights, yeah? | 0:10:42 | 0:10:45 | |
"Good night, darling, good night." | 0:10:45 | 0:10:47 | |
Sometimes you go, "Sleep well". | 0:10:47 | 0:10:50 | |
And the other one goes, "I will." | 0:10:50 | 0:10:53 | |
That's how cocky, how arrogant you are. "I will, I know I will." | 0:10:53 | 0:10:57 | |
"Good night, darling. Have a good sleep." | 0:10:57 | 0:11:00 | |
"Good night." | 0:11:00 | 0:11:02 | |
It's been a long time | 0:11:02 | 0:11:03 | |
since my wife and I said "good night" to each other, OK? | 0:11:03 | 0:11:07 | |
Now we just go "Good luck." | 0:11:07 | 0:11:10 | |
APPLAUSE | 0:11:10 | 0:11:13 | |
"Good luck to you as well." | 0:11:13 | 0:11:15 | |
All through the night, they're screaming, | 0:11:15 | 0:11:18 | |
"Daddy! Daddy! Mummy! Mummy!" | 0:11:18 | 0:11:20 | |
Sometimes they wake up, wide awake, in the middle of the night. | 0:11:20 | 0:11:23 | |
I'm asleep. It's like two o'clock in the morning, | 0:11:23 | 0:11:25 | |
you know, sometimes you don't realise it, | 0:11:25 | 0:11:27 | |
but you half open your eyes. | 0:11:27 | 0:11:28 | |
I half open my eyes, my son is in my face. | 0:11:28 | 0:11:31 | |
"Argh! | 0:11:31 | 0:11:33 | |
"What the hell are you doing here? What time is it? What time is it? | 0:11:33 | 0:11:36 | |
"It's two in the morning, what do you want?" | 0:11:36 | 0:11:38 | |
"I want to go to school." | 0:11:38 | 0:11:41 | |
"You want to go to school?! What are you talking about? | 0:11:41 | 0:11:43 | |
"Go back to bed." | 0:11:43 | 0:11:45 | |
"I've got my shoes on." | 0:11:45 | 0:11:46 | |
"You do. You found your shoes!" | 0:11:46 | 0:11:49 | |
"I fixed my jacket." | 0:11:50 | 0:11:51 | |
"How the hell did you...? It's done up! What are you doing? | 0:11:51 | 0:11:54 | |
"It's two o'clock, you idiot! Go to bed! Where's Ozzie?" | 0:11:54 | 0:11:57 | |
"He's by the front door." | 0:11:57 | 0:11:58 | |
"He's never been there in his life! It's two in the morning!" | 0:11:58 | 0:12:02 | |
APPLAUSE | 0:12:02 | 0:12:05 | |
You have no idea. | 0:12:05 | 0:12:06 | |
OK, well. My first guest is literally a legend of British comedy | 0:12:08 | 0:12:14 | |
and I've been convincing him for most of the year to do the show. | 0:12:14 | 0:12:18 | |
Thankfully, he's agreed and I'm so honoured. | 0:12:18 | 0:12:21 | |
Please welcome, the magnificent Jack Dee is here, ladies and gentlemen. | 0:12:21 | 0:12:25 | |
# Santa Claus is coming to town | 0:12:25 | 0:12:27 | |
# Santa Claus is coming to town | 0:12:27 | 0:12:30 | |
# Santa Claus is coming to town... # | 0:12:30 | 0:12:35 | |
APPLAUSE | 0:12:35 | 0:12:37 | |
Thank you, Michael McIntyre. | 0:12:44 | 0:12:47 | |
Let's hear it for Michael, he's done a great job. | 0:12:47 | 0:12:50 | |
APPLAUSE | 0:12:50 | 0:12:52 | |
You know, when he asked me to do the show | 0:12:52 | 0:12:55 | |
I just said, "if there's anything I can do to help spread the cheer." | 0:12:55 | 0:12:59 | |
LAUGHTER | 0:12:59 | 0:13:01 | |
I remember this time last year, big row in my household, | 0:13:03 | 0:13:09 | |
had the Grand Theft Auto row with my teenage sons... | 0:13:09 | 0:13:13 | |
"Why can't I have Grand Theft Auto?" | 0:13:13 | 0:13:15 | |
"Because it's inappropriate. It's horrible, violent, misogynist." | 0:13:15 | 0:13:19 | |
"Please! You'll ruin Christmas if I can't have it!" | 0:13:19 | 0:13:22 | |
"I'm not buying you that game, | 0:13:22 | 0:13:23 | |
"I'm not buying it for Christmas, it's a violent game. | 0:13:23 | 0:13:26 | |
"It's not fun when you can run people over for extra points | 0:13:26 | 0:13:29 | |
"and shoot people just for fun." | 0:13:29 | 0:13:31 | |
"But all my mates have got it! You don't understand!" | 0:13:31 | 0:13:34 | |
It went on and on and on. | 0:13:34 | 0:13:36 | |
In the end they gave up and bought it for me, but it was, you know... | 0:13:36 | 0:13:40 | |
LAUGHTER AND APPLAUSE | 0:13:40 | 0:13:42 | |
Christmas shopping, | 0:13:45 | 0:13:46 | |
those are the words that I really dread with Christmas shopping - | 0:13:46 | 0:13:50 | |
"Is it a gift?" | 0:13:50 | 0:13:53 | |
"No, I wear nighties." | 0:13:53 | 0:13:55 | |
LAUGHTER | 0:13:55 | 0:13:58 | |
"Give it here, I'll wear it out of the shop now." | 0:13:58 | 0:14:01 | |
LAUGHTER | 0:14:01 | 0:14:03 | |
I remember one year, the must-have present, my kids were after it, | 0:14:03 | 0:14:06 | |
and they were desperate for... What the hell are they called? | 0:14:06 | 0:14:09 | |
You have to pet them and look after them and feed them | 0:14:09 | 0:14:12 | |
and stroke them and love them and if you leave them alone, | 0:14:12 | 0:14:15 | |
then they start pining and if you neglect them they stop working... | 0:14:15 | 0:14:18 | |
Guinea pigs, that's it, guinea pigs! | 0:14:18 | 0:14:20 | |
LAUGHTER | 0:14:20 | 0:14:23 | |
That was a bit of a sad one. | 0:14:23 | 0:14:25 | |
Came back from our New Year's holiday, just wasn't working at all. | 0:14:25 | 0:14:29 | |
Tried new batteries, everything. | 0:14:29 | 0:14:32 | |
You know what I did this year? | 0:14:35 | 0:14:37 | |
This is a great tip - you might want to do this. | 0:14:37 | 0:14:39 | |
I've attached a shredder to my front door. | 0:14:39 | 0:14:43 | |
All the Christmas cards just go straight in there. Bzzt! | 0:14:43 | 0:14:46 | |
Bzzt! | 0:14:46 | 0:14:47 | |
Postman comes up, "What's that?" | 0:14:47 | 0:14:50 | |
"Don't worry, just keep doing it." Bzzt! | 0:14:50 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:55 | |
Because, you know, what a hassle, aren't they, Christmas cards? | 0:14:58 | 0:15:01 | |
You've got to open them and read them and see who they're from | 0:15:01 | 0:15:04 | |
and find somewhere to put it on the mantelpiece, line them up | 0:15:04 | 0:15:09 | |
and some idiot opens a door too quickly, they all go ff-ff... | 0:15:09 | 0:15:12 | |
That's it. Christmas ruined. | 0:15:12 | 0:15:14 | |
"Look at that, got to do that again now, you idiot." | 0:15:14 | 0:15:17 | |
Better than the e-card. You open up an e-mail, there's an e-card? | 0:15:19 | 0:15:22 | |
That's the card that says "I care", isn't it? | 0:15:22 | 0:15:25 | |
I care...click, click...that much. | 0:15:25 | 0:15:28 | |
Or worse, people now, | 0:15:28 | 0:15:30 | |
they're putting glitter and tinsel and stuff inside the card. | 0:15:30 | 0:15:33 | |
You open it up all innocently... "Oh, for Christ's sake!" | 0:15:33 | 0:15:37 | |
LAUGHTER | 0:15:37 | 0:15:40 | |
"Hiya! What are you doing this year?" | 0:15:40 | 0:15:42 | |
"Well, I'm hoovering now, aren't I?" | 0:15:42 | 0:15:45 | |
APPLAUSE | 0:15:45 | 0:15:47 | |
These people who claim their pets give them presents as well. | 0:15:52 | 0:15:58 | |
That's pretty hard to take, isn't it? | 0:15:58 | 0:16:00 | |
"We had a lovely Christmas and Tabby bought me this lovely mug | 0:16:00 | 0:16:04 | |
"with World's Best Cat Owner written on it." | 0:16:04 | 0:16:07 | |
"Did he? Your cat bought you a present? Are you sure about that? | 0:16:07 | 0:16:12 | |
"The cat got his little wallet, went out, got on the bus, | 0:16:12 | 0:16:15 | |
"went to the shops?" | 0:16:15 | 0:16:17 | |
"No, thanks, just browsing. | 0:16:17 | 0:16:19 | |
"I'll have one of those mugs with... Because I can read as well!" | 0:16:19 | 0:16:24 | |
I suggest it wasn't really a present from the cat | 0:16:24 | 0:16:26 | |
unless it's a robin with its innards sucked out. | 0:16:26 | 0:16:29 | |
LAUGHTER AND APPLAUSE | 0:16:29 | 0:16:33 | |
You've been a lovely audience. | 0:16:34 | 0:16:36 | |
Thank you very much and enjoy Christmas. Have a good New Year. | 0:16:36 | 0:16:39 | |
Thank you very much. | 0:16:39 | 0:16:41 | |
APPLAUSE | 0:16:41 | 0:16:43 | |
The wonderful Jack Dee, ladies and gentlemen! We're off! | 0:16:45 | 0:16:49 | |
Jack Dee was here! That's the way we roll! | 0:16:49 | 0:16:52 | |
Now, we're going to play a little bit of Christmas music... | 0:16:55 | 0:16:59 | |
AUDIENCE: Woo! | 0:16:59 | 0:17:00 | |
..to get us in the mood. | 0:17:00 | 0:17:02 | |
Some of my favourites, starting with an absolute classic. | 0:17:02 | 0:17:05 | |
MUSIC: "Driving Home For Christmas" by Chris Rea | 0:17:05 | 0:17:09 | |
No-one has been more thrilled to be stuck in traffic than Chris Rea. | 0:17:09 | 0:17:15 | |
Isn't he just so...? | 0:17:15 | 0:17:18 | |
He loves his family so much! | 0:17:18 | 0:17:21 | |
Top-to-toe in tailbacks, but that doesn't perturb Chris Rea. | 0:17:21 | 0:17:24 | |
Cos it's Christmas and he loves his family! | 0:17:24 | 0:17:28 | |
# I'm driving home for Christmas... # | 0:17:28 | 0:17:30 | |
But then, you see, we all feel this way about Christmas... | 0:17:32 | 0:17:38 | |
leading up to Christmas. | 0:17:38 | 0:17:40 | |
But then Christmas Day comes, doesn't it? | 0:17:40 | 0:17:42 | |
And there always comes that point when you've eaten too much | 0:17:42 | 0:17:45 | |
and you've been getting pissed since breakfast. | 0:17:45 | 0:17:48 | |
You've made the mistake | 0:17:48 | 0:17:49 | |
of thinking a champagne at breakfast was a good idea. | 0:17:49 | 0:17:52 | |
Now you have a headache, you're sitting at the table. | 0:17:52 | 0:17:54 | |
The Christmas-scented candles | 0:17:54 | 0:17:57 | |
are mixing in now with the post-Brussels sprout farts. | 0:17:57 | 0:18:01 | |
And you just stare individually at everyone at the table. | 0:18:01 | 0:18:05 | |
And you think, "This is why I don't talk to you people | 0:18:06 | 0:18:09 | |
"for most of the year." | 0:18:09 | 0:18:12 | |
I think Chris Rea felt the same way because the following year, | 0:18:12 | 0:18:15 | |
with regards to the same journey, he released this... | 0:18:15 | 0:18:18 | |
# This is the road to hell... # | 0:18:18 | 0:18:21 | |
LAUGHTER AND APPLAUSE | 0:18:21 | 0:18:25 | |
We listen to at Christmas... | 0:18:26 | 0:18:28 | |
Every December we listen to the same music over and over again. | 0:18:28 | 0:18:31 | |
And it does work. It makes it feel Christmassy | 0:18:31 | 0:18:33 | |
and we have our favourites and the ones that we don't like so much. | 0:18:33 | 0:18:36 | |
Shops next door to each other, you hear different songs. | 0:18:36 | 0:18:39 | |
In a department store, you'll hear two or three at the same time | 0:18:39 | 0:18:42 | |
and you just go into this weird Christmas zombie. | 0:18:42 | 0:18:45 | |
And there are certain lyrics to Christmas songs | 0:18:45 | 0:18:47 | |
and every time I hear them, | 0:18:47 | 0:18:49 | |
they just annoy me, like this, for example... | 0:18:49 | 0:18:51 | |
# With logs on the fire | 0:18:51 | 0:18:54 | |
# And gifts on the tree... # | 0:18:54 | 0:18:56 | |
Under the tree, Cliff, come on! | 0:18:56 | 0:18:59 | |
You're supposed to own Christmas, Cliff Richard, | 0:19:01 | 0:19:04 | |
you don't even know where the presents go! | 0:19:04 | 0:19:06 | |
Just how much of Christmas has Cliff got wrong? | 0:19:06 | 0:19:09 | |
Is he putting the turkey on top of the tree? | 0:19:09 | 0:19:12 | |
Is he stuffing the crackers? Is he wearing the stockings? | 0:19:12 | 0:19:15 | |
"These things are kind of hard to walk in, guys, | 0:19:15 | 0:19:17 | |
"with the tangerines in the bottom, yeah!" | 0:19:17 | 0:19:20 | |
# Last Christmas I gave you my heart | 0:19:24 | 0:19:26 | |
# But the very next day You gave it away... # | 0:19:26 | 0:19:32 | |
That's the fleeting nature of cruising, George. | 0:19:32 | 0:19:36 | |
LAUGHTER AND APPLAUSE | 0:19:36 | 0:19:38 | |
Ladies and gentlemen, are you ready for my next guest? | 0:19:42 | 0:19:44 | |
CHEERING | 0:19:44 | 0:19:47 | |
My show has been running for two series, | 0:19:47 | 0:19:50 | |
and the very, very first show we ever had, | 0:19:50 | 0:19:53 | |
I put on my very favourite comedian to headline the show, | 0:19:53 | 0:19:57 | |
and I thought it'd be fitting | 0:19:57 | 0:19:59 | |
for him to come back for the Christmas Special. | 0:19:59 | 0:20:01 | |
Please welcome the fantastic Mr Rhod Gilbert! | 0:20:01 | 0:20:04 | |
# Snow is falling all around me | 0:20:04 | 0:20:08 | |
# Children playing, having fun... # | 0:20:08 | 0:20:12 | |
Hello! | 0:20:14 | 0:20:16 | |
HELLO! | 0:20:16 | 0:20:18 | |
Good evening. Merry Christmas! | 0:20:20 | 0:20:22 | |
ALL: Merry Christmas. | 0:20:22 | 0:20:23 | |
Anybody else get rubbish presents? CHEERING | 0:20:23 | 0:20:26 | |
How tight is this? How tight is this? | 0:20:26 | 0:20:29 | |
One year my parents got me Hide And Seek for Christmas! | 0:20:29 | 0:20:33 | |
That's taking the mick, isn't it? | 0:20:35 | 0:20:36 | |
You can't give somebody Hide And Seek - | 0:20:36 | 0:20:39 | |
it's just an idea that's been around for hundreds of years. | 0:20:39 | 0:20:42 | |
My mum went, "It's the thought that counts." | 0:20:42 | 0:20:45 | |
"Well, I've got a thought, Mum - you're going into a home." | 0:20:45 | 0:20:47 | |
How about that? | 0:20:47 | 0:20:49 | |
I always seem to get the rubbish... | 0:20:49 | 0:20:51 | |
I give people good things - it's not that problem of... | 0:20:51 | 0:20:54 | |
I gave my girlfriend an iPad. You know what she gave me? | 0:20:54 | 0:20:58 | |
She gave me a toothbrush. | 0:20:58 | 0:21:01 | |
Firstly, you cheeky cow, it's like giving somebody deodorant. | 0:21:01 | 0:21:04 | |
This is... I wouldn't have minded an ordinary toothbrush. | 0:21:04 | 0:21:09 | |
This is the monstrosity she got me. | 0:21:09 | 0:21:12 | |
I said, "How much did you spend on this?" | 0:21:12 | 0:21:14 | |
She said, "It was on sale - it was very cheap. It was only £179.99." | 0:21:14 | 0:21:20 | |
I said, "Oh, well! | 0:21:20 | 0:21:22 | |
"A toothbrush for under 200 quid certainly sounds like a bargain! | 0:21:22 | 0:21:25 | |
"You've certainly saved us a few quid there | 0:21:25 | 0:21:28 | |
"with your bargain-hunting, haven't you? | 0:21:28 | 0:21:30 | |
"Toothbrush for under 200 quid..." She said, "But it IS a bargain! | 0:21:30 | 0:21:35 | |
"Look, it's awesome! It's the best you can get. | 0:21:35 | 0:21:38 | |
"It's got a rechargeable brush, it's got five brushing modes, | 0:21:38 | 0:21:41 | |
"it's got a computer! Look, it's got an on-board computer." | 0:21:41 | 0:21:45 | |
I said, "That's different if it's got a computer, | 0:21:45 | 0:21:47 | |
"cos at the moment I'm using a separate toothbrush and laptop. | 0:21:47 | 0:21:50 | |
"It's pretty straightforward | 0:21:50 | 0:21:52 | |
"to get everything onto the toothbrush, is it?" | 0:21:52 | 0:21:56 | |
"Do I just put it all on a USB stick | 0:21:56 | 0:21:59 | |
"and copy it onto the toothbrush?" | 0:21:59 | 0:22:02 | |
She said, "I don't think it's a computer in that way." | 0:22:02 | 0:22:05 | |
I said, "I mainly do word processing. Has it got Word or Office?" | 0:22:05 | 0:22:08 | |
She said, "No." I said, "What about the internet? | 0:22:08 | 0:22:11 | |
"Can I go online, check my emails?" She said, "I don't think so." | 0:22:11 | 0:22:14 | |
"Has it got Bluetooth? Has it got a DVD drive? | 0:22:14 | 0:22:17 | |
"How many USB ports has it got? Has it got iTunes?" | 0:22:17 | 0:22:20 | |
She said, "No, it doesn't do any of that." | 0:22:20 | 0:22:22 | |
I said, "Would you mind telling me, for the love of God, | 0:22:22 | 0:22:25 | |
"for £179.99, what this toothbrush-computer does?!" | 0:22:25 | 0:22:29 | |
You know what she said? | 0:22:29 | 0:22:31 | |
She said, "It tells you how many times you've used the toothbrush." | 0:22:31 | 0:22:34 | |
It tells you how many times you've used the toothbrush! | 0:22:38 | 0:22:41 | |
At last, I can stop taking an abacus into the bathroom. | 0:22:41 | 0:22:45 | |
No longer do I have to scratch five-bar gates | 0:22:46 | 0:22:49 | |
into the bathroom walls. | 0:22:49 | 0:22:50 | |
At last I can throw out all the paper tooth-cleaning records | 0:22:50 | 0:22:54 | |
I've been keeping. | 0:22:54 | 0:22:56 | |
Am I missing something here? | 0:22:56 | 0:22:58 | |
Why would you want to know how many times you've used your toothbrush? | 0:22:58 | 0:23:01 | |
She said, "It's so you know when to buy a new toothbrush." | 0:23:01 | 0:23:04 | |
I said, "I know!" | 0:23:04 | 0:23:06 | |
Maybe I'm unusually gifted - call me the Toothbrush Whisperer - | 0:23:06 | 0:23:10 | |
but I know when to buy a new toothbrush. | 0:23:10 | 0:23:13 | |
I buy a new one when the one I'm using starts looking | 0:23:13 | 0:23:16 | |
less like Ken Barlow and more like Ken Dodd. That's when I know! | 0:23:16 | 0:23:20 | |
I know! I know! | 0:23:20 | 0:23:22 | |
She said, "But it's got a timer on it." | 0:23:22 | 0:23:24 | |
I said, "Oh, well, I take it all back! If it's got a timer on it, | 0:23:24 | 0:23:28 | |
"that changes everything. | 0:23:28 | 0:23:29 | |
"Only this morning, I fancied a boiled egg | 0:23:29 | 0:23:31 | |
"but I didn't have a toothbrush handy to time it." | 0:23:31 | 0:23:34 | |
"I tried timing it on a loofah, but the yolk was still runny." | 0:23:34 | 0:23:38 | |
She said, "You don't understand. | 0:23:38 | 0:23:40 | |
"With a timer, it knows how long you've been brushing your teeth." | 0:23:40 | 0:23:44 | |
I said, "So do I. Again, I know. I was there when I started!" | 0:23:44 | 0:23:48 | |
"I kicked off the whole tooth-brushing thing..." | 0:23:48 | 0:23:51 | |
What's the worst that can happen if I forget | 0:23:51 | 0:23:54 | |
when I started brushing my teeth? | 0:23:54 | 0:23:56 | |
I lose track of time and plough on into the night?! | 0:23:56 | 0:24:00 | |
Brushing through the following day and the day after... | 0:24:00 | 0:24:03 | |
Day after day, relentless. | 0:24:03 | 0:24:06 | |
Two weeks later, my neighbours have started to worry | 0:24:06 | 0:24:08 | |
cos they haven't seen me for a fortnight | 0:24:08 | 0:24:10 | |
and there's a weird froth bubbling out of the bathroom window. | 0:24:10 | 0:24:14 | |
The froth comes out of the bathroom window, into the street. | 0:24:14 | 0:24:17 | |
Drivers are abandoning their vehicles | 0:24:17 | 0:24:20 | |
because visibility is reduced to a couple of feet. | 0:24:20 | 0:24:23 | |
Disoriented foam-covered drivers, staggering helplessly, | 0:24:23 | 0:24:29 | |
their eyes burning with peppermint... | 0:24:29 | 0:24:32 | |
Search and rescue helicopters whirr overhead. | 0:24:34 | 0:24:37 | |
News teams from around the globe arrive on my doorstep. | 0:24:37 | 0:24:41 | |
Eventually, riot police break down my door to find me | 0:24:41 | 0:24:44 | |
in a foam-filled bathroom in blood-soaked pyjamas, | 0:24:44 | 0:24:49 | |
still brushing a toothless, gummy, gaping hole | 0:24:49 | 0:24:53 | |
where my face used to be. | 0:24:53 | 0:24:56 | |
Like some kind of minty Danniella Westbrook. | 0:24:56 | 0:24:59 | |
Ladies and gentlemen, I've got a tangerine to peel. | 0:25:06 | 0:25:09 | |
Merry, merry Christmas. Cheers! | 0:25:09 | 0:25:11 | |
Thank you. | 0:25:12 | 0:25:15 | |
Rhod Gilbert, ladies and gentlemen! | 0:25:15 | 0:25:18 | |
Thank you! Well done. | 0:25:18 | 0:25:21 | |
One more time, please, for the fantastic Mr Rhod Gilbert! | 0:25:22 | 0:25:27 | |
APPLAUSE AND CHEERING | 0:25:27 | 0:25:29 | |
Christmas Day, of course, is one of the few days when I know the date. | 0:25:31 | 0:25:35 | |
I don't tend to know the date. | 0:25:35 | 0:25:36 | |
I know the date on Christmas Day, that's the 25th. I know my birthday. | 0:25:36 | 0:25:39 | |
And then maybe New Year's Day. | 0:25:39 | 0:25:42 | |
Other than that, I depend on other people for the date. | 0:25:42 | 0:25:44 | |
If I don't know the date, I just ask another human for the date. | 0:25:44 | 0:25:47 | |
"Excuse me, have you got the date?" Sometimes they don't know. | 0:25:47 | 0:25:50 | |
I just ask another human. Sometimes they tell me. | 0:25:50 | 0:25:53 | |
Sometimes, annoyingly, they don't tell you. | 0:25:53 | 0:25:55 | |
They tell you a date from the past, | 0:25:55 | 0:25:57 | |
and it comes with very difficult mathematics | 0:25:57 | 0:25:59 | |
in order to work out today's date. | 0:25:59 | 0:26:01 | |
"Excuse me, have you got the date?" | 0:26:01 | 0:26:02 | |
"No, but last Tuesday was the 14th." Then they walk off. | 0:26:02 | 0:26:06 | |
You're left there going, "What does that mean to me?! | 0:26:06 | 0:26:08 | |
"Tuesday, Wednesday, Thurs..." | 0:26:08 | 0:26:10 | |
You can't do that with the time. "Excuse me, have you got the time?" | 0:26:10 | 0:26:13 | |
"No, but I know I woke up at 8:11." | 0:26:13 | 0:26:15 | |
"Really? What happened then? How long was breakfast?" | 0:26:15 | 0:26:19 | |
I still haven't changed all the clocks since the clocks went back. | 0:26:19 | 0:26:22 | |
Can I ask, by way of applause, | 0:26:22 | 0:26:24 | |
who else still hasn't changed all their clocks? | 0:26:24 | 0:26:26 | |
APPLAUSE RIPPLES | 0:26:26 | 0:26:27 | |
It's not many. Ruth, which one haven't you changed? | 0:26:27 | 0:26:31 | |
The cooker! The cooker's really hard, isn't it? | 0:26:31 | 0:26:35 | |
Cos you lose the instructions and then you're just guessing. | 0:26:35 | 0:26:37 | |
You're just twiddling that weird loopy arrow thing... | 0:26:37 | 0:26:41 | |
"How do I do this?!" The bell goes off... | 0:26:41 | 0:26:42 | |
"I'm not even going to change it, Eamonn!" | 0:26:42 | 0:26:44 | |
"You can't come to bed unless you've changed the clock, Ruth." | 0:26:44 | 0:26:47 | |
"Really? Really?" | 0:26:47 | 0:26:50 | |
The hardest one to change for me looks like the easiest. | 0:26:52 | 0:26:54 | |
It's just the clock on the wall. | 0:26:54 | 0:26:56 | |
It's got to be the easiest one to change. | 0:26:56 | 0:26:59 | |
You take it off, you just twiddle the thing an hour, | 0:26:59 | 0:27:01 | |
and you think, "That's that." | 0:27:01 | 0:27:03 | |
Then you have to get it back on the wall. | 0:27:03 | 0:27:05 | |
There's a nail sticking out the wall, | 0:27:05 | 0:27:07 | |
and you can see on the back there's a hole. | 0:27:07 | 0:27:09 | |
You think, "This is going to be... Should just slot straight on. | 0:27:09 | 0:27:12 | |
"Any moment now, that should just slot itself... | 0:27:12 | 0:27:16 | |
"I don't really understand why..." You check the hole. | 0:27:16 | 0:27:18 | |
"There's the hole. There's the... | 0:27:18 | 0:27:20 | |
"Sooner or later, this'll definitely be..." | 0:27:20 | 0:27:22 | |
Then you think, "Maybe I can watch it on. I'm watching the hole... | 0:27:22 | 0:27:27 | |
"I don't understand why... It's still not... Doesn't seem to be..." | 0:27:27 | 0:27:31 | |
It's almost like there's someone behind the wall, going... | 0:27:31 | 0:27:35 | |
Now, ladies and gentlemen, | 0:27:40 | 0:27:42 | |
my next guest is a man who I quite simply... | 0:27:42 | 0:27:46 | |
My wife and I, every time we watch him on television, | 0:27:46 | 0:27:49 | |
it's like, "This is the funniest guy out there." | 0:27:49 | 0:27:51 | |
And I wanted to get him involved in my show. | 0:27:51 | 0:27:53 | |
And I asked him, and, thankfully, he is here. He is wonderful. | 0:27:53 | 0:27:58 | |
Ladies and gentlemen, tonight, from the Royal Box... | 0:27:58 | 0:28:02 | |
CHEERING | 0:28:02 | 0:28:04 | |
I give you David Mitchell! | 0:28:04 | 0:28:06 | |
Thank you. | 0:28:14 | 0:28:16 | |
Today, Christmas Day, is a special day, | 0:28:20 | 0:28:25 | |
which means it's not normal. | 0:28:25 | 0:28:28 | |
I am not usually allowed to sit in this box and address the nation, | 0:28:29 | 0:28:33 | |
because I'm not, yet, Queen. | 0:28:33 | 0:28:35 | |
But this is all fine, | 0:28:37 | 0:28:38 | |
because I doubt things are normal where you are either. | 0:28:38 | 0:28:42 | |
You're probably surrounded by family. The ones you love, | 0:28:42 | 0:28:46 | |
and the other ones. | 0:28:46 | 0:28:48 | |
Look around you now, at the ones you love. | 0:28:48 | 0:28:51 | |
Now look at the other ones. | 0:28:51 | 0:28:53 | |
That should give you something to talk about. | 0:28:53 | 0:28:56 | |
So things aren't normal at the moment because of Christmas, | 0:28:56 | 0:29:00 | |
a religio-retail festival like none other. | 0:29:00 | 0:29:03 | |
Its rivals just last for a day. | 0:29:03 | 0:29:05 | |
You get a red rose, pancake, pumpkin, firework or poppy | 0:29:05 | 0:29:10 | |
and have a bloody good time. | 0:29:10 | 0:29:12 | |
But for Christmas, everything changes completely for a whole month. | 0:29:12 | 0:29:17 | |
It's as alien as if we'd suddenly become Germany. | 0:29:17 | 0:29:21 | |
But it's not Germany, it's Christmas Land. | 0:29:21 | 0:29:24 | |
So instead of sausages and genocidal guilt, | 0:29:24 | 0:29:29 | |
we get mulled wine and indoor trees. | 0:29:29 | 0:29:33 | |
They're an odd bunch, the people of Christmas Land. | 0:29:33 | 0:29:37 | |
While our popular music tends to centre around empty cliches of love, | 0:29:37 | 0:29:41 | |
theirs centres around empty cliches of goodwill, | 0:29:41 | 0:29:45 | |
and is much more likely to mention reindeer, | 0:29:45 | 0:29:48 | |
an animal with which the people of Christmas Land are obsessed, | 0:29:48 | 0:29:52 | |
for reasons which still baffle anthropologists. | 0:29:52 | 0:29:55 | |
Their best guess is that the thing about reindeer | 0:29:55 | 0:29:58 | |
that the people of Christmas Land most admire is that they can fly. | 0:29:58 | 0:30:02 | |
What remains unclear is why, | 0:30:03 | 0:30:05 | |
when selecting an animal to admire for its powers of flight, | 0:30:05 | 0:30:08 | |
they didn't settle on one that could actually fly. | 0:30:08 | 0:30:11 | |
Like a robin. | 0:30:11 | 0:30:13 | |
They're very fond of the robin, but invariably portray it standing still. | 0:30:13 | 0:30:19 | |
Nothing is more artistic to the people of Christmas Land | 0:30:19 | 0:30:22 | |
than a painting of a reindeer flying over a static robin. | 0:30:22 | 0:30:26 | |
They send these pictures to each other on little pieces of card. | 0:30:27 | 0:30:31 | |
They look at them and they think, "Ah, yes, a typical scene." | 0:30:31 | 0:30:36 | |
So, clearly Christmas Land faces educational challenges. | 0:30:36 | 0:30:40 | |
And that's probably because no-one ever goes to school. | 0:30:40 | 0:30:43 | |
And they hardly go to work. | 0:30:43 | 0:30:44 | |
If they do, they simply drink heavily and try to cop off with each other. | 0:30:44 | 0:30:49 | |
But it's not all good news. | 0:30:49 | 0:30:51 | |
Christmas Land has a dark side. | 0:30:51 | 0:30:53 | |
Once steamed up on eggnog, they can be warlike people. | 0:30:53 | 0:30:57 | |
If you're seen eating a salad | 0:30:57 | 0:30:59 | |
rather than a heavy fruitcake wrapped in disgusting marzipan, | 0:30:59 | 0:31:02 | |
you may find yourself rebuked with the phrase, | 0:31:02 | 0:31:05 | |
"That's not very Christmassy!" | 0:31:05 | 0:31:08 | |
Which gives a troubling glimpse into their nationalistic fervour. | 0:31:08 | 0:31:11 | |
But, all in all, I enjoy my annual holiday in Christmas Land | 0:31:11 | 0:31:16 | |
and feel that we have something to learn from these generous, | 0:31:16 | 0:31:19 | |
musical, family orientated, lazy, argumentative, | 0:31:19 | 0:31:23 | |
obese, alcoholic and reindeer-obsessed people. | 0:31:23 | 0:31:26 | |
And they're certainly a lot nicer than their neighbours - | 0:31:26 | 0:31:29 | |
the tedious, puritanical, impecunious, | 0:31:29 | 0:31:32 | |
miserable people of January Land, | 0:31:32 | 0:31:34 | |
who bang on endlessly about their failed diets, | 0:31:34 | 0:31:37 | |
whilst shaking with nicotine withdrawal. | 0:31:37 | 0:31:39 | |
Good luck getting a present out of those bastards! | 0:31:41 | 0:31:44 | |
Merry Christmas! | 0:31:44 | 0:31:46 | |
APPLAUSE AND CHEERING | 0:31:46 | 0:31:48 | |
Wonderful! The fantastic Mr David Mitchell. | 0:31:50 | 0:31:52 | |
Thank you so much! Brilliant. | 0:31:52 | 0:31:55 | |
Ah, Heston, my man. Heston Blumenthal. Lovin' Heston! | 0:31:59 | 0:32:02 | |
In fact, I didn't know you were coming, and they just told me, | 0:32:02 | 0:32:06 | |
so I brought my glasses out, because I have glasses like you. | 0:32:06 | 0:32:09 | |
People don't know this about me. This is a little bit of an insight. | 0:32:09 | 0:32:13 | |
A little bit of a revelation. This is me in the day. | 0:32:13 | 0:32:16 | |
You know, daytime me, not stage me, this is stage me. | 0:32:16 | 0:32:19 | |
You know this guy, "Hello!" | 0:32:19 | 0:32:21 | |
That's it. Camper than you'd imagine. "Hi!" Like that. | 0:32:21 | 0:32:23 | |
This is daytime me. "Hello." Quite serious, less camp. | 0:32:23 | 0:32:26 | |
This is daytime me. And people who are used to seeing that guy, | 0:32:26 | 0:32:29 | |
they can't cope with this guy. | 0:32:29 | 0:32:31 | |
They come up to me, almost on a daily basis, and go, | 0:32:31 | 0:32:34 | |
"Oh, my God, that's so weird, Oh, my God!" | 0:32:34 | 0:32:36 | |
"Oh, my God! D'you wear glasses?" | 0:32:36 | 0:32:41 | |
"Oh, my God! D'you wear glasses?" | 0:32:41 | 0:32:43 | |
Now, correct me if I'm wrong, that's quite a strange question | 0:32:43 | 0:32:46 | |
to ask of somebody who has glasses on their face. | 0:32:46 | 0:32:49 | |
I don't know quite how they expect me to respond. | 0:32:49 | 0:32:52 | |
"Oh no, I saw Avatar last year, | 0:32:52 | 0:32:54 | |
"I must have left them... Thank you so much! | 0:32:54 | 0:32:56 | |
"Silly me! | 0:32:56 | 0:32:58 | |
"Darling, why didn't you tell me I've been walking around in them? | 0:32:58 | 0:33:01 | |
"I was supposed to put them in the bin!" | 0:33:01 | 0:33:02 | |
But some people have glasses for reading, reading glasses. | 0:33:05 | 0:33:08 | |
They'll have them with them, | 0:33:08 | 0:33:09 | |
because they never know when reading might occur. | 0:33:09 | 0:33:12 | |
They go, "I have my reading glasses, just in case reading should happen." | 0:33:12 | 0:33:15 | |
When reading occurs, it's "Ah! Reading is happening now." | 0:33:15 | 0:33:19 | |
They tend to make a point with their glasses. | 0:33:19 | 0:33:21 | |
Reading glasses people feel very powerful with their glasses. | 0:33:21 | 0:33:24 | |
"Just before I put them on, I'd like to make some additional points." | 0:33:24 | 0:33:28 | |
Then they open them up, and they have further points with them open. | 0:33:28 | 0:33:32 | |
They read in this direction, | 0:33:32 | 0:33:33 | |
all the reading goes here, so I can still see you here. | 0:33:33 | 0:33:36 | |
"Don't pull anything over there, I'm reading in this direction." | 0:33:36 | 0:33:39 | |
Not everybody with reading glasses | 0:33:39 | 0:33:40 | |
from the longsighted fraternity goes with the glasses here. | 0:33:40 | 0:33:43 | |
People choose to put them in different places on their body. | 0:33:43 | 0:33:46 | |
Some people, it's difficult to know how to describe them. | 0:33:46 | 0:33:49 | |
I would say that they're not sexually active, | 0:33:49 | 0:33:51 | |
I think that would be the most accurate way. | 0:33:51 | 0:33:54 | |
They must have had sex in their life, | 0:33:54 | 0:33:56 | |
but they've now moved into a phase, a period of their life | 0:33:56 | 0:33:58 | |
when they've decided that they won't be having sex any more, | 0:33:58 | 0:34:01 | |
with people, and they don't want them to want to have sex with them. | 0:34:01 | 0:34:05 | |
They live a sexless life. | 0:34:05 | 0:34:07 | |
These people will have a string | 0:34:07 | 0:34:09 | |
that goes round their neck and joins up on this side | 0:34:09 | 0:34:12 | |
and they sort of bounce around, on their sexless bodies. | 0:34:12 | 0:34:17 | |
In case they need to read. | 0:34:17 | 0:34:19 | |
"Ah! I shall sign the divorce papers, yes, why not? There you go." | 0:34:19 | 0:34:23 | |
But, without a shadow of a doubt, the coolest, | 0:34:23 | 0:34:27 | |
no doubt about this, the coolest reading glasses people in the world | 0:34:27 | 0:34:31 | |
are the people who manage to maintain their glasses, | 0:34:31 | 0:34:35 | |
on their forehead. | 0:34:35 | 0:34:37 | |
How cool are these people? How do they even do it? | 0:34:37 | 0:34:40 | |
They have magnificent eyebrow control. | 0:34:40 | 0:34:42 | |
They can access them whenever they need to. | 0:34:42 | 0:34:44 | |
"Would you like to see the wine list?" "Yes, I will!" | 0:34:44 | 0:34:47 | |
How cool are these guys? | 0:34:47 | 0:34:48 | |
APPLAUSE AND CHEERING | 0:34:48 | 0:34:51 | |
Just so you know I can read at any...moment! | 0:34:51 | 0:34:54 | |
Ladies and gentlemen, please welcome, on Christmas Day, | 0:35:01 | 0:35:04 | |
it's Father Christmas. | 0:35:04 | 0:35:06 | |
CHEERING | 0:35:06 | 0:35:08 | |
# I don't want a lot for Christmas | 0:35:08 | 0:35:11 | |
# There is just one thing I need | 0:35:11 | 0:35:14 | |
# I don't care about those presents | 0:35:14 | 0:35:17 | |
# Underneath the Christmas tree... # | 0:35:17 | 0:35:19 | |
He-ey! | 0:35:19 | 0:35:21 | |
Merry Christmas! | 0:35:21 | 0:35:24 | |
Ah! Thank you so much! | 0:35:24 | 0:35:27 | |
Oh, good evening, everybody. | 0:35:29 | 0:35:31 | |
I'm Father Christmas. | 0:35:34 | 0:35:36 | |
Joking, I am. I'm not Santa. | 0:35:36 | 0:35:40 | |
But I have got a bulging sack. | 0:35:41 | 0:35:44 | |
Louis Walsh's eyes have perked up at that! | 0:35:46 | 0:35:49 | |
What a night, what a night. | 0:35:52 | 0:35:54 | |
Christmas night. Best night of the year. | 0:35:54 | 0:35:56 | |
And hey, look at our audience. | 0:35:56 | 0:36:00 | |
Some of the biggest names in British show business... | 0:36:00 | 0:36:04 | |
are at home, watching this right now. | 0:36:04 | 0:36:06 | |
LAUGHTER AND APPLAUSE | 0:36:06 | 0:36:07 | |
Where's the beautiful Carol Vorderman? | 0:36:11 | 0:36:15 | |
Oh, you do it for me, Carol. | 0:36:15 | 0:36:18 | |
Carol, you know you do it for me. I've told you before now. | 0:36:18 | 0:36:21 | |
And the fact that you are, what, 20 feet away from me? | 0:36:21 | 0:36:25 | |
Proof positive | 0:36:25 | 0:36:26 | |
that an injunction isn't worth the paper it's written on. | 0:36:26 | 0:36:30 | |
And I'll be honest, Carol, | 0:36:33 | 0:36:36 | |
I regret taking it out now, I really do. | 0:36:36 | 0:36:40 | |
-And you just started on Loose Women. -I love it. -I bet you do! | 0:36:40 | 0:36:44 | |
I started on loose women a long time ago. | 0:36:44 | 0:36:47 | |
Port Talbot, 1985. | 0:36:47 | 0:36:49 | |
I'm sensing, I'm smelling somebody Welsh here. | 0:36:52 | 0:36:56 | |
Where are they? | 0:36:56 | 0:36:59 | |
Katherine Jenkins. | 0:36:59 | 0:37:01 | |
And Gethin Jones. | 0:37:01 | 0:37:04 | |
What a delightful Welsh pair! | 0:37:04 | 0:37:07 | |
Stop it! | 0:37:07 | 0:37:09 | |
Stop it, Katherine had the fastest- selling opera album of all time. | 0:37:10 | 0:37:15 | |
She holds four Guinness World Records, | 0:37:15 | 0:37:17 | |
and she was the first artist to be number one and two | 0:37:17 | 0:37:21 | |
in the classical charts at the same time! | 0:37:21 | 0:37:25 | |
And Gethin? | 0:37:25 | 0:37:26 | |
Gethin is her fiance. | 0:37:26 | 0:37:28 | |
Does she sing a lot at home? | 0:37:32 | 0:37:33 | |
She does, yes. | 0:37:33 | 0:37:35 | |
IN OPERATIC FALSETTO: # Would you doooo the vacuuuuming? | 0:37:35 | 0:37:39 | |
# Would you tidy up your rooooom? # | 0:37:39 | 0:37:43 | |
That's not bad! Come on, Katherine. | 0:37:43 | 0:37:45 | |
Will you give it back to me? | 0:37:45 | 0:37:48 | |
# Oh, Katherine | 0:37:48 | 0:37:51 | |
# Christmas time is special! # | 0:37:51 | 0:37:55 | |
# Yes, it is! # | 0:37:55 | 0:37:57 | |
APPLAUSE AND CHEERING | 0:37:57 | 0:38:00 | |
Oh, yeah, lovely, OK. | 0:38:02 | 0:38:06 | |
INTRO TO "SHOUT": # We-e-e-e-e-e-e-e-e-ellll... # | 0:38:06 | 0:38:14 | |
She's here. She's here. Lulu, how are you? | 0:38:14 | 0:38:18 | |
I love you. | 0:38:18 | 0:38:19 | |
You look fantastic. | 0:38:21 | 0:38:23 | |
You have the glow that can only come | 0:38:23 | 0:38:26 | |
from having a winter fuel allowance. | 0:38:26 | 0:38:29 | |
APPLAUSE AND CHEERING | 0:38:31 | 0:38:32 | |
Oh, my God. Holly Valance. Hey, Holly! | 0:38:36 | 0:38:40 | |
CROWD CHEER AND WHOOP | 0:38:40 | 0:38:41 | |
Ah! With her partner, the wonderful Mr Nick Candy. | 0:38:41 | 0:38:45 | |
We saw you on Strictly. | 0:38:45 | 0:38:46 | |
You were always there supporting her, that was lovely to see. | 0:38:46 | 0:38:50 | |
And Holly, you and Nick, I know how much they love Christmas. | 0:38:50 | 0:38:55 | |
Holly Valance and Nick Candy love Christmas. They're traditionalists. | 0:38:55 | 0:38:59 | |
I can picture them now. He's admiring the Holly bush... | 0:38:59 | 0:39:04 | |
LAUGHTER | 0:39:04 | 0:39:05 | |
..and she's sucking on some Candy. | 0:39:05 | 0:39:08 | |
It's very... | 0:39:08 | 0:39:09 | |
No, no, no! No! No, don't, no, no, don't. Don't do that. Stop it. | 0:39:09 | 0:39:13 | |
Stop twisting it! | 0:39:13 | 0:39:14 | |
Holly, it's lovely to have you here. All our lovely celebrities, | 0:39:16 | 0:39:19 | |
give them a big round of applause, and a merry Christmas to you all! | 0:39:19 | 0:39:23 | |
APPLAUSE AND CHEERING | 0:39:23 | 0:39:25 | |
Rob Brydon, ladies and gentlemen! | 0:39:27 | 0:39:29 | |
What do you know? | 0:39:31 | 0:39:33 | |
That was tense. That was tense with you guys in the front. | 0:39:36 | 0:39:40 | |
And Gino D'Acampo, so good to see you. | 0:39:40 | 0:39:44 | |
Everything all right, Gino? This Morning is good? | 0:39:44 | 0:39:47 | |
I get the feeling that Phil and Holly, | 0:39:47 | 0:39:49 | |
they just wait for you to say silly things, don't they? | 0:39:49 | 0:39:52 | |
-And they giggle. -I just say normal things. | 0:39:52 | 0:39:54 | |
-You think they're normal things? -Yes. | 0:39:54 | 0:39:56 | |
Some words come out a bit... They do come out funny, Gino. | 0:39:56 | 0:40:00 | |
Can I ask you to say a word? | 0:40:00 | 0:40:02 | |
I might be wrong, but I heard you say the other day | 0:40:02 | 0:40:04 | |
and it really made me laugh. Can I ask you to say "household"? | 0:40:04 | 0:40:07 | |
-Hars'ol. -Yes. I was right. | 0:40:07 | 0:40:10 | |
Is there any way we could get a microphone for that? | 0:40:18 | 0:40:21 | |
We'd love to have a microphone for Gino D'Acampo. I smell comedy. | 0:40:21 | 0:40:26 | |
It's coming down. It's coming down. Thank you, Lulu. | 0:40:30 | 0:40:32 | |
Hello. | 0:40:34 | 0:40:35 | |
It's Gino D'Acampo! | 0:40:35 | 0:40:36 | |
Gino, sorry. Could I just get you to say the word "household" for me? | 0:40:39 | 0:40:44 | |
Hars'ol. | 0:40:44 | 0:40:46 | |
CHEERING AND APPLAUSE | 0:40:46 | 0:40:47 | |
OK, let's try it in a sentence. | 0:40:51 | 0:40:54 | |
"Brussels sprouts give me a lot of trouble in my household." | 0:40:56 | 0:40:59 | |
Brussels sprouts gives me a lot of trouble with my hars'ol. | 0:40:59 | 0:41:04 | |
That's close. | 0:41:04 | 0:41:07 | |
I think we won't do this all night, but it is tempting. | 0:41:07 | 0:41:11 | |
"I love presents, I have piles in my household." | 0:41:13 | 0:41:17 | |
We'll end on that. | 0:41:25 | 0:41:27 | |
I love presents, I have piles in my hars'ol. | 0:41:27 | 0:41:32 | |
OK, that's enough. Thank you so much, Gino. | 0:41:33 | 0:41:36 | |
I couldn't imagine anything being funnier. | 0:41:36 | 0:41:39 | |
Ladies and gentlemen, my next guest is quite simply | 0:41:42 | 0:41:46 | |
one of the greatest stand-up comedians | 0:41:46 | 0:41:48 | |
working in the country today. | 0:41:48 | 0:41:50 | |
I am so honoured to have him on my show. | 0:41:50 | 0:41:52 | |
Please, ladies and gentlemen, | 0:41:52 | 0:41:54 | |
all your love for the wonderful Sean Lock is here! | 0:41:54 | 0:41:56 | |
# So here it is, Merry Christmas | 0:41:56 | 0:42:01 | |
# Everybody's having fun | 0:42:01 | 0:42:05 | |
# Look to the future now | 0:42:05 | 0:42:09 | |
# It's only just begun. # | 0:42:09 | 0:42:15 | |
Thank you. Thank you. So, here it is, Merry Christmas. | 0:42:17 | 0:42:23 | |
Sometimes I think it would be good to have Christmas every two years, | 0:42:23 | 0:42:27 | |
just so Noddy Holder finally has to dip into his savings, you know? | 0:42:27 | 0:42:31 | |
Madonna doesn't celebrate Christmas. | 0:42:33 | 0:42:35 | |
She doesn't celebrate Christmas because she follows the Kabbalah. | 0:42:35 | 0:42:38 | |
Which is a religion that even Scientologists think is bollocks. | 0:42:38 | 0:42:42 | |
I think it's amazing. I mean, she named herself Madonna, didn't she? | 0:42:49 | 0:42:54 | |
She chose that name. Madonna, after Mary, the mother of Jesus. | 0:42:54 | 0:42:57 | |
And she doesn't celebrate Christmas. | 0:42:57 | 0:42:59 | |
It's a bit like finding out Captain Birdseye doesn't like fish. | 0:42:59 | 0:43:04 | |
Mr Whippy's lactose intolerant. | 0:43:04 | 0:43:07 | |
She'd be brilliant at Christmas, wouldn't she, with those arms? | 0:43:09 | 0:43:12 | |
Be a brilliant nutcracker, wouldn't she? | 0:43:12 | 0:43:14 | |
"There you go!" Kkkhh! | 0:43:14 | 0:43:16 | |
"Anyone want walnuts? Anyone want walnuts?" | 0:43:16 | 0:43:18 | |
She's so strong, isn't she? I always think having sex with Madonna | 0:43:18 | 0:43:22 | |
would be a bit like being wheel-clamped, wouldn't it? | 0:43:22 | 0:43:25 | |
You'd have to phone a special number to get released. | 0:43:28 | 0:43:31 | |
Of course, this is a time of year we should think about people | 0:43:33 | 0:43:36 | |
for whom Christmas isn't a time of joy, celebration and happiness. | 0:43:36 | 0:43:40 | |
People like my wife, for example. | 0:43:40 | 0:43:43 | |
I'm always getting it wrong. | 0:43:43 | 0:43:44 | |
One year I said, "What do you want?" She said, "Surprise me." | 0:43:44 | 0:43:48 | |
So I phoned her from Morocco. | 0:43:48 | 0:43:50 | |
I read something the other day, this is true, apparently. | 0:43:57 | 0:44:00 | |
90% of the toys that will be bought this Christmas are made in China. | 0:44:00 | 0:44:03 | |
90% of them. | 0:44:03 | 0:44:05 | |
Which makes the Chinese, technically, elves. Doesn't it? | 0:44:05 | 0:44:09 | |
They're elves. Whether they like it or not, you're elves. | 0:44:17 | 0:44:19 | |
I'm sorry, but you're elves. | 0:44:19 | 0:44:21 | |
When you think, slowly the Chinese are taking over the world, | 0:44:21 | 0:44:25 | |
maybe Lord Of The Rings isn't such a load of old tosh. | 0:44:25 | 0:44:28 | |
There might be something in it. | 0:44:29 | 0:44:31 | |
This year, I've asked for 400 packets of pork scratchings. | 0:44:32 | 0:44:36 | |
I'm not going to eat them. | 0:44:36 | 0:44:37 | |
My theory is that basically it's the outside of a pig. | 0:44:37 | 0:44:40 | |
Pork scratchings are a pig jigsaw, aren't they? | 0:44:40 | 0:44:43 | |
If you get 400 packets from the same place, you can build a pig. | 0:44:50 | 0:44:54 | |
The whole family can join in. | 0:44:54 | 0:44:58 | |
Cos the thing I worry about most at this time of year is my six-pack. | 0:44:58 | 0:45:01 | |
I worry a lot about my six-pack. | 0:45:01 | 0:45:03 | |
What are you laughing at? I've got a six-pack. | 0:45:03 | 0:45:06 | |
The trouble is, mine's in my forehead, look. | 0:45:06 | 0:45:10 | |
Look at that. That's bad, isn't it, that? | 0:45:10 | 0:45:12 | |
If you can't see at the back, | 0:45:12 | 0:45:14 | |
basically, I make Gordon Ramsay look like Hannah Montana. | 0:45:14 | 0:45:18 | |
Look at it! How did my face get like this? | 0:45:20 | 0:45:24 | |
What have I seen to pull this expression so much in my life? | 0:45:24 | 0:45:28 | |
What have I seen?! | 0:45:31 | 0:45:33 | |
The only explanation for a face like this was if I had amnesia | 0:45:33 | 0:45:38 | |
and I drove a ghost train. | 0:45:38 | 0:45:40 | |
I'm sure there's a reason for every single one. | 0:45:49 | 0:45:51 | |
That one, that's when the council changed the bin collection day. | 0:45:51 | 0:45:56 | |
This deep one here, there's a deep one here, | 0:45:56 | 0:45:59 | |
that's caused by man's inhumanity to man. | 0:45:59 | 0:46:03 | |
Oh, the human race is capable of some terrible things. | 0:46:03 | 0:46:06 | |
This one's when they changed Jif to Cif. | 0:46:06 | 0:46:08 | |
You've been a lovely crowd, thank you very much and good night. Thank you. | 0:46:11 | 0:46:17 | |
The lovely Sean Lock, the fantastic Sean Lock, the hilarious Sean Lock. | 0:46:19 | 0:46:23 | |
Sean Lock was here! | 0:46:23 | 0:46:25 | |
OK, now, listen, guys. You're aware that it's Christmas. OK? | 0:46:28 | 0:46:32 | |
You know, it's a time for people to be together with their loved ones. | 0:46:32 | 0:46:36 | |
And I was just kind of cheekily trying to take advantage | 0:46:36 | 0:46:39 | |
of the fact that we have a lot of people here. | 0:46:39 | 0:46:41 | |
Because, and I'm being serious about this, I have a friend. | 0:46:41 | 0:46:45 | |
And he is basically looking for love. | 0:46:45 | 0:46:48 | |
I think he deserves it. He's a good guy. And he is here. | 0:46:48 | 0:46:53 | |
And I'm going to just ask if perhaps | 0:46:53 | 0:46:56 | |
I could do a little bit of Christmas matchmaking | 0:46:56 | 0:46:59 | |
and just ask if there are any single girls in the audience? | 0:46:59 | 0:47:03 | |
ME! | 0:47:03 | 0:47:04 | |
Any single girls? | 0:47:04 | 0:47:07 | |
-Any single girls at all? -Michael! Michael! | 0:47:07 | 0:47:10 | |
-ME! ME! -It could be anybody. | 0:47:10 | 0:47:12 | |
-Michael! -There must be somebody... Oh, here! -I'm desperate! | 0:47:12 | 0:47:17 | |
-I think we have one. -I'm desperate! | 0:47:17 | 0:47:20 | |
All right, then. You can come up. Ladies and gentlemen, a single girl. | 0:47:20 | 0:47:25 | |
Ha ha ha ha! | 0:47:27 | 0:47:29 | |
Nice to meet you. | 0:47:29 | 0:47:32 | |
How are you? Nice to meet you. I'm Michael. | 0:47:32 | 0:47:35 | |
Thanks for coming up. I know it must be quite nerve-wracking. | 0:47:35 | 0:47:38 | |
Are you enjoying the show? | 0:47:38 | 0:47:39 | |
-I love it. Michael McIntyre! -Can I just ask your name? | 0:47:39 | 0:47:42 | |
It's Miranda. | 0:47:42 | 0:47:45 | |
Ladies and gentlemen, say hello to Miranda. | 0:47:45 | 0:47:48 | |
So, you're obviously single. | 0:47:49 | 0:47:53 | |
I don't mean obviously! | 0:47:53 | 0:47:54 | |
-I meant because of what's just gone on. -Sure. Because of that. | 0:47:54 | 0:47:59 | |
-Have you been single for a while? -Many years. | 0:47:59 | 0:48:03 | |
OK. So, listen, as I say, I've got a friend | 0:48:03 | 0:48:06 | |
and I'm just wondering what it is that you look for in a man. | 0:48:06 | 0:48:09 | |
Well, normally I go for quite lithe sportsmen. | 0:48:09 | 0:48:15 | |
-Sportsmen? -Yeah, you know that sort of look, lithe and lean? | 0:48:15 | 0:48:18 | |
But actually, I'm thinking | 0:48:18 | 0:48:19 | |
I'd probably like someone a bit stockier, a bit chubbier. | 0:48:19 | 0:48:22 | |
A fat sportsman? | 0:48:22 | 0:48:24 | |
I'm really looking for a bit of a cheeky geezer type, you know? | 0:48:24 | 0:48:28 | |
Like me? | 0:48:28 | 0:48:30 | |
Well... Hmmm. | 0:48:30 | 0:48:33 | |
No offence, but I have been out with quite a lot of posh boys | 0:48:33 | 0:48:37 | |
and I do not want to do that again. | 0:48:37 | 0:48:39 | |
-Oh, OK. I think I'm feeling quietly confident, Miranda. -Really? | 0:48:39 | 0:48:43 | |
If I could just ask you maybe to come over here and wait? | 0:48:43 | 0:48:46 | |
This is Miranda, ladies and gentlemen. | 0:48:46 | 0:48:49 | |
Who knows? This seems to be going to plan. All right. | 0:48:49 | 0:48:54 | |
I'm going to bring out my friend, and we'll see if this pans out. | 0:48:54 | 0:48:59 | |
So, ladies and gentlemen, please welcome Smithy. | 0:48:59 | 0:49:02 | |
All right? All right? | 0:49:16 | 0:49:19 | |
Smithy, I said I was going to try and sort you out today. | 0:49:22 | 0:49:25 | |
-I've been true to my word. I got somebody. -I appreciate it. | 0:49:25 | 0:49:28 | |
-You all right? -Yeah, I'm good. | 0:49:28 | 0:49:30 | |
Listen, beggars can't be choosers and all that. | 0:49:30 | 0:49:34 | |
But what are you looking for in a girl? | 0:49:34 | 0:49:37 | |
What am I looking for? I'm not fussy, really. | 0:49:37 | 0:49:39 | |
I mean... | 0:49:39 | 0:49:42 | |
The last girl I was with... I wasn't with her, it was weird. | 0:49:42 | 0:49:46 | |
We weren't, like, together. But she was quite a big girl. | 0:49:46 | 0:49:50 | |
So I don't mind that. I don't mind if she's big. | 0:49:50 | 0:49:53 | |
She was quite working class, though. | 0:49:53 | 0:49:56 | |
So I wouldn't mind if it was someone a bit posher. You know what I mean? | 0:49:56 | 0:50:02 | |
That would be good. In an ideal world, what would be really great, | 0:50:02 | 0:50:05 | |
is if I was with someone who was constantly with, like, a film crew, | 0:50:05 | 0:50:10 | |
who had a camera, and then while we're having a conversation | 0:50:10 | 0:50:13 | |
she could look down the lens... | 0:50:13 | 0:50:16 | |
and then tell that lens exactly what she was feeling. | 0:50:16 | 0:50:19 | |
And then there'd be no games. | 0:50:19 | 0:50:21 | |
I wouldn't have to read between the lines. | 0:50:21 | 0:50:23 | |
Cos that can be a nightmare. | 0:50:23 | 0:50:25 | |
Reading between the lines is a nightmare? Well, listen. | 0:50:25 | 0:50:27 | |
I'm feeling quite good. | 0:50:27 | 0:50:28 | |
Who knows what's going to happen? I've done my best. | 0:50:28 | 0:50:31 | |
-I appreciate it, nice one. -Why don't you go wait over there? | 0:50:31 | 0:50:32 | |
-Cheers, Mikelar. -We'll see what we can do. | 0:50:32 | 0:50:35 | |
-Hello. -Oh, for f... | 0:50:44 | 0:50:47 | |
Ohhh! | 0:50:57 | 0:50:59 | |
Go on, Smith! | 0:51:05 | 0:51:06 | |
CHEERING AND WHOOPING | 0:51:12 | 0:51:14 | |
# Now, I've had the time of my life | 0:51:14 | 0:51:20 | |
# No, I've never felt like this before | 0:51:20 | 0:51:24 | |
# Yes, I swear, it's the truth | 0:51:24 | 0:51:28 | |
# And I owe it all to you | 0:51:28 | 0:51:31 | |
# Cos I've had the time of my life | 0:51:31 | 0:51:38 | |
# And I owe it all to you | 0:51:38 | 0:51:41 | |
# I've been waiting for so long | 0:51:48 | 0:51:51 | |
# Now I've finally found someone | 0:51:51 | 0:51:53 | |
# To stand by me | 0:51:53 | 0:51:55 | |
# We saw the writing on the wall | 0:51:57 | 0:52:00 | |
# As we felt this magical fantasy | 0:52:00 | 0:52:05 | |
# Now with passion in our eyes | 0:52:06 | 0:52:09 | |
# There's no way we could disguise it secretly | 0:52:09 | 0:52:13 | |
# So we take each other's hand | 0:52:15 | 0:52:17 | |
# Cos we seem to understand the urgency | 0:52:17 | 0:52:22 | |
# Just remember | 0:52:23 | 0:52:26 | |
# You're the one... # | 0:52:26 | 0:52:27 | |
THUD! | 0:52:27 | 0:52:29 | |
You're mine now! | 0:52:52 | 0:52:54 | |
Ladies and gentlemen, it's Miranda and Smithy! | 0:52:57 | 0:53:02 | |
Ladies and gentlemen, please welcome, for our finale, | 0:53:04 | 0:53:09 | |
the wondrous, glorious, it's Kylie Minogue! | 0:53:09 | 0:53:14 | |
# Oh, the weather outside is frightful | 0:53:33 | 0:53:36 | |
# But the fire is so delightful | 0:53:36 | 0:53:40 | |
# And since we've no place to go | 0:53:40 | 0:53:43 | |
# Let it snow, let it snow Let it snow! | 0:53:43 | 0:53:47 | |
# It doesn't show signs of stoppin' | 0:53:47 | 0:53:50 | |
# And I've bought some corn for poppin' | 0:53:50 | 0:53:54 | |
# The lights are turned way down low | 0:53:54 | 0:53:57 | |
# Let it snow, let it snow Let it snow! | 0:53:57 | 0:54:01 | |
# When we finally kiss goodnight | 0:54:01 | 0:54:04 | |
# How I'll hate going out in the storm | 0:54:04 | 0:54:08 | |
# But if you'll really hold me tight | 0:54:08 | 0:54:11 | |
# All the way home I'll be warm | 0:54:11 | 0:54:15 | |
# The fire is slowly dying | 0:54:15 | 0:54:18 | |
# And, my dear, we're still good-bying | 0:54:18 | 0:54:22 | |
# But as long as you love me so | 0:54:22 | 0:54:26 | |
# Let it snow, let it snow! # | 0:54:26 | 0:54:29 | |
Would you please welcome back your fabulous comedians? | 0:54:32 | 0:54:35 | |
CHEERING | 0:54:35 | 0:54:36 | |
And we sway. | 0:54:38 | 0:54:40 | |
# When we finally kiss goodnight | 0:54:43 | 0:54:46 | |
# How I'll hate going out in the storm | 0:54:46 | 0:54:49 | |
# But if you'll really hold me tight | 0:54:49 | 0:54:53 | |
# All the way home I'll be warm | 0:54:53 | 0:54:58 | |
# The fire is slowly dying | 0:54:58 | 0:55:01 | |
# And, my dear, we're still good-bying | 0:55:01 | 0:55:04 | |
# But as long as you love me so... # | 0:55:04 | 0:55:06 | |
Together! | 0:55:06 | 0:55:07 | |
# Let it snow, let it snow | 0:55:07 | 0:55:10 | |
# Let it snow | 0:55:10 | 0:55:12 | |
# Let it snow! # | 0:55:12 | 0:55:15 | |
The wonderful Kylie was here! | 0:55:15 | 0:55:17 | |
Fantastic. Kylie Minogue! | 0:55:17 | 0:55:19 | |
Merry Christmas! | 0:55:19 | 0:55:21 | |
Ladies and gentlemen, merry Christmas! | 0:55:25 | 0:55:27 | |
Good night and thank you! | 0:55:27 | 0:55:30 | |
Thank you! | 0:55:31 | 0:55:34 | |
Michael McIntyre! | 0:55:37 | 0:55:39 | |
CHEERING | 0:55:39 | 0:55:41 | |
Thank you for coming! | 0:55:41 | 0:55:43 | |
Subtitles by Red Bee Media Ltd | 0:55:43 | 0:55:46 |