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This programme contains some strong language | 0:00:02 | 0:00:07 | |
This young woman had just heard that her 98-year-old grandfather has died | 0:00:16 | 0:00:21 | |
and so she goes to pay her grandmother a visit | 0:00:21 | 0:00:23 | |
and they're talking, and she says, "Grandma, how did it happen?" | 0:00:23 | 0:00:28 | |
And Grandma says, "Well, it was Sunday morning, | 0:00:28 | 0:00:31 | |
"we were making love..." | 0:00:31 | 0:00:33 | |
And she says, "Grandma, two people almost 100 years old having sex, | 0:00:33 | 0:00:39 | |
"that can be very dangerous!" And her grandmother says, | 0:00:39 | 0:00:42 | |
"No, no, no, we worked it out, just exactly right for us. | 0:00:42 | 0:00:45 | |
"We always did it on Sunday morning in time with the church bells - | 0:00:45 | 0:00:50 | |
"- ding, dong, | 0:00:50 | 0:00:53 | |
"ding, dong, | 0:00:53 | 0:00:55 | |
"in with the ding, out with the dong." | 0:00:55 | 0:00:59 | |
"Oh, my, if it wasn't for that damn ice cream truck | 0:00:59 | 0:01:02 | |
"your grandfather would still be here." | 0:01:02 | 0:01:04 | |
LAUGHTER | 0:01:04 | 0:01:07 | |
LAUGHTER CONTINUES | 0:01:09 | 0:01:11 | |
Man gets on an airplane, three seats on each side of the aisle. | 0:01:12 | 0:01:16 | |
In this row there's a man sitting at the window | 0:01:16 | 0:01:18 | |
and a dog in the middle seat and the aisle seat is empty. | 0:01:18 | 0:01:22 | |
He says to the man, "Is that your dog?" | 0:01:22 | 0:01:23 | |
He says, "Yes." He said, "You can't bring a dog on an airplane." | 0:01:23 | 0:01:27 | |
He says, "I'm a Federal DEA agent, that's my scout, he goes where I go." | 0:01:27 | 0:01:30 | |
"But don't be concerned, he's extremely well trained | 0:01:30 | 0:01:33 | |
"and you're free to sit there." | 0:01:33 | 0:01:34 | |
So he sits down. | 0:01:34 | 0:01:36 | |
Plane takes off, becomes airborne, dog gets up, | 0:01:36 | 0:01:38 | |
walks up and down the aisle, jumps back in his seat, | 0:01:38 | 0:01:41 | |
pats the agent on the arm. | 0:01:41 | 0:01:42 | |
Guy says, "What was that all about?" | 0:01:42 | 0:01:44 | |
He says, "See that man in the fourth row on the window-side?" | 0:01:44 | 0:01:47 | |
He said, "Yes." "He's carrying marijuana." | 0:01:47 | 0:01:49 | |
"Really?! What are you gonna do?" "I'll take care of it when we land." | 0:01:49 | 0:01:53 | |
Dog gets up again, back and forth, jumps in his seat... | 0:01:53 | 0:01:57 | |
"What was that?" | 0:01:57 | 0:01:58 | |
"27, on the aisle - cocaine." | 0:02:00 | 0:02:02 | |
He said, "That dog's miraculous." Dog gets up a third time. | 0:02:02 | 0:02:06 | |
Up and down the aisle, jumps in the agent's lap and takes a dump. | 0:02:06 | 0:02:11 | |
Guy says, "What does THAT mean?" | 0:02:11 | 0:02:13 | |
"There's a BOMB on the plane!" | 0:02:13 | 0:02:15 | |
LAUGHTER | 0:02:15 | 0:02:19 | |
Parachute training in Israel. | 0:02:19 | 0:02:20 | |
Guy comes back from his first flight to be... | 0:02:20 | 0:02:23 | |
his first jump, and his friend said, "Well, how did it go?" | 0:02:23 | 0:02:26 | |
He says, "Oh, it was really scary. | 0:02:26 | 0:02:30 | |
"I was the last one cos I couldn't go first. | 0:02:30 | 0:02:33 | |
"I was last in line and everybody is jumping | 0:02:33 | 0:02:35 | |
"and I'm getting scareder and scareder and scareder, | 0:02:35 | 0:02:38 | |
"and finally it's my turn and I'm holding on | 0:02:38 | 0:02:40 | |
"and I said, 'I can't do it! I can't jump! I can't!' | 0:02:40 | 0:02:43 | |
"And the sergeant says to me, | 0:02:43 | 0:02:45 | |
"'If you don't jump, I'm gonna fuck you up the ass!'" | 0:02:45 | 0:02:48 | |
His friend said, "Did you jump?" He said, "A little at first." | 0:02:48 | 0:02:52 | |
LAUGHTER | 0:02:52 | 0:02:54 | |
And it was 2005. | 0:02:54 | 0:02:56 | |
The Wrigley corporation had recently taken over the Lifesavers company. | 0:02:56 | 0:03:00 | |
They had purchased the company and they were testing out | 0:03:00 | 0:03:03 | |
their flagship product, which was a honey-flavoured Lifesaver. | 0:03:03 | 0:03:09 | |
So they decided to bring in a panel of children. | 0:03:09 | 0:03:12 | |
They had a first-grade class - all these six-year-olds were there. | 0:03:12 | 0:03:15 | |
And they were being told that they were being given a Lifesaver to taste, | 0:03:15 | 0:03:18 | |
and they needed to shout out what the flavour was of that Lifesaver. | 0:03:18 | 0:03:22 | |
Unfortunately, the colour was brown, because they were honey-flavoured Lifesavers | 0:03:22 | 0:03:27 | |
and so they children were guessing wildly. | 0:03:27 | 0:03:29 | |
"Chocolate!" said one. A little in the back said, "Root beer!" | 0:03:29 | 0:03:33 | |
Somebody else said, "Coffee!" | 0:03:33 | 0:03:34 | |
And they were all wrong, they were getting discouraged, | 0:03:34 | 0:03:37 | |
so the marketing people took note, | 0:03:37 | 0:03:40 | |
and indicated that the colour may be a factor. | 0:03:40 | 0:03:45 | |
Don't carry that on. But to help the children they said, | 0:03:45 | 0:03:47 | |
"We're going to give you a little hint." | 0:03:47 | 0:03:49 | |
Think about what Mommy calls Daddy sometimes. | 0:03:49 | 0:03:52 | |
And with that a little boy in the back row jumped up and he said, | 0:03:52 | 0:03:56 | |
"Spit 'em out everybody - they're assholes!" | 0:03:56 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
There were these two partners in the garment centre, | 0:04:03 | 0:04:06 | |
they had a little schmutter business named after them - | 0:04:06 | 0:04:09 | |
Abramowitz and Zeplowitz. | 0:04:09 | 0:04:11 | |
They'd been going for years, and it was very slow. | 0:04:11 | 0:04:13 | |
One day Zeplowitz comes in, he says, | 0:04:13 | 0:04:15 | |
"You know, we gotta change our image. | 0:04:15 | 0:04:18 | |
"I'm changing my name to Worthington. | 0:04:18 | 0:04:20 | |
"I don't wanna have such a Jewish name, I want us to sound American." | 0:04:20 | 0:04:25 | |
So, Abramowitz looks at him and he's thinking, he says, | 0:04:25 | 0:04:29 | |
"You know, I like that idea, I'm gonna do that too. | 0:04:29 | 0:04:31 | |
"I'm gonna be Worthington, also. | 0:04:31 | 0:04:33 | |
"We'll have a business, Worthington and Worthington." | 0:04:33 | 0:04:35 | |
They shake on it, very happy. So they get the door... | 0:04:35 | 0:04:39 | |
the sign on the door and new cards. | 0:04:39 | 0:04:42 | |
So the first day under that new name, they're standing there, the phone rings. | 0:04:42 | 0:04:46 | |
The Receptionist picks up - "Worthington and Worthington." | 0:04:46 | 0:04:50 | |
And they look at each other, very proud. | 0:04:50 | 0:04:52 | |
She says, "Which Worthington do you want - Abramowitz or Zeplowitz?" | 0:04:52 | 0:04:55 | |
LAUGHTER | 0:04:55 | 0:04:57 | |
Two old ladies sitting on a porch | 0:04:59 | 0:05:03 | |
doing nothing in their retirement home. | 0:05:03 | 0:05:05 | |
One turns to the other and says, "Do you still get horny?" | 0:05:05 | 0:05:09 | |
She says, "I sure do!" | 0:05:10 | 0:05:13 | |
She says, "Well, what do you do?" | 0:05:13 | 0:05:15 | |
She says, "I suck a Lifesaver." | 0:05:15 | 0:05:18 | |
Couple of minutes later the first one turns and says, | 0:05:19 | 0:05:22 | |
"Who drives you to the beach?" | 0:05:22 | 0:05:24 | |
LAUGHTER | 0:05:24 | 0:05:27 | |
The farmer wants to buy a stud rooster. | 0:05:36 | 0:05:40 | |
The vet's selling all these various animals and whatever. | 0:05:40 | 0:05:45 | |
He says, "I got one here, | 0:05:45 | 0:05:48 | |
"the best one I have, won the grand prize, it'll cost you 500." | 0:05:48 | 0:05:54 | |
Farmer says, "I want that one." | 0:05:54 | 0:05:56 | |
He takes the rooster, sits him alongside him, and he says, | 0:05:56 | 0:05:58 | |
"Where are they? Where are they? Take me to them." | 0:05:58 | 0:06:01 | |
Farmer says, "There'll be more than you can handle." | 0:06:01 | 0:06:03 | |
He says, "Never enough. Never enough." | 0:06:03 | 0:06:05 | |
Farmer takes him to the farm, and there's a hen house with 200 hens. | 0:06:05 | 0:06:10 | |
He throws the rooster in there and you hear bauwk-buk-buk, bauwk-buk-buk. | 0:06:10 | 0:06:14 | |
They're going' crazy, the wings are flapping, | 0:06:14 | 0:06:16 | |
the feathers are flying... Suddenly silence prevails. | 0:06:16 | 0:06:20 | |
Farmer goes tip-toeing in and he sees all the hens are sleeping, | 0:06:20 | 0:06:25 | |
snoring, contented smiles on their faces, | 0:06:25 | 0:06:27 | |
and the rooster is parading up and down. | 0:06:27 | 0:06:30 | |
"Where are they? I need more!" | 0:06:30 | 0:06:31 | |
He says, "Isn't this enough? | 0:06:31 | 0:06:33 | |
Don't you wanna relax and sleep it off, and regain your energy?" | 0:06:33 | 0:06:36 | |
"I want more! Never enough! Never enough!" | 0:06:36 | 0:06:38 | |
Takes him to another henhouse with 400 hens. | 0:06:38 | 0:06:42 | |
Throws him in - bauwk-buk-buk, buk-buk-buawk..! | 0:06:42 | 0:06:44 | |
Well, again, silence prevails and the farmer runs over. | 0:06:44 | 0:06:48 | |
Again the same thing - they're all sleeping, snoring, smiling. | 0:06:48 | 0:06:52 | |
And he's strutting up and down - the rooster. | 0:06:52 | 0:06:55 | |
And he says, "That's all I have." But he says, "I want more!" | 0:06:55 | 0:06:58 | |
He says, "Maybe you've got some cows, sheep...?" | 0:06:58 | 0:07:01 | |
He says, "YOU want....?!" "Yeah, yeah, yeah." | 0:07:01 | 0:07:04 | |
It's a warm, summer day, so he throws him in the meadow. | 0:07:04 | 0:07:07 | |
You hear the cows going moooo, moooo, the sheep - baaaa, baaaa, | 0:07:07 | 0:07:10 | |
the horses - neerrrhh, and finally he hears no more noise. | 0:07:10 | 0:07:15 | |
He looks up and there's buzzards flying overhead, | 0:07:16 | 0:07:20 | |
coming down for the kill. | 0:07:20 | 0:07:22 | |
And the cows, the horses and the sheep and the pigs - | 0:07:22 | 0:07:25 | |
they're all lying on their sides snoring away. | 0:07:25 | 0:07:29 | |
And the rooster was lying there, | 0:07:29 | 0:07:32 | |
with his head dangling into a hole, his mouth open... | 0:07:32 | 0:07:35 | |
almost like rigor mortis. | 0:07:35 | 0:07:38 | |
Farmer walks over - "You see, you screwed yourself to death." | 0:07:39 | 0:07:43 | |
"I warned you to rela..." And the buzzards are flying overhead, about to come down... | 0:07:43 | 0:07:47 | |
He says, "Shut up, you schmuck, | 0:07:47 | 0:07:49 | |
"if you wanna screw a buzzard, you gotta play this game all the way." | 0:07:49 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:53 | |
A masked man toting an AK-47 bursts into a bank | 0:08:00 | 0:08:05 | |
and proceeds to rob the bank. | 0:08:05 | 0:08:07 | |
One of the robbers' masks falls down and he puts it up real fast. | 0:08:07 | 0:08:12 | |
And there were a couple of people standing off to his right, | 0:08:12 | 0:08:15 | |
and he said to one of the guys... | 0:08:15 | 0:08:17 | |
"Tell me, did you see my face?" | 0:08:17 | 0:08:20 | |
And the guy says, "Yeah, I did." | 0:08:20 | 0:08:21 | |
Bang! He shoots him. | 0:08:21 | 0:08:23 | |
And there was another guy standing by that guy and he says, | 0:08:23 | 0:08:25 | |
"When my mask fell down... | 0:08:25 | 0:08:27 | |
"..did you see my face?" He says, "Yes." Bang! | 0:08:27 | 0:08:30 | |
He shoots him. | 0:08:30 | 0:08:32 | |
There was a third guy standing there, and he says to this guy... | 0:08:32 | 0:08:36 | |
"Excuse me, did you see my face?" | 0:08:36 | 0:08:39 | |
And the guy says, "No. I didn't." | 0:08:39 | 0:08:41 | |
"But my wife did." | 0:08:41 | 0:08:43 | |
LAUGHTER | 0:08:43 | 0:08:45 | |
Maury's of an age and he marries this much, much, much younger woman. | 0:08:56 | 0:09:01 | |
As a result, they're having some problems in intimacy and sexuality. | 0:09:01 | 0:09:06 | |
The younger woman is just not being satisfied. | 0:09:06 | 0:09:10 | |
So they decide they're going to go to the rabbi. | 0:09:10 | 0:09:12 | |
They explain themselves - | 0:09:12 | 0:09:14 | |
that he's trying to satisfy his young wife and he's been unable to so. | 0:09:14 | 0:09:19 | |
So the rabbi strokes his beard | 0:09:19 | 0:09:21 | |
and he says to Maury, "Let's do something that they did years ago. | 0:09:21 | 0:09:26 | |
"Why don't you go out get a nice, handsome, young man, | 0:09:26 | 0:09:30 | |
"have him come in when you're making love, and have him wave a towel | 0:09:30 | 0:09:34 | |
"while you're having intimacy." | 0:09:34 | 0:09:37 | |
So they say OK. They agree to do what the rabbi suggests. | 0:09:37 | 0:09:41 | |
They go out they get this handsome young man, | 0:09:41 | 0:09:43 | |
comes into the bedroom with them, | 0:09:43 | 0:09:45 | |
Maury gets into bed with his young beautiful wife, | 0:09:45 | 0:09:48 | |
the young man's waving the towel while they're in bed. | 0:09:48 | 0:09:52 | |
At the end, they do this a couple of times, | 0:09:52 | 0:09:54 | |
and there's no satisfaction for her. | 0:09:54 | 0:09:56 | |
So they decide to go back to see the rabbi again. | 0:09:56 | 0:10:00 | |
So they go and see the rabbi and the rabbi listens to them and says, | 0:10:00 | 0:10:04 | |
"Listen, why don't you go back, do it, but just reverse roles - | 0:10:04 | 0:10:08 | |
"Maury, you wave the towel, | 0:10:08 | 0:10:10 | |
"the handsome young man gets in the bed with the wife, | 0:10:10 | 0:10:15 | |
"and let's see what that does." | 0:10:15 | 0:10:17 | |
"Cos we do anything in the Jewish tradition to satisfy our wives." | 0:10:17 | 0:10:21 | |
So they go back home, and they go into the bedroom, | 0:10:21 | 0:10:25 | |
the handsome young man comes into the bedroom, | 0:10:25 | 0:10:27 | |
Maury picks up the towel, explains to the handsome young man | 0:10:27 | 0:10:31 | |
what has to be done. | 0:10:31 | 0:10:32 | |
He gets into bed with the wife, | 0:10:32 | 0:10:35 | |
and they're having intimate, passionate sex | 0:10:35 | 0:10:37 | |
and she's screaming and she's going absolutely erotic | 0:10:37 | 0:10:41 | |
in this wild orgasm. | 0:10:41 | 0:10:43 | |
And Maury looks at the young man and he says, | 0:10:43 | 0:10:45 | |
"Schmuck, this is how you wave a towel!" | 0:10:45 | 0:10:48 | |
LAUGHTER | 0:10:48 | 0:10:50 | |
Mr and Mrs Shapiro also go to a doctor. | 0:10:51 | 0:10:53 | |
And at the end, the doctor calls in Mrs Shapiro. | 0:10:54 | 0:10:58 | |
"Mrs Shapiro, you're fine, | 0:10:58 | 0:11:00 | |
"your husband is fine, but I have one problem." | 0:11:00 | 0:11:03 | |
"Your husband tells me his sex life has a little problem. | 0:11:05 | 0:11:10 | |
"So what's the problem?" | 0:11:10 | 0:11:12 | |
"Well," he says, "the first time is perfectly fine, but the second time, | 0:11:12 | 0:11:17 | |
"he starts to perspire and sweat and he's completely soaked afterwards. | 0:11:17 | 0:11:22 | |
"Do you understand that?" | 0:11:22 | 0:11:24 | |
She said, "Yeah." | 0:11:24 | 0:11:25 | |
"The first time's November, the second time is July." | 0:11:25 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:32 | |
Couple, married a good 30 or 40 years, | 0:11:32 | 0:11:36 | |
and they're lying in bed together | 0:11:36 | 0:11:38 | |
and all of a sudden the wife, out of nowhere, | 0:11:38 | 0:11:41 | |
she feels her husband's hand under her thigh. | 0:11:41 | 0:11:46 | |
And she says, "Oh, boy, this is good. This is gonna be a good evening." | 0:11:46 | 0:11:51 | |
A little bit later she feels her husband's hand under her buttocks | 0:11:51 | 0:11:56 | |
and she says, "Boy, terrific, tonight's my night." | 0:11:56 | 0:12:01 | |
Next moment she feels his hand in between her legs. | 0:12:02 | 0:12:08 | |
And then all of a sudden everything stops. | 0:12:08 | 0:12:12 | |
She says, "Irving, what happened?" | 0:12:12 | 0:12:14 | |
He says, "I found the remote." | 0:12:14 | 0:12:17 | |
LAUGHTER | 0:12:17 | 0:12:20 | |
This 95-year-old guy walks into a whorehouse, | 0:12:20 | 0:12:23 | |
and he's met by the madam, | 0:12:23 | 0:12:26 | |
and she says, "What are you doin' here, old man? | 0:12:26 | 0:12:28 | |
"Are you lost? You need money, some change?" | 0:12:28 | 0:12:31 | |
He says, "Don't you vorry what I'm doin'. | 0:12:31 | 0:12:33 | |
"I got 100 for the best hooker you got!" | 0:12:33 | 0:12:36 | |
She says, "100 for the best hooker...? | 0:12:36 | 0:12:38 | |
"My best hooker will break you in half. What are you talkin' about?" | 0:12:38 | 0:12:41 | |
He says, "Don't you vorry, I'm up for it, here's 100 bucks." | 0:12:41 | 0:12:44 | |
She says, "OK, go into Room 6." | 0:12:44 | 0:12:48 | |
Well, about ten minutes later he gets to Room 6, he opens the door, | 0:12:48 | 0:12:53 | |
and there's a beautiful young lady sitting on the bed | 0:12:53 | 0:12:55 | |
and she says, "Hey, old man, get outta here. | 0:12:55 | 0:12:57 | |
"I'm waiting for my john." | 0:12:57 | 0:12:58 | |
He says, "I'm your johnny-baby, don't you vorry about that!" | 0:12:58 | 0:13:03 | |
And she says, "You're my johnny-baby? You're 130 years old. | 0:13:03 | 0:13:06 | |
"I could hurt you." He says, "Don't you worry, I'm man enough for you." | 0:13:06 | 0:13:10 | |
She says, "Really? Let's see." | 0:13:10 | 0:13:12 | |
So he drops his trousers and she looks at him, and she says, | 0:13:12 | 0:13:15 | |
"I don't know if I can give you 100 of pleasure with what's left of that thing." | 0:13:15 | 0:13:20 | |
He goes, "What's the matter? Not big enough?" | 0:13:20 | 0:13:23 | |
She goes, "Not really." He goes... | 0:13:23 | 0:13:25 | |
(SNAP!) ..and his penis extends three inches, she goes, | 0:13:25 | 0:13:29 | |
"Oh, my god, can you do that again?" | 0:13:29 | 0:13:31 | |
(SNAP!) His penis extends another three inches. Unbelievable. | 0:13:31 | 0:13:35 | |
She says, "How do you make it go back?" He goes... (THUMP!) | 0:13:35 | 0:13:38 | |
And it contracts three inches. "Can you do that again?" | 0:13:38 | 0:13:42 | |
(THUMP!) Contracts another three inches. | 0:13:42 | 0:13:44 | |
She says, "Well, I'm game if you are. I've never seen this before. | 0:13:44 | 0:13:47 | |
"You want the bottom or the top?" | 0:13:47 | 0:13:49 | |
He says, "Well, I had to walk all the way here, I'll take the bottom." | 0:13:49 | 0:13:53 | |
So she gets on top of him, and he goes, | 0:13:53 | 0:13:55 | |
# If I were a rich man... # (THUMP! SNAP! THUMP!) | 0:13:55 | 0:14:00 | |
LAUGHTER | 0:14:00 | 0:14:03 | |
There's a woman that's getting married for the fourth time | 0:14:05 | 0:14:07 | |
and she's getting married to a lawyer. | 0:14:07 | 0:14:10 | |
She's really excited, so she goes to the dressmaker and she says, | 0:14:10 | 0:14:13 | |
"Could you tailor me a beautiful white gown to walk down the aisle?" | 0:14:13 | 0:14:17 | |
The tailor says, "With all due respect, after three husbands, | 0:14:17 | 0:14:20 | |
"maybe something in an off-white or an ecru would be more appropriate." | 0:14:20 | 0:14:23 | |
She says, "No, I've maintained my virginity through three husbands | 0:14:23 | 0:14:26 | |
"and I'd like to walk down in white." | 0:14:26 | 0:14:28 | |
He says, "You maintained your virginity through three husbands, | 0:14:28 | 0:14:30 | |
"now you're marrying a lawyer - how do you explain this?" | 0:14:30 | 0:14:33 | |
She said, "My first husband John was a gynaecologist | 0:14:33 | 0:14:36 | |
"and all he ever did to me at night during our marriage | 0:14:36 | 0:14:39 | |
"was get under the covers, look at it, examine it, that's all he would ever do to me. | 0:14:39 | 0:14:43 | |
"My second husband, Sigmund, was a psychiatrist | 0:14:43 | 0:14:47 | |
"and all he ever did to me during our married life was get under | 0:14:47 | 0:14:50 | |
"the covers and talk about it, talk about it, talk about it. | 0:14:50 | 0:14:53 | |
"My third husband, Lester, was a stamp collector. I really miss Lester. | 0:14:53 | 0:14:58 | |
"But now I'm gettin' married to a lawyer, I know I'm gonna get fucked!" | 0:14:58 | 0:15:03 | |
LAUGHTER | 0:15:03 | 0:15:05 | |
A Hasidic rabbi walks into a bar and has a frog on his shoulder | 0:15:05 | 0:15:09 | |
and the bartender says to him, "Where did you get him from?" | 0:15:09 | 0:15:14 | |
And the frog says, "Oh, they're all over Brooklyn." | 0:15:14 | 0:15:17 | |
An old man is sitting on his rocking chair, rocking comfortably away | 0:15:20 | 0:15:24 | |
and over a hill in front of his house | 0:15:24 | 0:15:28 | |
comes a young boy carrying something in his arms. | 0:15:28 | 0:15:31 | |
Old man says, "Hey, kid, what you got there?" | 0:15:31 | 0:15:34 | |
"Got me some chicken wire." | 0:15:34 | 0:15:35 | |
"What are you going to do with the chicken wire?" | 0:15:35 | 0:15:37 | |
"I'm going to catch me some chickens." | 0:15:37 | 0:15:39 | |
"You damn fool, you can't catch no chickens with no chicken wire." | 0:15:39 | 0:15:42 | |
Of course, later that afternoon up that hill comes that kid | 0:15:42 | 0:15:45 | |
dragging that chicken wire, bunch of chickens attached to it. | 0:15:45 | 0:15:48 | |
Next morning over the hill comes that kid, | 0:15:48 | 0:15:51 | |
holding something in his hands. | 0:15:51 | 0:15:53 | |
"Hey, kid, what you got there?" says the old man. | 0:15:53 | 0:15:55 | |
"I got me some duck tape." | 0:15:55 | 0:15:57 | |
"What are you going to do with that duck tape?" | 0:15:57 | 0:15:59 | |
"I'm going to catch me some ducks." | 0:15:59 | 0:16:01 | |
"Oh, you damn fool, you can't catch no ducks with no duck tape." | 0:16:01 | 0:16:03 | |
Lo and behold later that afternoon, | 0:16:03 | 0:16:05 | |
up that hill comes that kid dragging that roll of tape, | 0:16:05 | 0:16:09 | |
a bunch of ducks stuck to it. | 0:16:09 | 0:16:11 | |
Next morning, kid comes over the hill, | 0:16:11 | 0:16:13 | |
passes the old man carrying something in his hand. | 0:16:13 | 0:16:16 | |
Old man says, "Hey, kid, what you got there?" | 0:16:16 | 0:16:18 | |
The kid says, "I got me some pussy willow." | 0:16:18 | 0:16:21 | |
Old man says, "Hang on, let me get my hat." | 0:16:21 | 0:16:24 | |
Sammy comes home from work | 0:16:29 | 0:16:31 | |
and he says to Becky, "Becky, I can't do it any more. | 0:16:31 | 0:16:33 | |
"My arthritis is killing me, I can't work any more. | 0:16:33 | 0:16:35 | |
"You're going to have to go out to work." | 0:16:35 | 0:16:37 | |
She says, "Me, work? "I never worked a day in my life!" | 0:16:37 | 0:16:40 | |
He says, "Eh, you be a whore." | 0:16:40 | 0:16:43 | |
"Be a whore? How do I do that?" | 0:16:43 | 0:16:45 | |
He says, "Well, put your best dress on, put your lipstick on, | 0:16:45 | 0:16:47 | |
"your best make-up, fix up your hair, put on your best stockings, go out | 0:16:47 | 0:16:50 | |
"and every man you meet you say, 'Hey, buddy, you want a good time?'" | 0:16:50 | 0:16:54 | |
So she says, "Well, we need the money." So she goes out. | 0:16:54 | 0:16:57 | |
Three and a half hours later she comes back | 0:16:57 | 0:17:00 | |
and Sammy says, "How did you do?" | 0:17:00 | 0:17:01 | |
Becky is ripped to shreds. | 0:17:01 | 0:17:03 | |
Her buttons are all pulled off, her bra is half on, half off, | 0:17:03 | 0:17:06 | |
her dress is half on half off, stockings are down by her ankles, | 0:17:06 | 0:17:10 | |
her hair is all messed up and she says, "Well, I made 35.10." | 0:17:10 | 0:17:14 | |
He said, "10 cents? Who gave you 10 cents?" | 0:17:14 | 0:17:17 | |
She says, "Everybody gave me 10 cents." | 0:17:17 | 0:17:19 | |
Schwartz had a chicken farm | 0:17:21 | 0:17:22 | |
and he had a long-time customer, Gottesman Kosher Butchers. | 0:17:22 | 0:17:27 | |
Gottesman had been a customer for years and years | 0:17:27 | 0:17:31 | |
and they always did good business together | 0:17:31 | 0:17:34 | |
and Schwartz noticed Gottesman was getting slow on his payments. | 0:17:34 | 0:17:37 | |
But when he got up to about 80,000, Schwartz was upset about it | 0:17:37 | 0:17:41 | |
and he spoke to Gottesman and said, "You've got to give me some money." | 0:17:41 | 0:17:44 | |
He promised him a 10,000 cheque by the end of the month, | 0:17:44 | 0:17:48 | |
the cheque never showed up. | 0:17:48 | 0:17:49 | |
Promised him again, the cheque never showed up. | 0:17:49 | 0:17:52 | |
So Gottesman went to his lawyers, McCarter and English, | 0:17:52 | 0:17:55 | |
and he told them to sue. They start to sue. | 0:17:55 | 0:17:58 | |
Gottesman files an answer. | 0:17:59 | 0:18:01 | |
He says, "The chickens were no good. | 0:18:01 | 0:18:04 | |
"He didn't give me as many chickens as he's charging me for. | 0:18:04 | 0:18:07 | |
"The chickens wouldn't sell because they were so out of date, | 0:18:07 | 0:18:10 | |
"and anyway, I don't know anybody named Schwartz and I paid him." | 0:18:10 | 0:18:14 | |
Schwartz is angered by this reply and tells his lawyers, | 0:18:17 | 0:18:24 | |
"We'll get him. | 0:18:24 | 0:18:25 | |
The lawyer says, "You know, Mr Schwartz, we've got a problem. | 0:18:25 | 0:18:29 | |
"You've got a nice family business but you've got no records. | 0:18:29 | 0:18:33 | |
"You've got no invoices, you've got no sales records, | 0:18:33 | 0:18:36 | |
"you've got no shipping records, you've got nothing. | 0:18:36 | 0:18:39 | |
"We're going to go to court | 0:18:39 | 0:18:41 | |
"and it's going to be your word against Gottesman's. | 0:18:41 | 0:18:44 | |
Schwartz says, "I don't care. | 0:18:44 | 0:18:47 | |
"The son of a gun is not playing fair with me, | 0:18:47 | 0:18:50 | |
"I'll take care of it - I'll send a chicken." | 0:18:50 | 0:18:53 | |
He said, "Send who a chicken?" He said, "Judge Reichoff." | 0:18:53 | 0:18:56 | |
He said, "You can't send Judge Reichoff a chicken, | 0:18:56 | 0:18:58 | |
"he'll be very insulted, | 0:18:58 | 0:18:59 | |
"he'll be outraged and probably call the prosecutor | 0:18:59 | 0:19:02 | |
"and you'll never win the case with stuff like that with Judge Reichoff. | 0:19:02 | 0:19:06 | |
"Don't do it." | 0:19:06 | 0:19:07 | |
"All right, no chicken." | 0:19:07 | 0:19:09 | |
They go to court, Schwartz testifies, Gottesman testifies. | 0:19:09 | 0:19:14 | |
At the end of the case, Judge Reichoff says, | 0:19:14 | 0:19:18 | |
"It would be an easier case to decide if there were records | 0:19:18 | 0:19:22 | |
"but there are none, so I've had to judge the two men who appear before me | 0:19:22 | 0:19:26 | |
"and I find Schwartz to be a man of great character, complete credibility. | 0:19:26 | 0:19:31 | |
"Gottesman is obviously a dodgy character and not worthy of belief. | 0:19:31 | 0:19:36 | |
"Judgement for Schwartz, 80,000." | 0:19:36 | 0:19:39 | |
As they're going down the steps of the courthouse, | 0:19:39 | 0:19:42 | |
Schwartz says to his lawyer, "Great lawyer you are(!) | 0:19:42 | 0:19:45 | |
"You wanted me to settle, you wanted me to take less than I got! | 0:19:45 | 0:19:47 | |
"I took care of it." He said, "What do you mean you took care of it?" | 0:19:47 | 0:19:50 | |
He says, "I sent him a chicken." | 0:19:50 | 0:19:52 | |
"You sent Reichoff a chicken?" He says, "Yeah." | 0:19:52 | 0:19:55 | |
"That was a terrible thing to do." | 0:19:55 | 0:19:57 | |
He says, "Yeah, I sent him a note along with it." | 0:19:57 | 0:19:59 | |
"My God, what did the note say?" | 0:19:59 | 0:20:01 | |
It said, "Judge Reichoff, enjoy the chicken | 0:20:01 | 0:20:04 | |
"and your family should enjoy it too | 0:20:04 | 0:20:06 | |
"and there's more where that came from, if you know what I mean." | 0:20:06 | 0:20:09 | |
"And I signed it - Gottesman." | 0:20:09 | 0:20:11 | |
The kid's sitting in the back, | 0:20:13 | 0:20:15 | |
teacher's walking round the room with the lesson. | 0:20:15 | 0:20:18 | |
All of a sudden the kids are laughing, they're giggling, they're pointing. | 0:20:18 | 0:20:21 | |
She looks and sees Bobby is playing with himself in his private parts. | 0:20:21 | 0:20:27 | |
She comes over to him - | 0:20:27 | 0:20:29 | |
"What are you doing? This is horrible!" | 0:20:29 | 0:20:31 | |
He says, teacher, "I don't mean you any disrespect, believe me, | 0:20:31 | 0:20:35 | |
"but I was just circumcised yesterday and it itches terribly." | 0:20:35 | 0:20:40 | |
She says, "All right, you know what? | 0:20:40 | 0:20:42 | |
"I'm sending you to the principal's office. | 0:20:42 | 0:20:44 | |
"I want you to ask him to make a phone call to your mother | 0:20:44 | 0:20:47 | |
"and she should, and take you home from school." | 0:20:47 | 0:20:50 | |
So he goes to the principal's office, it happens, makes his call, | 0:20:50 | 0:20:54 | |
comes back, he's sitting down in the classroom and again, | 0:20:54 | 0:20:57 | |
the class starts giggling and laughing, carrying on. | 0:20:57 | 0:21:00 | |
The teacher looks this time - he's got his penis out of his pants. | 0:21:00 | 0:21:05 | |
She says to him, "That's it, brother. This is totally uncalled for." | 0:21:05 | 0:21:10 | |
She says, "Did you call your mother?" He says, "Yes." | 0:21:10 | 0:21:12 | |
"And?" | 0:21:12 | 0:21:13 | |
"She told me to stick it out until after lunch." | 0:21:13 | 0:21:16 | |
Bernie, an old Jew in the clothing business for many years, | 0:21:28 | 0:21:32 | |
is retiring, and his friends ask him, | 0:21:32 | 0:21:34 | |
"What are you going to do after you retire?" | 0:21:34 | 0:21:36 | |
He says, "Well, I think I'll go down | 0:21:36 | 0:21:38 | |
"and I'll join the New York Athletic Club." | 0:21:38 | 0:21:41 | |
They say, "Bernie, are you crazy? They'll never let a Jew in there." | 0:21:41 | 0:21:44 | |
Bernie says, "Well, I have my ways. I think I can get in." | 0:21:44 | 0:21:47 | |
So sure enough, after Bernie retires, | 0:21:47 | 0:21:49 | |
he puts on a blue blazer with gold buttons, | 0:21:49 | 0:21:52 | |
puts on a pinstripe shirt, red silk tie, khaki dockers, boat shoes, | 0:21:52 | 0:21:58 | |
and he goes on down to the New York Athletic Club to interview. | 0:21:58 | 0:22:01 | |
He gets taken into a sumptuous room and a very elegant man, | 0:22:01 | 0:22:04 | |
well-dressed, comes out to interview him, | 0:22:04 | 0:22:07 | |
sits down opposite Bernie and says, "Your name, sir?" | 0:22:07 | 0:22:10 | |
And Bernie says, "Yes, it's Bernard Throckmorton III." | 0:22:10 | 0:22:14 | |
And the interviewer writes it down. | 0:22:14 | 0:22:16 | |
He says, "And what line of work are you in, sir?" | 0:22:16 | 0:22:18 | |
He says, "Yes, well I'm retired now but for many years, | 0:22:18 | 0:22:21 | |
"I had a small boutique advertising agency on Park Avenue." | 0:22:21 | 0:22:24 | |
And the interviewer writes it down. He says, "Are you married, sir?" | 0:22:24 | 0:22:27 | |
"Yes, my wife, Mary, does quite a bit of work for the Junior League." | 0:22:27 | 0:22:32 | |
"Children?" | 0:22:32 | 0:22:33 | |
"Yes, I have two children, Buffy and Chip | 0:22:33 | 0:22:35 | |
"and they will be matriculating this year | 0:22:35 | 0:22:38 | |
"at Harvard and Yale respectively." | 0:22:38 | 0:22:40 | |
He says, "I see, sir. And your religion?" | 0:22:40 | 0:22:42 | |
"Oh, yes, we're goyim." | 0:22:42 | 0:22:44 | |
I recently had to spend an evening at Central State Hospital | 0:22:50 | 0:22:53 | |
and the guy in the bed next to me wasn't doing too well | 0:22:53 | 0:22:56 | |
and half way through the night, | 0:22:56 | 0:22:57 | |
the doctor came into the room, pulled the curtain between us, | 0:22:57 | 0:23:00 | |
went over to the man and his wife and said, | 0:23:00 | 0:23:02 | |
"We've done all the can for you. | 0:23:02 | 0:23:04 | |
"You're not going to make it through the night. | 0:23:04 | 0:23:07 | |
"So, all I suggest is, try to make your husband as comfortable as possible." | 0:23:07 | 0:23:11 | |
He leaves. It's about 12 o'clock at night and I can't sleep. | 0:23:11 | 0:23:14 | |
I'm laying in my bed. | 0:23:14 | 0:23:15 | |
She says, "Darling, how can I make you more comfortable?" | 0:23:15 | 0:23:17 | |
He says, "Well I really don't feel all that bad. | 0:23:17 | 0:23:19 | |
"I'd really like to do it one more time." | 0:23:19 | 0:23:21 | |
She climbs into bed with him, I hear the bed going up and down, | 0:23:21 | 0:23:24 | |
they're going at it for about 40 minutes. | 0:23:24 | 0:23:26 | |
Finally they finish, she's moaning and groaning, | 0:23:26 | 0:23:28 | |
he says, "That was terrific." | 0:23:28 | 0:23:29 | |
She sitting in the chair, it's now about 1.30. | 0:23:29 | 0:23:31 | |
She says, Darling, how can I make you more comfortable?" | 0:23:31 | 0:23:34 | |
He says, "I really feel great and I'd love to do it again." | 0:23:34 | 0:23:37 | |
It's about 2.30 in the morning. | 0:23:37 | 0:23:38 | |
Jumps into the sack again, they go at it for about 40 minutes. | 0:23:38 | 0:23:41 | |
I can't believe it, | 0:23:41 | 0:23:42 | |
I can't fall asleep and he's moaning and groaning and it's wonderful. | 0:23:42 | 0:23:45 | |
Now it's about 3.30 in the morning and she says to him, | 0:23:45 | 0:23:48 | |
"Darling, how can I make you more comfortable?" | 0:23:48 | 0:23:50 | |
He says, "You know, I really feel good. | 0:23:50 | 0:23:53 | |
"I'd like to do it one more time." | 0:23:53 | 0:23:54 | |
She looks at him and says, "Sure(!) You don't have to get up in the morning!" | 0:23:54 | 0:23:58 | |
Morris and Sue lived in Brooklyn and Sue says to Morris, she says, | 0:24:03 | 0:24:07 | |
"You know, Morris, I'm just sick and tired of the chickens | 0:24:07 | 0:24:10 | |
"that I'm getting from the chicken market. | 0:24:10 | 0:24:12 | |
"That kosher market, all they do is give me them skinny chickens. | 0:24:12 | 0:24:16 | |
"All I get is a lot of bones!" | 0:24:16 | 0:24:18 | |
He says, "What do you want from me?" | 0:24:18 | 0:24:20 | |
She says, "I tell you what, I've got a great idea. | 0:24:20 | 0:24:22 | |
"You go down to the chicken market and you'll buy a live chicken. | 0:24:22 | 0:24:27 | |
"Then you'll bring it home, I'll feed it and I'll fatten it up | 0:24:27 | 0:24:31 | |
"and then you'll take it to the shoykhet." | 0:24:31 | 0:24:33 | |
She says, "And then we'll have a good chicken dinner." | 0:24:33 | 0:24:36 | |
He says, "Oy, bist meshuge." | 0:24:36 | 0:24:38 | |
"Please, humour me." "All right!" | 0:24:38 | 0:24:41 | |
So, he goes down to the chicken market and he buys this chicken. | 0:24:41 | 0:24:43 | |
He's got a live chicken. | 0:24:43 | 0:24:45 | |
It's a little chicken, they put it in a bag, and he comes home, | 0:24:45 | 0:24:48 | |
puts his hand in his pocket, he's got to get the key... | 0:24:48 | 0:24:51 | |
and he ain't got the key. | 0:24:51 | 0:24:53 | |
He doesn't have a key and he's standing there with a chicken. | 0:24:53 | 0:24:57 | |
He rings the doorbell, no answer. | 0:24:57 | 0:25:00 | |
He knocks on the door, no answer. | 0:25:00 | 0:25:02 | |
He looks through the glass on the door | 0:25:02 | 0:25:04 | |
and he sees a note on the kitchen table. | 0:25:04 | 0:25:08 | |
"Went to visit my sister, will be back in three hours." | 0:25:08 | 0:25:11 | |
So, he sits down on the stoop and he's thinking and thinking, | 0:25:11 | 0:25:14 | |
"What am I going to do for three hours with this chicken?" | 0:25:14 | 0:25:17 | |
And as he's doing, he's looking down the street | 0:25:17 | 0:25:20 | |
and he sees the movie theatre. | 0:25:20 | 0:25:21 | |
"I'll go to the movies! | 0:25:21 | 0:25:23 | |
"But they're not going to let me in with the chicken." | 0:25:23 | 0:25:26 | |
So he takes the chicken, puts it in this, | 0:25:26 | 0:25:28 | |
closes his pants, jacket and he walks into the theatre. | 0:25:28 | 0:25:30 | |
Sits down, and of course the minute he sits down, outs pops the head. | 0:25:30 | 0:25:35 | |
Two little old ladies are sitting next to him. | 0:25:35 | 0:25:37 | |
One says, "Sadie, you should see what's coming out of his pants!" | 0:25:37 | 0:25:42 | |
"Don't bother me, I'm watching the movies!" | 0:25:43 | 0:25:46 | |
"Sadie, you got to see what's coming out of his pants!" | 0:25:46 | 0:25:52 | |
"I told you, don't bother me, I'm watching the movie!" | 0:25:52 | 0:25:56 | |
"Please, take a look!" | 0:25:56 | 0:25:58 | |
"Oy, don't bother me! You see one, you've seen them all." | 0:25:58 | 0:26:01 | |
She says, "Yeah, but this one's eating my popcorn!" | 0:26:01 | 0:26:04 | |
LAUGHTER | 0:26:04 | 0:26:06 | |
These two older ladies are sitting on the back porch | 0:26:06 | 0:26:10 | |
and they're talking and Bessie says, | 0:26:10 | 0:26:13 | |
"Oh, my life has been just wonderful. I met a new man." | 0:26:13 | 0:26:18 | |
The other lady says, "Fantastic." | 0:26:18 | 0:26:20 | |
She says, "And he takes me all over the world." | 0:26:20 | 0:26:24 | |
She says, "Fantastic." | 0:26:24 | 0:26:25 | |
"And he's redoing my house." | 0:26:25 | 0:26:28 | |
"Fantastic." | 0:26:28 | 0:26:30 | |
"And he still has a little lead in the pencil." | 0:26:30 | 0:26:33 | |
She says, "Fantastic." | 0:26:33 | 0:26:36 | |
"So, what have you been doing?" | 0:26:36 | 0:26:39 | |
"I've been at charm school." | 0:26:39 | 0:26:41 | |
"What did you learn at charm school?" | 0:26:41 | 0:26:43 | |
"I learned to say 'fantastic' instead of bullshit.'" | 0:26:43 | 0:26:46 | |
LAUGHTER | 0:26:46 | 0:26:49 | |
This gentleman is on his way to work one morning very early | 0:26:49 | 0:26:52 | |
and he's on the interstate and suddenly he looks in his | 0:26:52 | 0:26:55 | |
rear-view mirror and there's the red light, telling him to pull over. | 0:26:55 | 0:26:59 | |
So, he pulls over and State Highway Patrolman comes up | 0:26:59 | 0:27:02 | |
and he's got his ticket book out. | 0:27:02 | 0:27:04 | |
He starts to write the ticket and the guy says, | 0:27:04 | 0:27:06 | |
"Wait, please, officer." He says, "I have a very good excuse." | 0:27:06 | 0:27:09 | |
He says, "I'm late for work | 0:27:09 | 0:27:11 | |
"and I work at the hospital and you've got to let me go, | 0:27:11 | 0:27:13 | |
"otherwise I'm going to be really late and they depend on me." | 0:27:13 | 0:27:16 | |
The guy's still writing the ticket. He says, "No excuses." | 0:27:16 | 0:27:19 | |
He said, "Where do you work in the hospital?" | 0:27:19 | 0:27:22 | |
He said, "Well, I'm a rectum stretcher in the surgery." | 0:27:22 | 0:27:25 | |
He says, "A what?!" | 0:27:25 | 0:27:27 | |
He says, "A rectum stretcher." | 0:27:27 | 0:27:28 | |
He says, "I've got to still give you a ticket." | 0:27:28 | 0:27:31 | |
He says, "What does a rectum stretcher do?" | 0:27:31 | 0:27:33 | |
He said, "Well, they put the patient on the table, | 0:27:33 | 0:27:35 | |
"put him on his hands and knees. | 0:27:35 | 0:27:37 | |
"I get back there and I get my fingers in | 0:27:37 | 0:27:39 | |
"and I get my fist in there and then pretty soon | 0:27:39 | 0:27:43 | |
"I've got both fists in there." | 0:27:43 | 0:27:44 | |
And he says, "I can pull that rectum out six feet." | 0:27:44 | 0:27:48 | |
He said, "Six feet? What the hell do you do with a six-foot asshole?" | 0:27:48 | 0:27:52 | |
He said, "You put him on an overpass with a radar gun." | 0:27:52 | 0:27:55 | |
LAUGHTER | 0:27:55 | 0:27:58 | |
Subtitles by Red Bee Media Ltd | 0:28:24 | 0:28:27 |