Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:05 | |
Oh...butterfingers! | 0:00:05 | 0:00:07 | |
EastEnders star Natalie Cassidy has come up with a plan | 0:00:07 | 0:00:11 | |
to give something back to the local community | 0:00:11 | 0:00:14 | |
by setting up a fame school. | 0:00:14 | 0:00:15 | |
Well, I've learned a lot from my career in showbiz on EastEnders | 0:00:15 | 0:00:19 | |
from 1993 to 1998, | 0:00:19 | 0:00:21 | |
2002 to 2005, | 0:00:21 | 0:00:24 | |
and 2011 to the present day. | 0:00:24 | 0:00:26 | |
And I would like to leave a legacy so that young, talented people | 0:00:26 | 0:00:30 | |
from around here also have the opportunity | 0:00:30 | 0:00:33 | |
to live the life that I've got. | 0:00:33 | 0:00:35 | |
-Nat, where's my bollock cream? -I told ya. | 0:00:35 | 0:00:39 | |
It's in the biscuit drawer. | 0:00:39 | 0:00:41 | |
The first thing I need to do is drum up some business. | 0:00:42 | 0:00:45 | |
This is toothpaste. | 0:00:45 | 0:00:47 | |
No, it ain't, it just looks like toothpaste, Dad. | 0:00:47 | 0:00:51 | |
Don't put it in your mouth. | 0:00:51 | 0:00:53 | |
This is Mann Management, | 0:01:25 | 0:01:27 | |
one of the UK's foremost celebrity talent agencies. | 0:01:27 | 0:01:30 | |
Their illustrious client base is managed by agent to the stars | 0:01:30 | 0:01:35 | |
Vincent Mann. | 0:01:35 | 0:01:36 | |
What does it take to be a great agent? | 0:01:36 | 0:01:39 | |
The capacity to see talented, often fragile human beings as livestock. | 0:01:39 | 0:01:45 | |
In an unprecedented move, he's given our documentary crew | 0:01:45 | 0:01:49 | |
unlimited access to both his agency and his superstar clients, | 0:01:49 | 0:01:54 | |
one of whom is EastEnders star and sometime fitness guru | 0:01:54 | 0:01:58 | |
Natalie Cassidy. | 0:01:58 | 0:01:59 | |
-What's all this crap over the floor? -It's not crap. It's me future. | 0:02:04 | 0:02:08 | |
I'm doing me fame school, ain't I? | 0:02:08 | 0:02:10 | |
You can't just set up a fame school, Natalie, you ain't got no pupils. | 0:02:10 | 0:02:14 | |
That's what these flyers are for, silly. | 0:02:14 | 0:02:16 | |
They're queueing round the block for Joe Swash's pooch parlour. | 0:02:16 | 0:02:19 | |
Gie's a look. | 0:02:19 | 0:02:20 | |
Mind my nails. | 0:02:20 | 0:02:21 | |
-Who's Natalie Cassipy? -Oh, you're double-joking! | 0:02:23 | 0:02:27 | |
Oh, bloody hell! | 0:02:27 | 0:02:30 | |
I've just done 3,000 of these and a giant banner. | 0:02:30 | 0:02:33 | |
I've just done all the traffic lights. | 0:02:33 | 0:02:36 | |
Is that why you're dressed as a lollipop lady? | 0:02:36 | 0:02:38 | |
No, you doughnut, I've been sticking laminated posters on the lampposts | 0:02:38 | 0:02:42 | |
-from here to the trunk road. -Why, Nat? | 0:02:42 | 0:02:45 | |
Well, the traffic's a nightmare, ain't it? | 0:02:45 | 0:02:47 | |
It's a captive audience, Kat. | 0:02:47 | 0:02:49 | |
Oh, bloody hell, what are we going to do? | 0:02:49 | 0:02:52 | |
I ain't got time for reprints, and the first class is in four hours. | 0:02:52 | 0:02:55 | |
Don't look at me. It's Fat Karen's hen-do tonight. | 0:02:55 | 0:02:59 | |
Do they do red Tippex? | 0:02:59 | 0:03:00 | |
Dad? Can you Google red Tippex? | 0:03:00 | 0:03:03 | |
I'm doing me bollocks. | 0:03:03 | 0:03:05 | |
After that, can you Google red Tippex? | 0:03:05 | 0:03:08 | |
No? | 0:03:12 | 0:03:14 | |
Oh, dear, dear, dear. | 0:03:16 | 0:03:18 | |
With a burgeoning roster of celebrity clients, | 0:03:22 | 0:03:25 | |
the operation of Mann Management requires some careful planning. | 0:03:25 | 0:03:28 | |
A job that is the sole responsibility | 0:03:28 | 0:03:31 | |
of Vincent's assistant Rachel. | 0:03:31 | 0:03:33 | |
This is my new schedule. | 0:03:34 | 0:03:37 | |
It's a block system because time is made from blocks, | 0:03:37 | 0:03:41 | |
I saw that on Brian Cox. | 0:03:41 | 0:03:43 | |
Anyway, today is a good test of the new system | 0:03:43 | 0:03:45 | |
because today is my birthday. | 0:03:45 | 0:03:48 | |
So I'm hoping to knock off a bit early | 0:03:48 | 0:03:50 | |
-and go out for a meal with my family. -Who? | 0:03:50 | 0:03:52 | |
This is your family, Rach. | 0:03:52 | 0:03:54 | |
It is, Vin, but I'm talking about my real family. | 0:03:54 | 0:03:56 | |
Well, this family pays your wages. How's that for real? | 0:03:56 | 0:04:00 | |
I'll level with you, it's not an ideal day to try and get away early. | 0:04:02 | 0:04:06 | |
I'm looking after Adele. | 0:04:06 | 0:04:08 | |
Hello. | 0:04:08 | 0:04:10 | |
It's me. | 0:04:10 | 0:04:12 | |
I mean, it is Rachel's birthday | 0:04:12 | 0:04:14 | |
and I would look after Adele myself, but, you know... | 0:04:14 | 0:04:17 | |
I'm having a nightmare day, right? | 0:04:19 | 0:04:22 | |
Colette, who looks after my dog when I'm working, | 0:04:22 | 0:04:24 | |
has been called up the school because her Jackson | 0:04:24 | 0:04:26 | |
has been throwing Lil-Lets around in double French. | 0:04:26 | 0:04:28 | |
He reckons he thought they were devil bangers, | 0:04:28 | 0:04:30 | |
but Miss Taylor's gone all feminist since she's seen Suffragettes | 0:04:30 | 0:04:33 | |
and sent him out. He's crawled out underneath the maths hut | 0:04:33 | 0:04:36 | |
and now Colette's trying to coax him out with a king-size Snickers. | 0:04:36 | 0:04:39 | |
Well, all we've got today is the press junket for the new album. | 0:04:39 | 0:04:42 | |
Yeah, I do feel for Colette, but her sister Lauren is | 0:04:42 | 0:04:44 | |
proper going through it, yeah, cos Chinese Barry is standing | 0:04:44 | 0:04:48 | |
outside her house for an hour every lunchtime. | 0:04:48 | 0:04:51 | |
And the police won't move him on cos he's always eating | 0:04:51 | 0:04:53 | |
a sandwich and wearing aviators, | 0:04:53 | 0:04:55 | |
so you can't actually prove he's watching her illegally. | 0:04:55 | 0:04:57 | |
The junket's in half an hour, so the quicker we get going... | 0:04:57 | 0:05:00 | |
Yeah, I just need one quick stop-off before we get there, though, | 0:05:00 | 0:05:03 | |
-cos me nan always has a knuckle of pork on a Friday. -Yeah. | 0:05:03 | 0:05:05 | |
She'll only have pork from Tony's in Tottenham cos she feels sorry | 0:05:05 | 0:05:08 | |
for him ever since his wife fell off that ladder and onto them twins. | 0:05:08 | 0:05:12 | |
You can always do it after. | 0:05:12 | 0:05:13 | |
And I would do it after, but I've got to go Supervets to pick up | 0:05:13 | 0:05:15 | |
dog paracetamol cos Bruce is having his balls cut off on Monday. | 0:05:15 | 0:05:19 | |
Oh, have I told you about Leanne's sunburn? | 0:05:19 | 0:05:21 | |
Can you tell me in the car? | 0:05:21 | 0:05:22 | |
All she wanted was a base tan before her and Carl go Thailand. | 0:05:22 | 0:05:25 | |
He does that Krav Maga, but he hasn't had a fight since he was 11 | 0:05:25 | 0:05:28 | |
when he killed a postman by accident. | 0:05:28 | 0:05:29 | |
I'm not even joking. One punch, straight out. | 0:05:29 | 0:05:32 | |
But Geordie Kevin got hold of some proper strong skunk... | 0:05:32 | 0:05:35 | |
In an attempt to salvage her fame school promotion, | 0:05:39 | 0:05:42 | |
Natalie Cassidy has found a solution to her printing predicament. | 0:05:42 | 0:05:46 | |
That's come up lovely, that has. | 0:05:49 | 0:05:52 | |
That's a relief. | 0:05:52 | 0:05:54 | |
Anyone would think that was a D and not a P now, wouldn't they? | 0:05:54 | 0:05:57 | |
-Ooh! -PHONE RINGS | 0:05:57 | 0:05:59 | |
Business head on. | 0:05:59 | 0:06:00 | |
Hello. | 0:06:00 | 0:06:02 | |
Yes, the classes will go on for two hours with a break in the middle | 0:06:02 | 0:06:07 | |
for crisps, tea and parental smoking. | 0:06:07 | 0:06:10 | |
Sorry, I can't hear you, you're going to have to shout. | 0:06:10 | 0:06:13 | |
Hello? | 0:06:13 | 0:06:14 | |
Hey, Sonia, where's the trumpet? | 0:06:14 | 0:06:17 | |
Well, you'll find out if you come to me class, won't ya? | 0:06:17 | 0:06:20 | |
CAR HORN TOOTS | 0:06:20 | 0:06:21 | |
Excuse me, sorry, I'm on the trunk road. | 0:06:21 | 0:06:24 | |
No, we've not got a Facebook page. | 0:06:24 | 0:06:27 | |
No, we've not got a Twitter page. | 0:06:28 | 0:06:30 | |
CAR HORNS BLARE | 0:06:30 | 0:06:32 | |
No, we've not got a website. | 0:06:32 | 0:06:34 | |
They're coming round again. | 0:06:38 | 0:06:39 | |
Yes, I am very excited. | 0:06:40 | 0:06:43 | |
We've got a venue up the Centre, we've already had three inquiries. | 0:06:43 | 0:06:47 | |
One was Kat asking for me to bring the car back, | 0:06:47 | 0:06:49 | |
but that's still two, ain't it? | 0:06:49 | 0:06:52 | |
I know it don't seem much, but what's it people say? | 0:06:52 | 0:06:55 | |
From tiny acorns massive trees do grow. Don't they? | 0:06:55 | 0:06:59 | |
It's a rare day off for TV's Gregg Wallace. | 0:07:03 | 0:07:06 | |
But even in his downtime, | 0:07:06 | 0:07:07 | |
the renowned presenter finds it hard to truly switch off. | 0:07:07 | 0:07:11 | |
I like it. | 0:07:11 | 0:07:12 | |
I like it. | 0:07:12 | 0:07:14 | |
-I don't like it. -Excuse me? -Hello. | 0:07:14 | 0:07:17 | |
Are you that Gregg who eats other people's food off the telly? | 0:07:17 | 0:07:20 | |
-Yes, I am, love. -Do you think I could have a selfie? | 0:07:20 | 0:07:22 | |
Of course you can, my love. | 0:07:22 | 0:07:24 | |
My friends will never believe I met that bloke who eats | 0:07:24 | 0:07:26 | |
other people's food off the telly. | 0:07:26 | 0:07:28 | |
-My phone's in here somewhere. -No rush. | 0:07:28 | 0:07:31 | |
You got two minutes! | 0:07:31 | 0:07:33 | |
-Here it is. -Right. | 0:07:33 | 0:07:36 | |
-Yes! -I've got to tell you, I really like the way you like some things | 0:07:36 | 0:07:40 | |
and you don't like other things. | 0:07:40 | 0:07:42 | |
I like that you like that. | 0:07:42 | 0:07:44 | |
I like your boots, but I do not like your hair. | 0:07:44 | 0:07:47 | |
-Classic. -Your time's up! | 0:07:47 | 0:07:50 | |
-Time to start plating up. -Legend. | 0:07:50 | 0:07:53 | |
With an open door to Vincent's clients, we were able | 0:07:57 | 0:08:00 | |
to ask the stars some more pertinent questions about their celebrity. | 0:08:00 | 0:08:05 | |
Who would I ask to a fancy dinner party? | 0:08:05 | 0:08:08 | |
Well, I'd probably have to invite Dad, | 0:08:08 | 0:08:11 | |
so it would be Dad, Duncan from Blue and my hero, Sally Gunnell. | 0:08:11 | 0:08:16 | |
Mega. | 0:08:16 | 0:08:18 | |
Ben Shephard, Reggie Yates, | 0:08:18 | 0:08:21 | |
Caroline Flack, Gino D'Acampo, | 0:08:21 | 0:08:24 | |
Scott Mills, Grimmy, of course, | 0:08:24 | 0:08:26 | |
Alexa Chung and Stephen Mulhern. | 0:08:26 | 0:08:28 | |
How good does that sound? | 0:08:28 | 0:08:31 | |
Bobby Moore, Hitler and Gandhi. | 0:08:31 | 0:08:35 | |
We'd have vegetarian sushi served up on a naked Playboy bunny. | 0:08:35 | 0:08:39 | |
Gandhi'd love that. | 0:08:39 | 0:08:41 | |
If I was being pushed, | 0:08:41 | 0:08:43 | |
it would have to be all 20 of the Chippendales | 0:08:43 | 0:08:46 | |
drunk and out of their tiny minds. | 0:08:46 | 0:08:48 | |
I'll have a fantasy lock-in and I'll invite my pals - | 0:08:51 | 0:08:54 | |
Bagels, Tommo and a few birds from me manor. | 0:08:54 | 0:08:57 | |
And ET, I'd love to get right on it with ET. | 0:08:57 | 0:09:01 | |
Well, there's me, darling Binky, Boo-Boo, Corky, | 0:09:01 | 0:09:04 | |
Dame P, Buffy, Duffy, Stuffy, | 0:09:04 | 0:09:07 | |
Mags, Gentry and a Gurkha or three. | 0:09:07 | 0:09:10 | |
Fabulous. | 0:09:10 | 0:09:12 | |
That's a no-brainer. | 0:09:12 | 0:09:13 | |
I'd invite all me best girls - Kimberly, Nicola, Sarah... | 0:09:13 | 0:09:19 | |
and that sour-faced Irish cow whose name escapes me. | 0:09:19 | 0:09:22 | |
Like all revolutionary ideas, | 0:09:28 | 0:09:30 | |
Russell Brand's dream to build the perfect society needs financing. | 0:09:30 | 0:09:34 | |
So Russell has gathered some potential investors | 0:09:34 | 0:09:36 | |
via a classified advert in the local newspaper. | 0:09:36 | 0:09:39 | |
It is time to show our omnipresent overlords | 0:09:40 | 0:09:45 | |
that if the people sing with one voice and invest heavily, | 0:09:45 | 0:09:49 | |
that anything is possible. | 0:09:49 | 0:09:52 | |
Behold Utopia! | 0:09:52 | 0:09:54 | |
-Yes, my liege? -It looks like Center Parcs. | 0:10:00 | 0:10:03 | |
To the unenlightened, maybe. | 0:10:03 | 0:10:05 | |
But to the enlightened, it looks like a Shangri-La | 0:10:05 | 0:10:08 | |
of wonderment and hope with absolutely no affiliation | 0:10:08 | 0:10:11 | |
with any roofed holiday resort whatsoever. | 0:10:11 | 0:10:14 | |
Any other questions? | 0:10:14 | 0:10:15 | |
Any questions not related to Center Parcs? | 0:10:17 | 0:10:20 | |
As a staunch proletarian, Russell has come up with | 0:10:22 | 0:10:25 | |
an ingenious method to make living in Utopia affordable for everyone. | 0:10:25 | 0:10:29 | |
I'm offering a once-in-a-lifetime deal | 0:10:29 | 0:10:33 | |
where multiple parties can purchase | 0:10:33 | 0:10:35 | |
allotted time periods in the same home, | 0:10:35 | 0:10:38 | |
so that everyone can get to live in Utopia for a few weeks a year. | 0:10:38 | 0:10:43 | |
Like a time-share? | 0:10:43 | 0:10:45 | |
It is not a time-share. | 0:10:45 | 0:10:47 | |
No. | 0:10:48 | 0:10:50 | |
It's a time-share. | 0:10:50 | 0:10:51 | |
This is a unique and bespoke system by which several families | 0:10:51 | 0:10:56 | |
can use chalet dwellings at different seasonal intervals. | 0:10:56 | 0:11:00 | |
-Well, that's a time-share. -It is not a time-share. | 0:11:00 | 0:11:03 | |
Time-share, time-share... | 0:11:04 | 0:11:06 | |
A-ha! Time-share. | 0:11:06 | 0:11:08 | |
"The arrangement whereby several joint owners..." | 0:11:08 | 0:11:11 | |
OK, it might be a time-share. | 0:11:14 | 0:11:17 | |
So, how much is it to invest? | 0:11:19 | 0:11:20 | |
Not much, just got to cover the overheads - | 0:11:20 | 0:11:23 | |
the mucking out of the zoo animals, | 0:11:23 | 0:11:24 | |
pay for the upkeep of the chocolate fountain, | 0:11:24 | 0:11:27 | |
meditation patio and whatnot. | 0:11:27 | 0:11:28 | |
So, how much? | 0:11:28 | 0:11:29 | |
£1.2 million each. | 0:11:29 | 0:11:32 | |
ALL GASP | 0:11:32 | 0:11:33 | |
Well, it's a small price to pay for harmony. | 0:11:36 | 0:11:39 | |
Here, Trevor, you're a normal person. Is that too much? | 0:11:42 | 0:11:46 | |
At Tony's butcher's in Tottenham, | 0:11:48 | 0:11:50 | |
global megastar Adele is buying a knuckle of pork for her nan. | 0:11:50 | 0:11:55 | |
For Rachel, this is a serious threat to her birthday celebrations. | 0:11:55 | 0:11:58 | |
She wasn't there because she was actually on a blind date | 0:11:58 | 0:12:01 | |
with Johnny who does haircuts at Hobbs. | 0:12:01 | 0:12:03 | |
He does them muscleman competitions even though he's | 0:12:03 | 0:12:05 | |
only got four fingers on his cutting hand. | 0:12:05 | 0:12:07 | |
He says it actually makes him faster, but it don't - gutted. | 0:12:07 | 0:12:09 | |
Adele, I'm just going to say, we're two hours late now, | 0:12:09 | 0:12:11 | |
so maybe just order your nan's meat. | 0:12:11 | 0:12:13 | |
Yeah, cos meat is the only thing Johnny can eat now apart from | 0:12:13 | 0:12:16 | |
oatcakes and boiled sweets, | 0:12:16 | 0:12:17 | |
-cos them protein shakes have proper blocked up his arsehole. -Oh. | 0:12:17 | 0:12:19 | |
He has to do Pilates before he craps so his intestines relax, | 0:12:19 | 0:12:23 | |
-which is no good at work cos they ain't got the floor space. -Please. | 0:12:23 | 0:12:26 | |
Everyone thinks Pilates is just like yoga, | 0:12:26 | 0:12:28 | |
but Debbie can't do yoga cos she borrowed her brother's | 0:12:28 | 0:12:30 | |
football boots for hockey and now her knees point together. | 0:12:30 | 0:12:33 | |
Knuckle of pork, Tony! | 0:12:33 | 0:12:34 | |
She wants a knuckle of pork. | 0:12:34 | 0:12:36 | |
Sorry. I'm just quite conscious of time. | 0:12:40 | 0:12:43 | |
Gutted. | 0:12:43 | 0:12:45 | |
The big moment has finally arrived for Natalie Cassidy's Fame School. | 0:12:53 | 0:12:57 | |
And with her students due at any moment, | 0:12:57 | 0:12:59 | |
Nat has come prepared to impart her showbiz wisdom. | 0:12:59 | 0:13:03 | |
I just hope I've brought enough snacks. | 0:13:03 | 0:13:05 | |
I've got red and orange squash, mini quiches, Bacon Fries, | 0:13:05 | 0:13:10 | |
oh, and some Quavers for veggies on the side | 0:13:10 | 0:13:13 | |
and for the ones with the religious diets. | 0:13:13 | 0:13:15 | |
Well, diversity is part of our Fame School's remit, ain't it? | 0:13:15 | 0:13:19 | |
Right, so, a little birdie tells me that you lot want to be famous. | 0:13:23 | 0:13:28 | |
Am I right? | 0:13:28 | 0:13:29 | |
Well, let me tell you - acting, dancing, singing, | 0:13:31 | 0:13:35 | |
fitness videos, presenting the health lottery, it ain't easy. | 0:13:35 | 0:13:39 | |
And I didn't become lesbian Sonia out of EastEnders overnight, | 0:13:39 | 0:13:43 | |
I can tell you. | 0:13:43 | 0:13:45 | |
DOOR OPENS | 0:13:45 | 0:13:46 | |
Excuse me, we've got this room booked | 0:13:46 | 0:13:49 | |
for Kimberley Walsh's Fame Academy of Excellence. | 0:13:49 | 0:13:52 | |
Blimey, that's a good name. | 0:13:52 | 0:13:54 | |
No, you can't, Kimberley, there must be a mistake. | 0:13:54 | 0:13:56 | |
Nat Cassidy's Fame School is on Thursdays in the main hall now. | 0:13:56 | 0:14:00 | |
-Says who? -Says me, I sorted it with Jill. | 0:14:00 | 0:14:03 | |
Well, they've double-booked, then. | 0:14:03 | 0:14:05 | |
You'd better go and find Jill and get your money back, eh, love? | 0:14:05 | 0:14:08 | |
Oh, you're mega-joking! | 0:14:08 | 0:14:11 | |
Can't we come to some sort of arrangement? | 0:14:11 | 0:14:13 | |
Maybe we could split the hall in half. | 0:14:13 | 0:14:15 | |
What, mix Kimberley Walsh's Fame Academy of Excellence | 0:14:15 | 0:14:18 | |
with Natalie Cassipy's Fame School? | 0:14:18 | 0:14:21 | |
I don't think so, do you? | 0:14:21 | 0:14:24 | |
You've got to ask yourself, Nat, what really qualifies you | 0:14:24 | 0:14:27 | |
to be giving fame lessons anyway? | 0:14:27 | 0:14:29 | |
EastEnders. | 0:14:29 | 0:14:30 | |
Girls Aloud. | 0:14:30 | 0:14:32 | |
-The Health Lottery. -Shrek Musical. | 0:14:32 | 0:14:35 | |
Strictly. | 0:14:35 | 0:14:36 | |
Strictly. | 0:14:36 | 0:14:37 | |
-Where did you come, then? -Fifth out of 16. | 0:14:37 | 0:14:40 | |
Second. That's runner-up. | 0:14:40 | 0:14:42 | |
I win. | 0:14:43 | 0:14:44 | |
The Kimberley Walsh Fame Academy of Excellence is now welcoming | 0:14:46 | 0:14:49 | |
new students at a discount fee. For today only. | 0:14:49 | 0:14:53 | |
I guess that's show business, ain't it, Nat? | 0:14:54 | 0:14:57 | |
She's right actually, kids, that is show business. | 0:14:59 | 0:15:02 | |
You could learn a lot from her. | 0:15:02 | 0:15:04 | |
Here, have a sausage roll, anyway. | 0:15:05 | 0:15:07 | |
Go on, then, fill your boots. | 0:15:08 | 0:15:10 | |
'Turns out, teaching people to be famous' | 0:15:10 | 0:15:13 | |
is even more cut-throat than being famous. | 0:15:13 | 0:15:16 | |
Ooh, I'd better get that banner off the trunk road. | 0:15:16 | 0:15:19 | |
I can't leave it there now there's no Fame School. | 0:15:19 | 0:15:22 | |
It's basically litter with my name on it. | 0:15:22 | 0:15:25 | |
Well, Natalie Cassipy's name on it. | 0:15:25 | 0:15:27 | |
At Mann Management, | 0:15:30 | 0:15:32 | |
Vincent has been called in to an emergency meeting with Danny Dyer. | 0:15:32 | 0:15:36 | |
Danny has bad news. He's been the victim of a cyber crime. | 0:15:36 | 0:15:39 | |
-Well, how bad is it? -It's a sex tape thing, it ain't good. | 0:15:39 | 0:15:42 | |
-But who's in it? -Me. -I know, but who's the other person? | 0:15:42 | 0:15:46 | |
-Well, it ain't that simple, Vin. -Don't tell me it's persons. Plural. | 0:15:46 | 0:15:50 | |
-No. -What is it, a bloke? | 0:15:50 | 0:15:51 | |
-No, it's just me. -It's a sex tape with just you in it? | 0:15:51 | 0:15:55 | |
Yeah. | 0:15:55 | 0:15:56 | |
-Having a Barclays, banging one out. -But who filmed it? | 0:15:56 | 0:16:00 | |
Done it on my selfie stick. | 0:16:01 | 0:16:02 | |
One-handed. | 0:16:02 | 0:16:03 | |
Someone's nicked it off my iCloud. | 0:16:03 | 0:16:05 | |
All right. Give me the details and I'll sort it. | 0:16:05 | 0:16:08 | |
If this blows up, you're going to need to clean your image up a bit. | 0:16:08 | 0:16:11 | |
You need a political issue. | 0:16:12 | 0:16:14 | |
Russell Brand, Charlotte Church, done them all right. | 0:16:14 | 0:16:17 | |
Anything you're passionate about? | 0:16:17 | 0:16:19 | |
I think there's too many disabled parking spaces everywhere. | 0:16:19 | 0:16:22 | |
Yeah, don't tell people that. What about... | 0:16:22 | 0:16:24 | |
..BADGERS?! | 0:16:25 | 0:16:26 | |
People love badgers. | 0:16:26 | 0:16:27 | |
Done wonders for Brian May. | 0:16:27 | 0:16:29 | |
Get involved with the badger cull. Make yourself look caring. | 0:16:29 | 0:16:32 | |
And film yourself doing it. | 0:16:32 | 0:16:34 | |
Sweet. I'll get me selfie stick. | 0:16:35 | 0:16:37 | |
WHISTLING | 0:16:39 | 0:16:42 | |
My advice to someone trying to make it in showbiz would be this. | 0:16:45 | 0:16:49 | |
If you want something you've never had, | 0:16:49 | 0:16:52 | |
just go out there, | 0:16:52 | 0:16:53 | |
grab it with both hands, | 0:16:53 | 0:16:54 | |
and stick it in your mouth! | 0:16:54 | 0:16:56 | |
Job done! Lovely! | 0:16:56 | 0:16:58 | |
One piece of advice. | 0:16:58 | 0:17:00 | |
Teeth. | 0:17:00 | 0:17:01 | |
They're your passport to success, darling. | 0:17:01 | 0:17:04 | |
Look after them, | 0:17:04 | 0:17:05 | |
treat them like your best friend, | 0:17:05 | 0:17:07 | |
and take them out occasionally. | 0:17:07 | 0:17:08 | |
Get your boat out there. | 0:17:09 | 0:17:11 | |
Earn yourself a bit of bees and honey, | 0:17:11 | 0:17:13 | |
but when it gets right on top, | 0:17:13 | 0:17:15 | |
look after your swede, | 0:17:15 | 0:17:16 | |
and your swede will look after you. I can't put it plainer than that. | 0:17:16 | 0:17:19 | |
Easy, mate. Just be fricking amazingness. | 0:17:19 | 0:17:22 | |
Think of an idea, anything will do. | 0:17:22 | 0:17:24 | |
Tweet it, Instagram it, | 0:17:24 | 0:17:25 | |
get it on your Facebook, Vine it, | 0:17:25 | 0:17:27 | |
Snapchat it, bit of Pinterest, | 0:17:27 | 0:17:29 | |
and then make shed loads of wonga. | 0:17:29 | 0:17:31 | |
Just came to me, mate. Ha! | 0:17:31 | 0:17:32 | |
Easy peasy. | 0:17:32 | 0:17:34 | |
Get yourself a catchphrase. Mm-hm! | 0:17:34 | 0:17:35 | |
Go on, Sue, give them what they want. | 0:17:35 | 0:17:37 | |
And baaaaaaake. | 0:17:37 | 0:17:39 | |
Classic! Again? | 0:17:39 | 0:17:41 | |
And baaaaaaake. | 0:17:41 | 0:17:43 | |
Top Of The Pops! | 0:17:43 | 0:17:44 | |
And baaaaaaake. | 0:17:44 | 0:17:45 | |
Never gets boring! | 0:17:45 | 0:17:47 | |
And baaaaaaake. | 0:17:47 | 0:17:48 | |
One piece of advice for someone trying to make it into showbiz... | 0:17:49 | 0:17:53 | |
Your safest bet is probably Kate Moss. | 0:17:53 | 0:17:56 | |
This is where I'm going to have a meditation... | 0:17:58 | 0:18:01 | |
Having failed with the classified advert, | 0:18:01 | 0:18:03 | |
Russell Brand's last hope is a couple of would-be investors | 0:18:03 | 0:18:06 | |
that he's found via a Twitter appeal. | 0:18:06 | 0:18:09 | |
I love Russell Brand. | 0:18:11 | 0:18:12 | |
He's so funny. | 0:18:12 | 0:18:13 | |
I love it when he talks about his winkle. | 0:18:14 | 0:18:16 | |
He doesn't talk about his winkle enough any more. | 0:18:18 | 0:18:21 | |
While Stuart is clearly sold, | 0:18:21 | 0:18:23 | |
wife Hannah is going to take a little more persuasion. | 0:18:23 | 0:18:25 | |
So, what do you think? | 0:18:25 | 0:18:27 | |
Wow, it's amazing, Russell! | 0:18:27 | 0:18:29 | |
Is this it? | 0:18:29 | 0:18:31 | |
This virgin slice of Albion land is a barren canvas of possibility. | 0:18:31 | 0:18:36 | |
No, it's a shithole. | 0:18:36 | 0:18:37 | |
HE GUFFAWS | 0:18:37 | 0:18:39 | |
Are you a heckler, Hannah? | 0:18:39 | 0:18:40 | |
Cos I will have you removed! | 0:18:40 | 0:18:42 | |
She's not a heckler, Russell. | 0:18:42 | 0:18:43 | |
Then on with the tour. | 0:18:45 | 0:18:46 | |
(What does he mean by that?) | 0:18:47 | 0:18:49 | |
You're heckling him. | 0:18:49 | 0:18:50 | |
I myself will teach each child an array of different subjects, | 0:18:51 | 0:18:55 | |
and at the age of 16, | 0:18:55 | 0:18:56 | |
the child will be released into the wild to fend for itself | 0:18:56 | 0:19:01 | |
with just a small packet of seeds | 0:19:01 | 0:19:02 | |
and a Krishna statue. | 0:19:02 | 0:19:04 | |
What do you reckon? | 0:19:04 | 0:19:05 | |
It sounds like total bullshit. | 0:19:05 | 0:19:07 | |
Will you just excuse me for a minute? | 0:19:09 | 0:19:11 | |
Trevor, I want her removed. | 0:19:14 | 0:19:18 | |
There is no room in our egalitarian society for any form of dissent. | 0:19:18 | 0:19:22 | |
That's not the spirit of Utopia, is it, Russell? | 0:19:23 | 0:19:26 | |
I refer you to my previous statement. | 0:19:26 | 0:19:28 | |
'Scuse me, love. | 0:19:33 | 0:19:34 | |
Would you like to have a look at the holistic ball pool | 0:19:34 | 0:19:36 | |
that Russell's got me digging? | 0:19:36 | 0:19:37 | |
Depends how far away it is. | 0:19:37 | 0:19:39 | |
-It's the other side of the field. -From him? | 0:19:39 | 0:19:40 | |
-Mm. -Yeah. | 0:19:40 | 0:19:42 | |
I just came up with holistic ball pool. | 0:19:42 | 0:19:44 | |
I don't even know what that is. | 0:19:44 | 0:19:46 | |
It's up to you, Stu. | 0:19:49 | 0:19:50 | |
But do you know who else lets his wife | 0:19:50 | 0:19:52 | |
help decide important life matters like this? | 0:19:52 | 0:19:54 | |
Robert Mugabe. | 0:19:54 | 0:19:56 | |
Really? | 0:19:56 | 0:19:57 | |
And do you know who forgets all of the negativity | 0:19:57 | 0:20:00 | |
and just goes with his heart? | 0:20:00 | 0:20:02 | |
Bono. | 0:20:02 | 0:20:04 | |
So the question you need to ask yourself is, | 0:20:04 | 0:20:07 | |
do you want to be Robert Mugabe | 0:20:07 | 0:20:09 | |
or Bono? | 0:20:09 | 0:20:11 | |
I want to be Bono, Russell. | 0:20:11 | 0:20:12 | |
Course you do. | 0:20:12 | 0:20:13 | |
So what do you say? Do we have a deal? | 0:20:13 | 0:20:15 | |
I'll have to talk to Hannah. | 0:20:15 | 0:20:16 | |
Can I be honest with you, Stu? | 0:20:18 | 0:20:19 | |
Hannah is not on the same spiritual plane as you, and as a result... | 0:20:19 | 0:20:24 | |
..is not welcome here. | 0:20:25 | 0:20:26 | |
Can I be honest with you, Russell? | 0:20:26 | 0:20:28 | |
I haven't got a pot to piss in. | 0:20:28 | 0:20:30 | |
She's the one with the money. | 0:20:30 | 0:20:32 | |
Hold up, Trevor! | 0:20:32 | 0:20:34 | |
I need an Arcadian confab with Hannah! | 0:20:34 | 0:20:37 | |
Do you think he'll sign my T-shirt if I ask him? | 0:20:40 | 0:20:42 | |
Having finally delivered Adele to the press junket, | 0:20:44 | 0:20:47 | |
Rachel is clinging to the hope | 0:20:47 | 0:20:48 | |
that she might still make it to her birthday celebrations. | 0:20:48 | 0:20:51 | |
She only finished with him when he met that Bulgarian pole dancer, | 0:20:52 | 0:20:55 | |
who ended up going on Love Island with that Arsenal defender | 0:20:55 | 0:20:57 | |
with the dreadlocks. Gutted. | 0:20:57 | 0:20:59 | |
Lovely. Thank you. | 0:20:59 | 0:21:01 | |
-Not sure that's strictly what I was asking, but... -Yes. | 0:21:01 | 0:21:04 | |
The answer's yes. | 0:21:04 | 0:21:05 | |
She did play some drums in the single. | 0:21:05 | 0:21:06 | |
Last couple of questions now, please. We're a bit pushed for time. | 0:21:06 | 0:21:09 | |
What's your favourite memory? | 0:21:09 | 0:21:11 | |
No memories! No. | 0:21:11 | 0:21:13 | |
Sorry, we'll be here all day. | 0:21:13 | 0:21:14 | |
OK. | 0:21:15 | 0:21:16 | |
Would you say this album is as autobiographical | 0:21:16 | 0:21:19 | |
as its predecessors? | 0:21:19 | 0:21:20 | |
Let's answer this with a quick yes or no, shall we? Yes. | 0:21:20 | 0:21:22 | |
Yes. It is. | 0:21:22 | 0:21:24 | |
(Last question.) | 0:21:24 | 0:21:25 | |
Seriously? That's my answer? | 0:21:25 | 0:21:26 | |
Seriously. It is. | 0:21:26 | 0:21:28 | |
Last question. | 0:21:29 | 0:21:30 | |
How's your sister-in-law, Adele? | 0:21:33 | 0:21:34 | |
Lindsay? Yeah, mate. | 0:21:34 | 0:21:36 | |
I seen her on Tuesday. | 0:21:36 | 0:21:37 | |
She can only do Tuesdays now cos Andy's moved back in with his mum | 0:21:37 | 0:21:40 | |
after the baby was born with acid reflux. | 0:21:40 | 0:21:42 | |
He can't do with the screaming, | 0:21:42 | 0:21:44 | |
she can't do with the attitude, and now she reckons | 0:21:44 | 0:21:46 | |
he's been banging that skinny Bex from Ryman's. | 0:21:46 | 0:21:49 | |
He only likes her cos she gets a 20% discount off lever arch files, | 0:21:49 | 0:21:52 | |
and rubbers, and protractors. | 0:21:52 | 0:21:54 | |
The stupidest of the stupid questions we're asked is do you... | 0:21:56 | 0:22:01 | |
..Mel and Sue... | 0:22:01 | 0:22:02 | |
BOTH: ..actually live together? | 0:22:02 | 0:22:04 | |
And the answer to that is a resounding yes, my love. | 0:22:04 | 0:22:07 | |
There's us, Mel and Sue. | 0:22:11 | 0:22:13 | |
My cat, Arthur C Clarke. | 0:22:13 | 0:22:15 | |
Our two goldfish, Mel and Sue. | 0:22:15 | 0:22:17 | |
No relation. ROFL. | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:20 | |
Oh, and Tim! | 0:22:21 | 0:22:23 | |
My husband. | 0:22:23 | 0:22:25 | |
Hello. I'm Tim. | 0:22:25 | 0:22:26 | |
I'm Mel's husband. | 0:22:26 | 0:22:28 | |
And I live with Mel. | 0:22:28 | 0:22:29 | |
And Sue. | 0:22:30 | 0:22:31 | |
Tonight is a big night out for Mel and Tim, | 0:22:35 | 0:22:38 | |
but for Tim, | 0:22:38 | 0:22:39 | |
getting ready is easier said than done. | 0:22:39 | 0:22:41 | |
You haven't seen my phone charger, have you, Mel? | 0:22:41 | 0:22:45 | |
-No, sorry, love. -Oh. | 0:22:45 | 0:22:46 | |
How about my Oyster card? That's gone missing as well. | 0:22:46 | 0:22:49 | |
Have you seen that? | 0:22:49 | 0:22:50 | |
No, silly, it's the Pride Of Britain awards, we'll get a cab. | 0:22:50 | 0:22:53 | |
Not without my left shoe, we won't. | 0:22:53 | 0:22:54 | |
-Oh! Your stuff keeps going missing at the moment. -I know. | 0:22:54 | 0:22:57 | |
-It's very unlike me, isn't it? -Yeah. Sue looks good, though. | 0:22:57 | 0:23:00 | |
Come here, hunky hubs. | 0:23:00 | 0:23:02 | |
DOOR OPENS | 0:23:03 | 0:23:04 | |
Whoa! My eyes! | 0:23:04 | 0:23:06 | |
Matron, take them away! | 0:23:06 | 0:23:07 | |
Hello, Sue! | 0:23:07 | 0:23:08 | |
Here, you couldn't help our dear Tim, could you? | 0:23:08 | 0:23:10 | |
He seems to have misplaced a few things. | 0:23:10 | 0:23:12 | |
No, really, don't worry about it. | 0:23:12 | 0:23:14 | |
No, go on, Tim. What have you lost? | 0:23:14 | 0:23:15 | |
You can tell your old mate, Sue. | 0:23:15 | 0:23:17 | |
Hmm? Timbo? | 0:23:17 | 0:23:18 | |
Tim-bot? | 0:23:18 | 0:23:19 | |
Timothy Cricket? | 0:23:19 | 0:23:20 | |
Tim Jong Il? | 0:23:20 | 0:23:21 | |
I would so love to help you find your things. | 0:23:21 | 0:23:24 | |
No, really, I'm good, thanks. | 0:23:24 | 0:23:26 | |
This... | 0:23:30 | 0:23:31 | |
is what she's got me reduced to. | 0:23:31 | 0:23:33 | |
She hides my stuff. | 0:23:38 | 0:23:41 | |
So...what's with the whistle and toot, Timbles? | 0:23:41 | 0:23:44 | |
Going to court? Lol. | 0:23:44 | 0:23:46 | |
Crimes against women, isn't it? You great big lady-killer! | 0:23:46 | 0:23:48 | |
LAUGHTER | 0:23:48 | 0:23:50 | |
Yeah, you old dirty sex pest. | 0:23:50 | 0:23:51 | |
MEL LAUGHS | 0:23:51 | 0:23:53 | |
Anyway, Sue, me old comedy life partner, | 0:23:55 | 0:23:57 | |
we've only been invited to the Pride Of BRITAIN awards! | 0:23:57 | 0:23:59 | |
Well, la-di-dah! | 0:23:59 | 0:24:01 | |
I'll polish my dancing trainers | 0:24:01 | 0:24:03 | |
and give my famous quiff a little bit of a buff. | 0:24:03 | 0:24:05 | |
Actually, Sue, Mel's taking me. | 0:24:05 | 0:24:08 | |
What? | 0:24:08 | 0:24:09 | |
Thing is, great mate, they only gave me a plus one, | 0:24:09 | 0:24:11 | |
so I really should take the old husband. El husberino! | 0:24:11 | 0:24:14 | |
Him indoors. | 0:24:14 | 0:24:15 | |
Tim indoors! Eh-eh? | 0:24:15 | 0:24:17 | |
Sure! Sure! Yeah. | 0:24:17 | 0:24:19 | |
Course, chumble-bum! | 0:24:19 | 0:24:21 | |
Going to have to find that... | 0:24:21 | 0:24:22 | |
left shoe, though, aren't you, Tim? | 0:24:22 | 0:24:23 | |
You really should let me help you. | 0:24:23 | 0:24:25 | |
You're never going to find that shoe on your own. | 0:24:25 | 0:24:27 | |
Oh, I will. | 0:24:27 | 0:24:28 | |
-I don't think you will. -I'll find it. | 0:24:28 | 0:24:30 | |
Well, you'll have to find it soon, buddy lad, | 0:24:30 | 0:24:32 | |
I think the Pride Of Britain like attendees in two shoes. | 0:24:32 | 0:24:36 | |
Actually, do you know what? You're right. | 0:24:37 | 0:24:39 | |
No-one wants to see boring old Mel and Tim. | 0:24:39 | 0:24:42 | |
You two should go! | 0:24:42 | 0:24:43 | |
Oh, that is just so sweet of you, Tim! | 0:24:43 | 0:24:46 | |
'She's not going to win. | 0:24:46 | 0:24:48 | |
'I'm not going to give her the satisfaction.' | 0:24:48 | 0:24:50 | |
While they're out, I'm going to turn this place upside down. | 0:24:50 | 0:24:54 | |
Badgers. | 0:25:01 | 0:25:02 | |
What are they? | 0:25:02 | 0:25:04 | |
British pandas? | 0:25:04 | 0:25:06 | |
Big black and white rats? | 0:25:06 | 0:25:08 | |
Underground dogs? | 0:25:08 | 0:25:10 | |
Nobody really knows. | 0:25:10 | 0:25:11 | |
Have that, you black and white wrong'un! | 0:25:13 | 0:25:15 | |
PHONE RINGS | 0:25:15 | 0:25:16 | |
-How's it going, Danny? -Good, thanks, Vin. | 0:25:20 | 0:25:22 | |
I've done about 15 badgers already. | 0:25:22 | 0:25:25 | |
What? | 0:25:25 | 0:25:26 | |
You're shooting them?! | 0:25:26 | 0:25:27 | |
You're meant to be on their side! | 0:25:27 | 0:25:29 | |
Hold up. | 0:25:29 | 0:25:30 | |
GROANING | 0:25:31 | 0:25:32 | |
Oh, shit! | 0:25:32 | 0:25:34 | |
That last one was Brian May. | 0:25:34 | 0:25:36 | |
That better be rhyming slang for something. | 0:25:36 | 0:25:38 | |
Nah. | 0:25:38 | 0:25:39 | |
I just shot Brian May out of Queen. | 0:25:39 | 0:25:41 | |
I done him with me shooter. | 0:25:41 | 0:25:43 | |
His barnet looks like a badger. | 0:25:43 | 0:25:45 | |
He's been getting in the way all night. | 0:25:45 | 0:25:47 | |
You've shot a national treasure? | 0:25:47 | 0:25:49 | |
Get out of there, now! | 0:25:49 | 0:25:50 | |
Is Brian May a national treasure? | 0:25:52 | 0:25:54 | |
Right, I'm having it on me Marilyns. | 0:25:56 | 0:25:57 | |
Marilyn Monroes, toes. | 0:25:57 | 0:25:59 | |
Oh, me neck, me neck! | 0:26:02 | 0:26:04 | |
Yeah, that's it. | 0:26:05 | 0:26:06 | |
While Mel and Sue have been busy at the Pride Of Britain awards, | 0:26:06 | 0:26:09 | |
Tim has been even busier back at the house. | 0:26:09 | 0:26:12 | |
No, me old bubbleship matey, you're the Pride of Britain! | 0:26:12 | 0:26:15 | |
No, me old lady chatterbox, you're the... | 0:26:15 | 0:26:18 | |
Pride of Britain. | 0:26:18 | 0:26:19 | |
Good evening, ladies. | 0:26:19 | 0:26:21 | |
How was your night? | 0:26:21 | 0:26:22 | |
Actually, before you tell me about your night, | 0:26:24 | 0:26:26 | |
why don't I tell you about my night? | 0:26:26 | 0:26:27 | |
I had a great night. | 0:26:27 | 0:26:28 | |
Tonight, I found my shoe, | 0:26:29 | 0:26:32 | |
and I found my Oyster card, | 0:26:32 | 0:26:34 | |
and I found my phone charger. | 0:26:34 | 0:26:35 | |
And can you guess where I found them, Sue? | 0:26:36 | 0:26:38 | |
I found them... | 0:26:41 | 0:26:42 | |
-CARTOON VOICE: -in de tumbledwyer. | 0:26:42 | 0:26:45 | |
HE LAUGHS | 0:26:45 | 0:26:46 | |
Oh, Tim. Poor love. | 0:26:47 | 0:26:49 | |
Has work been getting on top of you again? | 0:26:53 | 0:26:55 | |
HE ALMOST FORCES A LAUGH | 0:26:55 | 0:26:56 | |
HE SIGHS | 0:26:59 | 0:27:00 | |
For Rachel, her day assisting Adele has finally come to an end. | 0:27:17 | 0:27:21 | |
Too late, unfortunately, | 0:27:21 | 0:27:22 | |
to make her own birthday celebrations. | 0:27:22 | 0:27:24 | |
"Happy birthday, Rachel!" | 0:27:25 | 0:27:27 | |
"Oh, thanks, Adele. Thanks." | 0:27:27 | 0:27:28 | |
PHONE RINGS | 0:27:30 | 0:27:31 | |
(Oh, please...) | 0:27:34 | 0:27:35 | |
No more! | 0:27:35 | 0:27:37 | |
Vinnie, I've had a really long day. | 0:27:37 | 0:27:40 | |
Yeah, well, it's about to get a bit longer. | 0:27:40 | 0:27:42 | |
Danny Dyer's gone into hiding. | 0:27:42 | 0:27:43 | |
I don't know where he is, | 0:27:43 | 0:27:45 | |
but apparently there's press all over his house. | 0:27:45 | 0:27:47 | |
Why's he got press all over his house? | 0:27:47 | 0:27:49 | |
Well, it's either for his one-man sex tape | 0:27:49 | 0:27:51 | |
or shooting Brian May out of Queen. | 0:27:51 | 0:27:52 | |
Course. What else would it be? | 0:27:52 | 0:27:54 | |
Well, either way, we need to find him, now. | 0:27:54 | 0:27:56 | |
So, between you and me, | 0:27:56 | 0:27:58 | |
he has a second, emergency mobile. | 0:27:58 | 0:28:01 | |
Call him on that. The number's on my Rolodex, | 0:28:01 | 0:28:03 | |
under Ham Sandwich. | 0:28:03 | 0:28:05 | |
How the hell do you make a one-man sex tape, anyway? | 0:28:05 | 0:28:08 | |
Ohh... Sorry, sweetheart. | 0:28:09 | 0:28:11 | |
There's no need to answer that. | 0:28:11 | 0:28:13 | |
'Ere, Rach? | 0:28:13 | 0:28:14 | |
Did I hear you say it's your birthday? | 0:28:15 | 0:28:17 | |
(Oh, my God.) | 0:28:18 | 0:28:19 | |
# I'll go it alone | 0:28:19 | 0:28:23 | |
# That's how it must be | 0:28:23 | 0:28:26 | |
# I can't be right for somebody else | 0:28:27 | 0:28:30 | |
# If I'm not right for me | 0:28:30 | 0:28:33 | |
# I gotta be free | 0:28:34 | 0:28:37 | |
# Oh, I've just gotta be free | 0:28:37 | 0:28:41 | |
# Daring to try and to do it or die-e-e-e | 0:28:42 | 0:28:50 | |
# I gotta be me! # | 0:28:50 | 0:28:53 |