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This programme contains some strong language | 0:00:08 | 0:00:16 | |
This is Mann Management, | 0:00:29 | 0:00:31 | |
one of the UK's foremost celebrity talent agencies. | 0:00:31 | 0:00:35 | |
Their illustrious client base is managed by agent to the stars | 0:00:35 | 0:00:39 | |
Vincent Mann. | 0:00:39 | 0:00:40 | |
What does it take to be a great agent? | 0:00:40 | 0:00:43 | |
An eye for talent, a nose for money and an ear for bullshit. | 0:00:43 | 0:00:47 | |
In an unprecedented move, | 0:00:48 | 0:00:50 | |
he has given our documentary crew unlimited access to both his agency | 0:00:50 | 0:00:54 | |
and his superstar clients. | 0:00:54 | 0:00:56 | |
Here, pay that for me. | 0:01:00 | 0:01:01 | |
-Parking fine? -I said to him, that is outrageous - | 0:01:01 | 0:01:04 | |
hitting someone with a parking fine when they're at a funeral. | 0:01:04 | 0:01:07 | |
Oh, God, I didn't know you were at a funeral. | 0:01:07 | 0:01:09 | |
I wasn't, I was having me balls waxed, but I could have been. | 0:01:09 | 0:01:11 | |
I mean, that's the point. | 0:01:11 | 0:01:13 | |
Right, what have we got? | 0:01:13 | 0:01:14 | |
Just give me a second to get that image out of my head. | 0:01:14 | 0:01:17 | |
SHE SIGHS | 0:01:17 | 0:01:19 | |
No. Still there. | 0:01:19 | 0:01:20 | |
So, Miranda's in with the police today. | 0:01:20 | 0:01:23 | |
Oh, what's she done? | 0:01:23 | 0:01:24 | |
Has she gone and popped her boob out on The One Show again? | 0:01:24 | 0:01:26 | |
No, she's with the police. She's doing that documentary. | 0:01:26 | 0:01:29 | |
Right. | 0:01:29 | 0:01:30 | |
Megastar comedian Miranda Hart is determined to | 0:01:31 | 0:01:34 | |
be taken more seriously. | 0:01:34 | 0:01:36 | |
With that in mind, she's taking part in a warts-and-all documentary | 0:01:38 | 0:01:41 | |
following the Metropolitan Police. | 0:01:41 | 0:01:43 | |
But don't you need to wash at higher temperatures with non-bio? | 0:01:44 | 0:01:47 | |
Oh, yeah, but it's either that or go with bio. | 0:01:47 | 0:01:50 | |
The enzymes play havoc with my dermatitis. | 0:01:50 | 0:01:52 | |
Er, guys, yawn-o-rama. | 0:01:52 | 0:01:55 | |
No-one told me I'd signed up to CSI: Persil. | 0:01:55 | 0:01:58 | |
Good joke, thank you, feel free to laugh. | 0:01:58 | 0:02:01 | |
OK, that's enough. | 0:02:01 | 0:02:02 | |
And back to me. | 0:02:02 | 0:02:03 | |
Look, this is what modern-day policing is, Miranda. | 0:02:03 | 0:02:05 | |
There's a lot of waiting about. | 0:02:05 | 0:02:07 | |
You know, we could quite easily go a whole shift without a single call. | 0:02:07 | 0:02:10 | |
-RADIO: -'CI 12, come in, over.' | 0:02:10 | 0:02:13 | |
Awkward! | 0:02:13 | 0:02:14 | |
CI 12 receiving, Sarge. What's the problem? Over. | 0:02:15 | 0:02:19 | |
'We have a 1015 civil disturbance in progress on Belvedere Road. | 0:02:19 | 0:02:22 | |
'Can you attend? Over.' | 0:02:22 | 0:02:23 | |
Can we attend? I should cocoa. | 0:02:23 | 0:02:25 | |
Tell the little radio voice man that we are definato hot potahto, | 0:02:25 | 0:02:29 | |
as in potato. | 0:02:29 | 0:02:30 | |
# Haters gonna hate Potatoes gonna potate. # | 0:02:30 | 0:02:32 | |
I've literally no idea where I'm going with this! | 0:02:32 | 0:02:34 | |
Please put a sock in it. | 0:02:34 | 0:02:36 | |
Good idea. In it, a sock has been put. | 0:02:36 | 0:02:39 | |
Yeah, 10-4, Sarge. | 0:02:39 | 0:02:40 | |
10-4, big buddy. | 0:02:40 | 0:02:41 | |
-SHE HISSES -Sock is in mouth. | 0:02:41 | 0:02:43 | |
I repeat, sock is in mouth. | 0:02:43 | 0:02:45 | |
-SHE HISSES -Over. I'm doing that noise myself. | 0:02:45 | 0:02:48 | |
-Oh, what japes! Catch 'em, Danno! -ENGINE PURRS | 0:02:48 | 0:02:50 | |
Up the blues and twos, Smokey and the Bandit. | 0:02:50 | 0:02:53 | |
I'm going to commit a crime soon. | 0:02:53 | 0:02:55 | |
SIREN WAILS | 0:02:56 | 0:02:58 | |
Five pounds in a week? | 0:03:04 | 0:03:07 | |
PHONE RINGS | 0:03:07 | 0:03:09 | |
Vinnie. Speak. | 0:03:10 | 0:03:11 | |
Vinnie, mate. It's the old Cotton-meister here. | 0:03:11 | 0:03:13 | |
Just had a totes blimming brilliant idea for a new show, | 0:03:13 | 0:03:16 | |
-me old manager mate. -Great, Fearne. | 0:03:16 | 0:03:17 | |
Let me just grab a pencil. | 0:03:17 | 0:03:19 | |
I firmly believe that this is the golden era of celebrity. | 0:03:22 | 0:03:26 | |
We will look back on these days like Hollywood looks back on the 1930s | 0:03:26 | 0:03:31 | |
or fascists reminisce about the '40s. | 0:03:31 | 0:03:33 | |
Now is the age of "celeb face plus any idea equals potential TV hit". | 0:03:33 | 0:03:40 | |
Unfortunately, Fearne Cotton is the exception that proves the rule. | 0:03:40 | 0:03:44 | |
She literally believes that everything she does could be filmed | 0:03:44 | 0:03:48 | |
and made into a show. | 0:03:48 | 0:03:50 | |
Found my pencil. Shoot. | 0:03:50 | 0:03:53 | |
So, I was just Instagramming my belly butt-butt, | 0:03:53 | 0:03:55 | |
and this literally just popped into the old Cotton-box. | 0:03:55 | 0:03:57 | |
Yummy Mummies Look At Their Tummies with Fearne Cotton. | 0:03:57 | 0:04:01 | |
That's 12 times one hour for ITVBe. | 0:04:01 | 0:04:04 | |
It just came to me, mate. | 0:04:04 | 0:04:05 | |
12...hours? | 0:04:05 | 0:04:08 | |
I mean, I'm good, but I'm not that good. | 0:04:09 | 0:04:11 | |
With an open door to Vincent's clients... | 0:04:14 | 0:04:16 | |
Lads? | 0:04:16 | 0:04:18 | |
..we were able to ask the stars some more pertinent questions | 0:04:18 | 0:04:20 | |
about their celebrity. | 0:04:20 | 0:04:21 | |
-CAN HISSES -Oh, fuck it. | 0:04:21 | 0:04:24 | |
The worst thing about being famous? | 0:04:25 | 0:04:27 | |
Constantly being asked where Mel is. | 0:04:27 | 0:04:29 | |
While I'm clearly stood beside her. | 0:04:29 | 0:04:31 | |
Sorry, did someone just say something? | 0:04:31 | 0:04:33 | |
-Lolz. -Of the mega variety. | 0:04:33 | 0:04:36 | |
The worst thing about being famous is the creeping self-doubt | 0:04:36 | 0:04:40 | |
and the alienation that comes with a life in the spotlight. | 0:04:40 | 0:04:43 | |
No, I'm only having a bubble! | 0:04:43 | 0:04:46 | |
The worst thing about being famous? | 0:04:46 | 0:04:48 | |
Definitely all the trip hazards. | 0:04:48 | 0:04:50 | |
They're everywhere. | 0:04:50 | 0:04:52 | |
But thinking back, that's also the worst thing about not being famous. | 0:04:52 | 0:04:55 | |
It's being at an awards ceremony and queueing up for a Tom Tit, | 0:04:57 | 0:05:00 | |
and without fail, there'll be some melt spraffing on about EastEnders, | 0:05:00 | 0:05:04 | |
when all you want to do is lay a bit of cable and crack the fuck on. | 0:05:04 | 0:05:07 | |
Nightmare. | 0:05:07 | 0:05:08 | |
Literally no downsides, mate - | 0:05:08 | 0:05:10 | |
to anything, ever. | 0:05:10 | 0:05:11 | |
Skills! | 0:05:11 | 0:05:12 | |
I'd say the worst thing about fame is lazy pigeonholing. | 0:05:12 | 0:05:16 | |
Like, if someone was previously known for something else, | 0:05:16 | 0:05:20 | |
like being crowned three times Shagger Of The Year by The Sun, | 0:05:20 | 0:05:23 | |
it doesn't mean that that same person can't lead the nation to | 0:05:23 | 0:05:27 | |
a new spiritual dawn, does it? | 0:05:27 | 0:05:29 | |
Nothing. | 0:05:33 | 0:05:34 | |
Sorry. I've got nothing. | 0:05:35 | 0:05:37 | |
SIREN WAILS | 0:05:38 | 0:05:40 | |
Miranda's mission to be taken more seriously has just become | 0:05:43 | 0:05:46 | |
a lot more serious. | 0:05:46 | 0:05:48 | |
You don't understand! No-one does. | 0:05:48 | 0:05:50 | |
Why don't you come down and explain? | 0:05:50 | 0:05:52 | |
You can't help. | 0:05:52 | 0:05:54 | |
I've got nothing left. | 0:05:54 | 0:05:56 | |
I'm not coming down. | 0:05:56 | 0:05:58 | |
It's better for everyone if I... | 0:05:58 | 0:06:00 | |
Are you Miranda...from Miranda? | 0:06:02 | 0:06:05 | |
Oh, no, that's not me any more. | 0:06:05 | 0:06:07 | |
No, no, I'm doing serious stuff now, like this. | 0:06:07 | 0:06:09 | |
-Yeah, we've got this, thanks. -Yeah, step away, please, Miranda. | 0:06:09 | 0:06:12 | |
No. I want to talk to her. | 0:06:12 | 0:06:15 | |
Awkward! | 0:06:15 | 0:06:17 | |
For you, that is. | 0:06:17 | 0:06:18 | |
Well, come on, then! Let's have a little what I call tete-a-tete, | 0:06:18 | 0:06:22 | |
which is French for chinwag. | 0:06:22 | 0:06:24 | |
I've got nothing left to live for, Miranda. | 0:06:24 | 0:06:27 | |
I've lost everything. | 0:06:27 | 0:06:28 | |
Well, where did you last have it? | 0:06:28 | 0:06:29 | |
Have you checked down the back of the sofa? | 0:06:29 | 0:06:31 | |
Oh, my God, I'm turning into my mother. | 0:06:31 | 0:06:34 | |
Why aren't you doing the show any more? | 0:06:34 | 0:06:37 | |
Because I'm very serious these days. | 0:06:37 | 0:06:39 | |
I'm doing a very serious documentary about the police force | 0:06:39 | 0:06:42 | |
and how serious it is. | 0:06:42 | 0:06:44 | |
What, not even a Christmas special? | 0:06:44 | 0:06:46 | |
Definitely not a Christmas special. They're the worst. | 0:06:46 | 0:06:48 | |
Well, that's depressing. | 0:06:48 | 0:06:50 | |
All right, I suppose I could do some more if you like. | 0:06:57 | 0:07:00 | |
Really? | 0:07:00 | 0:07:02 | |
Yeah! | 0:07:02 | 0:07:03 | |
Why not? | 0:07:04 | 0:07:06 | |
And I'd need to come up with some new ideas for the show, | 0:07:06 | 0:07:09 | |
and because you're a fan, I'm sure you could help. | 0:07:09 | 0:07:12 | |
Well, now you've mentioned it, I've always wanted to be a writer. | 0:07:12 | 0:07:15 | |
That sounds like fun-times central. | 0:07:15 | 0:07:17 | |
Why don't you come on down? | 0:07:17 | 0:07:19 | |
Leslie Crowther's The Price Is Right! | 0:07:19 | 0:07:22 | |
I've literally no idea where I'm going with THIS! | 0:07:22 | 0:07:24 | |
HE SCREAMS | 0:07:24 | 0:07:27 | |
THUD | 0:07:27 | 0:07:29 | |
Awkward. | 0:07:29 | 0:07:30 | |
# Get down... # | 0:07:34 | 0:07:36 | |
Soap actor and hard man Danny Dyer | 0:07:36 | 0:07:39 | |
has spent over £11,000 | 0:07:39 | 0:07:41 | |
perfecting his shed. | 0:07:41 | 0:07:43 | |
Sweet as a nut, this. | 0:07:47 | 0:07:49 | |
I've got a kettle for a cup of Rosie, | 0:07:49 | 0:07:52 | |
a fridge full of Wife-beater, | 0:07:52 | 0:07:54 | |
and a little heater so I can be out here all year round. | 0:07:54 | 0:07:58 | |
And the Wi-Fi reaches from the house. | 0:07:58 | 0:08:00 | |
HE SNIFFS | 0:08:00 | 0:08:02 | |
But according to Danny, the privacy of his shed is being challenged | 0:08:02 | 0:08:05 | |
by some unwanted visitors. | 0:08:05 | 0:08:07 | |
So, I was in me man-shack having a snout, | 0:08:08 | 0:08:11 | |
trying to get me loaf together, | 0:08:11 | 0:08:12 | |
when I see this little geezer about the size of me thumb. | 0:08:12 | 0:08:16 | |
He comes bowling out of the undergrowth, | 0:08:16 | 0:08:19 | |
a big grin on his boat. | 0:08:19 | 0:08:21 | |
He's all dolled up, yeah? | 0:08:21 | 0:08:22 | |
Little green velvet whistle, | 0:08:22 | 0:08:24 | |
frilly shirt, waistcoat, pointy hat, you know the type. | 0:08:24 | 0:08:27 | |
He's gone...and then he was off. | 0:08:27 | 0:08:29 | |
Now, I could have handled it the once, | 0:08:29 | 0:08:31 | |
but then he brought his mates back. | 0:08:31 | 0:08:33 | |
Call them what you like - | 0:08:34 | 0:08:36 | |
pixies, elves, sprites, | 0:08:36 | 0:08:38 | |
Smurfs, Borrowers, | 0:08:38 | 0:08:40 | |
little mischievous folk of the forest - | 0:08:40 | 0:08:42 | |
legends abound about these little nutters. | 0:08:42 | 0:08:45 | |
I wonder what's in that bag. | 0:08:45 | 0:08:47 | |
The forest folk have led me up the garden path, | 0:08:49 | 0:08:51 | |
all round the pond and all through the stinging nettles. | 0:08:51 | 0:08:54 | |
I'm getting proper mugged off | 0:08:54 | 0:08:56 | |
by geezers no bigger than a fun-sized Mars bar. | 0:08:56 | 0:09:00 | |
You think I'm losing it, | 0:09:00 | 0:09:02 | |
but something has eaten all the birdseed off the bird table, yeah? | 0:09:02 | 0:09:06 | |
What could have done that, eh? | 0:09:06 | 0:09:08 | |
PHONE RINGS | 0:09:10 | 0:09:13 | |
Vinnie. Speak. | 0:09:14 | 0:09:15 | |
Vinnie, mate - quinoa balls. | 0:09:15 | 0:09:16 | |
What? | 0:09:16 | 0:09:18 | |
I've literally just had this idea - | 0:09:18 | 0:09:19 | |
Quinoa Balls with Fearne Cotton. | 0:09:19 | 0:09:21 | |
That's 25 eps on BBC Three. | 0:09:21 | 0:09:23 | |
Amazing. Title, Amazeballs! | 0:09:23 | 0:09:27 | |
It just came to me, mate. | 0:09:27 | 0:09:28 | |
Yeah, I'm not sure anyone wants to see that, Fearne. | 0:09:28 | 0:09:30 | |
I'm not sure you're right there, manager, mate. | 0:09:30 | 0:09:32 | |
I just stuck the old quinoa balls on Instagram - | 0:09:32 | 0:09:35 | |
12 million likes. | 0:09:35 | 0:09:36 | |
It might be my age, | 0:09:38 | 0:09:39 | |
but I don't have the first clue what she's going on about. | 0:09:39 | 0:09:43 | |
Danny Dyer has spent the last hour and a half locked in his shed. | 0:09:46 | 0:09:49 | |
Like that, but without the belt. | 0:09:49 | 0:09:52 | |
His obsession with the elves is showing no sign of abating. | 0:09:52 | 0:09:55 | |
This was my little island of calm, | 0:09:56 | 0:09:59 | |
and now it's under siege from a firm of trickster sprites | 0:09:59 | 0:10:02 | |
who want to do my nut right in. | 0:10:02 | 0:10:04 | |
I feel like that geezer from Gulliver's Travels, | 0:10:06 | 0:10:09 | |
-whatever his name was. -HE SNIFFS | 0:10:09 | 0:10:11 | |
In an attempt to secure some concrete proof, Danny heads outside. | 0:10:12 | 0:10:17 | |
If I get my hands on one of them, I don't know what I'll do - | 0:10:17 | 0:10:20 | |
give it a dig and then send it on its way, | 0:10:20 | 0:10:23 | |
or keep it in a matchbox and make it work, darning my socks. | 0:10:23 | 0:10:26 | |
I haven't had a chance to think it through. | 0:10:26 | 0:10:28 | |
There's one! On you come, son! Let's have it! | 0:10:28 | 0:10:32 | |
Oh... | 0:10:32 | 0:10:33 | |
Oh, those trickster imps! | 0:10:33 | 0:10:36 | |
Oh. | 0:10:36 | 0:10:37 | |
Did you get that? | 0:10:37 | 0:10:39 | |
They are quick when they scarper. | 0:10:39 | 0:10:40 | |
He even done one of them. | 0:10:40 | 0:10:42 | |
I could hear him giggling, the little fiend. | 0:10:43 | 0:10:46 | |
PHONE RINGS | 0:10:46 | 0:10:49 | |
Vinnie. Speak. | 0:10:49 | 0:10:50 | |
Vincent, it's Miranda. | 0:10:50 | 0:10:52 | |
Don't suppose Game Of Thrones have got back, have they? | 0:10:52 | 0:10:55 | |
Have you done it again? | 0:10:55 | 0:10:56 | |
Yes, Vincent, I've done it again. | 0:10:56 | 0:10:58 | |
What this time? | 0:10:58 | 0:11:00 | |
I pushed a man off a roof. | 0:11:00 | 0:11:01 | |
-You've done what? -It's OK, though. | 0:11:01 | 0:11:03 | |
The clever policeman put a blow-up mattress on the pavement, | 0:11:03 | 0:11:06 | |
so no-one died this time. | 0:11:06 | 0:11:08 | |
I don't suppose you can... | 0:11:08 | 0:11:09 | |
Hang on. Go on, Rachel. | 0:11:09 | 0:11:11 | |
Danny Dyer's got an elf problem. | 0:11:11 | 0:11:13 | |
What is it, his heart? I told him to slow down. | 0:11:13 | 0:11:15 | |
No, no. He thinks he's seeing elves. | 0:11:15 | 0:11:18 | |
I told him to slow down! | 0:11:18 | 0:11:20 | |
I'll call you back. | 0:11:20 | 0:11:21 | |
What now? Unbelievable. | 0:11:23 | 0:11:25 | |
-KNOCK AT DOOR -Who is it? | 0:11:35 | 0:11:38 | |
It's me, Vinnie. Open up. | 0:11:38 | 0:11:39 | |
Blimey, Dan, you stink. | 0:11:41 | 0:11:43 | |
Come in quick. | 0:11:43 | 0:11:45 | |
Oi, what's all this about you seeing elves? | 0:11:45 | 0:11:48 | |
Well, look at the evidence, Vin. | 0:11:48 | 0:11:49 | |
Look at this little snail shell. | 0:11:49 | 0:11:51 | |
Who's to say they're not using that as a jug, eh? | 0:11:51 | 0:11:54 | |
And look at this twig - | 0:11:54 | 0:11:55 | |
it looks like a little staff, don't it? | 0:11:55 | 0:11:57 | |
Yeah, or it could just be a twig and a shell. | 0:11:57 | 0:11:59 | |
Oh, yeah? Well, how do you explain this, then? | 0:11:59 | 0:12:02 | |
A little high-heeled shoe. | 0:12:02 | 0:12:04 | |
It's a Barbie shoe. It's from your kids. | 0:12:04 | 0:12:06 | |
What's going on, Dan? | 0:12:06 | 0:12:08 | |
Your wife's going spare. You've been missing work. | 0:12:08 | 0:12:10 | |
Your neighbours have seen you taking a dump out there - | 0:12:10 | 0:12:12 | |
I've had to keep that out of the papers! | 0:12:12 | 0:12:14 | |
I just need another bit of evidence. I am this close, Vin. | 0:12:14 | 0:12:18 | |
How long have you had that heater on? | 0:12:18 | 0:12:19 | |
Oh, all the time. | 0:12:19 | 0:12:20 | |
I keep it proper toasty in here for me investigations. | 0:12:20 | 0:12:23 | |
This place is full of carbon monoxide. | 0:12:23 | 0:12:25 | |
Look at that. The middle circle's turned black! | 0:12:25 | 0:12:28 | |
Open the doors! Get out of here, quick! | 0:12:28 | 0:12:30 | |
What? Huh? | 0:12:30 | 0:12:31 | |
That causes hallucinations - it makes you very sick. | 0:12:31 | 0:12:34 | |
Oh, oh, you mean...? | 0:12:34 | 0:12:36 | |
-Yeah, you've been poisoned with carbon monoxide. -DANNY CHUCKLES | 0:12:36 | 0:12:39 | |
You mean the elves have been coming in here, | 0:12:39 | 0:12:41 | |
titting about with my heater? | 0:12:41 | 0:12:42 | |
This is next level, Vin. | 0:12:42 | 0:12:44 | |
Look! On the bird table. On your toes, Vin. | 0:12:45 | 0:12:48 | |
Come on, Vin! | 0:12:48 | 0:12:49 | |
Rachel, clear Danny's diary. | 0:12:53 | 0:12:55 | |
He's got health problems. | 0:12:55 | 0:12:57 | |
No, HEALTH problems. | 0:12:57 | 0:13:00 | |
DANNY GROANS | 0:13:00 | 0:13:02 | |
Who would play me in the film of my life? | 0:13:04 | 0:13:07 | |
"Miranda: The Movie"? Yes, please! | 0:13:07 | 0:13:10 | |
Easy, that. | 0:13:10 | 0:13:11 | |
Absolute powerhouse of an actor - | 0:13:11 | 0:13:13 | |
a lot like Bette Midler, but much, much better than Bette Midler. | 0:13:13 | 0:13:16 | |
Letitia Dean - Sharon from EastEnders. | 0:13:16 | 0:13:19 | |
What, a film about Cheryl, | 0:13:20 | 0:13:22 | |
who made it to superstardom from humble beginnings | 0:13:22 | 0:13:25 | |
in the face of adversity? | 0:13:25 | 0:13:27 | |
"Cheryl: The Movie"? | 0:13:27 | 0:13:28 | |
The casting has already started. | 0:13:28 | 0:13:31 | |
Well, I would have to say Marlon Brando. | 0:13:31 | 0:13:35 | |
You know, someone with a big appetite! | 0:13:35 | 0:13:37 | |
It would have to be someone pretty deep and fully spiritually evolved, | 0:13:38 | 0:13:42 | |
so... | 0:13:42 | 0:13:46 | |
Gwen Stefani. | 0:13:46 | 0:13:48 | |
All the films I've done are basically | 0:13:48 | 0:13:50 | |
the films of my life, bruv. | 0:13:50 | 0:13:51 | |
I've done Mad Man, Geezer, | 0:13:51 | 0:13:54 | |
Bosh, Hooligan 1, | 0:13:54 | 0:13:56 | |
"Have It, You Muppet"... | 0:13:56 | 0:13:58 | |
I would play the cha-racter of Mirandy-pants myself, obvs. | 0:13:58 | 0:14:02 | |
But as it's a movie, | 0:14:02 | 0:14:04 | |
it would have to be much bigger and more serious than my sitcom Miranda, | 0:14:04 | 0:14:09 | |
written by and starring me, Miranda, | 0:14:09 | 0:14:12 | |
that I don't like to talk about. | 0:14:12 | 0:14:14 | |
..Bosch 2, Bosch Another Day, Hooligan 2, | 0:14:14 | 0:14:17 | |
Sawn-Off Psycho and... | 0:14:17 | 0:14:20 | |
Hooligan 3. | 0:14:20 | 0:14:21 | |
That's what my life is like. | 0:14:21 | 0:14:23 | |
In the movie, | 0:14:23 | 0:14:24 | |
I'll probably have to have a sort of car chase | 0:14:24 | 0:14:26 | |
and get my breasticles out. | 0:14:26 | 0:14:29 | |
Although not at the same time. | 0:14:29 | 0:14:31 | |
-Air-bag overload! -SHE SNORTS | 0:14:31 | 0:14:33 | |
Good name for a film that, though - Air-Bag Overload. | 0:14:33 | 0:14:36 | |
I have literally no idea where I'm going with this, | 0:14:36 | 0:14:38 | |
although I am going to write that down. | 0:14:38 | 0:14:40 | |
A big part of my job is giving my talent the confidence they need | 0:14:45 | 0:14:48 | |
to go out there and be the best - | 0:14:48 | 0:14:50 | |
the best actor, the best singer, | 0:14:50 | 0:14:52 | |
or in Gregg Wallace's case, | 0:14:52 | 0:14:54 | |
the best eater of pudding. | 0:14:54 | 0:14:56 | |
To help maintain confidence, some celebrities seek extra help. | 0:14:56 | 0:15:00 | |
For Gregg Wallace, this is a weekly meeting with | 0:15:00 | 0:15:03 | |
a leading celebrity self-help guru - | 0:15:03 | 0:15:06 | |
his brother, Guy Wallace. | 0:15:06 | 0:15:08 | |
So, how are you today, Gregg? | 0:15:08 | 0:15:11 | |
Well, I have been feeling a little bit stressed out recently. | 0:15:11 | 0:15:16 | |
Don't get me wrong, I love my job! | 0:15:16 | 0:15:19 | |
I love it! It is lovely! | 0:15:19 | 0:15:21 | |
But I have been feeling a little bit under pressure | 0:15:21 | 0:15:25 | |
to constantly like stuff or not like stuff, | 0:15:25 | 0:15:29 | |
and I don't like it! | 0:15:29 | 0:15:30 | |
What do you think would be the underlying cause of this stress? | 0:15:30 | 0:15:33 | |
Are you worried that the public will find out you're essentially | 0:15:33 | 0:15:36 | |
just a barrow boy who likes his food? | 0:15:36 | 0:15:38 | |
No. They know that already and they couldn't give a monkey's! | 0:15:38 | 0:15:42 | |
Oh, well, maybe this anxiety has deeper roots. | 0:15:42 | 0:15:45 | |
Let's talk about your childhood. | 0:15:45 | 0:15:47 | |
Well, I did always think that I was in competition with you. | 0:15:47 | 0:15:50 | |
When we was growing up, you were smarter, | 0:15:50 | 0:15:54 | |
more confident, happier. | 0:15:54 | 0:15:56 | |
The truth is, Gregg, we were both good kids growing up, | 0:15:56 | 0:15:58 | |
but our mum and dad set out to discover which one of us | 0:15:58 | 0:16:02 | |
had that something special, | 0:16:02 | 0:16:04 | |
and in the end, there can only be one winner. | 0:16:04 | 0:16:08 | |
And the winner, in our parents' eyes, is... | 0:16:08 | 0:16:12 | |
..me! | 0:16:20 | 0:16:21 | |
-Oh. -Right, that's it, time's up. | 0:16:21 | 0:16:24 | |
Very happy now! | 0:16:24 | 0:16:25 | |
-Come on! -Come on! -Let's go! | 0:16:25 | 0:16:27 | |
Time is up! | 0:16:27 | 0:16:28 | |
-Come on! -Come On! | 0:16:28 | 0:16:30 | |
THEY CHUCKLE | 0:16:30 | 0:16:32 | |
At Mann Management, | 0:16:35 | 0:16:36 | |
Vincent has some exciting news for his longest-standing client, | 0:16:36 | 0:16:39 | |
Joanna Lumley. PHONE RINGS | 0:16:39 | 0:16:41 | |
Listen, Jo-Jo, a big job's come in for you. | 0:16:41 | 0:16:44 | |
Which is it - film, travelogue or Gurkha? | 0:16:44 | 0:16:47 | |
No, better than that. | 0:16:47 | 0:16:48 | |
It's for the British Government. | 0:16:48 | 0:16:50 | |
Oh, they want me to be a spy - of course they do. | 0:16:50 | 0:16:53 | |
Game old Jo-Jo, taking photos with her fake lippy, | 0:16:53 | 0:16:56 | |
strangling a man with her naked thighs. | 0:16:56 | 0:16:59 | |
Who else could they choose? | 0:16:59 | 0:17:01 | |
No, the Government want you to be the face of | 0:17:01 | 0:17:03 | |
public information films. | 0:17:03 | 0:17:05 | |
They say the man on the street trusts you, Jo. | 0:17:05 | 0:17:07 | |
Silly man on the street, | 0:17:07 | 0:17:08 | |
but, oh, so handsome. | 0:17:08 | 0:17:10 | |
Tell them I'll do it. | 0:17:10 | 0:17:11 | |
Great. Right. Now, when are you free? | 0:17:11 | 0:17:14 | |
Well, today, darling, today. | 0:17:14 | 0:17:16 | |
-What? -I was meant to be having lunch with Mick Jagger and Ian Botham, | 0:17:16 | 0:17:19 | |
-but I got the wrong date. -Oh, right. | 0:17:19 | 0:17:21 | |
It turns out barmy old Jo-Jo was looking in her diary from '83. | 0:17:21 | 0:17:25 | |
Great. | 0:17:25 | 0:17:26 | |
So, send the British Government round tout suite, Vincenzo. | 0:17:26 | 0:17:30 | |
Ciao, darling. Ciao. | 0:17:30 | 0:17:32 | |
Ciao, sweetheart. | 0:17:32 | 0:17:33 | |
-Oh, God. I forgot mayonnaise. -SHE SIGHS | 0:17:37 | 0:17:40 | |
EastEnders star Natalie Cassidy is feeling the strain of | 0:17:40 | 0:17:44 | |
the work versus life equation. | 0:17:44 | 0:17:46 | |
Kat! Give us a hand, will you? | 0:17:47 | 0:17:50 | |
The bag's bleeding split. | 0:17:50 | 0:17:52 | |
I've got me work cut right out at the moment, I can tell you. | 0:17:54 | 0:17:58 | |
Don't get me wrong. I ain't complaining. | 0:17:59 | 0:18:01 | |
It's lovely to be back in the Square. | 0:18:01 | 0:18:03 | |
As a lesbian, I might add. | 0:18:03 | 0:18:06 | |
But I've still got a lot on here, what with Dad not being very well. | 0:18:07 | 0:18:11 | |
Dad, I'm back! Are you all right? | 0:18:12 | 0:18:15 | |
I'm on me poker! | 0:18:15 | 0:18:17 | |
'He's into his third year on the sick, bless him.' | 0:18:17 | 0:18:19 | |
Reversed over a labrador in his lorry - | 0:18:19 | 0:18:22 | |
traumatised. | 0:18:22 | 0:18:23 | |
Can't look a dog in the eye. | 0:18:23 | 0:18:25 | |
Won't even go out without his Beats by Dr Dre on | 0:18:25 | 0:18:27 | |
in case he hears a yelp. | 0:18:27 | 0:18:29 | |
Oh, blimey, that's the pilau buggered. | 0:18:31 | 0:18:34 | |
I've got it all in now. | 0:18:34 | 0:18:36 | |
If you want something done properly... | 0:18:36 | 0:18:37 | |
I can't help you now, Nat, my nails are drying. | 0:18:37 | 0:18:40 | |
You can see that? | 0:18:40 | 0:18:41 | |
Watch that - it's Dad's pilau. | 0:18:41 | 0:18:43 | |
You should clear that up, Nat. | 0:18:43 | 0:18:44 | |
Oh, thanks for your help(!) | 0:18:44 | 0:18:46 | |
-I'm not helping. -Yeah, I know. | 0:18:46 | 0:18:49 | |
'I'm sure that Kat would like to get more involved.' | 0:18:49 | 0:18:52 | |
She can't help out much, though, what with her modelling. | 0:18:52 | 0:18:54 | |
I've got me modelling. | 0:18:54 | 0:18:55 | |
'Tough game, that modelling.' | 0:18:55 | 0:18:57 | |
Much tougher than the acting, so Kat tells me. | 0:18:57 | 0:19:00 | |
The last thing she done was that gym advert which was... | 0:19:00 | 0:19:04 | |
six years ago. | 0:19:04 | 0:19:05 | |
We have it framed. | 0:19:07 | 0:19:08 | |
That's her on the right, there - | 0:19:09 | 0:19:12 | |
her elbow. | 0:19:12 | 0:19:14 | |
So, what are you getting dolled up for, anyway? | 0:19:14 | 0:19:16 | |
Nothing. Just normal. | 0:19:16 | 0:19:18 | |
Anyway, it's Jason's karaoke up the Prince tonight, ain't it? | 0:19:18 | 0:19:20 | |
No, sis, it's my turn up Jason's karaoke. | 0:19:20 | 0:19:23 | |
I've been practising on my SingStar. | 0:19:23 | 0:19:26 | |
I've got 87% on my Buffalo Stance - the crowd were going nuts. | 0:19:26 | 0:19:30 | |
Yeah. | 0:19:30 | 0:19:31 | |
Anyway, I'm off. | 0:19:31 | 0:19:33 | |
Me and Kelis are spray-tanning each other in her garage this afternoon. | 0:19:33 | 0:19:36 | |
Oh, you're double joking! | 0:19:36 | 0:19:38 | |
Does that mean I'm taking Dad up the sick again? | 0:19:38 | 0:19:40 | |
It's not all about you, Nats. God. | 0:19:40 | 0:19:42 | |
Car keys. | 0:19:42 | 0:19:44 | |
Yeah. | 0:19:46 | 0:19:47 | |
Kelis's garage is only round the corner. | 0:19:47 | 0:19:49 | |
Dad's doctors is up past the big shops. | 0:19:49 | 0:19:52 | |
Oh, hello, friends. | 0:19:55 | 0:19:57 | |
This isn't just any public information film - | 0:19:57 | 0:20:00 | |
this is a Joanna Lumley public information film. | 0:20:00 | 0:20:04 | |
It's being held in reserve should there be a national pandemic of | 0:20:04 | 0:20:08 | |
an antibiotic-resistant killer flu, | 0:20:08 | 0:20:10 | |
which, if you're watching this, there has been. | 0:20:10 | 0:20:13 | |
If someone you know dies, | 0:20:15 | 0:20:17 | |
cover your mouth and nose, | 0:20:17 | 0:20:19 | |
and drag the body outside, | 0:20:19 | 0:20:21 | |
where you must bury it is as far from your dwelling as possible. | 0:20:21 | 0:20:25 | |
But please remember to mark the grave - | 0:20:25 | 0:20:27 | |
perhaps with a wooden spoon that you've painted with your own design. | 0:20:27 | 0:20:31 | |
Chin up. Stiff upper lip. | 0:20:36 | 0:20:38 | |
We're all in this together. | 0:20:38 | 0:20:40 | |
Oh, and I do have to say, | 0:20:40 | 0:20:41 | |
anyone looting will be shot. | 0:20:41 | 0:20:44 | |
Are you taking me up the sick, then, or what? | 0:20:48 | 0:20:50 | |
Yeah. Here, watch that rice. | 0:20:50 | 0:20:52 | |
Is that my pilau? | 0:20:52 | 0:20:53 | |
Yeah. Sorry, Dad, I dropped it. | 0:20:53 | 0:20:55 | |
You want to try and be a bit more like your sister, Nat. | 0:20:55 | 0:20:58 | |
Kat never drops the rice. | 0:20:58 | 0:21:00 | |
No. Well, you can't drop it if you're never holding it, can you? | 0:21:00 | 0:21:04 | |
Oh, no. It's right back here. | 0:21:06 | 0:21:08 | |
'Every trip out with Dad is a blimming nightmare | 0:21:13 | 0:21:15 | |
'since his accident. | 0:21:15 | 0:21:16 | |
'He won't even leave the house until I've done the dog check.' | 0:21:16 | 0:21:19 | |
Dad, it's all clear! | 0:21:20 | 0:21:22 | |
Dad! It's all clear! | 0:21:26 | 0:21:29 | |
All right? | 0:21:41 | 0:21:43 | |
Come on, then. | 0:21:43 | 0:21:44 | |
DOG BARKS | 0:21:48 | 0:21:51 | |
Oh, blimey. | 0:21:51 | 0:21:52 | |
Dad! | 0:21:52 | 0:21:54 | |
Dad, it's on the lead! | 0:21:54 | 0:21:56 | |
'It's the same every time.' | 0:21:58 | 0:22:00 | |
Kat takes the car somewhere, | 0:22:00 | 0:22:02 | |
and we can't get nowhere cos of the bleeding dogs. | 0:22:02 | 0:22:05 | |
'He's all right, though, | 0:22:05 | 0:22:06 | |
'once he gets home and he's on his poker again.' | 0:22:06 | 0:22:09 | |
You're all right, ain't you, Dad? | 0:22:09 | 0:22:11 | |
I'm on me poker! | 0:22:11 | 0:22:13 | |
I just said that, didn't I? | 0:22:13 | 0:22:15 | |
PHONE RINGS | 0:22:17 | 0:22:19 | |
-HE EXHALES -Vinnie. Speak. | 0:22:23 | 0:22:25 | |
Vinnie, mate. Fearne-atron. | 0:22:25 | 0:22:27 | |
Find a pencil. | 0:22:27 | 0:22:28 | |
Yeah, just give me a sec. | 0:22:28 | 0:22:29 | |
No, that's the name of the fricking show - | 0:22:29 | 0:22:31 | |
Find A Pencil with Fearne Cotton. | 0:22:31 | 0:22:33 | |
You will never guess what I was doing. | 0:22:33 | 0:22:35 | |
Were you looking for a pencil, Fearne? | 0:22:35 | 0:22:37 | |
That is why you earn the big bucks, manager, mate. | 0:22:37 | 0:22:40 | |
I'm thinking web series, lifestyle, a new upload every blimming day - | 0:22:40 | 0:22:44 | |
the old Cottonmeister gives you daily tips on how to find a pencil. | 0:22:44 | 0:22:47 | |
It just came to me, mate. | 0:22:47 | 0:22:49 | |
-Well, that is... -Hang on, Vince. I haven't finished, mate. | 0:22:49 | 0:22:52 | |
#Where'sMyBlimmingPencil? | 0:22:52 | 0:22:55 | |
There. Finished. | 0:22:55 | 0:22:56 | |
Oh, yeah. I forgot to wait for the hashtag. | 0:22:56 | 0:23:00 | |
Like I was saying, great idea, Fearne, | 0:23:00 | 0:23:02 | |
but I'm not sure it's got mass appeal. | 0:23:02 | 0:23:04 | |
I'm going to stop you there, Vinnie, mate. | 0:23:04 | 0:23:06 | |
I've just put a Vine out - already had 28 million loops. | 0:23:06 | 0:23:09 | |
Amazing! Laters, Vineyard. | 0:23:09 | 0:23:11 | |
I've never felt older. | 0:23:17 | 0:23:18 | |
I'm really nervous. | 0:23:20 | 0:23:21 | |
Cocoa nips! | 0:23:23 | 0:23:25 | |
You confused me, there, | 0:23:25 | 0:23:27 | |
because you said action and I got my knickers in a twist. | 0:23:27 | 0:23:30 | |
The most famous person who's said they're a fan of mine? | 0:23:30 | 0:23:33 | |
Cor, don't know. | 0:23:33 | 0:23:35 | |
Probably Nick Grimshaw. | 0:23:35 | 0:23:37 | |
Grimmy! | 0:23:37 | 0:23:39 | |
He's like the most famous person on the planet right now, | 0:23:39 | 0:23:41 | |
although he did say he was a fan of mine | 0:23:41 | 0:23:42 | |
when he was working in a shoe shop in Camden. | 0:23:42 | 0:23:45 | |
Everyone's a fan of mine, though, innit, mate? | 0:23:47 | 0:23:50 | |
Probably easier to think of someone who ain't. | 0:23:50 | 0:23:52 | |
Except it ain't, because everyone I've ever met, | 0:23:52 | 0:23:54 | |
from Becks to Bill Clinton, worships the ground I walk on. | 0:23:54 | 0:23:57 | |
Mental, isn't it? | 0:23:57 | 0:23:58 | |
The most famous person who says they're a fan of mine? | 0:23:58 | 0:24:02 | |
I think it was Brad Pitt. | 0:24:02 | 0:24:05 | |
Yeah. Brad Pitt. | 0:24:05 | 0:24:07 | |
# Hello | 0:24:07 | 0:24:09 | |
# It's me... # | 0:24:09 | 0:24:10 | |
Yes, it's me. Yes, it's me. Blah, blah, blah. | 0:24:10 | 0:24:13 | |
Fucking hell, when do I get to go home? | 0:24:13 | 0:24:15 | |
He called me on the telephone, actually, | 0:24:16 | 0:24:18 | |
after he watched the first episode of Miranda. Yeah. | 0:24:18 | 0:24:22 | |
He said that he hadn't been this turned on watching a sitcom | 0:24:22 | 0:24:24 | |
since Mrs Brown's Boys. | 0:24:24 | 0:24:27 | |
He's not even a real lady, so... | 0:24:28 | 0:24:31 | |
hello-o. | 0:24:31 | 0:24:33 | |
The most famous person who's said they're a fan of mine? | 0:24:33 | 0:24:36 | |
Definitely Brian Dowling from Big Brother 2. | 0:24:38 | 0:24:41 | |
It did my nut in when he came up to me in Club Aquarium in Basildon. | 0:24:41 | 0:24:45 | |
Elvis bloody Presley, darling. | 0:24:45 | 0:24:47 | |
He still sends me letters from his secret hideaway in Guatemala. | 0:24:47 | 0:24:51 | |
Oh, bugger. I don't think I was meant to say that. | 0:24:51 | 0:24:53 | |
Will you take that out? | 0:24:53 | 0:24:55 | |
-SHE INHALES -Tough one, erm... | 0:24:55 | 0:24:57 | |
because we've got so many famous fans, but... | 0:24:57 | 0:25:00 | |
probably Sara Lee. | 0:25:00 | 0:25:01 | |
Yeah, yeah, yeah. That woman really knows her way around a cake. | 0:25:01 | 0:25:04 | |
I'd go so far as to say she's a gateau superstar. | 0:25:04 | 0:25:07 | |
That was a bit Corny-etto, though, mate. | 0:25:08 | 0:25:10 | |
That doesn't work, does it, Mel? | 0:25:10 | 0:25:12 | |
Have you been injured in an accident that wasn't your fault? | 0:25:16 | 0:25:20 | |
Only joking. It's not one of those dreadful things. | 0:25:20 | 0:25:22 | |
Unfortunately, it's far worse. | 0:25:22 | 0:25:24 | |
This is a government information film, | 0:25:24 | 0:25:26 | |
and if you are watching this, | 0:25:26 | 0:25:28 | |
then there is an imminent, full-scale nuclear assault | 0:25:28 | 0:25:31 | |
on Great Britain in less than ten minutes, | 0:25:31 | 0:25:34 | |
and they've asked me to tell you in a smouldering, breathy, | 0:25:34 | 0:25:38 | |
thinking man's crumpet kind of way, not to panic. | 0:25:38 | 0:25:41 | |
So, let us maintain that | 0:25:44 | 0:25:45 | |
stiff upper lip and take a moment to reflect on Great Britain. | 0:25:45 | 0:25:49 | |
The dizzying confusion of Flying Ant Day, | 0:25:49 | 0:25:51 | |
the endless conundrum of what saveloys were made of, | 0:25:51 | 0:25:54 | |
penny sweets, tea towels, Andi Peters... | 0:25:54 | 0:25:57 | |
What was it all about, eh? | 0:25:57 | 0:25:59 | |
Goodbye, Great Britain. | 0:25:59 | 0:26:00 | |
SIREN BLARES | 0:26:00 | 0:26:02 | |
Oh, bugger. | 0:26:02 | 0:26:04 | |
SIREN CONTINUES | 0:26:04 | 0:26:07 | |
DOGS BARK | 0:26:10 | 0:26:12 | |
At the Cassidy house, | 0:26:12 | 0:26:14 | |
Natalie is ready for a rare night out at her local. | 0:26:14 | 0:26:17 | |
I'm just booking me Uber. | 0:26:18 | 0:26:21 | |
Oh, Aziz, three minutes. | 0:26:21 | 0:26:23 | |
All right, I'm off down the Prince to see Jason. | 0:26:23 | 0:26:25 | |
How many times, silly? | 0:26:25 | 0:26:27 | |
It's my turn down the Prince. | 0:26:27 | 0:26:28 | |
No. I checked the calendar. | 0:26:28 | 0:26:30 | |
It's definitely my turn. | 0:26:30 | 0:26:32 | |
I remember swapping. | 0:26:32 | 0:26:33 | |
I don't remember that. | 0:26:35 | 0:26:36 | |
I do. | 0:26:36 | 0:26:37 | |
Fair dos. | 0:26:40 | 0:26:41 | |
I suppose I could come down later. | 0:26:41 | 0:26:42 | |
-Once I've put Dad down, I could... -Bye! | 0:26:42 | 0:26:45 | |
DOOR CLOSES | 0:26:45 | 0:26:47 | |
SHE SIGHS | 0:26:49 | 0:26:51 | |
Oh, well. | 0:26:51 | 0:26:53 | |
'Yeah. I suppose it would have been nice to have a night out,' | 0:26:53 | 0:26:56 | |
but, knowing me, I'd have had one Bacardi too many | 0:26:56 | 0:26:59 | |
and woken up with a sore noggin, | 0:26:59 | 0:27:01 | |
which is no good for learning my lesbian Sonia lines. | 0:27:01 | 0:27:04 | |
Anyway, I'm sure it'll be my turn next week | 0:27:05 | 0:27:08 | |
down the karaoke at the Prince with Jason. | 0:27:08 | 0:27:10 | |
In the meantime, a bit more practice never hurt - | 0:27:12 | 0:27:15 | |
see if I can get up to 90% on my SingStar. | 0:27:15 | 0:27:19 | |
MUSIC: Buffalo Stance by Neneh Cherry | 0:27:19 | 0:27:21 | |
# Oh, yeah | 0:27:21 | 0:27:24 | |
# DJ | 0:27:24 | 0:27:26 | |
# Who-who-who-who-who... | 0:27:26 | 0:27:27 | |
-SHE SINGS ALONG -# Who's that gigolo on the street | 0:27:27 | 0:27:29 | |
# With his hands in his pockets and his crocodile feet? | 0:27:29 | 0:27:32 | |
# Hanging off the kerb Looking all disturbed | 0:27:32 | 0:27:34 | |
# At the boys from home They all come running | 0:27:34 | 0:27:36 | |
# They were making noise Manhandling toys | 0:27:36 | 0:27:38 | |
# That's the girls from the block with the nasty curls | 0:27:38 | 0:27:41 | |
# Wearing padded bras Sucking beers through straws | 0:27:41 | 0:27:43 | |
# Down their drawers Where did you get yours? # | 0:27:43 | 0:27:46 | |
# Gigolo | 0:27:46 | 0:27:47 | |
# Huh, sucker? Gigolo | 0:27:47 | 0:27:50 | |
# Gigolo | 0:27:50 | 0:27:51 | |
# Huh, sucker? # | 0:27:51 | 0:27:53 | |
Yeah! | 0:27:53 | 0:27:55 | |
# Who's looking good today? | 0:27:55 | 0:27:57 | |
# Who's looking good in every way? | 0:27:57 | 0:27:59 | |
# No style rookie | 0:27:59 | 0:28:01 | |
# You better watch | 0:28:01 | 0:28:02 | |
# Don't mess with me | 0:28:02 | 0:28:04 | |
# No moneyman can win my love | 0:28:05 | 0:28:10 | |
# It's sweetness that I'm thinking of | 0:28:10 | 0:28:14 | |
# No moneyman can win my love | 0:28:14 | 0:28:19 | |
# It's sweetness that I'm thinking of... # | 0:28:19 | 0:28:23 |