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This is the family home of EastEnders star Natalie Cassidy. | 0:00:02 | 0:00:05 | |
# Oh young hearts run free | 0:00:05 | 0:00:09 | |
# Never be hung up Hung up like my man and me. # | 0:00:09 | 0:00:14 | |
-PHONE RINGS -Nat! | 0:00:14 | 0:00:18 | |
Natalie! | 0:00:18 | 0:00:20 | |
Nat! Phone. | 0:00:23 | 0:00:24 | |
-What? -Phone. | 0:00:26 | 0:00:28 | |
Sorry, Cat, I was just doing a quick disco clean. | 0:00:28 | 0:00:30 | |
You're so selfish. | 0:00:30 | 0:00:32 | |
Hello, Cassidy household. Natalie Cassidy speaking. | 0:00:35 | 0:00:38 | |
Nat, Vinnie. Have you signed your contract yet? | 0:00:38 | 0:00:41 | |
No, not yet, Vin. | 0:00:41 | 0:00:42 | |
Haven't had a chance to get on my e-mail and print it off. | 0:00:42 | 0:00:45 | |
-Dad's been hogging the laptop, as per. -Right. | 0:00:45 | 0:00:48 | |
Look, I've heard from an insider that they've booked the black cab | 0:00:48 | 0:00:51 | |
for an EastEnders shoot day in a couple of weeks. | 0:00:51 | 0:00:53 | |
What? Not THE black cab! | 0:00:53 | 0:00:56 | |
Not the stunt cab. | 0:00:56 | 0:00:58 | |
Yes, that cab. | 0:00:58 | 0:01:00 | |
Oh, you're double joking. | 0:01:00 | 0:01:02 | |
I double ain't. I've done some digging, and they've also scheduled | 0:01:02 | 0:01:05 | |
a night shoot with the rain machine. | 0:01:05 | 0:01:08 | |
-No! -And that camera that spins up into the air. | 0:01:08 | 0:01:10 | |
No, not the crane! You know what this means, don't ya? | 0:01:10 | 0:01:13 | |
-Yes, Nat. -It means that a much-loved character is going to get run over, | 0:01:13 | 0:01:18 | |
and another much-loved character is going to scream, "Noooo!" | 0:01:18 | 0:01:22 | |
-into the sky. -Look, there's no reason to think | 0:01:22 | 0:01:24 | |
it's going to be Sonia. | 0:01:24 | 0:01:25 | |
But you need to get that contract printed and signed ASAP. | 0:01:25 | 0:01:29 | |
-Do you hear me? -Yeah, yeah. | 0:01:29 | 0:01:31 | |
'Course. I'll do it now, and come up London to drop it off | 0:01:31 | 0:01:34 | |
while Dad's having his siesta before The Chase. | 0:01:34 | 0:01:36 | |
All right. Don't worry, Nat. It'll be fine. | 0:01:36 | 0:01:39 | |
Bloody hell. | 0:01:43 | 0:01:44 | |
Oh, bloody hell. | 0:01:45 | 0:01:47 | |
I can't afford to get hit by the stunt taxi. | 0:01:48 | 0:01:51 | |
Dad's still on the sick, | 0:01:51 | 0:01:53 | |
and Cat's modelling career isn't quite pulling in the big money yet. | 0:01:53 | 0:01:57 | |
SHE SIGHS | 0:01:57 | 0:01:59 | |
I'm sure 'Enders wouldn't kill me off though. | 0:01:59 | 0:02:01 | |
It would be nuts to go to all that bother of writing a new | 0:02:01 | 0:02:04 | |
lesbian Sonia contract to then run me over with a stunt cab, | 0:02:04 | 0:02:08 | |
wouldn't it? | 0:02:08 | 0:02:09 | |
Don't you think? | 0:02:10 | 0:02:11 | |
Dad, are you going to be much longer on your poker? | 0:02:41 | 0:02:43 | |
Only I just need to print me contract off. | 0:02:43 | 0:02:46 | |
Dad, are you going to be much longer on your poker? | 0:02:46 | 0:02:50 | |
Dad! | 0:02:50 | 0:02:51 | |
Dad! | 0:02:52 | 0:02:53 | |
Ew. What are you listening to that for? | 0:02:55 | 0:02:56 | |
I'm not listening to it, am I? It's just like this. | 0:02:56 | 0:03:00 | |
Oh, you're mega joking. Let's have a look. | 0:03:00 | 0:03:02 | |
-When did this happen? -Last night, Nat. | 0:03:04 | 0:03:06 | |
Last night. Why didn't you tell me? | 0:03:06 | 0:03:09 | |
Well, I thought it might fix itself. | 0:03:09 | 0:03:10 | |
And anyway, I thought you'd do this. | 0:03:10 | 0:03:12 | |
-Do what? -Blame it on me. | 0:03:12 | 0:03:15 | |
I didn't even click on nothing. | 0:03:15 | 0:03:17 | |
I ain't even clicked on nothing. | 0:03:17 | 0:03:19 | |
It looks like my dad's been clicking on free iPad links again. | 0:03:19 | 0:03:23 | |
I ain't even clicked on nothing! | 0:03:23 | 0:03:26 | |
I have told him there's no such thing as a free iPad, | 0:03:26 | 0:03:28 | |
but he ain't having it. | 0:03:28 | 0:03:30 | |
What? On the whole of the internet? | 0:03:30 | 0:03:31 | |
No such thing as a free iPad? | 0:03:31 | 0:03:34 | |
I ain't having it. | 0:03:34 | 0:03:36 | |
Oh, I think it's got a virus. | 0:03:36 | 0:03:38 | |
Oh, well, if it's just a virus, that's all right, ain't it, Nat? | 0:03:38 | 0:03:41 | |
Like me when I had the noro. | 0:03:41 | 0:03:43 | |
Just a few days of runny bum and I was better. | 0:03:43 | 0:03:46 | |
Virus is just a word they say for laptops. | 0:03:46 | 0:03:49 | |
It's not the same as the squits. | 0:03:49 | 0:03:51 | |
What did it do when it went funny? | 0:03:51 | 0:03:53 | |
Nothing. Loads of boxes opened on the screen. | 0:03:53 | 0:03:57 | |
Then it went mental, and a noise started. | 0:03:57 | 0:04:00 | |
VEHICLE APPROACHES | 0:04:00 | 0:04:02 | |
That's strange. | 0:04:02 | 0:04:03 | |
Tesco's delivery van. | 0:04:03 | 0:04:05 | |
What are they doing here? | 0:04:05 | 0:04:06 | |
We don't do deliveries no more, too many substitutions. | 0:04:06 | 0:04:09 | |
Ain't got nothing to do with me. | 0:04:09 | 0:04:11 | |
Dad, was one of the boxes that popped up the Tesco's site? | 0:04:12 | 0:04:16 | |
I don't know. | 0:04:16 | 0:04:17 | |
Might have been. | 0:04:19 | 0:04:20 | |
Yeah. | 0:04:21 | 0:04:23 | |
Oh, Dad! | 0:04:23 | 0:04:25 | |
What are we going to do with you, eh? | 0:04:27 | 0:04:29 | |
Hello, mate. We haven't actually ordered anything. | 0:04:34 | 0:04:37 | |
We think there's been a mistake with the computer. | 0:04:37 | 0:04:40 | |
-Natalie. -Carl! | 0:04:41 | 0:04:43 | |
Carl Rigsby from school. | 0:04:43 | 0:04:45 | |
Natalie Cassidy from EastEnders and The Health Lottery. | 0:04:45 | 0:04:48 | |
-Someone's come up a bit, haven't they? -Oh. | 0:04:48 | 0:04:51 | |
God, I ain't seen you since... | 0:04:51 | 0:04:54 | |
-Well... -Since you dumped me on the last day of school. | 0:04:54 | 0:04:57 | |
Yeah, sorry, Carl. | 0:04:57 | 0:04:59 | |
I didn't want to be tied down before I went Fuengirola. | 0:04:59 | 0:05:01 | |
That's all right. I was a bit gutted at the time, but I understood. | 0:05:01 | 0:05:05 | |
Oh, thanks, Carl. | 0:05:05 | 0:05:07 | |
Yeah. Oh, and I'm sorry for drawing them nipples on your leaving shirt. | 0:05:07 | 0:05:11 | |
I never meant for it to look like | 0:05:11 | 0:05:13 | |
-your tits were outside your clothes. -Oh, don't matter. | 0:05:13 | 0:05:16 | |
I thought it was funny. | 0:05:16 | 0:05:17 | |
Well, better get this lot in. | 0:05:18 | 0:05:20 | |
But that's what I was saying, you see. | 0:05:22 | 0:05:24 | |
Dad never meant to order nothing. | 0:05:24 | 0:05:26 | |
The laptop's gone funny. We think it's got a virus. | 0:05:26 | 0:05:29 | |
Oh, right. I thought it was a weird order. | 0:05:29 | 0:05:33 | |
Why, what is it? | 0:05:33 | 0:05:34 | |
Oh, right. 14 bags of curly kale, 14 pocket torches, | 0:05:34 | 0:05:39 | |
14 chimp outfits ages 6-7, and a whole fresh salmon. | 0:05:39 | 0:05:41 | |
Oh, you're mega joking! | 0:05:41 | 0:05:43 | |
-Oh, what? Don't you want it? -No chance. | 0:05:43 | 0:05:46 | |
Me Dad'll kick right off if he sees a fish that looks like a fish. | 0:05:46 | 0:05:49 | |
It freaks him out. | 0:05:49 | 0:05:51 | |
And he don't even eat cabbage, let alone kale. | 0:05:51 | 0:05:53 | |
Can't you take it all back and get me a refund, Carl? | 0:05:53 | 0:05:56 | |
-For me? -I would if I could, but I'm not allowed, Nat. | 0:05:56 | 0:05:59 | |
Once the order's gone through, you have to accept it, | 0:05:59 | 0:06:02 | |
and then go through customer services. | 0:06:02 | 0:06:04 | |
Oh, bloody hell. | 0:06:04 | 0:06:06 | |
Sorry, Nat. Where do you want it? | 0:06:06 | 0:06:09 | |
No, you get off, Carl. Just leave it on the drive. | 0:06:09 | 0:06:12 | |
-I'll take it in. -Do you know any kids that like chimpanzees? | 0:06:12 | 0:06:15 | |
Not 14 of them, no. | 0:06:15 | 0:06:17 | |
Sign there. | 0:06:20 | 0:06:21 | |
-Ta. -OK. | 0:06:29 | 0:06:31 | |
Maybe we'll see each other again, eh? | 0:06:31 | 0:06:33 | |
I'm afraid not. | 0:06:33 | 0:06:34 | |
It's my last day. They're reducing the fleet by one. | 0:06:34 | 0:06:39 | |
Oh, right. | 0:06:39 | 0:06:40 | |
I'm sorry to hear that. | 0:06:40 | 0:06:42 | |
-Anything else lined up? -No. | 0:06:42 | 0:06:44 | |
Oh, well. | 0:06:46 | 0:06:48 | |
Be lucky, Nat. Ta-ta. | 0:06:48 | 0:06:49 | |
Yeah. Bye, Carl. | 0:06:55 | 0:06:59 | |
I don't care if it's superfood, I'm not eating it. | 0:07:01 | 0:07:05 | |
Well, you can at least have a go, Dad. | 0:07:05 | 0:07:07 | |
And what's this? Fish that looks like fish? | 0:07:07 | 0:07:09 | |
That's disgusting! Fish is supposed to look like a shape. | 0:07:09 | 0:07:13 | |
-I ain't eating that, neither. -You don't have to eat it. | 0:07:13 | 0:07:16 | |
It's all going back. | 0:07:16 | 0:07:17 | |
Well, what am I going to eat, then? | 0:07:17 | 0:07:19 | |
Once I've got all this lot in and I phoned the headquarters whatsit, | 0:07:19 | 0:07:23 | |
I'll go up to the big shop to get you some bits in. | 0:07:23 | 0:07:26 | |
-Chicken chargrills. -Yeah, I'll get you your chargrills in. | 0:07:26 | 0:07:29 | |
Nat, what the bloody hell is going on? | 0:07:29 | 0:07:32 | |
Dad's laptop's got a virus and done an online shop by accident. | 0:07:32 | 0:07:35 | |
Bleeding state of the place! Kale and torches everywhere. | 0:07:35 | 0:07:39 | |
It's like a vegetarian Aladdin's Cave. | 0:07:39 | 0:07:41 | |
And it stinks of fish. This is the last thing I need. | 0:07:41 | 0:07:45 | |
You know Glenn the photographer's coming today. | 0:07:45 | 0:07:47 | |
Yeah, well, Glenn might like fish, Cat. Some people do. | 0:07:47 | 0:07:51 | |
I need you to clear this mess up. | 0:07:51 | 0:07:52 | |
You'd better not ruin my day, Natalie. | 0:07:53 | 0:07:55 | |
Here, Cat, you couldn't watch Dad for a bit, could you? | 0:07:57 | 0:08:01 | |
I could do with taking the laptop up to the computer shop | 0:08:01 | 0:08:04 | |
to get it fixed. | 0:08:04 | 0:08:05 | |
No? Never mind. | 0:08:07 | 0:08:09 | |
Oh, well, Dad, you're going to have to come with me. | 0:08:09 | 0:08:11 | |
I don't want to. | 0:08:11 | 0:08:13 | |
Well, we ain't got no choice. We need the laptop fixed. | 0:08:13 | 0:08:16 | |
Go and get your trainers on. | 0:08:16 | 0:08:17 | |
DOORBELL RINGS Oh, hang about. | 0:08:17 | 0:08:20 | |
It's like Piccadilly Circus round here today. | 0:08:20 | 0:08:22 | |
Who's that's now? | 0:08:22 | 0:08:23 | |
What you looking at? | 0:08:25 | 0:08:26 | |
-Hello, again. -Carl! | 0:08:31 | 0:08:33 | |
It's your order, Nat. It's gone through again. | 0:08:33 | 0:08:36 | |
Oh, bleeding hack. Not the same? | 0:08:36 | 0:08:39 | |
14 bags of curly kale, 14 pocket torches, | 0:08:39 | 0:08:42 | |
14 chimp outfits ages 6-7, and a whole fresh salmon. | 0:08:42 | 0:08:45 | |
-Same. -Oh, you're triple mega joking. | 0:08:45 | 0:08:49 | |
No, I'm not. | 0:08:49 | 0:08:50 | |
Right. Well, that's the second lot of shopping then. | 0:08:54 | 0:08:57 | |
This is a living nightmare, Nat. | 0:08:57 | 0:08:59 | |
You need to phone that headquarters whatsit. | 0:08:59 | 0:09:02 | |
I done that, but they said that Debbie from refunds | 0:09:02 | 0:09:04 | |
ain't back till tomorrow, cos their little boy | 0:09:04 | 0:09:06 | |
projectiled all across the dinner hall. | 0:09:06 | 0:09:08 | |
First me laptop, and now this. This is a living nightmare. | 0:09:08 | 0:09:12 | |
What are we going to do? | 0:09:12 | 0:09:13 | |
Well, first off, I've got to go up to the computer shop | 0:09:13 | 0:09:15 | |
to get the laptop fixed. | 0:09:15 | 0:09:17 | |
But someone's got to stay here in case we get another delivery. | 0:09:17 | 0:09:20 | |
And Cat's busy with Glenn the photographer, so... | 0:09:20 | 0:09:23 | |
No way, I'm not staying here on my own with those fish out there. | 0:09:23 | 0:09:27 | |
They've got faces on. | 0:09:27 | 0:09:28 | |
And if people come, I can't talk to them. You know that, Nat. | 0:09:28 | 0:09:32 | |
-It's all right, Dad. -And I'm hungry! | 0:09:32 | 0:09:36 | |
And my poker's not working. I've had enough, Nat. | 0:09:36 | 0:09:40 | |
Where you going, Dad? Come back. | 0:09:42 | 0:09:45 | |
I'll think of something. | 0:09:45 | 0:09:47 | |
Dad! DOOR SLAMS | 0:09:47 | 0:09:50 | |
Well, it's turned into a right old day, innit? | 0:09:54 | 0:09:57 | |
So far, me dad's clocked up an online shopping bill | 0:09:57 | 0:10:00 | |
for God knows how much. I've got no laptop to print me | 0:10:00 | 0:10:04 | |
lesbian Sonia contract off, and to top it all off, | 0:10:04 | 0:10:08 | |
I've got 28 bags of kale, 28 torches, | 0:10:08 | 0:10:12 | |
28 chimp masks, and two salmon that no-one will touch. | 0:10:12 | 0:10:17 | |
Nat, why the hell has Dad locked himself in the loo? | 0:10:19 | 0:10:21 | |
Glenn's going to be here any minute. | 0:10:21 | 0:10:23 | |
Oh, my God. What is this? | 0:10:23 | 0:10:25 | |
I'm embarrassed to be in this family. | 0:10:25 | 0:10:27 | |
How am I supposed to cultivate my image with all this shit everywhere? | 0:10:27 | 0:10:30 | |
Don't worry, Cat, I'll keep it all out of sight for you. | 0:10:30 | 0:10:33 | |
And you better get Dad out of that bathroom. | 0:10:33 | 0:10:35 | |
Where's Glenn going to go if he needs to go? | 0:10:35 | 0:10:37 | |
-Garden? -No, Natalie. | 0:10:37 | 0:10:40 | |
He's a semi-professional photographer. | 0:10:40 | 0:10:42 | |
Oh, sorry. | 0:10:42 | 0:10:44 | |
I didn't realise he was semi-professional. | 0:10:44 | 0:10:46 | |
That's great, Cat. | 0:10:46 | 0:10:48 | |
He specialises in the catalogue market. | 0:10:48 | 0:10:50 | |
-Wow. -When Glenn spotted me, he said I was | 0:10:50 | 0:10:52 | |
"girl next door meets high street chic", | 0:10:52 | 0:10:54 | |
which, it turns out, | 0:10:54 | 0:10:56 | |
is exactly what he's looking for. | 0:10:56 | 0:10:58 | |
Well, you do have a lovely way about you. | 0:10:58 | 0:11:00 | |
-I know. -DOORBELL RINGS | 0:11:00 | 0:11:02 | |
I'll get that. It'll probably be Carl. | 0:11:02 | 0:11:04 | |
-Who? -Shopping delivery man. | 0:11:04 | 0:11:06 | |
Oh, hello, I'm Natalie. | 0:11:10 | 0:11:11 | |
You're Natalie Cassidy. | 0:11:11 | 0:11:13 | |
Yeah, I know. | 0:11:13 | 0:11:14 | |
You must be Glenn, the photographer. | 0:11:14 | 0:11:16 | |
All right, Natalie. I'll take it from here, thank you very much. | 0:11:16 | 0:11:19 | |
Hello, Glenn, darling. Just go round the garage, | 0:11:19 | 0:11:21 | |
I'll open the big door for you. | 0:11:21 | 0:11:22 | |
Perfect. I've got quite a lot of equipment to set up. | 0:11:22 | 0:11:24 | |
Lights and that. I might need five minutes. | 0:11:24 | 0:11:27 | |
Well, you take all the time you need, Glenn, darling. | 0:11:27 | 0:11:30 | |
Oh, Cat. Quite a lot of equipment. | 0:11:32 | 0:11:34 | |
I told you he was proper. | 0:11:34 | 0:11:36 | |
-Dad. -What? | 0:11:40 | 0:11:43 | |
Cat's photographer is here. | 0:11:43 | 0:11:45 | |
You need to come out in case he needs to go toilet. | 0:11:45 | 0:11:48 | |
Can't he go in the garden if he needs to go toilet? | 0:11:48 | 0:11:51 | |
Dad, he's semi-professional. Can't you just come out? | 0:11:51 | 0:11:55 | |
I'll come out when me chicken chargrills are ready. | 0:11:55 | 0:11:58 | |
We ain't got any chicken chargrills. | 0:11:58 | 0:12:01 | |
-What we got, then? -You know what we've got. | 0:12:01 | 0:12:04 | |
-Kale. -I ain't coming out for kale. | 0:12:04 | 0:12:07 | |
I'm on a hunger strike till I get me chargrills. | 0:12:09 | 0:12:12 | |
DOORBELL RINGS Oh, bleeding hell. | 0:12:12 | 0:12:14 | |
-Wait there, Dad. -I ain't going nowhere. | 0:12:14 | 0:12:16 | |
I know. | 0:12:16 | 0:12:18 | |
We've got to stop meeting like this. | 0:12:21 | 0:12:24 | |
-Same again? -Oh, same again, yeah. | 0:12:24 | 0:12:27 | |
Oh, you're double mega joking to the power of nine. | 0:12:27 | 0:12:30 | |
Except there's been a substitution this time. | 0:12:30 | 0:12:32 | |
You had all the salmons, | 0:12:32 | 0:12:33 | |
so this time they substituted it for two whole sea bass. | 0:12:33 | 0:12:37 | |
Two? I didn't even want one. It's them kind of substitutions | 0:12:37 | 0:12:41 | |
that put me off all this in the first place. | 0:12:41 | 0:12:44 | |
Come on, I'll get it all off the van for you, eh? | 0:12:44 | 0:12:46 | |
Cheers, Carl, that's so nice of you. | 0:12:46 | 0:12:48 | |
They say that every cloud has a silver lining, don't they? | 0:12:54 | 0:12:58 | |
And I suppose that seeing Carl again is a silver lining | 0:12:59 | 0:13:02 | |
to my cloud of the kale and the chimps and the torches | 0:13:02 | 0:13:06 | |
and the salmon and the sea bass. | 0:13:06 | 0:13:09 | |
And the laptop. | 0:13:09 | 0:13:11 | |
And the Sonia contract. | 0:13:11 | 0:13:12 | |
Right, well, thanks for your help, Carl. | 0:13:13 | 0:13:16 | |
I hopefully won't be seeing you again, eh? | 0:13:17 | 0:13:19 | |
Oh, I just mean, you know, the deliveries. | 0:13:19 | 0:13:22 | |
Funny seeing you again though, eh? | 0:13:24 | 0:13:26 | |
-Yeah. -I suppose we met when we were too young. | 0:13:26 | 0:13:28 | |
Yeah, we was kids, really. | 0:13:28 | 0:13:31 | |
It's different now when a fella goes out with me. | 0:13:31 | 0:13:34 | |
I think they want me, but actually a lot of them just want Sonia. | 0:13:34 | 0:13:38 | |
And when it comes down to it, not many people could cope with | 0:13:38 | 0:13:41 | |
living in her shadow, I can tell you. | 0:13:41 | 0:13:44 | |
I suppose we're from different worlds now, eh? | 0:13:44 | 0:13:46 | |
Sort of. Yeah. | 0:13:46 | 0:13:48 | |
But actually, when you think about it... | 0:13:53 | 0:13:55 | |
-DAD: -Nat! | 0:13:55 | 0:13:56 | |
Coming! | 0:13:58 | 0:13:59 | |
Better go. | 0:14:01 | 0:14:02 | |
Yeah. | 0:14:02 | 0:14:03 | |
-Who was that? -It was another delivery. | 0:14:20 | 0:14:23 | |
Not more bloody fish. | 0:14:23 | 0:14:25 | |
'Fraid so. | 0:14:25 | 0:14:27 | |
This hunger strike's making me starving. | 0:14:27 | 0:14:29 | |
Didn't he have any chargrills on his van? | 0:14:29 | 0:14:31 | |
I didn't ask him, Dad. | 0:14:31 | 0:14:33 | |
-Why not? -I didn't think. | 0:14:33 | 0:14:36 | |
And he's gone now. | 0:14:36 | 0:14:37 | |
DOORBELL RINGS Oh, no, hang on! He's back! | 0:14:37 | 0:14:40 | |
He's back! I'll ask him! | 0:14:40 | 0:14:42 | |
Go on, girl. | 0:14:42 | 0:14:44 | |
We need to talk. | 0:14:45 | 0:14:47 | |
-I can't believe it. -We should sign it. It's better than not signing. | 0:14:49 | 0:14:53 | |
Is it, though, Vin? My character not speaking for two years? | 0:14:53 | 0:14:56 | |
-It's still acting. -It's lying still. | 0:14:56 | 0:14:59 | |
That's one of the hardest ones, lying still. | 0:14:59 | 0:15:01 | |
But two years though, Vin. | 0:15:01 | 0:15:03 | |
And who's to say she'll come out of it? | 0:15:03 | 0:15:05 | |
Well, there is that. It's touch-and-go. | 0:15:05 | 0:15:07 | |
When did you find out? | 0:15:07 | 0:15:09 | |
I read the contract. It's in there. | 0:15:09 | 0:15:11 | |
Don't you always read my contracts? | 0:15:11 | 0:15:13 | |
Honestly, no. I'm a very busy man, Natalie. | 0:15:13 | 0:15:16 | |
SHE SIGHS Minimal appearances, minimal wages. | 0:15:16 | 0:15:21 | |
I can't be having this. I hold the fort together. | 0:15:21 | 0:15:24 | |
I know you do, sweetheart, and it ain't right. They need to muck in. | 0:15:24 | 0:15:27 | |
Your old man not worked for three years because he ran a dog over. | 0:15:27 | 0:15:30 | |
-Where is he now? -He's in the khazi on hunger strike. | 0:15:30 | 0:15:33 | |
What? With two whole salmon and two whole sea bass sitting here? | 0:15:33 | 0:15:35 | |
-What's wrong with him? -He prefers his fish in shapes, Vin. | 0:15:35 | 0:15:39 | |
What about your sister? What's she doing? | 0:15:39 | 0:15:41 | |
She's having catalogue pictures done in the garage. | 0:15:41 | 0:15:43 | |
Do what? In the garage? | 0:15:43 | 0:15:45 | |
Yeah. She's in there with Glenn, the photographer. | 0:15:45 | 0:15:47 | |
He's semi-professional. | 0:15:47 | 0:15:49 | |
Is he, now? Good luck with that. | 0:15:49 | 0:15:51 | |
Right, let's get this done. | 0:15:51 | 0:15:52 | |
Oh, dear. | 0:15:56 | 0:15:58 | |
Oh, yeah. That's it. | 0:16:02 | 0:16:04 | |
Keep it coming. That's great. Lovely. | 0:16:04 | 0:16:09 | |
Lovely. Top drawer. | 0:16:09 | 0:16:11 | |
Oh, great. | 0:16:13 | 0:16:14 | |
Right, now, let's step it up a bit. | 0:16:14 | 0:16:17 | |
Do some stuff aimed more at the catalogue market. | 0:16:17 | 0:16:19 | |
OK, you're the boss, Glenn. | 0:16:19 | 0:16:21 | |
-Pick up that bucket. -What? | 0:16:21 | 0:16:23 | |
That bucket. Pick it up. | 0:16:23 | 0:16:25 | |
Right, then. Give us a smile. | 0:16:26 | 0:16:29 | |
Oh, look at that. Look at you. There you are. | 0:16:29 | 0:16:32 | |
There's Cat. Lovely. | 0:16:32 | 0:16:34 | |
Smashing. She's come out to play. | 0:16:34 | 0:16:37 | |
Lovely. You're a natural. | 0:16:37 | 0:16:39 | |
That is one naughty bucket. | 0:16:39 | 0:16:41 | |
What's in your dirty bucket, eh? | 0:16:41 | 0:16:43 | |
Sponge. | 0:16:44 | 0:16:46 | |
No. No. That's not going to work. Erm... | 0:16:47 | 0:16:50 | |
Let's try that shovel over there. | 0:16:50 | 0:16:53 | |
Yeah. Look at you and your bad, bad shovel. | 0:16:53 | 0:16:57 | |
Yeah, that filthy shovel's making you hot, isn't it? | 0:16:58 | 0:17:02 | |
No, no, no. That's not going to work either. | 0:17:04 | 0:17:06 | |
Listen, I don't want to make any promises, | 0:17:06 | 0:17:09 | |
but I got a big job coming up, and... | 0:17:09 | 0:17:11 | |
Well, I think I can sell you in for it. | 0:17:11 | 0:17:14 | |
Oh, you're joking. That would be amazing. I'd be so grateful. | 0:17:14 | 0:17:17 | |
Have you heard of Midas Mart? | 0:17:17 | 0:17:18 | |
-No. -It's pretty much the Malaysian Argos. | 0:17:18 | 0:17:21 | |
Oh. That sounds big. | 0:17:21 | 0:17:23 | |
It is, Cat. | 0:17:23 | 0:17:24 | |
Malaysia's bloody massive. Midas Marts everywhere. | 0:17:24 | 0:17:28 | |
Ooh, that sounds great. | 0:17:28 | 0:17:29 | |
Yeah, good. So, why don't we try a couple of neutral shots? | 0:17:29 | 0:17:32 | |
OK. | 0:17:33 | 0:17:34 | |
Sorry, Glenn. | 0:17:38 | 0:17:40 | |
Remind me, what are neutral shots again? | 0:17:40 | 0:17:42 | |
Blank ones. | 0:17:42 | 0:17:44 | |
Plain. Like, same as this, but... | 0:17:44 | 0:17:47 | |
Well, just take your clothes off, | 0:17:47 | 0:17:49 | |
you know, just for this bit. | 0:17:49 | 0:17:51 | |
-What? Like nude? -No, no, no, no. | 0:17:51 | 0:17:53 | |
They're not nude. They're neutral. | 0:17:53 | 0:17:55 | |
See, the way it works is I take a photo of you without your clothes on | 0:17:55 | 0:17:59 | |
and what they do in Malaysia is | 0:17:59 | 0:18:00 | |
Photoshop the outfits onto you, see? | 0:18:00 | 0:18:03 | |
It just saves time, getting changed. | 0:18:03 | 0:18:05 | |
All that jive. I mean, there's about 4,000 outfits. | 0:18:05 | 0:18:09 | |
I'm not sure I want to take all my clothes off. | 0:18:09 | 0:18:12 | |
-Oh, don't be daft. -It's just how they do things now. | 0:18:12 | 0:18:14 | |
Green screen, they call it. Yeah. | 0:18:14 | 0:18:17 | |
Just like Lord Of The Rings. | 0:18:17 | 0:18:19 | |
It's the future. If you're not ready for the future, Cat... | 0:18:19 | 0:18:23 | |
Oh, no, no, no. Of course I am, Glenn. | 0:18:23 | 0:18:25 | |
Great. Pop your kit off while I put some Vaseline on the lens. | 0:18:25 | 0:18:29 | |
Cat. It's Nat. | 0:18:35 | 0:18:37 | |
I made you and Glenn a cup of char. | 0:18:37 | 0:18:40 | |
Thanks, we're just in the middle of things at the moment. | 0:18:40 | 0:18:42 | |
Here, let me in to put the tray down. | 0:18:42 | 0:18:45 | |
There we go. | 0:18:45 | 0:18:46 | |
Everything all right, Cat? | 0:18:48 | 0:18:49 | |
Yes. Fine thank you, Natalie. | 0:18:49 | 0:18:51 | |
You can go now. | 0:18:51 | 0:18:53 | |
How's it going, Glenn? | 0:18:53 | 0:18:54 | |
Very, very well. I'd go as far as to say that your sister's a natural. | 0:18:54 | 0:18:59 | |
Actually, as we're taking a break, is it OK if I use your facilities? | 0:18:59 | 0:19:02 | |
No, I'm afraid. Dad's locked himself in the facilities | 0:19:02 | 0:19:05 | |
on one of his hunger strikes. You'll have to use the garden. | 0:19:05 | 0:19:08 | |
Oh, I'm so sorry, Glenn. | 0:19:08 | 0:19:09 | |
God. This family. | 0:19:09 | 0:19:12 | |
-It's no problem. -You can wash your hands in the kitchen. | 0:19:12 | 0:19:15 | |
Will do. | 0:19:16 | 0:19:17 | |
Are you sure you're all right, Cat? | 0:19:20 | 0:19:21 | |
He's not making you do anything you don't want to do, is he? | 0:19:21 | 0:19:24 | |
I ain't making gonzo porn, Natalie. | 0:19:24 | 0:19:27 | |
I'm just having my neutrals done for the Malaysian Argos. | 0:19:27 | 0:19:30 | |
Having your what done? | 0:19:30 | 0:19:31 | |
God, Nat. Don't you know nothing? | 0:19:31 | 0:19:33 | |
Neutrals is where you have your pictures taken without clothes on | 0:19:33 | 0:19:36 | |
and then they put the clothes back on later in a photo shop. | 0:19:36 | 0:19:40 | |
-Right. -You know, like in Lord Of The Rings. | 0:19:40 | 0:19:43 | |
I ain't seen it, Cat. | 0:19:43 | 0:19:44 | |
I can't be doing with films about goblins and wizards. | 0:19:44 | 0:19:47 | |
-It ain't real. -Well, they do it in that. | 0:19:47 | 0:19:49 | |
Well, OK. | 0:19:49 | 0:19:50 | |
Just as long as he's not using the photos for the phone line ads | 0:19:50 | 0:19:53 | |
or the sex internet. | 0:19:53 | 0:19:55 | |
Glenn would never do that. He's a gentleman. | 0:19:55 | 0:19:58 | |
HE FARTS | 0:20:00 | 0:20:03 | |
HE SNIFFS | 0:20:06 | 0:20:08 | |
Right. We do really need to get on with this, Cat. | 0:20:08 | 0:20:10 | |
I've got three other potentials to see after you. | 0:20:10 | 0:20:12 | |
Yeah, yeah. Of course, Glenn. (Go.) | 0:20:12 | 0:20:15 | |
DOORBELL RINGS Carl's back! | 0:20:15 | 0:20:17 | |
-Who? -Never mind. Dad! | 0:20:17 | 0:20:20 | |
Carl's back. I'll ask him to get you your chargrills. | 0:20:20 | 0:20:24 | |
Who the bloody hell's Carl? | 0:20:24 | 0:20:26 | |
Right, then. That's your lot. | 0:20:29 | 0:20:31 | |
-Just sign here. -Right, my car's here. | 0:20:31 | 0:20:33 | |
Back to the cold face of light entertainment. | 0:20:33 | 0:20:34 | |
What the hell is all this stuff? | 0:20:34 | 0:20:36 | |
Don't ask. Here, you don't have any spare chicken chargrills | 0:20:36 | 0:20:40 | |
in your van for a damsel in distress, have you, darling? | 0:20:40 | 0:20:43 | |
Have a little self-respect, love, eh? | 0:20:43 | 0:20:46 | |
Right, Nat, I'm off. | 0:20:47 | 0:20:49 | |
Oh, here, before you go, Vinnie, | 0:20:49 | 0:20:51 | |
could I ask your advice about neutrals? | 0:20:51 | 0:20:53 | |
About what? | 0:20:53 | 0:20:54 | |
Right, girl. I want you to imagine you're wearing the sexiest clothes | 0:20:56 | 0:21:00 | |
you can think of. | 0:21:00 | 0:21:01 | |
Oh, hello, Dad. Good to see you're out the loo. | 0:21:05 | 0:21:08 | |
Sorry, mate. We're working here. This is a closed set. | 0:21:08 | 0:21:11 | |
He's not my dad. | 0:21:11 | 0:21:12 | |
Vincent Mann, Mann Management. I look after Cat's sister. | 0:21:12 | 0:21:16 | |
Are you Glenn? | 0:21:16 | 0:21:17 | |
-Yeah. -Sorry, didn't get your last name. | 0:21:17 | 0:21:20 | |
Littlewick. Glenn Littlewick. | 0:21:20 | 0:21:22 | |
All right, Vinnie? There's not a problem, is there? | 0:21:22 | 0:21:25 | |
No, no problem, Cat. | 0:21:25 | 0:21:26 | |
Just popped in because I heard Glenn's doing your neutrals | 0:21:26 | 0:21:29 | |
-for the overseas market. -Yeah, that's right. | 0:21:29 | 0:21:33 | |
Which overseas market is that, then, Glenn? | 0:21:33 | 0:21:35 | |
It's Malaysia, innit? Midas Mart. | 0:21:35 | 0:21:38 | |
Malaysia. Nice. | 0:21:38 | 0:21:40 | |
Hang on a sec, didn't Malaysia stop using neutrals? | 0:21:41 | 0:21:44 | |
I'd have thought you'd know that that, Glenn, being a professional. | 0:21:44 | 0:21:47 | |
Glenn's a semi-professional. | 0:21:47 | 0:21:48 | |
That'll be it. Glenn's a SEMI-professional. | 0:21:48 | 0:21:51 | |
The thing is, Glenn...Littlewick, I'm a professional. | 0:21:51 | 0:21:54 | |
-Right. -And Malaysia have stopped using neutrals. | 0:21:54 | 0:21:57 | |
I think they've made them illegal, actually. | 0:21:57 | 0:21:59 | |
-Illegal? -Yes, Cat, illegal. | 0:21:59 | 0:22:02 | |
Lucky for Glenn I popped in, because I know for a fact in Malaysia now, | 0:22:02 | 0:22:06 | |
they use photos of beautiful girls like you, Cat, IN their clothes. | 0:22:06 | 0:22:10 | |
Oh, yeah. Yeah. I remember now. | 0:22:10 | 0:22:13 | |
That does ring a bell. | 0:22:13 | 0:22:15 | |
Have you already got some snaps of Cat in her clothes? | 0:22:15 | 0:22:17 | |
-He has. -Great. So, you're all done. | 0:22:17 | 0:22:19 | |
-Yeah, I am. -All except for Cat's payment. | 0:22:21 | 0:22:24 | |
Because you also remember, in Malaysia they pay 750 quid up front, | 0:22:24 | 0:22:28 | |
-don't they? -How much? | 0:22:28 | 0:22:30 | |
Yes. That's the going rate, Glenn Littlewick. | 0:22:30 | 0:22:34 | |
-So, probably best if you pay Cat now, and get on your way. -Right. | 0:22:34 | 0:22:37 | |
Lovely meeting you. | 0:22:39 | 0:22:40 | |
Bye, Glenn. | 0:22:41 | 0:22:43 | |
Take care, Cat. | 0:22:43 | 0:22:45 | |
-All sorted, darling. -You all done, Cat? | 0:22:46 | 0:22:49 | |
Fancy coming in and giving me a hand putting the kale away? | 0:22:49 | 0:22:52 | |
Yeah, I'm all done now. | 0:22:52 | 0:22:54 | |
I'll come and give you a hand. | 0:22:54 | 0:22:57 | |
Hang about, the chest freezer! | 0:22:58 | 0:23:02 | |
I can put all the salmon and the sea bass in the chest freezer | 0:23:02 | 0:23:04 | |
until Debbie from refunds is back. | 0:23:04 | 0:23:07 | |
Oh, there's a touch! | 0:23:07 | 0:23:09 | |
Chargrills! | 0:23:09 | 0:23:11 | |
2004? | 0:23:12 | 0:23:14 | |
Ah, they'll be all right. | 0:23:14 | 0:23:16 | |
Don't know what you're talking about. | 0:23:16 | 0:23:17 | |
Don't worry about it. It's a long story. | 0:23:17 | 0:23:20 | |
Dad, I got you two chargrills here. You can come out now. | 0:23:20 | 0:23:25 | |
I don't believe you. | 0:23:25 | 0:23:27 | |
Well, sniff under the door then. | 0:23:27 | 0:23:29 | |
How do I know they're chargrills are not crispy chicken? | 0:23:29 | 0:23:33 | |
Cos they've got stripes on, Dad. | 0:23:33 | 0:23:35 | |
Well, I can't smell stripes, can I? | 0:23:35 | 0:23:38 | |
Well, why don't you come out here and have a look at them, then? | 0:23:38 | 0:23:41 | |
Cor! Where did you get them from? | 0:23:43 | 0:23:46 | |
Did the shopping van man come back? | 0:23:46 | 0:23:48 | |
No. He's gone forever, Dad. | 0:23:48 | 0:23:50 | |
Just have to accept that. | 0:23:51 | 0:23:53 | |
Well done, Nat. And they've gone back to making the big ones | 0:23:53 | 0:23:56 | |
-like they used to. -Yeah. Funny that, eh? | 0:23:56 | 0:24:00 | |
So, it all turned out all right in the end, didn't it? | 0:24:02 | 0:24:05 | |
Cat didn't have to get her bits out for Glenn, | 0:24:05 | 0:24:08 | |
and Dad got his chargrills. I'm chuffed for them. | 0:24:08 | 0:24:11 | |
It's just a shame that I don't think I'll see Carl ever again. | 0:24:11 | 0:24:15 | |
And lesbian Sonia's in a coma for the next two years. | 0:24:15 | 0:24:18 | |
You can't have everything, can you? | 0:24:20 | 0:24:22 | |
# The sun is out The sky is blue | 0:24:33 | 0:24:38 | |
# There's not a cloud To spoil the view | 0:24:38 | 0:24:41 | |
# But it's raining | 0:24:41 | 0:24:44 | |
# Raining in my heart | 0:24:46 | 0:24:48 | |
# The weatherman says clear today | 0:24:51 | 0:24:56 | |
# He doesn't know you've gone away | 0:24:56 | 0:25:00 | |
# And it's raining | 0:25:00 | 0:25:02 | |
# Raining in my heart. # | 0:25:04 | 0:25:07 | |
Na, na, na, na, na. | 0:25:09 | 0:25:11 | |
Carl! | 0:25:13 | 0:25:15 | |
Carl! Carl, it's me! Natalie Cassidy! | 0:25:19 | 0:25:23 | |
HORN BLARES Oh! | 0:25:23 | 0:25:25 | |
BRAKES SQUEAL THUD | 0:25:25 | 0:25:27 | |
PHONE RINGS | 0:25:40 | 0:25:44 | |
Hello, Natalie Cassidy speaking. | 0:25:44 | 0:25:46 | |
Are sitting down, Nat? | 0:25:46 | 0:25:47 | |
Yeah, 'course I am. I've got concussion, ain't I? | 0:25:47 | 0:25:51 | |
Well, that's all you got, girl. You're not going to be in a coma! | 0:25:51 | 0:25:55 | |
-What? -Sonia's not going to get run down by the stunt cab. | 0:25:55 | 0:25:57 | |
They're going to do Perry Fenwick instead! | 0:25:57 | 0:26:00 | |
You are double triple double mega joking, Vin! | 0:26:00 | 0:26:05 | |
Oh, you're the best agent in the world. | 0:26:05 | 0:26:06 | |
Oh, it was nothing to do with me, babe. You did it all yourself. | 0:26:06 | 0:26:09 | |
-Did I? -Yeah, I mean once you got hit by a real taxi, | 0:26:09 | 0:26:12 | |
they couldn't very well run you over with a fake one, could they? | 0:26:12 | 0:26:15 | |
It would make them look like a right bunch of arseholes. | 0:26:15 | 0:26:17 | |
Especially with the national outpouring of love. | 0:26:17 | 0:26:19 | |
Dad, did you hear that? I've got two more years of Sonia! | 0:26:19 | 0:26:23 | |
I thought you had that already. | 0:26:23 | 0:26:26 | |
-How's Cat getting on? -Yeah, she's good, you know. | 0:26:26 | 0:26:28 | |
You won't believe it - she's only doing me disco cleaning for me! | 0:26:28 | 0:26:31 | |
Great. Well, all's well that ends well, then. | 0:26:31 | 0:26:35 | |
Yes, Vin. All's well that ends well. | 0:26:35 | 0:26:38 | |
Spot on. | 0:26:38 | 0:26:39 | |
# My head is in a spin My feet don't touch the ground | 0:26:42 | 0:26:46 | |
# Because you're near to me My head goes round and round | 0:26:46 | 0:26:49 | |
# My knees are shaking, baby My heart beats like a drum | 0:26:49 | 0:26:54 | |
# It feels like It feels like I'm in love | 0:26:57 | 0:27:01 | |
# My knees shake My heart beats like a drum. # | 0:27:04 | 0:27:09 |