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This programme contains some strong language | 0:00:02 | 0:00:06 | |
This is Mann Management, | 0:00:28 | 0:00:30 | |
one of the UK's foremost celebrity talent agencies. | 0:00:30 | 0:00:34 | |
Their illustrious client base is managed by | 0:00:34 | 0:00:37 | |
agent to the stars Vincent Mann. | 0:00:37 | 0:00:40 | |
What does it take to be a great agent? | 0:00:40 | 0:00:42 | |
The ability to convince people that you're right when you know | 0:00:42 | 0:00:45 | |
full well that you're wrong. | 0:00:45 | 0:00:47 | |
In an unprecedented move, he's given our documentary crew | 0:00:49 | 0:00:53 | |
unlimited access to both his agency and his superstar clients. | 0:00:53 | 0:00:57 | |
This is the golden age of celebrity. | 0:00:59 | 0:01:01 | |
Once you've made it you can do anything. | 0:01:01 | 0:01:04 | |
You've got stand-ups on bikes, cyclists on panel shows... | 0:01:04 | 0:01:08 | |
Christ, I've even got Danny Dyer a gig on a history programme! | 0:01:08 | 0:01:11 | |
Welcome to Time Team. I'm Danny Dyer. | 0:01:15 | 0:01:18 | |
Baldrick ain't here, he's having laser eye surgery, | 0:01:18 | 0:01:22 | |
so I'm taking over the game. | 0:01:22 | 0:01:23 | |
Sweet! | 0:01:23 | 0:01:25 | |
Let's do some archaenology. | 0:01:25 | 0:01:27 | |
Achreology. Archo... | 0:01:27 | 0:01:30 | |
Fuck it, digging. Let's do some digging. | 0:01:30 | 0:01:32 | |
What you found there, bub? | 0:01:37 | 0:01:39 | |
Well, not much at the moment, | 0:01:39 | 0:01:41 | |
but we think this discoloured earth here shows there was | 0:01:41 | 0:01:44 | |
-a dwelling on this site. -Oh, yeah? | 0:01:44 | 0:01:47 | |
All the good stuff's gone in his pockets, I'll wager. | 0:01:47 | 0:01:50 | |
Go on, crack on, son. | 0:01:50 | 0:01:51 | |
Here, you're going to need a bigger spade than that. | 0:01:51 | 0:01:54 | |
Geezer over there, he's using a toothbrush. | 0:01:54 | 0:01:56 | |
Oh, this is going to take fucking ages! | 0:01:57 | 0:01:59 | |
This lovely old Doris don't mind getting her hands dirty. | 0:02:02 | 0:02:05 | |
Got any treasure for me, sweetheart? | 0:02:05 | 0:02:07 | |
-No, Daniel, no treasure, but lots of pottery fragments. -Oh, yeah? | 0:02:07 | 0:02:10 | |
How much are they worth, then? | 0:02:10 | 0:02:12 | |
Well, not much, but they tell us an awful lot. | 0:02:12 | 0:02:14 | |
I tell me you need to get yourself a geezer, get your leg over. | 0:02:14 | 0:02:17 | |
I'm only having a bubble, darlin'. | 0:02:18 | 0:02:20 | |
-So, come on... -CRUNCH! | 0:02:20 | 0:02:23 | |
..what's the best thing you've ever found? | 0:02:23 | 0:02:25 | |
Well, I found a very rare coin from the Ottoman Empire. | 0:02:25 | 0:02:28 | |
Oh, this is proper boring, this! | 0:02:28 | 0:02:31 | |
Can't we get a JCB in? | 0:02:31 | 0:02:33 | |
Danny, you might want to look at this! | 0:02:33 | 0:02:35 | |
Oh, here we go, it's all kicking off! | 0:02:35 | 0:02:38 | |
Come on! | 0:02:38 | 0:02:39 | |
-Fuck me, this went bad, didn't it? -Well, yes. | 0:02:43 | 0:02:46 | |
No-one tells no-one about nothing, OK? | 0:02:46 | 0:02:49 | |
That's rule number one in my gaff - you never grass. | 0:02:49 | 0:02:51 | |
But this could be of great significance. | 0:02:51 | 0:02:53 | |
-I'm telling you, bury him back up, keep schtum! -But... | 0:02:53 | 0:02:55 | |
Do it! | 0:02:55 | 0:02:57 | |
Danny Dyer ain't no grass. | 0:02:57 | 0:02:58 | |
I'm a man of old-fashioned principles. | 0:02:58 | 0:03:01 | |
Come on. | 0:03:01 | 0:03:03 | |
You can help an' all, love, come on! | 0:03:03 | 0:03:05 | |
Right, job done. This never happened, let's scarper. | 0:03:15 | 0:03:18 | |
Now. | 0:03:19 | 0:03:21 | |
Oh, I've lost the keys to me Range Rover. | 0:03:21 | 0:03:24 | |
Oh, they must have fallen in the hole with the dead geezer! | 0:03:24 | 0:03:27 | |
You two are good at finding things, ain't ya? Well, come on! | 0:03:27 | 0:03:31 | |
It ain't going to dig itself. | 0:03:31 | 0:03:33 | |
I've got to pick me treacle up from Zumba in a half hour. | 0:03:33 | 0:03:36 | |
Look lively! | 0:03:36 | 0:03:37 | |
At the office, Vincent is having his daily catch-up | 0:03:44 | 0:03:47 | |
with assistant Rachel. | 0:03:47 | 0:03:48 | |
And Joanna Lumley has got that shoot today for her yoghurt commercial. | 0:03:48 | 0:03:51 | |
Now, that is good news. | 0:03:51 | 0:03:53 | |
Frankly, she could do with the money. | 0:03:53 | 0:03:54 | |
-Mm. -Not that she can get her head round that. | 0:03:54 | 0:03:57 | |
Talking of heads, what is that? | 0:03:57 | 0:03:59 | |
Are you growing a new one? | 0:03:59 | 0:04:01 | |
-It's just a spot. -That is not just a spot. | 0:04:01 | 0:04:04 | |
Anyway, Jo Lumley, make sure you get her to the shoot. | 0:04:04 | 0:04:08 | |
Jojo needs this. She's going through a rough patch. | 0:04:08 | 0:04:11 | |
Not unlike your chin! | 0:04:12 | 0:04:13 | |
-HE LAUGHS -Oh... | 0:04:13 | 0:04:16 | |
That was funny, that was. | 0:04:16 | 0:04:18 | |
Joanna Lumley may not be fully aware, | 0:04:19 | 0:04:21 | |
but her exotic lifestyle has come at a premium. | 0:04:21 | 0:04:24 | |
And for Rachel, the challenge is getting Jo | 0:04:24 | 0:04:27 | |
out of the house and into work. | 0:04:27 | 0:04:29 | |
Yes, come in. Come in. Meet my yogi. | 0:04:32 | 0:04:35 | |
Tell me, are you the new stable girl? | 0:04:35 | 0:04:38 | |
I've been working with Joanna for about three years now. | 0:04:38 | 0:04:41 | |
She doesn't have a stable. | 0:04:41 | 0:04:43 | |
No, I've come to pick you up for the commercial. Do you remember? | 0:04:43 | 0:04:46 | |
We're a bit tight on time. | 0:04:46 | 0:04:48 | |
HE CHANTS | 0:04:48 | 0:04:51 | |
-Oh, he hasn't spoken in months! -What's he saying? | 0:04:51 | 0:04:54 | |
I've absolutely no idea. Isn't it extraordinary? | 0:04:54 | 0:04:57 | |
If we could just make our way out to the car... | 0:04:57 | 0:04:59 | |
Oh, do we have to do it today, darling? | 0:04:59 | 0:05:00 | |
It seems such a shame to break up the party. | 0:05:00 | 0:05:02 | |
I was just about to do my Patsy. Shall I do my Patsy? | 0:05:02 | 0:05:05 | |
Joanna thinks that she can get away with anything by doing her Patsy. | 0:05:05 | 0:05:09 | |
Eddie, Eddie, Eddie, | 0:05:09 | 0:05:11 | |
where's the bloody Bolly, Eddie? | 0:05:11 | 0:05:13 | |
Can I borrow the car? | 0:05:13 | 0:05:15 | |
-It's good, isn't it? -Mm-hm. | 0:05:15 | 0:05:18 | |
The only person it really works on his Vinny. | 0:05:18 | 0:05:20 | |
If you get a chance, ask her to do her Patsy. | 0:05:20 | 0:05:22 | |
Eddie, Eddie, Eddie, where's the bloody Bolly? | 0:05:22 | 0:05:25 | |
It's like that. | 0:05:26 | 0:05:28 | |
But better. | 0:05:28 | 0:05:29 | |
Oh, look, we're travelling. | 0:05:32 | 0:05:34 | |
Like Romanies. | 0:05:34 | 0:05:35 | |
They're an hour late, but Rachel finally has Joanna out of the house | 0:05:36 | 0:05:40 | |
and en route to the yoghurt commercial. | 0:05:40 | 0:05:42 | |
Joanna, do you mind if I ask how you are with the lines? | 0:05:42 | 0:05:45 | |
Oh, how kind of you to ask. I've been up all night poring over them. | 0:05:45 | 0:05:49 | |
I've got the script here. | 0:05:49 | 0:05:51 | |
I'm not sure that's today's script, Joanna. | 0:05:51 | 0:05:54 | |
Oh, they're all the same, darling, trust me. | 0:05:54 | 0:05:56 | |
People hire Jojo for Jojo - game old bird. | 0:05:56 | 0:05:59 | |
If you want some old wild bird you get in Denchy or Dame Mags. | 0:05:59 | 0:06:03 | |
-Go on, sweetie, test me. -OK... | 0:06:03 | 0:06:07 | |
"What have you got there, Joanna?" | 0:06:07 | 0:06:09 | |
-Should we go again? -Oh, yes, let's. What have you got there, Joanna? | 0:06:14 | 0:06:17 | |
-No, that's the other character. -Oh, they've got a line too? | 0:06:17 | 0:06:20 | |
-Oh, that's made my day. -What have you got there, Joanna? | 0:06:20 | 0:06:22 | |
Oh, Fortnum's! Pull over, Dicky, hampers all round. My treat. | 0:06:22 | 0:06:26 | |
Oh, and there's a Boots next door. | 0:06:26 | 0:06:28 | |
I can pop in and get some concealer for your little friend. | 0:06:28 | 0:06:31 | |
With a direct line to some of the nation's biggest stars, | 0:06:36 | 0:06:39 | |
we were able to take them back to the days before they were famous. | 0:06:39 | 0:06:44 | |
What did I want to be when I grew up? Dinner lady. | 0:06:44 | 0:06:47 | |
That was always the game plan early on. | 0:06:47 | 0:06:50 | |
What did I want to be when I grew up? | 0:06:50 | 0:06:52 | |
An illusionist, like Houdini or Siegfried & Roy and all that mob. | 0:06:52 | 0:06:56 | |
A physiotherapist for men's rugby teams who specialises in groin work. | 0:06:56 | 0:07:02 | |
Who wouldn't want to see Danny Dyer make an elephant disappear, | 0:07:02 | 0:07:05 | |
or sit in a glass box or something? | 0:07:05 | 0:07:07 | |
Then it turned out that I'd a god-given talent to sing | 0:07:07 | 0:07:10 | |
like Aretha Franklin or one of them lot, so I never made it | 0:07:10 | 0:07:13 | |
as a dinner lady, which is a shame, really, cos I fancied that. | 0:07:13 | 0:07:17 | |
I'm one of the lucky ones, mate, | 0:07:17 | 0:07:18 | |
because I've become exactly what I wanted to be when I was a kid - | 0:07:18 | 0:07:22 | |
a social media opinion-former, | 0:07:22 | 0:07:24 | |
Instagram specialist and co-writer of disposable lifestyle guidebooks. | 0:07:24 | 0:07:29 | |
What did I want to be when I grew up? | 0:07:29 | 0:07:32 | |
A free spirit with a lifelong record contract that I couldn't get out of. | 0:07:32 | 0:07:37 | |
What did I want to be when I grew up? | 0:07:37 | 0:07:40 | |
A beautiful dolphin with incredible cheekbones. | 0:07:40 | 0:07:44 | |
Even celebrities harbour dreams. | 0:07:47 | 0:07:49 | |
And for Natalie Cassidy, that dream is to one day host The One Show. | 0:07:51 | 0:07:55 | |
I first realised I'd be perfect for The One Show when I was | 0:07:56 | 0:08:00 | |
working at Robert Dyas between Sonya stints. | 0:08:00 | 0:08:04 | |
Cliff on electrics said I had the common touch | 0:08:04 | 0:08:06 | |
of a broadcasting genius. | 0:08:06 | 0:08:09 | |
So I've come up with a game plan to get me foot in the door. | 0:08:09 | 0:08:12 | |
Well, sometimes it's practical to get tactical - | 0:08:13 | 0:08:16 | |
that's me new mantra. | 0:08:16 | 0:08:17 | |
I seen it on a Facebook meme. | 0:08:17 | 0:08:19 | |
LOUD DANCE MUSIC | 0:08:19 | 0:08:21 | |
-SHE YELLS: -Kat, does Alex Jones off One Show still go leisure centre? | 0:08:21 | 0:08:27 | |
Shut up, Nat, I'm doing my Insanity. | 0:08:27 | 0:08:31 | |
Yeah, but does she still go, though? | 0:08:31 | 0:08:33 | |
Dad, tell her! | 0:08:33 | 0:08:36 | |
She's doing her Insanity! | 0:08:36 | 0:08:38 | |
Yeah, I know, but she only has to say yes or no, though! | 0:08:38 | 0:08:42 | |
-MUSIC STOPS -Thanks a lot, Nat, | 0:08:44 | 0:08:46 | |
you've ruined my Insanity. Now I'll be fat forever. | 0:08:46 | 0:08:50 | |
-But does she still go, though? -I don't know, Nat! God! | 0:08:50 | 0:08:55 | |
I was only asking. | 0:08:58 | 0:09:00 | |
When Kat finally started talking to me again, | 0:09:01 | 0:09:04 | |
she confirmed that Alex Jones off One Show does something | 0:09:04 | 0:09:07 | |
called Bikram yoga up the leisure centre. | 0:09:07 | 0:09:11 | |
I'm just hoping that if we bump into each other we'll get chatting | 0:09:12 | 0:09:16 | |
and she'll see that I'm the perfect stand-in for her next time | 0:09:16 | 0:09:19 | |
she goes on her holidays. | 0:09:19 | 0:09:21 | |
Well, I've got here an hour early, just to be safe. | 0:09:25 | 0:09:28 | |
We'll just sit and see if she turns up. | 0:09:28 | 0:09:30 | |
Half an hour early would have been enough, probably. | 0:09:43 | 0:09:46 | |
SHE SIGHS | 0:09:47 | 0:09:49 | |
# Call on me, call on me | 0:09:58 | 0:10:01 | |
# Call on me | 0:10:01 | 0:10:04 | |
# I'm the same boy I used to be. # | 0:10:04 | 0:10:06 | |
SHE SNORES | 0:10:11 | 0:10:13 | |
SHE SNORTS | 0:10:13 | 0:10:15 | |
Oh, I haven't nodded off, have I? | 0:10:17 | 0:10:20 | |
Oh, I've probably missed her now! | 0:10:20 | 0:10:23 | |
What time is it? | 0:10:23 | 0:10:24 | |
Hang on, that's her, isn't it? | 0:10:26 | 0:10:29 | |
It is! | 0:10:29 | 0:10:30 | |
Right, wish me luck. Operation Yoga is go. | 0:10:30 | 0:10:33 | |
'What I'll do is I'll play it cool, let Alex do her Bikram first, | 0:10:36 | 0:10:40 | |
'and then just see if she fancies a quick frappuccino at Costa's after.' | 0:10:40 | 0:10:44 | |
Bloody hell! | 0:11:07 | 0:11:08 | |
Ow, ow, ow, ow, ow, ow, ow! | 0:11:08 | 0:11:11 | |
Oh, you're double joking - | 0:11:11 | 0:11:13 | |
you're not even Alex Jones! | 0:11:13 | 0:11:16 | |
SHE SIGHS | 0:11:16 | 0:11:18 | |
I am a bit disappointed it wasn't Alex Jones off One Show at Bikram, | 0:11:18 | 0:11:22 | |
but I still feel positive about achieving | 0:11:22 | 0:11:24 | |
me One Show presenting dream. | 0:11:24 | 0:11:26 | |
Well, nothing worth doing comes easy, does it? | 0:11:26 | 0:11:29 | |
Another one of me Facebook catchphrases. | 0:11:29 | 0:11:31 | |
At Mann Management, Vincent has some potentially | 0:11:34 | 0:11:36 | |
career-changing news for Miranda Hart, | 0:11:36 | 0:11:39 | |
who is determined to be taken more seriously as an actor. | 0:11:39 | 0:11:43 | |
Good news, Miranda - you wanted to do some serious acting, well, | 0:11:43 | 0:11:46 | |
-the big one's coming. -Orange Is The New Black?! | 0:11:46 | 0:11:49 | |
You told them I'm happy to do lezzy stuff, yeah? | 0:11:49 | 0:11:51 | |
I am no stranger to ladies' parts after an all-girl boarding school | 0:11:51 | 0:11:54 | |
and five series of Call The Midwife. | 0:11:54 | 0:11:57 | |
No, it's better than that - Game Of Thrones! | 0:11:57 | 0:12:00 | |
Mirandor of Hartland at your service, my liege. | 0:12:00 | 0:12:04 | |
How did you swing that one, Vincent? | 0:12:04 | 0:12:06 | |
Well, to be honest, you know they've been going for six seasons... | 0:12:06 | 0:12:09 | |
Ooh, seasons, I love that. | 0:12:09 | 0:12:11 | |
So much better than series, isn't it? | 0:12:11 | 0:12:13 | |
Those Americans with their seasons and their fanny packs - | 0:12:13 | 0:12:16 | |
oh, what larks! It's a big time for me. | 0:12:16 | 0:12:19 | |
Yeah, well, they've been going for so long and they've killed off | 0:12:19 | 0:12:22 | |
so many characters they've worked their way through pretty much | 0:12:22 | 0:12:24 | |
every British actor going. I know for a fact they've seen | 0:12:24 | 0:12:27 | |
Pauline Quirke, Richard Blackwood and Justin from CBeebies this week. | 0:12:27 | 0:12:31 | |
You've got a casting! | 0:12:31 | 0:12:32 | |
Now, be honest, Vincenzo, | 0:12:32 | 0:12:34 | |
they want a flash of the old boobarellas, don't they? | 0:12:34 | 0:12:37 | |
-I'm pretty sure they don't, actually. -I don't mind. | 0:12:37 | 0:12:39 | |
If I'm to be taken seriously I'll have to get the old | 0:12:39 | 0:12:41 | |
Bafta-catchers out at some point, won't I? | 0:12:41 | 0:12:43 | |
-They haven't mentioned a sex scene. -We must insist! | 0:12:43 | 0:12:46 | |
Tell them I'll only get jiggy with Jon Snow. | 0:12:46 | 0:12:48 | |
Stipulate that in my contract. | 0:12:48 | 0:12:50 | |
And make sure they don't think we're talking about Jon Snow | 0:12:50 | 0:12:52 | |
-from Channel 4 News. -SHE SNORTS | 0:12:52 | 0:12:54 | |
He's got a lot of colourful ties and he knows how to use them, | 0:12:54 | 0:12:57 | |
but I'm not going there again. | 0:12:57 | 0:12:59 | |
You wanted to do some serious acting, here's your chance. | 0:12:59 | 0:13:02 | |
Oh, gosh, it's not a sex scene with that little chap, is it? | 0:13:02 | 0:13:05 | |
Have you told them I'm 6'1"? Cos that would be mega awks! | 0:13:05 | 0:13:08 | |
I don't think you've got a scene with Peter Dinklage - | 0:13:08 | 0:13:11 | |
it's quite a small part. | 0:13:11 | 0:13:12 | |
Oh, Dinklage! Ha-ha! Small part! | 0:13:12 | 0:13:15 | |
This stuff writes itself. | 0:13:15 | 0:13:17 | |
Right, I'm off to Immac me bosoms. | 0:13:17 | 0:13:19 | |
Oh! | 0:13:19 | 0:13:21 | |
Serious acting from now on, you said. | 0:13:23 | 0:13:25 | |
I'm fine, I am fine. | 0:13:26 | 0:13:28 | |
To Mordor! | 0:13:28 | 0:13:30 | |
Yeah, that's not... | 0:13:31 | 0:13:33 | |
Never mind. | 0:13:33 | 0:13:35 | |
After a lengthy detour to Fortnum & Mason, | 0:13:37 | 0:13:40 | |
Rachel has finally delivered Joanna | 0:13:40 | 0:13:42 | |
to the set of her yoghurt commercial. | 0:13:42 | 0:13:44 | |
And what's more, darling, I have a brand-new friend - | 0:13:44 | 0:13:48 | |
bacteria. | 0:13:48 | 0:13:49 | |
Enchante! | 0:13:51 | 0:13:53 | |
Cut there. | 0:13:53 | 0:13:55 | |
Brilliant. | 0:13:55 | 0:13:56 | |
Erm, OK, let's reset for the close-up on Joanna. Thank you. | 0:13:56 | 0:14:00 | |
I'm sorry, sweetie, what was that? | 0:14:00 | 0:14:02 | |
We just want to get a close-up of you eating the yoghurt. | 0:14:02 | 0:14:04 | |
Oh, no, darling, I couldn't possibly do that. | 0:14:04 | 0:14:07 | |
-What does she mean? -Well, one can't eat a friend, can they? | 0:14:07 | 0:14:10 | |
It'd be like tucking into June Whitfield, wouldn't it? | 0:14:10 | 0:14:13 | |
He's my little tum chum now, aren't you, my creamy poppet? | 0:14:13 | 0:14:16 | |
SHE CLEARS HER THROAT | 0:14:20 | 0:14:22 | |
When you're in the business of managing talent, | 0:14:22 | 0:14:24 | |
you have to get used to some... let's say eccentric behaviour. | 0:14:24 | 0:14:29 | |
You need to be inventive, be able to think on your feet, | 0:14:29 | 0:14:31 | |
go the extra mile. | 0:14:31 | 0:14:33 | |
Thankfully, I've taught Rachel to do all that crap | 0:14:33 | 0:14:35 | |
while I concentrate on the, er... | 0:14:35 | 0:14:38 | |
the bigger picture stuff. | 0:14:38 | 0:14:39 | |
-What have you got there, Joanna? -Oh, you mean this? | 0:14:44 | 0:14:48 | |
It's Yoghini - | 0:14:48 | 0:14:50 | |
a deliciously tempting cream-laden dessert fit for a god. | 0:14:50 | 0:14:55 | |
Careful, darling, you'll make me jealous. | 0:14:55 | 0:14:58 | |
Don't worry, I've saved something very special for you. | 0:14:58 | 0:15:01 | |
Enjoying that? | 0:15:05 | 0:15:07 | |
And what's more, darling, I've a brand-new friend - | 0:15:07 | 0:15:11 | |
bacteria. | 0:15:11 | 0:15:13 | |
Enchante. | 0:15:15 | 0:15:16 | |
This is what I've become. | 0:15:23 | 0:15:25 | |
I've got a degree in politics. | 0:15:25 | 0:15:27 | |
My sister's a doctor! | 0:15:27 | 0:15:28 | |
Miranda Hart is at a central London location, taking another step | 0:15:31 | 0:15:35 | |
towards her career ambition - a role in Game Of Thrones. | 0:15:35 | 0:15:39 | |
If you'd like to say your name into the camera | 0:15:39 | 0:15:41 | |
and then have a go at the script. | 0:15:41 | 0:15:43 | |
-Yeah, OK. -SHE CLEARS HER THROAT | 0:15:43 | 0:15:45 | |
Mirandypants Hertfordshire, at your service. | 0:15:45 | 0:15:49 | |
Little bit nervous, sweaty-face emoji, poo emoji. | 0:15:49 | 0:15:53 | |
Don't be nervous, | 0:15:53 | 0:15:54 | |
just want to get you on tape having a go at the script. | 0:15:54 | 0:15:56 | |
Erm, OK, let me just get into what I like to call "la zone". | 0:15:56 | 0:16:01 | |
-DEEP VOICE: -Harry Potter. | 0:16:03 | 0:16:05 | |
-SHRILL VOICE: -Harry Potter! | 0:16:05 | 0:16:07 | |
Frrrodo and the rrrring. | 0:16:07 | 0:16:09 | |
-AS GOLLUM: -Dirty little Hobbitses! | 0:16:09 | 0:16:12 | |
Use the Force. | 0:16:12 | 0:16:14 | |
Kkkkchh! | 0:16:14 | 0:16:16 | |
When you're ready. | 0:16:19 | 0:16:20 | |
Old peasant woman, they say you have a message. | 0:16:20 | 0:16:23 | |
Sire, I am old and weak and I have walked many days and nights | 0:16:23 | 0:16:28 | |
to bring you this scroll from King's Landing. | 0:16:28 | 0:16:31 | |
You walked? Why did you not run, peasant? | 0:16:31 | 0:16:35 | |
Because my boobicles bang together when I run | 0:16:35 | 0:16:37 | |
and a little bit of wee comes out. | 0:16:37 | 0:16:39 | |
SHE SNORTS AND LAUGHS | 0:16:39 | 0:16:42 | |
Oh, God, I'm funny. | 0:16:42 | 0:16:44 | |
Miranda's audition didn't go too well, but thankfully | 0:16:44 | 0:16:47 | |
Gemma Collins got stuck in a sunbed, so she's on the show. | 0:16:47 | 0:16:51 | |
This could lead to a lot more serious roles. | 0:16:51 | 0:16:53 | |
It's not a sex scene, but it's a good start. | 0:16:53 | 0:16:55 | |
She's playing Tall Peasant 2. | 0:16:55 | 0:16:57 | |
I'm very happy for her. | 0:16:57 | 0:16:59 | |
Gregg Wallace is one of Vincent's brightest stars. | 0:17:03 | 0:17:06 | |
He's made a hugely successful career out of liking things | 0:17:06 | 0:17:09 | |
and not liking things. | 0:17:09 | 0:17:10 | |
But Gregg has a problem. | 0:17:10 | 0:17:12 | |
'Right, I've got Gregg Wallace in reception. He says he's got...' | 0:17:12 | 0:17:15 | |
Two minutes! | 0:17:15 | 0:17:17 | |
What's that? | 0:17:19 | 0:17:20 | |
-What? -What is that? | 0:17:20 | 0:17:23 | |
-That's a straw donkey, Gregg. -No, it's not, it's kryptonite. | 0:17:23 | 0:17:27 | |
My cousin brought it back from his holiday for me and the problem is, | 0:17:27 | 0:17:31 | |
I can't decide whether I like it or I don't like it. | 0:17:31 | 0:17:35 | |
-What? -This donkey has sapped all of my confidence. | 0:17:36 | 0:17:39 | |
Problems do not get tougher than this! | 0:17:39 | 0:17:41 | |
I don't like it. | 0:17:42 | 0:17:43 | |
Well, there you go - you don't like it. | 0:17:43 | 0:17:45 | |
To be honest, I don't like it either. | 0:17:45 | 0:17:46 | |
Looks like a cheap piece of sh... | 0:17:46 | 0:17:48 | |
No, I mean that I don't like it, that I don't know whether | 0:17:48 | 0:17:50 | |
I like it or I don't like it. | 0:17:50 | 0:17:52 | |
And I don't like it! | 0:17:52 | 0:17:54 | |
EPIC MUSIC | 0:17:54 | 0:17:56 | |
Sire, I have walked many days and nights to bring you this | 0:18:02 | 0:18:06 | |
-scroll from King's Landing. -You walked? You walked?! | 0:18:06 | 0:18:11 | |
-Why did you not run? -I'm old and weak, sire. | 0:18:11 | 0:18:15 | |
-EPIC MUSIC STOPS -Light bulb moment. | 0:18:16 | 0:18:18 | |
My top could fall open at this point, | 0:18:18 | 0:18:20 | |
up the nipple count for the nerds, eh, wink-face, thumbs-up emoji? | 0:18:20 | 0:18:25 | |
-No! -Please, no. -Rude king! | 0:18:25 | 0:18:28 | |
Just do the scene. | 0:18:28 | 0:18:30 | |
Action. | 0:18:30 | 0:18:31 | |
Guard, run her through. | 0:18:33 | 0:18:34 | |
Ah! Urgh! | 0:18:36 | 0:18:38 | |
Um, ouch! | 0:18:38 | 0:18:39 | |
I'm fine! I'm fine. I don't do that any more, so... | 0:18:43 | 0:18:46 | |
What was that? You can't just come back up and say, "I'm fine!" | 0:18:46 | 0:18:49 | |
You're not, you're dead. | 0:18:49 | 0:18:50 | |
Yes, about that - I've been having a peruse | 0:18:50 | 0:18:54 | |
and Tall Peasant 2 doesn't die in the book. | 0:18:54 | 0:18:56 | |
Miranda, just give me a good death scene and we can move on. | 0:18:56 | 0:19:01 | |
OK, uno questiono, though - | 0:19:01 | 0:19:03 | |
can a wizard make me better later? | 0:19:03 | 0:19:06 | |
Some sort of healing spell? | 0:19:06 | 0:19:07 | |
Cos I'd really like to develop Tall Peasant 2's arc. | 0:19:07 | 0:19:11 | |
No. No, come on. | 0:19:11 | 0:19:13 | |
Action! | 0:19:13 | 0:19:15 | |
Guard, run her through. | 0:19:15 | 0:19:16 | |
Ah! | 0:19:19 | 0:19:21 | |
-Urgh! -Ouch, pointy! | 0:19:21 | 0:19:23 | |
Oh, totes dying! | 0:19:24 | 0:19:26 | |
This is it for Tall Peasant 2. | 0:19:26 | 0:19:28 | |
Oh! | 0:19:29 | 0:19:31 | |
Oh, so cold. So cold. | 0:19:31 | 0:19:33 | |
Yep, slipping away, slipping away. | 0:19:33 | 0:19:36 | |
Oh! Proper acting, isn't it, this? | 0:19:36 | 0:19:38 | |
Prestige drama. | 0:19:38 | 0:19:40 | |
And down she goes. | 0:19:40 | 0:19:41 | |
Give the nerds what they want, and Deadfordshire. | 0:19:45 | 0:19:48 | |
Oh, hello, prince! I can see up all the boys' skirts! | 0:19:50 | 0:19:53 | |
Don't worry, I've seen this before. | 0:19:57 | 0:19:59 | |
I think they sell them all over Spain. | 0:19:59 | 0:20:02 | |
Not that donkey, you donkey, I mean your condition. | 0:20:02 | 0:20:05 | |
You've got the yips. | 0:20:05 | 0:20:06 | |
Do I not like the sound of that! | 0:20:06 | 0:20:08 | |
Hang on, I don't know if I do or I don't. Oh, God! | 0:20:09 | 0:20:12 | |
Don't worry, it's just a wobble. Come out here. | 0:20:12 | 0:20:15 | |
Right, Gregg, I want you to look at your left foot. | 0:20:21 | 0:20:25 | |
Just as an exercise, I want you to pretend that you like that foot. | 0:20:25 | 0:20:30 | |
Do you think you could do that? | 0:20:30 | 0:20:32 | |
Now I want you to look at your right foot. | 0:20:32 | 0:20:35 | |
Every time you see that right foot, | 0:20:35 | 0:20:37 | |
-I want you to pretend that you don't like it. OK? -OK. | 0:20:37 | 0:20:41 | |
Now I want you to slowly walk round the room and just tell me | 0:20:41 | 0:20:44 | |
what you're thinking. | 0:20:44 | 0:20:46 | |
Go on, Gregg. You can do it. | 0:20:47 | 0:20:50 | |
I like it. | 0:20:55 | 0:20:57 | |
I don't like it. | 0:21:00 | 0:21:01 | |
I like it. | 0:21:04 | 0:21:05 | |
I don't like it. | 0:21:07 | 0:21:08 | |
That's my boy. You can do it. | 0:21:08 | 0:21:10 | |
I like it. | 0:21:12 | 0:21:13 | |
I don't like it. | 0:21:13 | 0:21:15 | |
I like it. I don't like it. | 0:21:15 | 0:21:17 | |
I like it, I don't like it, I like it, I don't like it, | 0:21:17 | 0:21:19 | |
I like it, I don't like it. | 0:21:19 | 0:21:20 | |
Vin, I'm back, and do I like that? | 0:21:20 | 0:21:23 | |
I like it a lot! | 0:21:23 | 0:21:25 | |
Wait a second, Gregg, let's just be absolutely sure. | 0:21:25 | 0:21:28 | |
Gregg, what do you think of that donkey? | 0:21:32 | 0:21:35 | |
I don't like it! | 0:21:37 | 0:21:38 | |
It is disgusting! | 0:21:38 | 0:21:40 | |
I really don't like it! | 0:21:40 | 0:21:43 | |
# How you like me now? # | 0:21:43 | 0:21:44 | |
Gregg Wallace is back in the room! | 0:21:44 | 0:21:46 | |
Come on! | 0:21:46 | 0:21:48 | |
-You know what that was. -Not a clue. | 0:21:51 | 0:21:53 | |
-That was a masterclass. -Was it? | 0:21:53 | 0:21:56 | |
Cos it looked like two middle-aged men shouting at a donkey. | 0:21:57 | 0:22:00 | |
Natalie Cassidy may have failed to track down Alex Jones... | 0:22:04 | 0:22:07 | |
PHONE RINGS ..but little does she know that good news is just around the corner. | 0:22:07 | 0:22:11 | |
Hello, Cassidy household. Natalie Cassidy speaking. | 0:22:14 | 0:22:17 | |
Nat, it's Vince. | 0:22:17 | 0:22:19 | |
I've got a little job for you tomorrow. | 0:22:19 | 0:22:21 | |
Oh, I can't, Vinny, I promised myself a little treat. | 0:22:21 | 0:22:24 | |
I'm having me verrucas frozen off tomorrow. | 0:22:24 | 0:22:27 | |
Nat, it's The One Show. | 0:22:27 | 0:22:29 | |
The One Show? | 0:22:29 | 0:22:31 | |
That's the golden ticket to a mainstream audience, Vince! | 0:22:31 | 0:22:34 | |
I know it is, darling, and they need you to fill in for Alex. | 0:22:34 | 0:22:38 | |
Oh, you're double joking! | 0:22:38 | 0:22:40 | |
How comes they've gone for me? | 0:22:40 | 0:22:42 | |
Joe Swash brought back Indonesian flu from one of his | 0:22:42 | 0:22:44 | |
competition videos where you win a holiday and it's spread through | 0:22:44 | 0:22:47 | |
the celeb community like wildfire. | 0:22:47 | 0:22:50 | |
Rylan Clark's head swelled up like a melon, | 0:22:50 | 0:22:53 | |
Lineker can't even keep his soup down and Bradley Walsh is | 0:22:53 | 0:22:56 | |
pissing bright-green water out of his arse. | 0:22:56 | 0:22:58 | |
They just needed to know that you were in good health | 0:22:58 | 0:23:00 | |
and the job was yours, but never mind. | 0:23:00 | 0:23:03 | |
Tell them I'll do it, Vince. | 0:23:03 | 0:23:05 | |
The verrucas can wait! | 0:23:05 | 0:23:07 | |
Aaaaaaah! | 0:23:10 | 0:23:12 | |
I spent all that time chasing The One Show, | 0:23:13 | 0:23:17 | |
then The One Show ended up chasing ME! | 0:23:17 | 0:23:20 | |
It just shows it was written in the stars | 0:23:20 | 0:23:23 | |
that Bradley Walsh would have green water coming out of his arse. | 0:23:23 | 0:23:27 | |
# Dreams can come true | 0:23:33 | 0:23:35 | |
# Look at me babe I'm with you | 0:23:35 | 0:23:38 | |
# You know you've got to have hope | 0:23:38 | 0:23:40 | |
# You know you've got to be strong | 0:23:40 | 0:23:43 | |
# Dreams can come true... # | 0:23:43 | 0:23:44 | |
Dad! | 0:23:44 | 0:23:46 | |
Will you help me practise for The One Show? | 0:23:46 | 0:23:48 | |
I'm on me poker. | 0:23:48 | 0:23:49 | |
-Dad... -All right, all right. | 0:23:50 | 0:23:53 | |
Well, I hope it's a roaring success. | 0:23:53 | 0:23:56 | |
Please give it up for Mr Pierce Brosnan! | 0:23:56 | 0:24:00 | |
No, don't you clap, Dad - you're him. | 0:24:02 | 0:24:05 | |
Who doesn't love a good old piece of British toast and butter? | 0:24:05 | 0:24:11 | |
I hate toast, Nat. | 0:24:11 | 0:24:12 | |
Dad, Pierce Brosnan ain't gonna hate toast, is he? | 0:24:12 | 0:24:15 | |
Well, how do you know? You've got to be ready for anything, Nat. | 0:24:15 | 0:24:19 | |
You're right. Sorry, I didn't mean to snap at you. | 0:24:19 | 0:24:23 | |
It's just that all I've ever wanted is to host The One Show. | 0:24:23 | 0:24:27 | |
And it puts you in the national psyche, don't it? | 0:24:27 | 0:24:30 | |
I know it does, darling. | 0:24:30 | 0:24:32 | |
Look, why don't you have a bath and an early night? | 0:24:32 | 0:24:35 | |
You want to be tip-top for tomorrow, don't you? | 0:24:35 | 0:24:37 | |
-What about the dishes, Dad? -I'll do them now. -Really? | 0:24:37 | 0:24:41 | |
Thanks, Dad. | 0:24:42 | 0:24:43 | |
Love ya. | 0:24:45 | 0:24:46 | |
# You know you've got to have hope | 0:24:48 | 0:24:50 | |
# You know you've got to be strong | 0:24:50 | 0:24:53 | |
# Dreams can come true | 0:24:53 | 0:24:55 | |
# Look at me, babe. # | 0:24:55 | 0:24:57 | |
With an open door to Vincent's clients... | 0:24:58 | 0:25:00 | |
Avocado cheesecake! | 0:25:00 | 0:25:02 | |
..we were able to ask the stars some more pertinent questions | 0:25:02 | 0:25:05 | |
about their celebrity. | 0:25:05 | 0:25:07 | |
How much is a pint of milk? How would I know? | 0:25:07 | 0:25:10 | |
I can't go and buy milk. | 0:25:10 | 0:25:12 | |
The last time I bought milk, | 0:25:12 | 0:25:14 | |
the headline was "Semi-skimmed Cheryl gets bang on the cow juice." | 0:25:14 | 0:25:19 | |
Can you imagine how upsetting that was for me? No, you can't. | 0:25:19 | 0:25:22 | |
That's why one of me PAs gets the milk in. | 0:25:22 | 0:25:25 | |
What kind of milk? | 0:25:26 | 0:25:27 | |
Soya? Oat? Almonds? Goat? Rice? | 0:25:27 | 0:25:31 | |
Organic? Raw? Lactose free? | 0:25:31 | 0:25:33 | |
Or coconut? | 0:25:33 | 0:25:34 | |
Oh, I get it. | 0:25:34 | 0:25:36 | |
Pint of milk - silk, silkworm - firm, | 0:25:36 | 0:25:39 | |
firm bum - gun. | 0:25:39 | 0:25:41 | |
How much is a shooter? About a monkey, mate. | 0:25:41 | 0:25:44 | |
Semi-skimmed? What, from cows? | 0:25:44 | 0:25:46 | |
Erm, retro vibes on your milk, there, mate. | 0:25:46 | 0:25:48 | |
I suppose you're going to tell me you're still eating wheat, | 0:25:48 | 0:25:51 | |
you knobber. | 0:25:51 | 0:25:52 | |
How much is a pint of milk? 79p. | 0:25:52 | 0:25:55 | |
Why, are you making a cup of tea? Don't worry, I'll do it! | 0:25:55 | 0:25:59 | |
I've got half a pack of Hobnobs in me handbag. I'll put the kettle on. | 0:25:59 | 0:26:03 | |
How much is a pint of milk? | 0:26:03 | 0:26:05 | |
You can't catch our Jojo out, it's two and six. | 0:26:05 | 0:26:09 | |
Here we go, sorry I've been a while. | 0:26:09 | 0:26:12 | |
Kettle takes ages to boil when it's full. There you go, Ken. | 0:26:12 | 0:26:16 | |
Ha! You can't fool me, I'm a man of the people, | 0:26:16 | 0:26:19 | |
the proletariat prince, the crusader for the common man, | 0:26:19 | 0:26:23 | |
the Herbert's emperor. | 0:26:23 | 0:26:25 | |
I know how much a pint of milk is. | 0:26:25 | 0:26:27 | |
It's £94 sterling for a gold top | 0:26:28 | 0:26:31 | |
and £86 sterling for half-skimmed. | 0:26:31 | 0:26:34 | |
Oh, you went for a choccy one, I knew you would. | 0:26:34 | 0:26:36 | |
I'll be back in a second with the milk. | 0:26:36 | 0:26:38 | |
The day has finally arrived | 0:26:39 | 0:26:41 | |
for Natalie Cassidy to host The One Show. | 0:26:41 | 0:26:44 | |
-KNOCKING -Nat? | 0:26:44 | 0:26:47 | |
Nat, are you there? | 0:26:47 | 0:26:48 | |
I don't feel well, Dad. | 0:26:48 | 0:26:50 | |
What time's dinner? | 0:26:57 | 0:26:58 | |
SHE RETCHES | 0:26:58 | 0:27:01 | |
RETCHING CONTINUES | 0:27:01 | 0:27:03 | |
Better out than in. Urgh... | 0:27:06 | 0:27:08 | |
I suppose I am a bit gutted that all my dreams have been | 0:27:08 | 0:27:10 | |
smashed to pieces, yeah. | 0:27:10 | 0:27:12 | |
The doctor reckons I've got Indonesian flu off whoever | 0:27:12 | 0:27:15 | |
licked the envelope with my practice scripts in it. | 0:27:15 | 0:27:18 | |
I suppose it's just one of them things, though, ain't it? | 0:27:19 | 0:27:22 | |
Who knows? | 0:27:22 | 0:27:24 | |
There might be another time all the people in front of me | 0:27:24 | 0:27:26 | |
get a tropical disease. | 0:27:26 | 0:27:28 | |
Could happen. | 0:27:28 | 0:27:30 | |
SHE COUGHS | 0:27:30 | 0:27:33 | |
But unfortunately, there's no respite for poorly Natalie. | 0:27:33 | 0:27:36 | |
Welcome to The One Show. I'm Kimberley Walsh. | 0:27:39 | 0:27:42 | |
Now, before we get started, | 0:27:42 | 0:27:44 | |
can I just say get well soon to Natalie Cassidy, who can't be here | 0:27:44 | 0:27:48 | |
tonight because she's been pissing bright-green water out of her arse. | 0:27:48 | 0:27:52 | |
Oh, you are double joking. | 0:27:52 | 0:27:55 | |
Now, who doesn't love a good old piece of British toast and butter? | 0:27:55 | 0:28:01 | |
# Take a little time, smile | 0:28:03 | 0:28:06 | |
# Make a little thing worthwhile | 0:28:07 | 0:28:11 | |
# When the moon comes up and the sun goes down | 0:28:11 | 0:28:15 | |
# Take a little time to smile | 0:28:15 | 0:28:18 | |
# And when the moon comes up and the sun goes down | 0:28:19 | 0:28:24 | |
# Just relax, love is still around | 0:28:24 | 0:28:27 | |
# So smile | 0:28:27 | 0:28:29 | |
# Take a little time to smile. # | 0:28:30 | 0:28:33 |