Browse content similar to Miranda. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains strong language | 0:00:02 | 0:00:07 | |
Hello, I'm Mark Wright from TV and radio and, today, | 0:00:07 | 0:00:10 | |
I'm starring in my very own cop drama. | 0:00:10 | 0:00:12 | |
I've got no idea what's about to happen to me, so wish me luck. | 0:00:12 | 0:00:17 | |
I'm off to Successville. | 0:00:17 | 0:00:18 | |
Welcome to Successville, a town full of celebrities. | 0:00:26 | 0:00:29 | |
Sometimes the famous faces that live here break the law, | 0:00:29 | 0:00:33 | |
and when they do, I'm here to take them down. | 0:00:33 | 0:00:36 | |
I'm DI Sleet. | 0:00:36 | 0:00:38 | |
Homicide makes me hard. | 0:00:38 | 0:00:39 | |
Justice makes me wet. | 0:00:39 | 0:00:41 | |
And baby elephants make me cry. | 0:00:41 | 0:00:44 | |
I'm just a whole heap of mixed-up cop - so sue me. | 0:00:44 | 0:00:48 | |
-Sleet. -Hey, boss. | 0:01:02 | 0:01:04 | |
Can I, erm... | 0:01:04 | 0:01:06 | |
talk to you? | 0:01:06 | 0:01:08 | |
Whatever you want. My door's always open for a friend. | 0:01:08 | 0:01:10 | |
-Come in. -Thank you. | 0:01:10 | 0:01:11 | |
You OK? | 0:01:12 | 0:01:14 | |
-Ricardo's left me. -Sorry to hear that, boss. | 0:01:14 | 0:01:18 | |
Well, erm, I guess... | 0:01:18 | 0:01:20 | |
Do you find me... | 0:01:20 | 0:01:22 | |
abrasive? | 0:01:22 | 0:01:24 | |
Overbearing? Difficult to be around? | 0:01:24 | 0:01:26 | |
Well, chief, if I'm honest with you... | 0:01:26 | 0:01:28 | |
Yeah, please. | 0:01:28 | 0:01:29 | |
All of us do. All the guys here. | 0:01:29 | 0:01:31 | |
I mean, you're horrible. | 0:01:31 | 0:01:32 | |
-You're a mean, nasty man. -Yeah? Well, what about you, Sleet? | 0:01:32 | 0:01:35 | |
-What you are in all of this... -It's not about me, Chief. | 0:01:35 | 0:01:37 | |
Well, it is about you, you... | 0:01:37 | 0:01:39 | |
you bloated carp! | 0:01:39 | 0:01:41 | |
-What? -Yeah, you look like you sleep in a cave. | 0:01:41 | 0:01:43 | |
Look at this place! It stinks. | 0:01:43 | 0:01:45 | |
And you stink! | 0:01:45 | 0:01:47 | |
-Thanks for nothing, Sleet! -But you... | 0:01:47 | 0:01:50 | |
-He's in there. -Damn it. | 0:01:50 | 0:01:52 | |
Damn it to hell. | 0:01:52 | 0:01:53 | |
Who the hell are you? | 0:01:56 | 0:01:57 | |
I'm Mark, DI Sleet. | 0:01:57 | 0:01:59 | |
-Mark what? -Mark Wright. | 0:01:59 | 0:02:00 | |
-Take a seat. -Thank you very much. | 0:02:00 | 0:02:02 | |
You a brave boy, Wright? | 0:02:07 | 0:02:08 | |
-A very brave boy. -Oh, really? | 0:02:08 | 0:02:10 | |
You like yourself, huh? | 0:02:10 | 0:02:11 | |
-You can fight? -Yeah, I've got a pair of hands on me. | 0:02:11 | 0:02:14 | |
I'm not too bad. | 0:02:14 | 0:02:16 | |
How are you with the ladies? | 0:02:17 | 0:02:19 | |
That's one thing I can guarantee - | 0:02:20 | 0:02:22 | |
there's no-one better. | 0:02:22 | 0:02:24 | |
-Oh, really? -No-one. | 0:02:24 | 0:02:26 | |
This is purely two guys having a chat. | 0:02:26 | 0:02:29 | |
Just two Gs having a hoedown, | 0:02:31 | 0:02:33 | |
chatting about honeys. | 0:02:33 | 0:02:35 | |
Erm, what's your bunking style? | 0:02:37 | 0:02:39 | |
-What do you go with? -Start slow... | 0:02:39 | 0:02:41 | |
-build it up. -This is what I do. | 0:02:41 | 0:02:43 | |
You can't tell anyone about this. | 0:02:43 | 0:02:45 | |
I go and look them in the eye. | 0:02:46 | 0:02:48 | |
One, two, three, thrust. | 0:02:48 | 0:02:51 | |
One, two, three, out. | 0:02:51 | 0:02:52 | |
One, two, three, thrust. | 0:02:52 | 0:02:54 | |
One, two, three, out. | 0:02:54 | 0:02:55 | |
One, two, three, thrust. | 0:02:56 | 0:02:58 | |
One, two, three, out. | 0:02:58 | 0:03:00 | |
-There's two things me and you have got in common. -Right, yep? | 0:03:00 | 0:03:03 | |
We've both got good hair. | 0:03:03 | 0:03:04 | |
-Yep, bingo. -And we're both going to teach each other something. | 0:03:04 | 0:03:07 | |
You're going to teach me to become | 0:03:07 | 0:03:09 | |
the best police officer in the world. | 0:03:09 | 0:03:11 | |
-Right. -And I'm going to teach you how to shag. | 0:03:11 | 0:03:15 | |
Yeah, you see, Wright, one of the things I do after I do some bonking, | 0:03:16 | 0:03:20 | |
after I lay down some sex, | 0:03:20 | 0:03:21 | |
is I ask girls to fill out a feedback form. | 0:03:21 | 0:03:25 | |
One lady told me when I ejaculate, my leg shakes like a dog. | 0:03:25 | 0:03:29 | |
-I've been there. -Oh, yeah? -Yeah. | 0:03:29 | 0:03:31 | |
Well, this is making me feel better about myself, if I'm honest. | 0:03:31 | 0:03:34 | |
Especially when you're on your knees. | 0:03:34 | 0:03:36 | |
-Do you go on your knees? -Mm. | 0:03:36 | 0:03:37 | |
-When? -Doggy style. | 0:03:37 | 0:03:39 | |
-What's that? -It's when... | 0:03:39 | 0:03:41 | |
It's when the... | 0:03:44 | 0:03:46 | |
It's when the lady faces the other way, | 0:03:49 | 0:03:51 | |
-she's on her knees. -Right. | 0:03:51 | 0:03:53 | |
You're on your knees behind her and... | 0:03:53 | 0:03:55 | |
And do you bark? Do you bark during doggie style? | 0:03:55 | 0:03:58 | |
-No, I've never done that. You could do. -OK. | 0:03:58 | 0:04:00 | |
Anyway, well, you know something, Mark, | 0:04:02 | 0:04:05 | |
I feel like we've really hit it off. | 0:04:05 | 0:04:07 | |
What are you two losers talking about? | 0:04:07 | 0:04:09 | |
Well, actually, you know, Mark here was just telling me | 0:04:09 | 0:04:11 | |
-about different sexual techniques. -Really, really? | 0:04:11 | 0:04:13 | |
Well, I'm sorry to close down the wank parlour. | 0:04:13 | 0:04:16 | |
Sleet, perhaps you could explain to this buffed-up piss spoon | 0:04:16 | 0:04:20 | |
about the terrible drug that's ravaging Successville. | 0:04:20 | 0:04:23 | |
Miranda - you ever heard of it? | 0:04:23 | 0:04:25 | |
Er, no. | 0:04:25 | 0:04:26 | |
I want you to go out and clean this mess up, yes? | 0:04:26 | 0:04:29 | |
I've got my eye on you... | 0:04:29 | 0:04:31 | |
big boy. | 0:04:31 | 0:04:32 | |
Don't worry about him. Listen, kid, | 0:04:32 | 0:04:35 | |
you ready to go and chase down this drug Miranda | 0:04:35 | 0:04:38 | |
and kick in some drug dealers and beat their heads in? | 0:04:38 | 0:04:40 | |
-I'm ready. -Then Mark Wright, sexual warrior, | 0:04:40 | 0:04:44 | |
let's go solve a crime. | 0:04:44 | 0:04:46 | |
'Like taking a big dump, snitches were disgusting, but necessary.' | 0:04:46 | 0:04:50 | |
'We headed to see Daniel Radcliffe, | 0:04:50 | 0:04:52 | |
a sneaky street maggot who had information about Miranda.' | 0:04:52 | 0:04:56 | |
Radcliffe! | 0:04:59 | 0:05:01 | |
Radcliffe, you little weasel! | 0:05:01 | 0:05:03 | |
What, you got shit in your ears? | 0:05:03 | 0:05:06 | |
In retrospect, I probably could have parked a little closer. | 0:05:06 | 0:05:08 | |
Yeah, we could get a taxi to him, he's that far. | 0:05:08 | 0:05:10 | |
All right, mate, don't make me feel even worse about it, Mark. | 0:05:10 | 0:05:13 | |
Bit awkward, you know, that long walk | 0:05:13 | 0:05:15 | |
after I got you to turn round all the way back. | 0:05:15 | 0:05:17 | |
Yeah, I thought that, too. | 0:05:17 | 0:05:18 | |
How you doing, you little crap-weasel? | 0:05:18 | 0:05:20 | |
Hi, Sleet! Who's the baggage? | 0:05:20 | 0:05:22 | |
-Baggage, tell him. -I'm Mark. | 0:05:22 | 0:05:25 | |
Ah, well, I don't much like new people. | 0:05:25 | 0:05:28 | |
We ain't here for a social, are we? | 0:05:28 | 0:05:29 | |
Tell him what we want to know about. | 0:05:29 | 0:05:31 | |
Miranda - what you got for us? | 0:05:31 | 0:05:33 | |
Well, a big shipment arrived about three weeks ago, | 0:05:33 | 0:05:36 | |
hit the streets harder than a dentist with a hammer, | 0:05:36 | 0:05:38 | |
knocked everything else into a cocked hat, | 0:05:38 | 0:05:40 | |
like someone who's really clumsy and has got a hat on their cock. | 0:05:40 | 0:05:43 | |
Hahah, little joke! | 0:05:43 | 0:05:44 | |
So, listen to me - who's selling the stuff? | 0:05:44 | 0:05:47 | |
I'll tell you who. | 0:05:47 | 0:05:48 | |
-GUNSHOT -Aaargh! | 0:05:48 | 0:05:51 | |
-WHEELS SPIN AWAY -Aaargh! | 0:05:51 | 0:05:52 | |
Gently, hold his hand, hold his hand. Hold his hand. | 0:05:52 | 0:05:55 | |
Good boy. Comfort him, Mark, comfort him. | 0:05:55 | 0:05:58 | |
It's OK, it's OK, sweet boy. | 0:05:58 | 0:06:00 | |
-Sleet, he's dying. -I know he's dying, OK? | 0:06:00 | 0:06:02 | |
Just keep looking at me. Can you hear us? | 0:06:02 | 0:06:04 | |
HE GROANS INTENSELY | 0:06:04 | 0:06:05 | |
What is that? That's a horrible sound. | 0:06:05 | 0:06:07 | |
That's an awful sound. | 0:06:07 | 0:06:08 | |
Are we going to save him, or...? | 0:06:08 | 0:06:10 | |
Well, I think the main thing is... Hey... | 0:06:10 | 0:06:12 | |
Hey, man, I don't want to be a dick about this. | 0:06:12 | 0:06:15 | |
Just keep it down a little bit, please? | 0:06:15 | 0:06:18 | |
I think the... Hey, shut up, shut up! Just for a second. | 0:06:18 | 0:06:22 | |
Who sells Miranda? | 0:06:22 | 0:06:23 | |
T-... T-... | 0:06:23 | 0:06:25 | |
-Where's it come from? -That's it. Who is it? | 0:06:25 | 0:06:28 | |
Tequilas. | 0:06:28 | 0:06:29 | |
GARGLED SPLUTTER | 0:06:29 | 0:06:30 | |
You're saying Tequilas is the one who's selling the drugs? | 0:06:30 | 0:06:33 | |
Should we worry about who shot him? | 0:06:33 | 0:06:35 | |
Nah, they're gone now, they're long gone. | 0:06:35 | 0:06:37 | |
Come back down, Mark, come back down. | 0:06:37 | 0:06:39 | |
My knee's hurting, Sleet. | 0:06:39 | 0:06:40 | |
Is it? Oh, you poor thing(!) | 0:06:40 | 0:06:41 | |
He's just been SHOT, Mark, and your knee's hurting! | 0:06:41 | 0:06:45 | |
Unbelievable! Really unbelievable! | 0:06:45 | 0:06:47 | |
This is half the thing about being a cop. | 0:06:47 | 0:06:49 | |
Sometimes, you've got to be sensitive. | 0:06:49 | 0:06:51 | |
OK, buddy, you've gotta die now. | 0:06:51 | 0:06:53 | |
-Off you go. -What? -Go into the light. | 0:06:53 | 0:06:55 | |
-What light? -Go into the light. | 0:06:55 | 0:06:57 | |
Can you hear the angels? Can you hear the baby angels? | 0:06:57 | 0:07:00 | |
-No. -Follow the angels, buddy. | 0:07:00 | 0:07:02 | |
Honestly, Sleet, I'm fine. | 0:07:02 | 0:07:03 | |
I think it's better we just... we just end this now. | 0:07:03 | 0:07:06 | |
OK, I'm going to end this for you. | 0:07:06 | 0:07:08 | |
-Huh? -I'm just going to take you out of your pain. | 0:07:08 | 0:07:10 | |
That's it. That's it, off you go, off you popsie. | 0:07:10 | 0:07:12 | |
-MUFFLED WHIMPER -Sleepy bye-byes. Sleepy bye-byes. | 0:07:12 | 0:07:15 | |
-Go sleepy bye-byes. -Sleet, you're murdering him. | 0:07:15 | 0:07:17 | |
It's only murder if someone tittle-tales. | 0:07:17 | 0:07:20 | |
-Is this what you do as a copper? -Ssh! | 0:07:20 | 0:07:21 | |
Wrighty, search his pockets. | 0:07:21 | 0:07:23 | |
Well, well, well! | 0:07:23 | 0:07:25 | |
-It's Miranda. -Oh, yeah. | 0:07:25 | 0:07:27 | |
Let me have a taste, give me a little finger of that. | 0:07:27 | 0:07:29 | |
Oh, man, that's bleach. | 0:07:31 | 0:07:33 | |
That's horrible. Take that as evidence. | 0:07:33 | 0:07:35 | |
-He's dead, let's... We'd better go. -The pigeons will eat him, anyway. | 0:07:35 | 0:07:38 | |
-Unlucky, Radcliffe. -Yeah. | 0:07:38 | 0:07:40 | |
See you around, you loser. | 0:07:40 | 0:07:42 | |
That Miranda, there's definite bleach in that. | 0:07:42 | 0:07:45 | |
'We were now hunting a drug-peddling murderer. | 0:07:46 | 0:07:49 | |
'My hunch was that Paul Hollywood | 0:07:49 | 0:07:51 | |
'and his motorcycle maniacs were somehow involved. | 0:07:51 | 0:07:54 | |
'Time to leather up, Marky boy.' | 0:07:54 | 0:07:56 | |
You ready for this, kid? We're going undercover with the Sons Of Peace. | 0:08:00 | 0:08:05 | |
I'm already in with them. | 0:08:05 | 0:08:07 | |
They know me as Nobby McCann. | 0:08:07 | 0:08:09 | |
-Nobby McCann? -Yeah, a free-wheeler who joined their ranks 20 years ago. | 0:08:09 | 0:08:13 | |
Who am I? | 0:08:13 | 0:08:14 | |
You're going to be my cousin from out of town - Sarah. | 0:08:14 | 0:08:18 | |
Sarah?! Are you having a fucking laugh? | 0:08:18 | 0:08:19 | |
No, Sarah it is. | 0:08:19 | 0:08:21 | |
If you're going to be one of them, you'll need this. | 0:08:21 | 0:08:25 | |
Put this on. | 0:08:25 | 0:08:26 | |
-You like it? -It's getting worse. | 0:08:28 | 0:08:30 | |
What do you mean...? It's cool. | 0:08:30 | 0:08:32 | |
-It's... -Tassel waistcoat? | 0:08:32 | 0:08:33 | |
Yeah, well, then just say that you went to Mexico on holiday | 0:08:33 | 0:08:36 | |
and everyone was wearing them. | 0:08:36 | 0:08:38 | |
Listen, let's go dance a disco. | 0:08:38 | 0:08:41 | |
Hey, I'll go first. They know me. | 0:08:41 | 0:08:43 | |
TAVERN DOOR SWINGS OPEN | 0:08:48 | 0:08:49 | |
Hey, take a seat. | 0:08:52 | 0:08:54 | |
Oh, wow! | 0:08:54 | 0:08:56 | |
God, that was a hell of a ride in. | 0:08:56 | 0:08:58 | |
-Nobby McCann! -Hollywood. | 0:08:58 | 0:09:00 | |
You've brought a stranger with you. | 0:09:00 | 0:09:03 | |
I don't like strangers, even ones I've known for years. | 0:09:03 | 0:09:06 | |
He ain't no stranger. | 0:09:06 | 0:09:08 | |
This is my cousin. | 0:09:08 | 0:09:10 | |
Tell him your name. | 0:09:10 | 0:09:11 | |
Sarah. | 0:09:13 | 0:09:14 | |
Hello, Sarah. | 0:09:14 | 0:09:15 | |
I hope you didn't bring any weapons in here. | 0:09:15 | 0:09:18 | |
Cos we talk with our fists only... | 0:09:18 | 0:09:20 | |
Well, let me tell you, Sarah only fights with his fists. | 0:09:20 | 0:09:23 | |
-He's a fister. -He's a fister? | 0:09:23 | 0:09:25 | |
He's also very good round the old one-armed bandito. | 0:09:25 | 0:09:29 | |
Ah, fruit machines. | 0:09:29 | 0:09:30 | |
No, arm wrestling. He's an arm wrestler. | 0:09:30 | 0:09:33 | |
He'll arm wrestle any punk in this place. | 0:09:33 | 0:09:35 | |
-What? -And he'll beat 'em, too. | 0:09:35 | 0:09:37 | |
Why don't you choose one of my men to arm wrestle, then? | 0:09:37 | 0:09:39 | |
OK, yeah. | 0:09:39 | 0:09:41 | |
-I pick him, there. The guy, there, with the horrible eyes. -Fuck off... | 0:09:41 | 0:09:44 | |
The crazy-looking man who looks like he'd break your face | 0:09:44 | 0:09:46 | |
just if you walked into his... orbit. | 0:09:46 | 0:09:48 | |
-He's fucking massive. -What's wrong with you? | 0:09:48 | 0:09:50 | |
Are you a man or a mouse? | 0:09:50 | 0:09:52 | |
You're going to take on Batshit Patrick, the Violent Giant? | 0:09:52 | 0:09:55 | |
-Are you sure? -Is that his name? | 0:09:55 | 0:09:57 | |
That's his ACTUAL name. | 0:09:57 | 0:09:58 | |
Poor kid didn't really have a chance, did he? | 0:09:58 | 0:10:00 | |
-His parents calling him that. -It's nominative determinism, in't it? | 0:10:00 | 0:10:03 | |
Yeah, I don't know what that means, | 0:10:03 | 0:10:04 | |
but I guess it means that he is a sad bunny. | 0:10:04 | 0:10:07 | |
Come on, Paddy. Got a challenge. | 0:10:07 | 0:10:11 | |
-Fucking hell. -Do you know, | 0:10:11 | 0:10:12 | |
he once wrestled the arm off a bear - a daddy bear? | 0:10:12 | 0:10:15 | |
Do you think you can beat him? | 0:10:15 | 0:10:16 | |
Hey, hey! Is that a dick or your nose, Nosedick? | 0:10:20 | 0:10:24 | |
HE SNORTS | 0:10:24 | 0:10:25 | |
Have you got a problem with your sinuses or are you being aggressive? | 0:10:25 | 0:10:28 | |
You should get some Vicks on your nose | 0:10:28 | 0:10:30 | |
cos you sound like you might have, like, congestion. | 0:10:30 | 0:10:33 | |
That's horrible, man. | 0:10:33 | 0:10:34 | |
That's probably why you're so angry. | 0:10:34 | 0:10:36 | |
-What's wrong? -Stop winding him up. | 0:10:36 | 0:10:37 | |
OK, right... What do you want... Listen, | 0:10:37 | 0:10:39 | |
the only chance you've got is you've got to get inside this guy's head. | 0:10:39 | 0:10:42 | |
He's as big as a fucking house. | 0:10:42 | 0:10:44 | |
He's taking off his jacket. | 0:10:44 | 0:10:45 | |
Hey, what are you doing, a strip tease? | 0:10:45 | 0:10:47 | |
Hey, what, do you want me to put some money in your belt, | 0:10:47 | 0:10:49 | |
you filthy slut? | 0:10:49 | 0:10:50 | |
What, are you going to show us your titties? | 0:10:50 | 0:10:52 | |
You big pervert. | 0:10:52 | 0:10:53 | |
Yah! | 0:10:53 | 0:10:55 | |
Wow! | 0:10:55 | 0:10:56 | |
It's arm wrestling time, lads. | 0:10:58 | 0:11:00 | |
Hey, everyone. Sarah, Sarah, Sarah! | 0:11:00 | 0:11:02 | |
-ROOM JOINS IN: -Sarah, Sarah, Sarah... | 0:11:02 | 0:11:06 | |
HE ROARS | 0:11:07 | 0:11:10 | |
Come on, Sarah! Come on, Sarah! | 0:11:10 | 0:11:13 | |
Come oo-on, | 0:11:13 | 0:11:16 | |
Sarah! | 0:11:16 | 0:11:19 | |
-CHEERING -Well done, Sarah! | 0:11:19 | 0:11:21 | |
Yeah! | 0:11:24 | 0:11:26 | |
In your face, you big lump of crud! | 0:11:26 | 0:11:28 | |
-That was impressive. -Yeah, it really was, huh? | 0:11:28 | 0:11:30 | |
No-one's ever beaten the Violent Giant before. | 0:11:30 | 0:11:32 | |
Yeah, he just did, you big piece of shit! | 0:11:32 | 0:11:34 | |
That was the coolest thing I ever did see. | 0:11:34 | 0:11:36 | |
Why don't you leave me with your cousin here for a bit? | 0:11:36 | 0:11:38 | |
OK, I'm going to go and get a drink. | 0:11:38 | 0:11:40 | |
-Do you mind if I leave you? OK. -Don't go too far. | 0:11:40 | 0:11:42 | |
Well, I'll be over there by the bar. | 0:11:42 | 0:11:44 | |
Hey, I'm really proud of you, I really am. | 0:11:44 | 0:11:46 | |
You're the best. | 0:11:46 | 0:11:48 | |
Wow! | 0:11:49 | 0:11:51 | |
I like your clothes. | 0:11:51 | 0:11:52 | |
Cheers. I like yours, too. | 0:11:53 | 0:11:55 | |
Thanks. | 0:11:55 | 0:11:56 | |
One second. | 0:11:56 | 0:11:57 | |
Mint condom. | 0:11:59 | 0:12:00 | |
The f... What are you doing? | 0:12:02 | 0:12:04 | |
Mmm. | 0:12:10 | 0:12:12 | |
Aids digestion, it freshens the breath... | 0:12:14 | 0:12:17 | |
and it's a powerful aphrodisiac. | 0:12:17 | 0:12:19 | |
It's disgusting. | 0:12:19 | 0:12:21 | |
Can I have a kiss? | 0:12:23 | 0:12:25 | |
-No. -Just one little kiss. | 0:12:25 | 0:12:26 | |
-I don't want to kiss you. -Just a little kiss. | 0:12:26 | 0:12:28 | |
-I don't want to kiss you. -Come on. | 0:12:28 | 0:12:30 | |
-Nobby! -Whoa! | 0:12:30 | 0:12:33 | |
It looks like you guys have hit it off. | 0:12:35 | 0:12:38 | |
How you doing, kid? | 0:12:38 | 0:12:39 | |
-I'm doing all right. -OK, yeah. It looks like he likes you. | 0:12:39 | 0:12:42 | |
Hey, what's that? | 0:12:42 | 0:12:44 | |
-What is that? -He started eating johnnies. | 0:12:44 | 0:12:46 | |
What? What?! | 0:12:46 | 0:12:48 | |
-He put it in his mouth, a condom. -He put a condom in his mouth? What? | 0:12:48 | 0:12:50 | |
-I don't know what he's talking about. -He put a condom in his mouth. | 0:12:50 | 0:12:53 | |
-Are you joking? -No. -Sarah, are you... -No, I didn't. | 0:12:53 | 0:12:55 | |
-You did. -No. -You did and you even tried to blow a bubble with it. | 0:12:55 | 0:12:58 | |
-I never. -You tried to blow a bubble with a condom? | 0:12:58 | 0:13:00 | |
-Never did it. -You did. | 0:13:00 | 0:13:01 | |
-No. -He did. | 0:13:01 | 0:13:02 | |
What else has he said? | 0:13:04 | 0:13:06 | |
He said...he wants to kiss me and he likes the look of me. | 0:13:06 | 0:13:09 | |
It was a joke. | 0:13:09 | 0:13:10 | |
Either he's just testing me or he's... | 0:13:10 | 0:13:12 | |
Well, I hope he's just testing you, | 0:13:12 | 0:13:14 | |
otherwise I've been spending 20 years here | 0:13:14 | 0:13:16 | |
-and he's never, ever made those... -Wait a minute, what? | 0:13:16 | 0:13:20 | |
Is this a gay bar? | 0:13:21 | 0:13:22 | |
-What? -Is this a gay bar? -Not that I know of. | 0:13:22 | 0:13:24 | |
I mean, everyone's friendly. | 0:13:24 | 0:13:25 | |
No, it's just a group of guys that hang out with bikes and leather. | 0:13:25 | 0:13:29 | |
It's not a gay bar, is it, Paul? | 0:13:29 | 0:13:30 | |
-Just... -No. | 0:13:30 | 0:13:32 | |
-It's just friendly. -It's really friendly. | 0:13:33 | 0:13:35 | |
The way you're being towards me, | 0:13:35 | 0:13:36 | |
this romantic feeling's a little bit nerve-racking, | 0:13:36 | 0:13:38 | |
so for me to warm up and have confidence, | 0:13:38 | 0:13:40 | |
I need something, like a bit of Miranda, or something like that. | 0:13:40 | 0:13:43 | |
-You got any? -My boys don't touch it. | 0:13:43 | 0:13:45 | |
That stuff can kill you with one hit - a bit like me. | 0:13:45 | 0:13:48 | |
You know what? | 0:13:48 | 0:13:49 | |
We're going to get out of here. | 0:13:49 | 0:13:51 | |
We don't want to outstay our welcome. | 0:13:51 | 0:13:53 | |
-Good stuff. See you all around! -Bye, Nobby. | 0:13:53 | 0:13:56 | |
See you, buddy. | 0:13:56 | 0:13:58 | |
'Wright had proved to me he was brave, strong and sexy. | 0:13:58 | 0:14:01 | |
'So, next day, whilst I tended to an all-you-can-eat buffet, | 0:14:01 | 0:14:04 | |
'Mark went to meet the town's most feared drug lord, | 0:14:04 | 0:14:07 | |
'Frankie Boyle, alone.' | 0:14:07 | 0:14:09 | |
Well, well, well! | 0:14:09 | 0:14:12 | |
If it isn't Her Majesty's Constabulary! | 0:14:12 | 0:14:15 | |
How bone-grindingly tedious of you to pay us a visit, Mr... | 0:14:15 | 0:14:21 | |
-Wright. -Let's get a round of tequilas. | 0:14:21 | 0:14:25 | |
Nah, no drink for me, please. | 0:14:25 | 0:14:27 | |
So, I assume you have some questions for me. | 0:14:27 | 0:14:30 | |
Yeah, I do, actually... | 0:14:30 | 0:14:31 | |
You dinnae look that bright. Do you want me to read them myself? | 0:14:31 | 0:14:33 | |
Nah, it's all good. I can ask them myself. | 0:14:33 | 0:14:35 | |
Salut. | 0:14:35 | 0:14:36 | |
Radcliffe, did you know him? | 0:14:38 | 0:14:41 | |
I'm about as aware of him as I imagine you are | 0:14:41 | 0:14:44 | |
of nuclear fucking physics. Any more questions? | 0:14:44 | 0:14:48 | |
-Not really, no. -Well, it's been a pleasure to meet you, then. | 0:14:49 | 0:14:53 | |
I've had a more thorough grilling off a set of fairy lights. | 0:14:53 | 0:14:56 | |
-Off you pop! -I'm after you, Boyle. | 0:14:56 | 0:14:58 | |
Actually, where are you going? | 0:14:59 | 0:15:01 | |
What do you think this is - a drop-in centre? | 0:15:01 | 0:15:04 | |
I've no' finished with you yet, wee boy. | 0:15:04 | 0:15:06 | |
-Take a seat. -I just want to go. | 0:15:06 | 0:15:09 | |
-PHONE RINGS -You'd better answer that. | 0:15:09 | 0:15:11 | |
Don't try anything clever, I wouldn't want you to get a headache. | 0:15:13 | 0:15:16 | |
Mark, it's me. | 0:15:19 | 0:15:20 | |
Don't say my name, don't say my name. | 0:15:20 | 0:15:22 | |
Don't say anything incriminating. | 0:15:22 | 0:15:24 | |
If you are in trouble, say, "Yes, babe, | 0:15:24 | 0:15:27 | |
"I can't really talk right now..." | 0:15:27 | 0:15:28 | |
Yes, babe, erm, I can't really talk at the moment. | 0:15:28 | 0:15:32 | |
OK, Wright, listen - if they've got guns, say, | 0:15:32 | 0:15:35 | |
"I'm going for a few pints with the lads." | 0:15:35 | 0:15:37 | |
I'm just going to go for a few jars with the lads. | 0:15:37 | 0:15:40 | |
OK. How many of them are there? | 0:15:40 | 0:15:42 | |
If there's less than ten, say, | 0:15:42 | 0:15:44 | |
"It's different when it's a GIRLS' night, ain't it, you silly skank!" | 0:15:44 | 0:15:47 | |
It's different when it's a girl's night, innit, you silly skank! | 0:15:47 | 0:15:51 | |
You get nothing but grief from these, don't you? | 0:15:51 | 0:15:53 | |
Well, I'm sure, talking to her like that. | 0:15:53 | 0:15:55 | |
It's not 1972! It sounds like you need to learn to communicate. | 0:15:55 | 0:15:58 | |
Gie's that phone! | 0:15:58 | 0:16:00 | |
Listen, hen, | 0:16:03 | 0:16:05 | |
I was just saying to Captain Tantastic here | 0:16:05 | 0:16:08 | |
that yous need to learn to communicate. | 0:16:08 | 0:16:10 | |
I mean, it's none of my business, | 0:16:10 | 0:16:12 | |
but do you find you argue all the time? | 0:16:12 | 0:16:14 | |
-HIGH PITCHED: -Well, I wouldn't say it's really arguing, Frank. | 0:16:19 | 0:16:21 | |
To be honest, he's always downright nasty to me. | 0:16:21 | 0:16:24 | |
Just the other day, I got dressed up all nice for his birthday | 0:16:24 | 0:16:28 | |
and he said me legs looked like sausage meat stuffed into a condom. | 0:16:28 | 0:16:33 | |
-That's very common, but you can talk through all that. -Yeah? | 0:16:33 | 0:16:36 | |
Well, when we're making sex, you know, | 0:16:36 | 0:16:39 | |
sometimes he doesn't even wait for me to enjoy myself. | 0:16:39 | 0:16:43 | |
He just sticks his winkie right in me and then he bloody finishes off | 0:16:43 | 0:16:47 | |
and then, oh, bloody goes and watches TV | 0:16:47 | 0:16:50 | |
and I have to bloody do everything else on me own! | 0:16:50 | 0:16:52 | |
She's... | 0:16:52 | 0:16:53 | |
She's just lying. | 0:16:53 | 0:16:55 | |
-She's... -I ain't a liar, you filthy scumbag! | 0:16:55 | 0:16:57 | |
Oh, I can't believe you'd say such a thing! | 0:16:57 | 0:17:00 | |
Explain to her how you feel about her, man. | 0:17:00 | 0:17:03 | |
Make some time for her. | 0:17:03 | 0:17:04 | |
I love you, baby, and you make me happy every day | 0:17:04 | 0:17:07 | |
and you're such a good shagger and... | 0:17:07 | 0:17:10 | |
our sex life's amazing. | 0:17:10 | 0:17:12 | |
What a sweet thing to say, Mark. | 0:17:12 | 0:17:14 | |
And you're... You're good at sex as well. | 0:17:14 | 0:17:17 | |
-I know I am. -Well, now we're getting somewhere... | 0:17:17 | 0:17:20 | |
Wouldn't you say... | 0:17:20 | 0:17:22 | |
Sleet? | 0:17:22 | 0:17:23 | |
Five, four, three, two, one... | 0:17:23 | 0:17:28 | |
BANGING AT DOOR | 0:17:28 | 0:17:30 | |
I'm coming, Mark! | 0:17:32 | 0:17:33 | |
God, huh? | 0:17:35 | 0:17:37 | |
-Oh, it's, uh... -Oh, hey, Sleet, what took you so long? | 0:17:37 | 0:17:42 | |
I've seen pianos make a quicker entrance than you. | 0:17:42 | 0:17:45 | |
Hey, Mark, you OK, kid? | 0:17:45 | 0:17:47 | |
-Good. -That's adorable, Sleet. | 0:17:47 | 0:17:49 | |
What are you, his partner or his baby-sitter? | 0:17:49 | 0:17:52 | |
Hey, I'm his partner! | 0:17:52 | 0:17:54 | |
But let me tell you something, Boyle. If I was his baby-sitter, | 0:17:54 | 0:17:58 | |
I'd let him stay up late and watch all his favourite films | 0:17:58 | 0:18:00 | |
and eat ice cream and jelly and trifle | 0:18:00 | 0:18:03 | |
and bacon Frazzles and other nice snacks. | 0:18:03 | 0:18:06 | |
-And you know why? -Because you're a paedophile? | 0:18:06 | 0:18:09 | |
No, no. | 0:18:09 | 0:18:11 | |
No, that's not... No. | 0:18:11 | 0:18:12 | |
Because he's a good kid. | 0:18:12 | 0:18:14 | |
He's got more good in him than you've got in your little finger. | 0:18:14 | 0:18:18 | |
Hey, say something cool. | 0:18:18 | 0:18:20 | |
Your boys are tiny. | 0:18:25 | 0:18:27 | |
Cooler than that. | 0:18:27 | 0:18:28 | |
Well, why don't I wheel you lot out in body bags? | 0:18:30 | 0:18:32 | |
Say something like that. | 0:18:32 | 0:18:34 | |
Why don't we wheel you lot out in body bags? | 0:18:34 | 0:18:37 | |
Don't copy me, say something of your own. | 0:18:37 | 0:18:40 | |
-Just... -If you carry on, | 0:18:40 | 0:18:41 | |
I'm going to rip your head off and shit down your neck. | 0:18:41 | 0:18:44 | |
-Yeah, that's better. -Hey, took him a while there, | 0:18:44 | 0:18:46 | |
but he got there, didn't he, Sleet? | 0:18:46 | 0:18:48 | |
Yeah, we did, we got there eventually. | 0:18:48 | 0:18:49 | |
-Let's get out of here. -There was a load of graft to get there. | 0:18:49 | 0:18:52 | |
Back off, creep. You're nothing without Boyle. | 0:18:52 | 0:18:54 | |
'Finally, we headed to Scumville to lock horns with Tess Daly | 0:18:54 | 0:18:58 | |
'and Claudia Winkleman, local lowlife druggies who, | 0:18:58 | 0:19:02 | |
'like a crab with a blowtorch, | 0:19:02 | 0:19:04 | |
'were tricky and dangerous.' | 0:19:04 | 0:19:06 | |
-Are you ready? -HEAVY BASS PLAYS IN NEXT ROOM | 0:19:06 | 0:19:08 | |
You know what we're doing now? | 0:19:08 | 0:19:10 | |
We're about to roll into the gates of Hell. | 0:19:10 | 0:19:13 | |
You know what's in there? | 0:19:13 | 0:19:14 | |
It's a crack den, kid. | 0:19:14 | 0:19:16 | |
You ever been in a crack den before? | 0:19:16 | 0:19:17 | |
No. | 0:19:17 | 0:19:19 | |
I'm locked and loaded. | 0:19:19 | 0:19:20 | |
I got you a pepper spray, it's my home-made stuff. | 0:19:20 | 0:19:23 | |
-OK. -OK, listen. | 0:19:23 | 0:19:25 | |
We're going to have to go in stealth mode. | 0:19:25 | 0:19:28 | |
-What's stealth? -Stealth...what? | 0:19:28 | 0:19:31 | |
Really? | 0:19:31 | 0:19:32 | |
Stealth... | 0:19:34 | 0:19:36 | |
is quiet. | 0:19:36 | 0:19:37 | |
OK. | 0:19:37 | 0:19:38 | |
-You like my hair? -Yeah. | 0:19:46 | 0:19:48 | |
HE MOUTHS | 0:19:52 | 0:19:54 | |
Scared. Don't be scared. | 0:19:58 | 0:19:59 | |
Sorry, sorry. | 0:20:19 | 0:20:21 | |
I lost my balance. | 0:20:21 | 0:20:23 | |
-You idiot. -I'm sorry. | 0:20:23 | 0:20:25 | |
Wait. | 0:20:54 | 0:20:56 | |
When you're going to spray, | 0:21:01 | 0:21:02 | |
show me what you're going to do. | 0:21:02 | 0:21:04 | |
No, no, no, you're like a squirrel... | 0:21:04 | 0:21:06 | |
Going for some nuts. | 0:21:06 | 0:21:08 | |
Knock... open... SPRAY... | 0:21:08 | 0:21:12 | |
HE LAUGHS AUDIBLY | 0:21:12 | 0:21:15 | |
Hey, hey! | 0:21:15 | 0:21:17 | |
Wright! Mark! | 0:21:17 | 0:21:19 | |
We are fucked! | 0:21:19 | 0:21:21 | |
Pull yourself together. | 0:21:21 | 0:21:23 | |
-Sorry. -You're ruining it. | 0:21:27 | 0:21:28 | |
OK, knock. | 0:21:30 | 0:21:31 | |
HE KNOCKS ON DOOR | 0:21:32 | 0:21:34 | |
-MAN: -Yes? | 0:21:34 | 0:21:35 | |
-Who is it? Aaargh! -Jesus! | 0:21:35 | 0:21:37 | |
Aaargh! Aaargh! | 0:21:37 | 0:21:40 | |
I'm sorry, mate! | 0:21:40 | 0:21:42 | |
What are you doing? I'm sorry, buddy. | 0:21:42 | 0:21:44 | |
-His bollocks are out. -I'm sorry, buddy. | 0:21:44 | 0:21:46 | |
Let's get you back in your house. | 0:21:46 | 0:21:48 | |
MUFFLED SCREAMS | 0:21:48 | 0:21:49 | |
That was the wrong door. | 0:21:51 | 0:21:53 | |
We're looking for Tess Daly and Claudia Winkleman. | 0:21:53 | 0:21:56 | |
It's this one, down here. | 0:21:56 | 0:21:57 | |
OK, everybody freeze. | 0:21:58 | 0:22:00 | |
Everybody easy. | 0:22:00 | 0:22:02 | |
TESS LAUGHS | 0:22:02 | 0:22:04 | |
Detective Inspector! | 0:22:04 | 0:22:05 | |
To what do I owe the pleasure? | 0:22:05 | 0:22:07 | |
Seeing you pair of clowns is never a pleasure. | 0:22:07 | 0:22:10 | |
-LAUGHS: -Charmed, I'm sure! | 0:22:10 | 0:22:13 | |
Will you not take seat? | 0:22:13 | 0:22:14 | |
I don't want to take a seat. I don't want to catch anything. | 0:22:14 | 0:22:16 | |
That's not what he said last time he was here, is it, Tess-Tess? | 0:22:16 | 0:22:19 | |
-No, it's not. -Know what he said last time when he lived here? -No. | 0:22:19 | 0:22:22 | |
-I'll shut up. Ignore me, ignore me. -Shut up! | 0:22:22 | 0:22:24 | |
I was a different man back then. | 0:22:24 | 0:22:25 | |
Look, if you're not going to buy anything, | 0:22:25 | 0:22:27 | |
-I'd rather you just sling your hook. -Hey, wait there. | 0:22:27 | 0:22:29 | |
Is that Mulhern? Is that Stephen Mulhern? | 0:22:29 | 0:22:31 | |
I told you never to show your... | 0:22:31 | 0:22:33 | |
Come here! | 0:22:33 | 0:22:35 | |
Mark, don't let them leave! | 0:22:35 | 0:22:36 | |
And don't have sex with them! | 0:22:36 | 0:22:38 | |
Tess-Tess, he's all by himself. | 0:22:39 | 0:22:41 | |
Tess-Tess, come, come, sit down. | 0:22:41 | 0:22:42 | |
-Come and sit down. -Don't be scared. -Don't be scared. Sit down with us. | 0:22:42 | 0:22:45 | |
I know Daddy's gone, I know what it's like. Sit down. | 0:22:45 | 0:22:48 | |
Oh, my God, Tess-Tess, look at him, he's absolutely gorgeous. | 0:22:48 | 0:22:50 | |
-He's lovely. -Look at your face! It's absolutely gorge! | 0:22:50 | 0:22:53 | |
I could eat you, I could eat you up. | 0:22:53 | 0:22:54 | |
You've got a lovely face. | 0:22:54 | 0:22:56 | |
Now, Winkle, don't frighten him. | 0:22:56 | 0:22:58 | |
-I love a man in uniform, love it. -Winkle, heel. | 0:22:58 | 0:23:00 | |
Where were you both earlier today? | 0:23:00 | 0:23:02 | |
In the flat. In the flat. She doesn't like to go out. | 0:23:02 | 0:23:05 | |
-She doesn't like to go out. -I don't like the outside world. | 0:23:05 | 0:23:07 | |
I don't like going out cos rooms are too big once you leave this room. | 0:23:07 | 0:23:10 | |
-I don't like big rooms. -So, earlier today, you were both here. | 0:23:10 | 0:23:12 | |
-Right here. -We've had a bloody great day, | 0:23:12 | 0:23:14 | |
-haven't we, Tess-Tess? -Oh, such a wonderful day. | 0:23:14 | 0:23:16 | |
One for Winkle, one for Winkle. | 0:23:16 | 0:23:18 | |
She always forgets me. | 0:23:18 | 0:23:19 | |
Do you two know Daniel Radcliffe? | 0:23:19 | 0:23:21 | |
Not seen him for years. We used to know him. | 0:23:21 | 0:23:24 | |
I think he had a thing for Tess. | 0:23:24 | 0:23:26 | |
I've said it, I've said it. | 0:23:26 | 0:23:27 | |
You know that he... | 0:23:27 | 0:23:28 | |
he was murdered earlier. | 0:23:28 | 0:23:30 | |
-Oh. -Did you know about that? -No. | 0:23:30 | 0:23:32 | |
Oh, Tess-Tess, somebody... Oh, that's... | 0:23:32 | 0:23:34 | |
-Tess-Tess, that's awful. -That's very sad. | 0:23:34 | 0:23:36 | |
Winkle, show sadness. | 0:23:36 | 0:23:39 | |
-I'm sorry he's dead. -Oh, yeah. | 0:23:39 | 0:23:41 | |
Just stop this shit! | 0:23:41 | 0:23:43 | |
-Oh. -Oh! Oh! | 0:23:43 | 0:23:45 | |
-Oh! -Ohh! | 0:23:45 | 0:23:48 | |
Give me some real answers. | 0:23:48 | 0:23:50 | |
Tess-Tess has made him cross! Made him cross. | 0:23:50 | 0:23:52 | |
You're telling me you're sitting in one of the grimiest, | 0:23:52 | 0:23:55 | |
-dirtiest crack dens I've ever seen... -One of the best! | 0:23:55 | 0:23:58 | |
-This is the best crack, here. -..and you know nothing at all? | 0:23:58 | 0:24:00 | |
Nothing I'll tell you. | 0:24:00 | 0:24:02 | |
If you don't mind, I'm going to go and powder my nose. | 0:24:02 | 0:24:04 | |
-OK, Tess-Tess. -You be good. | 0:24:04 | 0:24:06 | |
Oh. Oh! | 0:24:06 | 0:24:08 | |
You can never have too many biscuits. | 0:24:08 | 0:24:10 | |
-Sleet! -Where's Tessie? | 0:24:10 | 0:24:12 | |
Where is she? | 0:24:12 | 0:24:13 | |
-Where's Tessie? -Sleet! | 0:24:13 | 0:24:15 | |
Did you take her? It's all right, don't worry, I've got Dolly. | 0:24:15 | 0:24:17 | |
I'm going to find my dolly. Oh, there it is, there's Dolly. | 0:24:17 | 0:24:20 | |
There's Dolly. | 0:24:20 | 0:24:21 | |
Say hello to Dolly. | 0:24:21 | 0:24:23 | |
-Say hello to Dolly. -Put the gun down. | 0:24:23 | 0:24:24 | |
I think your face is like an angel that cried. | 0:24:24 | 0:24:27 | |
Put it down, Winkle, put it down. | 0:24:27 | 0:24:29 | |
-Sleet! -It's like a little cloud made up of human skin. | 0:24:29 | 0:24:33 | |
Tessie! | 0:24:34 | 0:24:35 | |
SHE CACKLES | 0:24:35 | 0:24:37 | |
Sleet! SHE SLAMS THE DOOR | 0:24:37 | 0:24:40 | |
-Sleet, where you been? -What do you mean, where have I been? | 0:24:41 | 0:24:43 | |
You saw where I went. I went and chased Mulhern. | 0:24:43 | 0:24:45 | |
I just had a gun to my head. | 0:24:45 | 0:24:46 | |
What do you expect? You're in a crack den! | 0:24:46 | 0:24:49 | |
-You left me here. -What did I say as I left the room? | 0:24:49 | 0:24:51 | |
-Don't let them leave. -Where are they? | 0:24:51 | 0:24:53 | |
Would you let someone leave if they had a gun pointed at your head? | 0:24:53 | 0:24:56 | |
-No, I'd have pulled my gun. -I haven't got a gun! | 0:24:56 | 0:24:59 | |
Who are you trying to blame for this? | 0:24:59 | 0:25:00 | |
We're out of suspects! | 0:25:00 | 0:25:02 | |
You have become very sarcastic, and I don't like it! | 0:25:02 | 0:25:06 | |
This ends now. | 0:25:06 | 0:25:08 | |
'Mark and I kissed and said sorry. | 0:25:08 | 0:25:10 | |
'It was time to wrap up this case and put a justice bow on top. | 0:25:10 | 0:25:14 | |
'Wright decided who he thought was the Miranda-peddling killer | 0:25:14 | 0:25:18 | |
'and we headed over to meet them for le showdown, | 0:25:18 | 0:25:22 | |
'which is French for the end.' | 0:25:22 | 0:25:24 | |
Well, well, well! | 0:25:33 | 0:25:34 | |
What have we got here, Boyle? | 0:25:35 | 0:25:37 | |
Bit of a social, is it? | 0:25:38 | 0:25:40 | |
More like an antisocial with you around, you filthy pig! | 0:25:40 | 0:25:44 | |
What does that even mean? | 0:25:44 | 0:25:46 | |
What does this mean? You ready? | 0:25:46 | 0:25:49 | |
Take the shot. Take out Boyle, go! | 0:25:49 | 0:25:51 | |
SIRENS APPROACH TYRES SCREECH | 0:26:01 | 0:26:04 | |
Oh, my Boyled God! | 0:26:04 | 0:26:06 | |
Oh, come on, what is that?! | 0:26:06 | 0:26:10 | |
-What's that?! -That, sir, is what we call in the police a massacre. | 0:26:10 | 0:26:15 | |
Yes, I'm aware of that. | 0:26:15 | 0:26:16 | |
-Why? -Well, you'd have to ask Mark Wright why. | 0:26:16 | 0:26:19 | |
Mark, please explain. | 0:26:19 | 0:26:22 | |
Boyle - that's who we're after. | 0:26:22 | 0:26:23 | |
-He's killed Radcliffe. -Oh, has he? | 0:26:23 | 0:26:26 | |
How have you deduced that, Mark? | 0:26:26 | 0:26:28 | |
He's a seller of Miranda. | 0:26:28 | 0:26:29 | |
-Right. -What we're here for. | 0:26:29 | 0:26:31 | |
Yeah? How do you know? | 0:26:31 | 0:26:33 | |
Because when Radcliffe got killed, | 0:26:33 | 0:26:35 | |
-he told me "tequila"... -Right. | 0:26:35 | 0:26:37 | |
..and Boyle offered me a tequila. | 0:26:37 | 0:26:39 | |
-Oh...! -And also, sir, if I may, | 0:26:39 | 0:26:42 | |
I think when we open this little boot, | 0:26:42 | 0:26:45 | |
you'll find this thing's full of Miranda. | 0:26:45 | 0:26:49 | |
These are toys and lemons for the local orphanage. | 0:26:55 | 0:27:01 | |
Really, lemons? That's a weird thing to give a kid. | 0:27:01 | 0:27:03 | |
HE SLAMS BOOT | 0:27:03 | 0:27:04 | |
It couldn't have been Frankie Boyle. | 0:27:06 | 0:27:09 | |
Radcliffe didn't say "tequila". | 0:27:09 | 0:27:11 | |
He said "two killers". | 0:27:11 | 0:27:13 | |
Two...killers... | 0:27:13 | 0:27:15 | |
Tess Daly and Claudia Winkleman. | 0:27:15 | 0:27:17 | |
It couldn't have been Paul Hollywood. | 0:27:17 | 0:27:19 | |
Why? Because we was a member of the Sons of Peace. | 0:27:19 | 0:27:22 | |
I hope you didn't bring any weapons in here. | 0:27:22 | 0:27:24 | |
Yeah? | 0:27:24 | 0:27:25 | |
You were told that Miranda was made with bleach. | 0:27:25 | 0:27:29 | |
Tess and Claudia had bleach in their apartment, | 0:27:29 | 0:27:32 | |
but Boyle didn't have any in his. | 0:27:32 | 0:27:34 | |
What have you got to say for yourself? | 0:27:34 | 0:27:37 | |
I hated him. | 0:27:37 | 0:27:39 | |
I went into his flat, he intimidated me. | 0:27:39 | 0:27:41 | |
-Right. -He had three geezers round me with guns... -Ooh. | 0:27:41 | 0:27:45 | |
-..so I couldn't give a shit, anyway. -Yeah? -Cos I hate him. | 0:27:45 | 0:27:48 | |
Yeah? Mark Wright? | 0:27:48 | 0:27:50 | |
-Mark Wrong! -Mark Wright. | 0:27:50 | 0:27:53 | |
Mark Who? | 0:27:53 | 0:27:54 | |
-Mark Wright! -MARK WHO? | 0:27:54 | 0:27:56 | |
-MARK FUCKING WRIGHT! -MARK FUCKING WRONG! | 0:27:56 | 0:28:00 | |
Mark Wrong. | 0:28:03 | 0:28:05 | |
Get him out of my sight. | 0:28:05 | 0:28:07 | |
Get him out of my sight, you inflatable twat. | 0:28:07 | 0:28:10 | |
We're going, chief. | 0:28:10 | 0:28:11 | |
Sleet, say something, cos you thought it was him as well. | 0:28:11 | 0:28:13 | |
I didn't really think it was Boyle. | 0:28:13 | 0:28:15 | |
If I'm honest, I was just hanging out with you, having a good time. | 0:28:15 | 0:28:18 | |
It's been a hell of a day. | 0:28:18 | 0:28:19 | |
Think about what we've done together as friends, huh? | 0:28:19 | 0:28:22 | |
Do you know my favourite bit? | 0:28:22 | 0:28:24 | |
-Yeah, can I tell you mine? -When you pepper sprayed... | 0:28:24 | 0:28:27 | |
The old man! | 0:28:27 | 0:28:28 | |
THEY LAUGH | 0:28:28 | 0:28:30 | |
Now, THAT was what I call police work. | 0:28:30 | 0:28:33 | |
MUSIC: You Make My Dreams Come True by Hall & Oates | 0:28:33 | 0:28:36 |