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This programme contains strong language | 0:00:02 | 0:00:07 | |
Hi, I'm Cammy, Chris Kamara. | 0:00:07 | 0:00:08 | |
You normally see me as a sports presenter | 0:00:08 | 0:00:11 | |
but today I'm going to take part in my very own cop drama. | 0:00:11 | 0:00:15 | |
I've no idea what's going to happen to me but wish me luck. | 0:00:15 | 0:00:18 | |
I'm on my way to Successville. | 0:00:18 | 0:00:19 | |
Welcome to Successville, a town full of celebrities, | 0:00:25 | 0:00:29 | |
sometimes the famous faces that live here break the law and when they do, | 0:00:29 | 0:00:34 | |
I get to take them down. | 0:00:34 | 0:00:36 | |
I'm DI Sleet, I'm named after shitty weather. | 0:00:36 | 0:00:39 | |
It rains murder on me every day. | 0:00:39 | 0:00:41 | |
And I don't use an umbrella because I like to feel the blood on my face. | 0:00:41 | 0:00:45 | |
I guess that's pretty weird. | 0:00:45 | 0:00:47 | |
Want to hear another weird thing? | 0:00:47 | 0:00:48 | |
As a little boy, I was in the Brownies. | 0:00:48 | 0:00:51 | |
-What's that? -Oh, hello, chief. | 0:01:07 | 0:01:09 | |
Hi. What is that? | 0:01:09 | 0:01:11 | |
Well, it's a 1982 circa merchant ship from the Nigerian armada. | 0:01:11 | 0:01:17 | |
Wow. Good God. That's extraordinary. | 0:01:17 | 0:01:20 | |
-Thank you, sir. -Look at the anchor. | 0:01:20 | 0:01:21 | |
-Yeah. -Fuck me. -Yeah, I've actually carved the anchor | 0:01:21 | 0:01:25 | |
from a dog's tooth. | 0:01:25 | 0:01:26 | |
That's so resourceful. | 0:01:26 | 0:01:27 | |
Well, that's what I am, resourceful and caring. | 0:01:27 | 0:01:30 | |
Say you've just been sitting in here when you've been paid to solve cases | 0:01:30 | 0:01:34 | |
to make this piece of crap? | 0:01:34 | 0:01:35 | |
-Yeah. -You complete, fucking bell-end. | 0:01:37 | 0:01:40 | |
-I thought you were being too nice but... -I've got you a new rookie. | 0:01:40 | 0:01:43 | |
-Oh, great, that's all I need. -Get your finger out. | 0:01:43 | 0:01:46 | |
Some little princess who needs her their arse wiping. | 0:01:46 | 0:01:49 | |
This is your Princess, yes. | 0:01:49 | 0:01:51 | |
This hunking brute is DI Sleet. | 0:01:51 | 0:01:53 | |
Do the opposite of everything he tells you | 0:01:53 | 0:01:55 | |
and you might just get out of this alive. Fuck me. | 0:01:55 | 0:01:58 | |
Chris Kamara. | 0:01:58 | 0:01:59 | |
But you can call me Cammy. | 0:01:59 | 0:02:01 | |
I'll call you Kamara, thank you very much. | 0:02:01 | 0:02:03 | |
PC Kamara. | 0:02:03 | 0:02:05 | |
-Take a seat. -I'm not PC, I'll tell you that. | 0:02:05 | 0:02:08 | |
-Oh, really? -What? | 0:02:08 | 0:02:09 | |
The thing about this game, Chris, | 0:02:09 | 0:02:11 | |
is you got to be ready to destroy the things you love. | 0:02:11 | 0:02:14 | |
Take this. Like this with the butt up. | 0:02:14 | 0:02:17 | |
I want you to smash this to pieces. | 0:02:18 | 0:02:20 | |
I didn't think you'd actually do it like that. | 0:02:27 | 0:02:29 | |
I thought you'd stop before I had chance to... | 0:02:29 | 0:02:32 | |
You asked me to do it, guv. | 0:02:32 | 0:02:34 | |
I mean, how do you feel now? | 0:02:37 | 0:02:40 | |
-I feel good. -Do you? I feel a bit lost. | 0:02:40 | 0:02:43 | |
Give me the gun. Come back, please. Thank you. | 0:02:51 | 0:02:53 | |
You can always count on me, guv. | 0:02:55 | 0:02:57 | |
Yeah. I can see that. You don't care about other people's things. | 0:02:57 | 0:03:01 | |
Right. | 0:03:01 | 0:03:02 | |
Yes. Trouble at mill. | 0:03:06 | 0:03:07 | |
Oh, what is it now? | 0:03:07 | 0:03:08 | |
Someone's iced Alan Shearer. | 0:03:08 | 0:03:11 | |
-The champion racehorse? -I'm sorry, Sleet, the champion racehorse. | 0:03:11 | 0:03:14 | |
Well, look, there's no point sitting around moping, yes. | 0:03:16 | 0:03:19 | |
Yes, sir. Yes, chief. | 0:03:19 | 0:03:20 | |
I need you two to get your arses over to the stables, yes. | 0:03:20 | 0:03:25 | |
You might see an even bigger dick than yourselves. | 0:03:25 | 0:03:28 | |
You ready to jump on the wild horse that's called justice? | 0:03:28 | 0:03:31 | |
I'm with you, guv. | 0:03:31 | 0:03:33 | |
It's crime time and I'm leading the bus to Justiceville. | 0:03:33 | 0:03:37 | |
-Let's go solve... -Give me a ticket. | 0:03:37 | 0:03:39 | |
Hey, you ruined that by interrupting. | 0:03:39 | 0:03:42 | |
-Give me a ticket. -Well, you got a ticket that comes free of charge. | 0:03:42 | 0:03:46 | |
I'm with you all the way. | 0:03:46 | 0:03:47 | |
I like you, Chris. | 0:03:47 | 0:03:49 | |
I like you a lot. | 0:03:49 | 0:03:51 | |
Come on, Kamara. | 0:03:51 | 0:03:52 | |
Dammit. | 0:03:56 | 0:03:57 | |
Chris, grab the door. | 0:03:57 | 0:03:59 | |
Hey! | 0:04:01 | 0:04:02 | |
This is not a time for jokes, Kamara. | 0:04:05 | 0:04:07 | |
I'll take a pew, old friend. | 0:04:12 | 0:04:13 | |
He meant so much to you, didn't he? | 0:04:16 | 0:04:18 | |
He was the best friend a man could have. | 0:04:21 | 0:04:23 | |
I'm sorry that this has happened on your first day. | 0:04:23 | 0:04:26 | |
You'd have liked Alan. Do you like cheese and onion crisps? | 0:04:26 | 0:04:29 | |
I love cheese and onion crisps. | 0:04:29 | 0:04:30 | |
So did he. Did you like snooker, do you like snooker? | 0:04:30 | 0:04:35 | |
I love a game of snooker. | 0:04:35 | 0:04:39 | |
So did Alan. | 0:04:39 | 0:04:41 | |
Listen. You want to get some police work done? | 0:04:41 | 0:04:44 | |
We need to find the culprit. | 0:04:44 | 0:04:46 | |
Yeah, we do. Find him fast. | 0:04:46 | 0:04:47 | |
First port of call is that low-down piece of crap over there. | 0:04:47 | 0:04:50 | |
His jockey Tom Daley. | 0:04:50 | 0:04:51 | |
-Tom Daley. -I need you to find out what you can. | 0:04:51 | 0:04:54 | |
And don't go easy on him, Kamara. | 0:04:54 | 0:04:56 | |
I need to see some fire from you. | 0:04:56 | 0:04:58 | |
I'll be over in a second. | 0:04:58 | 0:04:59 | |
Tom Daley. | 0:05:00 | 0:05:01 | |
What do you know about the murder of Alan Shearer? | 0:05:02 | 0:05:06 | |
-They poisoned him. -How do you know that, Daley? | 0:05:06 | 0:05:08 | |
Cos they found high levels of toxins in his blood. | 0:05:08 | 0:05:10 | |
Have you got high levels of toxins in you, Daley? | 0:05:10 | 0:05:13 | |
No, just tea. Milk, no sugar. | 0:05:13 | 0:05:15 | |
I'll be the judge of that, Daley. | 0:05:15 | 0:05:16 | |
No, it's just tea, isn't it? | 0:05:20 | 0:05:22 | |
You're right on this occasion, Daley. | 0:05:22 | 0:05:24 | |
-But we're watching you. -Hey, listen, I found this. | 0:05:24 | 0:05:27 | |
I'm not sure what it means. | 0:05:28 | 0:05:30 | |
What have we got here? | 0:05:31 | 0:05:33 | |
Take a look at this, Governor. | 0:05:33 | 0:05:35 | |
What is this? Was this in his things? | 0:05:35 | 0:05:37 | |
You were told to lose the race. | 0:05:37 | 0:05:39 | |
Is this from the Successville Gazette? | 0:05:39 | 0:05:41 | |
Whoever left that note obviously wanted to put the frighteners on me. | 0:05:41 | 0:05:44 | |
Really, why? | 0:05:44 | 0:05:45 | |
Why would they do such a thing? | 0:05:45 | 0:05:47 | |
What's this all about, Daley? What aren't you telling us? | 0:05:47 | 0:05:50 | |
OK, I was bribed to lose the race. | 0:05:51 | 0:05:52 | |
You dance with the Devil now a horse is dead. | 0:05:52 | 0:05:55 | |
Hold this cup of tea, Chris, because this is about to get physical. | 0:05:55 | 0:05:58 | |
Look, he was a born winner. | 0:05:59 | 0:06:01 | |
He won't lose a race cos of you! | 0:06:01 | 0:06:03 | |
He's better than you. Who gave you the bribe? | 0:06:03 | 0:06:07 | |
Bishop. | 0:06:07 | 0:06:09 | |
Bishop. It was John Bishop. | 0:06:09 | 0:06:11 | |
Well, you can send a message out to every grease bag and scallywag you know - | 0:06:11 | 0:06:15 | |
me and Kamara are coming for him. | 0:06:15 | 0:06:17 | |
And we're bringing justice with us. | 0:06:17 | 0:06:20 | |
-OK? -Thank you, Sleet. | 0:06:20 | 0:06:22 | |
I'm not doing this for you. I'm doing this for a horse called Alan. | 0:06:22 | 0:06:25 | |
Come to his funeral. I'll be best man. | 0:06:27 | 0:06:29 | |
And I'll be wearing new socks. | 0:06:29 | 0:06:31 | |
-Don't be there. Don't be at his funeral. -I'll be there, | 0:06:31 | 0:06:33 | |
-it'd be weird if I wasn't there... -Don't you dare. | 0:06:33 | 0:06:36 | |
Don't eat all the vol-au-vents - | 0:06:36 | 0:06:38 | |
me and Chris will be hungry. So leave some for someone else. | 0:06:38 | 0:06:41 | |
-Don't be selfish with the vol-au-vents. -OK. | 0:06:41 | 0:06:43 | |
Don't finger all the sandwiches. | 0:06:43 | 0:06:45 | |
Have you got anything to say to him? | 0:06:45 | 0:06:47 | |
After that line, no. | 0:06:47 | 0:06:49 | |
Or maybe just push against the wall before we go. | 0:06:49 | 0:06:51 | |
No, don't do that. | 0:06:51 | 0:06:53 | |
Good push, Kamara. See you around, Daley, you freak. | 0:06:53 | 0:06:56 | |
My beloved Alan had been slaughtered for winning. | 0:07:01 | 0:07:03 | |
Daley tipped us off that sports promoter John Bishop was involved | 0:07:03 | 0:07:07 | |
and like a nervous guy at a sex party, | 0:07:07 | 0:07:09 | |
I just watched as Kamara got stuck in. | 0:07:09 | 0:07:11 | |
OK, Chris. What can you see on his desk? | 0:07:13 | 0:07:16 | |
A copy of the Daily Bugle. | 0:07:17 | 0:07:18 | |
Check the drawers, what's in there? | 0:07:18 | 0:07:20 | |
Oh, look at this, guv. | 0:07:20 | 0:07:21 | |
-What is it, Chris? -Dollars. | 0:07:21 | 0:07:23 | |
And loads and loads of them. | 0:07:23 | 0:07:24 | |
Chris, look behind the desk. | 0:07:24 | 0:07:26 | |
-There's a holdall. -Take it all. | 0:07:26 | 0:07:28 | |
All of it. There's something at the top, Kamara. | 0:07:28 | 0:07:31 | |
I can see it from here. | 0:07:31 | 0:07:33 | |
It's a betting slip. Name, Cara Delevingne. | 0:07:33 | 0:07:38 | |
2:30. Dentist time, guv. | 0:07:38 | 0:07:40 | |
Oh, 2:30. Ha-ha. | 0:07:40 | 0:07:41 | |
That's one of your jokes I actually get. | 0:07:42 | 0:07:44 | |
Oh, no, Chris, Bishop is coming back. | 0:07:44 | 0:07:46 | |
I repeat, Bishop is coming back. | 0:07:46 | 0:07:48 | |
-Bishop is coming back now? -Chris, get under the desk. | 0:07:48 | 0:07:51 | |
I repeat, get under the desk. Take the bag with you. | 0:07:51 | 0:07:54 | |
Do not let him see the bag. | 0:07:54 | 0:07:55 | |
Oh, God, Chris, got him coming back, he does not look happy. | 0:07:55 | 0:07:58 | |
Listen, follow my lead. Whatever you do, follow my lead, Chris. | 0:08:01 | 0:08:05 | |
If he catches you, he'll kill you. | 0:08:05 | 0:08:06 | |
-SCOUSE ACCENT: -Ey, there he is, Johnny Boy. | 0:08:09 | 0:08:13 | |
Looking good, mate. | 0:08:13 | 0:08:14 | |
Looking good. No, you're not. | 0:08:14 | 0:08:17 | |
You're pathetic. | 0:08:17 | 0:08:18 | |
Pathetic. No you're not, John. | 0:08:18 | 0:08:21 | |
Everybody likes you, you're a people person. | 0:08:21 | 0:08:23 | |
No, you're not. You're a low life scumbag, hustler. | 0:08:23 | 0:08:28 | |
You're a petty crook. | 0:08:28 | 0:08:29 | |
You're a hustler, John. | 0:08:29 | 0:08:31 | |
A hustler. I'm not. | 0:08:31 | 0:08:32 | |
I'm honest. I'm honest, John. | 0:08:32 | 0:08:35 | |
Oh, yeah? What are you going to do when people find out, John, hey? | 0:08:35 | 0:08:38 | |
What are you going to do about that? They won't find out, John. | 0:08:38 | 0:08:41 | |
Yes, they will. They're going to find out. | 0:08:41 | 0:08:43 | |
They're going to find out your dirty little secret, John. | 0:08:43 | 0:08:45 | |
What is going on in there? | 0:08:45 | 0:08:47 | |
You stupid twat. | 0:08:47 | 0:08:48 | |
-He's talking to himself. -I'm sorry, John. | 0:08:48 | 0:08:50 | |
-He is crazy. -What's that? | 0:08:50 | 0:08:52 | |
He heard you. Right, pretend you're a mouse. | 0:08:52 | 0:08:54 | |
-I repeat, pretend you're a mouse. -Is there somebody there? | 0:08:54 | 0:08:56 | |
Squeak, squeak. | 0:08:56 | 0:08:58 | |
Did you hear that, John, eh? Even the mice are laughing at you. | 0:08:58 | 0:09:03 | |
Even the mice think you're a prick. | 0:09:04 | 0:09:07 | |
There's only one thing left to do. | 0:09:08 | 0:09:10 | |
Why don't you just kill yourself, John? | 0:09:10 | 0:09:13 | |
-What's he saying? -He's going to kill himself. | 0:09:13 | 0:09:15 | |
What? Chris, you've got to stop him. You have to stop him. | 0:09:15 | 0:09:19 | |
-OK. -Don't do it, John. | 0:09:19 | 0:09:21 | |
Who are you? Did they send you? | 0:09:21 | 0:09:23 | |
I'm coming, Chris, | 0:09:23 | 0:09:24 | |
I'm coming. | 0:09:24 | 0:09:26 | |
-Back off, mate, or I'll kill you. -You wouldn't do that, John. | 0:09:26 | 0:09:29 | |
I would, don't even cross me, mate. I'm telling you I would do. | 0:09:29 | 0:09:31 | |
-I can see it in your eyes, you're not a killer. -I am. I am a killer. | 0:09:31 | 0:09:35 | |
Who the fuck is that? Sleet. | 0:09:35 | 0:09:37 | |
What are you doing here, Sleety? | 0:09:38 | 0:09:40 | |
That asthma again, guv? | 0:09:40 | 0:09:41 | |
-What did he say to you? -So many stairs. | 0:09:41 | 0:09:44 | |
What are you saying? Something about the stairs, is it? | 0:09:44 | 0:09:48 | |
Can't you get a lift? | 0:09:48 | 0:09:49 | |
There's a lift. | 0:09:49 | 0:09:51 | |
-Where? -Next to the stairs. -Is there? | 0:09:51 | 0:09:55 | |
You should have just said that, you know, Sleety. I didn't know | 0:09:55 | 0:09:58 | |
this was your mate. You could have told me, | 0:09:58 | 0:10:00 | |
it would have been all right. How are ya, mate? | 0:10:00 | 0:10:02 | |
-You're looking good, have you been to...? -Shut up. | 0:10:02 | 0:10:04 | |
Don't screw up your face like that. You look like a ball bag. | 0:10:04 | 0:10:07 | |
-What are you talking about? -You look a ball bag. | 0:10:07 | 0:10:09 | |
You look like a pair of testicles. Your face does. | 0:10:09 | 0:10:11 | |
I don't need me confidence knocking right now, you know. | 0:10:11 | 0:10:13 | |
-I'm feeling foul. -Really? Maybe what you need is him to throw | 0:10:13 | 0:10:16 | |
some questions at you. | 0:10:16 | 0:10:17 | |
-All right, then, go on. -Did you kill the horse, Alan Shearer? | 0:10:17 | 0:10:21 | |
Did I kill Alan Shearer? | 0:10:22 | 0:10:24 | |
You should be asking Cara Delevingne. | 0:10:25 | 0:10:27 | |
She's the one that paid me to fix the race. | 0:10:27 | 0:10:30 | |
Yeah. She had a load of money on Peter Crouch | 0:10:30 | 0:10:32 | |
but he didn't come first. | 0:10:32 | 0:10:34 | |
He came second. Second. | 0:10:34 | 0:10:36 | |
I'm telling you, Sleety. | 0:10:36 | 0:10:38 | |
There's a storm coming. | 0:10:39 | 0:10:40 | |
Yeah, you know what the storm's name is? | 0:10:40 | 0:10:44 | |
DI Sleet. | 0:10:44 | 0:10:45 | |
And Chris Kamara. And it's coming for you. | 0:10:45 | 0:10:48 | |
Ow! | 0:10:48 | 0:10:51 | |
Sleet takes Bishop. | 0:10:51 | 0:10:54 | |
Give him a little kick. | 0:10:54 | 0:10:56 | |
-Hey, Kamara. Grab the bag of money. -Yeah, go on, get out. | 0:10:56 | 0:10:59 | |
Thanks for nothing. | 0:11:00 | 0:11:02 | |
Cara Delevingne. | 0:11:04 | 0:11:06 | |
One of the Delevingne clan. | 0:11:06 | 0:11:07 | |
They made all their money in pharmaceuticals | 0:11:07 | 0:11:11 | |
and are worth billions. | 0:11:11 | 0:11:12 | |
That's right, let's go. | 0:11:14 | 0:11:16 | |
Let's go for it, guv. | 0:11:16 | 0:11:17 | |
Miss Delevingne, thank you for coming in. We are Successville PD. | 0:11:27 | 0:11:30 | |
I'm sure you know who I am. | 0:11:30 | 0:11:31 | |
Well, well, well. | 0:11:31 | 0:11:33 | |
-If it isn't DI Sleet. -Listen. | 0:11:33 | 0:11:36 | |
We have information that you placed a rather substantial, | 0:11:36 | 0:11:40 | |
large big bet on the racehorse that was Peter Crouch. | 0:11:40 | 0:11:44 | |
Must have been a little devastating when he lost. | 0:11:44 | 0:11:47 | |
I don't know what the hell you're talking about. | 0:11:47 | 0:11:49 | |
Seriously, this is so lame. | 0:11:49 | 0:11:52 | |
If you don't let me out of here, | 0:11:52 | 0:11:53 | |
I'll get my daddy to buy this entire police station and turn it into the | 0:11:53 | 0:11:57 | |
Museum of DI Sleet's tiny penis. | 0:11:57 | 0:11:59 | |
Well, I think on walking into the museum | 0:11:59 | 0:12:01 | |
that you might find that the... | 0:12:01 | 0:12:02 | |
it was in fact bigger than you might think it is. | 0:12:02 | 0:12:04 | |
-Would I? -Yeah, you would. | 0:12:04 | 0:12:06 | |
I can imagine you think I have a tiny penis. | 0:12:06 | 0:12:08 | |
Would I be in for a massive shock? | 0:12:08 | 0:12:09 | |
-Yes, you would. -Really? -A massive shock. | 0:12:09 | 0:12:11 | |
What, just no penis at all? | 0:12:11 | 0:12:12 | |
What? No, I do have a penis. | 0:12:12 | 0:12:14 | |
Nothing. Just smooth. | 0:12:14 | 0:12:15 | |
No, it's not smooth. I'm not a eunuch. | 0:12:15 | 0:12:17 | |
Have you seen my governor's penis? | 0:12:17 | 0:12:21 | |
-Hey. Let's just leave... -Sorry, who gave you permission to speak? | 0:12:21 | 0:12:23 | |
-Did you give him permission to speak? -He's allowed to speak... | 0:12:23 | 0:12:26 | |
-Who even is he? -This is Christopher Kamara. | 0:12:26 | 0:12:28 | |
Are you even qualified to be here? | 0:12:28 | 0:12:30 | |
Yes, he is. He's my rookie. | 0:12:30 | 0:12:32 | |
-Oh, dear. -I'm with him. | 0:12:32 | 0:12:34 | |
Yeah. Listen. | 0:12:34 | 0:12:35 | |
-Madame-muzz-well. -Madame-muzz-well? | 0:12:37 | 0:12:39 | |
Have you been to school? | 0:12:39 | 0:12:40 | |
-Madame-muzz-well, that's French, right? -Mademoiselle? | 0:12:40 | 0:12:42 | |
-Mademoiselle. -Have you even been to France? | 0:12:42 | 0:12:45 | |
-Yes. -When? | 0:12:45 | 0:12:46 | |
I don't know what you're laughing at. | 0:12:52 | 0:12:55 | |
When I'm laughing, I'm serious. | 0:12:55 | 0:12:57 | |
-That's a weird thing to say. -That's incredibly weird. | 0:12:57 | 0:12:59 | |
Right, let's get back to why you're here. | 0:12:59 | 0:13:01 | |
Go on, gladly. | 0:13:01 | 0:13:03 | |
What do you know about the death of Alan Shearer? | 0:13:03 | 0:13:05 | |
I know nothing about horses. | 0:13:05 | 0:13:07 | |
Do I look like I give a shit about horses? | 0:13:07 | 0:13:10 | |
I mean, is this seriously the best you can do? | 0:13:10 | 0:13:13 | |
Don't you have to pass some sort of fitness exam to get into the police? | 0:13:13 | 0:13:17 | |
Yeah, I passed it with flying colours. | 0:13:17 | 0:13:19 | |
I was top of my class. | 0:13:19 | 0:13:20 | |
In what? Having type I diabetes? | 0:13:20 | 0:13:23 | |
Type what? Stuffing your face with cake? | 0:13:23 | 0:13:26 | |
-Rolling down a hill? -Well, actually, I'm very good | 0:13:26 | 0:13:28 | |
at rolling down a hill. | 0:13:28 | 0:13:29 | |
Yeah, it's about all you can muster. | 0:13:29 | 0:13:31 | |
Governor's cutting down. He only had five meals today. | 0:13:31 | 0:13:33 | |
How dare you, Chris. | 0:13:33 | 0:13:35 | |
I was... How dare you. | 0:13:35 | 0:13:37 | |
I was watching you, guv. | 0:13:37 | 0:13:38 | |
You... | 0:13:38 | 0:13:40 | |
I'm sorry, Miss Delevingne, you must think we're a pair of clowns | 0:13:41 | 0:13:44 | |
-but we have intelligence... -Of course I do. | 0:13:44 | 0:13:46 | |
We have intelligence. | 0:13:46 | 0:13:48 | |
I doubt that very much. | 0:13:48 | 0:13:50 | |
-What? -I doubt that you have any intelligence between you at all. | 0:13:50 | 0:13:54 | |
You see, I get things done my way, OK? | 0:13:54 | 0:13:58 | |
When I was six years old, | 0:13:58 | 0:13:59 | |
I forced my nanny to undergo months of plastic surgery | 0:13:59 | 0:14:01 | |
to make her look like a mermaid. | 0:14:01 | 0:14:03 | |
By the time the procedure was completed and her tail was | 0:14:03 | 0:14:07 | |
attached, I'd grown bored of mermaids so, naturally, she hanged. | 0:14:07 | 0:14:11 | |
Sounds a bit fishy to me, guv. | 0:14:11 | 0:14:13 | |
Was that an attempt at a joke? | 0:14:14 | 0:14:16 | |
I think it was. He does that to try and lighten the mood. | 0:14:16 | 0:14:18 | |
It was absolutely terrible. | 0:14:18 | 0:14:22 | |
Yeah? It reminds me of a story of my own. | 0:14:22 | 0:14:25 | |
When I was a young boy I had a friend, he was a robot, | 0:14:25 | 0:14:28 | |
called Bobby. Made him out of small shoeboxes and a matchbox. | 0:14:28 | 0:14:34 | |
One day I came home from school | 0:14:34 | 0:14:36 | |
and my dad had thrown Bobby into the garden. | 0:14:36 | 0:14:39 | |
He said that Bobby was a telltale and an idiot. | 0:14:39 | 0:14:43 | |
-Bob. -He said he was a what? | 0:14:43 | 0:14:48 | |
He said that Bobby was a telltale tit. | 0:14:50 | 0:14:52 | |
He said Bobby was no good and was a telltale tit. | 0:14:56 | 0:14:59 | |
I remember looking from my bedroom window as the rain fell down on Bobby's carcass. | 0:14:59 | 0:15:03 | |
Then, I got all got all his soggy remains and I put them on my pillow. | 0:15:03 | 0:15:06 | |
God, you're disgusting. | 0:15:06 | 0:15:08 | |
-What? -Absolutely disgusting. | 0:15:08 | 0:15:10 | |
That story makes me feel physically sick. | 0:15:10 | 0:15:13 | |
How dare you! | 0:15:13 | 0:15:14 | |
How dare you! | 0:15:15 | 0:15:17 | |
-Steady, guv. -No. | 0:15:17 | 0:15:18 | |
I can't take it any more. | 0:15:18 | 0:15:20 | |
-It's only words. -A barrage of insults. | 0:15:20 | 0:15:22 | |
-I've never seen you so angry, guv. -I've never been so angry, Chris. | 0:15:22 | 0:15:25 | |
Can I have a word with my sidekick? | 0:15:25 | 0:15:27 | |
Oh, God. I want to cry, Chris. | 0:15:28 | 0:15:30 | |
-I want to cry. -You do realise I can hear you? | 0:15:30 | 0:15:32 | |
-No, I thought if... -And if you are going to cry, | 0:15:32 | 0:15:34 | |
are you going to cry tears of gravy, you fat, fucking pig? | 0:15:34 | 0:15:37 | |
Chris, I need to take five minutes out of here. | 0:15:41 | 0:15:43 | |
I'll sort everything out here - don't worry. | 0:15:43 | 0:15:45 | |
All right. Listen, whatever happens - do not let her leave. | 0:15:45 | 0:15:49 | |
-OK, toilet mouth. -Sorry. -It's just me and you. -I can't make out a word. | 0:15:54 | 0:15:57 | |
-Use those things on the side of your head. -Side of your... | 0:15:57 | 0:16:00 | |
-Toilet mouth. -Toilet... | 0:16:00 | 0:16:03 | |
I'll ask you one more time. | 0:16:03 | 0:16:04 | |
Did you have a bet on... | 0:16:04 | 0:16:05 | |
-Oh, hi, there! -..on Peter Crouch. -Hi. | 0:16:05 | 0:16:07 | |
Sorry I'm late. So sorry to interrupt. | 0:16:07 | 0:16:10 | |
I'm Miss Delevingne's lawyer. David Tennant. | 0:16:10 | 0:16:12 | |
Who invited you in, Mr Tennant? | 0:16:12 | 0:16:14 | |
-Oh, I'm her lawyer, so it's my right to come in here... -Yeah. | 0:16:14 | 0:16:17 | |
..whenever I want, isn't it? How are you doing, chicken? | 0:16:17 | 0:16:19 | |
I'm absolutely fine, thank you. | 0:16:19 | 0:16:21 | |
Right, baby. Oh, yeah. Now, listen - you've been talking to my client | 0:16:21 | 0:16:24 | |
without me present. That's not great, is it? | 0:16:24 | 0:16:28 | |
Considering there's no evidence to keep her here, | 0:16:28 | 0:16:31 | |
I do need you to sign this little release form. | 0:16:31 | 0:16:34 | |
It's just to say that she can go. | 0:16:34 | 0:16:36 | |
We can be on our way and then you don't need to worry about it any more. | 0:16:36 | 0:16:39 | |
-Is that OK with you? -I just need to ask her a few more questions. | 0:16:39 | 0:16:41 | |
-Yeah, well, just sign it there at the bottom, if you could. -Not yet, Mr Tennant. | 0:16:41 | 0:16:45 | |
All right, I won't bother with the form but I'll tell you what I do have in here. | 0:16:45 | 0:16:49 | |
My nephew's quite a big fan of yours. | 0:16:49 | 0:16:51 | |
Would you mind just giving me your autograph? | 0:16:51 | 0:16:53 | |
Yeah, here you go. There it is. Just stick it on the bottom of that piece... | 0:16:53 | 0:16:57 | |
Oh, is it on that release form again? | 0:16:57 | 0:16:59 | |
-Yes. Yeah. -What a joker you are! | 0:16:59 | 0:17:02 | |
It looks like it, doesn't it? But it's not. | 0:17:02 | 0:17:04 | |
His name is Release Form. | 0:17:04 | 0:17:05 | |
-Will you not sign it? It's for my nephew. Do you not like kids? -I love children. -Oh, do you? | 0:17:05 | 0:17:09 | |
-Oh, OK, that's interesting. -Oh, my God! You love children. -I'll have to remember that. | 0:17:09 | 0:17:12 | |
-There's something weird about that, isn't there? -That is pretty weird. | 0:17:12 | 0:17:17 | |
Did you just touch me under the table? | 0:17:17 | 0:17:19 | |
-Yeah. -He just touched me under the table! | 0:17:19 | 0:17:21 | |
-He just took my trousers off. -He took her trousers off. | 0:17:21 | 0:17:24 | |
-I'm naked. -Sign the form. | 0:17:24 | 0:17:26 | |
But I've got to admire your acting. It sounded really good. | 0:17:26 | 0:17:29 | |
And you - with your trousers? | 0:17:29 | 0:17:30 | |
Oh, we're talking about her trousers again? | 0:17:30 | 0:17:33 | |
For the record, Chris Kamara has started talking about my client's | 0:17:33 | 0:17:36 | |
trousers again and is making a really weird creepy laugh. | 0:17:36 | 0:17:40 | |
HE LAUGHS | 0:17:40 | 0:17:41 | |
-You heard it. -It is continuing. | 0:17:41 | 0:17:43 | |
-He's very, very... -It's getting longer. | 0:17:43 | 0:17:45 | |
Chris, just sign the form. Come on. | 0:17:45 | 0:17:46 | |
-Hey, Dave. -How's it going? | 0:17:48 | 0:17:50 | |
-Good to see you, pal. -Good to see you. -You well, my friend? | 0:17:50 | 0:17:53 | |
Sleet, I wanted to ask, by the way - do you mind just signing that quick for us? | 0:17:53 | 0:17:56 | |
-Of course. -So are you coming to golf next week or not? | 0:17:56 | 0:17:59 | |
-Oh, yeah, I'd love to be there. -Yeah, yeah. -Good. | 0:17:59 | 0:18:01 | |
-Oh, fantastic. -Guvnor, that's a release form. | 0:18:01 | 0:18:03 | |
Oh, oh! You just let my client go. | 0:18:03 | 0:18:07 | |
I can't believe you've done this to me again. | 0:18:07 | 0:18:09 | |
Goodbye! You are incredibly thick, aren't you? | 0:18:09 | 0:18:12 | |
Snidey little snake! | 0:18:12 | 0:18:13 | |
Is that invitation to golf even real? | 0:18:13 | 0:18:15 | |
No. I don't even play golf, Sleet. Come on, Cara. | 0:18:15 | 0:18:19 | |
Sit down, Kamara. Sit down. | 0:18:19 | 0:18:21 | |
-Don't blame me, guv. -What do you mean, don't blame you? | 0:18:21 | 0:18:24 | |
Why did you let me sign that thing? | 0:18:24 | 0:18:26 | |
I was doing all right before you came in, guv. | 0:18:26 | 0:18:29 | |
I have never been so offended in my entire life. | 0:18:29 | 0:18:34 | |
I've told you before, guv - you don't get out enough. | 0:18:34 | 0:18:36 | |
Right, that's it! | 0:18:36 | 0:18:38 | |
We need to do something about this. | 0:18:38 | 0:18:41 | |
Let's bring down a wrecking ball. | 0:18:41 | 0:18:43 | |
Time to talk to Sheikh Kanye West. | 0:18:45 | 0:18:47 | |
He owned Peter Crouch, Shearer's main horsey rival. | 0:18:47 | 0:18:51 | |
He was a secretive, powerful man. | 0:18:51 | 0:18:53 | |
Gaining an audience with him was harder than swimming in skis. | 0:18:53 | 0:18:57 | |
Lucky I had a plan. | 0:18:57 | 0:18:58 | |
-Hey, budge up. -Is that you, guvnor? | 0:19:03 | 0:19:05 | |
Hey. We need to give you a prostitute name. | 0:19:05 | 0:19:07 | |
Do you know how you do that? | 0:19:07 | 0:19:08 | |
What was the name of your first-ever pet? | 0:19:09 | 0:19:12 | |
-Kim. -Kim? | 0:19:12 | 0:19:13 | |
And what was the reason you lost your first job? | 0:19:13 | 0:19:16 | |
-I was useless. -OK, you will be known as Kim Useless. | 0:19:17 | 0:19:21 | |
My name is Crystal Meth. | 0:19:21 | 0:19:22 | |
OK, listen. You need to really ramp up the sexiness with your body, | 0:19:23 | 0:19:26 | |
cos he can't actually hear us. | 0:19:26 | 0:19:28 | |
So, like this. | 0:19:28 | 0:19:29 | |
God, I don't know if we're trying too hard. | 0:19:32 | 0:19:34 | |
I mean, I don't want to be those two girls in the club who everyone goes, | 0:19:34 | 0:19:37 | |
"Oh, look at those sluts." | 0:19:37 | 0:19:39 | |
-Oh, no, no. -Let's try and be a bit classy. | 0:19:39 | 0:19:41 | |
-Competition's tough. -It is. They're good-looking girls. | 0:19:41 | 0:19:44 | |
-But we... -We're out on top. | 0:19:44 | 0:19:46 | |
Oh, just tell me, now, Chris, and be honest - | 0:19:46 | 0:19:48 | |
have I put too much make-up on? | 0:19:48 | 0:19:49 | |
Oh, don't be silly. This is the best I've ever seen you looking, guv. | 0:19:49 | 0:19:53 | |
Oh, thank you, Chris. That's a really sweet thing to say. | 0:19:53 | 0:19:56 | |
I felt so fat next to Roxanne. | 0:19:56 | 0:19:58 | |
-Now, look at her... -If you wasn't a man, you'd be mine. | 0:19:59 | 0:20:01 | |
Oh, really? | 0:20:01 | 0:20:03 | |
THEY LAUGH | 0:20:03 | 0:20:04 | |
You are a cheeky little scamp, Kamara! I like it. | 0:20:04 | 0:20:08 | |
It's the way you say it, guv. | 0:20:08 | 0:20:09 | |
Hey, wait there! He's picked us. | 0:20:09 | 0:20:11 | |
Oh, yes. YES! | 0:20:11 | 0:20:12 | |
DANCE MUSIC | 0:20:15 | 0:20:19 | |
You like what you see? | 0:20:24 | 0:20:26 | |
Damn! | 0:20:26 | 0:20:28 | |
-Who are you? -My name's Crystal Meth | 0:20:28 | 0:20:32 | |
and just like the name and the drug, | 0:20:32 | 0:20:34 | |
once you've had a taste of me, | 0:20:34 | 0:20:36 | |
you'll be addicted and all your teeth will fall out. | 0:20:36 | 0:20:40 | |
Yeah, I like that in a woman. | 0:20:40 | 0:20:42 | |
-How old are you? -18. | 0:20:42 | 0:20:44 | |
18, huh? | 0:20:44 | 0:20:45 | |
-Yeah. -You should probably know too that I ain't wearing any knickers. | 0:20:45 | 0:20:50 | |
I forgot them when I left the house. | 0:20:50 | 0:20:53 | |
I also forgot my watch. | 0:20:53 | 0:20:54 | |
Yeah, I like that. I love a dirty girl. Yeah. | 0:20:54 | 0:20:57 | |
Now this is my friend Kimberly Useless. | 0:20:57 | 0:21:00 | |
Oops. Look, I dropped my handkerchief. | 0:21:00 | 0:21:02 | |
Could you pick it up for me? | 0:21:02 | 0:21:03 | |
You get it, Kimberly, because I have stiff knees and a bad back. | 0:21:03 | 0:21:07 | |
That's right. Stairway to heaven. Mmm! | 0:21:07 | 0:21:11 | |
Yeah! You know what? congratulations. | 0:21:11 | 0:21:13 | |
You two have won Sheikh Kanye's affections. | 0:21:13 | 0:21:15 | |
Please join me. | 0:21:15 | 0:21:17 | |
Oh, wow! What an invitation. | 0:21:17 | 0:21:18 | |
I can't believe we're such lucky girls. | 0:21:18 | 0:21:20 | |
-Oh, wow. -All right, listen up. | 0:21:22 | 0:21:25 | |
It's time for business. | 0:21:25 | 0:21:26 | |
Now, kiss. | 0:21:26 | 0:21:28 | |
Well, there's...yeah, just another note that, um... | 0:21:28 | 0:21:33 | |
I mean that's obviously, completely real that... | 0:21:33 | 0:21:36 | |
You should know, Yeezy likes to see a lot of tongue. | 0:21:36 | 0:21:39 | |
-OK. -Come on, guv. We'll get blown if we don't. | 0:21:39 | 0:21:42 | |
You seem a little bit too keen for this, Kamara, | 0:21:42 | 0:21:44 | |
to be completely honest with you, Kamara. | 0:21:44 | 0:21:48 | |
Kamara! | 0:21:48 | 0:21:50 | |
Yeah, grab that ass. Grab that ass! | 0:21:50 | 0:21:52 | |
-Oh, wow, this is a really good kiss. -Yeah, that's right, kiss her on the cheek. -Wow, god, wow! | 0:21:52 | 0:21:56 | |
It's about time we did YOU rather than us. | 0:21:56 | 0:21:58 | |
Yeah, why don't you come sit on my lap, pretty girl? | 0:21:58 | 0:22:01 | |
-Me? -Yeah. -Me. | 0:22:01 | 0:22:02 | |
I want you to talk dirty to me. | 0:22:02 | 0:22:04 | |
Oh, I feel like I'm a lucky girl, | 0:22:04 | 0:22:06 | |
being invited onto such a manly lap. | 0:22:06 | 0:22:08 | |
Oh, I'm falling all over the place. | 0:22:08 | 0:22:11 | |
-Come on here, yeah. -Oh. Oh. | 0:22:11 | 0:22:13 | |
Come sit on Kilimanjaro. | 0:22:13 | 0:22:15 | |
-Oh. -Talk to me, baby. | 0:22:15 | 0:22:17 | |
Oh, you know who's really sexy? | 0:22:17 | 0:22:19 | |
-Who's that? -Kim. | 0:22:19 | 0:22:21 | |
She's dirtier than me. | 0:22:21 | 0:22:23 | |
She's a dirty little bitch. Get over here, Kim, and say something filthy. | 0:22:23 | 0:22:27 | |
Can you handle the both of us? | 0:22:27 | 0:22:28 | |
You ain't seen nothing. | 0:22:28 | 0:22:30 | |
That's right. Come up on here. | 0:22:30 | 0:22:31 | |
-Oh, yeah. -Come on, kitty cat. | 0:22:31 | 0:22:33 | |
HE MEOWS | 0:22:33 | 0:22:34 | |
-That's right. -I'm a cat who bites back. | 0:22:34 | 0:22:38 | |
Hey, Kimberly, say something dirty. | 0:22:38 | 0:22:40 | |
You got a beautiful nose. | 0:22:40 | 0:22:42 | |
Yeah, that's right. I'm going to stick my nose all up in your ass. | 0:22:42 | 0:22:46 | |
-Oh, wow. -Yeah. That's right. -Look at those teeth. | 0:22:46 | 0:22:49 | |
-Yeah. -Those teeth could do all sorts to my little titties. | 0:22:49 | 0:22:52 | |
-You ain't no idea. -I'll bite them so soft. | 0:22:52 | 0:22:56 | |
Mmm! I'm ready. I'm waiting. | 0:22:56 | 0:22:59 | |
What's this I see? A little locket? | 0:22:59 | 0:23:01 | |
Oh, who's this little fella? | 0:23:01 | 0:23:03 | |
Yeah, that's my racehorse, Peter Crouch. | 0:23:03 | 0:23:05 | |
Yeah, he be winning races all the time. | 0:23:05 | 0:23:08 | |
Man, I love it when he win. | 0:23:08 | 0:23:10 | |
But when he lose, I take it badly. | 0:23:10 | 0:23:13 | |
Anyway, we'd better be off, actually. | 0:23:14 | 0:23:16 | |
Hey, wait, wait, wait, baby girl. | 0:23:16 | 0:23:18 | |
You can't go nowhere. I paid for all night. | 0:23:18 | 0:23:21 | |
-Can I have a second? -Sure. | 0:23:21 | 0:23:23 | |
Just to confer with my prostitute sister. | 0:23:23 | 0:23:26 | |
-Yeah. -Kamara. | 0:23:26 | 0:23:28 | |
Kim. As commanding officer, | 0:23:29 | 0:23:32 | |
I am going to have to take this one on the chin. | 0:23:32 | 0:23:35 | |
And on the back and in the hair. | 0:23:35 | 0:23:39 | |
-Yeah. -So... | 0:23:39 | 0:23:40 | |
Go on, get out of here, little scamp. | 0:23:42 | 0:23:43 | |
-OK. -OK. | 0:23:43 | 0:23:45 | |
I'll see you two later. | 0:23:45 | 0:23:46 | |
OK. Oh, wow. | 0:23:46 | 0:23:48 | |
You're really sexy. | 0:23:48 | 0:23:49 | |
Bye, baby. Don't do anything I wouldn't do. | 0:23:49 | 0:23:52 | |
Oh, I think we will. | 0:23:52 | 0:23:54 | |
'After a long shower and a little cry, we headed over to Alan's funeral. | 0:23:54 | 0:23:58 | |
'it was time to avenge his death with poisoned champagne.' | 0:23:58 | 0:24:02 | |
We were more than colleagues. | 0:24:02 | 0:24:04 | |
-We were friends. -Tell us a story anyone will find interesting. | 0:24:05 | 0:24:09 | |
As you all know that I was very close to Alan and I know that he'd be... | 0:24:09 | 0:24:12 | |
-Alan hated you. -Very pleased that his best friend could... | 0:24:12 | 0:24:15 | |
-Oh, shut up. -No. I'm not going to shut up, because I'm his best friend. | 0:24:15 | 0:24:19 | |
Be quiet. | 0:24:19 | 0:24:20 | |
-I'll miss you, Alan. -Right, that's it. I can't take any more of this crap. | 0:24:22 | 0:24:27 | |
-Out the way, Daley. -But I haven't... | 0:24:27 | 0:24:28 | |
Shut up. Chris, would you hand around the glasses? | 0:24:28 | 0:24:33 | |
Um, I didn't have enough money for loads of champagne. | 0:24:33 | 0:24:38 | |
I only had enough for one bottle. | 0:24:38 | 0:24:40 | |
It's Alan's favourite champagne and it's from Turkey. | 0:24:40 | 0:24:43 | |
Enjoy. Hey, Chris, come and join me up here, old friend. | 0:24:44 | 0:24:46 | |
HE COUGHS | 0:24:48 | 0:24:49 | |
-Oh, God. -Take your time. Take your time. | 0:24:49 | 0:24:53 | |
It's not easy. | 0:24:53 | 0:24:54 | |
HE GROANS | 0:24:54 | 0:24:55 | |
Take your time, guv. | 0:24:56 | 0:24:57 | |
OK. Oh, God, be a man. | 0:24:57 | 0:24:59 | |
Come on, you can do it. Don't judge me, Mummy. | 0:24:59 | 0:25:02 | |
Here, look. With your...your big old face... | 0:25:02 | 0:25:08 | |
I used to love when we played kiss chase. | 0:25:08 | 0:25:10 | |
HE GRUNTS LOUDLY | 0:25:10 | 0:25:14 | |
Is it OK if you finish this, Chris? I don't think I have it in me. | 0:25:14 | 0:25:17 | |
-Oh, God. -I will miss our... | 0:25:18 | 0:25:22 | |
Guvnor, I forgot my glasses. | 0:25:24 | 0:25:26 | |
-What? -I might be able to read it from back here, guv. | 0:25:26 | 0:25:29 | |
Are you...this is one of your jokes. | 0:25:30 | 0:25:32 | |
You choose here at Alan's... to crack one of your ludicrous jokes. | 0:25:32 | 0:25:36 | |
HE LAUGHS | 0:25:36 | 0:25:39 | |
Hold it together, Kamara. | 0:25:39 | 0:25:41 | |
What would you feel like if I laughed at your funeral? | 0:25:41 | 0:25:44 | |
I will miss our talks and your polo breath. | 0:25:46 | 0:25:50 | |
-Great words, guv. -I haven't finished yet. | 0:25:50 | 0:25:52 | |
You just completely ruined the end of this poem. | 0:25:52 | 0:25:54 | |
Thank you, Kamara. | 0:25:54 | 0:25:55 | |
So we're going to raise our glasses. Chris, would you like to... | 0:25:56 | 0:25:59 | |
You say the toast. Alan would have liked that. | 0:25:59 | 0:26:03 | |
The king and the champion of all racehorses, Alan Shearer. | 0:26:03 | 0:26:08 | |
Alan. Don't toast. Don't you toast without a glass. | 0:26:08 | 0:26:11 | |
Put your hand down. Put it down. | 0:26:11 | 0:26:13 | |
What? | 0:26:14 | 0:26:16 | |
What's in that? | 0:26:16 | 0:26:17 | |
Is that cheap stuff? Eurgh! | 0:26:19 | 0:26:21 | |
Oh, sweet Jesus. | 0:26:21 | 0:26:23 | |
What is that? | 0:26:23 | 0:26:25 | |
That, sir, is a horse murderer. | 0:26:25 | 0:26:27 | |
-Says who? -Says Chris Kamara. | 0:26:27 | 0:26:29 | |
The floor is yours. | 0:26:29 | 0:26:31 | |
-Kamara, tell him why. -It had to be him, Chief. | 0:26:31 | 0:26:33 | |
Well, please enlighten me, Chris. | 0:26:33 | 0:26:36 | |
I went to his office. | 0:26:36 | 0:26:38 | |
In the office, guvnor, I found a betting slip | 0:26:38 | 0:26:42 | |
for Miss Delevingne. | 0:26:42 | 0:26:43 | |
Also in the drawer was a lot of money in the drawer | 0:26:43 | 0:26:47 | |
and Bishop was there to shoot himself. | 0:26:47 | 0:26:50 | |
-So what? -His conscience was getting the better of him. | 0:26:52 | 0:26:55 | |
Oh, I see. His conscience, eh? | 0:26:55 | 0:26:57 | |
Well, I'm afraid, Chris, | 0:26:57 | 0:26:59 | |
that you've completely buggered up this investigation. | 0:26:59 | 0:27:02 | |
I hope you're feeling good about yourself. | 0:27:02 | 0:27:04 | |
The killer was not John Bishop. | 0:27:04 | 0:27:06 | |
It was Cara Delevingne. | 0:27:06 | 0:27:08 | |
Take her away, lads. | 0:27:09 | 0:27:11 | |
I'll be out by the end of the day. My daddy OWNS the prison. | 0:27:11 | 0:27:13 | |
Yeah, you will be destroyed in prison. | 0:27:13 | 0:27:17 | |
Of course it was Cara. | 0:27:17 | 0:27:18 | |
That betting slip that you saw in John Bishop's office - | 0:27:18 | 0:27:21 | |
that was hers. | 0:27:21 | 0:27:22 | |
You clocked it, yes? | 0:27:22 | 0:27:24 | |
Now, you might have seen that the family fortune was in freefall | 0:27:24 | 0:27:29 | |
if you'd bothered to read one single fucking paper | 0:27:29 | 0:27:33 | |
so Cara thought that she could make it back | 0:27:33 | 0:27:36 | |
by betting everything she had on Peter Crouch | 0:27:36 | 0:27:39 | |
but Peter Crouch lost and Alan Shearer won | 0:27:39 | 0:27:42 | |
and she went mad and slaughtered him. | 0:27:42 | 0:27:44 | |
It wasn't John Bishop. | 0:27:44 | 0:27:46 | |
Why? Because the note - yes? - | 0:27:46 | 0:27:49 | |
found on Alan Shearer's body was made up of letters from... | 0:27:49 | 0:27:53 | |
Successful Gazette. | 0:27:53 | 0:27:55 | |
..but John Bishop read the Successful Bugle. | 0:27:55 | 0:28:01 | |
And as for you, don't just stand there grinning like some massive sleazy garden gnome. | 0:28:01 | 0:28:08 | |
Go home. | 0:28:08 | 0:28:09 | |
How did I get it wrong, guv? | 0:28:12 | 0:28:13 | |
I don't know, Chris. | 0:28:13 | 0:28:14 | |
But I guess the thing is - | 0:28:14 | 0:28:17 | |
yeah, Alan's gone but I got a new best friend now. | 0:28:17 | 0:28:20 | |
-Come on, let's get out of here. -Let's go for it. | 0:28:20 | 0:28:23 | |
Hey, Kamara. I hear that the Successville Hotspurs are after a new manager. | 0:28:23 | 0:28:27 | |
-Fancy that? -Anything's better than police work. | 0:28:27 | 0:28:30 | |
THEY LAUGH | 0:28:30 | 0:28:33 | |
Now, that's a great joke! | 0:28:33 | 0:28:35 | |
# Here comes Johnny singing oldies, goldies | 0:28:35 | 0:28:38 | |
# Be-Bop-A-Lula, baby, what I say | 0:28:38 | 0:28:40 | |
# Here comes Johnny singing I gotta woman | 0:28:40 | 0:28:43 | |
# Down in the tunnel trying to make it pay | 0:28:43 | 0:28:46 | |
# He got the action, he got the motion | 0:28:46 | 0:28:48 | |
# Oh, yeah, the boy can play | 0:28:48 | 0:28:51 | |
# Dedication, devotion | 0:28:51 | 0:28:54 | |
# Turning all the night-time into the day | 0:28:54 | 0:28:57 | |
# He do the song about the sweet lovin' woman... # | 0:28:57 | 0:28:59 |