Episode 4 My Favourite Joke


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Coming up: Britain's best loved comedians reveal

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who gets their chuckle muscles working overtime.

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When I watched Dave Allen as a child,

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I rolled around the floor, laughing at him, properly in pain laughing.

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SCREAMS

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There's no-one else like Steve Martin.

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It's just stupid!

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From stand-up routines to classic sketches,

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they're letting us in on their all-time favourite jokes

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and their love, envy and sheer admiration

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for the star performers who told them.

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Happy feet!

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It felt so new, it was like seeing modern art for the first time.

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You know, what she sells is madness!

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Next.

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You know, as a child, that was pure gold!

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Why didn't I think of that? Why didn't I write that joke?

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So, dust off your laughing gear, hold onto your armchairs

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and buckle up for a raucous ride into the land of comedy!

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I'm not stretching the point too far

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to say that Steve Martin on Parkinson

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is why I am sat in front of you today.

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That is the one reason.

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Ladies and gentlemen, Mr Steve Martin!

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APPLAUSE

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It was Steve Martin's first UK appearance, television appearance.

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I was 17.

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# Hey, I got music

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# I got rhy-y-thm. #

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LAUGHTER

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I just was pissing myself laughing pretty much all the way through.

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Just, the joy. I got tingles.

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-APPLAUSE AND LAUGHTER

-It's a funny gag.

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Straight away, you're laughing. A guy in a pink suit with an arrow in his head.

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Ha-ha-ha-ha!

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And he does juggling. Steve Martin, that's the first guy

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I saw do that funny thing with the third ball routine.

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Now, three!

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LAUGHTER AND APPLAUSE

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HE PLAYS THE BANJO

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And these were genuinely things I'd never seen someone ever do before.

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# Well, I'm rambling, rambling round

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# I'm rambling guy, oh, yes. #

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HE WHISTLES

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Fame travelled much slower across the pond back then.

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A virtual unknown in the UK,

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Steve Martin was a megastar in the States.

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He became a rock'n'roll comedian.

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He was so explosive and so fast and suddenly,

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he was on the cover of magazines - Rolling Stone,

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he's on Saturday Night Live,

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he's filling giant arenas.

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When you see people playing the O2 now, Steve Martin was the first one to do that.

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Steve Martin's unique off-the-wall act was totally out of the ordinary,

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creating mayhem and general bemusement all round.

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Here you go.

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And now, YOU are funny, too.

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-LAUGHTER

-'The audience over there got it'

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but when he came here,

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he looked like a guy playing the banjo and doing stupid stuff.

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Yes. No.

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-LAUGHTER

-Yes...

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'Parkinson and Clive James are watching him,'

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going, "Hnhnh?" like Scooby Doo. They just don't get it.

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And Steve is doing cat juggling and doing happy feet!

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Oh, no, I'm getting...happy feet!

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LAUGHTER AND APPLAUSE

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When I saw it, I just roared with laughter.

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# You better smile, smile, smile, smile, smile, smile... #

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That kind of very, very silly comedy does appeal to your inner child.

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'Do you ever wonder...'

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where all the farts go?

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But his most stand-out moment was when Steve demonstrated

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that he wasn't to be trusted with chat show hosts.

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There's a moment where Parkinson goes, "What's the difference between British and American comedy?"

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And Steve Martin is holding a pair a scissors.

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Let's say you were going to cut someone's tie.

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An American comedian I think, would give it... Oh, I'm not going to use mine!

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-..would give it more of a shot...

-This is a joke, is it?

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Well, this is an example.

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And he gets Parkinson's tie and he cuts tassels in it at the bottom.

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LAUGHTER AND SCATTERED APPLAUSE

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'That is English comedy. And then he talks about American comedy,'

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and he cuts off... the tie at the neck.

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Of course, an American would just use the more...

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LAUGHTER AND APPLAUSE

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Parkinson was almost as pissed off as when the emu attacked him.

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LAUGHTER

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-I think that's very funny. Don't you, Clive?

-Are you sure you didn't have that ready?

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No, indeed not. I'd have wore a different bloody tie if I'd known that!

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Steve Martin may have left his host unamused

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but he certainly made a huge impact on impressionable young minds.

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There's no-one like Steve Martin.

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He's just daft and he's the master at being just...

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absurd and stupid but very, very, very funny.

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LAUGHTER

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'If you're going to do silly, you have to really believe in the silly.'

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Otherwise, the audience spot it.

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And he really believed in the silly.

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It was a revelation.

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It felt so new, it was like seeing

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modern art for the first time if I can get pretentious.

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It was like seeing something that touches you in some way

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but not in the way that art previously had worked for you.

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It was like someone saying, "Hold on, this is not comedy

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"because it doesn't fit any of the guidelines for comedy that I've grown up expecting."

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DNA molecule!

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And yet, I'm laughing. And that's why I adore Steve Martin.

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-Venereal disease.

-LAUGHTER

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Everyone has that kind of moment in their life where one moment changes how they see something

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for the rest of their life.

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'He was like the Sex Pistols were to music

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'to my perception of comedy,'

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and it was just, bam!

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OK. Thank you very much. Good night! Well, see you again!

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Dick Emery was a huge part of my Saturday night entertainment.

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My whole generation loved watching him

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and strangely now, he's very much forgotten about, really.

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He had such a wide range of characters.

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You were guaranteed a lot of laughs. I was open mouthed watching him.

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I used to think, "This can't be the same man. This can't be him."

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The Dick Emery Show

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became a mainstay of the BBC schedules,

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running for almost 20 years with king of the catchphrase Dick Emery

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appearing in every single sketch.

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'He could play gay men - he played this one character,'

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"Hello, honky tonks", and it was so flamboyant.

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Oh, olives, stuffed! Oh, that'll make a change!

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'The women he played were believable. He played different sorts of women.'

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Ooh, you are awful.

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But I like you!

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LAUGHTER

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This wide range of characters from posh vicars to the bovver boy character.

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LAUGHTER

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Dad...

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-I think I got it wrong again.

-I think you got it wrong again.

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In 1975, Dick Emery created five and half minutes of comedy gold

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with a masterfully executed driving test sketch.

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'Ere, Mr Bush, I've passed my test! I've passed it!

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'Ere, you're a good driving instructor!

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In that sketch, you see something new at the time - to put together all the characters.

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Harry Enfield did it again but not often.

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It's difficult to put all the characters into the same sketch.

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That means I can drive any car I like.

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-That's right. You'll have to get yourself a car.

-That's right.

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'Ere, I think I'll have this one.

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LAUGHTER

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The opening of that driving test sketch is extraordinary.

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LAUGHTER

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On its own, it's a brilliant sketch and it's got a great punchline.

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But before that, there are four or five massive laughs in there.

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-You seem to be in a bit of a nervous state.

-A nervous state?

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You should have seen me before I took my tranquilizers.

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His nervousness, the way he is so petrified - brilliant, absolutely brilliant.

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Oh, dear, it doesn't seem to be your day, does it?

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If I were you, I'd just pack up and go home.

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You're in no fit state to be on the road.

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-Mr Charmers.

-Yes, I'm here.

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OK, he's all yours. Take him away.

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LAUGHTER Mr Charmers....

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'When I was little, I would watch Dick Emery with my dad'

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and just be sort of... I think ghastly is the word for Dick Emery.

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He was prepared to be ghastly.

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-I assume you've taken the necessary instruction to take the test?

-All guidance come from on high.

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'And his characters were all like people with big teeth

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'and randy middle-aged women. And he was funny.'

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I just really, really love Dick Emery.

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Love Dick Emery. I liked all of the characters.

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But, um, I personally liked it best when he was in drag.

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"Hello, honky tonk." I mean, that gay man with the leather cap.

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I mean, I should be offended by that but you can't be,

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it's so camp - "Hello, honky tonk."

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That licence is as good as in my pocket.

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I should have another think, sweetheart.

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You've got me for your examiner! Put those away. Come on, let's go.

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You wouldn't have had any trouble, honky tonks.

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I'd pass you sitting on that bench!

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When he did the woman, "You are awful, but I like you",

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and would push the man out the way,

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you know, as a child, that was pure gold.

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Very good. For an attractive young lady, you surprise me.

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You drove like a man.

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Oh, thank you.

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Apart from your two big boobs.

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Look how you reacted when that policeman suddenly put his hand up.

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Ooh, you are awful.

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But I like you.

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LAUGHTER

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Ooh, you are awful.

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But I like you.

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'And that sexually repressed woman!'

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Excuse me.

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Yes, madam.

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'I think her name was Hetty,'

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and she had these really '60s, '70s glasses on that went up like this

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and her eyes were so desperate behind them, you know.

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This hair was perfectly done and this handbag clasped so tight.

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I heard that one of your examiners won't pass a woman driver

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unless she lets him have his way with her!

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'But underneath it was this woman'

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who was desperate for human contact and for male contact.

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Point him out to me, I'll have him.

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No, you point him out to me and I'LL have him!

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LAUGHTER

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A nice distinguished gentleman like you...

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It's just so funny!

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It's a guilty pleasure, really,

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because probably, it's not that clever but it's hilarious!

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CAR HORN TOOTS

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CRASH!

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LAUGHTER

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Always at the back of my mind, Dick Emery has been there

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as somebody who was really able to act well

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'as well as be a good comic

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'and that's always what I've wanted to do.'

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He was inspirational.

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There is a legend about a working housewife and a mother of five

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who at the age of 37 suddenly decided she was funny,

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so they say, she walked on stage and the audience told her that she was right.

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Phyllis Diller was a tremendous groundbreaker for women comedians

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because she bridged the gap

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between when you had to be like zany and kooky and ugly

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or you weren't considered funny.

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Phyllis Diller!

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APPLAUSE

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'I remember the first time I saw her on television.

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'She came on as a really wild character

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'so you were able to feel at ease with her'

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because you felt superior to her but the wit was so sharp.

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If I have one more lift, it'll be Caesarean.

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Her jokes are so simple

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and so clean.

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The hair on the top of my head is so thin

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that part is on the roof of my mouth.

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And I think I got this thing on upside down.

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And I know the hanger is still in it!

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In 1955, middle-aged housewife and mother Phyllis Diller

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stormed her way into the male-dominated world of stand-up comedy.

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I mean, it's an extraordinary story, Phyllis Diller,

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she was out there doing it and brilliantly

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in a nearly totally male domain.

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Miss Phyllis Diller!

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Diller's quickfire stand-up routines made her a huge star

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and she was one of the only female comedians to share the stage

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with comedy giants including Groucho Marx and Bob Hope.

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Phyllis Diller, what she sells is madness.

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Ha-ha-ha-ha-ha!

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You know, she comes out with the hair, the kind of scarecrow body

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and she's just a bit bonkers.

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So, I said to the lady, I said, "I want to buy something very sexy to catch a man."

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You ready? She sold me 20 feet of rope and a gun.

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LAUGHTER

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But it was a routine about her lazy dog that got Joan Rivers worked up.

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You know when you know somebody's wonderful when you watch them

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and you say, "Why didn't I think of that?

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"Why didn't I write that joke?"

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We have the world's dumbest dog!

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Have you heard of an Alsatian who bites his nails?

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Her dog routine with her dog was so lazy that he wouldn't stand up.

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-'Brilliant!'

-Ha-ha-ha-ha!

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And he's easy to find because he never moves, he just lays there.

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One day, I laid down alongside the couch to see what the hell he would look like standing up.

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The one stupid joke about her dog is so lazy,

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she wants to see what he looks like standing up, she has to lie down next to him.

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And that to me is one of my favourite jokes of hers.

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You say, "Attack!" and he has one.

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LAUGHTER

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And it's not even the greatest of her jokes.

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But every time I look at my slug of a dog, I think, Phyllis's joke. "Why didn't I think of that?"

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He's up for the Nobel piss prize!

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Phyllis Diller is a trail blazer.

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I watch her now and send a little thank you

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because I think she made it a lot easier for women in this job

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without some of us even realising.

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She was just funny!

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Oh, heavens, the last time I was in court, the magistrate said,

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he said it was the worst case of hit and run he'd ever seen in his life!

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He thought I was the victim!

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Phyllis influenced me in a very negative way

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because I said I'm not going to dress like that and I'm not going to be the class clown.

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I am going to come out and be a college graduate

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and be smart and either you come with me or I don't care.

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Dave Allen was one of those people who was very different from other comics.

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Just to see a man sitting at a seat, telling stories

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was already different.

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In a career spanning four decades,

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Dave Allen both charmed and entertained the nation with his rueful style of sit-down comedy.

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He was so engaging on the bar stool with the glass of whisky and the cigarette.

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It was like walking into a pub with my dad and suddenly,

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there was this bloke at the bar who was the best of your dad's mates

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and the funniest.

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'He had something about him'

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that was that great gift of being able to tell a story

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and spin the yarn so that everything was seen through his sense of logic

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and that's where the laughter and the fun of it came in.

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And as a practising atheist, there are certain things...

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I travel around the world and no matter where I go,

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somebody called Gideon leaves me this book to read.

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Dave Allen was notorious for his long but perfect monologues.

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Delivered with the precise timing of a comedy assassin,

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his material on religion made him Ireland's most controversial export.

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When I saw that sort of stuff, you know, in the '70s,

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I thought, this man is brave, he's really funny.

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Anyone can come out and go, "Anyone who's into religion is bonkers,"

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but when he breaks things down, and says, "Do you understand what's going on here?"

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There are certain things when I read the Bible,

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and I do read the Bible, that I find difficult to understand.

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If God has been there forever, what was he doing before he got to us?

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I mean, what was he out there doing? Was he sitting there, going, "Bub-bub-bub"?

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"Bored today. What will I do?"

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Suddenly from nowhere, he decided to create a world. "I'll make a world, that's what I'll do!"

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His stuff on religion is probably his greatest legacy.

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The routine that most encapsulates this is the Adam and Eve routine

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because that routine does what any great stand-up does - point out the ridiculousness of something.

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Rivers, seas, mountains.

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Puh, puh, puh. Pu-coh!

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Vroom, everything's there!

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I want a garden.

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I'd like a nice garden.

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Whack! Garden of Eden.

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I hate gardening.

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I need a gardener!

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Ah, gardener. Spit and dust. Adam! Boom!

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And he, Adam, never once says,

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"Where in the name of God did I come from?"

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I mean, he's 40 years of age, he has no childhood, he has no recall,

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he doesn't say, "How did I get here?"

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But he's quite happy, he just kind of trundles round the garden, working away.

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And God is looking at him,

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and he sees that Adam is happy.

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LAUGHTER

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I didn't put him there to be happy.

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LAUGHTER

0:19:030:19:05

I'll put a stop to that!

0:19:050:19:07

'He takes the story of Adam and Eve,'

0:19:070:19:10

but what's brilliant to watch, as a comic,

0:19:100:19:12

is watch the escalation of it.

0:19:120:19:14

Just watch the beats as he makes it bigger and bigger

0:19:140:19:16

and more and more stupid.

0:19:160:19:18

And from his rib, he makes Woman.

0:19:180:19:21

And Adam wakes up in the morning, he's a real thickie!

0:19:210:19:25

He's lying there and there's somebody else,

0:19:250:19:28

and he doesn't say, "Where did you come from?

0:19:280:19:30

"How the hell did you get here?

0:19:300:19:32

"Where did you get those lumps?"

0:19:320:19:35

LAUGHTER

0:19:350:19:38

LAUGHTER

0:19:400:19:42

APPLAUSE

0:19:420:19:46

It was more the intelligence of it, the unwavering intelligence of it,

0:19:460:19:50

just the fact that he would forensically, laser like hone in on something and dissect it.

0:19:500:19:55

And God comes down and has a conversation with Eve,

0:19:550:19:58

and tells her that she can eat of any fruit on the tree...

0:19:580:20:02

..in the whole garden,

0:20:030:20:05

with the exception of one fruit tree.

0:20:050:20:08

He's talking to a woman!

0:20:080:20:10

LAUGHTER

0:20:100:20:14

He actually tells her not to eat of the fruit

0:20:140:20:17

and when she says, "Which tree?", he says, "That one over there."

0:20:170:20:20

He points it out to her!

0:20:200:20:22

LAUGHTER

0:20:220:20:25

That's worse than President Regan and Iran!

0:20:250:20:28

LAUGHTER

0:20:280:20:30

And when he goes and hides, and she sneaks up to the tree,

0:20:300:20:35

and a snake comes down and has a conversation.

0:20:350:20:39

A snake!

0:20:390:20:40

Now, if I see a snake, I'll back off!

0:20:400:20:44

If one starts talking, I'll crap myself!

0:20:440:20:46

LAUGHTER

0:20:460:20:51

APPLAUSE

0:20:510:20:56

And the snake actually convinces her to eat the apple

0:20:560:20:59

and she eats the apple and when she eats the apple, she learns shame.

0:20:590:21:02

That's what happens when you eat apples.

0:21:020:21:05

She's not ashamed that she's disobeyed God or that she's eaten the apple,

0:21:050:21:09

she's ashamed of here, one part of her body,

0:21:090:21:12

that's all.

0:21:120:21:14

She becomes ashamed of that area of the body.

0:21:140:21:16

And why that area?

0:21:160:21:18

Why not her elbow?

0:21:180:21:19

-LAUGHTER

-'A cracker routine.'

0:21:190:21:22

We dream of a punchline which is like a whip crack,

0:21:220:21:24

which goes, "Doof!" at the end.

0:21:240:21:26

And this is just perfect. Escalate, escalate, escalate,

0:21:260:21:29

and then bang at the end.

0:21:290:21:31

Do you realise that if Eve had been ashamed of her nose,

0:21:310:21:35

every woman in the world now would be ashamed of your noses.

0:21:350:21:38

You'd all be sitting here tonight with little nose knickers on!

0:21:380:21:42

LAUGHTER

0:21:420:21:46

Men would be in nightclubs watching naked ladies with G-strings on their noses!

0:21:460:21:50

LAUGHTER

0:21:500:21:54

Take 'em off! Oh, I saw a nose! Oh!

0:21:540:21:56

LAUGHTER

0:21:560:21:59

And this is the book, this is the book that you go into court

0:21:590:22:03

and place your hand upon,...

0:22:030:22:04

LAUGHTER

0:22:040:22:07

..and swear to tell the truth, the whole truth,

0:22:070:22:10

and nothing but the truth! LAUGHTER AND APPLAUSE

0:22:100:22:13

I thought he was absolutely magic.

0:22:150:22:18

I really miss his influence now, nowadays.

0:22:180:22:22

And as much as I enjoy a lot of new comedy,

0:22:220:22:25

I also wish we could have some of that elegance about it, as well.

0:22:250:22:30

What's so cool about Dave Allen is he wasn't afraid of tackling big issues, you know, religion,

0:22:300:22:36

the Troubles, you know, politics,

0:22:360:22:38

but in such a charming, fun Saturday night way

0:22:380:22:40

which I can't think has been done properly since, really.

0:22:400:22:46

I'd loved to have met him. I'd loved to have sat down with him. I was on a plane to Dublin once,

0:22:460:22:51

and some guy came up to me and introduced himself and said,

0:22:510:22:54

"I was a friend of Dave Allen and he really liked your stuff,"

0:22:540:22:57

and I don't know if he was just being polite, but yeah, I was thrilled, I punched the air.

0:22:570:23:03

Very happy. I'd have been thrilled had he seen me.

0:23:030:23:07

I'd loved to have met him, loved to.

0:23:070:23:09

Victoria Wood is my comedy hero.

0:23:180:23:21

I've been a huge fan. Even with my stand-up,

0:23:210:23:23

I often go back to her, just the word play that she uses.

0:23:230:23:28

Everything she touches turns to gold.

0:23:280:23:30

# Let's do it! Let's do it!

0:23:300:23:32

# Do it while the mood is right!

0:23:320:23:35

# I'm feeling appealing... #

0:23:350:23:37

Multi-talented comedian, actor, musician and writer Victoria Wood

0:23:370:23:41

has been entertaining us for almost 40 years

0:23:410:23:43

and has a stack of awards on her mantelpiece to prove it.

0:23:430:23:48

# ..I can't do it! I can't do it!

0:23:480:23:50

# I don't believe in too much sex! #

0:23:500:23:52

'Victoria Wood is a genius.'

0:23:520:23:54

I don't want to bandy that word around too much because people

0:23:540:23:57

say that about lots of people but Vic is. "I will sit down,

0:23:570:24:01

"I will write a sketch about this and it'll be good."

0:24:010:24:04

In the mid-'80s, Victoria Wood penned the classic Acorn Antiques sketches

0:24:070:24:12

which quickly achieved cult status.

0:24:120:24:15

Acorn Antiques was just a little part of Victoria Wood, As Seen On TV.

0:24:150:24:19

Me and me mum use to watch it and I was just in pieces.

0:24:190:24:24

It's just so, so funny!

0:24:240:24:26

I know it's only a quarter to

0:24:260:24:28

but I've just this minute got me coconut buns out of the microwave.

0:24:280:24:33

Well, you know me and coconut!

0:24:330:24:36

LAUGHTER

0:24:340:24:36

'It was a bit of homage to Crossroads, I think.'

0:24:360:24:40

It's like a soap set in Manchesterford,

0:24:400:24:43

and it was... It's so badly made and badly acted.

0:24:430:24:49

-Shall I go?

-No, stay!

0:24:490:24:50

And please come back, Mrs O.

0:24:520:24:54

What I have to say concerns everybody.

0:24:560:24:59

It's just stupid!

0:25:010:25:04

Wood famously plays the eccentric antique shop owner Miss Berta

0:25:060:25:10

assisted by her elderly tea lady Mrs Overall

0:25:100:25:14

played by Julie Walters.

0:25:140:25:16

'I adore Acorn Antiques because it's based on Crossroads'

0:25:160:25:20

which I loved when I was a school child

0:25:200:25:24

and was actually like that.

0:25:240:25:26

There were constantly mics in shot and elongated silences

0:25:260:25:29

where people looked at each other like rabbits under the headlights.

0:25:290:25:33

There's people missing their cues,

0:25:330:25:35

there's people knocking the furniture,

0:25:350:25:37

scenery moves, people get their names wrong!

0:25:370:25:39

'Everything that can go wrong goes wrong.'

0:25:430:25:45

Basically, if that was in any way reality,

0:25:450:25:47

somebody would be shouting "Cut!" every three seconds.

0:25:470:25:50

It should be "Cut, cut, cut, cut!"

0:25:500:25:52

But they don't, there is nobody shouting cut

0:25:520:25:54

so they plough on through the mistakes.

0:25:540:25:56

Hello, Derek, Mrs O.

0:25:560:26:00

I don't see how we can get this wedding ready in a week!

0:26:000:26:03

Trixie hasn't even chosen her dress yet!

0:26:030:26:06

Victoria Wood wrote a total of 12 Acorn Antique sketches

0:26:060:26:10

but the wedding dress episode has to be the all-time classic.

0:26:100:26:15

If it's for any Acorn Antiques wedding, Miss Babs,

0:26:150:26:18

I'll put it up, even if it kills me!

0:26:180:26:21

One of my favourite scenes is the wedding dress scene where Trixie

0:26:210:26:25

complains that the triplets have put jam all up the front of her wedding dress.

0:26:250:26:30

Now, obviously, she realises that there is no jam

0:26:300:26:33

and then she tries to cover it up by saying, "On the front, round the back."

0:26:330:26:37

Honestly, I could kill those triplets!

0:26:370:26:40

Calm down, Trixie. Whatever's the matter?

0:26:400:26:42

They've put jammy fingerprints all over the front...

0:26:420:26:45

all over at the back!

0:26:450:26:46

We'll get Mrs O to sponge it off.

0:26:460:26:48

'Mrs Overall comes in,'

0:26:480:26:50

you can see her hovering in the background, comes in,

0:26:500:26:53

"Ooh, Trixie you've got jam up the front",

0:26:530:26:56

cos she can't veer away from the script.

0:26:560:27:00

Julie Walters is absolutely unable to improvise

0:27:000:27:02

or even work around that fact or even go off her lines at all.

0:27:020:27:06

Mrs O! Whatever's wrong with the front of your frock?

0:27:060:27:09

It looks like jam!

0:27:090:27:11

-Yes.

-What?

0:27:110:27:15

There's jam at the back.

0:27:150:27:16

The triplets didn't put any on at the front.

0:27:160:27:18

There's two opportunities for her to bail out there. She comes in,

0:27:180:27:22

there's nothing on the front, she can bail out there, but if you then say,

0:27:220:27:25

"What's that on the front of your dress?", she's got another opportunity to go,

0:27:250:27:29

"Oh, it's nothing", you know, to bail out again but, no.

0:27:290:27:32

Unable to pull out, she has to plough on and go, "It looks like jam."

0:27:320:27:37

It looks like jam!

0:27:370:27:38

-LAUGHING:

-It looks like jam!

0:27:380:27:42

Shall I come along with you?

0:27:430:27:45

And you'll find something to sponge it off with.

0:27:450:27:48

Come along with me and I'll find something to sponge it off with.

0:27:480:27:52

'I have also always loved Victoria Wood

0:27:520:27:55

'because she doesn't actually care what she looks like.'

0:27:550:27:58

One of my favourite bits in it is where she's sitting with her legs open

0:27:580:28:02

and you can see her pants and there's a bit of a gusset shot.

0:28:020:28:06

I don't know any Trixies! Or anyone! I live in a world of strangers!

0:28:060:28:10

And you can see right up her gusset and everything.

0:28:100:28:14

It's just hilarious. And her make-up is so over the top.

0:28:140:28:17

I thought I made my feelings quite clear in the British Home Stores.

0:28:170:28:20

But I'm here to see Berta.

0:28:200:28:22

Berta? Berta?

0:28:220:28:25

Love Victoria Wood and I just think that Acorn Antiques is the icing on the cake for me.

0:28:250:28:30

It was her finest moment.

0:28:300:28:31

'She's witty, clever, a brilliant musician.'

0:28:310:28:36

Yeah, in Victoria Wood,

0:28:360:28:39

we really have a lovely, lovely lady jester.

0:28:390:28:43

A jest... A jester-ess!

0:28:430:28:45

Subtitles by Red Bee Media Ltd

0:29:080:29:12

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