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Coming up, Britain's best-loved comedians reveal | 0:00:23 | 0:00:26 | |
who gets their chuckle muscles working overtime. | 0:00:26 | 0:00:29 | |
Hands up who likes me! | 0:00:29 | 0:00:31 | |
The Young Ones was mine and my brother's life! | 0:00:33 | 0:00:36 | |
It was like suddenly there was comedy that was in colour. | 0:00:36 | 0:00:40 | |
From stand-up routines to sketches and classic sitcoms, | 0:00:40 | 0:00:43 | |
they're letting us in on their all-time favourite jokes and their love, | 0:00:43 | 0:00:47 | |
envy and sheer admiration for the star performers behind them! | 0:00:47 | 0:00:51 | |
That film was a real turning point for me. | 0:00:51 | 0:00:55 | |
It was one of the things that made me think, "I want to do this." | 0:00:55 | 0:00:58 | |
You enjoying that sandwich? | 0:00:58 | 0:01:00 | |
So dust up your laughing gear, | 0:01:00 | 0:01:02 | |
hold onto your armchairs and buckle up for a raucous ride | 0:01:02 | 0:01:06 | |
into the land of comedy! | 0:01:06 | 0:01:07 | |
It was like a master class and it was a real tour de force. | 0:01:07 | 0:01:11 | |
He's not the messiah, he's a very naughty boy! | 0:01:11 | 0:01:14 | |
I knew Tommy quite well, actually. | 0:01:22 | 0:01:24 | |
He was a big man, a big man, a big man with a big personality. | 0:01:24 | 0:01:28 | |
I was cleaning out the attic last week, with the wife. | 0:01:28 | 0:01:31 | |
Filthy, dirty covered in cobwebs | 0:01:31 | 0:01:35 | |
but she's good with the kids. | 0:01:35 | 0:01:37 | |
Tommy Cooper loved to laugh. He loved jokes, | 0:01:37 | 0:01:40 | |
he loved tricks, he loved gimmicks, he loved to make people laugh. | 0:01:40 | 0:01:45 | |
I went to the doctor. He said to me, "Open your mouth," so I went like that. | 0:01:45 | 0:01:49 | |
And he looked down, he said "A little raw." | 0:01:49 | 0:01:51 | |
So I went "Aar." | 0:01:51 | 0:01:54 | |
Comedy legend Tommy Cooper made his debut in 1948 | 0:01:54 | 0:01:58 | |
and kept audiences laughing for a career spanning four decades. | 0:01:58 | 0:02:02 | |
He was understood by everybody, by children, people of all ages, | 0:02:02 | 0:02:07 | |
children, grown-ups, even different nationalities, | 0:02:07 | 0:02:11 | |
they all understood visual humour, which he did so very, very well. | 0:02:11 | 0:02:15 | |
Rose, rose. I've risen! | 0:02:15 | 0:02:16 | |
He was a genius and a one off. | 0:02:16 | 0:02:18 | |
People who loved him did say as soon as he walked onstage, | 0:02:18 | 0:02:21 | |
you laughed before he'd opened his mouth. | 0:02:21 | 0:02:24 | |
Everybody can do a Tommy Cooper. | 0:02:24 | 0:02:26 | |
"Just like that, just like that. Not like that, like that! Just like that." | 0:02:26 | 0:02:30 | |
Your dad, your uncle, even your granddad, | 0:02:30 | 0:02:33 | |
they can all do a Tommy Cooper. In fact, I wouldn't be surprised | 0:02:33 | 0:02:36 | |
if people in China were going "Oh, yes, just like that!" | 0:02:36 | 0:02:40 | |
I brought a greyhound about a month ago. | 0:02:40 | 0:02:42 | |
A friend said "What are you going to do with it?" I said "I'll race it." | 0:02:42 | 0:02:45 | |
He said, "By the look of it, I think you'd beat it." | 0:02:45 | 0:02:48 | |
Oh, he's a hilariously funny man, | 0:02:48 | 0:02:50 | |
any time, you know. | 0:02:50 | 0:02:51 | |
One of his great jokes was getting out of a taxi | 0:02:51 | 0:02:54 | |
and saying, "Have a drink on me." | 0:02:54 | 0:02:56 | |
And he would hand the taxi driver a teabag, you know?! | 0:02:56 | 0:03:00 | |
I backed a horse today, twenty to one. | 0:03:00 | 0:03:03 | |
Came in at twenty past four. | 0:03:03 | 0:03:05 | |
I brought my wife a wooden leg for Christmas. | 0:03:05 | 0:03:08 | |
It's not her main present, it's just a stocking filler. | 0:03:08 | 0:03:11 | |
I said to the doctor, "It hurts when I do that." He said "Well, don't do it." | 0:03:11 | 0:03:16 | |
Tommy Cooper was most loved for his magical comedy routines. | 0:03:16 | 0:03:19 | |
Tommy was a terrific success with his cod magician act. | 0:03:19 | 0:03:24 | |
Diddly-ah-da-ah-da-ah-da-da! | 0:03:24 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:29 | |
Stop! | 0:03:29 | 0:03:30 | |
Diddly-ah-da-ah-da-ah-da-da! | 0:03:31 | 0:03:34 | |
Stop! | 0:03:34 | 0:03:35 | |
Diddly-ah-da-ah-da-ah-da-da! Well, pull it! Pull it! | 0:03:35 | 0:03:38 | |
LAUGHTER | 0:03:38 | 0:03:41 | |
With Tommy, he is the joke. | 0:03:41 | 0:03:42 | |
He's this huge man with an innocence about him. | 0:03:42 | 0:03:47 | |
There was... Almost like a child. | 0:03:47 | 0:03:51 | |
His determination to be a sophisticated magician | 0:03:51 | 0:03:57 | |
and failing every time. Disaster. | 0:03:57 | 0:04:01 | |
One of his best routines was the wine bottle and glass routine. | 0:04:08 | 0:04:13 | |
Woo! Sorry, too many bottles. | 0:04:18 | 0:04:19 | |
Too many bottles. | 0:04:19 | 0:04:22 | |
HE SIGHS | 0:04:22 | 0:04:23 | |
LAUGHTER | 0:04:30 | 0:04:31 | |
He starts off trying to do this, uh, | 0:04:33 | 0:04:36 | |
and he gets it right! Yes, he gets one or two of the bits right. | 0:04:36 | 0:04:41 | |
The wine bottle DOES appear and it DOES change place | 0:04:41 | 0:04:45 | |
and you see it in his face, he's so delighted! | 0:04:45 | 0:04:48 | |
HE TALKS FRANTICALLY | 0:04:51 | 0:04:53 | |
Hoo-yah, hey-ah! | 0:04:53 | 0:04:55 | |
APPLAUSE AND CHEERING | 0:04:55 | 0:04:57 | |
HE LAUGHS | 0:05:02 | 0:05:04 | |
CHANTING | 0:05:06 | 0:05:08 | |
They have now changed places! | 0:05:11 | 0:05:13 | |
The most difficult part is to make them go back again. | 0:05:13 | 0:05:16 | |
CHANTING | 0:05:16 | 0:05:19 | |
And then more bottles appear | 0:05:28 | 0:05:29 | |
and then more and then it gets out of hand, | 0:05:29 | 0:05:32 | |
because there's bottles and bottles and bottles | 0:05:32 | 0:05:34 | |
and he's like a mad magician | 0:05:34 | 0:05:37 | |
producing rabbits out of a hat except these are wine bottles. | 0:05:37 | 0:05:40 | |
The laughs are all on him, you know, | 0:05:43 | 0:05:46 | |
he is someone who takes himself quite seriously | 0:05:46 | 0:05:49 | |
and thinks he's going to be doing good tricks | 0:05:49 | 0:05:51 | |
and so on and is undeterred by the fact that everyone is in hysterics. | 0:05:51 | 0:05:55 | |
And he seemed to be able to play that endlessly and brilliantly. | 0:05:55 | 0:05:59 | |
An audience laughing is the most beautiful sound in the world | 0:06:03 | 0:06:07 | |
and Tommy loved that, he loved to make people laugh. | 0:06:07 | 0:06:10 | |
He was essentially the jester. | 0:06:10 | 0:06:14 | |
I believe that when he did live work, he'd do this thing | 0:06:14 | 0:06:17 | |
where he couldn't find his way on, but he could just cough off stage | 0:06:17 | 0:06:23 | |
and the audience would start laughing | 0:06:23 | 0:06:25 | |
because they knew him that well and he created that sense of expectation. | 0:06:25 | 0:06:29 | |
Tommy Cooper, one of the all-time great funnymen, who'll never be forgotten. | 0:06:29 | 0:06:34 | |
Good comedians get applause and appreciation. | 0:06:36 | 0:06:41 | |
Great comedians are loved. | 0:06:41 | 0:06:44 | |
And he was a great comedian. | 0:06:44 | 0:06:46 | |
I can always tell if an audience is going to be good or bad. Good night. | 0:06:46 | 0:06:49 | |
The Young Ones was probably my favourite sitcom, growing up. | 0:06:57 | 0:07:00 | |
I really remember just laughing and not knowing why I was laughing. | 0:07:00 | 0:07:03 | |
The Young Ones exploded onto our screens in 1982, | 0:07:03 | 0:07:08 | |
becoming an instant hit and introducing us | 0:07:08 | 0:07:11 | |
to a whole new breed of comedy faces. | 0:07:11 | 0:07:14 | |
-Why don't you like me? -Because you're a complete bastard. | 0:07:14 | 0:07:17 | |
LAUGHTER | 0:07:17 | 0:07:18 | |
Vyvyan, I'm being serious! | 0:07:18 | 0:07:20 | |
So am I! You're a complete bastard and we all hate you! | 0:07:20 | 0:07:23 | |
I find that rather difficult to believe! | 0:07:23 | 0:07:26 | |
Obviously I missed it when it was first around | 0:07:26 | 0:07:29 | |
because I wasn't born but about 95, 96, | 0:07:29 | 0:07:32 | |
I'd have been ten years old, I remember Friday nights, | 0:07:32 | 0:07:35 | |
my mum would be in bed and my brother'd be out with his mates, | 0:07:35 | 0:07:38 | |
me and my dad just flicking through channels. | 0:07:38 | 0:07:40 | |
He introduced me to The Young Ones. I remember it just being mental. | 0:07:40 | 0:07:44 | |
It was surreal. It was quite violent as well. | 0:07:48 | 0:07:52 | |
"Do not lean out of the window." | 0:07:52 | 0:07:55 | |
I wonder why! | 0:07:55 | 0:07:57 | |
HORN SOUNDS AND VYVYAN SCREAMS | 0:07:57 | 0:08:00 | |
What I loved about The Young Ones when I was at school | 0:08:00 | 0:08:02 | |
me and me mates use to talk and laugh about it, | 0:08:02 | 0:08:06 | |
more visually, really, the kind of look of the show | 0:08:06 | 0:08:09 | |
and, you know, how it was. It was quite manic. | 0:08:09 | 0:08:11 | |
Over here, over here! | 0:08:13 | 0:08:16 | |
Hurry up about it, will you?! | 0:08:16 | 0:08:19 | |
You took your time, you bastard! | 0:08:20 | 0:08:23 | |
Quite ground-breaking when it first came on, it was probably held up | 0:08:25 | 0:08:30 | |
as one of the main pioneers of what we now call alternative comedy. | 0:08:30 | 0:08:33 | |
I remember back in the day, | 0:08:33 | 0:08:35 | |
the whole alternative comedy movement centred on those people | 0:08:35 | 0:08:40 | |
so you know it was another building to put your ladder up against. | 0:08:40 | 0:08:43 | |
It was non-sexist, non-racist, but still funny. | 0:08:43 | 0:08:46 | |
Their most memorable scene was when the hapless group | 0:08:46 | 0:08:50 | |
compete in University Challenge, a perfect setting for mayhem and anarchy. | 0:08:50 | 0:08:54 | |
This week, the teams represent Footlights College Oxbridge... | 0:08:54 | 0:08:58 | |
Rah, rah, rah! We're going to smash the oiks! | 0:08:58 | 0:09:01 | |
Yes, that's the spirit. ..and Scumbag College. | 0:09:01 | 0:09:05 | |
Oi! Up scumbag, up scumbag! | 0:09:05 | 0:09:08 | |
Representing Scumbag, we have Mike... | 0:09:08 | 0:09:10 | |
-Hello. -..Prick, Vyvyan and Neil. | 0:09:10 | 0:09:15 | |
Vegetable rights and peace! | 0:09:15 | 0:09:17 | |
University Challenge... If a bomb had hit that building, | 0:09:17 | 0:09:21 | |
that would have been it for comedy in the '80s! | 0:09:21 | 0:09:23 | |
I mean, they had everybody on! | 0:09:23 | 0:09:25 | |
-Representing Footlights, we have Lord Monty... -Hello. | 0:09:25 | 0:09:29 | |
..Lord Snot, | 0:09:29 | 0:09:31 | |
Miss Money Sterling | 0:09:31 | 0:09:33 | |
-and Mr Kendall Mintcake. -Hi. | 0:09:33 | 0:09:35 | |
So your starter for ten, no conferring. | 0:09:35 | 0:09:39 | |
Born in 1311 of Manchurian stock, he came to... | 0:09:39 | 0:09:42 | |
BUZZER SOUNDS | 0:09:42 | 0:09:44 | |
Scumbag, Neil. | 0:09:43 | 0:09:44 | |
Err, can I go to the toilet, please? | 0:09:44 | 0:09:48 | |
And they used to do that split screen, one above the other, | 0:09:48 | 0:09:51 | |
and he puts his foot through. | 0:09:51 | 0:09:53 | |
I'm completely bloody sick of this! | 0:09:53 | 0:09:55 | |
LAUGHTER | 0:09:55 | 0:09:58 | |
When you're at home, you go, that's brilliant, | 0:09:58 | 0:10:01 | |
because you watched University Challenge as a kid, | 0:10:01 | 0:10:04 | |
believe it or not, we did have it in Bolton. And you thought, | 0:10:04 | 0:10:07 | |
oh, are they sat above them? You don't realise the magic of telly, | 0:10:07 | 0:10:10 | |
they do all that. That's what sticks out in my mind. | 0:10:10 | 0:10:13 | |
Relax, we can handle this! Vyvyan... | 0:10:13 | 0:10:15 | |
Achtung! | 0:10:15 | 0:10:17 | |
It's not an automatic! | 0:10:17 | 0:10:19 | |
I remember Vyvyan spoke for guys like me | 0:10:21 | 0:10:23 | |
because I used to watch University Challenge | 0:10:23 | 0:10:26 | |
I used to get frustrated and think it was a terrible show | 0:10:26 | 0:10:29 | |
cos I could never get any of the questions. | 0:10:29 | 0:10:31 | |
..the world's stickiest bogey? | 0:10:31 | 0:10:33 | |
BUZZER SOUNDS | 0:10:33 | 0:10:34 | |
-Toxteth O'Grady. -Correct. Five points. | 0:10:34 | 0:10:37 | |
You bum bag! | 0:10:37 | 0:10:39 | |
The world's stupidest bottom burp? | 0:10:39 | 0:10:41 | |
BUZZER SOUNDS | 0:10:41 | 0:10:43 | |
Uh, Rick, Britain! | 0:10:43 | 0:10:44 | |
Correct. Five points. | 0:10:44 | 0:10:46 | |
It is not! | 0:10:46 | 0:10:48 | |
The Young Ones was mine and my brother's life! | 0:10:48 | 0:10:51 | |
That's all I have to say about The Young Ones, it was my life. | 0:10:51 | 0:10:54 | |
I was at boarding school and we had rationed amounts of television. | 0:10:54 | 0:10:59 | |
We could watch TV at 9:00pm until 9:15pm | 0:10:59 | 0:11:03 | |
in breaks in homework or go to bed or whatever. | 0:11:03 | 0:11:06 | |
The boarding house I was in essentially mutinied | 0:11:06 | 0:11:09 | |
when The Young Ones was on and we sat down and watched the whole half hour. | 0:11:09 | 0:11:12 | |
It was like suddenly there was comedy that was in colour. | 0:11:12 | 0:11:16 | |
I mean, it really was mind-blowing at the time | 0:11:16 | 0:11:20 | |
and it seemed like it was for us, it was sort of raw and primal | 0:11:20 | 0:11:24 | |
and energetic and you thought, what's this doing on the telly? | 0:11:24 | 0:11:27 | |
And finally, for five bonus points to take you into the lead, | 0:11:27 | 0:11:31 | |
who's been tampering with my question cards? | 0:11:31 | 0:11:33 | |
BUZZER SOUNDS | 0:11:33 | 0:11:35 | |
It was me! It was me! | 0:11:34 | 0:11:35 | |
BOOING | 0:11:35 | 0:11:36 | |
Damn, damn! | 0:11:36 | 0:11:38 | |
The writers hadn't read the manual for sitcoms, they done it their own way. | 0:11:38 | 0:11:41 | |
There's great lines but there's also just insanity | 0:11:41 | 0:11:45 | |
and carnage in it, an explosive mix of comedy | 0:11:45 | 0:11:48 | |
and I don't think we've seen anything like it since. | 0:11:48 | 0:11:51 | |
All the way from America, the First Lady of comedy, | 0:11:57 | 0:12:01 | |
it is Joan Rivers! | 0:12:01 | 0:12:03 | |
CHEERING AND APPLAUSE | 0:12:03 | 0:12:05 | |
Joan Rivers is, I think, the greatest working comic in the world. | 0:12:05 | 0:12:11 | |
She's just a force of nature, she's fearless | 0:12:11 | 0:12:15 | |
and really, really funny, which is incredible, | 0:12:15 | 0:12:19 | |
to think how long she's been going, the span of her career. | 0:12:19 | 0:12:23 | |
And she's still so on it, so quick and hilarious. | 0:12:23 | 0:12:27 | |
Paris Hilton did a porno film... Oh, her poor parents! | 0:12:27 | 0:12:31 | |
Can you imagine how they must have felt, Paris Hilton's parents, | 0:12:31 | 0:12:35 | |
that she did a porno film in a Marriot Hotel? | 0:12:35 | 0:12:40 | |
I mean, it is just... | 0:12:40 | 0:12:42 | |
With fifty years of showbiz under her belt, | 0:12:42 | 0:12:44 | |
Joan Rivers is the undisputed queen of stand-up. | 0:12:44 | 0:12:49 | |
The thing that broke her in America was she was a wonderful guest | 0:12:49 | 0:12:54 | |
for Johnny Carson, incredibly bitchy and incredibly funny. | 0:12:54 | 0:12:57 | |
She now does red carpet stuff at Hollywood events | 0:12:57 | 0:13:00 | |
like the Oscars and things like that | 0:13:00 | 0:13:02 | |
but her true metier is being the bitchiest cow on stage. | 0:13:02 | 0:13:05 | |
Despite being in her seventies, Joan Rivers hasn't lost her bite. | 0:13:05 | 0:13:09 | |
It's this outrageous display on The Graham Norton Show | 0:13:09 | 0:13:12 | |
that earns her a place in our hall of favourite jokes. | 0:13:12 | 0:13:15 | |
So how old are you now? | 0:13:15 | 0:13:17 | |
I'm 77 and... Oh, don't applaud! | 0:13:17 | 0:13:20 | |
I beg... Oh! Don't! | 0:13:20 | 0:13:23 | |
Don't! That is... BLEURGH! | 0:13:23 | 0:13:27 | |
They applaud because they know they're going to outlive me! | 0:13:27 | 0:13:30 | |
"Oh, good for her!" In New York they applaud | 0:13:30 | 0:13:32 | |
cos it means there'll be a new apartment on the market soon! | 0:13:32 | 0:13:35 | |
LAUGHTER | 0:13:35 | 0:13:37 | |
The last time she was on the chat show it was like a master class. | 0:13:37 | 0:13:40 | |
She just was on great form and it was a real tour de force. | 0:13:40 | 0:13:45 | |
I hate when people say like, oh, they're 77 years young! | 0:13:45 | 0:13:51 | |
I met Vanessa Feltz and she said to me, | 0:13:51 | 0:13:53 | |
"Here's Joan, she's 77 years young!" | 0:13:53 | 0:13:55 | |
I want to say, "And here's Vanessa and she's 350 pounds thin!" | 0:13:55 | 0:13:59 | |
LAUGHTER | 0:13:59 | 0:14:02 | |
She did some very funny stuff about ads for older people | 0:14:02 | 0:14:06 | |
and they had one, female Viagra. | 0:14:06 | 0:14:10 | |
It's women's Viagra and they had this big discussion with me, | 0:14:10 | 0:14:14 | |
should they make it in pill form? | 0:14:14 | 0:14:16 | |
This is honest to god true, it was in the newspapers. | 0:14:16 | 0:14:19 | |
Pill form or cream, because they didn't know which would do better | 0:14:19 | 0:14:23 | |
and they finally decide, these idiots, we'll do it in cream | 0:14:23 | 0:14:26 | |
because if it's in pill form, in a bar, | 0:14:26 | 0:14:28 | |
a man can drop it in a woman's drink and she won't know it. | 0:14:28 | 0:14:31 | |
But if you're in a bar and a guy goes, "So where you from?", you know. | 0:14:31 | 0:14:35 | |
LAUGHTER AND APPLAUSE | 0:14:35 | 0:14:38 | |
Everyone knows her for ripping celebrities apart | 0:14:38 | 0:14:41 | |
and being really vile but she's viler about herself than anybody else. | 0:14:41 | 0:14:47 | |
The good thing about older dating, | 0:14:47 | 0:14:49 | |
the only good thing, for the women in the audience, | 0:14:49 | 0:14:51 | |
everyone thinks you're old, there are no one night stands. | 0:14:51 | 0:14:55 | |
Cos just to get the old guy out of the car, into the house, up the stairs, | 0:14:55 | 0:14:58 | |
on you, off of you, re-diapered, back in the car and home, four days! | 0:14:58 | 0:15:04 | |
Four days! It's a relationship! | 0:15:04 | 0:15:07 | |
What's interesting about Joan is | 0:15:07 | 0:15:08 | |
the first time I had her on the chat show... | 0:15:08 | 0:15:10 | |
You know, she's had an amazing life story, you know, | 0:15:10 | 0:15:15 | |
starting in the clubs with Lenny Bruce, | 0:15:15 | 0:15:17 | |
er, doing those late-night talk shows, | 0:15:17 | 0:15:20 | |
the whole, getting the job at Fox, | 0:15:20 | 0:15:22 | |
losing the job at Fox, the husband committing suicide - | 0:15:22 | 0:15:25 | |
it's a huge thing. | 0:15:25 | 0:15:26 | |
And so, you want to talk to her about her life. | 0:15:26 | 0:15:29 | |
She has no interest. | 0:15:29 | 0:15:31 | |
She's all about the next laugh, the next punch line. | 0:15:31 | 0:15:34 | |
I've been on this show with some of these older women | 0:15:34 | 0:15:37 | |
that still try to look good. | 0:15:37 | 0:15:39 | |
No names - Goldie Hawn. | 0:15:39 | 0:15:40 | |
LAUGHTER | 0:15:40 | 0:15:42 | |
I love Joan Rivers because she just doesn't appear | 0:15:42 | 0:15:46 | |
to give a shit. That's what I like about her. | 0:15:46 | 0:15:49 | |
She says whatever she wants to, | 0:15:49 | 0:15:51 | |
she talks about very, very, kind of, sensitive topics. | 0:15:51 | 0:15:56 | |
And it's so refreshing for me, as a woman, | 0:15:56 | 0:16:00 | |
to come across a woman like her | 0:16:00 | 0:16:03 | |
who doesn't seem to censor herself in any way. | 0:16:03 | 0:16:06 | |
It's an absolute joy. | 0:16:06 | 0:16:08 | |
She's friendly with... | 0:16:08 | 0:16:09 | |
The one with the big, stupid lips. Er, Angelina Jolie! | 0:16:09 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
The energy and the quickness of her. | 0:16:14 | 0:16:17 | |
She's to the bone, she's quick, | 0:16:17 | 0:16:19 | |
she talks about things that some male comedians wouldn't touch. | 0:16:19 | 0:16:23 | |
Oh, Joan, we don't know which children are adopted | 0:16:23 | 0:16:26 | |
and we don't know which are ours personally, they're all the same! | 0:16:26 | 0:16:31 | |
The children don't know if they're adopted or ours. | 0:16:31 | 0:16:34 | |
Isn't that right, Billy and Sally and Jimmy and little Magoumba? | 0:16:34 | 0:16:37 | |
Isn't that right? | 0:16:37 | 0:16:39 | |
She is the queen of comedy in America and probably will be for a long time. | 0:16:39 | 0:16:45 | |
But I sometimes wonder, how long can you be funny? | 0:16:45 | 0:16:48 | |
And so, to me, what Joan Rivers means is that | 0:16:48 | 0:16:50 | |
"Yeah, I can be funny until I'm 76 years old - | 0:16:50 | 0:16:54 | |
"as long as I get a lot of face lifts." | 0:16:54 | 0:16:56 | |
All the excitement because I don't like the three wise men - | 0:16:56 | 0:16:59 | |
I think they brought shitty gifts. | 0:16:59 | 0:17:01 | |
LAUGHTER | 0:17:01 | 0:17:03 | |
I'm sorry, you're going to meet the son of God | 0:17:03 | 0:17:05 | |
and you bring myrrh, frankincense... | 0:17:05 | 0:17:08 | |
That's a candle! That's a candle! | 0:17:08 | 0:17:11 | |
Audiences forget Joan. | 0:17:11 | 0:17:13 | |
Because she's not on telly all the time, | 0:17:13 | 0:17:15 | |
she doesn't have a sitcom, she doesn't have a film career. | 0:17:15 | 0:17:19 | |
It's like, every time she comes on, she starts from scratch | 0:17:19 | 0:17:22 | |
and the audience goes, "Oh, wow, she's really funny", | 0:17:22 | 0:17:25 | |
like they forgot how brilliant she is. | 0:17:25 | 0:17:28 | |
Pete and Dud are absolutely my comedy heroes. | 0:17:37 | 0:17:40 | |
They were some of the first comics that I ever heard | 0:17:40 | 0:17:44 | |
and made me think I'd love to do comedy. | 0:17:44 | 0:17:48 | |
The marvellous thing about Vernon Ward is | 0:17:48 | 0:17:50 | |
he's been doing ducks all his life. | 0:17:50 | 0:17:52 | |
Well, he's done more ducks than you've had hot breakfasts, Dud. | 0:17:52 | 0:17:56 | |
He's done plenty of ducks. | 0:17:56 | 0:17:57 | |
If he's done anything, he's done ducks. | 0:17:57 | 0:18:00 | |
He done ducks in all positions. | 0:18:00 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:04 | |
One of the first things I did as a performer was these review shows at school | 0:18:04 | 0:18:07 | |
and sketches and stuff | 0:18:07 | 0:18:09 | |
and the sketches I always would do were | 0:18:09 | 0:18:11 | |
Peter Cook and Dudley Moore sketches. | 0:18:11 | 0:18:14 | |
I tell you what makes you know that Vernon Ward is a good painter - | 0:18:14 | 0:18:17 | |
-if you look at his ducks... Have you looked at his ducks? -Yeah. | 0:18:17 | 0:18:20 | |
If you look at his ducks, you see the eyes follow you round the room. | 0:18:20 | 0:18:23 | |
Have you noticed that? | 0:18:23 | 0:18:25 | |
If you see 16 of his ducks, you see 32 little eyes | 0:18:25 | 0:18:28 | |
following you round the room. | 0:18:28 | 0:18:30 | |
No, you'll only see 16 cos they're flying sideways | 0:18:30 | 0:18:33 | |
and you can't see the other eye on the other side. | 0:18:33 | 0:18:35 | |
But you get the impression, Dud, | 0:18:35 | 0:18:37 | |
that the other eye is craning round the beak to look at you. | 0:18:37 | 0:18:40 | |
The art gallery scene is, you know, for me, | 0:18:40 | 0:18:43 | |
one of my favourite sketches of theirs. | 0:18:43 | 0:18:45 | |
Not only is it very, very funny, | 0:18:45 | 0:18:48 | |
but you get the sense that, at any point, | 0:18:48 | 0:18:51 | |
it could just descend into outright fits of them giggling at each other. | 0:18:51 | 0:18:55 | |
You know, Pete, | 0:18:55 | 0:18:57 | |
I reckon there's a lot of rubbish in this gallery, you know. | 0:18:57 | 0:19:01 | |
Not only rubbish, Dud, there's a lot of muck about. | 0:19:01 | 0:19:04 | |
I've been looking all over for something good. | 0:19:04 | 0:19:06 | |
I've been looking for that lovely gypsy lady. | 0:19:06 | 0:19:09 | |
You know the one what Terpsichore done, | 0:19:09 | 0:19:11 | |
with the lovely shining skin. Where is she? | 0:19:11 | 0:19:13 | |
-Nowhere. -Nowhere. | 0:19:13 | 0:19:15 | |
I went up to the manager, | 0:19:15 | 0:19:16 | |
-I said... I got him by the collar, I said, "Here!" -Yeah. -I said, "Here!" | 0:19:16 | 0:19:21 | |
You didn't spit sandwich at him, did you? | 0:19:21 | 0:19:24 | |
LAUGHTER | 0:19:24 | 0:19:25 | |
-Sorry, Pete. -Blimey! | 0:19:25 | 0:19:27 | |
I'm sorry about that. No, I said, "Here!" | 0:19:27 | 0:19:29 | |
Yeah, you'll do it again if you're not careful. | 0:19:29 | 0:19:32 | |
LAUGHTER | 0:19:32 | 0:19:33 | |
I said, "Where..." | 0:19:33 | 0:19:35 | |
LAUGHTER | 0:19:35 | 0:19:39 | |
Come on, what did you say, Dud? | 0:19:39 | 0:19:41 | |
I said, "Where's that bloody Chinese flying horse, then?" | 0:19:41 | 0:19:45 | |
What did he say? | 0:19:45 | 0:19:47 | |
He said, "Get out." | 0:19:47 | 0:19:48 | |
They look like they're enjoying each other's company and finding each other funny | 0:19:48 | 0:19:52 | |
and it makes it, as a viewer, such a lovely thing to watch | 0:19:52 | 0:19:55 | |
because there's just an innate sense of fun and silliness to it. | 0:19:55 | 0:19:59 | |
My abiding memory of the art gallery sketch | 0:19:59 | 0:20:03 | |
is, is, is... Is both of them corpsing | 0:20:03 | 0:20:07 | |
on talking about some auntie or something and they both start to go. | 0:20:07 | 0:20:12 | |
That's Les Grandes Baigneuses. You know what it means? | 0:20:12 | 0:20:15 | |
-Big bathers. -Is that all? -That's all it means - big bathers. | 0:20:15 | 0:20:19 | |
500,000 quid we paid for that - | 0:20:19 | 0:20:20 | |
those nude women come out of our pocket, Dud. | 0:20:20 | 0:20:23 | |
Works out about £50,000 a body, don't it? | 0:20:23 | 0:20:25 | |
You could get the real nude ladies over there for that price. | 0:20:25 | 0:20:29 | |
My aunt Dolly would have done it for nothing. | 0:20:29 | 0:20:32 | |
LAUGHTER | 0:20:32 | 0:20:34 | |
She does anything for nothing, doesn't she? | 0:20:34 | 0:20:36 | |
LAUGHTER | 0:20:36 | 0:20:37 | |
Dirty, old cow. | 0:20:37 | 0:20:39 | |
LAUGHTER | 0:20:39 | 0:20:41 | |
What's lovely about Pete and Dud in the art gallery | 0:20:41 | 0:20:44 | |
is that they know how funny it is | 0:20:44 | 0:20:46 | |
and there's that, you know, "Are you enjoying that sandwich, Dud?" | 0:20:46 | 0:20:50 | |
Er, it's an absolute classic moment of British comedy TV. | 0:20:50 | 0:20:56 | |
You enjoying that sandwich? | 0:20:59 | 0:21:00 | |
You can see it in his eyes. His eyes go first and you know he's about to lose it | 0:21:02 | 0:21:06 | |
and he does and he shoves the sandwich in his face. | 0:21:06 | 0:21:08 | |
Dudley Moore is holding onto that sandwich for dear life. | 0:21:08 | 0:21:12 | |
Every time he's about to laugh, the sandwich goes in. | 0:21:12 | 0:21:15 | |
It's like, "The sandwich will stop me laughing." | 0:21:15 | 0:21:17 | |
There's just something funny about Peter Cook's | 0:21:17 | 0:21:22 | |
strained, deadly serious eyes when he's laughing himself | 0:21:22 | 0:21:28 | |
but he's almost daring Dudley Moore not to laugh. | 0:21:28 | 0:21:31 | |
Almost bullying him, with the way that he's laughing | 0:21:31 | 0:21:35 | |
but daring him not to laugh that I just find hilarious. | 0:21:35 | 0:21:38 | |
What I like about that is that they both go... | 0:21:38 | 0:21:41 | |
And when Dudley Moore would corpse, | 0:21:41 | 0:21:44 | |
he did this amazing thing where he'd try not to laugh, | 0:21:44 | 0:21:48 | |
and they're handling these sandwiches as though they're eating and trying not to laugh | 0:21:48 | 0:21:53 | |
which kind of exacerbates the whole situation. | 0:21:53 | 0:21:55 | |
Course they don't, Pete... | 0:21:55 | 0:21:57 | |
LAUGHTER | 0:21:57 | 0:22:00 | |
You... | 0:22:00 | 0:22:02 | |
You can't tell. | 0:22:02 | 0:22:05 | |
I know, you've just seen the Leonardo Da Vinci joke, have you? | 0:22:05 | 0:22:08 | |
LAUGHTER | 0:22:08 | 0:22:09 | |
You could see it as them sending up ignorant, working-class people in an art gallery. | 0:22:09 | 0:22:15 | |
It could be seen as that and they're both, you know, they're... | 0:22:15 | 0:22:18 | |
Peter Cook, Dudley Moore - Oxford boys, | 0:22:18 | 0:22:20 | |
although Dudley Moore is a grammar school boy | 0:22:20 | 0:22:23 | |
but it could be seen as sneering. | 0:22:23 | 0:22:25 | |
But it isn't cos it's so warm, and... | 0:22:25 | 0:22:27 | |
That's what's so lovely about it - it's delicious like his sandwich. | 0:22:27 | 0:22:30 | |
I've got to say, you can't tell if that's a good painting or not because | 0:22:30 | 0:22:34 | |
you can't see their eyes, whether they follow you around the room. | 0:22:34 | 0:22:38 | |
No, the sign of a good painting like that, Dud, | 0:22:38 | 0:22:40 | |
with their backs towards you, | 0:22:40 | 0:22:42 | |
is if the bottoms follow you around the room. | 0:22:42 | 0:22:45 | |
Sketches like Pete and Dud, I think, are timeless. | 0:22:45 | 0:22:48 | |
You watch them and they will be funny, you know, forever. | 0:22:48 | 0:22:50 | |
They're just naturally very, very funny people. | 0:22:50 | 0:22:53 | |
I don't think it will ever date. | 0:22:53 | 0:22:55 | |
I'm a huge fan of Monty Python's Life Of Brian. | 0:23:03 | 0:23:06 | |
I think it's the best thing they did by miles and miles and miles. | 0:23:06 | 0:23:09 | |
It's an amazing film. | 0:23:09 | 0:23:10 | |
And... | 0:23:10 | 0:23:12 | |
# Always look on the bright side of life... # | 0:23:12 | 0:23:18 | |
I went to boarding school, so we didn't watch telly and we didn't go to the cinema. | 0:23:18 | 0:23:22 | |
So, I first came across Life Of Brian - | 0:23:22 | 0:23:24 | |
someone had tapes of it and I'd heard it | 0:23:24 | 0:23:27 | |
probably 30 times before I ever saw it. | 0:23:27 | 0:23:31 | |
I think I probably saw Life Of Brian for the first time when I was, like, 15, | 0:23:31 | 0:23:35 | |
and it's been a film I've sort of found myself going back to | 0:23:35 | 0:23:39 | |
cos it's just so rich in its ambition and in the way it succeeds. | 0:23:39 | 0:23:44 | |
Life Of Brian was Monty Python's third feature film | 0:23:46 | 0:23:50 | |
and followed on from the success of Monty Python's Flying Circus. | 0:23:50 | 0:23:54 | |
They're very clever people and were, at one point, tearing up comedy | 0:23:54 | 0:23:58 | |
and turning over the whole thing of how sketch comedy worked | 0:23:58 | 0:24:02 | |
and going away from what you're meant to do with a sketch show. | 0:24:02 | 0:24:05 | |
And in that film... They do all that in Life Of Brian | 0:24:05 | 0:24:08 | |
but they also have this underlying point. | 0:24:08 | 0:24:11 | |
That film was a real turning point for me. | 0:24:11 | 0:24:15 | |
That was one thing I saw that made me think, "I want to do this, | 0:24:15 | 0:24:18 | |
"I'm not just interested in watching it." | 0:24:18 | 0:24:20 | |
Who isn't interested in watching comedy? | 0:24:20 | 0:24:23 | |
But that film was one of the things I thought, "That's incredible". | 0:24:23 | 0:24:26 | |
There are loads of amazing scenes in Life Of Brian | 0:24:28 | 0:24:31 | |
so it's pretty difficult to boil it down to, like, a favourite joke. | 0:24:31 | 0:24:35 | |
I think the best joke in it is one of the cleverest, funniest movie moments, | 0:24:35 | 0:24:40 | |
is the bit where Brian wakes up in the morning and he's naked and he opens the window | 0:24:40 | 0:24:44 | |
and the crowd of followers have tracked him down | 0:24:44 | 0:24:47 | |
to where he is. | 0:24:47 | 0:24:48 | |
ALL: Look, there he is. The chosen one has woken! | 0:24:48 | 0:24:53 | |
Then he gets into this whole thing where he's preaching, like Jesus, | 0:24:55 | 0:24:58 | |
telling them what they should do. | 0:24:58 | 0:25:00 | |
And the classic moment, and it's a brilliant joke, is when he says, | 0:25:00 | 0:25:04 | |
"You're all individuals", and they say "Yes, we're individuals", | 0:25:04 | 0:25:07 | |
and then one guy goes, "I'm not". | 0:25:07 | 0:25:09 | |
And that is how brilliant that joke is | 0:25:09 | 0:25:13 | |
cos it makes a point, it's funny, | 0:25:13 | 0:25:17 | |
it's silly, it's just perfect, it's a perfect moment. | 0:25:17 | 0:25:20 | |
You don't need to follow me! You don't need to follow anybody! | 0:25:20 | 0:25:25 | |
You've got to think for yourselves! You're all individuals! | 0:25:25 | 0:25:31 | |
ALL: Yes, we're all individuals! | 0:25:31 | 0:25:34 | |
You're all different! | 0:25:34 | 0:25:36 | |
ALL: Yes, we are all different! | 0:25:36 | 0:25:39 | |
I'm not. | 0:25:39 | 0:25:40 | |
Sssh. | 0:25:40 | 0:25:41 | |
They're making their satirical point | 0:25:41 | 0:25:44 | |
and a bloke says it in a silly voice, as well. | 0:25:44 | 0:25:46 | |
"I'm not", you know, what else can you ask for? | 0:25:46 | 0:25:48 | |
So many iconic scenes. I mean, everyone knows the line, | 0:25:48 | 0:25:52 | |
"He's not the messiah, he's a very naughty boy!" | 0:25:52 | 0:25:55 | |
He's not the messiah, he's a very naughty boy! | 0:25:55 | 0:25:58 | |
Now, go away! | 0:25:58 | 0:26:00 | |
ALL: Who are you? | 0:26:00 | 0:26:01 | |
I'm his mother, that's who! | 0:26:01 | 0:26:04 | |
It's a perfect piece of comedy work, a perfect comedy film. | 0:26:04 | 0:26:07 | |
What I loved about that scene was the bit towards the end | 0:26:07 | 0:26:10 | |
where she has the conversation with, like, about 500 people. | 0:26:10 | 0:26:15 | |
"Yes, no!" | 0:26:15 | 0:26:17 | |
Now, shove off! | 0:26:17 | 0:26:18 | |
ALL: No! | 0:26:18 | 0:26:19 | |
Did you hear what I said? | 0:26:19 | 0:26:22 | |
ALL: Yes! | 0:26:22 | 0:26:24 | |
Oh, I see. It's like that, is it? | 0:26:24 | 0:26:27 | |
ALL: Yes! | 0:26:27 | 0:26:28 | |
"Are you a virgin? Are you a virgin?" | 0:26:28 | 0:26:32 | |
And the shock, the absolute incredulity and the shock | 0:26:32 | 0:26:36 | |
that Terry Jones shows on his face. | 0:26:36 | 0:26:38 | |
Are you a virgin? | 0:26:38 | 0:26:39 | |
I beg your pardon! | 0:26:39 | 0:26:42 | |
Well, if it's not a personal question, | 0:26:42 | 0:26:45 | |
are you a virgin? | 0:26:45 | 0:26:46 | |
If it's not a personal question! | 0:26:46 | 0:26:49 | |
How much more personal can you get? | 0:26:49 | 0:26:51 | |
Now, piss off! | 0:26:51 | 0:26:53 | |
ALL: She is. Yeah, must be. Definitely. | 0:26:55 | 0:26:58 | |
The thing about Life Of Brian is | 0:26:58 | 0:27:00 | |
what it hasn't done is dated | 0:27:00 | 0:27:02 | |
and because of its subject matter which is, sort of, religion | 0:27:02 | 0:27:06 | |
and fundamentalism and people doing crazy things | 0:27:06 | 0:27:09 | |
in the name of what they believe. | 0:27:09 | 0:27:11 | |
It's still really, like, really, really, really relevant. | 0:27:11 | 0:27:14 | |
# So, always look on the bright side of death | 0:27:14 | 0:27:20 | |
# Just before you draw your terminal breath... # | 0:27:23 | 0:27:27 | |
What's also interesting is it's not an offensive film, | 0:27:27 | 0:27:30 | |
because it was banned in all sorts of... | 0:27:30 | 0:27:33 | |
I think it's still banned in Aberystwyth, probably. | 0:27:33 | 0:27:35 | |
And it, er, er... And it's like... | 0:27:35 | 0:27:38 | |
But it's not offensive. It's a clever film but a funny film | 0:27:38 | 0:27:41 | |
and anything that can pull both those things off at once | 0:27:41 | 0:27:44 | |
is obviously a really great work of art. | 0:27:44 | 0:27:46 | |
# And always look on the bright side of life | 0:27:46 | 0:27:51 | |
# Always look on the bright side of life... # | 0:27:54 | 0:27:58 | |
Come on, Brian, cheer up! | 0:27:58 | 0:28:01 | |
# Always look on the bright side of life | 0:28:01 | 0:28:06 | |
# Always look on the bright side of life... # | 0:28:09 | 0:28:14 | |
Worst things happen at sea, you know. | 0:28:14 | 0:28:17 | |
# Always look on the bright side of life... # | 0:28:17 | 0:28:20 | |
What have you got to lose? | 0:28:20 | 0:28:22 | |
You know you've come from nothing, you're going back to nothing. | 0:28:22 | 0:28:26 | |
# Always look on the bright side of life... # | 0:28:26 | 0:28:30 | |
Nothing will come from nothing. You know what they say. | 0:28:30 | 0:28:33 | |
# Always look on the bright side of life... # | 0:28:33 | 0:28:36 | |
See? The end of the film. Incidentally, this record's available... | 0:28:36 | 0:28:39 |