Browse content similar to Escape Room. Check below for episodes and series from the same categories and more!
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# We're not going out | 0:00:02 | 0:00:05 | |
# We're not staying in | 0:00:05 | 0:00:06 | |
# Just hanging around with my head in a spin | 0:00:06 | 0:00:09 | |
# But there is no need to scream and shout | 0:00:09 | 0:00:12 | |
# We're not going out | 0:00:12 | 0:00:15 | |
# We are not going out. # | 0:00:15 | 0:00:18 | |
WATER DRIPS | 0:00:20 | 0:00:22 | |
Is this because of what I suggested after we watched | 0:00:28 | 0:00:31 | |
Fifty Shades Of Grey? | 0:00:31 | 0:00:32 | |
Happy birthday! | 0:00:34 | 0:00:35 | |
Can you put it back on again? | 0:00:39 | 0:00:41 | |
It's an escape room. | 0:00:41 | 0:00:43 | |
-A what? -Well, you must have heard of them. | 0:00:43 | 0:00:45 | |
-It's basically a room... -And you have to escape. | 0:00:45 | 0:00:48 | |
-So you do know! -No, I just understand words. | 0:00:48 | 0:00:51 | |
They're like a big interactive puzzle. | 0:00:51 | 0:00:54 | |
The challenge is you're trapped somewhere | 0:00:54 | 0:00:56 | |
and you have to try and find your way out. | 0:00:56 | 0:00:57 | |
Right, well, call me Harry Houdini, | 0:00:57 | 0:01:00 | |
but my instincts are pointing that way. | 0:01:00 | 0:01:02 | |
We haven't started yet. | 0:01:02 | 0:01:04 | |
The idea is that you're faced with problems | 0:01:04 | 0:01:06 | |
that make the situation more difficult. | 0:01:06 | 0:01:08 | |
-What sort of problems? -How do, son? | 0:01:08 | 0:01:10 | |
-Where's the bar? -There's no bar, Frank. | 0:01:13 | 0:01:15 | |
Like I told you on the phone, it's an escape room. | 0:01:15 | 0:01:17 | |
When I was married to Lee's mum, | 0:01:17 | 0:01:19 | |
an escape room was what we called the bar. | 0:01:19 | 0:01:21 | |
HE LAUGHS | 0:01:21 | 0:01:23 | |
It must have been a very difficult one, Dad, | 0:01:23 | 0:01:25 | |
because you were in there for days. | 0:01:25 | 0:01:26 | |
-Happy birthday, Lee! -Happy birthday! | 0:01:28 | 0:01:30 | |
Well, what do you think, Mum? | 0:01:30 | 0:01:32 | |
Oh, it's so exciting! Who knows what might happen! | 0:01:32 | 0:01:35 | |
Yeah, what is going to happen? | 0:01:35 | 0:01:36 | |
I've no idea. When you book online, they tell you nothing. | 0:01:36 | 0:01:39 | |
I hope you're not going to make the same mistake as last year, Lucy. | 0:01:39 | 0:01:42 | |
Ah, yes, the notorious Thorpe Park outing. | 0:01:42 | 0:01:45 | |
I don't know why everyone keeps banging on about that. | 0:01:46 | 0:01:49 | |
Those rides are supposed to make you scream. | 0:01:49 | 0:01:50 | |
When you're on them, yes, but not while you're in the queue. | 0:01:50 | 0:01:54 | |
Oh, this is...lovely. | 0:01:57 | 0:01:59 | |
Sorry we're late. | 0:01:59 | 0:02:01 | |
Yeah, God knows how we're going to cope with an escape room. | 0:02:01 | 0:02:04 | |
It took Anna three hours to get out of the bathroom. | 0:02:04 | 0:02:06 | |
Let's crack on and try to get this solved, | 0:02:08 | 0:02:10 | |
then we can get to Wetherspoons. | 0:02:10 | 0:02:12 | |
It's Free-Pie-With-Every-Fourth-Pint Day today. | 0:02:12 | 0:02:15 | |
How lovely, Frank. You can't buy class. | 0:02:15 | 0:02:19 | |
True, but you've certainly tried. | 0:02:19 | 0:02:20 | |
Look, there's an envelope on the table! | 0:02:22 | 0:02:24 | |
You're the birthday boy, Lee, you should open it. | 0:02:24 | 0:02:26 | |
-Are you sure? -Yeah. What's the scariest thing it could be? | 0:02:26 | 0:02:29 | |
Tickets for Thorpe Park. | 0:02:29 | 0:02:30 | |
"You will see a padlock on the door. | 0:02:35 | 0:02:37 | |
"Use it to lock the door from the inside." | 0:02:37 | 0:02:41 | |
So...the adventure begins! | 0:02:41 | 0:02:44 | |
Oh, hang on, don't do that. We'll be locked in! | 0:02:44 | 0:02:47 | |
Yeah, maybe I should grab my phone from the car first | 0:02:47 | 0:02:49 | |
-in case of an emergency. -Oh, for God's sake, Toby, relax! | 0:02:49 | 0:02:52 | |
Sorry, my husband does have an irritating tendency | 0:02:52 | 0:02:55 | |
to be overly cautious. | 0:02:55 | 0:02:57 | |
I don't know, I did say, "Until death do us part." | 0:02:57 | 0:02:59 | |
No, the rules are, no phones. | 0:03:01 | 0:03:03 | |
They were very specific about that on the e-mail. | 0:03:03 | 0:03:05 | |
Wendy Adams doesn't cheat. | 0:03:08 | 0:03:10 | |
Well done. | 0:03:10 | 0:03:12 | |
I hope there's someone close by in case we need to open this door. | 0:03:12 | 0:03:15 | |
Well, I assume you were greeted by the organisers. | 0:03:15 | 0:03:18 | |
No, we followed the sign that said, "Go straight to the cellar". | 0:03:18 | 0:03:21 | |
-Well, that's what we did. -And us. | 0:03:21 | 0:03:22 | |
Look, it's all perfectly safe. | 0:03:22 | 0:03:24 | |
They'll be monitoring us...somehow. | 0:03:24 | 0:03:27 | |
Lee, they'll open the door in an emergency. | 0:03:29 | 0:03:31 | |
-You mean, if we want to go and buy... -Not for drinks, Frank. | 0:03:31 | 0:03:35 | |
This is the worst lock-in ever. | 0:03:35 | 0:03:38 | |
So, now what? | 0:03:38 | 0:03:39 | |
When my friend Pippa did a zombie escape room, they told her nothing. | 0:03:39 | 0:03:43 | |
She just had to start looking for clues. | 0:03:43 | 0:03:45 | |
I say we begin by examining the room. | 0:03:45 | 0:03:49 | |
Ask yourself, what would Holmes do? | 0:03:49 | 0:03:52 | |
-Sherlock? -No, Eamonn. | 0:03:52 | 0:03:55 | |
Presumably we should start by taking this cover off the table. | 0:03:57 | 0:04:01 | |
Hm! It appears to be some kind of bomb. | 0:04:03 | 0:04:06 | |
How exciting! Let's press the button! | 0:04:06 | 0:04:09 | |
Don't do that! | 0:04:09 | 0:04:11 | |
It's not going to kill you, Lee. | 0:04:11 | 0:04:13 | |
These places work on repeat business. | 0:04:13 | 0:04:14 | |
I know it's not going to kill us, I'm not an idiot. | 0:04:14 | 0:04:17 | |
But it might, you know, shoot out sparks and make a loud noise. | 0:04:17 | 0:04:21 | |
You mean like the ghost train? | 0:04:21 | 0:04:23 | |
If anyone else mentions what I was like | 0:04:23 | 0:04:25 | |
at Thorpe Park last year, I'll... | 0:04:25 | 0:04:27 | |
Scream? | 0:04:27 | 0:04:29 | |
Fine! | 0:04:30 | 0:04:32 | |
Oh, my goodness, Lee, what have you done? | 0:04:32 | 0:04:34 | |
-We've only got 60 minutes to live! -You what? | 0:04:34 | 0:04:37 | |
Don't worry, you were obviously supposed to press the button. | 0:04:37 | 0:04:40 | |
There's no game without the bomb. | 0:04:40 | 0:04:41 | |
So we clearly need to defuse it. | 0:04:41 | 0:04:44 | |
There's something else written on the back of this note. | 0:04:44 | 0:04:46 | |
"Look inside the cupboard door." | 0:04:46 | 0:04:48 | |
Well, I've already looked, it's empty. | 0:04:48 | 0:04:50 | |
No, you looked behind the door. | 0:04:50 | 0:04:52 | |
You didn't look inside the door. | 0:04:52 | 0:04:54 | |
Ah, well done, Frank! Very clever. | 0:04:56 | 0:04:58 | |
Yes, well done, Frank. | 0:04:58 | 0:04:59 | |
All those years of hiding things | 0:04:59 | 0:05:01 | |
from prison wardens not completely wasted. | 0:05:01 | 0:05:03 | |
It's a videotape. | 0:05:05 | 0:05:06 | |
Oh, it's bang up to date, this experience, isn't it? | 0:05:06 | 0:05:09 | |
What else is in there, a ZX Spectrum and the cast of Byker Grove? | 0:05:09 | 0:05:12 | |
Greetings, my new friends, and welcome to my humble abode. | 0:05:15 | 0:05:18 | |
It may not look like much but, believe me, | 0:05:18 | 0:05:21 | |
it has everything you need to make your day go with a bang. | 0:05:21 | 0:05:25 | |
I recognise that actor. Was he in Doctor Who? | 0:05:25 | 0:05:28 | |
-He's not an actor. -MAN LAUGHS EVILLY | 0:05:28 | 0:05:31 | |
Yeah, you can say that again. | 0:05:31 | 0:05:34 | |
He's a deranged madman, remember? | 0:05:34 | 0:05:35 | |
So, can we all get into the swing of the game, please? | 0:05:35 | 0:05:38 | |
Well, I'm sure I've seen him before somewhere. | 0:05:38 | 0:05:40 | |
MAN LAUGHS EVILLY | 0:05:40 | 0:05:42 | |
Yeah, well, it wasn't the BAFTAs, I'm telling you that. | 0:05:42 | 0:05:45 | |
By now, you're probably all wondering, "Why am I here?" | 0:05:45 | 0:05:49 | |
Yep. | 0:05:49 | 0:05:51 | |
Allow me to explain. | 0:05:51 | 0:05:52 | |
Life, as I see it, is one big test. | 0:05:52 | 0:05:56 | |
And I failed, or so society told me. | 0:05:56 | 0:06:00 | |
This handsome fellow was me a year ago, with my wife Penny. | 0:06:00 | 0:06:04 | |
This was before I was sacked from my job - | 0:06:04 | 0:06:07 | |
or streamlining, as they called it. | 0:06:07 | 0:06:10 | |
Three months after this photo was taken, she left me. | 0:06:10 | 0:06:13 | |
She took the kids with her. | 0:06:13 | 0:06:15 | |
All because I failed to make the grade. | 0:06:15 | 0:06:17 | |
Well, now, I'm putting you to the test. | 0:06:17 | 0:06:21 | |
Pass and you leave in one piece. | 0:06:21 | 0:06:24 | |
Fail... | 0:06:24 | 0:06:26 | |
HE LAUGHS EVILLY | 0:06:26 | 0:06:28 | |
..and you leave in hundreds of pieces. | 0:06:28 | 0:06:31 | |
You probably think I've got a screw loose, | 0:06:32 | 0:06:35 | |
but don't keep yourselves in the dark for too long. | 0:06:35 | 0:06:39 | |
I reckon that last bit was a clue. | 0:06:39 | 0:06:42 | |
Oh, well done, Toby. Nothing gets past you. | 0:06:42 | 0:06:45 | |
Hard to believe this is my husband's first escape room. | 0:06:45 | 0:06:49 | |
Did you not do the zombie escape room, Toby? | 0:06:49 | 0:06:51 | |
No. But I do share a bedroom with Anna. | 0:06:51 | 0:06:53 | |
Maybe we have to search for something. | 0:06:55 | 0:06:57 | |
Let's think outside the box. | 0:06:57 | 0:06:59 | |
He said his wife's name was Penny, short for Penelope, | 0:06:59 | 0:07:02 | |
who, as Homer tells us, was the wife of Odysseus. | 0:07:02 | 0:07:06 | |
I suspect that is the key to solving this challenge. | 0:07:06 | 0:07:09 | |
Found it! | 0:07:09 | 0:07:10 | |
Well, where did that come from? | 0:07:10 | 0:07:12 | |
Well, as he said, there was a screw loose, and there was, | 0:07:12 | 0:07:14 | |
on the back of this unit. | 0:07:14 | 0:07:16 | |
So I took off a panel and I found this. | 0:07:16 | 0:07:19 | |
-He beat you to it again, Dad. -Hm. | 0:07:19 | 0:07:21 | |
Yes, or as Homer tells us, "D'oh"! | 0:07:21 | 0:07:24 | |
Well done, Frank, you're clearly ahead of the rest of us. | 0:07:25 | 0:07:28 | |
Yes, well done, Frank. | 0:07:28 | 0:07:29 | |
Somehow managing to get inside the mind of a bitter, | 0:07:29 | 0:07:32 | |
delusional alcoholic better than anyone else. | 0:07:32 | 0:07:34 | |
-Well, open it, then. -How? It's a lock with numbers on. | 0:07:35 | 0:07:38 | |
-I think I've got it. -Go on! | 0:07:38 | 0:07:40 | |
Was he the coroner in Midsomer Murders? | 0:07:40 | 0:07:43 | |
It's Lee's birthday, try putting in his age. | 0:07:43 | 0:07:45 | |
It's a three-digit padlock. | 0:07:45 | 0:07:47 | |
All right, try putting in Geoffrey's age. | 0:07:47 | 0:07:49 | |
It's quite clear to me how we should work this out. | 0:07:51 | 0:07:54 | |
He said we wouldn't be in the dark for long. | 0:07:54 | 0:07:56 | |
Now, if that's as literal as his previous clue, | 0:07:56 | 0:08:00 | |
all we have to do is switch the lights off, thus revealing... | 0:08:00 | 0:08:05 | |
Oh, yeah, it's gone dark, Geoffrey. | 0:08:05 | 0:08:08 | |
Who'd have guessed that's what a light switch did? | 0:08:08 | 0:08:10 | |
I assumed there'd be | 0:08:10 | 0:08:11 | |
glow-in-the-dark numbers painted on the wall. | 0:08:11 | 0:08:13 | |
Can someone just turn the lights on, please?! | 0:08:13 | 0:08:16 | |
Good God, switch them off again. | 0:08:16 | 0:08:18 | |
Frank, what are you doing? | 0:08:19 | 0:08:21 | |
You see, there's two bulbs here. | 0:08:21 | 0:08:23 | |
One's normal, one's ultraviolet. | 0:08:23 | 0:08:26 | |
If I take out the normal one... | 0:08:26 | 0:08:28 | |
-..it just leaves... -Look! Frank, that's brilliant! | 0:08:29 | 0:08:33 | |
How do you know about UV lights? | 0:08:33 | 0:08:35 | |
They've got them in strip clubs. | 0:08:35 | 0:08:37 | |
How intriguing! | 0:08:46 | 0:08:48 | |
Ever worn handcuffs, Wendy? | 0:08:48 | 0:08:49 | |
No, Frank, but I'm sure you've had to wear a few in your time. | 0:08:51 | 0:08:54 | |
-What's happening?! -Maybe they've turned them off because | 0:08:58 | 0:09:01 | |
someone's about to get murdered! | 0:09:01 | 0:09:02 | |
-I nominate Frank. -Will someone find the bloody switch?! | 0:09:02 | 0:09:05 | |
-Found it! -Argh! That's not the switch! | 0:09:05 | 0:09:08 | |
Sorry. | 0:09:08 | 0:09:10 | |
-Argh! -What's the matter? -Somebody just grabbed my arm! | 0:09:10 | 0:09:12 | |
Calm down, it's just a game! | 0:09:12 | 0:09:14 | |
They've put something on me! Get it off! | 0:09:14 | 0:09:16 | |
Right, come on, who did this? | 0:09:18 | 0:09:20 | |
It's probably part of the game. | 0:09:20 | 0:09:22 | |
Not everything that happens is part of the game, Dad. | 0:09:22 | 0:09:24 | |
If I suddenly kick you in the bollocks, is that part of the game? | 0:09:24 | 0:09:27 | |
I'd say it's worth a try. | 0:09:27 | 0:09:29 | |
That door is padlocked from the inside, | 0:09:29 | 0:09:32 | |
which means one of you lot must have done it. | 0:09:32 | 0:09:33 | |
So whoever it was, get them off right now! | 0:09:33 | 0:09:36 | |
Oh, calm down, Lee, it's not a real bomb! | 0:09:36 | 0:09:38 | |
It probably just shoots out confetti. | 0:09:38 | 0:09:40 | |
Yes, in my face! | 0:09:40 | 0:09:42 | |
Yeah, it could go in his eye and cause an ocular trauma. | 0:09:42 | 0:09:45 | |
Oh, for God's sake, Toby, | 0:09:45 | 0:09:47 | |
no-one ever had a traumatic experience triggered by confetti! | 0:09:47 | 0:09:50 | |
There's something engraved on these. | 0:09:56 | 0:09:58 | |
"Find the enemy within." | 0:09:58 | 0:10:00 | |
If that message was on the handcuffs from the start, | 0:10:00 | 0:10:03 | |
it means that whichever one of us did this to Lee | 0:10:03 | 0:10:05 | |
is in cahoots with the organisers! | 0:10:05 | 0:10:07 | |
How exciting! We've got a dirty rat! | 0:10:07 | 0:10:10 | |
And it's obvious who - Lucy. She's the one that did the booking | 0:10:11 | 0:10:14 | |
and the only one that's been in contact with them. | 0:10:14 | 0:10:16 | |
Not necessarily. | 0:10:16 | 0:10:18 | |
When I booked, they asked me | 0:10:18 | 0:10:19 | |
to provide the e-mail addresses of everyone in the group. | 0:10:19 | 0:10:21 | |
Seemed odd at the time, but now I know why. | 0:10:21 | 0:10:24 | |
-So, it's not you? -No. | 0:10:24 | 0:10:26 | |
-Anna? -It's not me. | 0:10:26 | 0:10:28 | |
-Toby? -Not me either. | 0:10:28 | 0:10:30 | |
-Dad? -It's not me. | 0:10:30 | 0:10:31 | |
Well, it's a brilliant system, Lee. | 0:10:31 | 0:10:33 | |
It's only a matter of time before one of them cracks. | 0:10:35 | 0:10:39 | |
This is pointless. It could be any one of us! | 0:10:39 | 0:10:40 | |
Well, except Lee. It was a surprise, so I didn't give his e-mail. | 0:10:40 | 0:10:44 | |
So how are we going to find out? | 0:10:44 | 0:10:45 | |
I say the good, old-fashioned way, let's beat it out of them. | 0:10:45 | 0:10:48 | |
Yes, good idea. I say we start with Frank. | 0:10:48 | 0:10:50 | |
There must be a logical way of working out this. | 0:10:52 | 0:10:55 | |
We need to examine all the clues in the room. | 0:10:55 | 0:10:59 | |
And I say we start...with that swan over there. | 0:10:59 | 0:11:03 | |
Hang on, why is he in charge? | 0:11:03 | 0:11:05 | |
Because in any hostage situation, | 0:11:05 | 0:11:07 | |
a natural order begins to take place. | 0:11:07 | 0:11:08 | |
One person becomes the leader, | 0:11:08 | 0:11:11 | |
others decide to stand on a table and become a stripper. | 0:11:11 | 0:11:14 | |
This is how the Nazis started. | 0:11:16 | 0:11:18 | |
All locked in an underground bunker with their husbands and wives? | 0:11:18 | 0:11:21 | |
Actually, I think that's how the Nazis ended. | 0:11:21 | 0:11:24 | |
Well, I'm not happy him taking the lead. | 0:11:24 | 0:11:27 | |
All right, Frank, if you feel so strongly, | 0:11:27 | 0:11:29 | |
-why don't you examine the clues? -I will. | 0:11:29 | 0:11:32 | |
What's the least humiliating for you - | 0:11:36 | 0:11:39 | |
if I take it down, or I lift you up? | 0:11:39 | 0:11:41 | |
-Taking it down would be better. -I'll lift you up, then. | 0:11:41 | 0:11:43 | |
How do you reach those magazines on the top shelf? | 0:11:45 | 0:11:48 | |
So, how could this swan tell us who the secret agent is? | 0:11:49 | 0:11:56 | |
Well, what do we know about swans? | 0:11:57 | 0:11:59 | |
Well, a female swan is called a pen. | 0:11:59 | 0:12:01 | |
Perhaps we could use a feather as a clue. | 0:12:01 | 0:12:04 | |
A young swan is a signet, also a type of ring, | 0:12:04 | 0:12:07 | |
which might relate to the handcuffs. | 0:12:07 | 0:12:09 | |
-A mute swan... -It was Wendy. | 0:12:09 | 0:12:11 | |
-What? -My dead swan. | 0:12:11 | 0:12:14 | |
Swap the letters around and you get - | 0:12:14 | 0:12:17 | |
Wendy Adams. | 0:12:17 | 0:12:19 | |
Oh, don't be ridiculous! | 0:12:19 | 0:12:20 | |
Well, it's either that or someone called Demys Wanda did it. | 0:12:20 | 0:12:23 | |
It can't be her! Tell them, Wendy! | 0:12:25 | 0:12:26 | |
Frank's right, it was me! | 0:12:26 | 0:12:29 | |
I hate this bloody game. | 0:12:29 | 0:12:31 | |
I got a mysterious e-mail a few days ago saying, | 0:12:32 | 0:12:35 | |
"Your secret mission is to handcuff someone to the bomb. | 0:12:35 | 0:12:38 | |
"If you succeed, your team will be rewarded with an extra clue." | 0:12:38 | 0:12:42 | |
-Well, what clue? -Once you worked out it was me, I'm supposed to say, | 0:12:42 | 0:12:45 | |
"You need to look where I made my deal". | 0:12:45 | 0:12:47 | |
-Well, what does that mean? -I've no idea. | 0:12:47 | 0:12:49 | |
Where did you make your deal? That's clearly where the next clue is. | 0:12:49 | 0:12:52 | |
Please say a Threshers. | 0:12:52 | 0:12:54 | |
Let's think about this. | 0:12:55 | 0:12:57 | |
If Wendy's agreement was made by e-mail, | 0:12:57 | 0:13:00 | |
well, one might say, on the web. Hm! | 0:13:00 | 0:13:03 | |
Whereabouts is there a web? Well, spiders have webs, and... | 0:13:03 | 0:13:07 | |
-Found it! -Oh, for God's sake! | 0:13:07 | 0:13:09 | |
She made the deal in secret, | 0:13:09 | 0:13:12 | |
which some might say is under the table. | 0:13:12 | 0:13:16 | |
This was stuck under the table. | 0:13:16 | 0:13:19 | |
-Bravo! -Very good! | 0:13:19 | 0:13:21 | |
Ah, please, come on, this is getting embarrassing. | 0:13:21 | 0:13:24 | |
I'm sure you can handle it. | 0:13:24 | 0:13:26 | |
No, I meant embarrassing for you. | 0:13:26 | 0:13:28 | |
Well, well, well! | 0:13:32 | 0:13:33 | |
If you're watching this, it means you've passed the first test. | 0:13:33 | 0:13:37 | |
Unlike me, thrown on the scrapheap at 45. | 0:13:37 | 0:13:40 | |
But you've got more important things to worry about, | 0:13:40 | 0:13:43 | |
like being handcuffed to a bomb. | 0:13:43 | 0:13:45 | |
BEEPING | 0:13:45 | 0:13:47 | |
Believe me, you don't want to be | 0:13:47 | 0:13:49 | |
within half a mile when that thing goes off. | 0:13:49 | 0:13:51 | |
-See! -But guess what? | 0:13:51 | 0:13:53 | |
I'm going to be helpful and give you the key to defuse the bomb. | 0:13:53 | 0:13:57 | |
Oh, how wonderfully generous of the mentally unhinged gobshite! | 0:13:57 | 0:14:00 | |
Just pause this tape and break away the plaster | 0:14:00 | 0:14:03 | |
on the left-hand side of the TV | 0:14:03 | 0:14:05 | |
and there you'll find the key. | 0:14:05 | 0:14:08 | |
-Stand back. -Seriously, stand back. | 0:14:10 | 0:14:12 | |
Toby is useless at DIY. | 0:14:12 | 0:14:14 | |
He once put up some shelves | 0:14:14 | 0:14:16 | |
and accidentally injured me two rooms away. | 0:14:16 | 0:14:19 | |
Accidentally. | 0:14:19 | 0:14:21 | |
Two dolls. | 0:14:33 | 0:14:34 | |
But each of them has got a key. | 0:14:34 | 0:14:36 | |
Which key do we use? | 0:14:36 | 0:14:38 | |
"Which key do we use?" I hear you ask. | 0:14:38 | 0:14:41 | |
Well, that would be telling. | 0:14:41 | 0:14:43 | |
One key defuses the bomb, the other one...detonates it! | 0:14:43 | 0:14:48 | |
Well, which key is which? | 0:14:48 | 0:14:49 | |
"Yeah, but which key is which?" I hear you ask. | 0:14:49 | 0:14:54 | |
Well, that would be telling. | 0:14:54 | 0:14:56 | |
"Oh, just tell us, you irritating twat!" | 0:14:56 | 0:14:58 | |
I hear me ask. | 0:14:58 | 0:15:01 | |
"Can we have another clue?" I hear you ask. | 0:15:01 | 0:15:04 | |
Well, look a little deeper to see the bigger picture | 0:15:04 | 0:15:07 | |
to find which key gives the best result. | 0:15:07 | 0:15:10 | |
-Well, what kind of clue is that? -Why don't we just guess which key? | 0:15:11 | 0:15:14 | |
What's the worst that can happen? | 0:15:14 | 0:15:16 | |
Er...the bomb could explode in my face and disfigure me for life. | 0:15:16 | 0:15:19 | |
Why don't we just guess which key? What's the worst that can happen? | 0:15:19 | 0:15:23 | |
Let's think rationally. | 0:15:23 | 0:15:25 | |
He said to look at the bigger picture. | 0:15:25 | 0:15:28 | |
But there aren't any pictures. | 0:15:28 | 0:15:30 | |
Hang on, yes, there is. | 0:15:30 | 0:15:32 | |
-Where? -On that first tape. | 0:15:32 | 0:15:34 | |
Remember? Earlier, he held up a picture of his wife. | 0:15:35 | 0:15:39 | |
-Clever! -Well, Dad has a keen eye for other people's wives. | 0:15:39 | 0:15:42 | |
He told us to look closer, so let's do that. | 0:15:44 | 0:15:47 | |
Oh, my God! Look! | 0:15:47 | 0:15:50 | |
-That's weird! -What is? | 0:15:50 | 0:15:52 | |
Lee, you're in the photograph. | 0:15:52 | 0:15:54 | |
No, I'm not. It's probably someone who just looks like me! | 0:15:54 | 0:15:57 | |
I wish I could tell you it was a Chuckle Brother, | 0:15:57 | 0:16:01 | |
but it's definitely you. | 0:16:01 | 0:16:02 | |
-What's going on? -Probably just a coincidence. | 0:16:05 | 0:16:08 | |
A coincidence?! | 0:16:08 | 0:16:09 | |
I'm in that photo and I'm trapped in here, strapped to a ticking bomb! | 0:16:09 | 0:16:13 | |
-Is it a wind-up? -Probably, if it's ticking. | 0:16:13 | 0:16:16 | |
Oh! I get it. | 0:16:17 | 0:16:19 | |
-What? -You lot, you're all in on this, to freak me out. | 0:16:19 | 0:16:23 | |
-No, we're not. -If we wanted to scare you, | 0:16:23 | 0:16:25 | |
we wouldn't need to do anything so elaborate. | 0:16:25 | 0:16:27 | |
We'd just take you on the log flume again. | 0:16:27 | 0:16:30 | |
I was the only one without a plastic poncho! | 0:16:31 | 0:16:34 | |
Hang on, this is even odder than we thought. | 0:16:35 | 0:16:38 | |
-Why? -Because it's not just you in the photo. Toby's in it, too! | 0:16:38 | 0:16:42 | |
What? | 0:16:42 | 0:16:43 | |
That man chatting to Lee, it's you. | 0:16:43 | 0:16:46 | |
-Oh, yeah. -When was this picture taken?! | 0:16:46 | 0:16:49 | |
Judging by Toby's jeans, I'd say 1983. | 0:16:49 | 0:16:53 | |
Snow-wash will have a revival. | 0:16:53 | 0:16:56 | |
I know exactly where that photograph was taken. | 0:16:58 | 0:17:01 | |
That is my department's Christmas party last year. | 0:17:01 | 0:17:03 | |
Do you remember, Lee, you tagged along for the free food and drink? | 0:17:03 | 0:17:07 | |
Right, this is getting seriously creepy now. | 0:17:07 | 0:17:09 | |
And I know why I recognise that guy now. | 0:17:09 | 0:17:11 | |
I worked with him at the hospital. | 0:17:11 | 0:17:14 | |
-You knew him? -Well, hardly. | 0:17:14 | 0:17:17 | |
He was in IT, in the department that I joined, | 0:17:17 | 0:17:19 | |
but he left shortly after I'd started. | 0:17:19 | 0:17:21 | |
Left? He said on that tape he was sacked. | 0:17:21 | 0:17:24 | |
What exactly was your job in this new department? | 0:17:27 | 0:17:30 | |
-Doctor, of course. -Anything else? | 0:17:30 | 0:17:32 | |
Well, I was brought in to implement some sort of efficiency programmes. | 0:17:32 | 0:17:37 | |
Which meant a bit of...streamlining. | 0:17:37 | 0:17:41 | |
-You got him the sack? -Well, I could be mistaken, | 0:17:43 | 0:17:45 | |
it's difficult to remember, with all the staff that come and go. | 0:17:45 | 0:17:48 | |
So all this could be real! | 0:17:48 | 0:17:49 | |
That certainly explains the lack of drink. | 0:17:49 | 0:17:52 | |
Oh, my God! | 0:17:52 | 0:17:54 | |
Excuse me. If you can all rejoin me on planet Earth for a moment? | 0:17:54 | 0:17:58 | |
May I remind you that Lucy chose this experience, not vice versa. | 0:17:58 | 0:18:03 | |
Actually...that's not exactly how it happened. | 0:18:03 | 0:18:07 | |
-What do you mean? -I didn't contact them, they contacted me. | 0:18:07 | 0:18:11 | |
I got a random e-mail. | 0:18:11 | 0:18:13 | |
It said, "Escape rooms - prices so cheap, we must be mad." | 0:18:13 | 0:18:16 | |
Ooo! Please keep talking, this just gets better and better! | 0:18:17 | 0:18:21 | |
I assume you checked out the company. | 0:18:21 | 0:18:23 | |
They must have had a website or something? | 0:18:23 | 0:18:25 | |
In the e-mail, he said he hadn't had a chance to set one up yet. | 0:18:25 | 0:18:28 | |
Said it was a brand-new experience and that we'd be the first. | 0:18:28 | 0:18:32 | |
He didn't say anything about us being the last, did he? | 0:18:32 | 0:18:34 | |
Look, he's not a maniac, this is all part of the game! | 0:18:34 | 0:18:37 | |
I think. | 0:18:39 | 0:18:40 | |
Of course, it's clearly part of the game, and Lucy's in on it. | 0:18:40 | 0:18:45 | |
-No, I'm not. -How on earth would this man have got your e-mail address? | 0:18:45 | 0:18:48 | |
He was an IT expert, he could easily have hacked into my work e-mail. | 0:18:48 | 0:18:52 | |
And Lucy's copied in on various group e-mails I receive. | 0:18:52 | 0:18:55 | |
You know, Lee, important ones, like video clips of a drunk man | 0:18:55 | 0:18:59 | |
showing his arse crack at a family barbecue. | 0:18:59 | 0:19:01 | |
That was a very funny clip, actually. | 0:19:03 | 0:19:04 | |
-You didn't send it to me. -Whose arse do you think it was? | 0:19:04 | 0:19:07 | |
So the man acquired Lucy's address somehow, | 0:19:10 | 0:19:12 | |
but if he wanted to harm Toby, why punish the rest of us? | 0:19:12 | 0:19:15 | |
You heard him on that tape, he's lost everything! | 0:19:15 | 0:19:17 | |
And now he wants Toby to lose everything, too! | 0:19:17 | 0:19:19 | |
Including his close friends! | 0:19:19 | 0:19:21 | |
But me and Geoffrey aren't his close friends! | 0:19:21 | 0:19:23 | |
-No offence, Toby. -None taken. | 0:19:23 | 0:19:26 | |
-I'm not a close friend either. -Still no offence. | 0:19:26 | 0:19:28 | |
I wouldn't even say we were particularly close. | 0:19:30 | 0:19:32 | |
Little bit of offence taken there, though. | 0:19:36 | 0:19:38 | |
All that maniac cares about | 0:19:38 | 0:19:39 | |
is that Toby is in here with some of his friends. | 0:19:39 | 0:19:41 | |
He doesn't care about the specifics! | 0:19:41 | 0:19:43 | |
-We're going to die! -As I recall, you said the same thing last year | 0:19:43 | 0:19:46 | |
on the waltzers at Thorpe Park. | 0:19:46 | 0:19:49 | |
The waltzers were not being operated | 0:19:49 | 0:19:50 | |
by a man with a homicidal grudge against Toby! | 0:19:50 | 0:19:53 | |
It didn't stop you shouting hysterically | 0:19:53 | 0:19:55 | |
at the man spinning you around. | 0:19:55 | 0:19:57 | |
I was just trying to make the point | 0:19:57 | 0:19:59 | |
that "scream if you want to go faster" | 0:19:59 | 0:20:01 | |
is a system that is inherently flawed! | 0:20:01 | 0:20:03 | |
Tell me this, then - if the grudge is against Toby, | 0:20:07 | 0:20:10 | |
why did they not handcuff him to the bomb? | 0:20:10 | 0:20:13 | |
That is a good point. | 0:20:13 | 0:20:16 | |
-Actually... -I am starting to hate the word "actually"! | 0:20:16 | 0:20:20 | |
I was suppose to handcuff Toby, | 0:20:20 | 0:20:22 | |
that's what it really said in the e-mail. | 0:20:22 | 0:20:24 | |
But in the darkness, I got Lee by mistake. | 0:20:24 | 0:20:26 | |
Well, why didn't you tell us this before? | 0:20:26 | 0:20:28 | |
I was worried I'd got it wrong. I thought they'd stop the game! | 0:20:28 | 0:20:30 | |
Well, why did he let us carry on if you'd broken the rules? | 0:20:30 | 0:20:33 | |
Well, he didn't let us carry on, did he? He's not here! | 0:20:33 | 0:20:35 | |
He's probably 50 miles away, waiting for this bomb to explode! | 0:20:35 | 0:20:38 | |
Don't be stupid. He's upstairs with the rest of the game's organisers, | 0:20:38 | 0:20:42 | |
listening in and laughing at your ridiculous rantings! | 0:20:42 | 0:20:44 | |
-Actually... -Don't you start! | 0:20:44 | 0:20:47 | |
He's not. There's nobody upstairs. | 0:20:47 | 0:20:49 | |
When I turned up, I was desperate for the bog, | 0:20:49 | 0:20:51 | |
so I went searching. | 0:20:51 | 0:20:53 | |
Trust me, we're in a derelict old building in the middle of nowhere. | 0:20:53 | 0:20:57 | |
And you tell us this now? | 0:20:57 | 0:20:58 | |
Well, I don't know how this works, do I?! | 0:20:58 | 0:21:00 | |
I've never done it before! | 0:21:00 | 0:21:02 | |
Normal people celebrate their birthday | 0:21:02 | 0:21:04 | |
by opening a can of Special Brew | 0:21:04 | 0:21:05 | |
and sticking a candle in a Mr Kipling! | 0:21:05 | 0:21:07 | |
There's a poetry to the sadness of your life, isn't there, Frank? | 0:21:09 | 0:21:13 | |
Right, enough is enough! | 0:21:14 | 0:21:15 | |
If this is somebody's idea of an elaborate joke, it's not funny! | 0:21:15 | 0:21:19 | |
So this is your last chance to tell me...right now! | 0:21:19 | 0:21:22 | |
-Well, it's not us. -Look, I really did work with him at the hospital | 0:21:22 | 0:21:25 | |
and I really could have got him the sack. | 0:21:25 | 0:21:27 | |
And he really did e-mail me out of the blue, I swear to God! | 0:21:27 | 0:21:30 | |
-Dad? -Me? | 0:21:30 | 0:21:31 | |
My idea of an elaborate wind-up | 0:21:31 | 0:21:32 | |
is breaking wind when you pull my finger! | 0:21:32 | 0:21:34 | |
-It's not us. -Wendy and I wouldn't do anything like this. | 0:21:36 | 0:21:40 | |
Seeing you teary last year on Billy Badger's Big Bumpy Boat... | 0:21:40 | 0:21:43 | |
..that was embarrassing enough, Lee. | 0:21:48 | 0:21:49 | |
I wouldn't want to go through all that again. | 0:21:49 | 0:21:52 | |
-Oh, my God, it is real! -No, it isn't! | 0:21:52 | 0:21:55 | |
Nobody puts a digital timer on a bomb! | 0:21:55 | 0:21:57 | |
Look, it's even got a switch on the back to turn the bloody thing off! | 0:21:57 | 0:22:00 | |
RAPID BEEPING | 0:22:02 | 0:22:03 | |
Oh! | 0:22:05 | 0:22:06 | |
Funny how time seems to go faster when you're enjoying yourself. | 0:22:06 | 0:22:09 | |
DRAMATIC INSTRUMENTAL | 0:22:09 | 0:22:11 | |
Oh, good! He's included some dramatic music | 0:22:11 | 0:22:13 | |
because this isn't quite tense enough! | 0:22:13 | 0:22:15 | |
-Geoffrey, what have you done? -Nothing! It isn't real! | 0:22:15 | 0:22:19 | |
-Is it? -Yes, it is! We're going to die! | 0:22:19 | 0:22:21 | |
-And it's all my fault! -None of us are dead yet! | 0:22:21 | 0:22:23 | |
We've still got a chance of solving the puzzles and getting out of here! | 0:22:23 | 0:22:27 | |
Frank, you're the problem-solving genius, which is the right key? | 0:22:27 | 0:22:30 | |
Oh! Er... I don't know! | 0:22:30 | 0:22:33 | |
Oh, you see, when we really need him, he's got nothing! | 0:22:33 | 0:22:35 | |
You're just jealous because I'm better than you at doing mammograms! | 0:22:35 | 0:22:39 | |
The word is anagrams, you imbecile! | 0:22:42 | 0:22:44 | |
Stop it, the pair of you! Now think, and quickly. | 0:22:44 | 0:22:48 | |
The man said, "Look back at the old clues." | 0:22:48 | 0:22:50 | |
Yes, and we did that, and we made the connection to Toby. | 0:22:50 | 0:22:52 | |
But how does that help us now? | 0:22:52 | 0:22:54 | |
Well, last time, when we worked out that Wendy was the secret agent, | 0:22:54 | 0:22:58 | |
it was linked to the swan. | 0:22:58 | 0:23:00 | |
This time, it might link Toby to the dolls. | 0:23:00 | 0:23:02 | |
Yeah, but we don't have an anagram this time, | 0:23:02 | 0:23:04 | |
we only have the letters A and B. | 0:23:04 | 0:23:06 | |
All right, all right, all right, let's think about this. | 0:23:06 | 0:23:08 | |
Two Victorian dolls, each with a key, | 0:23:08 | 0:23:10 | |
both made of fine biscuit porcelain. | 0:23:10 | 0:23:11 | |
What do we know about fine biscuit porcelain?! | 0:23:11 | 0:23:13 | |
-Got it! -You can't have! | 0:23:13 | 0:23:15 | |
-I have! It's, er... -Don't! | 0:23:17 | 0:23:19 | |
Don't...don't say it, just give me a minute! | 0:23:19 | 0:23:21 | |
You what?! RAPID BEEPING | 0:23:21 | 0:23:24 | |
You'll be kicking yourselves. | 0:23:24 | 0:23:26 | |
I'll be bloody kicking you if you don't say it! | 0:23:26 | 0:23:28 | |
Oh, for God's sake, just spit it out! | 0:23:28 | 0:23:30 | |
It's an anagram of Toby - Toy B. | 0:23:30 | 0:23:33 | |
Goddamn it! | 0:23:33 | 0:23:35 | |
RAPID BEEPING | 0:23:35 | 0:23:37 | |
Wait! What are you doing?! | 0:23:40 | 0:23:42 | |
It's the key from Toy B. | 0:23:42 | 0:23:44 | |
The man said, "Choose the key which gives the best result," | 0:23:44 | 0:23:46 | |
but the best result for who?! | 0:23:46 | 0:23:48 | |
The best result for him is if we blow ourselves up! | 0:23:48 | 0:23:51 | |
-So, do you think I should use the other key? -I don't know! | 0:23:51 | 0:23:54 | |
Quickly! RAPID BEEPING | 0:23:54 | 0:23:56 | |
RELIEVED SIGHS | 0:24:06 | 0:24:08 | |
Well, I don't know about anyone else, but I thoroughly enjoyed that. | 0:24:11 | 0:24:14 | |
Perhaps you're all now willing to accept that this was just a game. | 0:24:17 | 0:24:20 | |
Bit of a coincidence, that man being a colleague of Toby's, | 0:24:20 | 0:24:23 | |
whether Toby got him the sack or not. | 0:24:23 | 0:24:25 | |
Well, flukes happen all the time. | 0:24:25 | 0:24:26 | |
I mean, look at Frank, solving all those clues. | 0:24:26 | 0:24:30 | |
Now, can we go to the pub, please? | 0:24:30 | 0:24:32 | |
Well, not quite. We still have to find a way to uncuff me. | 0:24:32 | 0:24:35 | |
And open the door. | 0:24:35 | 0:24:36 | |
Oh, well, the door's an easy one, | 0:24:36 | 0:24:38 | |
that's obviously what Key B is for. Toby? | 0:24:38 | 0:24:40 | |
It fits. | 0:24:45 | 0:24:46 | |
RAPID BEEPING | 0:24:46 | 0:24:48 | |
TIMER BEEPS | 0:24:50 | 0:24:52 | |
SIREN WAILS | 0:24:54 | 0:24:57 | |
What's going on?! | 0:24:57 | 0:24:59 | |
-Oh, my God! -Open the door! | 0:24:59 | 0:25:01 | |
I can't! It won't open! | 0:25:01 | 0:25:03 | |
THEY YELL | 0:25:03 | 0:25:05 | |
Looks like you passed the test, Toby, but who cares? | 0:25:05 | 0:25:08 | |
I hate tests, and I hate you! | 0:25:08 | 0:25:11 | |
You know, most people | 0:25:11 | 0:25:12 | |
would just have stopped sending Christmas cards! | 0:25:12 | 0:25:14 | |
RAPID BEEPING | 0:25:14 | 0:25:16 | |
You're going to regret getting me sacked, Toby. | 0:25:16 | 0:25:18 | |
We're all going to die! | 0:25:18 | 0:25:20 | |
For once in your life, Toby, do something! | 0:25:20 | 0:25:23 | |
Oh, don't you worry - if I get out of here alive, | 0:25:23 | 0:25:25 | |
I'm going to have some pretty harsh things to say | 0:25:25 | 0:25:27 | |
about all of this on TripAdvisor! | 0:25:27 | 0:25:29 | |
RAPID BEEPING | 0:25:29 | 0:25:31 | |
It's going to blow! | 0:25:31 | 0:25:33 | |
THEY SHRIEK | 0:25:33 | 0:25:35 | |
RAPID BEEPING | 0:25:35 | 0:25:36 | |
SIREN WAILS | 0:25:36 | 0:25:38 | |
Prepare to die! | 0:25:38 | 0:25:40 | |
THEY SCREAM | 0:25:40 | 0:25:42 | |
RAPID BEEPING | 0:25:42 | 0:25:43 | |
BEEP! | 0:25:43 | 0:25:45 | |
BEEPING TO THE TUNE OF "HAPPY BIRTHDAY" | 0:25:45 | 0:25:49 | |
# Happy birthday to me | 0:25:49 | 0:25:51 | |
# It was hilarious to see | 0:25:51 | 0:25:53 | |
# You all hide from a pretend bomb | 0:25:53 | 0:25:57 | |
# That was put there by me. # | 0:25:57 | 0:26:00 | |
Hip-hip! | 0:26:08 | 0:26:10 | |
No? | 0:26:10 | 0:26:13 | |
So, are you saying you arranged all this, Lee? | 0:26:13 | 0:26:15 | |
Yep! | 0:26:15 | 0:26:17 | |
With more than a little help from Greg. | 0:26:17 | 0:26:19 | |
Who the hell's Greg? | 0:26:19 | 0:26:21 | |
The IT bloke from Toby's work. | 0:26:21 | 0:26:23 | |
I got chatting to him at that Christmas party last year. | 0:26:23 | 0:26:26 | |
Told me that he'd handed his notice in. | 0:26:26 | 0:26:28 | |
-So, Toby didn't get him sacked? -Nope! | 0:26:28 | 0:26:31 | |
He was leaving anyway, to start his own business - | 0:26:31 | 0:26:34 | |
-escape rooms. -You got him to e-mail Lucy. | 0:26:34 | 0:26:37 | |
See, Geoffrey, you can get the clues when they're a little bit easier. | 0:26:37 | 0:26:41 | |
So, how did you know I'd sign up for it? | 0:26:41 | 0:26:44 | |
Because, Lucy, I knew, like every year, | 0:26:44 | 0:26:46 | |
that you would leave my birthday arrangements until the last minute | 0:26:46 | 0:26:49 | |
and sign up to anything. | 0:26:49 | 0:26:51 | |
I was just a bit surprised you did it without a Wowcher being involved. | 0:26:51 | 0:26:54 | |
-They're in my pocket, by the way. -What are? | 0:26:56 | 0:26:58 | |
The keys. They've been there the whole time. | 0:26:58 | 0:27:01 | |
Big one opens the padlock on the door, | 0:27:01 | 0:27:03 | |
little one opens the handcuffs. | 0:27:03 | 0:27:06 | |
Why? Why go to all this effort? | 0:27:06 | 0:27:09 | |
Because, Geoffrey, perhaps now | 0:27:09 | 0:27:10 | |
we've got a different topic of conversation | 0:27:10 | 0:27:12 | |
other than how scared I was last year at Thorpe Park. | 0:27:12 | 0:27:15 | |
You scared us all senseless for that? | 0:27:17 | 0:27:20 | |
Here's us thinking we've been lured here by a madman | 0:27:20 | 0:27:22 | |
hell-bent on revenge. | 0:27:22 | 0:27:24 | |
When all along, we've been lured here | 0:27:24 | 0:27:26 | |
by a madman hell-bent on revenge. | 0:27:26 | 0:27:28 | |
Come on, everyone, pub. | 0:27:28 | 0:27:31 | |
Er...aren't you forgetting something? | 0:27:31 | 0:27:33 | |
Aren't you going to unlock me? | 0:27:33 | 0:27:35 | |
See if you can solve this riddle - | 0:27:35 | 0:27:37 | |
My first is in "never" and "no chance" and "no". | 0:27:37 | 0:27:40 | |
The second is in "bollocks to you". | 0:27:40 | 0:27:43 | |
Hang on! You can't just leave me here! | 0:27:45 | 0:27:48 | |
Come on, Lucy, it was only a bit of fun! | 0:27:48 | 0:27:49 | |
Oh, well, lucky you! You get to enjoy it for several more hours. | 0:27:49 | 0:27:53 | |
Are you winding me up? | 0:27:54 | 0:27:56 | |
Ha! | 0:27:59 | 0:28:00 | |
No! | 0:28:03 | 0:28:04 | |
DOOR SLAMS SHUT | 0:28:04 | 0:28:06 | |
Well, some people can't take a joke. | 0:28:06 | 0:28:07 | |
# We're not going out | 0:28:12 | 0:28:14 | |
# We're not staying in | 0:28:14 | 0:28:16 | |
# Just hanging around with my head in a spin | 0:28:16 | 0:28:19 | |
# But there is no need to scream and shout | 0:28:19 | 0:28:22 | |
# We're not going out | 0:28:22 | 0:28:25 | |
# We are not going out. # | 0:28:25 | 0:28:28 |