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This programme contains strong language | 0:00:02 | 0:00:06 | |
MUSIC FADES IN | 0:00:06 | 0:00:08 | |
-And you're locked into the sounds of the legendary... -Yes! -..Kurupt FM. | 0:00:08 | 0:00:11 | |
The Phone Line Crew inside, yeah? | 0:00:11 | 0:00:14 | |
Phone line number to get you through once again is 07050 030 108.9. | 0:00:14 | 0:00:19 | |
Why are Kurupt FM so big in the area? | 0:00:19 | 0:00:22 | |
That's because we're killing it. | 0:00:23 | 0:00:25 | |
-Exactly. -And if you kill it, you get the respect of others. | 0:00:25 | 0:00:27 | |
You're now listening to the best MC in the galaxy right now, yeah. | 0:00:27 | 0:00:31 | |
You don't see Richard Branstone sitting there like, | 0:00:31 | 0:00:34 | |
-"Er, I think I might start a plane company." He went and done it. -Yeah. | 0:00:34 | 0:00:37 | |
-People respect him now. -He started off with the pickle jars. | 0:00:37 | 0:00:40 | |
-Bang. -Bang, to the plane company. | 0:00:40 | 0:00:42 | |
Inside. Bit of baseline pressure. | 0:00:42 | 0:00:43 | |
DJ Fantasy rolling through. | 0:00:43 | 0:00:45 | |
And we are the next Branstone. | 0:00:45 | 0:00:47 | |
Exactly. Kurupt FM the brand. | 0:00:47 | 0:00:49 | |
-I Am Kurupt. -And then we're gonna have I Am Kurupt trains. | 0:00:49 | 0:00:53 | |
-I Am Kurupt planes. -No, you don't have to do exactly what he done. | 0:00:53 | 0:00:55 | |
That's not the point, is it? | 0:00:55 | 0:00:57 | |
Out to the Brentford man. Out to Alfie Danger, | 0:00:57 | 0:00:59 | |
out to Albatross. | 0:00:59 | 0:01:01 | |
Out to Wilfy D. | 0:01:01 | 0:01:02 | |
These guys are the best kept secret in Brentford right now, yeah? | 0:01:02 | 0:01:05 | |
It's not a secret. People do know about us. | 0:01:05 | 0:01:07 | |
-Yeah, not enough people. -We have a TV crew. | 0:01:07 | 0:01:09 | |
But, you know, we're in our prime right now. | 0:01:09 | 0:01:11 | |
-We're young. -Exactly. Exactly. | 0:01:11 | 0:01:13 | |
There's time. We're young, we're good-looking. | 0:01:13 | 0:01:15 | |
Make sure you're locked in this time tomorrow as well, | 0:01:15 | 0:01:18 | |
cos we're gonna be playing the most anticipated track of 2016. | 0:01:18 | 0:01:22 | |
Exactly. New Kurupt slammer, instant classic on the streets, | 0:01:22 | 0:01:26 | |
will be coming straight out studio tomorrow. | 0:01:26 | 0:01:29 | |
Yeah, cos we're going studio. | 0:01:29 | 0:01:31 | |
There's two types of studio, actually. | 0:01:36 | 0:01:38 | |
Radio studio. | 0:01:38 | 0:01:39 | |
-Yeah. -And there's music studio. | 0:01:39 | 0:01:41 | |
Yeah, exactly. | 0:01:41 | 0:01:43 | |
-Studio! -Just down here. -Studio! -Just down here, yeah. | 0:01:43 | 0:01:45 | |
-Studio! -Yeah, also, going studio, it sounds good. | 0:01:45 | 0:01:49 | |
Press the buzzer, mate. I can't get my hands dirty, I'm about to MC. | 0:01:49 | 0:01:52 | |
Do you know what I mean? When someone calls you, or, like, | 0:01:52 | 0:01:54 | |
your girl's like, "What you doing today?" You just be like, "Studio." | 0:01:54 | 0:01:57 | |
-Hello, mate. -What's your name? | 0:01:57 | 0:02:00 | |
No need for that. MC Grindah, CEO of Kurupt FM. | 0:02:00 | 0:02:03 | |
Oh, mate. | 0:02:03 | 0:02:04 | |
-We're back. -We're back. Beats and Grindah back at it. -And Beats. | 0:02:05 | 0:02:09 | |
-That's what I said, Beats and Grindah. -Yeah, yeah, sorry. | 0:02:09 | 0:02:11 | |
Oh, sick, a chair. STEVES PLAYS PIANO | 0:02:11 | 0:02:13 | |
-Oh, I love chairs. -That is a great chair. | 0:02:13 | 0:02:14 | |
-It looks really good on you, as well. -Thank you. | 0:02:14 | 0:02:16 | |
Steves, stop touching things. | 0:02:16 | 0:02:18 | |
-Get it back on me. -All right, let me know if you need anything. | 0:02:18 | 0:02:20 | |
-You'll be done in an hour, do you think? -Erm... | 0:02:20 | 0:02:22 | |
-You can't rush these things, mate. -Yeah. Music is an art form, mate, | 0:02:22 | 0:02:25 | |
yeah. It takes as long as it takes. | 0:02:25 | 0:02:27 | |
Oh, right. Your manager's only booked an hour. | 0:02:27 | 0:02:30 | |
Is not gonna take an hour, is it? It's a four-minute track, mate. | 0:02:30 | 0:02:33 | |
-He ain't got a clue, has he? -Nah. | 0:02:33 | 0:02:34 | |
-Do you want me to talk you through the equipment? -Yeah... | 0:02:34 | 0:02:37 | |
Nah, nah, we're all good. We know exactly what we're doing. | 0:02:37 | 0:02:39 | |
-Sure? -Yes, I'm sure. | 0:02:39 | 0:02:40 | |
Look, it's none of your little rock 'n' roll bollocks, mate. | 0:02:40 | 0:02:43 | |
It's real music. You wouldn't have a clue about it. Pop yourself off. | 0:02:43 | 0:02:46 | |
-Come on, real men don't read instruction manuals, mate. -Yeah! | 0:02:46 | 0:02:49 | |
Decoy, you know what you're doing though, right? | 0:02:49 | 0:02:51 | |
-Turn it all on, Decoy. -All wires. -Take a look at this. Look. | 0:02:51 | 0:02:55 | |
-Ah, they're all moving. -That's real technology, mate. -See, all at once. | 0:02:56 | 0:02:59 | |
They all move at once. Push me in the chair. Push me in the chair. | 0:02:59 | 0:03:02 | |
-OK, cool. -Where is it? | 0:03:02 | 0:03:03 | |
-Spin him around. -Spin me round. -Spin him around. -No, don't. No, don't. | 0:03:03 | 0:03:07 | |
-Because I'll fall off. -Spin him round! | 0:03:07 | 0:03:09 | |
See, I've fell off now. | 0:03:09 | 0:03:11 | |
HEAVY BREATHING | 0:03:12 | 0:03:13 | |
Do you wish you were at the studio? | 0:03:20 | 0:03:22 | |
The thing is, I'm busy tonight. | 0:03:22 | 0:03:23 | |
You know, I've actually got a date, so I'm getting ready for that. | 0:03:23 | 0:03:26 | |
You know? Mentally, spiritually, and obviously physically. | 0:03:26 | 0:03:30 | |
Obviously when you hear the name Chabuddy G, | 0:03:31 | 0:03:33 | |
certain emotions come to your mind, you know? What do you think? | 0:03:33 | 0:03:36 | |
Sex symbol. That's a taken. | 0:03:37 | 0:03:39 | |
But then if you go further into that, | 0:03:39 | 0:03:42 | |
Chabuddy G - | 0:03:42 | 0:03:44 | |
style icon. This is not by accident. | 0:03:44 | 0:03:46 | |
People ask me, "What does the G stand for?" | 0:03:46 | 0:03:49 | |
I tell them. | 0:03:49 | 0:03:50 | |
Gucci, girls, girth. | 0:03:50 | 0:03:51 | |
Hi, Chabuddy G. | 0:03:53 | 0:03:54 | |
Smouldering. I mean, what woman can resist that? | 0:03:56 | 0:03:59 | |
I look a bit Japanese when I do that, innit? | 0:04:00 | 0:04:03 | |
Arigatou. Isn't it? | 0:04:04 | 0:04:06 | |
These rather beautiful gardens, | 0:04:06 | 0:04:07 | |
of course, were the inspiration... | 0:04:07 | 0:04:09 | |
-And this is the house. -Oh, my God. | 0:04:09 | 0:04:12 | |
-Speaks for itself, doesn't it? -It does. It says, " 'ello. | 0:04:12 | 0:04:15 | |
" 'Ello, Miche." | 0:04:15 | 0:04:17 | |
-So, er... -Let's go. Let's get up there. | 0:04:17 | 0:04:20 | |
This is your bride. | 0:04:20 | 0:04:21 | |
I'll be like this at the top. | 0:04:21 | 0:04:23 | |
-Oh, yes. -I'll, like, jump out from here and I'll just walk down. | 0:04:23 | 0:04:26 | |
Get some photos. | 0:04:26 | 0:04:27 | |
'Yeah, so Grindah's letting me handle | 0:04:27 | 0:04:29 | |
'all the decisions for the wedding. | 0:04:29 | 0:04:31 | |
-'It's actually really romantic of him, you know? -Yeah.' | 0:04:31 | 0:04:33 | |
-Here behind us, is our wedding wall. -Yeah. | 0:04:33 | 0:04:35 | |
That we've been working on. | 0:04:35 | 0:04:37 | |
So it's just like a big sort of collage, isn't it, of our big day? | 0:04:37 | 0:04:39 | |
A little bit terrifying. | 0:04:39 | 0:04:41 | |
It's like a horror film. | 0:04:41 | 0:04:43 | |
Like there's something wrong with you. | 0:04:43 | 0:04:46 | |
He's saying that because sometimes he... | 0:04:46 | 0:04:48 | |
Stop putting so much on there, and she keeps putting more. | 0:04:48 | 0:04:50 | |
It's partly just to remind us both that we are getting married. | 0:04:50 | 0:04:53 | |
-Well, I can't forget with that in the background, can I? -I know. | 0:04:53 | 0:04:56 | |
Loving this. Do you know what? I just love all the white. | 0:04:56 | 0:04:59 | |
-Me too. -What's your policy on ponies? | 0:04:59 | 0:05:02 | |
Ponies? | 0:05:02 | 0:05:04 | |
Well, I'd have to check on that for you. | 0:05:04 | 0:05:07 | |
-Of course. -It is a protected building. | 0:05:07 | 0:05:09 | |
Protected? Oh, that's great actually, | 0:05:09 | 0:05:11 | |
because we're gonna to need some security on the day | 0:05:11 | 0:05:13 | |
because my fiance is actually famous, so it's ideal. | 0:05:13 | 0:05:16 | |
What do you reckon of this, boys? | 0:05:17 | 0:05:19 | |
BEAT PLAYS | 0:05:19 | 0:05:21 | |
-What you thinking? -Hmm... | 0:05:21 | 0:05:22 | |
-Turn it up. -Turn it up. Yeah, that's what I was thinking too. | 0:05:26 | 0:05:28 | |
Yeah, turn it up. Yeah, yeah. | 0:05:28 | 0:05:30 | |
That's already much better, innit? | 0:05:30 | 0:05:32 | |
-Yeah, yeah. -Yeah. -Do you think it's better? -I think it's better, yeah. | 0:05:32 | 0:05:35 | |
Still quite repetitive, to be honest. | 0:05:35 | 0:05:37 | |
-It does need something more. -What about something from next door? | 0:05:37 | 0:05:40 | |
-There's loads of shit. -Yeah, cool, I'll come have a look with you. | 0:05:40 | 0:05:43 | |
That's quite good, innit? DEEP KEYBOARD NOTE | 0:05:43 | 0:05:45 | |
Decoy. | 0:05:45 | 0:05:46 | |
'My role in studio is kind of the...' | 0:05:46 | 0:05:48 | |
Like, the provider of the inspiration. | 0:05:49 | 0:05:54 | |
'I'm like a muse. | 0:05:54 | 0:05:56 | |
'Yeah, I'm an ideas man.' | 0:05:56 | 0:05:58 | |
Oh, for... | 0:05:59 | 0:06:01 | |
Actually, that sounded quite sick. | 0:06:01 | 0:06:03 | |
-Yeah, yeah. -Do that again. | 0:06:03 | 0:06:04 | |
When the mic's on, Steve. | 0:06:04 | 0:06:06 | |
Are you ready, Decoy? | 0:06:08 | 0:06:10 | |
GLASS SMASHES | 0:06:10 | 0:06:12 | |
-Oi! That's the one. -That felt good, yeah. -That's the one. | 0:06:12 | 0:06:14 | |
That felt great. | 0:06:14 | 0:06:15 | |
I dunno know, man. I still reckon I could do better. | 0:06:15 | 0:06:18 | |
Perfect. That'll do. | 0:06:19 | 0:06:21 | |
Can I show you something really special? | 0:06:21 | 0:06:23 | |
Now, this is where the actual ceremony will take place. | 0:06:23 | 0:06:26 | |
-SHE GASPS -Wow. Fuck off. | 0:06:26 | 0:06:28 | |
-Fucking hell, Miche. Look at that. -That is well posh. | 0:06:28 | 0:06:31 | |
And the dome, as you can see, the very famous dome. | 0:06:31 | 0:06:34 | |
Fucking love the dome. | 0:06:34 | 0:06:36 | |
-Mental. -Yeah. | 0:06:36 | 0:06:39 | |
He looks a bit like Dad, don't it? | 0:06:39 | 0:06:41 | |
-Poor sod. -Yeah. | 0:06:41 | 0:06:42 | |
Ooh, while I think of it, could you do thrones as well? | 0:06:44 | 0:06:47 | |
Thrones? Yes, that'd be a nice touch, | 0:06:47 | 0:06:49 | |
I'm sure we could come up with a price | 0:06:49 | 0:06:51 | |
to accommodate thrones for you. | 0:06:51 | 0:06:52 | |
-Good. -Oh, thank you. | 0:06:52 | 0:06:54 | |
-We'll definitely be taking the pillars. -Yes. -So that's great. -Six. | 0:06:54 | 0:06:57 | |
-Thank you. -We'll have six. -Well, they are a permanent fixture. | 0:06:57 | 0:06:59 | |
So, listen, darling. | 0:06:59 | 0:07:01 | |
What we looking at? What price we looking at here, yeah? | 0:07:01 | 0:07:04 | |
Well, with everything we've discussed this morning, | 0:07:04 | 0:07:07 | |
I'd say we're looking in the region of say 15,000 to 19,000. | 0:07:07 | 0:07:12 | |
-We better jog on, Miche. -No, I mean, that's the... | 0:07:14 | 0:07:16 | |
Yeah, that's the sort of, the mid to the sort of top range | 0:07:16 | 0:07:18 | |
that I had in mind in my range sort of thoughts, so. | 0:07:18 | 0:07:22 | |
Is that something we'd have to pay all at once, | 0:07:22 | 0:07:25 | |
or, you know, could we do it on credit? | 0:07:25 | 0:07:26 | |
You know, like when you buy a new sofa? | 0:07:26 | 0:07:28 | |
Listen, we'll get back to you, yeah? | 0:07:28 | 0:07:32 | |
-GLASS SMASHING ON TRACK -Oh, sick, | 0:07:32 | 0:07:33 | |
there's free Wi-Fi in here. | 0:07:33 | 0:07:35 | |
Type in "Tupac still alive in Cuba." | 0:07:35 | 0:07:37 | |
No, no, no, no, no. None of that weird Steve shit. | 0:07:37 | 0:07:40 | |
Boys, we need to finish this track, yeah? We ain't got time. | 0:07:40 | 0:07:42 | |
Ssh! Decoy, you got no clue sometimes. | 0:07:42 | 0:07:44 | |
Inspiration is a very important part of the creative process, so... | 0:07:44 | 0:07:47 | |
What about "Jean-Claude Van Damme fight sequences all in one montage"? | 0:07:47 | 0:07:52 | |
Perfect. | 0:07:52 | 0:07:53 | |
-Ooh. -Ooh. | 0:07:53 | 0:07:54 | |
-Move it here a bit. -I love bad guys with scars. | 0:07:54 | 0:07:57 | |
-Yeah. -Look, he punches him. | 0:07:57 | 0:07:59 | |
I can't believe he's French. | 0:08:00 | 0:08:02 | |
You would've thought he was English or American. | 0:08:02 | 0:08:04 | |
-He seems normal, don't he? -Yeah. | 0:08:04 | 0:08:06 | |
Oh, yeah. | 0:08:08 | 0:08:10 | |
Oof! Very pungent, you know? | 0:08:10 | 0:08:11 | |
There's a few stains and that. It's fine, it adds character. | 0:08:11 | 0:08:14 | |
So, erm... | 0:08:14 | 0:08:15 | |
I'm actually really excited about the date tonight, you know? | 0:08:18 | 0:08:21 | |
I think... I think it could go really well. | 0:08:21 | 0:08:23 | |
So, yeah. | 0:08:23 | 0:08:25 | |
Let's just hope she doesn't break my heart or steal all my stuff again. | 0:08:27 | 0:08:30 | |
HE LAUGHS | 0:08:30 | 0:08:31 | |
HE WHEEZES AND COUGHS | 0:08:32 | 0:08:34 | |
-What do you think? -Look at it. Yeah, lovely. | 0:08:38 | 0:08:40 | |
I like the windows. | 0:08:40 | 0:08:42 | |
-Here we go. -Oh, have a word. | 0:08:42 | 0:08:43 | |
-World-class. -World-class. | 0:08:43 | 0:08:45 | |
That's us. That's what they'll call us. | 0:08:45 | 0:08:47 | |
-Look at this. -I like it. -God, this is out of this world. | 0:08:47 | 0:08:49 | |
-I really like them. -They've got pillars. | 0:08:49 | 0:08:51 | |
Light-up pillars with bubbles. | 0:08:51 | 0:08:53 | |
-Bish, bash, bosh. -I love the Buddha. -I do, I do. -Proper spiritual, that. | 0:08:53 | 0:08:56 | |
What's important from a wedding venue? | 0:08:56 | 0:08:59 | |
Got to be a big size, you know, got to have a dance floor in there. | 0:08:59 | 0:09:02 | |
I think one of the big things that's important for me is, | 0:09:02 | 0:09:04 | |
-would you call it? Ambi... Ambiu... -Ambulant. -Ambu... | 0:09:04 | 0:09:07 | |
-Ambion. -Don't, you got me at it now. -Yeah. -That anyway. | 0:09:07 | 0:09:09 | |
-The vibe. -The vibe of it. | 0:09:09 | 0:09:11 | |
Look, they've got air conditioning unit. | 0:09:11 | 0:09:13 | |
Yeah, we have fully functioning air conditioning. | 0:09:13 | 0:09:15 | |
-They didn't have that in the last place. -No, it didn't actually. | 0:09:15 | 0:09:18 | |
-I like the chairs, Miche. -Ah, and you have a buffet. | 0:09:18 | 0:09:20 | |
-And so I presume there'll be food in here on the day? -Yeah. | 0:09:21 | 0:09:25 | |
-INTERVIEWER: -So are you going to take his surname? | 0:09:25 | 0:09:27 | |
Recently I've been thinking long and hard about | 0:09:27 | 0:09:30 | |
whether to change my name. | 0:09:30 | 0:09:31 | |
But I am definitely going to becoming Mrs Zagos... | 0:09:31 | 0:09:35 | |
-Zagrofoss? -Zagrofoff. | 0:09:35 | 0:09:37 | |
-It's a strong Greek name. -Mr and Mrs Zagrofoss. | 0:09:37 | 0:09:40 | |
-Foff. -Foff. -Yeah. | 0:09:40 | 0:09:42 | |
-Zagrofoff. Zagrofoff? -Yeah. It's just how my family say it. | 0:09:42 | 0:09:47 | |
How do other families say it? | 0:09:47 | 0:09:49 | |
Don't know, I've never met another Zagrofoff. | 0:09:49 | 0:09:52 | |
I really like it. What do you think that the ponies | 0:09:52 | 0:09:55 | |
-just going down the middle there? -Yes! | 0:09:55 | 0:09:57 | |
There will be four, three or four ponies. | 0:09:57 | 0:10:00 | |
-Two, probably. -Ponies? -Yeah. | 0:10:00 | 0:10:02 | |
Yeah, we're not gonna be able to do that, I'm afraid, | 0:10:02 | 0:10:05 | |
because it's a restaurant and the premises... | 0:10:05 | 0:10:07 | |
-I mean... -We're not gonna eat them. | 0:10:07 | 0:10:09 | |
No, no, I didn't think you were gonna eat them. | 0:10:09 | 0:10:13 | |
OK, yeah, listening. | 0:10:14 | 0:10:16 | |
# Said I'm kicking man like Van Damme | 0:10:16 | 0:10:19 | |
# Who's on the mic with a rough slang... # | 0:10:19 | 0:10:21 | |
Ah, no. It was all right but... | 0:10:21 | 0:10:23 | |
-You want it a bit more... -Yeah, a bit tougher. -OK. All right. | 0:10:23 | 0:10:27 | |
-But you're doing well though, mate. -Cheers, mate. | 0:10:27 | 0:10:29 | |
# Said I'm kicking man like Van Damme... # | 0:10:29 | 0:10:31 | |
No, no, no, no! | 0:10:31 | 0:10:33 | |
That wasn't it! | 0:10:33 | 0:10:35 | |
Really doing well, but if we could just try it again | 0:10:35 | 0:10:39 | |
-in a different way, like. -Need to speed this up as well, please. | 0:10:39 | 0:10:42 | |
Shut up. | 0:10:42 | 0:10:44 | |
# Said I'm kicking man like Van Damme | 0:10:44 | 0:10:46 | |
# Who's on the mic with a rough slang? | 0:10:46 | 0:10:47 | |
# Kick to the cheek just like I'm Jet Li | 0:10:47 | 0:10:49 | |
# And I triple-backflip off a jet ski. # | 0:10:49 | 0:10:51 | |
That's it! That's it! Done it! Sweet! | 0:10:51 | 0:10:53 | |
-Smashed it, brother. Come through. -Am I done? -Yeah, yeah. -Sick. | 0:10:53 | 0:10:57 | |
-Is that all right, yeah? -Yeah. Done really well, mate. | 0:10:57 | 0:11:00 | |
-Wicked. -Yeah, killed it. | 0:11:00 | 0:11:01 | |
-Nice one. -All right, I've got to go to hospital and that now, so... | 0:11:01 | 0:11:05 | |
-I have to go. -All right, mate. Good luck with it all, yeah. | 0:11:05 | 0:11:07 | |
And I'm still hoping it's a false alarm, so... | 0:11:07 | 0:11:09 | |
-Yeah. -Yeah. -I'll let you know how it goes. | 0:11:09 | 0:11:11 | |
All right, mate. Nice one. Cool, mate. | 0:11:11 | 0:11:13 | |
All right, see you fannies in a bit, yeah. | 0:11:13 | 0:11:15 | |
-Keep it Kurupt, yeah? -Always do, mate. | 0:11:15 | 0:11:17 | |
Play it back. | 0:11:18 | 0:11:20 | |
So, does it have to be on a Saturday, because... | 0:11:21 | 0:11:25 | |
-Yeah. -Yeah, it's a wedding. | 0:11:25 | 0:11:26 | |
-Yeah, OK. -When did you get married? | 0:11:28 | 0:11:29 | |
-Well... -On a fucking Tuesday? | 0:11:29 | 0:11:31 | |
The only reason I say that is because | 0:11:31 | 0:11:33 | |
we've got an 18-month waiting list if you want to do it on a Saturday. | 0:11:33 | 0:11:37 | |
-18 months? -Babe, we'll have to have it down the working men's club. | 0:11:37 | 0:11:40 | |
I get that special discount for wedding parties | 0:11:40 | 0:11:42 | |
because I had my last two there. | 0:11:42 | 0:11:43 | |
No, Mum, I'm not having it there. | 0:11:43 | 0:11:44 | |
They haven't got pink lighting or Buddhas. | 0:11:44 | 0:11:46 | |
It's not the same. | 0:11:46 | 0:11:48 | |
So, do you want me to pop you down on the waiting list then? | 0:11:48 | 0:11:51 | |
Well, I'll have to check with my fiance, won't I? | 0:11:51 | 0:11:53 | |
He might not be up for waiting that long. | 0:11:53 | 0:11:56 | |
I said I'm in the studio. | 0:11:56 | 0:11:57 | |
I'm in the studio. I can't talk now. | 0:11:57 | 0:12:00 | |
Oh, signal. | 0:12:00 | 0:12:01 | |
So are you excited about the wedding then, Grindah? | 0:12:01 | 0:12:04 | |
Yeah, like, obviously if she's happy I'm happy, right? | 0:12:04 | 0:12:08 | |
Obviously everyone keeps going, like, | 0:12:08 | 0:12:09 | |
"You was fucked out your head when you proposed to her", | 0:12:09 | 0:12:12 | |
but I wasn't even that fucked. | 0:12:12 | 0:12:14 | |
And anyway, they say when you're fucked, | 0:12:14 | 0:12:16 | |
that's when the truth comes out, so... | 0:12:16 | 0:12:18 | |
I reckon it's what I wanted deep down. | 0:12:18 | 0:12:21 | |
-Probably. -Aw. | 0:12:21 | 0:12:23 | |
-Hello? -'Hi, babe.' -Yeah, I had no signal, you know, | 0:12:25 | 0:12:27 | |
because I'm at studio. Yeah, studio, yeah. | 0:12:27 | 0:12:29 | |
-What you saying? -'I found an amazing venue. | 0:12:29 | 0:12:31 | |
'Like, you're gonna absolutely love it.' | 0:12:31 | 0:12:34 | |
But there's an 18-month waiting list. | 0:12:34 | 0:12:36 | |
-Oh, really? -It just seems a bit mental to wait that long | 0:12:36 | 0:12:38 | |
-but I mean it is... -Although... -..literally the dream. | 0:12:38 | 0:12:41 | |
-I'd say we should just wait it out. -Are you sure? It's like a long time. | 0:12:41 | 0:12:44 | |
You know what, you've said it's your dream place. | 0:12:44 | 0:12:47 | |
I think that it's probably my dream place as well. | 0:12:47 | 0:12:49 | |
Yeah, you would absolutely love it. | 0:12:49 | 0:12:51 | |
So it's probably best that we wait, I think, yeah. | 0:12:51 | 0:12:53 | |
-All right, bye. -All right, in a bit, bye. | 0:12:53 | 0:12:56 | |
Oh... | 0:12:56 | 0:12:57 | |
That's a shame, innit? | 0:13:00 | 0:13:02 | |
Do you believe in marriage? | 0:13:02 | 0:13:04 | |
To be honest, I'm married to the music, | 0:13:04 | 0:13:05 | |
do you know what I mean, like? | 0:13:05 | 0:13:07 | |
It's more for her, innit? It's like a prestige thing. | 0:13:07 | 0:13:09 | |
"I've married one of the top MCs in the game," which I get. | 0:13:09 | 0:13:13 | |
It don't really mean nothing to me. | 0:13:13 | 0:13:16 | |
-Hello, mate. -All right. You've got five minutes. | 0:13:16 | 0:13:18 | |
What do you mean, five minutes? I ain't even done the lyrics yet. | 0:13:18 | 0:13:21 | |
I know, but you've only paid for an hour, so... | 0:13:21 | 0:13:23 | |
Yeah, but come on, this is your place, so... | 0:13:23 | 0:13:25 | |
Give us a little bit of extra time. | 0:13:25 | 0:13:26 | |
-Come on, I'll make you part of musical history. -No. | 0:13:26 | 0:13:29 | |
I wouldn't know anything about real music, would I? | 0:13:29 | 0:13:31 | |
You've got five minutes. | 0:13:31 | 0:13:33 | |
-I've got five minutes(!) -You've got four minutes now. | 0:13:33 | 0:13:35 | |
Yeah? I'm going to do it in three minutes then. | 0:13:35 | 0:13:37 | |
And then I'll be expecting my mate's money back then. | 0:13:37 | 0:13:40 | |
Decoy, we've got four minutes left. | 0:13:41 | 0:13:44 | |
As soon I get in there, start recording. | 0:13:44 | 0:13:46 | |
Just one second, yeah? | 0:13:46 | 0:13:48 | |
Mate, you know we're not gonna do this in, like, four minutes? | 0:13:50 | 0:13:53 | |
Do you know what? Fuck this. | 0:13:53 | 0:13:55 | |
The little prick thinks he can tighten me, yeah. | 0:13:55 | 0:13:59 | |
I'm locking us in. Steve, blockade the door. | 0:13:59 | 0:14:02 | |
You're blockading the door? | 0:14:02 | 0:14:03 | |
-Yes, mate. -Decoy, we're blockading the door. | 0:14:03 | 0:14:06 | |
Bruv, get a piano. | 0:14:06 | 0:14:08 | |
-Block it properly. -The Clavinova or the P80? | 0:14:08 | 0:14:10 | |
Just get any of them. Grab everything you can get. | 0:14:10 | 0:14:13 | |
Get some more shit. Hurry up. Hurry up! | 0:14:14 | 0:14:17 | |
Leads. Do you reckon I should lock it as well? | 0:14:18 | 0:14:22 | |
Yeah, do that as well. | 0:14:22 | 0:14:24 | |
As soon as I lock myself in there, you start doing that, all right? | 0:14:25 | 0:14:29 | |
Oh, mate. This takes me back. | 0:14:31 | 0:14:33 | |
The old squat party days. | 0:14:33 | 0:14:35 | |
-All right, Decoy. -Yeah. | 0:14:36 | 0:14:38 | |
-It's my time. -All right. | 0:14:38 | 0:14:40 | |
BEAT PLAYS | 0:14:41 | 0:14:44 | |
-All right, sorry I'm late. -Where have you been? | 0:14:51 | 0:14:54 | |
Studio. | 0:14:54 | 0:14:56 | |
'I've got a very, very special announcement to make.' | 0:14:56 | 0:14:59 | |
Me and Roche are pregnant. | 0:14:59 | 0:15:01 | |
Well, her mainly, but I was there when it happened. | 0:15:03 | 0:15:06 | |
Yeah. It's amazing actually because it's our first baby together. | 0:15:06 | 0:15:09 | |
Hello, mate. | 0:15:09 | 0:15:11 | |
I wasn't there when she made Craig. But apparently it was a great night. | 0:15:11 | 0:15:14 | |
Was it a great night with this one as well? | 0:15:16 | 0:15:18 | |
Well, actually, to be honest, it wasn't one of them special nights. | 0:15:18 | 0:15:22 | |
It was more just four strokes and done type of thing. | 0:15:22 | 0:15:26 | |
Is that your date of birth? | 0:15:26 | 0:15:28 | |
-Yes. -You're officially a cougar. | 0:15:28 | 0:15:31 | |
SHE LAUGHS | 0:15:32 | 0:15:33 | |
Yeah. | 0:15:33 | 0:15:35 | |
-I quite like that. -Yeah, I did some research on the internet. | 0:15:35 | 0:15:39 | |
-Oh. -Craig showed me this thing. | 0:15:39 | 0:15:41 | |
-It's pretty sick. -I don't want to know about that. | 0:15:41 | 0:15:44 | |
It's got a weird name. It sounds like a hamster but it's not. | 0:15:44 | 0:15:47 | |
What are you doing? | 0:15:58 | 0:16:00 | |
I'm actually applying my own facemask. | 0:16:00 | 0:16:03 | |
It's my own blend of yoghurt, avocado and chilli which, you know, | 0:16:04 | 0:16:10 | |
waters the eyes. | 0:16:10 | 0:16:11 | |
It makes them water and it also cleans them out. | 0:16:11 | 0:16:14 | |
It also gives a red rouge effect to the skin, you know. | 0:16:14 | 0:16:17 | |
So, very smouldering. | 0:16:17 | 0:16:20 | |
MOBILE PHONE RINGS | 0:16:20 | 0:16:22 | |
Hi, Chabuddy G. | 0:16:26 | 0:16:28 | |
Yeah, manager of Kurupt FM. | 0:16:29 | 0:16:32 | |
So is Chabuddy your manager? | 0:16:32 | 0:16:33 | |
Yes. | 0:16:33 | 0:16:35 | |
Well, technically he said he'd pay for studio | 0:16:35 | 0:16:37 | |
if he could be our manager, | 0:16:37 | 0:16:39 | |
-so we just said yeah. -Mhm. -So he is your manager? -Yeah. | 0:16:39 | 0:16:42 | |
Yeah, he's our manager, if you say so, mate. | 0:16:42 | 0:16:45 | |
But, I mean, we all say so. | 0:16:46 | 0:16:47 | |
It's been said. | 0:16:47 | 0:16:50 | |
They want me to come down to the studio? | 0:16:50 | 0:16:52 | |
Oh, right. | 0:16:53 | 0:16:54 | |
No, no, no. | 0:16:56 | 0:16:58 | |
No police, no police, no. | 0:16:58 | 0:17:00 | |
OK, no, please no, don't call police, don't call police. | 0:17:00 | 0:17:02 | |
OK, I'm coming down now. OK. OK. | 0:17:02 | 0:17:04 | |
Fucking bad, man. Get the wet wipes. | 0:17:04 | 0:17:08 | |
Fucking... | 0:17:08 | 0:17:10 | |
Oh, the chilli in my eye, bastard. | 0:17:10 | 0:17:12 | |
Oh! | 0:17:12 | 0:17:13 | |
Ugh! | 0:17:13 | 0:17:15 | |
I can't see anything. | 0:17:17 | 0:17:18 | |
BANGING | 0:17:20 | 0:17:21 | |
That's fucking ridic... What, you think you can lock me out? | 0:17:21 | 0:17:24 | |
Grindah, I can see him. He's getting in, bruv. | 0:17:24 | 0:17:27 | |
-He must have had a spare key. -Fucking hell. | 0:17:27 | 0:17:29 | |
He's through the first barricade. | 0:17:29 | 0:17:31 | |
GRINDAH RAPPING: # Bang, hurry up.... # | 0:17:31 | 0:17:33 | |
This is it! He's coming! | 0:17:33 | 0:17:36 | |
You ain't getting in, bruv. | 0:17:36 | 0:17:38 | |
What are you doing? | 0:17:38 | 0:17:39 | |
You are not getting in today, rude boy. | 0:17:39 | 0:17:41 | |
Mate, you're dealing with a seasoned pro. | 0:17:41 | 0:17:43 | |
Idiot! You fucking idiots. | 0:17:43 | 0:17:46 | |
-Get out now! -I'm doing my lyric. I will win. | 0:17:46 | 0:17:49 | |
STEVES LAUGHS | 0:17:49 | 0:17:50 | |
Get out now! | 0:17:50 | 0:17:51 | |
Fucking moron. | 0:17:51 | 0:17:52 | |
-Get out the booth! -Oi, listen! -Hey! You're interrupting my flow. | 0:17:55 | 0:17:58 | |
Get off me! My lyrics. Someone's jealous of my lyrics! | 0:17:58 | 0:18:01 | |
Listen! Listen! He's gonna call the police. | 0:18:01 | 0:18:03 | |
-It's just lyrics, mate! -Listen to me, I understand. | 0:18:03 | 0:18:05 | |
-I asked normally! -What's the damage? | 0:18:05 | 0:18:07 | |
-What's the damage? -Look at the damage, you idiot. | 0:18:07 | 0:18:09 | |
No, look, that was like that before we got here. | 0:18:09 | 0:18:11 | |
-Are you fucking mad? -That was like that before they got... | 0:18:11 | 0:18:13 | |
They told me there was broken glass there. | 0:18:13 | 0:18:15 | |
There's your little girl's arm. | 0:18:15 | 0:18:17 | |
-Can you see it? -Yeah. | 0:18:17 | 0:18:18 | |
And then there's the other one. | 0:18:18 | 0:18:20 | |
Wow. | 0:18:20 | 0:18:21 | |
That is mad. I didn't realise it would have arms this early on. | 0:18:21 | 0:18:25 | |
-What? -It looks a bit like a wasp. | 0:18:25 | 0:18:28 | |
It doesn't look like a wasp. | 0:18:28 | 0:18:29 | |
It looks like a baby. | 0:18:29 | 0:18:31 | |
What are your hopes and dreams for the baby? | 0:18:31 | 0:18:33 | |
I just want it to have teeth and fingers and that first. | 0:18:33 | 0:18:37 | |
-And then... -Well, it won't have teeth straight away. | 0:18:37 | 0:18:41 | |
But don't get freaked out about that. | 0:18:41 | 0:18:43 | |
It'll have teeth later. | 0:18:43 | 0:18:45 | |
-OK. -Yeah. -So how does it eat? | 0:18:45 | 0:18:47 | |
Well, it just drinks to start with, doesn't it? | 0:18:47 | 0:18:49 | |
It drinks milk and then you mush all its food up. | 0:18:49 | 0:18:53 | |
Yeah, cos that's what RoboCop eats. | 0:18:54 | 0:18:56 | |
Yep, it's gonna be like RoboCop. | 0:18:56 | 0:18:59 | |
-Call the police! Call the police! -No, don't call the police! Don't! | 0:19:00 | 0:19:03 | |
Just... Fuck, shut up! Don't call the police. | 0:19:03 | 0:19:05 | |
Don't call the police. Don't call the police. | 0:19:05 | 0:19:08 | |
-What about them ones? -Just get out! -That's six grand right there. | 0:19:08 | 0:19:10 | |
Just take that. Don't even worry about it. | 0:19:10 | 0:19:12 | |
-I don't want your watch. -Take my watch! -I don't want your watch! | 0:19:12 | 0:19:15 | |
Take it! Listen, mate. | 0:19:15 | 0:19:16 | |
Listen. You're trying to hustle a hustler here. | 0:19:16 | 0:19:18 | |
-I'm not trying to hustle anyone. -I'm gonna hustle you. | 0:19:18 | 0:19:20 | |
Mate, you brought a bunch of morons into my studio. | 0:19:20 | 0:19:22 | |
-They're artists. Them artists. They're artistes. -Morons, mate. | 0:19:22 | 0:19:25 | |
-Creative artists. -Shut up and get out. | 0:19:25 | 0:19:27 | |
-No, no, we'll do it, OK? -How much is there? | 0:19:27 | 0:19:29 | |
Let me do some counting here, OK? | 0:19:29 | 0:19:31 | |
It's our manager to the rescue. | 0:19:31 | 0:19:32 | |
That's what they're there for, innit? | 0:19:32 | 0:19:34 | |
-So I'm definitely your manager then? -Yes. Just keep paying him. | 0:19:34 | 0:19:37 | |
Keep paying the man. | 0:19:37 | 0:19:38 | |
Definitely manager! | 0:19:38 | 0:19:40 | |
Yeah, just, come on, keep paying. | 0:19:40 | 0:19:43 | |
All right, mate. | 0:19:43 | 0:19:44 | |
Grindah, I stole a cable. | 0:19:45 | 0:19:48 | |
Whoo! They ain't gonna be seeing that again. | 0:19:48 | 0:19:51 | |
So, well, listen, boys, the track went well, yeah? | 0:19:51 | 0:19:53 | |
-Can I have a listen? -No, it ain't even finished yet. | 0:19:53 | 0:19:55 | |
You can do it all on laptop these days. | 0:19:55 | 0:19:57 | |
-Decoy'll finish it off. -What? You can do it all on your laptop? | 0:19:57 | 0:20:00 | |
Oh, yeah. You don't need any of that bollocks. | 0:20:00 | 0:20:02 | |
Well, why did I pay all that money for you to go to studio then? | 0:20:02 | 0:20:04 | |
Well, you said you'd pay for it. Plus it's quite a good day out. | 0:20:04 | 0:20:07 | |
Little blaze, go to studio, it sounds good, don't it? | 0:20:07 | 0:20:09 | |
-It's a laugh, innit? -Yeah, yeah, yeah. | 0:20:09 | 0:20:11 | |
Catch, catch, catch, catch, catch. Oi, oi! | 0:20:11 | 0:20:14 | |
Here you are then. Let's have a little toast to the...venue. | 0:20:16 | 0:20:21 | |
-Cheers. -And the bride. -And the mother of the bride as well. | 0:20:21 | 0:20:24 | |
-That's you. -Yeah, who'd have thought? | 0:20:24 | 0:20:28 | |
I'm gonna move along my wedding timeline to dress shopping. | 0:20:28 | 0:20:32 | |
Oh, yeah, nice. | 0:20:32 | 0:20:33 | |
-Exciting. -All right, that's that dress I was talking about. | 0:20:33 | 0:20:36 | |
Have a look. Look, Mick loved it. | 0:20:36 | 0:20:38 | |
Aw, bless him. Mickles was so sweet. | 0:20:38 | 0:20:40 | |
Weren't he just? | 0:20:40 | 0:20:42 | |
Not sure on the dress, though. | 0:20:42 | 0:20:43 | |
-It hasn't really got that regal vibe I was after. -Really? | 0:20:43 | 0:20:46 | |
I'll keep it in mind, though. In case I get really desperate. | 0:20:46 | 0:20:48 | |
I love that. | 0:20:48 | 0:20:50 | |
Ho-ho... | 0:20:51 | 0:20:53 | |
There she is. She looks just like her profile picture. | 0:20:53 | 0:20:55 | |
I bloody don't. | 0:20:57 | 0:20:58 | |
Hey, jump in, baby. | 0:20:58 | 0:21:00 | |
HE CHUCKLES | 0:21:00 | 0:21:01 | |
-Sorry... -Yeah, sorry, I'm just joking. | 0:21:01 | 0:21:04 | |
Let me just park up. Sorry, one second. | 0:21:04 | 0:21:05 | |
'Ladies love the van. | 0:21:05 | 0:21:07 | |
'It's very roomy, very spacious. | 0:21:07 | 0:21:09 | |
'So, put the seats down,' | 0:21:09 | 0:21:10 | |
we can have a bloody, you know, sauna. | 0:21:10 | 0:21:12 | |
Champagne Steam Rooms in there, mate. | 0:21:12 | 0:21:15 | |
-You know what I mean? -But you haven't had any ladies in there yet? | 0:21:15 | 0:21:17 | |
No ladies in at the moment. | 0:21:17 | 0:21:19 | |
But once I do it's going to be like that bloody scene from Titanic. | 0:21:19 | 0:21:22 | |
You know when she puts her hand... | 0:21:22 | 0:21:24 | |
It will bloody be like that, mate, I tell you what, mate. | 0:21:24 | 0:21:26 | |
-Hi. Lisa, right? -Yeah. | 0:21:26 | 0:21:28 | |
Yeah, sorry I was a bit busy. | 0:21:28 | 0:21:29 | |
I was back at the studio | 0:21:29 | 0:21:30 | |
with some artists I'm managing at the moment, so... | 0:21:30 | 0:21:33 | |
-Hi, Chabuddy. -Sounds exciting. | 0:21:33 | 0:21:36 | |
Not really, they're bloody bankrupting me, the bastards. | 0:21:36 | 0:21:39 | |
'Chabuddy G's an entrepreneur, yeah? | 0:21:41 | 0:21:43 | |
'So, I've decided to transform my club, the Champagne Steam Rooms, | 0:21:43 | 0:21:47 | |
'into a classy, elegant cocktail bar. | 0:21:47 | 0:21:50 | |
'The Champagne Steam Bar. | 0:21:50 | 0:21:53 | |
'Think about it. | 0:21:54 | 0:21:55 | |
'If I've got my own cocktail bar, | 0:21:55 | 0:21:57 | |
'the ladies are gonna come to me, mate. | 0:21:57 | 0:21:58 | |
'You know what I mean? I've created the honey pot and now all the bees | 0:21:58 | 0:22:02 | |
'are coming for a taste of the sweet nectar. Yeah?' | 0:22:02 | 0:22:05 | |
Build it and they will come. | 0:22:05 | 0:22:07 | |
Literally. | 0:22:07 | 0:22:09 | |
URBAN DANCE TRACK PLAYS | 0:22:12 | 0:22:13 | |
Should have put a flash on cos it's well dark. | 0:22:13 | 0:22:16 | |
Yeah, it just wouldn't fit up there. | 0:22:16 | 0:22:18 | |
"Oh, look at me, I'm having a baby." | 0:22:18 | 0:22:21 | |
Everyone has a baby. It's no big deal. | 0:22:21 | 0:22:23 | |
Decoy, what's the track saying? | 0:22:24 | 0:22:26 | |
Oh, yeah, I actually had a sick idea at the hospital. | 0:22:26 | 0:22:29 | |
-I had a brainwave. -About what? | 0:22:29 | 0:22:31 | |
-About the track. -Finally! | 0:22:31 | 0:22:33 | |
Fucking hell! What is it? | 0:22:33 | 0:22:35 | |
OK, I tell you what, I'm going to go for a sex on the beach au bar. | 0:22:35 | 0:22:39 | |
-OK. -And... -Can I have a...? -I'll tell you what, | 0:22:39 | 0:22:42 | |
I'll order for you. I know what you want. | 0:22:42 | 0:22:44 | |
Get her a Peanutini. | 0:22:44 | 0:22:46 | |
It's actually one that I designed myself. | 0:22:46 | 0:22:49 | |
It's like a martini but with peanut dust just around the rim, so, | 0:22:49 | 0:22:53 | |
crusty rim. | 0:22:53 | 0:22:54 | |
Do I believe in love? You know, does it exist? | 0:22:55 | 0:22:58 | |
We don't know. It's like oxygen. | 0:22:58 | 0:23:00 | |
You can't see it but it's there. | 0:23:00 | 0:23:02 | |
Is it a feeling? You know? | 0:23:02 | 0:23:04 | |
Is it a sensation? | 0:23:04 | 0:23:05 | |
Is it a vibe? We don't know. | 0:23:05 | 0:23:08 | |
-Oh, yeah. -Can I have your cherry? | 0:23:08 | 0:23:10 | |
Oh! Yes, take my cherry. | 0:23:10 | 0:23:13 | |
Thanks. Get the taste out of my mouth. | 0:23:13 | 0:23:15 | |
Yeah! Be gentle, it's my first time. | 0:23:15 | 0:23:18 | |
No, I'm not a virgin, though. | 0:23:18 | 0:23:20 | |
I've had loads of sex. | 0:23:22 | 0:23:23 | |
What do you think about, like, walking down the aisle? | 0:23:28 | 0:23:31 | |
Ask Mick to walk you down the aisle. | 0:23:32 | 0:23:33 | |
-Really? -Yeah, why not? | 0:23:33 | 0:23:36 | |
It sort of makes sense actually, doesn't it? | 0:23:36 | 0:23:38 | |
Cos obviously, legally he's my dad. | 0:23:38 | 0:23:40 | |
-Yeah, yeah. -Aw. -Exactly. | 0:23:40 | 0:23:43 | |
I never thought of it like that. | 0:23:43 | 0:23:44 | |
I mean, technically I'm older than him, | 0:23:44 | 0:23:46 | |
-but that doesn't matter, does it? -PHONE PINGS | 0:23:46 | 0:23:48 | |
It's probably Grindah worrying about the wedding. | 0:23:48 | 0:23:50 | |
-What's that plum want now? -He just says, | 0:23:50 | 0:23:53 | |
"Listen Kurupt, new track now." | 0:23:53 | 0:23:55 | |
Thank God he let us know, otherwise you might have missed it(!) | 0:23:55 | 0:23:58 | |
-'Who's ready? Who's ready? -I'm ready! I'm ready!' | 0:23:58 | 0:24:01 | |
-Who's ready?! -I'm ready! | 0:24:01 | 0:24:02 | |
Ladies, open up your ears. Mandem too. | 0:24:02 | 0:24:05 | |
We are about to drop the new instant classic. | 0:24:05 | 0:24:07 | |
-Decoy, run that! -Run that... | 0:24:07 | 0:24:10 | |
Play it, Decoy. Sh! | 0:24:10 | 0:24:12 | |
-TRACK: -'Raw... There's a dead MC on the floor.' -Sample. | 0:24:12 | 0:24:15 | |
'Who's that standing above him?' BEEPING | 0:24:15 | 0:24:17 | |
Can you lot hear the hospital sound? | 0:24:17 | 0:24:19 | |
That was from my trip to the hospital. | 0:24:19 | 0:24:21 | |
Then this bit's me as well. | 0:24:21 | 0:24:22 | |
'I think it might be MC Grindah.' This bit coming up. It's louder... | 0:24:22 | 0:24:25 | |
-It's the heart monitor. -This is my bit. | 0:24:25 | 0:24:27 | |
'MC Griiiindah...' | 0:24:27 | 0:24:29 | |
# Bang! Lyrical blow to the jaw | 0:24:29 | 0:24:31 | |
# Bang! Lyrical blow to the jaw | 0:24:31 | 0:24:33 | |
# Bang! Lyrical blow to the jaw leaving every MC | 0:24:33 | 0:24:35 | |
# Down on the floor Bang! | 0:24:35 | 0:24:37 | |
# Lyrical blow to the jaw Bang! | 0:24:37 | 0:24:38 | |
# Lyrical blow to the jaw, Bang! | 0:24:38 | 0:24:40 | |
# Lyrical blow to the jaw | 0:24:40 | 0:24:42 | |
# Leaving every MC down on the floor | 0:24:42 | 0:24:43 | |
# Bang, bang, bang, it's an emergency... # | 0:24:43 | 0:24:47 | |
I tell you what... this is shit. | 0:24:47 | 0:24:49 | |
I think you might be a little jealous sometimes. | 0:24:49 | 0:24:52 | |
Yeah, maybe. | 0:24:52 | 0:24:53 | |
You're a good singer too. I've heard you at karaoke. | 0:24:53 | 0:24:56 | |
# I'm kicking man like Van Damme | 0:24:57 | 0:24:59 | |
# Who's at the mic with the rough slang? | 0:24:59 | 0:25:01 | |
# Flying kicks I learned from Jet Li | 0:25:01 | 0:25:02 | |
# With a triple-backflip off a jet ski | 0:25:02 | 0:25:04 | |
# Word to the technical ninjas here | 0:25:04 | 0:25:06 | |
# Lyrical karate mixed with kung fu | 0:25:06 | 0:25:08 | |
# What you gonna say now? What you gonna do? | 0:25:08 | 0:25:10 | |
# When Beats and Grindah are coming for you | 0:25:10 | 0:25:12 | |
# We're bandaged up with the victim | 0:25:12 | 0:25:13 | |
# Leaving every MC up on their arse | 0:25:13 | 0:25:15 | |
# Lyrical dragon fight, so damn fast | 0:25:15 | 0:25:17 | |
# Leave your head spinning for more of my bars | 0:25:17 | 0:25:19 | |
# Beats and Grindah up on the track | 0:25:19 | 0:25:20 | |
# Guess you could call that double impact | 0:25:20 | 0:25:22 | |
# Why are we so lyrically big? | 0:25:22 | 0:25:23 | |
# Cos we've been training, punching a tree for a week. # | 0:25:23 | 0:25:26 | |
RECORD RELOADS | 0:25:26 | 0:25:28 | |
That's mine, yeah, I invented that, midpoint reload, it's called. | 0:25:28 | 0:25:31 | |
-It's a great little reference to the garage sound. -Exactly. | 0:25:31 | 0:25:34 | |
Also, it saves the DJ from having to reload it. | 0:25:34 | 0:25:36 | |
Yeah. | 0:25:36 | 0:25:38 | |
Plus, we didn't have much time to finish it from studio so it's only | 0:25:38 | 0:25:41 | |
a minute and half long. So now it's three minutes, | 0:25:41 | 0:25:44 | |
so a tightly wrapped track. | 0:25:44 | 0:25:46 | |
-That's Steves. -Hear the hospital sound, though. | 0:25:46 | 0:25:48 | |
BEEPING | 0:25:48 | 0:25:50 | |
Yeah, that's quite good. But also my lyrics are sick. | 0:25:50 | 0:25:53 | |
And then you hear it again. | 0:25:53 | 0:25:54 | |
The whole track again. | 0:25:54 | 0:25:56 | |
'MC Griiiindah.' | 0:25:56 | 0:25:58 | |
Love that. | 0:25:58 | 0:25:59 | |
# Bang! Lyrical blow to the jaw | 0:25:59 | 0:26:01 | |
# Bang! Lyrical blow to the jaw... # | 0:26:01 | 0:26:04 | |
He's started from the beginning again. | 0:26:04 | 0:26:06 | |
-Yeah. -He's just repeating himself. | 0:26:06 | 0:26:09 | |
-Oi, oi! -Go on, son, celebrate, innit? | 0:26:09 | 0:26:12 | |
"Emergency. Killed an MC." | 0:26:12 | 0:26:14 | |
Yeah. Ooh, look at that. | 0:26:14 | 0:26:16 | |
Even the booze is getting excited. | 0:26:16 | 0:26:19 | |
You've just witnessed musical history, | 0:26:19 | 0:26:21 | |
do you know what I mean, like? | 0:26:21 | 0:26:22 | |
That is a beautiful little drop. | 0:26:22 | 0:26:24 | |
You light it for me, mate. I've done enough work. | 0:26:24 | 0:26:27 | |
Then she ended up bloody taking all my stuff, robbing me clean, | 0:26:30 | 0:26:33 | |
breaking my heart and bloody pissing off. | 0:26:33 | 0:26:35 | |
HE LAUGHS | 0:26:35 | 0:26:37 | |
There you go, guys. | 0:26:37 | 0:26:38 | |
Oh, thank you, dear. | 0:26:38 | 0:26:39 | |
No, no, please. Allow me. | 0:26:40 | 0:26:42 | |
I have a calculator on my phone. | 0:26:42 | 0:26:45 | |
You had two cocktails, you had the olives as well, didn't you? | 0:26:45 | 0:26:49 | |
So add that, and there's a service charge as well. | 0:26:49 | 0:26:52 | |
Sorry, isn't this your place? | 0:26:52 | 0:26:54 | |
-Yeah. -Can't you just..? -Well, no, I mean I won't have to pay my half. | 0:26:54 | 0:26:57 | |
You just...pay yours, isn't it? £15. | 0:26:57 | 0:27:00 | |
-Seriously? -I'm running a business here, baby. | 0:27:00 | 0:27:02 | |
It's not including service charge as well. | 0:27:04 | 0:27:06 | |
So, leave a little tip as well. | 0:27:06 | 0:27:08 | |
Thank you. | 0:27:08 | 0:27:10 | |
'The best advice I'd give to people who are seeking love.' | 0:27:13 | 0:27:17 | |
Ladies like power, wealth, status. | 0:27:17 | 0:27:21 | |
-Can we go? -You want to..? -Yeah. -You wanna get out of here? -Sure. | 0:27:21 | 0:27:25 | |
'I mean, I'm the most, you know, | 0:27:25 | 0:27:27 | |
'the most official bachelor in Hounslow at the moment. | 0:27:27 | 0:27:29 | |
'And, you know,' | 0:27:29 | 0:27:31 | |
I'm a great catch. | 0:27:31 | 0:27:33 | |
Ladies, come on, you know? | 0:27:33 | 0:27:35 | |
Their loss. | 0:27:36 | 0:27:37 | |
-Call me. -Yeah(!) | 0:27:39 | 0:27:41 | |
See you, guys. | 0:27:47 | 0:27:48 | |
TRACK PLAYS | 0:27:51 | 0:27:53 | |
Bang, lyrical blow to the jaw. | 0:27:54 | 0:27:56 | |
Bang. | 0:27:56 | 0:27:58 | |
This one's gonna be your inheritance, mate. | 0:27:58 | 0:28:00 | |
This one's you, baba. Trust me. | 0:28:00 | 0:28:02 | |
It's that bit, is Daddy killing it? | 0:28:04 | 0:28:06 | |
MOBILE PHONE VIBRATES | 0:28:06 | 0:28:08 | |
-Oh, my God, it's the wedding venue. -What you doing? | 0:28:08 | 0:28:10 | |
-Tell them you'll call them back. -Hello. -This is the best bit. | 0:28:10 | 0:28:12 | |
-This is the best bit! -Yeah, yeah, sure, sure, sure. | 0:28:12 | 0:28:15 | |
Hang on. It's the venue from yesterday. | 0:28:15 | 0:28:17 | |
Tell them I'm fuming at them, making us wait 18 months. | 0:28:17 | 0:28:20 | |
God, yeah, that's brilliant news. | 0:28:20 | 0:28:21 | |
Amazing. Will you just hang on a second? | 0:28:21 | 0:28:24 | |
They're saying they've got a space in five months. | 0:28:24 | 0:28:26 | |
You know, at your favourite venue? | 0:28:26 | 0:28:28 | |
-Yeah. -The one you wanted to hold out for. | 0:28:28 | 0:28:29 | |
-Yeah, yeah. -So we're going a bit sooner. | 0:28:29 | 0:28:31 | |
OK, so, when could I come in to look round again? | 0:28:31 | 0:28:33 | |
Tell them that's good, but tell them we got options. | 0:28:33 | 0:28:37 | |
-OK. -Don't. -Well, throw in the bespoke food and we will take it. | 0:28:37 | 0:28:40 | |
-Don't say take it. -OK. | 0:28:40 | 0:28:42 | |
-Brilliant. All right. -I haven't checked my calendar. -It's a deal. | 0:28:42 | 0:28:45 | |
Thank you so much. | 0:28:45 | 0:28:46 | |
-Miche, I haven't checked my calendar. -Aw, thank you. | 0:28:46 | 0:28:50 | |
-We've still got to have a... -Oh, my God, | 0:28:50 | 0:28:51 | |
we're getting bloody married. | 0:28:51 | 0:28:53 | |
-We're gonna get bloody married. -Yeah. | 0:28:55 | 0:28:57 | |
# Bang! Lyrical blow to the jaw | 0:29:01 | 0:29:03 | |
# Bang! Lyrical blow to the jaw | 0:29:03 | 0:29:05 | |
# Bang! Lyrical blow to the jaw | 0:29:05 | 0:29:06 | |
# Leaving every MC down on the floor | 0:29:06 | 0:29:08 | |
# Bang! Lyrical blow to the jaw | 0:29:08 | 0:29:10 | |
# Bang! Lyrical blow to the jaw | 0:29:10 | 0:29:12 | |
# Bang! Lyrical blow to the jaw | 0:29:12 | 0:29:13 | |
# Leaving every MC down on the floor | 0:29:13 | 0:29:15 | |
# Call 999, it's an emergency | 0:29:15 | 0:29:17 | |
# Beats and Grindah killed an MC | 0:29:17 | 0:29:19 | |
# Someone take him to A&E | 0:29:19 | 0:29:20 | |
# And perform some lyrical surgery | 0:29:20 | 0:29:22 | |
# Call 999, it's an emergency | 0:29:22 | 0:29:24 | |
# Beats and Grindah killed an MC | 0:29:24 | 0:29:26 | |
# Someone take him to A&E | 0:29:26 | 0:29:28 | |
# And perform some lyrical surgery. # | 0:29:28 | 0:29:30 |