Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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MUSIC: Once Upon A Christmas Song by Geraldine McQueen | 0:00:02 | 0:00:06 | |
MUSIC: Regret by New Order | 0:00:27 | 0:00:31 | |
What's this song called? | 0:00:38 | 0:00:39 | |
Regret, New Order. | 0:00:39 | 0:00:41 | |
Have you got any regrets? | 0:00:47 | 0:00:48 | |
Erm... | 0:00:50 | 0:00:51 | |
The only regret I have is I didn't go and watch Simon and Garfunkel | 0:00:52 | 0:00:56 | |
at Manchester Arena when they did a show in 2004. | 0:00:56 | 0:01:00 | |
I were on nights, working. | 0:01:00 | 0:01:02 | |
What's that face for? | 0:01:03 | 0:01:04 | |
-That's not a regret! -It bloody is. | 0:01:04 | 0:01:06 | |
That hasn't changed your life. | 0:01:06 | 0:01:08 | |
You said regrets, you didn't say what kind. | 0:01:08 | 0:01:10 | |
I mean, I've been waiting for that since I were... | 0:01:10 | 0:01:12 | |
No. You could say, "I regret missing Corrie last night." | 0:01:12 | 0:01:14 | |
-No, that's not the same. -That's exactly the same. | 0:01:14 | 0:01:16 | |
-Is it hell as the same! -It's entertainment. | 0:01:16 | 0:01:19 | |
-You can have entertainment regrets. -Oh, no, you can't. | 0:01:19 | 0:01:21 | |
Well, I can have whatever I like. | 0:01:21 | 0:01:23 | |
It's not going to change your life or make you depressed. | 0:01:23 | 0:01:25 | |
It has made me depressed, actually, because... | 0:01:25 | 0:01:27 | |
Need to get out more, John. | 0:01:27 | 0:01:28 | |
Don't say that. I've always had a love for Simon and Garfunkel. | 0:01:28 | 0:01:32 | |
Just their two voices together, intertwined, it always... | 0:01:32 | 0:01:36 | |
What? | 0:01:36 | 0:01:37 | |
It always has done. | 0:01:37 | 0:01:39 | |
They're timeless. | 0:01:39 | 0:01:40 | |
Well, you asked me if I had any regrets and I tell... | 0:01:43 | 0:01:46 | |
I was listening! | 0:01:46 | 0:01:47 | |
Well, what you yawning for? | 0:01:47 | 0:01:49 | |
Do you want to ask me? | 0:01:50 | 0:01:51 | |
Have you any regrets, Kayleigh? | 0:01:54 | 0:01:56 | |
No, I haven't. | 0:01:57 | 0:01:58 | |
Oh. There you go. | 0:01:58 | 0:02:00 | |
Well, I have. | 0:02:00 | 0:02:01 | |
Oh, OK. | 0:02:01 | 0:02:03 | |
I regret not finishing my hair and beauty course. | 0:02:03 | 0:02:06 | |
Now, that's shit. See, you go on about Simon and Garfunkel... | 0:02:06 | 0:02:08 | |
-No, because I... -..and I would say, "What's that all about?" | 0:02:08 | 0:02:12 | |
But then if I was a beautician now... | 0:02:12 | 0:02:15 | |
It's just cos I've got a phobia about feet and smelly women. | 0:02:16 | 0:02:20 | |
Well, that's a bit of a setback in the old beautician game. | 0:02:22 | 0:02:25 | |
-I couldn't do it, couldn't do it. -Yeah. | 0:02:25 | 0:02:29 | |
If I was a beautician now, I wouldn't be working here | 0:02:29 | 0:02:31 | |
and I wouldn't be car sharing with you, and you wouldn't have met me. | 0:02:31 | 0:02:35 | |
-Well... -That would have been one of your regrets. | 0:02:35 | 0:02:37 | |
I see how you've spun that round there. | 0:02:37 | 0:02:39 | |
The old Jedi mind trick. | 0:02:39 | 0:02:42 | |
Wouldn't it? | 0:02:42 | 0:02:44 | |
Yeah, it would. | 0:02:44 | 0:02:45 | |
Wouldn't it? | 0:02:46 | 0:02:47 | |
Yeah, all right. Want it in writing? | 0:02:47 | 0:02:49 | |
Would it? | 0:02:51 | 0:02:53 | |
Yeah. | 0:02:54 | 0:02:56 | |
William Shakespeare went into a pub, the landlord said, | 0:02:58 | 0:03:00 | |
"Get out, you're barred." | 0:03:00 | 0:03:02 | |
You're barred! He's a bard, ain't he? Eh?! | 0:03:02 | 0:03:05 | |
We're starting now, now we're starting! | 0:03:06 | 0:03:09 | |
A friend of mine got knocked down by a mobile library. | 0:03:09 | 0:03:13 | |
You're laughing, son, it's funny, isn't it? | 0:03:13 | 0:03:16 | |
Wouldn't be laughing if it were full of hardbacks. | 0:03:16 | 0:03:18 | |
You'd be on your arse, wouldn't be laughing then. | 0:03:18 | 0:03:20 | |
Where do you get your kicks, Casualty? | 0:03:20 | 0:03:22 | |
He were lying on the road, screaming, and the driver got out | 0:03:25 | 0:03:29 | |
and said, "Shh." | 0:03:29 | 0:03:30 | |
Hey! | 0:03:31 | 0:03:33 | |
Blast off! | 0:03:33 | 0:03:34 | |
We're at the top, we're going higher. | 0:03:37 | 0:03:39 | |
Taking you higher. | 0:03:39 | 0:03:41 | |
Naked man lay down on a road with a woman on his back. | 0:03:41 | 0:03:43 | |
"Where you going?" "Fancy dress party." | 0:03:43 | 0:03:45 | |
"What as?" "Tortoise." "Who's she?" | 0:03:46 | 0:03:48 | |
"That's Michelle." | 0:03:48 | 0:03:50 | |
Me shell! Eh! | 0:03:50 | 0:03:52 | |
# Come and get your black bin bags | 0:03:54 | 0:03:57 | |
# They're on offer till December | 0:03:58 | 0:04:00 | |
# Come and get your black bin bags | 0:04:03 | 0:04:05 | |
# They're long and black and slender | 0:04:07 | 0:04:09 | |
# Heavy-duty black bin bags | 0:04:11 | 0:04:13 | |
# No matter what your gender | 0:04:15 | 0:04:17 | |
# Heavy-duty black bin bags | 0:04:19 | 0:04:22 | |
# Whether bi or straight or bender | 0:04:23 | 0:04:25 | |
# Heavy-duty black bin bags | 0:04:28 | 0:04:30 | |
# Something to remember | 0:04:32 | 0:04:35 | |
# Just rip with me, just rip with me | 0:04:35 | 0:04:37 | |
# And tear with me, right now | 0:04:37 | 0:04:39 | |
# Just rip with me and rip with me | 0:04:39 | 0:04:41 | |
# And tear with me right now. # | 0:04:41 | 0:04:43 | |
Fill them up now! | 0:04:43 | 0:04:44 | |
Man went into doctors with a steering wheel down his underpants. | 0:04:44 | 0:04:47 | |
Said, "What happened?" | 0:04:47 | 0:04:48 | |
"I don't know, but it's driving me nuts." | 0:04:48 | 0:04:50 | |
Bit of blue, bit of blue for t'dads. | 0:04:50 | 0:04:53 | |
Bit of blue, they like that. | 0:04:53 | 0:04:54 | |
"Alan, he's blue. Sit down, Alan, he's blue. | 0:04:56 | 0:04:59 | |
"It's going to be good." | 0:04:59 | 0:05:01 | |
I went to doctors, I keep getting bad headaches. | 0:05:01 | 0:05:04 | |
He said, "Can I ask you a personal question?" | 0:05:04 | 0:05:06 | |
He said, "Do you masturbate?" | 0:05:06 | 0:05:08 | |
He says, "Sometimes, yeah." | 0:05:09 | 0:05:11 | |
He said, "It's magic, innit." | 0:05:11 | 0:05:12 | |
Hey! | 0:05:12 | 0:05:14 | |
That's your NHS for you. Up the wall! | 0:05:14 | 0:05:17 | |
Not playing games now. | 0:05:21 | 0:05:22 | |
What? LAUGHTER | 0:05:27 | 0:05:29 | |
More? All right. | 0:05:29 | 0:05:30 | |
Do you another. | 0:05:32 | 0:05:33 | |
Man went into a butchers. He said, "What happened to your assistant?" | 0:05:33 | 0:05:36 | |
He said, "I sacked him." He said, "Why?" | 0:05:36 | 0:05:38 | |
He said, "He was sticking his... | 0:05:38 | 0:05:39 | |
"Sticking his dick in the bacon slicer." | 0:05:39 | 0:05:42 | |
Sorry, Mum. | 0:05:42 | 0:05:43 | |
"He was sticking his dick in the bacon slicer." | 0:05:46 | 0:05:50 | |
He said, "What happened to your bacon slicer?" | 0:05:50 | 0:05:52 | |
He said, "I sacked her and all!" | 0:05:52 | 0:05:54 | |
I sacked her, it were a woman! | 0:05:54 | 0:05:56 | |
That's the twist, you see! | 0:05:56 | 0:05:57 | |
Goodnight! See you! Goodnight! | 0:05:57 | 0:06:00 | |
Thank you very much. | 0:06:00 | 0:06:01 | |
You are a bit of a strange bloke, cos you tape like loads of stuff | 0:06:01 | 0:06:04 | |
on TV, don't you? | 0:06:04 | 0:06:05 | |
I used to put a tape player in front of telly and tape TV themes. | 0:06:05 | 0:06:09 | |
-Why? -And hear me mum shouting in the kitchen, | 0:06:09 | 0:06:11 | |
"Peter, your tea's ready! Come on, get your tea!" | 0:06:11 | 0:06:14 | |
I'm like, "I'm taping the theme from Tenko, woman! | 0:06:14 | 0:06:18 | |
"Do you have to?" | 0:06:18 | 0:06:20 | |
You were a cinema projectionist once, weren't you? | 0:06:20 | 0:06:22 | |
No. | 0:06:22 | 0:06:23 | |
-No. -Well, pretend you were for the sake of this interview! | 0:06:24 | 0:06:27 | |
Yeah, I worked with... I was an usher. | 0:06:27 | 0:06:29 | |
Forgive me for being so far off the mark then! | 0:06:31 | 0:06:33 | |
-Well... -You had a torch, you were working in a cinema. | 0:06:33 | 0:06:36 | |
I didn't have a torch. | 0:06:36 | 0:06:37 | |
I used to dream of having a torch. | 0:06:37 | 0:06:39 | |
£2.40 an hour and all the sweets you can eat. | 0:06:40 | 0:06:42 | |
And then we had the only partially sighted dwarf projectionist | 0:06:42 | 0:06:46 | |
in England, who put the trailer for Showgirls on front of Pocahontas. | 0:06:46 | 0:06:50 | |
I'll never forget that. | 0:06:50 | 0:06:51 | |
Saturday afternoon... | 0:06:51 | 0:06:53 | |
All these custody dads were like that... | 0:06:54 | 0:06:56 | |
I'm like, "Alan, take it off, man!" | 0:06:59 | 0:07:01 | |
This is Chorley FM, coming in your ears. | 0:07:01 | 0:07:04 | |
MUSIC: Make Me Smile by Steve Harley and Cockney Rebel | 0:07:04 | 0:07:08 | |
Do you want one of these for the station? | 0:07:18 | 0:07:20 | |
-What happened? -The police stopped me again. | 0:07:26 | 0:07:29 | |
Right. | 0:07:30 | 0:07:32 | |
Come on! Hurry up! | 0:07:34 | 0:07:36 | |
Spelling it wrong! Spelling it wrong! | 0:07:46 | 0:07:49 | |
Pyskick? What's a pyskick? | 0:07:51 | 0:07:53 | |
Supposed to be psychic! | 0:07:53 | 0:07:55 | |
Tit! | 0:07:55 | 0:07:57 | |
I used to work in a shop, me, and I used to till stuff up... | 0:07:59 | 0:08:01 | |
Showing you, look. | 0:08:01 | 0:08:02 | |
When people came in, they'd come in, I'd say, "That's £3.42, please." | 0:08:02 | 0:08:09 | |
"Do you want the 42?" "What?" | 0:08:09 | 0:08:11 | |
"Do you want the 42?" | 0:08:11 | 0:08:13 | |
Yeah, I do! | 0:08:13 | 0:08:14 | |
Otherwise, it'd be three quid. | 0:08:17 | 0:08:19 | |
And that's not enough, is it? | 0:08:19 | 0:08:21 | |
"No, you're all right, I'll take it out me wage, shall I?" | 0:08:25 | 0:08:27 | |
Eh? | 0:08:27 | 0:08:28 | |
People say stupid things. | 0:08:31 | 0:08:32 | |
A woman come up to me in Bolton at Christmas. | 0:08:32 | 0:08:34 | |
She went, "Excuse me, love, excuse me. | 0:08:34 | 0:08:36 | |
"Am I going the right way?" | 0:08:36 | 0:08:37 | |
I don't know! I don't know where you're going! | 0:08:40 | 0:08:43 | |
"I'll tell you this for free!" I love that one. | 0:08:43 | 0:08:46 | |
"I'll tell you this for free!" | 0:08:46 | 0:08:48 | |
Put your money away. | 0:08:48 | 0:08:49 | |
"Believe you me, believe you me!" | 0:08:49 | 0:08:51 | |
Me? What did I get dragged into? You, me? | 0:08:51 | 0:08:54 | |
You, me? What's it got to do with me, you, me? | 0:08:54 | 0:08:56 | |
"I won't touch him with a barge pole." | 0:08:56 | 0:08:59 | |
Who's got a barge pole? | 0:08:59 | 0:09:01 | |
Who's got a barge pole? | 0:09:01 | 0:09:02 | |
"I won't touch it with a ten-foot pole." | 0:09:02 | 0:09:06 | |
Oh, no! No, no. | 0:09:06 | 0:09:07 | |
"He's happy as Larry." | 0:09:09 | 0:09:10 | |
Who's this Larry? | 0:09:10 | 0:09:11 | |
Who's this Larry fella we can compare ourselves to | 0:09:11 | 0:09:14 | |
he's that happy? | 0:09:14 | 0:09:15 | |
"first things first." That's a belter. | 0:09:15 | 0:09:18 | |
"Come on, first things first." | 0:09:18 | 0:09:20 | |
Really? Let's have first things third, shall we? | 0:09:20 | 0:09:22 | |
I love it when you come back off your holidays | 0:09:24 | 0:09:26 | |
and people say, "Eh, I see you brought the good weather | 0:09:26 | 0:09:28 | |
"back with you." | 0:09:28 | 0:09:29 | |
Imagine that at customs, eh? | 0:09:30 | 0:09:32 | |
"Look in here, shall we. | 0:09:32 | 0:09:34 | |
"Oh, Jesus Christ, I'm blinded, blinded! | 0:09:34 | 0:09:37 | |
"Crowded House here, look at that!" | 0:09:37 | 0:09:39 | |
Is it dead? | 0:09:41 | 0:09:42 | |
Either that or it's going to piss it down. | 0:09:43 | 0:09:46 | |
Bit strong, that kick. | 0:09:46 | 0:09:48 | |
That's funny, that kick! | 0:09:48 | 0:09:49 | |
Is it dead? | 0:09:49 | 0:09:51 | |
Cos it moves, you see, that's what... | 0:09:53 | 0:09:54 | |
Well, it's my boot, isn't it? | 0:09:54 | 0:09:57 | |
-BLEEP -weigh about a tonne and a half, them. | 0:09:57 | 0:09:59 | |
When I step into those prison showers, they'll think... | 0:10:07 | 0:10:10 | |
-Keep going. -Yeah, I am, I am. | 0:10:10 | 0:10:11 | |
What do you mean it's all right for me? | 0:10:11 | 0:10:13 | |
When Paddy steps into them Christmas showers... | 0:10:13 | 0:10:16 | |
Wait. | 0:10:18 | 0:10:20 | |
Geraldine McQueen! | 0:10:20 | 0:10:22 | |
CHEERING AND APPLAUSE | 0:10:22 | 0:10:24 | |
Woo! | 0:10:26 | 0:10:28 | |
WHISTLING | 0:10:29 | 0:10:31 | |
Oh, God! | 0:10:35 | 0:10:36 | |
-Hello! -Hello! | 0:10:36 | 0:10:38 | |
Nice to see you! | 0:10:38 | 0:10:40 | |
Hello, nice to meet you, Carol. | 0:10:40 | 0:10:44 | |
CROWD CHANTS 'GERALDINE' | 0:10:44 | 0:10:46 | |
Oh, hello! | 0:10:46 | 0:10:48 | |
That's a hug! | 0:10:48 | 0:10:49 | |
-Hello. -Whoa! | 0:10:50 | 0:10:52 | |
-Oh, my! -Geraldine, take a seat! | 0:10:54 | 0:10:57 | |
Hello, everybody. Look at me, on Loose Women! | 0:10:57 | 0:10:59 | |
Look at this. | 0:10:59 | 0:11:01 | |
-Who'd have thought it? -You look quite angelic, I have to say. | 0:11:01 | 0:11:03 | |
I do. You look a bit like Edward Scissorhands. | 0:11:03 | 0:11:07 | |
-I wondered what was going on. -Oh, I like that. | 0:11:07 | 0:11:09 | |
I noticed they tamed your bush after Part One. | 0:11:11 | 0:11:13 | |
Geraldine! | 0:11:15 | 0:11:17 | |
Drink? | 0:11:22 | 0:11:23 | |
-BLEEP. -You bastard. | 0:11:23 | 0:11:24 | |
Obviously, Geraldine, you're from Northern Ireland. | 0:11:29 | 0:11:31 | |
-Yes, I am. -Have you relocated now to London? | 0:11:31 | 0:11:33 | |
I'm in a little town, just south of London now, called Hull. | 0:11:33 | 0:11:37 | |
And... | 0:11:37 | 0:11:38 | |
Come on, now. | 0:11:39 | 0:11:40 | |
Grow up, grow up, Sherrie. | 0:11:40 | 0:11:42 | |
I'm in Hull and I get back to Northern Ireland now and again, | 0:11:44 | 0:11:47 | |
but I have to because I'm tagged. | 0:11:47 | 0:11:49 | |
So it's part of the... | 0:11:49 | 0:11:51 | |
So, I was going to ask you now, are you attached to your home? | 0:11:51 | 0:11:54 | |
But actually, you pretty much are. | 0:11:54 | 0:11:55 | |
I kind of was attached to my home, | 0:11:55 | 0:11:58 | |
but I'm from the travelling community, so my house is on wheels. | 0:11:58 | 0:12:01 | |
Can I ask you about the relationship with your mother? | 0:12:01 | 0:12:04 | |
We had a very difficult relationship. | 0:12:04 | 0:12:05 | |
But we've got over it now cos she's died. | 0:12:05 | 0:12:07 | |
And can I ask you... I mean, obviously, you've mentioned | 0:12:10 | 0:12:13 | |
the fact that, you know, you used to be Gerry... | 0:12:13 | 0:12:15 | |
Gerry, he's gone now. | 0:12:15 | 0:12:17 | |
-The rebirth. -Do you have a man in your life? | 0:12:17 | 0:12:19 | |
I do. Well, I saw Adrian Chiles this morning. | 0:12:19 | 0:12:22 | |
-I saw that! -I'm not made of wood, let's be honest. | 0:12:22 | 0:12:25 | |
I might be a lady, but I've got a man's appetite. | 0:12:25 | 0:12:29 | |
I went round me grandma's flat, I walked in, she said, | 0:12:32 | 0:12:34 | |
"Guess who's dead?" | 0:12:34 | 0:12:35 | |
Guess who's dead, I've got to guess. | 0:12:38 | 0:12:40 | |
Guess who's dead? | 0:12:40 | 0:12:41 | |
Where do you start with something like that? | 0:12:42 | 0:12:44 | |
"Guess who's dead? You'll never guess." | 0:12:45 | 0:12:47 | |
Chuck me t'phone book. | 0:12:47 | 0:12:49 | |
"Connie." "Who?" "Connie." | 0:12:51 | 0:12:52 | |
"Who's Connie?" "Connie, in the flat upstairs. I heard a thud, | 0:12:56 | 0:12:58 | |
"during Bargain Hunt." | 0:12:58 | 0:13:00 | |
"I don't know who you mean." "Connie!" | 0:13:02 | 0:13:03 | |
"Who's Connie?" "Connie, Connie, Connie!" | 0:13:03 | 0:13:06 | |
Oh, well, now you've repeated it, bloody penny's dropped now. | 0:13:06 | 0:13:09 | |
"There were Connie, Pat and Theresa, and Joe, he had a beard, | 0:13:09 | 0:13:12 | |
"emigrates to Canada. Remember, he joined RAF? | 0:13:12 | 0:13:15 | |
"Big lad, his daughter, Donna, grand-daughter, | 0:13:15 | 0:13:17 | |
"used to be at nursery with you. She ate crayons. | 0:13:17 | 0:13:19 | |
"She's in police now, she's a desk sergeant. | 0:13:19 | 0:13:21 | |
"She had a club foot. She had a kinky leg when she walked. | 0:13:21 | 0:13:24 | |
"Used to work at Warburtons. | 0:13:25 | 0:13:27 | |
"Jimmy's in borstal. | 0:13:27 | 0:13:29 | |
"He knocked a nun down on Green Lane, in a three wheeler. | 0:13:29 | 0:13:31 | |
"Kelly and Angela live over at dry cleaners together. | 0:13:33 | 0:13:35 | |
"They're both lesbians." | 0:13:35 | 0:13:38 | |
She can't say lesbian, me nana, she'll burn if she says lesbian. | 0:13:38 | 0:13:40 | |
MUMBLES: "They're both lesbian." | 0:13:40 | 0:13:42 | |
"Connie, dead, eh? I only saw her on Tuesday and all." | 0:13:44 | 0:13:47 | |
"And?" | 0:13:49 | 0:13:50 | |
"Well, she looked all right to me." | 0:13:50 | 0:13:52 | |
I said, "She got knocked down by a bloody bus! | 0:13:54 | 0:13:56 | |
"What do you want her to look like, that?" | 0:13:56 | 0:13:58 | |
"I saw her in Netto shopping. I said, "What do you want? | 0:14:02 | 0:14:05 | |
"Grim Reaper pushing a trolley behind her? | 0:14:05 | 0:14:08 | |
"Come on, Connie, love, get in, you don't need firelighters, not where you are going. Come on. | 0:14:08 | 0:14:13 | |
"Time's time. Come on. Come on, I've got £1 on this trolley. | 0:14:13 | 0:14:18 | |
"Get in child seat, come on." How camp is Grim Reaper? | 0:14:18 | 0:14:21 | |
Let me tell you. Come on. | 0:14:21 | 0:14:23 | |
"Oh, my side. My wrists are wrecking. I tell you. | 0:14:24 | 0:14:27 | |
"Take my hood off. Is it hot in here, or is it me?" I love that. | 0:14:27 | 0:14:30 | |
"Is it hot in here, or is it me?" | 0:14:30 | 0:14:32 | |
"How is he?" "He's all right." "But how is he in himself?" | 0:14:33 | 0:14:37 | |
How is he in himself? What is he, a contortionist? | 0:14:37 | 0:14:41 | |
Thank you. Let go. | 0:14:41 | 0:14:43 | |
Let go now. | 0:14:45 | 0:14:46 | |
THEY LAUGH | 0:14:48 | 0:14:50 | |
Let go. | 0:14:56 | 0:14:57 | |
THEY LAUGH | 0:14:57 | 0:14:59 | |
APPLAUSE | 0:15:15 | 0:15:16 | |
-RECORDED VOICE: -Hundreds of years ago, when man walked the planet, | 0:15:16 | 0:15:20 | |
he had no real means of communication. | 0:15:20 | 0:15:23 | |
In time, man developed a phenomena which has never been fully | 0:15:23 | 0:15:27 | |
understood by the psychic community. | 0:15:27 | 0:15:30 | |
This phenomena is Clinton Baptiste. | 0:15:30 | 0:15:35 | |
THUNDER RUMBLES | 0:15:35 | 0:15:37 | |
-IN BROAD NORTHERN ACCENT: -Are you all right? | 0:15:38 | 0:15:40 | |
APPLAUSE | 0:15:40 | 0:15:42 | |
Now, I'm getting a voice, the spirits are very strong tonight, very strong. | 0:15:47 | 0:15:54 | |
Hey. Oh. | 0:15:54 | 0:15:57 | |
I'm getting the name... | 0:15:57 | 0:16:00 | |
I'm hearing the name... | 0:16:00 | 0:16:02 | |
..John. Is there a John in the audience. | 0:16:03 | 0:16:06 | |
SEVERAL PEOPLE RESPOND | 0:16:06 | 0:16:07 | |
Well, that meant leaving me, you know the Maxter. | 0:16:09 | 0:16:12 | |
Where are you living now?! | 0:16:12 | 0:16:14 | |
-How -BLEEP -loud's that? | 0:16:14 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:17 | |
Jesus wept. | 0:16:17 | 0:16:18 | |
It's me, Max. | 0:16:18 | 0:16:20 | |
Me and Paddy are in prison. | 0:16:20 | 0:16:22 | |
CHEERING | 0:16:22 | 0:16:24 | |
Tina, they've just scored. | 0:16:26 | 0:16:28 | |
LAUGHTER | 0:16:28 | 0:16:29 | |
I don't drink out of both taps. And that lad definitely does not. | 0:16:31 | 0:16:35 | |
Cheeky bastards! | 0:16:35 | 0:16:37 | |
HE LAUGHS | 0:16:40 | 0:16:42 | |
Cheeky bastards! | 0:16:42 | 0:16:45 | |
Sorry. | 0:16:45 | 0:16:46 | |
HE LAUGHS | 0:16:46 | 0:16:47 | |
A friend of mine won a trolley dash round Netto. Seriously. | 0:16:47 | 0:16:50 | |
A trolley dash. Run round, got to check out, trolley piled up here. | 0:16:50 | 0:16:55 | |
They tilled it up, 11 quid. | 0:16:55 | 0:16:56 | |
You can't argue with them prices, can you? | 0:17:00 | 0:17:03 | |
It's the only place I know where carrier bags are dearer than beans. | 0:17:03 | 0:17:06 | |
And they're good carrier bags and all. | 0:17:08 | 0:17:10 | |
They are, they're the kind of carrier bags that your mum | 0:17:10 | 0:17:13 | |
uses to put all other carrier bags inside. | 0:17:13 | 0:17:17 | |
What's all that about?! | 0:17:17 | 0:17:19 | |
"Mum, have you got a carrier bag." "Just hang on. | 0:17:19 | 0:17:22 | |
"I've got a Next one in here with good handles. | 0:17:22 | 0:17:24 | |
"Where is it?" | 0:17:28 | 0:17:29 | |
"Mum, we're going." "Wait!" | 0:17:31 | 0:17:33 | |
"Mum, we're back." | 0:17:34 | 0:17:36 | |
How are you on diets? What are you like if you're on a diet? | 0:17:40 | 0:17:43 | |
Well, I think you are what you eat. And I'm a Twix. So... | 0:17:43 | 0:17:47 | |
LAUGHTER | 0:17:47 | 0:17:50 | |
APPLAUSE | 0:17:50 | 0:17:52 | |
-What are you? What are you? A Ripple. A Ripple. -Yeah, yeah. | 0:17:55 | 0:18:00 | |
A walnut whip. | 0:18:00 | 0:18:01 | |
What are you, Carol? | 0:18:01 | 0:18:03 | |
-She's a sausage. -I'm a sausage. A bowl of soup. | 0:18:03 | 0:18:08 | |
A bowl of soup. | 0:18:08 | 0:18:10 | |
And, Geraldine, you're on Loose Women now. | 0:18:10 | 0:18:13 | |
I mean, surely that must have been an aspiration for you. | 0:18:13 | 0:18:16 | |
-Do you have any more aspirations? -What did you ask, what did you say? | 0:18:16 | 0:18:19 | |
LAUGHTER | 0:18:19 | 0:18:20 | |
Go on, tell me. What did you say? I can't hear you. It's the wig. | 0:18:20 | 0:18:23 | |
It's the wig. What did you say? What? | 0:18:23 | 0:18:27 | |
-Come on. Tell me. -How do you cope...? -I think Gerry's coming back. What? | 0:18:27 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:34 | |
Your mother, John. She were quite young when she died. Am I right? | 0:18:36 | 0:18:40 | |
93. | 0:18:40 | 0:18:42 | |
Yeah, but she were young in herself, though? She were young at heart. | 0:18:42 | 0:18:46 | |
-She seemed to slow down a lot towards the end. Am I right? -Yeah. | 0:18:46 | 0:18:51 | |
This is your partner, correct? | 0:18:51 | 0:18:54 | |
-Now, I think there's something you want to tell her, am I right? -No. | 0:18:54 | 0:18:57 | |
I think there is. Something you wanted to get off your chest. | 0:18:57 | 0:19:01 | |
You may be a bit ashamed of. | 0:19:01 | 0:19:03 | |
Don't you think you should tell her, John, before you both get hurt? | 0:19:03 | 0:19:06 | |
Nothing, there's nothing! | 0:19:06 | 0:19:09 | |
AUDIENCE GASP | 0:19:09 | 0:19:11 | |
-What is it? -Hey, mouth! | 0:19:11 | 0:19:13 | |
What's right with him? You want to smarten yourself up a bit... | 0:19:13 | 0:19:16 | |
HE LAUGHS | 0:19:16 | 0:19:18 | |
-BLEEP -hell! What the -BLEEP? | 0:19:18 | 0:19:20 | |
-LAUGHTER -I -BLEEP -hate wasps. | 0:19:22 | 0:19:26 | |
How are you, Billy? Good to see you. | 0:19:26 | 0:19:28 | |
-How are you, sensei? -I'm good. And you? -And you, sir. | 0:19:28 | 0:19:33 | |
-Yeah. -BLEEP -wrong. | 0:19:33 | 0:19:34 | |
-Just stay there. -"How are you?" "And you." | 0:19:34 | 0:19:39 | |
Good to see you, Billy. How are you? | 0:19:39 | 0:19:42 | |
-And you, sir... Sensei. -BLEEP -hell. | 0:19:42 | 0:19:46 | |
-What is it? -"How are you?" | 0:19:46 | 0:19:47 | |
What's that you're burning? | 0:19:50 | 0:19:53 | |
-My -BLEEP -life's work? | 0:19:53 | 0:19:55 | |
THEY LAUGH | 0:19:55 | 0:19:57 | |
Don't worry, love, you'll still be able to visit. | 0:20:01 | 0:20:04 | |
AUDIENCE GASP | 0:20:04 | 0:20:06 | |
Now, I'm feeling it very strongly over here. Now, what's your name? | 0:20:06 | 0:20:13 | |
-Don't tell me. It's Sss... -Sonia. -Sonia. | 0:20:13 | 0:20:19 | |
Sonia. Now, Sonia, love, you've not been very well, have you, love? | 0:20:19 | 0:20:22 | |
-Am I right? -No. | 0:20:22 | 0:20:25 | |
-Debbie's been ill. -Debbie. Debbie's been... | 0:20:25 | 0:20:28 | |
You have, haven't you, love. You've been very poorly. | 0:20:28 | 0:20:30 | |
And it's not been easy, has it? | 0:20:30 | 0:20:33 | |
And it is terminal, isn't it? | 0:20:33 | 0:20:35 | |
No. No. | 0:20:35 | 0:20:37 | |
AUDIENCE GROANS | 0:20:37 | 0:20:39 | |
Right, hands up - who can't have children? | 0:20:42 | 0:20:47 | |
AUDIENCE GASPS | 0:20:47 | 0:20:49 | |
You gotta be cruel to be kind. | 0:20:51 | 0:20:53 | |
Hey, don't shoot the messenger. | 0:20:53 | 0:20:56 | |
I'm only telling you what the spirits are telling me. | 0:20:56 | 0:20:58 | |
Now... | 0:21:02 | 0:21:03 | |
I'm getting the word... | 0:21:03 | 0:21:05 | |
..nonce. | 0:21:08 | 0:21:10 | |
AUDIENCE GASPS | 0:21:10 | 0:21:11 | |
Argh! | 0:21:14 | 0:21:15 | |
Went to Connie's funeral just before Christmas. | 0:21:16 | 0:21:19 | |
A really bad day, raining, fine rain - soaks you through. | 0:21:19 | 0:21:22 | |
The worst kind of rain, that fine rain. | 0:21:22 | 0:21:24 | |
It's trying. Ugh! It's trying. | 0:21:24 | 0:21:26 | |
It's trying. Ugh! It would if it could. | 0:21:26 | 0:21:29 | |
Can't make its mind up. | 0:21:29 | 0:21:30 | |
I didn't know what coat to put on. | 0:21:31 | 0:21:33 | |
Raining. | 0:21:35 | 0:21:36 | |
Then we went to the cemetery, then we went back to the pub, | 0:21:36 | 0:21:39 | |
cos they put a bit of a buffet on for Connie, not that she ate much. | 0:21:39 | 0:21:42 | |
There were... | 0:21:42 | 0:21:44 | |
There's always, there's always aunties and uncles there | 0:21:44 | 0:21:46 | |
that you haven't seen for years. | 0:21:46 | 0:21:48 | |
Not your proper aunties and uncles - just friends. | 0:21:48 | 0:21:50 | |
And there's always an Uncle Knobhead. | 0:21:50 | 0:21:52 | |
There's always an Uncle Knobhead. | 0:21:52 | 0:21:53 | |
There's an Uncle Knobhead in everyone's family. | 0:21:53 | 0:21:55 | |
There's one in ours. I'll not tell you his name. Jack. | 0:21:55 | 0:21:58 | |
He's a...sweep-over. Smokes roll-ups, yellow-stained fingers. | 0:21:58 | 0:22:01 | |
Always setting fire when he's talking. "Are you listening?" | 0:22:01 | 0:22:04 | |
HE IMITATES SINGEING | 0:22:04 | 0:22:05 | |
"That's right, that's right. Are you ignoring me, hey? | 0:22:05 | 0:22:09 | |
"I'm with the wife, I'm with the enemy. That's right." | 0:22:09 | 0:22:12 | |
"I've just had a bypass. It's touch-and-go, touch-and-go. | 0:22:13 | 0:22:16 | |
"Me heart's on its arse." | 0:22:16 | 0:22:17 | |
Is it? That a medical term? | 0:22:20 | 0:22:21 | |
He came into the toilets, he went, "Woo! Woo!" | 0:22:21 | 0:22:25 | |
Are the police here? "Woo! Look at you, eh? | 0:22:25 | 0:22:27 | |
"Hey, you're shooting up, aren't you?" | 0:22:27 | 0:22:30 | |
"No, I'm having a piss, actually. If you don't mind..." | 0:22:30 | 0:22:33 | |
"Hey, how old are you now?" "29." | 0:22:34 | 0:22:36 | |
"29! Woo! Catching me up." | 0:22:36 | 0:22:39 | |
"No, you'll always have that 25 years' edge on me there." | 0:22:39 | 0:22:41 | |
"I remember you when you were down here." | 0:22:42 | 0:22:44 | |
"Yeah, well, I don't want to talk about that, if you don't mind." | 0:22:44 | 0:22:47 | |
They were all sat round having some buffet. | 0:22:51 | 0:22:54 | |
This woman said, "Ooh! | 0:22:55 | 0:22:57 | |
"Ooh!" CHUCKLING: Yes... | 0:22:57 | 0:22:59 | |
"Ooh! Did you see the rain today, in the cemetery? | 0:23:01 | 0:23:05 | |
"Raining? I've never known rain like it. | 0:23:05 | 0:23:08 | |
"But, when they lowered that coffin of Connie's, | 0:23:08 | 0:23:10 | |
"did you see, did you notice? | 0:23:10 | 0:23:12 | |
"The clouds parted and the bloody sun shone. | 0:23:12 | 0:23:15 | |
"That were Connie. She were there. She did that. That were Connie." | 0:23:15 | 0:23:19 | |
I said, "What? That were the weather." | 0:23:20 | 0:23:22 | |
"No, no, that were Connie. She were there. | 0:23:22 | 0:23:26 | |
"In't that right, Lena?" | 0:23:26 | 0:23:28 | |
"That's right. I tell you now..." | 0:23:28 | 0:23:30 | |
"..I lost my Billy five years ago. | 0:23:31 | 0:23:34 | |
"He loved..." HE CLEARS THROAT VIOLENTLY | 0:23:34 | 0:23:36 | |
"He loved cheese and onion crisps. He loved 'em." | 0:23:36 | 0:23:39 | |
"Cheese and onion crisps, cheese and onion crisps..." | 0:23:39 | 0:23:42 | |
"..he couldn't get enough of them. | 0:23:44 | 0:23:45 | |
"Quavers? He loved Quavers. | 0:23:45 | 0:23:47 | |
"He couldn't move for Quavers in our house. He loved Quav... | 0:23:47 | 0:23:50 | |
"Multipacks. Quavers. | 0:23:50 | 0:23:52 | |
"And when he died, and they lowered his coffin into the ground... | 0:23:52 | 0:23:57 | |
"I swear on our Christine's eyes..." | 0:23:57 | 0:23:59 | |
Don't, please. | 0:24:01 | 0:24:03 | |
"As they lowered the coffin - God as me witness..." | 0:24:04 | 0:24:08 | |
"..an empty packet of Quavers blew across." | 0:24:10 | 0:24:12 | |
LAUGHTER AND APPLAUSE | 0:24:12 | 0:24:16 | |
"That were Billy. He were there." | 0:24:16 | 0:24:18 | |
-If you had a vocal coach... -What are you trying to say? | 0:24:19 | 0:24:23 | |
She doesn't need a vocal coach! | 0:24:23 | 0:24:25 | |
# Wasn't it good? Oh so good | 0:24:25 | 0:24:28 | |
# Wasn't he fine? Oh so fine. | 0:24:28 | 0:24:31 | |
# Isn't it madness... # Come on! | 0:24:31 | 0:24:33 | |
-ALL: -# He won't be mine... -This is lovely... | 0:24:33 | 0:24:35 | |
# But in the end he needs a little bit more than me | 0:24:35 | 0:24:40 | |
# More security | 0:24:40 | 0:24:42 | |
# He needs his fantasy and freedom | 0:24:42 | 0:24:46 | |
# I know him so well. # | 0:24:46 | 0:24:49 | |
CHEERING AND APPLAUSE | 0:24:49 | 0:24:52 | |
Thank you very much. | 0:24:52 | 0:24:55 | |
MUSIC BEGINS | 0:24:55 | 0:24:58 | |
# Nothing is so good it lasts eternally | 0:25:11 | 0:25:16 | |
# Perfect situations must go wrong | 0:25:18 | 0:25:23 | |
# But this has never yet prevented me | 0:25:25 | 0:25:30 | |
# Wanting far too much for far too long | 0:25:31 | 0:25:37 | |
# Looking back I could have played it differently | 0:25:38 | 0:25:43 | |
# Won a few more moments who can tell? | 0:25:45 | 0:25:50 | |
# But it took time to understand the man | 0:25:52 | 0:25:58 | |
# Now at least I know I know him well | 0:25:59 | 0:26:03 | |
-# Wasn't it good? -Oh so good | 0:26:04 | 0:26:08 | |
-# Wasn't he fine? -Oh so fine | 0:26:08 | 0:26:11 | |
-# Isn't it madness -Madness | 0:26:11 | 0:26:14 | |
-TOGETHER: -# He can't be mine? | 0:26:14 | 0:26:17 | |
# But in the end, he needs a little more than me | 0:26:19 | 0:26:24 | |
# More security | 0:26:24 | 0:26:27 | |
# He needs his fantasy and freedom | 0:26:27 | 0:26:31 | |
# I know him so well | 0:26:31 | 0:26:36 | |
# No-one in your life is with you constantly | 0:26:40 | 0:26:46 | |
# No-one is completely on your side | 0:26:46 | 0:26:52 | |
# And though I move my world to be with him | 0:26:54 | 0:26:59 | |
PHONE RINGS | 0:26:59 | 0:27:01 | |
# Still the gap between us is too wide | 0:27:01 | 0:27:05 | |
# Looking back, I could have played it differently | 0:27:07 | 0:27:14 | |
# Learned about the man before I fell | 0:27:14 | 0:27:18 | |
# I was just a little careless | 0:27:18 | 0:27:22 | |
# But I was ever so much younger then | 0:27:22 | 0:27:24 | |
# Now at least I know him well | 0:27:24 | 0:27:28 | |
-# Now at least... -I know, I know him well | 0:27:28 | 0:27:33 | |
-# Wasn't it good? -Oh so good | 0:27:33 | 0:27:36 | |
-# Wasn't he fine? -Oh so fine | 0:27:36 | 0:27:40 | |
-# Isn't it madness -Madness | 0:27:40 | 0:27:43 | |
# He won't be mine? | 0:27:43 | 0:27:47 | |
# Didn't I know | 0:27:47 | 0:27:50 | |
# How it would go | 0:27:50 | 0:27:52 | |
# If I knew from the start | 0:27:52 | 0:27:58 | |
# Why am I falling apart? | 0:27:58 | 0:28:03 | |
# Wasn't it good? | 0:28:03 | 0:28:06 | |
# Wasn't he fine? | 0:28:06 | 0:28:08 | |
# Isn't it madness | 0:28:08 | 0:28:11 | |
# He won't be mine? | 0:28:11 | 0:28:14 | |
# But in the end he needs a little bit more than me | 0:28:16 | 0:28:20 | |
# More security | 0:28:20 | 0:28:23 | |
# He needs his fantasy and freedom | 0:28:23 | 0:28:28 | |
# I know him so well | 0:28:28 | 0:28:33 | |
# It took time to understand him | 0:28:33 | 0:28:38 | |
# I know him so well. # | 0:28:41 | 0:28:49 | |
MUSIC: Once Upon A Christmas Song by Geraldine McQueen | 0:28:55 | 0:29:01 |