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This programme contains adult humour | 0:00:02 | 0:00:09 | |
Ladies and gentlemen, for the first time on Irish television, | 0:00:25 | 0:00:28 | |
would you please welcome Mr Peter Kay? | 0:00:28 | 0:00:31 | |
CHEERING AND APPLAUSE | 0:00:31 | 0:00:32 | |
# Sha la la la la la la la | 0:00:32 | 0:00:35 | |
# Sha la la la la la la la | 0:00:35 | 0:00:38 | |
# Sha la la la la la la la | 0:00:38 | 0:00:41 | |
# Sha la la la la la la la | 0:00:48 | 0:00:51 | |
# Sha la la la la la la la | 0:00:52 | 0:00:54 | |
# Sha la la la la la la la | 0:00:55 | 0:00:57 | |
Cut. Cut. | 0:01:06 | 0:01:08 | |
Ryan's exposed. Ryan's exposed. | 0:01:10 | 0:01:14 | |
-Ryan's unplugged. -Oh, that's... | 0:01:14 | 0:01:17 | |
Hello, everybody. | 0:01:17 | 0:01:19 | |
CHEERING | 0:01:19 | 0:01:20 | |
Weren't that nice, that? | 0:01:20 | 0:01:22 | |
Woo! Woo! | 0:01:23 | 0:01:26 | |
Oh, that were good. | 0:01:27 | 0:01:29 | |
I can't believe you just picked me up, I can't believe it. | 0:01:29 | 0:01:32 | |
Can't believe I just picked you up? | 0:01:32 | 0:01:33 | |
You're a young Henry Kelly, man, how can I not pick you up? | 0:01:33 | 0:01:37 | |
APPLAUSE | 0:01:37 | 0:01:38 | |
-I thought I was on here for a laugh. -You are, you are. | 0:01:40 | 0:01:43 | |
-I thought I was on here for a laugh. -No, you are. | 0:01:43 | 0:01:45 | |
-You are the spits of him, it's got to be said. -I know, I get it all... | 0:01:45 | 0:01:48 | |
-Going for Gold. -Hans from Germany. Bling! Yeah, I'm all right. | 0:01:48 | 0:01:53 | |
-I used to watch that, yeah. -Is Amarillo still...? | 0:01:53 | 0:01:55 | |
Is that OK with you now, or is it getting a little bit...? | 0:01:55 | 0:01:57 | |
-It's fantastic. -Are you not tired of it, you're OK with it? | 0:01:57 | 0:02:00 | |
No, funny, over here, some girl came up to me, she went, "Are you Tony Christie?" | 0:02:00 | 0:02:03 | |
And I went, "No." "You are, you're Tony Christie." | 0:02:03 | 0:02:06 | |
"I'm not Tony Christie." "You're Tony Christie." | 0:02:06 | 0:02:09 | |
I said... "The Amarillo man. The Amarillo man, you're Tony Christie." | 0:02:09 | 0:02:12 | |
I said, "I'm not." I ended up getting my MasterCard out and showing it. | 0:02:12 | 0:02:15 | |
"Pete... I am Peter Kay. Peter Kay!" | 0:02:15 | 0:02:20 | |
She went, "Oh, it's not Tony Christie, it's not him." | 0:02:20 | 0:02:23 | |
What's happened? What's happened? | 0:02:23 | 0:02:25 | |
-Listen, the acts for Stars in Their Eyes. They're not coming. -You what? | 0:02:25 | 0:02:30 | |
-They're not coming. -What do you mean, they're not coming? | 0:02:30 | 0:02:32 | |
Well, you know they were coming? Well, now they're not. | 0:02:32 | 0:02:35 | |
-Don't start getting sarcastic, Jerry. -What are we going to do now? | 0:02:35 | 0:02:38 | |
APPLAUSE | 0:02:39 | 0:02:41 | |
Good evening, ladies and gentlemen, I'm Jerry St Clair, | 0:02:41 | 0:02:43 | |
your host and compere and licensee of the Phoenix Club. | 0:02:43 | 0:02:46 | |
-Welcoming you to our Stars in Your Eyes night. -All right? | 0:02:46 | 0:02:51 | |
-Everything all right, Brian? -Yeah, why? -You're late starting. | 0:02:51 | 0:02:55 | |
Oh, you know the drill. The longer you wait, the more they'll sup. | 0:02:55 | 0:02:58 | |
So, let's get the show on the road with our first act. | 0:02:58 | 0:03:02 | |
Tonight, singing live, it's...Lulu! | 0:03:02 | 0:03:06 | |
CHEERING AND APPLAUSE | 0:03:06 | 0:03:08 | |
THEY MOUTH TO EACH OTHER | 0:03:16 | 0:03:18 | |
# Weeeeeeeelllllll | 0:03:24 | 0:03:27 | |
# You know you make me wanna shout Look, my hand's jumping | 0:03:32 | 0:03:35 | |
# Look, my heart's thumping Throw your head back | 0:03:35 | 0:03:38 | |
# Come on now | 0:03:38 | 0:03:39 | |
# Don't forget to say you will... # Lovely! | 0:03:39 | 0:03:42 | |
# Don't forget to shout Yeah, yeah | 0:03:42 | 0:03:44 | |
# Do you remember | 0:03:44 | 0:03:46 | |
# When I used to be nine years old... # | 0:03:46 | 0:03:49 | |
Do you remember, love? | 0:03:49 | 0:03:50 | |
I don't know who I can be. | 0:03:53 | 0:03:55 | |
Just keep looking, there's got to be something in there. | 0:03:55 | 0:03:57 | |
# And you know you make me want to shout, woo! | 0:03:57 | 0:03:59 | |
# Shout, woo! Shout, woo! | 0:03:59 | 0:04:03 | |
# Shout, woo! Shout, shout, shout, shout | 0:04:03 | 0:04:05 | |
# Shout, shout, shout... # Come on! | 0:04:05 | 0:04:07 | |
# Shout, shout, shout, shout, shout | 0:04:07 | 0:04:09 | |
# Shout | 0:04:09 | 0:04:11 | |
# You know I feel | 0:04:11 | 0:04:13 | |
# Alllllllll.... | 0:04:13 | 0:04:16 | |
# Right! # | 0:04:16 | 0:04:19 | |
CHEERING AND APPLAUSE | 0:04:19 | 0:04:21 | |
Hey, hey, now you're talking. | 0:04:25 | 0:04:29 | |
# Please release me, let me go | 0:04:29 | 0:04:35 | |
# For I don't love you anymore | 0:04:38 | 0:04:45 | |
# To waste our lives would be a sin | 0:04:48 | 0:04:55 | |
# So release me | 0:04:57 | 0:05:01 | |
# My darling | 0:05:01 | 0:05:03 | |
# Let me... # | 0:05:03 | 0:05:06 | |
Go! Hey, hey! Fantastic. | 0:05:06 | 0:05:09 | |
He's not playing games, is he? What time's bingo, Mam? | 0:05:09 | 0:05:12 | |
Oh! | 0:05:21 | 0:05:23 | |
HE BREAKS WIND | 0:05:27 | 0:05:29 | |
HE URINATES HEAVILY | 0:05:44 | 0:05:47 | |
Do you mind?! Some of us are trying to get a bit of kip in here. | 0:05:50 | 0:05:53 | |
Oh, get to... | 0:05:53 | 0:05:55 | |
HE URINATES HEAVILY | 0:05:55 | 0:05:57 | |
BIG BEN TOLLS | 0:06:30 | 0:06:33 | |
I have the occasional Bailey's, sometimes. | 0:06:51 | 0:06:53 | |
More of a dessert than a drink, I grant you. | 0:06:53 | 0:06:56 | |
Last time I had a proper Bailey's, I went on my school reunion. | 0:06:56 | 0:06:59 | |
Have you ever been on one of them? | 0:06:59 | 0:07:01 | |
I tell you now, there's a reason you've not kept in touch with | 0:07:01 | 0:07:03 | |
some of them people over the years. | 0:07:03 | 0:07:05 | |
Someone got in touch through FaceTube, and I thought, "I've got to go." | 0:07:07 | 0:07:10 | |
Curiosity got the better of me. And I went with a mate of mine. | 0:07:10 | 0:07:13 | |
It's your worst nightmare. You walk in, | 0:07:13 | 0:07:15 | |
there's people I've not seen for 20 years. | 0:07:15 | 0:07:17 | |
You know you're getting old when the local lollipop lady was in your class at school. | 0:07:17 | 0:07:20 | |
And everyone has got older, fatter and balder. Them's the women. | 0:07:22 | 0:07:25 | |
I went over... | 0:07:25 | 0:07:26 | |
And all the teachers were there, they don't get any older. | 0:07:28 | 0:07:31 | |
Nuns, I had nuns teaching me. Honest to God, nuns are miserable. | 0:07:31 | 0:07:34 | |
No sense of humour. Nun. I tell you that now. | 0:07:34 | 0:07:38 | |
Used to send them a Valentine's card every year from Jesus. | 0:07:38 | 0:07:41 | |
Every February. | 0:07:41 | 0:07:43 | |
"Roses are red, violets are blue, sugar is sweet, I died for you." | 0:07:43 | 0:07:46 | |
Sister Sledge, she was headmistress at our school. Sister Sledge. | 0:07:49 | 0:07:52 | |
She was lost in music, caught in a trap. | 0:07:52 | 0:07:54 | |
No turning back. | 0:07:56 | 0:07:58 | |
She once got all fifth year boys in assembly. | 0:07:58 | 0:08:01 | |
"Someone's thrown a shatterproof ruler at Carol Farrell." | 0:08:01 | 0:08:04 | |
Were there a time before shatterproof rulers existed? | 0:08:05 | 0:08:07 | |
What, were they blowing up in kids' faces? Why were they shatterproof? | 0:08:07 | 0:08:10 | |
What was that about, shatterproof? "Get them shatterproof, Bob, shatterproof these, | 0:08:10 | 0:08:14 | |
"quick as you can. They're blowing up in kids' faces here. Get them shatterproof, son." | 0:08:14 | 0:08:18 | |
Bang! "Another one gone. Quick, shatterproof." | 0:08:18 | 0:08:20 | |
"It hit her there. | 0:08:22 | 0:08:23 | |
"If it had been an inch lower, it would have been instant death. | 0:08:23 | 0:08:27 | |
"When I find out who it is, I'll take them | 0:08:27 | 0:08:29 | |
"on that stage in assembly and I'll bang them in front of everybody." | 0:08:29 | 0:08:33 | |
I don't think you will. | 0:08:37 | 0:08:38 | |
Now you're talking. | 0:08:41 | 0:08:43 | |
# I'm Slim Shady, I'm the real Slim Shady | 0:08:48 | 0:08:50 | |
# All you other Slim Shadys, you're just imitating | 0:08:50 | 0:08:52 | |
# So won't the... Please stand up Please stand up, please stand up. | 0:08:52 | 0:08:56 | |
# Said I'm Slim Shady, I'm the real Slim Shady | 0:08:56 | 0:08:58 | |
# All you other Slim Shadys, you're just imitating | 0:08:58 | 0:09:01 | |
# So won't the real Slim Shady please stand up? | 0:09:01 | 0:09:03 | |
# Please stand up, please stand up | 0:09:03 | 0:09:05 | |
# Said I'm Slim Shady, I'm the real Slim Shady... # | 0:09:05 | 0:09:07 | |
# Come on, come on, come on, come on | 0:09:14 | 0:09:18 | |
# Come on, come on, come on | 0:09:18 | 0:09:21 | |
# Come on, come on, come on, come on | 0:09:21 | 0:09:24 | |
# Come on, come on, come on | 0:09:24 | 0:09:26 | |
# D'you wanna be in my gang, my gang, my gang? | 0:09:27 | 0:09:30 | |
# D'you wanna be in my gang? # | 0:09:30 | 0:09:31 | |
MUSIC STOPS | 0:09:31 | 0:09:33 | |
SILENCE | 0:09:33 | 0:09:35 | |
# I'm the leader, I'm the leader | 0:09:35 | 0:09:38 | |
# I'm the man who put the gang in bang | 0:09:38 | 0:09:41 | |
# You better believe it | 0:09:41 | 0:09:43 | |
# Come on, come on You gotta believe it! | 0:09:43 | 0:09:45 | |
# Come on, come on You better... # | 0:09:45 | 0:09:47 | |
CHEERING | 0:09:49 | 0:09:51 | |
What's so funny? Go on, what? | 0:09:55 | 0:09:58 | |
What? What, go on. SHE LAUGHS | 0:09:58 | 0:10:01 | |
-You'll laugh. You'll laugh. -What? | 0:10:01 | 0:10:04 | |
We were playing this game last night. | 0:10:04 | 0:10:07 | |
-What? -Lady Diana. | 0:10:07 | 0:10:09 | |
Hysterical! Hysterical! Have you played it? | 0:10:09 | 0:10:12 | |
-Ha... I've never heard of it, never heard of it. -Good. | 0:10:12 | 0:10:16 | |
It's my game. Copyright! Copyright here! | 0:10:16 | 0:10:19 | |
You are so leathered! | 0:10:19 | 0:10:22 | |
Lady Diana. | 0:10:23 | 0:10:25 | |
-What did you say? -Lady Diana. | 0:10:25 | 0:10:27 | |
-Eh? -Go on, you say it. Lady Diana. | 0:10:29 | 0:10:32 | |
Why? SHE CHUCKLES | 0:10:32 | 0:10:33 | |
It's the game! You've got to say Lady Diana... | 0:10:33 | 0:10:36 | |
-HIGH-PITCHED VOICE: -..as small as you possibly can! | 0:10:36 | 0:10:40 | |
Lady Diana. Go on, you do it. | 0:10:40 | 0:10:42 | |
-Get out of town! -Do it! Do it! -No. -Go on! -No. | 0:10:42 | 0:10:46 | |
-Go on, go on, go on, go on. -No, don't be stupid. -Lady Diana. | 0:10:46 | 0:10:50 | |
-Bloody crap game. -Lady Diana. -No. -Lady Diana. | 0:10:50 | 0:10:53 | |
-Do it. No. -Lady Diana. -No. | 0:10:53 | 0:10:55 | |
I'll keep saying it till you do it, John! | 0:10:55 | 0:10:57 | |
-HE SIGHS -Lady Diana. -Lady Diana. | 0:10:57 | 0:10:59 | |
No! Do it with a little... | 0:10:59 | 0:11:01 | |
-HIGH-PITCHED VOICE: -..little, tiny mouth. Say it. | 0:11:01 | 0:11:03 | |
Lady Diana. | 0:11:04 | 0:11:06 | |
Lady Diana. Lady Diana. | 0:11:06 | 0:11:10 | |
HIGH-PITCHED VOICE: Lady Diana. | 0:11:10 | 0:11:11 | |
It's outrageous! | 0:11:11 | 0:11:13 | |
BOTH LAUGH HYSTERICALLY | 0:11:13 | 0:11:15 | |
I'm going to crash! | 0:11:18 | 0:11:19 | |
HE LAUGHS HYSTERICALLY | 0:11:21 | 0:11:23 | |
HE COUGHS | 0:11:23 | 0:11:25 | |
-Ridiculous! -I just nearly weed! | 0:11:25 | 0:11:28 | |
You've weed...! Don't you wee on my seats, Lady! | 0:11:28 | 0:11:31 | |
..Diana! | 0:11:31 | 0:11:33 | |
HE EXHALES DEEPLY | 0:11:42 | 0:11:45 | |
I'm hurting here! | 0:11:45 | 0:11:47 | |
HE EXHALES DEEPLY That's a good game. | 0:11:47 | 0:11:50 | |
We had real teachers, though, as well, we had humans - | 0:11:53 | 0:11:56 | |
they weren't all nuns. | 0:11:56 | 0:11:57 | |
Have we got any teachers in tonight by any chance? | 0:11:57 | 0:12:00 | |
CHEERING | 0:12:00 | 0:12:01 | |
Whoa, whoa, don't shout out. Put your hands up. | 0:12:01 | 0:12:03 | |
LAUGHTER Hey? | 0:12:03 | 0:12:06 | |
One rule for one... Fingers on lips. | 0:12:07 | 0:12:10 | |
I used to like teachers with amnesia. | 0:12:11 | 0:12:13 | |
Who do you think you are? | 0:12:13 | 0:12:15 | |
Who do you think you're dealing with? | 0:12:15 | 0:12:17 | |
How old are you? Where should you be now? | 0:12:17 | 0:12:20 | |
Do you know who I am? | 0:12:21 | 0:12:23 | |
HE MOUTHS | 0:12:24 | 0:12:26 | |
Silence when you're talking to me! | 0:12:26 | 0:12:29 | |
HE MOUTHS | 0:12:29 | 0:12:31 | |
I don't want to see you floating round school. | 0:12:33 | 0:12:35 | |
Who do you think you are, waltzing in at this time? | 0:12:41 | 0:12:44 | |
Don't come in here, start mouthing off. | 0:12:49 | 0:12:51 | |
HE MOUTHS | 0:12:51 | 0:12:53 | |
Come in here, start shouting the odds. | 0:12:55 | 0:12:57 | |
7, 9, 11, 43! | 0:12:57 | 0:12:59 | |
27! | 0:12:59 | 0:13:01 | |
Who do you think you are, swanning in at this time? | 0:13:02 | 0:13:05 | |
HE MOUTHS | 0:13:15 | 0:13:17 | |
Put your pens down and watch the blackboard while I go through it. | 0:13:18 | 0:13:22 | |
I used to like that one, me - keep talking. Keep talking. | 0:13:28 | 0:13:31 | |
Because the longer you talk, the longer you'll stay. | 0:13:31 | 0:13:34 | |
I don't care what time I go home. | 0:13:35 | 0:13:38 | |
Quarter to nine we kept him till - quarter to nine. | 0:13:38 | 0:13:41 | |
"I was supposed to be going for a meal with my wife." | 0:13:43 | 0:13:45 | |
"Oh, bollocks to you! You said stay. | 0:13:45 | 0:13:47 | |
"I'm happy, me. I'm here for the night. | 0:13:47 | 0:13:49 | |
"I'm taping Taggart. It don't bother me." | 0:13:49 | 0:13:51 | |
Tonight, singing live, it's... | 0:13:53 | 0:13:56 | |
it's Meatloaf! | 0:13:56 | 0:13:58 | |
ENGINE REVS | 0:13:58 | 0:14:00 | |
I'm telling you, Paddy, | 0:14:00 | 0:14:01 | |
you've got to have eyes in the back of your head. | 0:14:01 | 0:14:04 | |
ENGINE RUMBLES | 0:14:04 | 0:14:09 | |
INTRO ORGAN MUSIC PLAYS | 0:14:11 | 0:14:14 | |
# The sirens are screaming | 0:14:21 | 0:14:23 | |
# And the fires are howling way down in the valley tonight | 0:14:23 | 0:14:27 | |
# There's a man in the shadows with a gun in his eye | 0:14:27 | 0:14:29 | |
# And a blade shining oh so bright... | 0:14:29 | 0:14:31 | |
HE MUMBLES | 0:14:31 | 0:14:33 | |
# ..and there's thunder in the sky | 0:14:33 | 0:14:34 | |
# And a killer on the bloodshot streets | 0:14:34 | 0:14:37 | |
# Down in the tunnel where the deadly are rising | 0:14:38 | 0:14:41 | |
# Oh, I swear I saw a young boy down in the gutter | 0:14:41 | 0:14:44 | |
# He was starting to foam in the heat! # | 0:14:44 | 0:14:46 | |
Can I talk to you about your Irish connections? | 0:14:46 | 0:14:48 | |
Cos they're very profound and strong... | 0:14:48 | 0:14:50 | |
Yeah, I've brought me mother and father along with me. | 0:14:50 | 0:14:52 | |
-They're up there now. -Give us a wave. -Give us a wave. | 0:14:52 | 0:14:54 | |
-Josie and Philip. -Hello. -There they are. | 0:14:54 | 0:14:57 | |
Wahey! | 0:14:57 | 0:14:59 | |
And Carol and Jono - they're there. | 0:14:59 | 0:15:02 | |
Woo! | 0:15:02 | 0:15:05 | |
They've driven over from Newport, | 0:15:05 | 0:15:08 | |
in case you want to go and rob 'em. | 0:15:08 | 0:15:10 | |
And they're over here now. | 0:15:10 | 0:15:12 | |
They won't be back till about quarter to one in the morning, so... | 0:15:12 | 0:15:15 | |
The front gates are bust, | 0:15:15 | 0:15:16 | |
so you can easily get in if you want to get in. | 0:15:16 | 0:15:19 | |
-So, your wife... -You know what I thought then? I panicked. | 0:15:19 | 0:15:21 | |
I went like that and I thought the price were on me shoe. | 0:15:21 | 0:15:24 | |
I thought, "How embarrassing!" | 0:15:24 | 0:15:26 | |
"Dunnes." | 0:15:26 | 0:15:27 | |
What is the...? Your wife is obviously Irish. | 0:15:29 | 0:15:32 | |
Where do you come to Ireland? | 0:15:32 | 0:15:33 | |
-When you come here, where do you hang out...? -We kind of go... | 0:15:33 | 0:15:36 | |
We go all over. We go down to Cork and up to Donegal and everywhere. | 0:15:36 | 0:15:39 | |
There's family up in Cavan, and... | 0:15:39 | 0:15:41 | |
HIGH-PITCHED WHOOPING | 0:15:41 | 0:15:43 | |
There's people in Cavan just on helium. | 0:15:43 | 0:15:45 | |
LAUGHTER | 0:15:45 | 0:15:47 | |
That's all they take in Cavan - helium. | 0:15:47 | 0:15:50 | |
HIGH-PITCHED VOICE: Whey! | 0:15:50 | 0:15:52 | |
And... That's what you've got to do to get in. | 0:15:52 | 0:15:54 | |
HE INHALES | 0:15:54 | 0:15:55 | |
HIGH-PITCHED VOICE: I live in Cavan! | 0:15:55 | 0:15:57 | |
And my mum's from Coalisland, so she's from Tyrone, so... | 0:15:57 | 0:16:01 | |
MEN CHEER | 0:16:01 | 0:16:03 | |
They're not on helium up there. | 0:16:03 | 0:16:05 | |
They're women, they're women from Coalisland, them. | 0:16:05 | 0:16:08 | |
HE CHEERS GRUFFLY | 0:16:08 | 0:16:10 | |
That's the HRT for you, that. | 0:16:10 | 0:16:13 | |
Does the Irish connection...? | 0:16:13 | 0:16:16 | |
What's all that? What's all that? | 0:16:16 | 0:16:19 | |
-Do you cross the sea when you get over here? -Do I cross the sea? | 0:16:19 | 0:16:22 | |
I have to, otherwise I can't come! | 0:16:22 | 0:16:24 | |
Do I cross the sea when I come over here? | 0:16:26 | 0:16:27 | |
-I was just trying to get out of here. -Do I cross the sea? | 0:16:27 | 0:16:30 | |
You've got to get past the Isle of Man - | 0:16:30 | 0:16:31 | |
you can't go round it, can you? Do you know what I mean? | 0:16:31 | 0:16:33 | |
To come on the boat. Yeah, I come over all the time. | 0:16:33 | 0:16:36 | |
It's lovely over here. No-one bothers you. | 0:16:36 | 0:16:38 | |
Everyone thinks I'm Tony Christie over here. | 0:16:38 | 0:16:41 | |
"Tony Christie!" "No." | 0:16:41 | 0:16:42 | |
"You are!" "I am not Tony Christie, love!" | 0:16:42 | 0:16:45 | |
Did you ever try and blind a teacher with your watch? | 0:16:47 | 0:16:49 | |
You'd all be concentrating... | 0:16:49 | 0:16:51 | |
If you all did it... "Blind the teacher. | 0:16:51 | 0:16:53 | |
"Do it now." | 0:16:53 | 0:16:54 | |
"I know who it is!" | 0:16:54 | 0:16:56 | |
-"No, you don't, can't see -BLEEP -all, you don't know who it is." | 0:16:56 | 0:16:58 | |
Try and burn a hole in the front of his pants. "Do it now." | 0:17:02 | 0:17:05 | |
"His balls are smouldering, his balls are smouldering! Do it now!" | 0:17:05 | 0:17:08 | |
Fire alarm. "Whey!" | 0:17:10 | 0:17:12 | |
I always wanted to be out, me, when the bell went, be first one out. | 0:17:14 | 0:17:18 | |
Used to start packing everything away | 0:17:18 | 0:17:19 | |
about two minutes before the bell, | 0:17:19 | 0:17:21 | |
put everything back in my pencil case really...really discreetly. | 0:17:21 | 0:17:24 | |
By my bag. There you go. | 0:17:27 | 0:17:29 | |
But I still pretend I've got a pen, an imaginary pen. | 0:17:29 | 0:17:31 | |
Cos they can't see cos someone's sat in front, | 0:17:31 | 0:17:33 | |
so you pretend you're writing. | 0:17:33 | 0:17:35 | |
Put your coat on really discreetly. | 0:17:38 | 0:17:40 | |
LAUGHTER | 0:17:41 | 0:17:44 | |
"Whey!" | 0:17:57 | 0:17:59 | |
"Back, back, back, everybody back. Back. | 0:18:01 | 0:18:03 | |
"That bell's for me. | 0:18:03 | 0:18:05 | |
"That bell's not for you - that bell's for me. | 0:18:05 | 0:18:07 | |
"That bell is a signal for me to tell me to tell you | 0:18:07 | 0:18:09 | |
"when you can go, do you hear me? Do you hear me?" | 0:18:09 | 0:18:13 | |
Power mad, they were. | 0:18:13 | 0:18:14 | |
Mr Bryce at our school. What an arsehole he were. | 0:18:14 | 0:18:17 | |
Saw him on that school reunion, he wanted winding. | 0:18:17 | 0:18:20 | |
Right weirdo! | 0:18:20 | 0:18:21 | |
Took us on a geography field trip to the graveyard to see his wife. | 0:18:22 | 0:18:25 | |
Oh! | 0:18:25 | 0:18:26 | |
..king mentalist. | 0:18:28 | 0:18:29 | |
He just sat there sobbing. | 0:18:31 | 0:18:33 | |
We were playing army round the headstones, us, like... | 0:18:33 | 0:18:35 | |
HE MIMICS SHOOTING | 0:18:35 | 0:18:39 | |
He didn't like me. | 0:18:50 | 0:18:52 | |
"Is that what you're going to be when you grow up, Kay, a comedian?" | 0:18:52 | 0:18:55 | |
"I'll tell you where you're going to end up, Kay - the thick table. | 0:18:58 | 0:19:01 | |
"Get your stuff. Get on the thick table." | 0:19:01 | 0:19:03 | |
We used to have a thick table in our class at school. A thick table. | 0:19:03 | 0:19:05 | |
When I say "thick table", I don't mean THICK table. | 0:19:05 | 0:19:08 | |
I mean... IMPEDED SPEECH: ..thick table. | 0:19:09 | 0:19:10 | |
You'd never get away with that today, PC and all that! | 0:19:12 | 0:19:15 | |
This is 20 years ago - none of this ADHD and dyslexia. | 0:19:15 | 0:19:18 | |
"Thick table! Get on the thick table!" | 0:19:18 | 0:19:21 | |
Jason Patel like that. | 0:19:21 | 0:19:22 | |
Snorkel Parka, sat in the bin arse first like that. | 0:19:30 | 0:19:33 | |
"Thick table, Jason, till you learn." | 0:19:37 | 0:19:39 | |
Teresa Crankfist... Jesus Christ... | 0:19:40 | 0:19:42 | |
With the space dust and snot bubble like that. | 0:19:42 | 0:19:44 | |
HE SNORTS AND SPLUTTERS | 0:19:44 | 0:19:47 | |
HE SNORTS AND SPLUTTERS | 0:19:53 | 0:19:56 | |
"Thick table, Teresa!" | 0:19:58 | 0:20:01 | |
"Paddy McGuinness, thick table!" | 0:20:01 | 0:20:04 | |
CHEERING AND APPLAUSE | 0:20:04 | 0:20:07 | |
"Let the thick see the table." | 0:20:07 | 0:20:09 | |
LAUGHTER | 0:20:09 | 0:20:11 | |
That's true - I was sat with him. | 0:20:16 | 0:20:18 | |
KEYBOARD INTRO MUSIC PLAYS | 0:20:18 | 0:20:20 | |
Ladies and gentlemen, Mr Elton John. | 0:20:25 | 0:20:28 | |
# I can't find | 0:20:30 | 0:20:32 | |
# All the right romantic lines | 0:20:33 | 0:20:37 | |
# Those romantic lines | 0:20:37 | 0:20:40 | |
# You see me once | 0:20:41 | 0:20:43 | |
# Once | 0:20:43 | 0:20:45 | |
# You see the way I feel | 0:20:45 | 0:20:47 | |
-# You see the way I... # -All right, shut your mouth. | 0:20:47 | 0:20:50 | |
Used to watch television in class, | 0:20:51 | 0:20:53 | |
and you'd wheel in this massive television on legs! | 0:20:53 | 0:20:55 | |
It were up there! | 0:20:55 | 0:20:56 | |
Two prefects used to wheel it in like the prize in a game show. | 0:20:56 | 0:20:59 | |
It were massive! We were like meerkats, watching it like that. | 0:21:03 | 0:21:05 | |
With the video in the lock box - that'll have been nicked. | 0:21:07 | 0:21:10 | |
Remote control on a wire. | 0:21:10 | 0:21:11 | |
Sister Matic stood on the chair with the aerial to try and get a picture. | 0:21:13 | 0:21:16 | |
"Can you see? Can you see now? Can you see?" | 0:21:16 | 0:21:19 | |
I were never a fan of PE at school, me. | 0:21:20 | 0:21:23 | |
I can see the astonishment in your eyes. But I were never a fan. | 0:21:23 | 0:21:27 | |
I don't... How did I get up here? | 0:21:27 | 0:21:30 | |
I were never a fan. | 0:21:30 | 0:21:32 | |
I don't believe you can be physically educated. | 0:21:32 | 0:21:35 | |
They used to make us walk on an upside-down gym bench. | 0:21:35 | 0:21:37 | |
Did you ever do that? Used to balance to walk along. | 0:21:37 | 0:21:39 | |
The weight's dropping off me now, Sister! | 0:21:39 | 0:21:42 | |
I used to pretend I forgot my kit. "I forgot me PE kit!" | 0:21:45 | 0:21:48 | |
"Get some out of that bin in the corner." | 0:21:48 | 0:21:50 | |
..kin' fencing mask and a netball skirt. | 0:21:50 | 0:21:52 | |
Forward roll. | 0:22:01 | 0:22:03 | |
"All change." "The ropes, get on the ropes, get on the ropes! | 0:22:04 | 0:22:07 | |
"Oh, they've been on the ropes twice now, Sister!" | 0:22:07 | 0:22:10 | |
"Still on this pissing bench." | 0:22:10 | 0:22:12 | |
-But it's lovely to play here. See how I pull that back? -Thank you. | 0:22:14 | 0:22:18 | |
-It's lovely. See how I saved you, then? -Yeah, thanks a million. | 0:22:18 | 0:22:21 | |
It's lovely. I've never done Ireland. | 0:22:21 | 0:22:23 | |
I did Kilkenny Comedy Festival. AUDIENCE MEMBER COUGHS | 0:22:23 | 0:22:26 | |
He's got a cough. But... | 0:22:26 | 0:22:29 | |
That's Kilkenny for you - it's full of TB. | 0:22:29 | 0:22:31 | |
Why haven't you been...? Why haven't you been...? | 0:22:31 | 0:22:34 | |
HE COUGHS | 0:22:34 | 0:22:36 | |
-A fur ball. -Fur ball! | 0:22:36 | 0:22:38 | |
-STUMBLING: -You generally finish some...that your... -What?! | 0:22:38 | 0:22:41 | |
-Have you had a stroke? -I have, actually. | 0:22:41 | 0:22:43 | |
You've given me one talking to you. | 0:22:43 | 0:22:46 | |
I'm a comedian - I'm supposed to comede. | 0:22:46 | 0:22:48 | |
No, you're comeding so well. | 0:22:48 | 0:22:49 | |
-I've got some jokes, I've got some jokes. -Great! | 0:22:49 | 0:22:52 | |
To want them? Do you want to hear some testers? | 0:22:52 | 0:22:54 | |
-AUDIENCE: -Yeah! | 0:22:54 | 0:22:56 | |
I ordered a pizza last night. I asked for thin and crusty supreme. | 0:22:56 | 0:22:59 | |
They sent me Diana Ross. | 0:22:59 | 0:23:01 | |
LAUGHTER | 0:23:01 | 0:23:03 | |
APPLAUSE | 0:23:03 | 0:23:06 | |
And, fella says to his wife, "Why don't you tell me when you orgasm?" | 0:23:06 | 0:23:10 | |
She says, "I don't like ringing you at work." | 0:23:10 | 0:23:12 | |
LAUGHTER | 0:23:12 | 0:23:14 | |
-That's all right? -That's OK. That's good. | 0:23:14 | 0:23:16 | |
# Oh, baby, baby | 0:23:22 | 0:23:24 | |
# How was I supposed to know | 0:23:24 | 0:23:27 | |
# Something wasn't right? | 0:23:28 | 0:23:31 | |
# Show me how you want me to be... # | 0:23:31 | 0:23:34 | |
Hey, that wasn't in the hamper. | 0:23:34 | 0:23:37 | |
# Because I need to know because... # | 0:23:37 | 0:23:40 | |
Woman went to the doctors - | 0:23:40 | 0:23:42 | |
she had a piece of lettuce sticking out the top of her knickers... | 0:23:42 | 0:23:44 | |
It's all right. You think that. But hang on. Hang on. | 0:23:44 | 0:23:48 | |
He said, "That looks nasty." | 0:23:48 | 0:23:49 | |
She said, "It's the tip of the iceberg." | 0:23:49 | 0:23:52 | |
Ah! Thank you! | 0:23:52 | 0:23:54 | |
Thank you! | 0:23:54 | 0:23:55 | |
You see the look of fear in Ryan's eyes then! | 0:23:55 | 0:23:58 | |
The look of fear! | 0:23:58 | 0:24:00 | |
I were on packed lunches, me. | 0:24:02 | 0:24:03 | |
Packed lunches were two Spam sandwiches | 0:24:03 | 0:24:06 | |
and a Munch Bunch yoghurt | 0:24:06 | 0:24:07 | |
in a Robin of Sherwood lunchbox. | 0:24:07 | 0:24:09 | |
A packet of Salt 'n' Shake. Highland toffee. | 0:24:09 | 0:24:12 | |
And a beaker, my mum used to give me a beaker with orange cordial | 0:24:12 | 0:24:15 | |
with some clingfilm over the lid so it wouldn't spill in my bag. | 0:24:15 | 0:24:18 | |
You don't want that all over your books. Did you ever back your books? | 0:24:18 | 0:24:21 | |
What were all that about, backing books? | 0:24:21 | 0:24:23 | |
"Mum, get me that woodchip wallpaper from the side of the wardrobe. | 0:24:23 | 0:24:26 | |
"Got to back my books here. | 0:24:26 | 0:24:28 | |
"Anaglypta, Razzle. | 0:24:28 | 0:24:30 | |
"Back my books here. Keep it safe." | 0:24:30 | 0:24:33 | |
Get a life. | 0:24:33 | 0:24:34 | |
I used to love it when I were in the dining hall at school | 0:24:34 | 0:24:37 | |
and someone would fall with their dinner. | 0:24:37 | 0:24:38 | |
Just walking back to their seat, you'd get some girl walking... | 0:24:38 | 0:24:41 | |
And everyone would go, "Whey!" | 0:24:43 | 0:24:46 | |
When they were sick, they used to put sawdust down! | 0:24:46 | 0:24:48 | |
What were all that about, sawdust?! | 0:24:48 | 0:24:50 | |
"There's nothing to see. On your way." | 0:24:50 | 0:24:53 | |
"Course there's something to see - she's thrown up sawdust here. | 0:24:53 | 0:24:55 | |
"She's thrown up sawdust." | 0:24:55 | 0:24:57 | |
"Some carpenter's daughter! | 0:24:58 | 0:25:00 | |
"Look at that - shavings! Blergh! Shavings!" | 0:25:00 | 0:25:03 | |
Should be on Embarrassing Bodies - she's a freak. | 0:25:03 | 0:25:06 | |
They were doing that at the school reunion about half past ten. | 0:25:06 | 0:25:09 | |
Everyone were drunk, Sister Are-Doing-It were going round | 0:25:09 | 0:25:12 | |
with the bucket of sawdust, throwing it down. | 0:25:12 | 0:25:14 | |
I'd had a few Baileys, I were up on the karaoke. | 0:25:16 | 0:25:19 | |
Teresa Crankfist giving it bump and grind. | 0:25:19 | 0:25:21 | |
Teresa off her tits, pole dancing with the crucifix. | 0:25:27 | 0:25:30 | |
Sister Sledge - "I'll kill her! I'll fecking kill her! | 0:25:32 | 0:25:35 | |
"Where's me shatterproof ruler?" | 0:25:35 | 0:25:36 | |
-How long have we got? -Go for it. Go. Danny Boy. Come on. | 0:25:41 | 0:25:46 | |
No, no, let's sing something else. Let's sing... | 0:25:46 | 0:25:49 | |
# I have fallen for another | 0:25:49 | 0:25:51 | |
# She can make her own way home... # | 0:25:51 | 0:25:54 | |
MUSIC STARTS | 0:25:54 | 0:25:56 | |
-It's too high that, it's too high! Go a key lower. -Lower key! | 0:25:56 | 0:25:59 | |
-Key lower. Key lower. -OK. | 0:26:00 | 0:26:01 | |
LAUGHTER | 0:26:01 | 0:26:03 | |
LOWER: # I have fallen for another, she can make her own way home... # | 0:26:03 | 0:26:08 | |
Go. | 0:26:08 | 0:26:09 | |
AUDIENCE CLAPS ALONG | 0:26:09 | 0:26:10 | |
Get Carol up. She'll know it. Come on, Carol! You'll know it. | 0:26:10 | 0:26:13 | |
WHOOPING AND WHISTLING | 0:26:13 | 0:26:16 | |
Come on, Carol. Come on! | 0:26:16 | 0:26:17 | |
Come on! Come on. Come on... | 0:26:19 | 0:26:21 | |
Come on! | 0:26:22 | 0:26:24 | |
Come on, Carol knows it. | 0:26:25 | 0:26:27 | |
-OK, go to the chorus. -Go on. | 0:26:27 | 0:26:30 | |
# I used to love her... | 0:26:30 | 0:26:31 | |
# I used to love her once | 0:26:31 | 0:26:33 | |
# A long, long time ago | 0:26:33 | 0:26:34 | |
# I used to love her, I used to love her once | 0:26:34 | 0:26:37 | |
# It's gone | 0:26:38 | 0:26:40 | |
# All my lovin' is gone | 0:26:40 | 0:26:42 | |
# Oh, oh, it's gone | 0:26:42 | 0:26:44 | |
# All my lovin' is gone... | 0:26:44 | 0:26:46 | |
INDISTINCT What...? | 0:26:46 | 0:26:49 | |
Oh, she's... | 0:26:49 | 0:26:50 | |
AUDIENCE CLAPS ALONG | 0:26:51 | 0:26:53 | |
# She was on a 48-hour pass, just water and black tea | 0:26:53 | 0:26:57 | |
# I walked right up and made an ostentatious contribution... # | 0:26:59 | 0:27:03 | |
Go on. | 0:27:03 | 0:27:05 | |
# And I winked at her to tell her | 0:27:05 | 0:27:07 | |
# I'd seduce her in the future | 0:27:07 | 0:27:09 | |
-# When she's feelin' looser... # -Whoa, get off! | 0:27:09 | 0:27:12 | |
# I used to love her, I used to love her once | 0:27:12 | 0:27:15 | |
# A long, long time ago | 0:27:15 | 0:27:17 | |
# I used to love her, I used to love her once | 0:27:17 | 0:27:20 | |
# Long, long time ago | 0:27:20 | 0:27:21 | |
# It's gone | 0:27:21 | 0:27:22 | |
# All my lovin' is gone | 0:27:22 | 0:27:24 | |
# Oh, oh, it's gone | 0:27:24 | 0:27:26 | |
# All my lovin' is gone... # | 0:27:26 | 0:27:28 | |
Go to t'ending. | 0:27:28 | 0:27:30 | |
# It's gone, gone, gone, gone | 0:27:30 | 0:27:33 | |
# All my lovin' is | 0:27:33 | 0:27:35 | |
# Gone, gone, gone, gone | 0:27:35 | 0:27:38 | |
# All my lovin' is... | 0:27:38 | 0:27:40 | |
# Gone, gone, gone! | 0:27:40 | 0:27:42 | |
# All my lovin' is... | 0:27:42 | 0:27:44 | |
# Gone, gone, gone, gone | 0:27:44 | 0:27:47 | |
# I have fallen for another | 0:27:47 | 0:27:50 | |
# She can make her own way ho-o-o-ome. # | 0:27:50 | 0:27:55 | |
CHEERING AND WHISTLING | 0:27:55 | 0:27:58 | |
Peter Kay! | 0:28:00 | 0:28:01 |