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Peter Kay is one of Bolton's funniest comedians | 0:00:26 | 0:00:29 | |
and not an athlete. | 0:00:29 | 0:00:31 | |
But he's about to embark on a challenge that will not only | 0:00:31 | 0:00:34 | |
change his life, but dozens of lives forever. | 0:00:34 | 0:00:37 | |
Well, I've seen what David Walliams has done, swimming the Channel | 0:00:37 | 0:00:40 | |
and the River Thames, what Eddie Izzard's done, and John Bishop. | 0:00:40 | 0:00:43 | |
It's been amazing. And I thought - what can I do? What do I do best? | 0:00:43 | 0:00:47 | |
And the answer is, sit on me arse. | 0:00:47 | 0:00:48 | |
This is the story of his extraordinary journey. | 0:00:50 | 0:00:53 | |
-CHRIS EVANS: -And so it begins, it's Monday morning and for Peter Kay, | 0:00:58 | 0:01:01 | |
the next five days are going to be literally hell on earth. | 0:01:01 | 0:01:05 | |
He's live in Belfast at the starting line of a monumental | 0:01:05 | 0:01:09 | |
Sit Down Challenge for Comic Relief. Can you hear me, Peter? | 0:01:09 | 0:01:13 | |
Loud and clear, Christopher! | 0:01:13 | 0:01:15 | |
Are you ready to travel from Belfast to London, by couch? | 0:01:15 | 0:01:20 | |
Not by coach, by the way, by couch! | 0:01:20 | 0:01:22 | |
-As ready as I'll ever be. -All right, let's count him down. | 0:01:22 | 0:01:25 | |
Everybody together, shout at your radios now! | 0:01:25 | 0:01:28 | |
Five, four, three, two, one! | 0:01:28 | 0:01:32 | |
-Yes! -KLAXON SOUNDS | 0:01:32 | 0:01:33 | |
Away we go! | 0:01:33 | 0:01:35 | |
Oh, oh! Hang on a minute! | 0:01:35 | 0:01:37 | |
Bloody hellfire! Jesus Christ! | 0:01:37 | 0:01:40 | |
We've had a bit of a cock-up here. We're starting again now. | 0:01:40 | 0:01:43 | |
Peter makes his way towards the Irish coast, | 0:01:45 | 0:01:48 | |
where he's greeted by some surprise Olympic support. | 0:01:48 | 0:01:51 | |
Hello! | 0:01:52 | 0:01:54 | |
They have the formidable task of transporting Peter | 0:01:54 | 0:01:57 | |
and his couch across the Irish Sea. | 0:01:57 | 0:01:59 | |
-Heave! -Ho! | 0:02:05 | 0:02:06 | |
-That's it! Heave! -Ho! | 0:02:06 | 0:02:08 | |
-Keep going! Heave! -Ho! | 0:02:08 | 0:02:10 | |
-Heave! -Ho! | 0:02:10 | 0:02:12 | |
Heave! That's it! Come on! | 0:02:12 | 0:02:15 | |
Unfortunately, Peter fails to find his sea legs | 0:02:15 | 0:02:18 | |
and soon regrets eating a full Irish breakfast before setting sail. | 0:02:18 | 0:02:22 | |
HE RETCHES | 0:02:22 | 0:02:25 | |
Working in those clubs at that time, when you look back on those days, | 0:02:26 | 0:02:30 | |
from the position where you are now, do you look back with fondness? | 0:02:30 | 0:02:33 | |
-Did you enjoy them? -Oh, yeah. It's... I think it's... | 0:02:33 | 0:02:36 | |
I did Eccles Masonic Hall once with a Cher... | 0:02:36 | 0:02:39 | |
A guy said to me, "How do you want your lights?" | 0:02:39 | 0:02:43 | |
And I went, "What are my options?" He went, "On or off." | 0:02:43 | 0:02:47 | |
He had a light switch on the wall. | 0:02:47 | 0:02:49 | |
I were on with a Cher lookalike who did Shania Twain songs. | 0:02:49 | 0:02:53 | |
And another gig with her... This other one who were a Cher lookalike. | 0:02:53 | 0:02:56 | |
She were called Cher and Cher Alike. | 0:02:56 | 0:02:58 | |
That were her stage name. | 0:02:58 | 0:03:00 | |
And I did a Shania Twain one, she were called Shania Twin. | 0:03:00 | 0:03:03 | |
-And she was supporting Pete Loaf. Not Meatloaf. -Pete Loaf. | 0:03:03 | 0:03:09 | |
Pete Loaf. | 0:03:09 | 0:03:10 | |
-Get it? -A carpet fitter with a grudge. | 0:03:10 | 0:03:13 | |
He had a Harley Davidson on stage. | 0:03:13 | 0:03:16 | |
And he did Bat Out Of Hell. And he... | 0:03:16 | 0:03:20 | |
Pete Loaf! | 0:03:20 | 0:03:22 | |
I did a gig last year - I've got to tell you this, this were funny - | 0:03:22 | 0:03:26 | |
at Blackpool Opera House, and for some reason, | 0:03:26 | 0:03:30 | |
there were all magicians on in the second half. | 0:03:30 | 0:03:33 | |
And I didn't know. I knew they were, but what happened, | 0:03:33 | 0:03:36 | |
I came out at the beginning of the night and I said, "Hello!" The curtains were shut. | 0:03:36 | 0:03:40 | |
And they're big curtains at Blackpool Opera House, I put them on my shoulder. | 0:03:40 | 0:03:43 | |
I said, "These should be open," and I pulled them open like that. | 0:03:43 | 0:03:46 | |
And I said, "I like that set up back there, it looks lovely," | 0:03:46 | 0:03:48 | |
and everyone laughed and thought it were all part of the show. | 0:03:48 | 0:03:51 | |
And then I did my bit and everything and in the second half, I came on and they were shut again. | 0:03:51 | 0:03:55 | |
And I went, "They're shut again!" So I put them over my shoulder and pulled them up | 0:03:55 | 0:03:58 | |
and there was a magician trying to put a woman in a box. | 0:03:58 | 0:04:01 | |
Swear to God. | 0:04:01 | 0:04:02 | |
The funniest thing - he's like that, "Get in! | 0:04:02 | 0:04:06 | |
"Get in!" | 0:04:06 | 0:04:08 | |
Preparation for Peter's Comic Relief Sit Down Challenge hasn't been easy. | 0:04:08 | 0:04:11 | |
BLOWS WHISTLE | 0:04:11 | 0:04:13 | |
For the last week, he's embarked on a punishing daily regime, | 0:04:13 | 0:04:17 | |
readying himself for the toughest journey of his life. | 0:04:17 | 0:04:20 | |
He's enlisted the help of ex-SAS fitness specialist | 0:04:21 | 0:04:25 | |
-Sergeant Mike Collins... -What are you doing?! | 0:04:25 | 0:04:28 | |
..an expert in endurance training. | 0:04:28 | 0:04:31 | |
-SQUEAKY VOICE: -It will be very tough. | 0:04:31 | 0:04:33 | |
I don't think I've worked with anybody so determined. | 0:04:33 | 0:04:36 | |
I'm on a couch! | 0:04:36 | 0:04:37 | |
I was always athletic at school, yeah. | 0:04:37 | 0:04:39 | |
You know, sack race, egg and spoon. | 0:04:39 | 0:04:41 | |
So, you know, it was always on the cards, really. | 0:04:41 | 0:04:43 | |
You can't fight destiny. | 0:04:43 | 0:04:44 | |
Come on! We have to get you fit! | 0:04:44 | 0:04:46 | |
Fitter. | 0:04:48 | 0:04:50 | |
Just the main concern is things like couch sores or pins and needles. | 0:04:50 | 0:04:55 | |
Or that silent killer that is trapped wind. | 0:04:55 | 0:04:58 | |
In an effort to test the elements for the typical British weather, | 0:05:00 | 0:05:04 | |
Mike increases the pressure on Peter's specialised booty camp. | 0:05:04 | 0:05:07 | |
Quicker! | 0:05:07 | 0:05:08 | |
Wind! I said wind! | 0:05:08 | 0:05:12 | |
Move your fat arse! | 0:05:18 | 0:05:21 | |
I feel this is going to be the challenge of a lifetime. | 0:05:21 | 0:05:24 | |
I'll either come back a hero or a failure. | 0:05:24 | 0:05:27 | |
But there's no going back. | 0:05:27 | 0:05:29 | |
Peter's arduous training has paid off, as he makes his way | 0:05:34 | 0:05:37 | |
down through southern Scotland on his mammoth Sit Down Challenge. | 0:05:37 | 0:05:42 | |
Not long now. | 0:05:42 | 0:05:44 | |
'People don't realise, it's tough. It gets to you. | 0:05:44 | 0:05:48 | |
'Mentally, it's hard. Psychologically.' | 0:05:48 | 0:05:50 | |
WINDS BLOW 'What I hope is I don't get halfway through and give up.' | 0:05:50 | 0:05:55 | |
You know, I want to keep going. I'm a sitter, I'm not a quitter. | 0:05:55 | 0:05:58 | |
Another 20 miles, I'll let you have a brew. | 0:05:58 | 0:06:02 | |
Careful. Careful. | 0:06:09 | 0:06:11 | |
Watch that bit of dog shit there. | 0:06:11 | 0:06:15 | |
That's it. That's it. Keep it back. Keep it back, lads. | 0:06:15 | 0:06:18 | |
And lady. | 0:06:18 | 0:06:20 | |
We've lost one. | 0:06:20 | 0:06:22 | |
What are you doing?! Come on! Get a wriggle on, Albert! | 0:06:22 | 0:06:26 | |
-Where are you off to now? -Cash and carry. I'm going | 0:06:26 | 0:06:28 | |
-to get some more of this... Where are you -BLEEP -going here?! | 0:06:28 | 0:06:32 | |
-Did I disappear then? -Going, "Whey, I'm off!" | 0:06:32 | 0:06:35 | |
Action! | 0:06:35 | 0:06:37 | |
Here we go, Jerry. Come on, man. | 0:06:37 | 0:06:40 | |
Come on! | 0:06:40 | 0:06:42 | |
-Come on! -Urgh! -Come on! | 0:06:42 | 0:06:44 | |
-Coming. -Whoosh! -I'm coming. | 0:06:44 | 0:06:47 | |
I'm not coming. | 0:06:47 | 0:06:49 | |
Shops are bad, when you go in shops. I don't like it when they start... | 0:06:54 | 0:06:57 | |
You know when they think you've got forged money? | 0:06:57 | 0:06:59 | |
And they make you feel... And there's a queue behind you. They start looking at you like... | 0:06:59 | 0:07:03 | |
They start holding it up to the light, see if Queen's got a 'tache. | 0:07:03 | 0:07:07 | |
But it under that ultraviolet machine. You know. | 0:07:07 | 0:07:09 | |
I went into one shop, I gave her a £20 note, she looked at me like | 0:07:09 | 0:07:12 | |
I'd come into her house on Christmas Day and pissed on her kids! | 0:07:12 | 0:07:14 | |
I said, "Hey! It's a £20 note, love! I'm not from Mars!" | 0:07:14 | 0:07:17 | |
When she gave me my change, I bit it. Like that. | 0:07:20 | 0:07:23 | |
"Just checking, love, it's not chocolate, you know what I mean? | 0:07:23 | 0:07:27 | |
"Two can play at that game, flower." | 0:07:27 | 0:07:29 | |
People apologise for change as well. "Can I give you all this change, love? | 0:07:33 | 0:07:36 | |
"Can I get rid of all this shrapnel? Can I get rid of all this shit on you, love? Can I shit on you, love? | 0:07:36 | 0:07:41 | |
"Can I get rid of all this?" "Oh, no. We're glad of it, aren't we, Barbara? We're glad of it. | 0:07:41 | 0:07:44 | |
"We need it. Oh, you've come at the right time. We're glad of it." | 0:07:44 | 0:07:49 | |
I went to the chippy on a Friday night, right, chippy tea, | 0:07:49 | 0:07:51 | |
like you do. | 0:07:51 | 0:07:53 | |
It's the law. I went in. I gave her a £20 note, this woman. | 0:07:53 | 0:07:57 | |
As she's putting it in to the till, | 0:07:57 | 0:07:59 | |
she turns to the other woman who's serving behind the counter, right... | 0:07:59 | 0:08:02 | |
Oh, hear me out. | 0:08:02 | 0:08:04 | |
They do this in Greggs. | 0:08:04 | 0:08:06 | |
As she's putting it in, she says to the woman, "£20 going in, Marion! | 0:08:06 | 0:08:12 | |
"20 going in, love." | 0:08:12 | 0:08:14 | |
I said, "Hey, mouth!" | 0:08:14 | 0:08:16 | |
"There's two drug dealers eyeing me up for my change here!" | 0:08:20 | 0:08:24 | |
"He's got £17 change, that lad." | 0:08:24 | 0:08:27 | |
I'll be lying on the front street in a minute, covered in peas, winded. | 0:08:27 | 0:08:31 | |
MUSIC: One Day Like This by Elbow | 0:08:36 | 0:08:38 | |
And support for Peter's Sit Down Challenge grows by the hour, | 0:08:38 | 0:08:41 | |
as he makes his way across Britain. | 0:08:41 | 0:08:43 | |
I can't believe what he's doing. It's astonishing. | 0:08:43 | 0:08:46 | |
You just wouldn't think he'd have it in him. | 0:08:46 | 0:08:48 | |
Support's nice, isn't it? Look at some of these I've had. | 0:08:48 | 0:08:51 | |
"You can straddle my sofa any time. Bernard." Great. | 0:08:51 | 0:08:55 | |
What's all that about? | 0:08:55 | 0:08:56 | |
How he can sit like that for so long, it beggars belief. | 0:08:56 | 0:08:59 | |
I thought the Olympians were impressive until I saw this. | 0:08:59 | 0:09:03 | |
How are you? That's it. | 0:09:03 | 0:09:05 | |
Put some in there. Oh, I'm shattered, love. | 0:09:05 | 0:09:08 | |
Watch yourself. You'll go under my wheels, flower. | 0:09:08 | 0:09:11 | |
Yeah, see you. | 0:09:11 | 0:09:13 | |
Loud, them, aren't they? Trying to read, here. | 0:09:13 | 0:09:15 | |
Tired after a hard day's waving, Peter - and his hand - | 0:09:19 | 0:09:23 | |
are ready for a well-earned rest. | 0:09:23 | 0:09:25 | |
Had enough, now. | 0:09:25 | 0:09:27 | |
-Where are we staying? -Savoy. -Savoy? | 0:09:27 | 0:09:30 | |
Is this it?! We're stopping here? | 0:09:32 | 0:09:35 | |
-Hello? -Hello. -Comic Relief. Peter Kay. -Hiya. | 0:09:35 | 0:09:39 | |
Nice to meet you, Mr Kay. Oh, you're just in time. | 0:09:39 | 0:09:42 | |
-# ALL: -Were my baby's at | 0:09:42 | 0:09:46 | |
# Is this the way to Amarillo? | 0:09:46 | 0:09:50 | |
# Every night I've been hugging my pillow | 0:09:50 | 0:09:53 | |
# Dreaming dreams of Amarillo | 0:09:53 | 0:09:57 | |
# Where sweet Maria waits for me... # | 0:09:57 | 0:10:00 | |
Bloody hell. What chance of a bath? | 0:10:05 | 0:10:09 | |
"Caution - hot water." | 0:10:09 | 0:10:11 | |
When? Get Lenny Henry on the phone! | 0:10:11 | 0:10:14 | |
He'll get us somewhere decent. | 0:10:14 | 0:10:16 | |
Action. | 0:10:16 | 0:10:18 | |
Jesus Christ! | 0:10:20 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:23 | |
Come on, you frigging... | 0:10:25 | 0:10:27 | |
Hey, they don't do peas down south. | 0:10:31 | 0:10:33 | |
I went down south, doing some shows, I went into a chippy, I said, | 0:10:33 | 0:10:36 | |
"Chips and peas, please." SOUTHERN ACCENT: "We don't do peas." | 0:10:36 | 0:10:39 | |
"You what?" "We don't do peas." | 0:10:39 | 0:10:42 | |
OVER ENUNCIATING: "They don't do peas. They don't..." | 0:10:42 | 0:10:45 | |
That's my friend, he's outside, through the window. | 0:10:45 | 0:10:48 | |
You've got to talk like that, through glass. | 0:10:48 | 0:10:51 | |
"They don't do peas." | 0:10:51 | 0:10:53 | |
"Curry sauce? Curry sauce?" | 0:10:55 | 0:10:58 | |
"Do you do curry sauce?" "We don't do curry sauce, mate." "What?" | 0:10:58 | 0:11:01 | |
"We don't do curry sauce." "They don't do curry sauce." | 0:11:01 | 0:11:03 | |
"Curry sauce, no go. No go." | 0:11:03 | 0:11:07 | |
"Gravy? Gravy?" | 0:11:07 | 0:11:10 | |
"We don't do gravy." "They don't do gravy." | 0:11:10 | 0:11:13 | |
My friend comes in. He says, "Hey, has tha' nowt moist?" | 0:11:13 | 0:11:16 | |
"Has tha' nowt moist?" | 0:11:18 | 0:11:20 | |
"Forget it, we're going." | 0:11:22 | 0:11:24 | |
£20 going in... | 0:11:24 | 0:11:26 | |
With a punishing schedule ahead of him, | 0:11:28 | 0:11:30 | |
Peter is only allowed eight hours' sleep before he's back. | 0:11:30 | 0:11:34 | |
# On the road again... # | 0:11:34 | 0:11:35 | |
Keep it straight, I'm trying to watch it. No, no, up. | 0:11:35 | 0:11:39 | |
Just bend back a bit. | 0:11:39 | 0:11:41 | |
Keep your back straight, man! | 0:11:41 | 0:11:43 | |
Where's the remote control? | 0:11:43 | 0:11:46 | |
Where's my remote control gone?! Pull over! | 0:11:46 | 0:11:49 | |
Pull over! Get in while I get my remote control. Pull over! | 0:11:49 | 0:11:52 | |
Tired and frustrated, | 0:11:52 | 0:11:54 | |
Peter makes a desperate call to Comic Relief guru | 0:11:54 | 0:11:57 | |
Sir Richard Curtis. | 0:11:57 | 0:11:59 | |
"Good idea," you said. | 0:11:59 | 0:12:00 | |
I could've been indoors now, singing Agadoo with Adele. | 0:12:00 | 0:12:03 | |
Middle of nowhere. You promised me celebrities. | 0:12:03 | 0:12:06 | |
There's no bugger turned up! | 0:12:06 | 0:12:07 | |
What? There's a minibus here, now. | 0:12:07 | 0:12:10 | |
What are you talking about? | 0:12:10 | 0:12:12 | |
-Hey, we're here! -Ahhh! | 0:12:12 | 0:12:16 | |
Hallelujah! | 0:12:16 | 0:12:19 | |
-I'm so proud of you, man. -Yeah! | 0:12:19 | 0:12:22 | |
Ray Quinn! | 0:12:22 | 0:12:23 | |
All right? How are you? | 0:12:23 | 0:12:25 | |
-Hello, Spit. -Great to see you. | 0:12:25 | 0:12:28 | |
Yazz! Bloody hell! It's Yazz! | 0:12:28 | 0:12:31 | |
Thanks to Sir Richard Curtis and his celebrity connections... | 0:12:31 | 0:12:35 | |
-Who are you? -..Peter is now joined by the creme de la creme | 0:12:35 | 0:12:38 | |
of the showbiz world to drag him to the finish line. | 0:12:38 | 0:12:42 | |
MUSIC: Fix you by Coldplay | 0:12:42 | 0:12:45 | |
It's the response it's got, and everybody turning up like this. | 0:12:48 | 0:12:51 | |
It's been absolutely fantastic. | 0:12:51 | 0:12:55 | |
Look at that, "So-fa so good." | 0:12:55 | 0:12:57 | |
CHEERING | 0:12:57 | 0:12:59 | |
It's a puppet! | 0:12:59 | 0:13:01 | |
And the great British public are out in force to show their support. | 0:13:01 | 0:13:05 | |
CHEERING AND APPLAUSE | 0:13:05 | 0:13:08 | |
Look at that. Look at that... | 0:13:10 | 0:13:12 | |
glaucoma. | 0:13:12 | 0:13:13 | |
-ALL: -Peter! Peter! Peter! | 0:13:13 | 0:13:16 | |
He's just inspired me to sit at home and watch television. | 0:13:16 | 0:13:19 | |
And there's messages of support from celebrity sitters. | 0:13:19 | 0:13:22 | |
Keep on sitting, Peter. You know you can do it. | 0:13:22 | 0:13:25 | |
-Good luck, mate. -Good luck. -Yeah, keep going. Keep going. | 0:13:25 | 0:13:28 | |
TORTOISE GRUNTS | 0:13:28 | 0:13:30 | |
The whole country is behind you. | 0:13:30 | 0:13:34 | |
We're nearly there. | 0:13:34 | 0:13:35 | |
After an exhilarating day, | 0:13:35 | 0:13:38 | |
a weary Peter finally makes his way to a much-needed rest for the night. | 0:13:38 | 0:13:42 | |
Thank you. Mwah! | 0:13:43 | 0:13:46 | |
Yeah! CHEERING | 0:13:46 | 0:13:49 | |
And after sitting on the couch all day, | 0:13:49 | 0:13:52 | |
Peter now prefers to sleep standing up. | 0:13:52 | 0:13:55 | |
Night. | 0:13:55 | 0:13:57 | |
Started off, I left school | 0:13:59 | 0:14:00 | |
and got a job at Franny Lee's packing toilet rolls. | 0:14:00 | 0:14:04 | |
In the factory, not in his house. | 0:14:04 | 0:14:07 | |
Not unpacking his shopping. | 0:14:07 | 0:14:09 | |
Then I worked there for six months, and I left at Christmas | 0:14:09 | 0:14:12 | |
cos they went to continental shifts, | 0:14:12 | 0:14:14 | |
and I wouldn't wear a sombrero, so... | 0:14:14 | 0:14:17 | |
What about the...? You worked in a cash and carry, didn't you? | 0:14:18 | 0:14:21 | |
I worked in a cash and carry. I went working there after... | 0:14:21 | 0:14:23 | |
We had a manager there called Brian Bytheway, that were his name. | 0:14:23 | 0:14:27 | |
Brian Bytheway. That's a great name, that. You see... | 0:14:27 | 0:14:29 | |
You couldn't write that, Brian Bytheway. | 0:14:29 | 0:14:31 | |
And he were the kind of manager... | 0:14:31 | 0:14:33 | |
"If you've got time to lean, you've got time to clean." | 0:14:33 | 0:14:35 | |
Do you know what I mean? Or, er... | 0:14:35 | 0:14:37 | |
Oh, he's obsessed with stacking shelves. | 0:14:37 | 0:14:40 | |
You'd put something on shelves, he'd go, "Oh, whoa, whoa! Put that there. | 0:14:40 | 0:14:43 | |
"Eye level is buy level. | 0:14:43 | 0:14:45 | |
"If they can't see it, they can't buy it." | 0:14:45 | 0:14:48 | |
There was a robbery there, at the cash and carry. | 0:14:48 | 0:14:50 | |
It was a Thursday night, proper armed raid - it's true, this - | 0:14:50 | 0:14:54 | |
and I was working, it was a Thursday night, | 0:14:54 | 0:14:56 | |
and I was pricing up tuna fish with Kevin Broughton. | 0:14:56 | 0:15:00 | |
And it come on Tannoy, cash office, Miriam... | 0:15:01 | 0:15:04 | |
"Mr Bytheway!" | 0:15:04 | 0:15:06 | |
Just the end of the Tannoy, you know? "Mr Bytheway!" | 0:15:06 | 0:15:08 | |
I thought, "Something's going down here, Kev." | 0:15:08 | 0:15:10 | |
And we run round into t'pop aisle, and there were at the front... | 0:15:10 | 0:15:13 | |
-"Pop aisle." -Pop aisle... | 0:15:13 | 0:15:15 | |
And they were at the front with these sawn-off shotguns. You know? | 0:15:15 | 0:15:17 | |
But if you're ever in anything like that, it's delayed shock. | 0:15:17 | 0:15:20 | |
Cos at the time, your brain... | 0:15:20 | 0:15:22 | |
It's like it's not happening, you know what I mean? | 0:15:22 | 0:15:25 | |
When I got home I was sobbing to the middle of Tomorrow's World. | 0:15:25 | 0:15:28 | |
But at the time, they turned... | 0:15:28 | 0:15:30 | |
and I swear to god, they went like that, they turned, they went... | 0:15:30 | 0:15:34 | |
"You two! Get down!" | 0:15:34 | 0:15:36 | |
And I said, "What, you mean dance?" | 0:15:36 | 0:15:38 | |
LAUGHTER AND APPLAUSE | 0:15:38 | 0:15:41 | |
Slate 552, take one. | 0:15:43 | 0:15:46 | |
Try not to click it that hard. | 0:15:46 | 0:15:49 | |
People are... Old people with weather. | 0:15:57 | 0:15:59 | |
"Oh, it's too warm for me. | 0:15:59 | 0:16:01 | |
"Oh, it's warm. | 0:16:01 | 0:16:03 | |
"I like it warm, but I don't like it this warm. | 0:16:03 | 0:16:06 | |
"It's too warm. You know, there's warm and there's warm." | 0:16:07 | 0:16:12 | |
"Oh, I'm sweating cobs." What? Cob and a cobs! | 0:16:12 | 0:16:14 | |
"I'm wringing, I'm wet through. Look at me." | 0:16:14 | 0:16:17 | |
"Oh, it's sticky weather. It's sticky. Clammy. | 0:16:17 | 0:16:21 | |
"I can't get my breath!" Good! It's called summer. | 0:16:21 | 0:16:24 | |
Have a Solero and shut the ... up, will you? | 0:16:24 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:28 | |
-But the following morning, there's trouble. -Look at that. | 0:16:30 | 0:16:33 | |
In the few short hours they've rested, the couch has been clamped. | 0:16:33 | 0:16:38 | |
-Peter, they've clamped the bloody sofa. -What? What? | 0:16:38 | 0:16:42 | |
-Sofa's been clamped. -You're joking. Get the toiletries. | 0:16:42 | 0:16:47 | |
-What the bloody hell is going on here, hey? -Parasites. | 0:16:48 | 0:16:52 | |
Get this off here. Get it off. Do know what we're trying to do here? | 0:16:52 | 0:16:55 | |
Albert, get the money out the bucket. Give him the bucket. | 0:16:55 | 0:16:59 | |
-How do you sleep at night? That's 70 less malaria nets now. -BLEEP -head. | 0:16:59 | 0:17:02 | |
Behind schedule and already exhausted, | 0:17:04 | 0:17:06 | |
Peter is finding the strain of constant resting difficult. | 0:17:06 | 0:17:09 | |
Have you got a signal, Peter? | 0:17:11 | 0:17:13 | |
And slowly but surely, his body begins to shut down. | 0:17:14 | 0:17:18 | |
-Have you seen his face? He's not happy. -What? | 0:17:18 | 0:17:20 | |
It's just getting to me. | 0:17:22 | 0:17:23 | |
I have massively underestimated this. | 0:17:23 | 0:17:26 | |
Have you? | 0:17:26 | 0:17:28 | |
Things quickly go from bad to worse | 0:17:28 | 0:17:30 | |
when Peter's lips have an adverse reaction to being outdoors. | 0:17:30 | 0:17:34 | |
It's too much, this. Look at this. Look at my lips. | 0:17:36 | 0:17:39 | |
Have you got anything for my lips? | 0:17:39 | 0:17:41 | |
Argh! I've got a spasm in my neck. | 0:17:41 | 0:17:44 | |
Argh! Argh! | 0:17:44 | 0:17:46 | |
-Can we pull in, guys? Pull in. -Argh! Argh! | 0:17:46 | 0:17:51 | |
Sergeant Mike Collins is forced to administer some emergency physio. | 0:17:51 | 0:17:55 | |
What are you clapping for? What are you doing? Oh, that's it, that's it. | 0:17:55 | 0:18:00 | |
Fortunately, Peter's wife, Mrs Kay, | 0:18:00 | 0:18:03 | |
has turned up to offer some much-needed support. | 0:18:03 | 0:18:05 | |
Oh, hiya, love. Are you all right? | 0:18:08 | 0:18:11 | |
Oh, I know, tell me about it. | 0:18:14 | 0:18:16 | |
I can't, I can't do it any more. It's too much. | 0:18:34 | 0:18:36 | |
-My lips are killing me. I'm -BLEEP -knackered. | 0:18:36 | 0:18:39 | |
I'm not hungry, though. I can't eat it. | 0:18:45 | 0:18:48 | |
MUSIC PLAYS | 0:18:52 | 0:18:57 | |
The testing of Peter's determination has been incredible | 0:18:59 | 0:19:03 | |
but thanks to his wife's timely support, he's now spiritually | 0:19:03 | 0:19:07 | |
and mentally refuelled and with a full tank of love, | 0:19:07 | 0:19:11 | |
he pushes himself forward towards his finish line and victory. | 0:19:11 | 0:19:16 | |
MUSIC PLAYS | 0:19:16 | 0:19:18 | |
CHEERING AND APPLAUSE | 0:19:18 | 0:19:21 | |
My auntie Sandra. Is she in? | 0:19:23 | 0:19:25 | |
My auntie Sandra was a dinner lady. One of them pink women. | 0:19:25 | 0:19:29 | |
The pink ladies you used to get at school. Dinner ladies. | 0:19:29 | 0:19:31 | |
You know the one on the dinner break? | 0:19:31 | 0:19:34 | |
Pink women, pink overall, pink tabard. What's that word? | 0:19:34 | 0:19:37 | |
Tabards and pink legs and pink heads, pink hair. Proper pink. | 0:19:37 | 0:19:40 | |
Used to go around the playground, stop you having any fun. Walk round. | 0:19:40 | 0:19:43 | |
"Stop that, cut it out, you. Don't do that. Put that down." | 0:19:43 | 0:19:47 | |
Three of them, there were and my auntie Sandra... | 0:19:47 | 0:19:49 | |
Not my proper auntie. | 0:19:49 | 0:19:51 | |
And there were Janice and Barbara and they'd go around. | 0:19:51 | 0:19:55 | |
"Stop that!" Stop you playing army. Army. | 0:19:55 | 0:19:58 | |
"Stop that, you'll hurt somebody." | 0:19:58 | 0:20:01 | |
I've got a stick for a gun. Who am I hurting with a stick? | 0:20:01 | 0:20:05 | |
Da-ra! Oh, they're all in pain now, aren't they, love, hey? | 0:20:05 | 0:20:08 | |
Da-ra, da-ra! | 0:20:08 | 0:20:11 | |
Lads had three noises for guns. Da-ra! Dff-dff-dff-dff! | 0:20:11 | 0:20:14 | |
Dff-dff-dff-dff! Dff-dff-dff-dff! Dff-dff-dff-dff! | 0:20:14 | 0:20:17 | |
And the worst was the shittest one, which were mine. | 0:20:17 | 0:20:19 | |
Ha-ha-ha-ha! Ha-ha-ha-ha! Ha-ha-ha-ha! | 0:20:19 | 0:20:22 | |
Laughing, isn't it? Laughing, laughing. | 0:20:22 | 0:20:25 | |
Ha-ha-ha-ha! Ha-ha-ha-ha! | 0:20:25 | 0:20:28 | |
IMMITATES GRENADE | 0:20:28 | 0:20:30 | |
Girls. "Look how immature." | 0:20:30 | 0:20:33 | |
"Queenio, Queenio, who's got the ballio? | 0:20:33 | 0:20:36 | |
"I haven't got it. | 0:20:36 | 0:20:39 | |
"It's not in my pocket." | 0:20:39 | 0:20:41 | |
Yeah, them mature girls. | 0:20:41 | 0:20:42 | |
"Stop that." They used to come round if it rained as well. | 0:20:44 | 0:20:46 | |
If you were playing out, they'd go mad. | 0:20:46 | 0:20:48 | |
They'd have these daft fits, they couldn't believe it. | 0:20:48 | 0:20:50 | |
They'd be like that. They'd get all hysterical. | 0:20:50 | 0:20:53 | |
They'd be stood about 100 yards apart and they could feel it coming. | 0:20:53 | 0:20:56 | |
Rain. They could feel it coming. | 0:20:56 | 0:20:59 | |
They'd be like eyeing each other up and down. | 0:20:59 | 0:21:00 | |
They'll be looking like that and they could sense it like that. | 0:21:00 | 0:21:04 | |
Smell it, they could smell the rain. | 0:21:04 | 0:21:07 | |
LAUGHTER | 0:21:07 | 0:21:11 | |
One big splodge like that. | 0:21:11 | 0:21:13 | |
"It's spitting! It's spitting, it's spitting! | 0:21:13 | 0:21:15 | |
"Everybody in, everybody inside. It's spitting! | 0:21:15 | 0:21:20 | |
"Janice, Barbara, get the kids, get inside, it's spitting! | 0:21:20 | 0:21:23 | |
"Get inside. Off the playground, children! | 0:21:23 | 0:21:26 | |
"Get inside, save yourselves. It's spitting!" | 0:21:26 | 0:21:31 | |
Like beginning of Saving Private Ryan. | 0:21:31 | 0:21:33 | |
"Get inside!" | 0:21:33 | 0:21:34 | |
"Ha-ha-ha-ha! Ha-ha-ha-ha!" | 0:21:34 | 0:21:36 | |
"It's not funny." | 0:21:36 | 0:21:37 | |
"I'm not laughing, I'm shooting people." | 0:21:37 | 0:21:39 | |
LAUGHTER | 0:21:39 | 0:21:40 | |
Action. | 0:21:40 | 0:21:42 | |
Come on, Jerry. Come on, Jerry. That's it. | 0:21:42 | 0:21:47 | |
LAUGHTER | 0:21:47 | 0:21:48 | |
Oh, I'll tell you this one. I went to t'pie shop... | 0:21:50 | 0:21:53 | |
I went to t'pie shop. I give her a £10 note, right? | 0:21:56 | 0:22:00 | |
As she gives me her change, she went, "There you go, love. | 0:22:00 | 0:22:02 | |
"Seven, your eights, your ones, your twos, your ones, your fives, ten, 50 and ten's your change." | 0:22:02 | 0:22:06 | |
I said, "Hey, what's that you're saying to me? What's that?" | 0:22:06 | 0:22:09 | |
Counts change out into my hand. | 0:22:09 | 0:22:10 | |
"Seven, your eights, your ones, your twos, your ones, your fives, ten, 50 and ten's your change, love. | 0:22:10 | 0:22:14 | |
"Much obliged to you. Come again." | 0:22:14 | 0:22:16 | |
That's just mathematical bollocks. What's that you're saying to me? | 0:22:16 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
Do you want piccalilli? | 0:22:21 | 0:22:22 | |
I'd rather lick my own arsehole, love, if you don't mind. | 0:22:22 | 0:22:24 | |
Piccalilli? What's that? What's piccalilli? | 0:22:24 | 0:22:27 | |
Don't eat anything that's luminous. | 0:22:27 | 0:22:30 | |
You'll be drinking mild next. Scientists don't know. | 0:22:31 | 0:22:34 | |
I bought a steak-and-kidney pie. She went, "There you go, love. | 0:22:34 | 0:22:37 | |
"Watch my juices." I said, "Hey, hey, hey, hey. | 0:22:37 | 0:22:41 | |
"I want a pie, not your life story. What's the matter with you?" | 0:22:41 | 0:22:45 | |
Action. | 0:22:45 | 0:22:46 | |
Come on, Jerry, that's it, go on. | 0:22:46 | 0:22:48 | |
LAUGHTER | 0:22:50 | 0:22:53 | |
APPLAUSE AND CHEERING | 0:22:54 | 0:22:57 | |
Yes, it's time to welcome Peter Kay into the studio. | 0:22:57 | 0:23:02 | |
This is the moment... | 0:23:02 | 0:23:05 | |
Yes. | 0:23:05 | 0:23:06 | |
He's been sitting down all week for Comic Relief | 0:23:06 | 0:23:10 | |
but now it's finally time for him to stand up. Get ready, everyone. | 0:23:10 | 0:23:13 | |
Let's count him down to the end of his gruelling challenge. | 0:23:13 | 0:23:17 | |
-AUDIENCE: -Five, four, three, two, one, zero. Come on. | 0:23:17 | 0:23:22 | |
MUSIC PLAYS | 0:23:23 | 0:23:25 | |
APPLAUSE AND CHEERING | 0:23:29 | 0:23:30 | |
MUSIC PLAYS | 0:23:30 | 0:23:32 | |
Help him down. It's going to be emotional. | 0:23:32 | 0:23:36 | |
I've got you, I've got you! Come on. | 0:23:37 | 0:23:41 | |
Rusty, you've got to help. Rusty, help me! | 0:23:41 | 0:23:45 | |
He's here. He's all right. Everybody, he's all right. | 0:23:47 | 0:23:51 | |
Ladies and gentlemen, give him a round of applause. | 0:23:51 | 0:23:54 | |
-Such a big effort. Such a massive effort. -Yeah, yeah, yeah! | 0:23:55 | 0:24:00 | |
That's amazing. | 0:24:01 | 0:24:03 | |
Once again, for a true national hero, | 0:24:03 | 0:24:05 | |
please respectfully remain seated for the hero of the hour, | 0:24:05 | 0:24:10 | |
Peter - surely soon to be Sir Peter - Kay. | 0:24:10 | 0:24:13 | |
Come on! | 0:24:13 | 0:24:14 | |
MUSIC PLAYS | 0:24:16 | 0:24:20 | |
# I sing myself to sleep | 0:24:29 | 0:24:33 | |
# A song from the darkest hour | 0:24:33 | 0:24:37 | |
# Secrets I can't keep | 0:24:37 | 0:24:40 | |
# In sight of the day | 0:24:40 | 0:24:45 | |
# Swing from high to deep | 0:24:45 | 0:24:48 | |
# Extremes of sweet and sour | 0:24:48 | 0:24:52 | |
# Hope that God exists | 0:24:52 | 0:24:56 | |
# I hope, I pray | 0:24:56 | 0:25:00 | |
# Drawn by the undertow | 0:25:00 | 0:25:03 | |
# My life is out of control | 0:25:03 | 0:25:08 | |
# I believe this wave will bear my weight | 0:25:08 | 0:25:12 | |
# So let it flow | 0:25:12 | 0:25:14 | |
# Oh, sit down | 0:25:14 | 0:25:16 | |
# Oh, sit down | 0:25:16 | 0:25:17 | |
# Oh, sit down | 0:25:17 | 0:25:19 | |
# Sit down next to me | 0:25:19 | 0:25:23 | |
# Sit down, down, down, down, down | 0:25:23 | 0:25:27 | |
# In sympathy | 0:25:27 | 0:25:32 | |
# Now I'm relieved to hear | 0:25:46 | 0:25:49 | |
# That you've been to some far-out places | 0:25:49 | 0:25:53 | |
# It's hard to carry on | 0:25:53 | 0:25:57 | |
# When you feel all alone | 0:25:57 | 0:26:01 | |
# Now I've swung back down again | 0:26:01 | 0:26:04 | |
# It's worse than it was before | 0:26:04 | 0:26:08 | |
# If I hadn't seen such riches | 0:26:08 | 0:26:12 | |
# I could live with being poor | 0:26:12 | 0:26:15 | |
# Oh, sit down | 0:26:15 | 0:26:17 | |
# Oh, sit down | 0:26:17 | 0:26:18 | |
# Oh, sit down | 0:26:18 | 0:26:20 | |
# Sit down next to me | 0:26:20 | 0:26:23 | |
# Sit down, down, down, down, down | 0:26:23 | 0:26:28 | |
# In sympathy | 0:26:28 | 0:26:32 | |
# Those who feel the breath of sadness | 0:26:39 | 0:26:43 | |
# Sit down next to me | 0:26:43 | 0:26:47 | |
# Those who find they're touched by madness | 0:26:47 | 0:26:51 | |
# Sit down next to me | 0:26:51 | 0:26:53 | |
# Those who find themselves ridiculous | 0:26:54 | 0:26:58 | |
# Sit down next to me | 0:26:58 | 0:27:01 | |
# In love, in fear, in hate, in tears | 0:27:01 | 0:27:05 | |
# In love, in fear, in hate, in tears | 0:27:05 | 0:27:09 | |
# In love, in fear, in hate, in tears | 0:27:09 | 0:27:13 | |
# I love, in fear, in hate | 0:27:13 | 0:27:17 | |
# Down | 0:27:17 | 0:27:20 | |
# Down | 0:27:25 | 0:27:30 | |
# Oh, sit down | 0:27:31 | 0:27:33 | |
# Oh, sit down | 0:27:33 | 0:27:34 | |
# Oh, sit down | 0:27:34 | 0:27:36 | |
# Sit down next to me | 0:27:36 | 0:27:40 | |
# Sit down, down, down, down, down | 0:27:40 | 0:27:44 | |
# In sympathy | 0:27:44 | 0:27:46 | |
# Oh, sit down | 0:27:46 | 0:27:48 | |
# Oh, sit down | 0:27:48 | 0:27:49 | |
# Oh, sit down | 0:27:49 | 0:27:52 | |
# Sit down next to me | 0:27:52 | 0:27:55 | |
# Sit down, down, down, down, down | 0:27:55 | 0:28:00 | |
# In sympathy | 0:28:00 | 0:28:03 | |
# Down. # | 0:28:03 | 0:28:07 |