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CHEERING AND APPLAUSE | 0:00:23 | 0:00:26 | |
Well, hello, hello, hello, hello, hello. | 0:00:31 | 0:00:36 | |
God rest ye, merry ladies and gentlemen, | 0:00:36 | 0:00:39 | |
and welcome to QI's Christmas party. | 0:00:39 | 0:00:41 | |
To celebrate this most magical time of the year, | 0:00:41 | 0:00:44 | |
we've conjured up a show absolutely heaving with hocus-pocus. | 0:00:44 | 0:00:49 | |
Waving their fairy wands tonight are the bewitching | 0:00:49 | 0:00:53 | |
Graham Norton. | 0:00:53 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
The mysterious Lee Mack. | 0:01:01 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
The wizardly Daniel Radcliffe! | 0:01:09 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:15 | |
And of course, my glamorous assistant, Alan Davies. | 0:01:18 | 0:01:22 | |
CHEERING AND APPLAUSE | 0:01:22 | 0:01:25 | |
So, release your incantations, gentlemen. | 0:01:29 | 0:01:32 | |
Graham goes... | 0:01:32 | 0:01:33 | |
'Hey presto!' | 0:01:33 | 0:01:35 | |
Very nice. Lee goes... | 0:01:35 | 0:01:38 | |
'Abracadabra!' | 0:01:38 | 0:01:41 | |
Daniel goes... | 0:01:41 | 0:01:42 | |
'Expelliarmus.' | 0:01:42 | 0:01:44 | |
LAUGHTER | 0:01:44 | 0:01:45 | |
And Alan goes... | 0:01:45 | 0:01:46 | |
-CHILD'S VOICE: -'Please!' -LAUGHTER | 0:01:46 | 0:01:49 | |
That was the magic word, wasn't it? | 0:01:49 | 0:01:52 | |
So, izzy wizzy, let's get busy with our first question. What is the oldest trick in the book? | 0:01:52 | 0:01:57 | |
-LEE: Can we take these off now? -You can, if you're hot. | 0:01:57 | 0:02:00 | |
Otherwise, I'll have a sudden desire to sort out my pension. | 0:02:00 | 0:02:03 | |
So, what is the oldest trick in the book? | 0:02:03 | 0:02:07 | |
'Abracadabra!' | 0:02:07 | 0:02:09 | |
Debbie McGee. | 0:02:09 | 0:02:11 | |
GROANING | 0:02:11 | 0:02:12 | |
Shame on you, Lee Mack! | 0:02:12 | 0:02:15 | |
It's Christmas as well, isn't it? | 0:02:18 | 0:02:20 | |
-It is, yeah. Was that charitable? -Not really, I take that back. | 0:02:20 | 0:02:24 | |
-OK. -Is it an ancient Greek book? -Even older. | 0:02:24 | 0:02:27 | |
Ooh - Egyptian? > | 0:02:27 | 0:02:29 | |
-Egyptian is right. -I think I might... -You might know this?! | 0:02:29 | 0:02:32 | |
Is it about a man called Dedi? | 0:02:32 | 0:02:34 | |
Dedi. How do you know about Dedi? You're right. | 0:02:34 | 0:02:36 | |
He was a man who did the first magic trick, which was, I think, | 0:02:36 | 0:02:41 | |
-the decapitation of a goose. -You're right. | 0:02:41 | 0:02:44 | |
And...tore it off and did it to impress the king, | 0:02:44 | 0:02:48 | |
and it's in an ancient scroll. | 0:02:48 | 0:02:51 | |
-It is! -Which I do know the name of, I think I do. | 0:02:51 | 0:02:53 | |
-Go on. -The Westcar Papyrus? | 0:02:53 | 0:02:56 | |
The Westcar Papyrus. This man is brilliant. | 0:02:56 | 0:02:58 | |
-CHEERING AND APPLAUSE -How incredible! | 0:02:58 | 0:03:01 | |
I mean, I should say I have had... | 0:03:01 | 0:03:08 | |
Yes, there is a certain amount of... | 0:03:08 | 0:03:10 | |
-They teach this at Hogwarts? -Absolutely. | 0:03:10 | 0:03:12 | |
-I don't want you to think... -This is going to be a very short show! | 0:03:12 | 0:03:16 | |
Next question! I'm not about the jokes. It's all about points for me. | 0:03:16 | 0:03:21 | |
-All about points. -I'm here to win. | 0:03:21 | 0:03:23 | |
I like that when you got cast as Harry Potter, they give you a crash course | 0:03:23 | 0:03:26 | |
in as much wizardry as they possibly can, then you just topped it off with a bit of acting. | 0:03:26 | 0:03:31 | |
That's pretty much it. | 0:03:31 | 0:03:33 | |
What part of pulling a goose's head off is a trick? | 0:03:33 | 0:03:36 | |
-Yes! And then restored it. -That's the point. That's the point. | 0:03:36 | 0:03:41 | |
Oh, the old "two geese in my bag" trick? | 0:03:41 | 0:03:44 | |
It was very... | 0:03:45 | 0:03:47 | |
Do you do geese every week? | 0:03:47 | 0:03:49 | |
-He did it for King Cheops in 2,600 BC. -Cheops, of course(!) | 0:03:49 | 0:03:53 | |
The Great Pyramid of Giza was the Cheops. | 0:03:53 | 0:03:55 | |
I can imagine King Cheops going, "Seen it." | 0:03:55 | 0:03:59 | |
He did a goose, a duck, then he moved on to an ox, | 0:03:59 | 0:04:02 | |
and he would wrench their heads off and then they would be restored. | 0:04:02 | 0:04:05 | |
You may say, "I want to see this trick, if it existed." That's the point, | 0:04:05 | 0:04:09 | |
because it is the oldest trick in the book, it's recorded then, all that time ago, | 0:04:09 | 0:04:13 | |
nearly 5,000 years ago, | 0:04:13 | 0:04:15 | |
but it's still done today. And do you know what? | 0:04:15 | 0:04:18 | |
We have a magician who's going to come on and show you that trick. | 0:04:18 | 0:04:22 | |
All right? | 0:04:22 | 0:04:23 | |
So... But first - ladies and gentlemen, it's Christmas time - we have to summon him. | 0:04:23 | 0:04:28 | |
His name is Scott, so let's say, "Accio Scott," all right? | 0:04:28 | 0:04:32 | |
It was all so mystical until then. "His name is...Scott!" | 0:04:32 | 0:04:37 | |
It's Scott Penrose. He's the vice president of the Magic Circle. | 0:04:38 | 0:04:42 | |
-So, after three, two, one, we go, "Accio Scott." Three, two, one... -ALL: Accio Scott! | 0:04:42 | 0:04:48 | |
-Whoa! -Oh, my God! | 0:04:51 | 0:04:52 | |
He wasn't there and then he was there. What happened?! | 0:04:53 | 0:04:55 | |
It's magic, Lee, isn't it wonderful? Scott, welcome. | 0:04:55 | 0:04:58 | |
-Lovely to see you, sir. -So, I believe you can do the Dedi trick that Dan told us about? -Indeed. | 0:04:58 | 0:05:05 | |
-Would you like to do it, please, with...? -I'll give it a go with Norman. | 0:05:05 | 0:05:08 | |
Just give it a bit of a pull... | 0:05:08 | 0:05:10 | |
LEE: No, no, no! Argh! | 0:05:10 | 0:05:11 | |
There we go, just pop his head back on. | 0:05:11 | 0:05:14 | |
-There he goes. -Brilliant. | 0:05:14 | 0:05:17 | |
Fabulous. The sensational Scott Penrose, ladies and gentlemen. | 0:05:21 | 0:05:25 | |
CHEERING AND APPLAUSE | 0:05:25 | 0:05:28 | |
There you are. | 0:05:28 | 0:05:30 | |
The oldest trick in the book. | 0:05:31 | 0:05:33 | |
The other thing, I think, about that trick, | 0:05:33 | 0:05:36 | |
is that it's the first time a trick was done that was purely a trick | 0:05:36 | 0:05:40 | |
and that wasn't done as, you know, some supernatural powers involved. | 0:05:40 | 0:05:44 | |
That was the first thing that was written down as a trick. | 0:05:44 | 0:05:47 | |
I can do the first half of it. | 0:05:48 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:51 | |
-It's really tricky, the second half. I practise, I practise, but... -Just won't go back on? | 0:05:51 | 0:05:55 | |
Won't go back on at all. There's blood everywhere and my wife's screaming. Children are running out | 0:05:55 | 0:06:01 | |
-the house, "Where's our budgie?" It's horrible. -But was it a trick? So... But... | 0:06:01 | 0:06:05 | |
That was really the very first trick ever? | 0:06:05 | 0:06:08 | |
That we know of. It's written down. | 0:06:08 | 0:06:10 | |
Surely someone did "Pull my finger" before that?! | 0:06:10 | 0:06:14 | |
Maybe. The oldest trick in the book involved pulling the heads off Egyptian animals. | 0:06:14 | 0:06:19 | |
So, what might go wrong if you tried to catch a bullet in your teeth? | 0:06:19 | 0:06:23 | |
I say! Is that you, Lee? | 0:06:23 | 0:06:26 | |
That's a good-looking lad, whoever that is. | 0:06:26 | 0:06:28 | |
-'Abracadabra!' -Is the danger that you will end up | 0:06:28 | 0:06:32 | |
turning into one of Britain's top light entertainers? | 0:06:32 | 0:06:35 | |
So charming. | 0:06:38 | 0:06:39 | |
Something about your teeth getting knocked out? | 0:06:39 | 0:06:41 | |
Well, there is that danger, I would imagine. How does it work? | 0:06:41 | 0:06:44 | |
Do you think someone fires a gun into your face? | 0:06:44 | 0:06:47 | |
No, but if you don't open your mouth properly, | 0:06:47 | 0:06:49 | |
then the bullet would break your teeth from the other side? | 0:06:49 | 0:06:53 | |
It's secreted in the mouth, in some fashion. | 0:06:53 | 0:06:55 | |
There are other dangers and there have been disasters. | 0:06:55 | 0:06:58 | |
In 1869, Dr Epstein, who was a magician, | 0:06:58 | 0:07:02 | |
he used to tamp the gun down with his wand in this magical fashion, | 0:07:02 | 0:07:06 | |
and he left a tiny bit of wand in. So he had the bullet in his mouth | 0:07:06 | 0:07:09 | |
and when his assistant fired the gun, | 0:07:09 | 0:07:11 | |
a bit of the wand went out and killed him. | 0:07:11 | 0:07:13 | |
-So that can happen. -It must have been amazing being in the audience. | 0:07:13 | 0:07:17 | |
"God, this is good! What's going to happen now?! There's blood spurting from the back of his neck." | 0:07:17 | 0:07:23 | |
There was a man called Raoul Curran, in 1880, made the mistake of doing the trick in the Wild West. | 0:07:23 | 0:07:28 | |
A drunk fellow said, "If you can stop a bullet, stop this one"... | 0:07:28 | 0:07:32 | |
and just shot him in the head... | 0:07:32 | 0:07:34 | |
..right in the forehead, and killed him - stone dead. | 0:07:35 | 0:07:38 | |
-Sort of serves him right, though. -Yeah, it's a heck of a heckle. | 0:07:38 | 0:07:41 | |
It's a rubbish trick, isn't it? | 0:07:41 | 0:07:43 | |
Everyone who watches it must go, "Bullet was in his mouth." | 0:07:43 | 0:07:46 | |
-Well... -There's not one bit where you go, "I wonder if he caught the bullet?" | 0:07:46 | 0:07:50 | |
-There are some amazing ones, though, like Penn and Teller do a really... -Yes. -It's frightening. | 0:07:50 | 0:07:55 | |
They get the bullet from the audience and, I know it's a trick, but... | 0:07:55 | 0:07:58 | |
You are right. And Penn and Teller are amongst the best. | 0:07:58 | 0:08:02 | |
There was a bloke who disembowelled himself. | 0:08:02 | 0:08:04 | |
Quite early on, in days of conjuring tricks, they were all fairly gruesome things, like beheading. | 0:08:04 | 0:08:11 | |
The way it would work was you would have, kind of, a sheep's intestines | 0:08:11 | 0:08:15 | |
and a prosthetic chest and stomach. And then behind all of that, you'd put a metal plate | 0:08:15 | 0:08:21 | |
-and the guy did it one night and he forgot to put the metal plate on. -Oh! | 0:08:21 | 0:08:26 | |
So he ended up going straight through himself and then dying. So, not funny, but true. | 0:08:26 | 0:08:31 | |
-Well, that's important. -He'll never make that mistake again. | 0:08:31 | 0:08:36 | |
No, he won't. There was a Chinese performer called Chung Ling So - | 0:08:36 | 0:08:41 | |
he wasn't Chinese, his real name was Robinson, William Robinson - | 0:08:41 | 0:08:45 | |
but he performed under Chung Ling Soo and only spoke | 0:08:45 | 0:08:48 | |
a sort of cod Chinese, never spoke English on stage, ever - | 0:08:48 | 0:08:51 | |
until a terrible moment, when he did the trick with the bullet. | 0:08:51 | 0:08:57 | |
The bullet, or fragment, went into him and killed him, and he spoke English. | 0:08:57 | 0:09:01 | |
He said, "Oh, God, something's gone wrong. Close the curtains." Those were his last lines. | 0:09:01 | 0:09:07 | |
Do you reckon there's a real magician called Chung Ling Soo in China that goes under the name of Bob Robinson? | 0:09:07 | 0:09:12 | |
And he'll only speak cod English! | 0:09:12 | 0:09:14 | |
LANCASHIRE ACCENT: Pick a card, any card you like. Pick a card. | 0:09:14 | 0:09:20 | |
HE PRETENDS TO SPEAK IN CHINESE | 0:09:20 | 0:09:22 | |
Oooh! | 0:09:22 | 0:09:23 | |
-That's when it went wrong, yeah? -Exactly. I've got you. | 0:09:23 | 0:09:27 | |
If you are tempted to catch a bullet in your teeth, don't. | 0:09:27 | 0:09:30 | |
You should, in fact, just probably disappear as fast as possible. | 0:09:30 | 0:09:34 | |
First, describe the Great Lafayette's last and greatest disappearing act. | 0:09:34 | 0:09:40 | |
-There is the Great Lafayette. You've probably not heard of him. -No. | 0:09:40 | 0:09:44 | |
Even though he was the most successful entertainer in Britain. | 0:09:44 | 0:09:48 | |
Did he make his giant horse disappear? | 0:09:48 | 0:09:53 | |
-Turn it into a dog? -A lazy dog. -Is that a motor vehicle or...? | 0:09:53 | 0:09:57 | |
It's an early motor vehicle, yes. | 0:09:57 | 0:09:59 | |
He was sold out ten years in advance, that's how successful he was. | 0:09:59 | 0:10:02 | |
He earned £44,000 a year, which is the equivalent | 0:10:02 | 0:10:05 | |
of about two-and-three-quarter million pounds a year. He was hugely successful. | 0:10:05 | 0:10:09 | |
Incredibly famous. He was kind of the Liberace of his day. He wore diamonds, | 0:10:09 | 0:10:14 | |
and that dog you see was given to him by Houdini and was called Beauty. | 0:10:14 | 0:10:17 | |
He had a private railway carriage and so did Beauty, | 0:10:17 | 0:10:21 | |
and Beauty had a little porcelain bath and his own china and crystal. | 0:10:21 | 0:10:26 | |
Yeah, a bit camp, I agree. | 0:10:26 | 0:10:28 | |
Then Beauty died, not surprisingly, from being overfed, | 0:10:28 | 0:10:31 | |
and he insisted that he was embalmed and buried and they said at the cemetery, | 0:10:31 | 0:10:36 | |
"Well, only if you promise to be buried there as well." It's a human cemetery not a pet one. | 0:10:36 | 0:10:41 | |
So he said yes. And four days later he did die. | 0:10:41 | 0:10:44 | |
A lamp got upturned and the stage caught on fire - the audience thought it was part of the trick. | 0:10:44 | 0:10:49 | |
By the time they realised, 11 people had burnt to death. | 0:10:49 | 0:10:52 | |
Including... This, incidentally, is NOT funny, | 0:10:52 | 0:10:57 | |
a midget in a mechanical bear suit. | 0:10:57 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:01 | |
I'm sure I prefaced that with, "It isn't funny." | 0:11:01 | 0:11:04 | |
-What's wrong with you people? You're sick! -They are sick. | 0:11:05 | 0:11:09 | |
Anyway, they found his body, cremated it, | 0:11:09 | 0:11:12 | |
the bits that weren't already cremated, obviously. | 0:11:12 | 0:11:15 | |
They pulled the theatre down where this had happened and they found another body. | 0:11:15 | 0:11:19 | |
They realised from the diamonds on the ring that that was in fact the Great Lafayette. | 0:11:19 | 0:11:24 | |
-They buried the wrong man? -Yeah. So he'd been burnt and buried and he'd been magically restored | 0:11:24 | 0:11:30 | |
as another dead body. | 0:11:30 | 0:11:32 | |
-That's very, very good. -It is good! | 0:11:32 | 0:11:33 | |
-It's a good trick. -Very good. - What did they do? Did they...? | 0:11:33 | 0:11:37 | |
-They had to get rid of the old one... -It's Beauty I feel sorry for. -Yeah, I know. | 0:11:37 | 0:11:41 | |
In the afterlife going, "Who are you?!" | 0:11:41 | 0:11:44 | |
Anyway, yes, you can go to Piershill Cemetery to this day and you can see the Great Lafayette, | 0:11:44 | 0:11:48 | |
who was - now sadly forgotten - but in his day, the most popular performer. | 0:11:48 | 0:11:52 | |
I'm more saddened about the poor other guy. What happened to him? | 0:11:52 | 0:11:56 | |
The reason is, part of his magic thing was he would appear and disappear very quickly, | 0:11:56 | 0:12:01 | |
cos he had a lot of stand-ins, doubles who were exactly like him. | 0:12:01 | 0:12:04 | |
He would go off stage and then suddenly still be on stage. | 0:12:04 | 0:12:08 | |
It's cos his stand-in in the same costume had gone on. He was very good at that, | 0:12:08 | 0:12:12 | |
which is why one of the stand-ins had been buried instead I suppose. | 0:12:12 | 0:12:15 | |
So the Great Lafayette's final trick was to turn up intact three days after being cremated. | 0:12:15 | 0:12:20 | |
Now, from testing spells - you'll like this - to spelling tests. | 0:12:20 | 0:12:24 | |
ALL GROAN | 0:12:24 | 0:12:26 | |
-Yes. "I before E..." Fingers on buzzers. "..except after...?" -'Please!' | 0:12:26 | 0:12:30 | |
-C. -Oh! | 0:12:30 | 0:12:32 | |
KLAXON SOUNDS | 0:12:32 | 0:12:34 | |
No, that just isn't a rule, and why isn't it a rule? | 0:12:34 | 0:12:37 | |
Because of... | 0:12:37 | 0:12:39 | |
Because of words where... - Where it's not! | 0:12:39 | 0:12:42 | |
-E comes before I after C. -There are more exceptions to the rule than the rule itself, by quite a long way. | 0:12:42 | 0:12:48 | |
-Who's counted that? - "Ceiling"! -They've been counted. -"Ceiling". | 0:12:48 | 0:12:51 | |
There are 923 English words | 0:12:51 | 0:12:55 | |
that have a C-I-E in them... | 0:12:55 | 0:12:59 | |
-Do we have to name them all? -No. You're let off. | 0:12:59 | 0:13:01 | |
Name some. | 0:13:01 | 0:13:02 | |
-"Ceiling". -No, that's C-E-I. | 0:13:02 | 0:13:05 | |
LAUGHTER | 0:13:05 | 0:13:08 | |
-C-E-I, that's what you said! -No. No, the supposed rule is... | 0:13:09 | 0:13:13 | |
-ALAN: -"I before E, except after C." | 0:13:13 | 0:13:15 | |
-But I'm saying, in fact, there are 923 which break that rule. -"Receive", "receipt"... | 0:13:15 | 0:13:20 | |
So if it's, "I before E except after C," | 0:13:20 | 0:13:22 | |
-we're looking for words where E follows C, aren't we? -No. | 0:13:22 | 0:13:26 | |
No, the rule is it should be C-E-I, according to that. | 0:13:26 | 0:13:31 | |
Oh, you're saying it's wrong. | 0:13:31 | 0:13:33 | |
-There are 923... -I know one which it isn't. "Ceiling", that's not one. | 0:13:33 | 0:13:38 | |
-"Ceiling" isn't one. -No! | 0:13:38 | 0:13:40 | |
-"Ceiling" isn't one of the ones you're looking for. -Yes. I want the ones I am looking for. | 0:13:40 | 0:13:45 | |
-Not "ceiling". -Lee, I'm looking for the ones I'm looking for, so give me a C-I-E. | 0:13:45 | 0:13:50 | |
"Ceiling"? | 0:13:50 | 0:13:52 | |
Oh, God. I may explode at any minute. | 0:13:52 | 0:13:54 | |
C-I-E, um... | 0:13:54 | 0:13:56 | |
-"Receipt"... -Those are the ones that conform to the rule. | 0:13:56 | 0:14:00 | |
-OK, the rule is looking pretty good. -"Glacier". | 0:14:00 | 0:14:03 | |
"Species". | 0:14:03 | 0:14:05 | |
Yes, but now I know them and I didn't think I knew any. | 0:14:05 | 0:14:08 | |
The point is, there are lots. | 0:14:08 | 0:14:10 | |
These are ones with E-I, without the C in front, obviously, | 0:14:10 | 0:14:14 | |
-as well as the C-I-E... -You don't even have to have a C now? | 0:14:14 | 0:14:17 | |
No! They're E-I! Are you incapable of rational thought? | 0:14:17 | 0:14:21 | |
LAUGHTER | 0:14:21 | 0:14:23 | |
Are you...? You cannot be that stupid! You cannot be that... | 0:14:23 | 0:14:27 | |
-Nobody... -Stephen, can I just say, you really are going to have to work on your Bruce Forsyth patter. | 0:14:27 | 0:14:33 | |
-"Are you really capable of rational thought? I mean, really." -This is not The Generation Game. This is QI. | 0:14:33 | 0:14:39 | |
-"Are you a human being? I don't think you are." -Work it out. | 0:14:39 | 0:14:42 | |
These words don't count, they're not even English words - "hacienda" and "concierge". | 0:14:42 | 0:14:47 | |
The point is, there are 21 times as many words | 0:14:47 | 0:14:49 | |
-that break the rule than don't. -However, if you want to spell "ceiling"... | 0:14:49 | 0:14:54 | |
-If you want to spell "ceiling"... -Or "receipt". -..or "conceit" or "deceit". | 0:14:54 | 0:14:58 | |
-I before E except after C. -Yeah, but if you want to spell "veil" and "weird"... | 0:14:58 | 0:15:03 | |
Yeah, but there's no C in those. | 0:15:03 | 0:15:05 | |
No. | 0:15:05 | 0:15:07 | |
It's "I before E" - every time - "except after C" | 0:15:07 | 0:15:09 | |
-but in "weir"... That's the point. -Oh, I see! -God! | 0:15:09 | 0:15:14 | |
APPLAUSE | 0:15:14 | 0:15:17 | |
You cannot be that stupid! | 0:15:17 | 0:15:19 | |
He said it and you're looking at me! | 0:15:19 | 0:15:21 | |
How do I get the blame for his stupidity? | 0:15:21 | 0:15:24 | |
I've got my own, thank you. | 0:15:24 | 0:15:26 | |
Wow! | 0:15:26 | 0:15:28 | |
-Daniel, you're the only person on this show who isn't a complete idiot. -No! | 0:15:28 | 0:15:33 | |
-It's become clear. -I assure you, I am. That's why I'm keeping so quiet. | 0:15:33 | 0:15:37 | |
- Anyway, "ceiling" begins with S(!) | 0:15:37 | 0:15:39 | |
That's why I'm keeping quiet - I'm actually on Lee's wavelength, but I don't want to get a bollocking. | 0:15:39 | 0:15:44 | |
-Oh, I'm sorry. -He's got I before E. Is that right? Oh, God. | 0:15:44 | 0:15:48 | |
-Who? -Daniel. -That is how you spell my name. -How do you spell...? -Because it should be I before E! | 0:15:48 | 0:15:53 | |
You can't... Can we count proper nouns? | 0:15:53 | 0:15:57 | |
What about my surname, am I spelling that right? There's an I and an E in that. | 0:15:57 | 0:16:01 | |
-It's I before E always. -Yeah, always. -According to the rule. | 0:16:01 | 0:16:04 | |
-But the rule's wrong, Stephen. -It is. | 0:16:04 | 0:16:07 | |
It's now officially no longer taught in schools because it is so clear. | 0:16:07 | 0:16:10 | |
-Really? Is it not at all? -It's not. | 0:16:10 | 0:16:12 | |
So the rule now is, "It's I before E or sometimes it's E before I." | 0:16:12 | 0:16:17 | |
LAUGHTER | 0:16:17 | 0:16:18 | |
-Mostly after a C, it's I-E. -If in doubt, look it up, you lazy git. | 0:16:18 | 0:16:23 | |
"I before E, except for the following 923." | 0:16:23 | 0:16:26 | |
-And then you reel them all off. -Thank God for spell-check. | 0:16:26 | 0:16:31 | |
Number one, "ceiling"... | 0:16:31 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:36 | |
I am... | 0:16:36 | 0:16:38 | |
Number two, "red ceiling". | 0:16:38 | 0:16:39 | |
"Blue ceiling". Help me, lads, I'm running out of colours. | 0:16:39 | 0:16:42 | |
I am slightly shocked by my intolerance, and you'll have to forgive me, | 0:16:42 | 0:16:48 | |
but I think we've got it. The spelling trick "I before E" | 0:16:48 | 0:16:50 | |
is wrong on so many occasions schools have stopped teaching it. | 0:16:50 | 0:16:54 | |
That's enough lessons, it's play-time, you'll be pleased to know. | 0:16:54 | 0:16:57 | |
-I'm very pleased! -Good. In which game is it the aim | 0:16:57 | 0:17:01 | |
to throw a ball like this into a goal like this? | 0:17:01 | 0:17:06 | |
Quidditch! | 0:17:06 | 0:17:07 | |
Ah. | 0:17:07 | 0:17:08 | |
-KLAXON -I thought it had to be cos he's here! | 0:17:08 | 0:17:12 | |
-No, this is from a genuine, real-life world sport. -Aztecs. | 0:17:12 | 0:17:18 | |
No, but... It is... | 0:17:18 | 0:17:20 | |
Mexicans. | 0:17:20 | 0:17:21 | |
Are we looking for a nationality or a game name? | 0:17:21 | 0:17:24 | |
-It's a French game, and rather recent. 1970, it was invented. -Oh! | 0:17:24 | 0:17:27 | |
It's very similar to Quidditch. | 0:17:27 | 0:17:29 | |
It has a goal almost identical to a Quidditch goal. In Quidditch, | 0:17:29 | 0:17:34 | |
what do you travel on? | 0:17:34 | 0:17:35 | |
-A broomstick. -A broomstick. This is... -But that is | 0:17:35 | 0:17:38 | |
-special effects, though, isn't it? -Yeah. And very painful. -Painful? | 0:17:38 | 0:17:41 | |
Can I just say, this is a bit unfair that my questions are, | 0:17:41 | 0:17:44 | |
"What is I before E except after C?," and his questions are, "How do you fly around in Quidditch?" | 0:17:44 | 0:17:51 | |
-No, that was just simply me asking him. -I'm not getting points for this! | 0:17:51 | 0:17:55 | |
No, no, he's not. | 0:17:55 | 0:17:56 | |
What's kind of odd is that, if you catch the Snitch, which is the ball in the films, | 0:17:56 | 0:18:00 | |
-you win automatically. -Yeah. | 0:18:00 | 0:18:02 | |
That team wins. | 0:18:02 | 0:18:03 | |
It doesn't matter how many points you score with the other ball. | 0:18:03 | 0:18:07 | |
-It does seem unsatisfactory in that respect. -It's almost like it's not FIFA-regulated, isn't it?! | 0:18:07 | 0:18:12 | |
And also, how far you can go away from where you're playing. | 0:18:12 | 0:18:15 | |
-I'd not thought of that. -That annoys me, personally. | 0:18:15 | 0:18:18 | |
Why have a pitch? | 0:18:18 | 0:18:19 | |
Just to return to this one, this is called horseball, and it's played not on broomsticks, but on...? | 0:18:19 | 0:18:25 | |
-Horses. -Horses! | 0:18:25 | 0:18:26 | |
And we have some footage of it being played. There it is. | 0:18:26 | 0:18:30 | |
-So it's like a sort of polo, only in the air. -Look how popular it is! Look at the crowd! | 0:18:30 | 0:18:34 | |
-And there you are, through there. That's a goal. -Wow. | 0:18:36 | 0:18:40 | |
That would be only interesting if only the horses were allowed to catch. | 0:18:40 | 0:18:45 | |
But that's actually closely related to | 0:18:45 | 0:18:48 | |
a game called pato. Pato being the Spanish for...? | 0:18:48 | 0:18:51 | |
Duck. | 0:18:51 | 0:18:53 | |
Instead of having a ball, they would have a basket with a live duck in it! | 0:18:53 | 0:18:57 | |
And they would throw it, and it became the national game of Argentina under Juan Peron in 1953. | 0:18:57 | 0:19:02 | |
-He declared it the national game, over football. -I love the idea that, | 0:19:02 | 0:19:06 | |
after the Hand of God, they said, "Look, let's just make this a sport." | 0:19:06 | 0:19:09 | |
-But what about Quidditch? Does anybody really play Quidditch? -Yes, they do. | 0:19:09 | 0:19:13 | |
-Various American universities have now got Quidditch clubs. -Hundreds. | 0:19:13 | 0:19:17 | |
Hundreds of them, yeah. | 0:19:17 | 0:19:20 | |
It's a lot less exciting than in the films. | 0:19:20 | 0:19:23 | |
They're running round with a broom between their legs? | 0:19:25 | 0:19:27 | |
And catching and... Yeah, it's... It's great if you're in it, I'm sure. | 0:19:27 | 0:19:31 | |
If you're in the sweeper position! | 0:19:31 | 0:19:34 | |
It's called Muggle Quidditch, | 0:19:34 | 0:19:37 | |
not surprisingly, because they can't fly, and there are over 200 college teams in America. | 0:19:37 | 0:19:42 | |
Do they play each other? | 0:19:42 | 0:19:43 | |
So, horseball has similar rules to Quidditch, but the players ride on horses instead of broomsticks. | 0:19:43 | 0:19:48 | |
Which of these would you rather have on your Quidditch team? A Muggle, Hagrid, or Dumbledore? | 0:19:48 | 0:19:53 | |
Is it the one that looks like Julius Caesar about to be sick in a bucket? | 0:19:53 | 0:19:58 | |
I don't know which one that is. | 0:19:58 | 0:20:00 | |
On the left. | 0:20:00 | 0:20:02 | |
Oh, I see. Yes, he does! | 0:20:02 | 0:20:04 | |
-I think that's...Dudley, is it? -Yes. | 0:20:04 | 0:20:06 | |
The point is, in a lot of JK Rowling's work, the words are real, | 0:20:06 | 0:20:10 | |
and "dumbledore" is a real English word, as is "hagrid", as is "muggle". | 0:20:10 | 0:20:15 | |
And I want you to tell me what they really mean. | 0:20:15 | 0:20:17 | |
Dumbledore has got to be some sort of a term for village idiot. | 0:20:17 | 0:20:20 | |
Funnily enough, yes, it became that. | 0:20:20 | 0:20:22 | |
In Thomas Hardy's Under The Greenwood Tree, it means a slow simpleton. It's used that way. | 0:20:22 | 0:20:27 | |
But actually, it has an earlier meaning. | 0:20:27 | 0:20:29 | |
Is there a hagrid reference in one of the Thomas Hardy books as well? | 0:20:29 | 0:20:33 | |
-There may well be. -One of them, I don't know which. | 0:20:33 | 0:20:36 | |
-I'm sure... -The longer form, hagridden, I've seen many times, | 0:20:36 | 0:20:40 | |
-but start with... -Monster-like. -Start with "muggle". | 0:20:40 | 0:20:42 | |
Do you know where the word "muggle" might have been used? | 0:20:42 | 0:20:45 | |
Sounds like some sort of woodland creature or something furry. | 0:20:45 | 0:20:49 | |
Actually, it's an American jazz-age word. It's a drug. | 0:20:49 | 0:20:52 | |
-Marijuana? -Marijuana is the right answer. | 0:20:52 | 0:20:55 | |
It was a word for marijuana, for cannabis, and more particularly for people who smoked it. | 0:20:55 | 0:21:00 | |
-People who smoked marijuana were called muggles. -Hilarious! | 0:21:00 | 0:21:05 | |
In New Orleans, they're all getting stoned, going, "Quidditch is really boring!" | 0:21:05 | 0:21:10 | |
In New Orleans, 1920s, that was it. | 0:21:14 | 0:21:17 | |
What's the next word? | 0:21:17 | 0:21:18 | |
We've got "hagrid", which is used in Hardy, the Mayor Of Casterbridge. | 0:21:18 | 0:21:22 | |
-GRAHAM: -I've seen it in the longer form, hagridden! -Yes, hagridden! | 0:21:22 | 0:21:26 | |
-LAUGHTER -Very good - clever of you! | 0:21:26 | 0:21:29 | |
It means... Hagridden... | 0:21:29 | 0:21:32 | |
Oh, it means a bony old horse... | 0:21:32 | 0:21:36 | |
-It's a MARE. -It's a nightmare. | 0:21:36 | 0:21:39 | |
-Yes! -It's a nightmare involving a horse... No? | 0:21:39 | 0:21:44 | |
Is it something to do with somebody placing through...? | 0:21:44 | 0:21:48 | |
If you had bad dreams, you were said to be hagridden. | 0:21:48 | 0:21:51 | |
-Ah, that's great. -Witches would come to you in the night. -That's fantastic. | 0:21:51 | 0:21:55 | |
-What's happened to her?! -Is that a drunk person not finding the toilet? | 0:21:55 | 0:21:59 | |
Since records began... | 0:21:59 | 0:22:02 | |
That's horrible. | 0:22:02 | 0:22:03 | |
They'll feel terrible when they wake up! | 0:22:05 | 0:22:09 | |
That's the relationship that's not going to survive, isn't it?! | 0:22:09 | 0:22:14 | |
When people sleep badly these days, | 0:22:14 | 0:22:16 | |
they think they've been probed by aliens, | 0:22:16 | 0:22:20 | |
but before the idea of aliens came, it was goblins and witches and demons, and hags. | 0:22:20 | 0:22:24 | |
And that's what hagridden means. | 0:22:24 | 0:22:27 | |
-What's the horse doing? -That's the night-MARE. | 0:22:27 | 0:22:31 | |
-He's operating the video. -LAUGHTER | 0:22:31 | 0:22:33 | |
-ALAN: -Early sort of animal dogging. | 0:22:33 | 0:22:36 | |
-Very good. -With his big hooves! | 0:22:36 | 0:22:38 | |
So that leaves us with "dumbledore", which, as you say, has been used to mean a simpleton. | 0:22:38 | 0:22:44 | |
There's the great Gambon. | 0:22:44 | 0:22:46 | |
But it had an earlier meaning. The first half of it. | 0:22:46 | 0:22:50 | |
-Dumble. -Think of a rhyming word for "dumble". | 0:22:50 | 0:22:54 | |
-Jumble. -Jumble, mumble, crumble... | 0:22:54 | 0:22:57 | |
-Not mumble. -Ceiling! LAUGHTER | 0:22:57 | 0:22:59 | |
-Don't try me too hard, Lee Mack. -Stumble. | 0:22:59 | 0:23:02 | |
-No, you're... -Bumble. | 0:23:02 | 0:23:04 | |
-Yes. -Bumblebee. A type of bee! | 0:23:04 | 0:23:06 | |
-It is a bumblebee. -I've redeemed myself. | 0:23:06 | 0:23:08 | |
There were different ways of saying it. A dore means a humming insect in old English. | 0:23:08 | 0:23:12 | |
A dumbledore means a bumblebee. | 0:23:12 | 0:23:15 | |
-That's great. -Isn't it? Pleasing. -I can't believe I didn't know it. | 0:23:15 | 0:23:19 | |
I'm really annoyed. I've missed out on precious points. | 0:23:19 | 0:23:22 | |
-LAUGHTER -You got some points, from knowing it was in Hardy. -I'm pleased. | 0:23:22 | 0:23:26 | |
Yeah. | 0:23:26 | 0:23:28 | |
But how did Hogwarts tackle drinking problems? | 0:23:28 | 0:23:33 | |
-Is that a character, Drinking Problems? -No! | 0:23:33 | 0:23:35 | |
Harry Potter And The Goblet Of Special Brew! | 0:23:35 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:43 | |
-The word existed before the book, then. -Yes. | 0:23:44 | 0:23:48 | |
When the hog finds that the creek's run dry, there's nowhere to drink... | 0:23:48 | 0:23:53 | |
No, it's drinking problems of an alcoholic sort. | 0:23:53 | 0:23:56 | |
-GRAHAM: -It's sailors. | 0:23:56 | 0:23:58 | |
Yes, it is. In the US Navy. | 0:23:58 | 0:24:00 | |
Very good. They came straight to your mind, didn't they?! | 0:24:00 | 0:24:04 | |
I just thought, "Who drinks? Who drinks?" Sailors! | 0:24:04 | 0:24:08 | |
This isn't fair! He's getting questions about Quidditch, he's getting questions about sailors! | 0:24:08 | 0:24:13 | |
And a particular branch of the US Navy - submariners. | 0:24:14 | 0:24:18 | |
Now, torpedoes, right, used to run on ethyl alcohol. | 0:24:18 | 0:24:24 | |
That was their fuel. Since 1914, the US Navy have been dry, you're not allowed to drink. | 0:24:24 | 0:24:29 | |
On board, they had 180% proof alcohol. So, how to stop them drinking it? | 0:24:29 | 0:24:36 | |
-Well... -Putting it in... | 0:24:36 | 0:24:38 | |
It would kill you unless you add tonic, I think. | 0:24:38 | 0:24:41 | |
It wouldn't kill you. They had plenty of juices they could add to it, and they did. | 0:24:41 | 0:24:46 | |
Delicious, then! | 0:24:46 | 0:24:47 | |
No, that's the point. You wanted to stop it being delicious, or make it dangerous for them. | 0:24:47 | 0:24:52 | |
Putting it inside a torpedo would go some way... | 0:24:52 | 0:24:55 | |
It had to be stored as fuel, and it could be got at, | 0:24:55 | 0:24:58 | |
so what you do is add something. They started by adding methanol, | 0:24:58 | 0:25:01 | |
known as pink lady, which makes you blind. | 0:25:01 | 0:25:04 | |
They said, "If you drink this, you will go blind." | 0:25:04 | 0:25:07 | |
We've all been told things like that. It didn't stop us! | 0:25:07 | 0:25:11 | |
That's the problem! | 0:25:11 | 0:25:12 | |
LAUGHTER AND APPLAUSE | 0:25:12 | 0:25:15 | |
That's exactly the problem. | 0:25:16 | 0:25:18 | |
Anyway, it didn't work, so they added...? | 0:25:18 | 0:25:20 | |
Something called croton oil, | 0:25:20 | 0:25:22 | |
which came from the spurge plant, known as the hogwart. | 0:25:22 | 0:25:26 | |
So they added hogwart's juice. | 0:25:26 | 0:25:29 | |
And that made you vomit and gave you diarrhoea. | 0:25:29 | 0:25:32 | |
But that didn't work either, because they boiled it up, | 0:25:32 | 0:25:36 | |
and it condensed off again, and they would carry on drinking it. | 0:25:36 | 0:25:40 | |
-They added pineapple juice. -And also, regular alcohol makes you vomit... | 0:25:40 | 0:25:45 | |
That's a night out, isn't it? | 0:25:45 | 0:25:47 | |
That's probably true. | 0:25:47 | 0:25:49 | |
But that was the role that hogwarts played, anyway. | 0:25:49 | 0:25:53 | |
JK Rowling, in interviews, when it was pointed out that there was such a thing as hogwart, | 0:25:53 | 0:25:57 | |
said that she thought she'd made it up herself, but that maybe she'd been to Kew Gardens | 0:25:57 | 0:26:02 | |
and seen it and it just registers in the back of your mind, as these things often do. | 0:26:02 | 0:26:06 | |
I have visions of JK Rowling with a bottle of meths - "I made it up, and if anyone says different..." | 0:26:06 | 0:26:13 | |
-Roh-ling. -What did I say? -Row-ling. -W before O, except after R. | 0:26:13 | 0:26:19 | |
Like "bowling", not like "howling". It could be either, you're right. | 0:26:21 | 0:26:25 | |
Anyway, I'm sorry. I'm not picking on you, Lee. I love you deeply. | 0:26:25 | 0:26:29 | |
-LEE LAUGHS -Sorry, mustn't overdo it. | 0:26:29 | 0:26:31 | |
If you were, it would be the most middle-class way of picking on anyone! | 0:26:31 | 0:26:35 | |
"I think you'll find it's Roh-ling, like "bowling"!" | 0:26:35 | 0:26:39 | |
"Stop the bully!" | 0:26:42 | 0:26:43 | |
During the war, American sailors used to drink torpedo fuel cocktails, | 0:26:45 | 0:26:49 | |
though the Navy tried to stop them by adding hogwart oil. | 0:26:49 | 0:26:52 | |
Now, here's a Harry question. Why does the Domesday Book contain so many empty villages in Yorkshire? | 0:26:52 | 0:26:58 | |
'Expelliarmus!' | 0:26:58 | 0:27:00 | |
Is it...the Harrowing of the North? | 0:27:00 | 0:27:04 | |
-The Harrying of the North. -Ah, right, OK. My understanding of it is that there was basically... | 0:27:04 | 0:27:09 | |
In the city of York, there was an uprising against the Norman troops that were there, | 0:27:09 | 0:27:15 | |
and then, basically, all the people in the city realised | 0:27:15 | 0:27:22 | |
that they were vastly outnumbering the soldiers. | 0:27:22 | 0:27:25 | |
He's right, you're doing well! | 0:27:25 | 0:27:27 | |
But then there was a decree sent by the King after this uprising, | 0:27:27 | 0:27:31 | |
and everything was burnt from 100 miles. | 0:27:31 | 0:27:34 | |
You got the salient points, yes. William the Bastard, as he was known, William the Conqueror. | 0:27:34 | 0:27:40 | |
What's the matter? | 0:27:40 | 0:27:43 | |
Don't be put off by a young person knowing more than you, Alan. | 0:27:43 | 0:27:46 | |
-You must be used to it by now. -I'm just mucking about, sir, sorry. | 0:27:46 | 0:27:50 | |
-So what did he say, what is it? -I wasn't listening! | 0:27:52 | 0:27:54 | |
-LAUGHTER -Oh, you're in trouble! | 0:27:54 | 0:27:57 | |
-The Harrying... -We weren't concentrating. We were thinking about ten-pin "bow-ling". | 0:27:57 | 0:28:03 | |
Well...the Harrowing of the North, for those at the back, | 0:28:05 | 0:28:10 | |
was the worst example of genocide... | 0:28:10 | 0:28:14 | |
G-E-N-O-C-I-D-E. Oh, you're in trouble! | 0:28:15 | 0:28:20 | |
As it's Christmas, I'm going to be very lenient. | 0:28:20 | 0:28:24 | |
It was actually our worst-ever act of genocide... | 0:28:24 | 0:28:29 | |
LAUGHTER | 0:28:29 | 0:28:31 | |
You see? | 0:28:35 | 0:28:37 | |
-I've done tits! -Yes, tits... Fabulous(!) | 0:28:37 | 0:28:41 | |
I've done tits! | 0:28:41 | 0:28:42 | |
-Sorry, what about this...? -It's Mack, sir. He made me do it. | 0:28:42 | 0:28:46 | |
-People from the north were ruthlessly killed. -Oh. | 0:28:46 | 0:28:48 | |
LAUGHTER AND APPLAUSE | 0:28:48 | 0:28:53 | |
You say ruthlessly - with a war-cry of, | 0:28:57 | 0:29:00 | |
"It's Rowling as in bowling! Off with his head!" | 0:29:00 | 0:29:03 | |
Yes, exactly. | 0:29:03 | 0:29:06 | |
They killed them, sir? They killed them in the north? | 0:29:06 | 0:29:09 | |
They killed them. The Normans slaughtered one in ten of everyone in the north, 100,000 people. | 0:29:09 | 0:29:14 | |
And those that survived mostly died of starvation or lived in... | 0:29:14 | 0:29:18 | |
-But little did they know how good we were at breeding! -Yes! | 0:29:18 | 0:29:22 | |
But it took decades. It really was laid absolutely waste. | 0:29:22 | 0:29:26 | |
The Harrying of the North. It sounds gentle, "I'll give him a harrying," | 0:29:26 | 0:29:30 | |
but it was vile. That's Harrying, | 0:29:30 | 0:29:32 | |
But what about Pottering? What creature was the subject of Beatrix Potter's first work? | 0:29:32 | 0:29:38 | |
I bet it's not Peter Rabbit. | 0:29:38 | 0:29:40 | |
Is the right answer! | 0:29:40 | 0:29:41 | |
LEE: Thank God you stopped me! | 0:29:41 | 0:29:43 | |
Would you have said rabbit? | 0:29:45 | 0:29:47 | |
I'd have said, "Is it not Peter Rabbit?" | 0:29:47 | 0:29:49 | |
-No... -I would have said rabbit, yes. | 0:29:49 | 0:29:52 | |
No, her first work was not a children's book. | 0:29:52 | 0:29:55 | |
Wasn't it the book that they based the film Boogie Nights on? | 0:29:55 | 0:29:58 | |
It'd be so lovely if I were to say, "Yes! And that's 100 points! How extraordinary you should know that!" | 0:30:02 | 0:30:08 | |
"Rollergirl was based on Beatrix Potter's mother!" | 0:30:08 | 0:30:11 | |
No, it was a serious work of botanical - | 0:30:11 | 0:30:15 | |
as it was then called, it's now mycological - study. | 0:30:15 | 0:30:18 | |
What is mycology? Does that mean anything to you? | 0:30:18 | 0:30:20 | |
The study of people called Mike. | 0:30:20 | 0:30:24 | |
-That would be interesting in its way. No, it's fungus. -Fungus. | 0:30:24 | 0:30:30 | |
Why did the mushroom go to the party? | 0:30:30 | 0:30:31 | |
Because he was a fun-gi to be with! Yeah. | 0:30:31 | 0:30:35 | |
-Ah! -Anyway, | 0:30:35 | 0:30:38 | |
yeah, that's what she did. | 0:30:38 | 0:30:39 | |
She wrote a book, it was presented by her uncle to the Linnean Society | 0:30:39 | 0:30:43 | |
-in the 1890s. Why by her uncle? Why not by her? -Because she was a woman. | 0:30:43 | 0:30:46 | |
-I'm afraid that's the case. It took them 100 years to apologise for the slight. -And also, | 0:30:46 | 0:30:51 | |
she was a mushroom expert - who wants to meet her?! | 0:30:51 | 0:30:55 | |
-Well...! -You know what I mean! It was like, "Yeah, talk to Beatrix, she's great on mushrooms..." | 0:30:55 | 0:31:00 | |
She couldn't even do the joke, could she? | 0:31:00 | 0:31:02 | |
-She couldn't even say, "But I'm a fun-gi to be with." -No. | 0:31:02 | 0:31:05 | |
But she did then write a story for the son of a former nanny about Peter Rabbit, | 0:31:05 | 0:31:10 | |
and it started with the words, "Once upon a time, | 0:31:10 | 0:31:14 | |
"there were four rabbits, called..."? | 0:31:14 | 0:31:16 | |
Flipsy, Bipsy, Dopsy and Flopsy, or something. | 0:31:16 | 0:31:18 | |
Close, but not... Flopsy, Mopsy, | 0:31:18 | 0:31:20 | |
Cottontail and...? | 0:31:20 | 0:31:22 | |
-AUDIENCE: Peter. -They know. | 0:31:22 | 0:31:24 | |
-Exactly. -She wrote that after she's had a massive bag of magic mushrooms! | 0:31:24 | 0:31:28 | |
And she did the illustrations, and the recipient said, | 0:31:30 | 0:31:33 | |
"You should publish them." She did, and became a gigantic success. | 0:31:33 | 0:31:36 | |
-Mr McGregor! Agh! -In 1903, Peter Rabbit was | 0:31:36 | 0:31:39 | |
-the first merchandised licensed toy ever. -DANIEL: Wow! | 0:31:39 | 0:31:43 | |
Is it fair to say it outsold her mushroom book? | 0:31:43 | 0:31:46 | |
It did! It so did, yeah! | 0:31:46 | 0:31:47 | |
Very fair to say. But she lived in central London, | 0:31:47 | 0:31:51 | |
and if you go to Brompton Cemetery, in fashionable west London, | 0:31:51 | 0:31:55 | |
-do you know what you see on the gravestones there? -Massive rabbit. -No. | 0:31:55 | 0:32:00 | |
-GRAHAM: -Mushrooms! | 0:32:00 | 0:32:01 | |
You see the inspiration for some of her greatest works. It's quite fun... | 0:32:01 | 0:32:05 | |
-Jemima Puddle-Duck. -Not that, but there's... | 0:32:05 | 0:32:07 | |
-Big bag of crack. -Peter Rabbett, there's... | 0:32:07 | 0:32:10 | |
There's a grave for a Peter Rabbett, spelled B-B-E-T-T, | 0:32:10 | 0:32:13 | |
there's a Jeremiah Fisher, there's a Mr Nutkins, there's a Mr Brock | 0:32:13 | 0:32:17 | |
and a Mr McGregor. | 0:32:17 | 0:32:19 | |
All there. So it looks like, when she was looking for names, | 0:32:19 | 0:32:22 | |
she just wandered around and chose them from the gravestones. | 0:32:22 | 0:32:25 | |
Anyway, Beatrix Potter was a rather successful botanist before becoming a children's author. | 0:32:25 | 0:32:30 | |
Her first publication was about fungi. | 0:32:30 | 0:32:32 | |
Well, that's it for magic. Now for the tricky bit - it's general ignorance. | 0:32:32 | 0:32:36 | |
Fingers on buzzers, if you'd please. When should you open the first door on your Advent calendar? | 0:32:36 | 0:32:41 | |
-'Abracadabra.' -Yeah? | 0:32:41 | 0:32:44 | |
-First of December. -Oh! | 0:32:44 | 0:32:45 | |
KLAXON BLARES | 0:32:45 | 0:32:47 | |
-I didn't say December the first! -Hey! | 0:32:47 | 0:32:49 | |
Nice try to get out of it! | 0:32:49 | 0:32:52 | |
No, it's the fourth Sunday before Christmas, and that can be one of a range of days | 0:32:52 | 0:32:57 | |
between November 27th and December 3rd. | 0:32:57 | 0:32:59 | |
The point is, you open it on Advent Sunday. | 0:32:59 | 0:33:02 | |
-To be honest, I don't usually have one. -Aw, don't you? | 0:33:02 | 0:33:07 | |
As your children grow up, you will. You will. They'll love them. | 0:33:07 | 0:33:12 | |
-I just stopped getting mine. -Did you stop getting them? -Yeah. | 0:33:12 | 0:33:15 | |
-I felt 19 was then the last one. -Right. -I'm 20. | 0:33:15 | 0:33:18 | |
So you've got to buy them 20 years' worth of Advent calendars. | 0:33:18 | 0:33:21 | |
-Can you get them a Kelly Brook Advent calendar? -I'm not sure! | 0:33:21 | 0:33:24 | |
You cannot! | 0:33:24 | 0:33:26 | |
-That's very bad. Very bad. -That's quite creepy. | 0:33:26 | 0:33:28 | |
-Do you remember when pubs used to have the peanuts on the card? -Oh, yes. | 0:33:30 | 0:33:34 | |
And there would be a naked girl. | 0:33:34 | 0:33:35 | |
As you pulled them off, there'd be a girl beneath, encouraging the blokes to eat more nuts! "Get more nuts!" | 0:33:35 | 0:33:42 | |
Johnny Vegas told me that in his local pub in St Helens, it was a topless pub, | 0:33:44 | 0:33:48 | |
and if you paid an extra 50p, she'd dip it in the pint before she gave it to you. | 0:33:48 | 0:33:52 | |
Divert your ears! | 0:33:52 | 0:33:55 | |
-Please! -ALAN: -How erotic(!) | 0:33:57 | 0:34:00 | |
More often than not, | 0:34:03 | 0:34:05 | |
Advent actually starts in November, not on December 1st. | 0:34:05 | 0:34:08 | |
So, who'd like to pull a Christmas cracker? | 0:34:08 | 0:34:11 | |
I've got one. They've even got your names on. | 0:34:11 | 0:34:13 | |
That's Lee's...and that's Alan's. | 0:34:13 | 0:34:15 | |
-Thank you. -There you are, pass them on. You can see the names there. One for Graham, one for Daniel. | 0:34:15 | 0:34:20 | |
-With each other? -Shall we do that? | 0:34:20 | 0:34:23 | |
Oh, I lost twice. Great. | 0:34:25 | 0:34:27 | |
-That worked quite well. -Give him one of the jokes, Alan, if you'd be so kind. | 0:34:27 | 0:34:32 | |
-No way. -Oh, you must. Let him have a joke. | 0:34:32 | 0:34:34 | |
-So, Graham, would you like to read your joke? -OK, here we go. | 0:34:34 | 0:34:38 | |
-Oh! -Did you write these, Stephen? | 0:34:41 | 0:34:43 | |
-Are they good? -It just sounds like something you might write. | 0:34:45 | 0:34:49 | |
-Knock-knock... -Who's there? | 0:34:49 | 0:34:51 | |
-To. -To who? | 0:34:51 | 0:34:54 | |
To whom, surely! | 0:34:54 | 0:34:57 | |
-LAUGHTER AND APPLAUSE -That's a good joke. | 0:34:57 | 0:35:00 | |
"S Fry." | 0:35:04 | 0:35:05 | |
Oh, dear. Lee, what's your joke? | 0:35:05 | 0:35:07 | |
-Knock-knock... -Who's there? | 0:35:07 | 0:35:09 | |
JK Row-ling... | 0:35:09 | 0:35:11 | |
No. What cheese do you use to coax a bear out of its cave? | 0:35:13 | 0:35:17 | |
What cheese do you use to coax a bear out of its cave? | 0:35:17 | 0:35:21 | |
-Come on, bear! -Camembert, brilliant! | 0:35:21 | 0:35:24 | |
-"Come on, bear!" -Camembert, very good! | 0:35:24 | 0:35:27 | |
Is that really it? | 0:35:29 | 0:35:30 | |
Yeah. I didn't even know bears liked cheese. | 0:35:30 | 0:35:34 | |
-They love it. -No. I'm not going to... | 0:35:34 | 0:35:38 | |
I'm not going to fall for that one, Lee. Daniel. | 0:35:38 | 0:35:40 | |
Who is the most famous married woman in America? | 0:35:40 | 0:35:43 | |
-AUDIENCE MEMBER SHOUTS -I didn't hear that. | 0:35:43 | 0:35:45 | |
-AUDIENCE MEMBER: -Mississippi! | 0:35:45 | 0:35:47 | |
Mrs Sippi! That's really...excellent. | 0:35:47 | 0:35:51 | |
-Alan. -What disease can you get from decorating a Christmas tree? | 0:35:51 | 0:35:56 | |
LEE: Syphilis. | 0:35:56 | 0:35:57 | |
-Tinsel-itis. No? -Yes, it is. Tinsel-itis. | 0:35:59 | 0:36:03 | |
Well, there you are. Now, you'll be pleased to know there's a department of the University of Hampshire | 0:36:03 | 0:36:09 | |
called the Public Understanding of Psychology, | 0:36:09 | 0:36:12 | |
and Richard Wiseman has a theory about cracker jokes, which is they SHOULD be bad. | 0:36:12 | 0:36:17 | |
Why... Why is that a good thing? | 0:36:17 | 0:36:21 | |
Alan. | 0:36:21 | 0:36:22 | |
Who's speaking? | 0:36:22 | 0:36:25 | |
-You're wishing you hadn't had that methanol now. -Jokes should be bad? | 0:36:25 | 0:36:30 | |
-Is it because... To make us feel superior? -Sorry? | 0:36:30 | 0:36:33 | |
-To make us feel superior? -Sort of the opposite. | 0:36:33 | 0:36:36 | |
-They've always been bad and we don't like change? -Partly, maybe, | 0:36:36 | 0:36:39 | |
but his theory is that not everybody will always find a joke funny. | 0:36:39 | 0:36:43 | |
Therefore, the moment you tell a joke, at a party in particular, | 0:36:43 | 0:36:46 | |
you divide the room into two - | 0:36:46 | 0:36:47 | |
those who liked it, and those who didn't. | 0:36:47 | 0:36:50 | |
And sometimes nobody likes it and the person who tells it feels bad, | 0:36:50 | 0:36:54 | |
whereas if everybody knows the joke is a terrible, groaning joke, | 0:36:54 | 0:36:58 | |
it's everybody against the joke. Everybody's bonded. | 0:36:58 | 0:37:01 | |
So yes, cracker jokes are bad because they are, and that's why they're not bad. | 0:37:01 | 0:37:05 | |
So that's it for this cracking QI Christmas. | 0:37:05 | 0:37:09 | |
Let's just check the scores and see how we're doing. | 0:37:09 | 0:37:12 | |
-Oh, my goodness me. -I think I've done very well! -It's really exciting. | 0:37:12 | 0:37:16 | |
Winning, on his first appearance, with ten points, is Daniel Radcliffe! | 0:37:16 | 0:37:20 | |
CHEERING AND APPLAUSE | 0:37:20 | 0:37:22 | |
And in second place with four points, Graham Norton! | 0:37:24 | 0:37:27 | |
CHEERING AND APPLAUSE | 0:37:27 | 0:37:32 | |
But it's pretty tight below the salt. | 0:37:34 | 0:37:37 | |
In third place with -18, Lee Mack! | 0:37:37 | 0:37:39 | |
CHEERING AND APPLAUSE | 0:37:39 | 0:37:42 | |
That just leaves you, son! | 0:37:42 | 0:37:44 | |
And, just in last place is our stable donkey, Alan Davies, on -19! | 0:37:44 | 0:37:51 | |
CHEERING AND APPLAUSE | 0:37:51 | 0:37:54 | |
Well, it would be no kind of Christmas party | 0:37:57 | 0:38:00 | |
if it didn't end with tricks and japes and larks of all kinds, | 0:38:00 | 0:38:03 | |
so have you got a trick or a jape lined up, Alan? | 0:38:03 | 0:38:05 | |
I have something, yes. | 0:38:05 | 0:38:07 | |
-Ooh, who are you going to play it on? -If I could ask Lee to be my Debbie McGee? | 0:38:07 | 0:38:11 | |
LAUGHTER I'm not falling for this again! | 0:38:11 | 0:38:14 | |
-Take it. Take it away. -Come on! | 0:38:14 | 0:38:16 | |
This is my equipment, Lee. | 0:38:16 | 0:38:19 | |
If I could ask you to lie in the box, your head at that end, please... | 0:38:19 | 0:38:22 | |
This is like the time you told me to smell your hankie. | 0:38:22 | 0:38:26 | |
What?! | 0:38:26 | 0:38:27 | |
-Chloroform joke. -Oh, chloroform. Thank God! | 0:38:27 | 0:38:31 | |
LAUGHTER AND APPLAUSE | 0:38:31 | 0:38:35 | |
All the way back, if you don't mind. All the way in. | 0:38:35 | 0:38:37 | |
-Just tuck yourself in under there. -Hang on, sawing? I didn't see that! | 0:38:37 | 0:38:42 | |
Just look this way, concentrate on the audience. Smile. | 0:38:42 | 0:38:45 | |
-You're very happy, you're relaxed. -I'm having the time of my life(!) | 0:38:45 | 0:38:48 | |
-Are you sure you're all the way in? -Are you sure you know what you're doing?! | 0:38:48 | 0:38:52 | |
Ooh, hello! I can see why Phill Jupitus wasn't invited on this week! | 0:38:52 | 0:38:56 | |
Ow! Ow! | 0:38:58 | 0:39:01 | |
Maybe I should have had Daniel! | 0:39:05 | 0:39:07 | |
-I think that would have been more sensible! -I can't feel my legs! | 0:39:07 | 0:39:10 | |
I used to play a magician's assistant, you know?! | 0:39:10 | 0:39:13 | |
-Ow! That's the bit. -Just try and relax. | 0:39:15 | 0:39:19 | |
-ELECTRIC SAW BUZZES Oh, my God! -Whoa! | 0:39:19 | 0:39:22 | |
Yes! | 0:39:22 | 0:39:24 | |
Are you ready? Just relax. It won't hurt at all. | 0:39:26 | 0:39:29 | |
LEE SCREAMS | 0:39:29 | 0:39:30 | |
-Are you all right? -What? -I said, are you all right? | 0:39:33 | 0:39:37 | |
You're cutting my belly in half! | 0:39:37 | 0:39:40 | |
Wow! | 0:39:40 | 0:39:41 | |
Brilliant. Don't worry, you've worked with all the professionals - Douglas Bader, Heather Mills... | 0:39:41 | 0:39:47 | |
LAUGHTER | 0:39:47 | 0:39:50 | |
-I'm under stress! -Let's just see, there's his arm. | 0:39:50 | 0:39:54 | |
-Yes. -The arm's not the bit I'm worried about. -Yes, that's working fine. | 0:39:54 | 0:39:58 | |
Now, ladies and gentlemen, if this has worked... | 0:39:58 | 0:40:02 | |
-AUDIENCE: -Ooh! | 0:40:02 | 0:40:04 | |
Oh, my word! | 0:40:04 | 0:40:07 | |
-CHEERING AND APPLAUSE -Yes! Look at that! | 0:40:07 | 0:40:10 | |
Blimey! | 0:40:13 | 0:40:15 | |
Brilliant! | 0:40:16 | 0:40:18 | |
Alan Davies and the glamorous Lee Mack, ladies and gentlemen! | 0:40:18 | 0:40:22 | |
CHEERING AND APPLAUSE | 0:40:22 | 0:40:25 | |
-Well, all I can say... -Hang on! Surely you don't leave it like that?! | 0:40:25 | 0:40:30 | |
Just hang there for the moment, Lee, and we will see. | 0:40:30 | 0:40:35 | |
It's going to be hard to top, boys. Can you do something similar? | 0:40:35 | 0:40:38 | |
Well! Come with me, Daniel Radcliffe. | 0:40:38 | 0:40:41 | |
Oh, I say. | 0:40:41 | 0:40:42 | |
This did seem like a good idea, so, er... | 0:40:42 | 0:40:45 | |
-Shall I? -If you want to kneel down there... | 0:40:45 | 0:40:47 | |
Right. | 0:40:47 | 0:40:48 | |
OK. This feels very wrong, doesn't it?! | 0:40:48 | 0:40:52 | |
LAUGHTER | 0:40:52 | 0:40:54 | |
Children are watching and sobbing! | 0:40:55 | 0:40:58 | |
"What's he doing?! | 0:40:59 | 0:41:01 | |
"He found Dorothy, now he's killing Harry Potter!" | 0:41:01 | 0:41:05 | |
-OK... -Daniel, you have... -Are you all right, there? | 0:41:07 | 0:41:10 | |
Daniel, have you finished both of the Harry Potter films by now? | 0:41:10 | 0:41:14 | |
It'll be fine, it'll be fine! | 0:41:14 | 0:41:16 | |
They can usually finish them without you! | 0:41:16 | 0:41:19 | |
I'm so bad at this, I was about to lean through. | 0:41:19 | 0:41:22 | |
LAUGHTER | 0:41:22 | 0:41:24 | |
Are you all right there? Are you comfortable? | 0:41:24 | 0:41:27 | |
-Yes, it's lovely, thank you. -Nothing can go wrong. | 0:41:27 | 0:41:30 | |
Wouldn't it be awful...? | 0:41:30 | 0:41:32 | |
No, you know what I mean? We had the stuff about the bullet, and... | 0:41:34 | 0:41:38 | |
It could go wrong! | 0:41:38 | 0:41:40 | |
There'll be a story, "Then Graham got distracted by a bright light. Oh, he's dead!" | 0:41:40 | 0:41:46 | |
Have I done...? I think I've done it all right. | 0:41:46 | 0:41:48 | |
LAUGHTER | 0:41:48 | 0:41:50 | |
-You'll live on in films forever. -LAUGHTER | 0:41:50 | 0:41:55 | |
-DRUM ROLL -Drum roll! -OK, here we go. | 0:41:56 | 0:41:59 | |
So, three, two... | 0:41:59 | 0:42:03 | |
-AUDIENCE: -One... | 0:42:03 | 0:42:05 | |
AUDIENCE GASP AND APPLAUD | 0:42:05 | 0:42:08 | |
On that bombshell, ladies and gentlemen... | 0:42:08 | 0:42:11 | |
Thank you, Graham. | 0:42:13 | 0:42:15 | |
You saw it here. It'll be on YouTube before you can speak, | 0:42:18 | 0:42:21 | |
but my goodness me, on that bombshell, | 0:42:21 | 0:42:24 | |
it's thanks to Lee and Alan... | 0:42:24 | 0:42:25 | |
APPLAUSE | 0:42:25 | 0:42:29 | |
..and it's thanks to Graham and the late Daniel Radcliffe! | 0:42:29 | 0:42:32 | |
CHEERING AND APPLAUSE | 0:42:32 | 0:42:34 | |
And a very merry Christmas to you all, good night! | 0:42:34 | 0:42:39 | |
Subtitles by Red Bee Media Ltd | 0:43:01 | 0:43:04 | |
E-mail subtitling@bbc.co.uk | 0:43:04 | 0:43:07 |