Browse content similar to Kris Kringle. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
Hello, hello, hello, hello, hello! | 0:00:33 | 0:00:37 | |
Noel, Noel, Noel, Noel, Noel. | 0:00:37 | 0:00:39 | |
"Hell is empty, all the devils are here," to quote Shakespeare. | 0:00:39 | 0:00:42 | |
Welcome to the QI Christmas Show, otherwise known as | 0:00:42 | 0:00:45 | |
"The Feast of Stephen". Let's meet our merry players. | 0:00:45 | 0:00:49 | |
Miss Scarlett - Jo Brand! | 0:00:49 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:52 | |
Colonel Mustard - Phill Jupitus! | 0:00:54 | 0:00:57 | |
Mrs Brown - Brendan O'Carroll! | 0:01:02 | 0:01:05 | |
And the lead piping in the bathroom - Alan Davies! | 0:01:10 | 0:01:13 | |
And the buzzers are adorable. Jo goes... | 0:01:19 | 0:01:22 | |
WOMEN SING "O COME, ALL YE FAITHFUL" | 0:01:22 | 0:01:26 | |
Brendan goes... | 0:01:26 | 0:01:28 | |
MEN SING "O COME, ALL YE FAITHFUL" | 0:01:28 | 0:01:31 | |
Phill goes... | 0:01:31 | 0:01:33 | |
MEN AND WOMEN SING "O COME, ALL YE FAITHFUL" | 0:01:33 | 0:01:37 | |
And Alan goes... | 0:01:37 | 0:01:39 | |
MEN AND WOMEN SING "RUDOLPH THE RED-NOSED REINDEER" | 0:01:39 | 0:01:41 | |
LAUGHTER | 0:01:41 | 0:01:43 | |
Thank you, Alan. And so, to our first question. | 0:01:43 | 0:01:47 | |
Ooh, you've been given a truly horrible sweater for Christmas. | 0:01:47 | 0:01:50 | |
Oh, sorry, that's the question. | 0:01:51 | 0:01:53 | |
What's the best way to get rid of it? | 0:01:53 | 0:01:55 | |
Some comedic unravelling that they used to always do in films | 0:01:55 | 0:01:59 | |
when I was little, on the telly, and you never see that any more. | 0:01:59 | 0:02:03 | |
It's always someone getting a thing and... | 0:02:03 | 0:02:05 | |
STEPHEN MAKES UNRAVELLING NOISE | 0:02:05 | 0:02:07 | |
-That definitely would do it. -Tom and Jerry. -That would do it. | 0:02:08 | 0:02:10 | |
Any other thoughts? | 0:02:10 | 0:02:12 | |
Well, you can get in touch with the people at CERN, | 0:02:12 | 0:02:14 | |
-who have been working on the Higgs boson. -Yeah. | 0:02:14 | 0:02:17 | |
Which I'm fairly sure will lead to time travel. | 0:02:17 | 0:02:19 | |
And then you can turn them back into sheep. | 0:02:19 | 0:02:21 | |
-Reversing time is a very good idea, that would do. -It's complex. | 0:02:24 | 0:02:27 | |
-What would you do? -Just say "Thank you very much" and burn it. | 0:02:27 | 0:02:30 | |
LAUGHTER | 0:02:30 | 0:02:32 | |
Ever the practical, positive solution. | 0:02:32 | 0:02:34 | |
I'd do the same, I'd set fire to it, but I'd make sure my | 0:02:34 | 0:02:38 | |
least favourite relative was trying it on at the time. | 0:02:38 | 0:02:40 | |
You could give it to charity. | 0:02:43 | 0:02:45 | |
There was a lady who lived on our road who used to donate three, | 0:02:45 | 0:02:48 | |
four shirts a week to charity, and then she'd go back and buy them back | 0:02:48 | 0:02:52 | |
for 50p each, because it was cheaper than leaving them into the cleaner's. | 0:02:52 | 0:02:57 | |
That's brilliant. | 0:02:59 | 0:03:00 | |
Well, the funny thing is, | 0:03:00 | 0:03:01 | |
between you you've oddly got near the truth of it. | 0:03:01 | 0:03:04 | |
Unravel it whilst travelling through time? | 0:03:04 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:08 | |
You sort of do the effect of travelling through time, | 0:03:08 | 0:03:10 | |
if you take a sweater on a journey back through time, | 0:03:10 | 0:03:13 | |
eventually it becomes a ball of wool. | 0:03:13 | 0:03:15 | |
Is there a machine that can take a pullover | 0:03:15 | 0:03:19 | |
and unravel it back into its constituent woollen parts? | 0:03:19 | 0:03:23 | |
-Or a scarf, for example. -Why would you make such a thing? -Why indeed! | 0:03:23 | 0:03:27 | |
The only person on the planet we know who has done it... | 0:03:27 | 0:03:30 | |
Imogen Hedges, ladies and gentlemen! | 0:03:30 | 0:03:32 | |
APPLAUSE | 0:03:32 | 0:03:34 | |
Lovely to see you. Now, to explain ourselves, you're a student at...? | 0:03:37 | 0:03:41 | |
Kingston, I just graduated. | 0:03:41 | 0:03:43 | |
And one of your projects was an un-knitting machine. | 0:03:43 | 0:03:47 | |
-And this is something you built yourself? -Yeah. | 0:03:48 | 0:03:50 | |
She's fantastic, what a mind. | 0:03:50 | 0:03:52 | |
Most people think, "I'll try and make something," | 0:03:52 | 0:03:54 | |
but to unmake something, to go back in time... | 0:03:54 | 0:03:56 | |
So could you take, say, Alan's scarf, | 0:03:56 | 0:03:59 | |
and return it to a ball of wool? | 0:03:59 | 0:04:00 | |
-Yep. -Seriously? -Yep. -Oh, charming. | 0:04:00 | 0:04:03 | |
-And once you've un-knitted it, can you knit it again? -Yeah. | 0:04:06 | 0:04:09 | |
She can do anything! Can we see your machine? | 0:04:09 | 0:04:12 | |
There it is, and I believe that's your brother there. | 0:04:12 | 0:04:15 | |
Tristan, give us a wave! Hello, Tristan. | 0:04:15 | 0:04:17 | |
-And he's going to be operating. It's pedal-powered? -Yes. | 0:04:17 | 0:04:20 | |
-PHILL: -Do they not have electricity in Kingston? | 0:04:20 | 0:04:23 | |
Has the recession bitten that hard? | 0:04:25 | 0:04:27 | |
It's like a wind-up radio, it's for use around the world. | 0:04:28 | 0:04:31 | |
Can I ask a question? Has Tristan got a girlfriend? | 0:04:31 | 0:04:34 | |
-He is quite... -He's very cute, isn't he? -One would, one feels. | 0:04:36 | 0:04:41 | |
LAUGHTER | 0:04:41 | 0:04:42 | |
He's going to pedal fast now, I tell you that! | 0:04:44 | 0:04:47 | |
ALAN IMITATES TRISTAN PEDALLING FRANTICALLY | 0:04:48 | 0:04:51 | |
Stop it, stop it, stop it at once! | 0:04:51 | 0:04:54 | |
..across the studio! | 0:04:54 | 0:04:57 | |
Stop it, stop it. | 0:05:00 | 0:05:01 | |
Imogen, thanks very much, take the scarf away | 0:05:01 | 0:05:03 | |
and we'll be looking in on you. | 0:05:03 | 0:05:05 | |
-Oh, dear. -I just hate it when you two get all Christmassy like that. | 0:05:09 | 0:05:13 | |
We'll be looking in on her from time to time. | 0:05:15 | 0:05:17 | |
Now, we're all loyal servants of Her Majesty here. | 0:05:17 | 0:05:20 | |
What do you think the Queen's going to give you for Christmas this year? | 0:05:20 | 0:05:23 | |
A message. | 0:05:25 | 0:05:26 | |
She will certainly be giving us all a message, that's true. | 0:05:26 | 0:05:29 | |
That not a klaxon? I felt certain that would be a klaxon. | 0:05:29 | 0:05:32 | |
For years it's actually been a robot. | 0:05:32 | 0:05:35 | |
She only gives things to people when they're 100. She gives Maundy money. | 0:05:35 | 0:05:39 | |
She gives Maundy money on Maundy Thursday, well, her staff, which is | 0:05:39 | 0:05:43 | |
obviously extensive, it used to be they could choose from a catalogue. | 0:05:43 | 0:05:47 | |
Argos? | 0:05:47 | 0:05:49 | |
And with value between £20 and £25, according to length of service. | 0:05:51 | 0:05:57 | |
That's a very small window! "26.99?" "Nope." | 0:05:57 | 0:06:02 | |
-IMPERSONATES THE QUEEN: -"Too much." | 0:06:03 | 0:06:05 | |
In 2006, it changed, they all get the same thing. | 0:06:05 | 0:06:08 | |
These are her butlers and so on, | 0:06:08 | 0:06:10 | |
obviously her family it's different, but this is if you're her servant. | 0:06:10 | 0:06:14 | |
How many staff? | 0:06:14 | 0:06:16 | |
-I don't have the number, but it's pretty enormous. -You don't know?! | 0:06:16 | 0:06:19 | |
-I'm sorry, I have failed you, Brendan, on the first fence. -Sake. | 0:06:19 | 0:06:24 | |
I thought you would know every light bulb in the place. | 0:06:24 | 0:06:26 | |
-I'll just say a number and you'll believe me. -Yes. | 0:06:26 | 0:06:29 | |
There are over 4,000 light bulbs in the palace, I can tell you that. | 0:06:29 | 0:06:32 | |
My God. That's some bill. | 0:06:32 | 0:06:34 | |
Have you not met the Queen yet? | 0:06:34 | 0:06:35 | |
Yes, she nudged me once, quite hard in the ribs. | 0:06:35 | 0:06:40 | |
It was quite funny. | 0:06:40 | 0:06:42 | |
At her son's wedding, to Camilla, at Windsor Castle, | 0:06:42 | 0:06:46 | |
and she made this very funny speech, she stood on the table. | 0:06:46 | 0:06:50 | |
-She got on a table? -Yeah, she stood on a chair, got on the table... | 0:06:50 | 0:06:55 | |
Then she made a very funny speech and got down, | 0:06:55 | 0:06:58 | |
and I was chatting to someone and got this rib, | 0:06:58 | 0:07:00 | |
"Isn't anybody going to give me cake?" | 0:07:00 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:04 | |
So I said, "Of course, ma'am, I'll get you some cake." | 0:07:07 | 0:07:10 | |
This must be a dream, you dreamed all of it! | 0:07:10 | 0:07:12 | |
I know it sounds mad, but it's absolutely true. | 0:07:13 | 0:07:15 | |
"I'm going outside for a fag! Come on, Fry." | 0:07:15 | 0:07:17 | |
That was in the days I smoked, and I'm afraid | 0:07:17 | 0:07:19 | |
I was caught by a photographer in the buttresses of Windsor. | 0:07:19 | 0:07:22 | |
Buttresses?! | 0:07:22 | 0:07:23 | |
In my big top hat and everything, smoking a cigarette. | 0:07:24 | 0:07:27 | |
Coming out the top of your hat. | 0:07:27 | 0:07:29 | |
You can take your woolly hats off now, if you're getting hot. | 0:07:29 | 0:07:31 | |
THEY TALK OVER EACH OTHER | 0:07:31 | 0:07:35 | |
-Shall I pop it under? -Or you can keep it on. | 0:07:35 | 0:07:38 | |
Let's see how Imogen's getting on, shall we? | 0:07:40 | 0:07:43 | |
Imogen, have you started your machine? | 0:07:43 | 0:07:46 | |
There it is, and there's Tristan pedalling away. | 0:07:46 | 0:07:48 | |
BRENDAN: Yes, indeed! | 0:07:48 | 0:07:51 | |
-LAUGHTER -He's looking so shy now, I feel terrible. | 0:07:51 | 0:07:54 | |
That is absolutely amazing, it is unravelling before our eyes. | 0:07:54 | 0:07:59 | |
Brilliant. | 0:07:59 | 0:08:00 | |
APPLAUSE | 0:08:00 | 0:08:01 | |
Wow. | 0:08:06 | 0:08:08 | |
I think they would have got it done ages ago | 0:08:10 | 0:08:12 | |
if Tristan wasn't quite so relaxed. | 0:08:12 | 0:08:14 | |
Whoa-oh-oh - no, no! | 0:08:16 | 0:08:20 | |
Jo Brand... | 0:08:20 | 0:08:23 | |
Oh, the humanity! | 0:08:23 | 0:08:26 | |
You deliberately spilled boiling water on his trousers | 0:08:27 | 0:08:30 | |
so you can mop them down. | 0:08:30 | 0:08:33 | |
You wicked, wicked woman! | 0:08:33 | 0:08:35 | |
As soon as they go off screen, Imogen is going to beat him! | 0:08:35 | 0:08:38 | |
Is Tristan wearing corduroys so the heat generated by the whiff-whiff... | 0:08:39 | 0:08:43 | |
LAUGHTER | 0:08:43 | 0:08:45 | |
..is powering the kettle? | 0:08:45 | 0:08:47 | |
We've embarrassed the brother and sister team almost to death. | 0:08:48 | 0:08:51 | |
-Sorry, Imogen. -If he gets snagged up in that | 0:08:51 | 0:08:53 | |
he might get unravelled himself. | 0:08:53 | 0:08:56 | |
A full human being being unravelled. | 0:08:56 | 0:08:58 | |
-I'm going to build one of those for next Christmas. -You should! | 0:08:58 | 0:09:03 | |
Thank you very much, Imogen and Tristan. | 0:09:03 | 0:09:05 | |
Sorry about that, we'll let you replace it. | 0:09:05 | 0:09:09 | |
Let's go back to Her Maj. | 0:09:09 | 0:09:11 | |
Now the fact is, if you work for the Queen nowadays you all get | 0:09:11 | 0:09:14 | |
the same present, instead of being able to choose from the catalogue. | 0:09:14 | 0:09:17 | |
We've done a little montage of them. | 0:09:17 | 0:09:19 | |
Bottle of bubbly, silver plate. | 0:09:19 | 0:09:21 | |
2008 reflected the mood of financial restraint, which was coasters, | 0:09:21 | 0:09:25 | |
and in 2012, Jubilee year, a special themed trinket box. | 0:09:25 | 0:09:30 | |
You all get the same thing, | 0:09:30 | 0:09:31 | |
monogrammed...cigar box or whatever it was. | 0:09:31 | 0:09:34 | |
You can't expect the woman to go down | 0:09:34 | 0:09:36 | |
the high street shopping, can you? | 0:09:36 | 0:09:38 | |
No, especially not if she's in one of her cake frenzies. | 0:09:38 | 0:09:41 | |
"CAKE! Cake! I want cake!" | 0:09:43 | 0:09:48 | |
Have to pull her away from Greggs. | 0:09:48 | 0:09:51 | |
-Oh! -It takes three equerries. | 0:09:51 | 0:09:54 | |
Or are they eclairs, is that a cake? I dunno! | 0:09:56 | 0:09:59 | |
Aaanyway. Which of these looks most like Jesus? | 0:10:01 | 0:10:04 | |
-I'd say the toast has to be the best. -The toast is certainly... | 0:10:08 | 0:10:12 | |
Well, we bow down, yes? | 0:10:12 | 0:10:14 | |
-Any other thoughts? -They look a bit westernised. | 0:10:14 | 0:10:16 | |
As far as the Bible, he was a Jew obviously, | 0:10:16 | 0:10:20 | |
and that on the right is what's known as a forensic reconstruction. | 0:10:20 | 0:10:24 | |
Is there any truth to... | 0:10:24 | 0:10:26 | |
it could be a myth, but you can tell Jewish people | 0:10:26 | 0:10:29 | |
because their ear lobes are higher than their nose? | 0:10:29 | 0:10:32 | |
Well, I'm Jewish, my mother's fully Jewish, | 0:10:32 | 0:10:34 | |
so that makes me fully Jewish. Is my ear lobe higher than my nose? | 0:10:34 | 0:10:37 | |
It's very hard to tell with your nose. | 0:10:37 | 0:10:39 | |
Well, as my grandfather used to say, and he was Jewish... | 0:10:40 | 0:10:43 | |
-YIDDISH ACCENT: -"You know why we have big noses? Air is free!" | 0:10:43 | 0:10:46 | |
How many specifically are we looking for? | 0:10:50 | 0:10:53 | |
It's basically images of Jesus, it's extraordinary difficult | 0:10:53 | 0:10:57 | |
to know, the Bible doesn't furnish us with any description of him. | 0:10:57 | 0:11:00 | |
We just know he was a Jewish man who lived at a particular time. | 0:11:00 | 0:11:03 | |
And that's the best that forensic people can do, given that's | 0:11:03 | 0:11:07 | |
the sort of average... | 0:11:07 | 0:11:09 | |
But one very Christmassy person we DO know more the features of, | 0:11:09 | 0:11:16 | |
because unlike Jesus we have the skull - who is that? | 0:11:16 | 0:11:19 | |
-Santa. -St Nicholas. | 0:11:19 | 0:11:20 | |
St Nicholas, and what can you tell me about the real-life St Nicholas? | 0:11:20 | 0:11:23 | |
-There was about three of them. -Right. | 0:11:23 | 0:11:26 | |
One was Roman, and he used to throw coins in the windows of poor people. | 0:11:26 | 0:11:32 | |
One was Russian, I think. | 0:11:32 | 0:11:34 | |
And he would collect fire wood and carve things out of it | 0:11:34 | 0:11:39 | |
and leave them around the village for children. | 0:11:39 | 0:11:41 | |
And then there's the most famous one of all, of course, | 0:11:41 | 0:11:45 | |
the Coca-Cola Santa. | 0:11:45 | 0:11:46 | |
Well, the canonical St Nicholas was actually from Lycia | 0:11:48 | 0:11:53 | |
- L-Y-C-I-A - which is actually part of Asia Minor, which is now... | 0:11:53 | 0:11:57 | |
-Iran. -No. | 0:11:57 | 0:11:58 | |
-Asia Minor is...Turkey. -Close. | 0:11:58 | 0:12:01 | |
LAUGHTER | 0:12:01 | 0:12:03 | |
That St Nicholas there, who was the bloke before then? | 0:12:03 | 0:12:06 | |
The bloke before is the facial reconstruction on the | 0:12:06 | 0:12:08 | |
-basis of the skull. -Right. | 0:12:08 | 0:12:10 | |
He was a bishop, and the story is that he gave money to | 0:12:10 | 0:12:14 | |
young girls, to daughters of people of his episcopacy... | 0:12:14 | 0:12:17 | |
Did he work for the BBC? | 0:12:17 | 0:12:19 | |
LAUGHTER | 0:12:19 | 0:12:21 | |
APPLAUSE | 0:12:22 | 0:12:24 | |
-He paid the parents of the girls in order to stop them... -I bet he did! | 0:12:27 | 0:12:31 | |
..in order to stop them becoming prostitutes, | 0:12:33 | 0:12:35 | |
and he is therefore the patron saint of prostitutes. | 0:12:35 | 0:12:38 | |
Hurrah! | 0:12:38 | 0:12:40 | |
I'm pleased that there's a patron saint of tarts, I think it's good. | 0:12:40 | 0:12:45 | |
Did he have a hairdresser with OCD though? | 0:12:45 | 0:12:48 | |
Look at it. | 0:12:49 | 0:12:51 | |
And also quite a thick, broken nose, which he could have got... | 0:12:51 | 0:12:55 | |
people believe he fought with a heretic at Lycia. | 0:12:55 | 0:12:59 | |
More likely did it coming down the chimney though. | 0:12:59 | 0:13:01 | |
-Or being beaten up by the Emperor Diocletian. -What's his era? | 0:13:03 | 0:13:08 | |
Mid-fourth century, I think, AD. | 0:13:08 | 0:13:11 | |
But when did Santa Claus become Santa Claus? | 0:13:11 | 0:13:13 | |
Well, the idea that he was the patron saint of children caught on | 0:13:13 | 0:13:15 | |
and he became the patron saint of sailors, children and prostitutes. | 0:13:15 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:21 | |
-That's a good group, that's a good group. -It's a good portfolio. | 0:13:21 | 0:13:26 | |
Sailors and prostitutes is a very difficult combination! | 0:13:26 | 0:13:30 | |
I just love the idea that he's the patron saint of prostitutes, | 0:13:30 | 0:13:34 | |
and then a child goes, "I love you, Santa." "Shut up, baby, I know it!" | 0:13:34 | 0:13:38 | |
"I never, ever kiss..." | 0:13:40 | 0:13:42 | |
He's, he's, he's... | 0:13:44 | 0:13:46 | |
He was, erm, by the Dutch... | 0:13:46 | 0:13:48 | |
LAUGHTER | 0:13:48 | 0:13:50 | |
The Dutch call him "Sinterklaas", but where does the modern depiction | 0:13:54 | 0:13:58 | |
of Father Christmas with the red and white and the beard come from? | 0:13:58 | 0:14:02 | |
Ah, this is where I could get my first screen. Coca-Cola. | 0:14:02 | 0:14:06 | |
-Mmmm, you're not getting a klaxon... -Ugh. | 0:14:06 | 0:14:10 | |
..because it was certainly reinforced by Coca-Cola in the 1930s, | 0:14:10 | 0:14:13 | |
but there are plenty of images from the 1890s of Father Christmas in | 0:14:13 | 0:14:16 | |
red and white with a white beard. | 0:14:16 | 0:14:19 | |
Santa rewards good little boys and girls, | 0:14:19 | 0:14:21 | |
but what happens to the bad ones? | 0:14:21 | 0:14:23 | |
There is a culture not far from us where they really go | 0:14:23 | 0:14:28 | |
a long way towards celebrating this anti-Father Christmas. | 0:14:28 | 0:14:32 | |
Waterboarded. | 0:14:32 | 0:14:34 | |
"I shall waterboard all the bad children." | 0:14:38 | 0:14:41 | |
This is surprisingly close to waterboarding, what they do. | 0:14:42 | 0:14:45 | |
PHILL LAUGHS HYSTERICALLY | 0:14:45 | 0:14:47 | |
-Snowboarding! -Snowboarding would be OK. -Do they not drown them? | 0:14:47 | 0:14:54 | |
We're talking about Germany. No, they don't actually drown them! | 0:14:54 | 0:14:57 | |
But their threats are pretty medieval. | 0:14:57 | 0:15:01 | |
There he is. Does anybody know the name of this character? | 0:15:01 | 0:15:03 | |
Several names, but...in German he's mostly known as "Krampus". | 0:15:03 | 0:15:09 | |
I don't know who he is, | 0:15:09 | 0:15:11 | |
but with a tongue like that he's not the patron saint of prostitutes. | 0:15:11 | 0:15:14 | |
He's also known as "Schmutzli", and Santa gives good gifts to | 0:15:14 | 0:15:18 | |
children, Krampus punishes naughty ones, include pulling hair. | 0:15:18 | 0:15:23 | |
-It's not that bad, is it? -Swatting with chains. -Quite bad. | 0:15:24 | 0:15:29 | |
Pulling hair, swat with chains. | 0:15:29 | 0:15:31 | |
Leading naughty children off a cliff. | 0:15:31 | 0:15:32 | |
He'd obviously have to be able to fly to be able to | 0:15:34 | 0:15:37 | |
-get back and do it again. -I think I went to that school. | 0:15:37 | 0:15:39 | |
LAUGHTER | 0:15:39 | 0:15:40 | |
Putting them in a sack and taking them to his fiery lair, | 0:15:40 | 0:15:43 | |
which sort of explains why German children are so well behaved. | 0:15:43 | 0:15:46 | |
-You like fiery lairs? -That can be fun. Mammy used to say. | 0:15:46 | 0:15:50 | |
-When is this practised? -Christmas Eve? -No. | 0:15:50 | 0:15:55 | |
-Is it on their birthdays, for extra irony? -No, it's December the 5th. | 0:15:55 | 0:16:00 | |
The 5th is when Schmutzli or Krampus... | 0:16:00 | 0:16:03 | |
And there's the kind of figure he presents, | 0:16:03 | 0:16:05 | |
and they terrify children. | 0:16:05 | 0:16:07 | |
They run down with whips and threaten children and glare at them. | 0:16:07 | 0:16:11 | |
It is a peculiar way to treat children at Christmas time, | 0:16:11 | 0:16:14 | |
but I suppose it has produced a nation of extremely efficient | 0:16:14 | 0:16:17 | |
and obedient citizens who now rule Europe, so... | 0:16:17 | 0:16:19 | |
LAUGHTER | 0:16:19 | 0:16:20 | |
..maybe we've been missing something. | 0:16:20 | 0:16:22 | |
Now why is Santa off the Rich List? | 0:16:22 | 0:16:24 | |
LAUGHTER | 0:16:26 | 0:16:28 | |
-Aww. Poor Santa. -Cutbacks? Austerity drive? -Only works one day a year. | 0:16:28 | 0:16:36 | |
He used to be on the Rich List until 2006. | 0:16:36 | 0:16:40 | |
Forbes Magazine famously invented the idea of a Rich List. | 0:16:40 | 0:16:44 | |
MEN SING "O COME, ALL YE FAITHFUL" | 0:16:44 | 0:16:46 | |
-Yes, young Brendan? -Is it because... | 0:16:46 | 0:16:49 | |
(..he may not be real?) | 0:16:50 | 0:16:52 | |
STEPHEN GASPS | 0:16:52 | 0:16:54 | |
ALARM RINGS | 0:16:54 | 0:16:55 | |
APPLAUSE | 0:16:57 | 0:16:58 | |
Yes! | 0:16:58 | 0:17:00 | |
Thank you! Thank you. | 0:17:05 | 0:17:08 | |
Oh, poor Phill. | 0:17:08 | 0:17:10 | |
LAUGHTER | 0:17:12 | 0:17:14 | |
Phill, that got a klaxon, so that can't be right. | 0:17:14 | 0:17:18 | |
Don't worry, back you go. | 0:17:19 | 0:17:22 | |
APPLAUSE | 0:17:25 | 0:17:27 | |
Poor little soul. | 0:17:27 | 0:17:29 | |
Forbes Magazine genuinely publishes a fictional Rich List, | 0:17:31 | 0:17:36 | |
and Santa Claus used to be on it | 0:17:36 | 0:17:39 | |
because they reckon he must be infinitely rich, | 0:17:39 | 0:17:41 | |
because he is able to distribute presents every year to | 0:17:41 | 0:17:44 | |
all the children of the world, they said. | 0:17:44 | 0:17:46 | |
-I don't believe he does. -Richie Rich. -Scrooge, I guess, on the left. | 0:17:46 | 0:17:52 | |
-Father Christmas himself. -The late Bernard Manning on the right. | 0:17:52 | 0:17:56 | |
LAUGHTER | 0:17:56 | 0:17:58 | |
Can you name - I've got the top five - | 0:17:58 | 0:18:00 | |
name any that you imagine might be on the list? | 0:18:00 | 0:18:02 | |
-Real people or imaginary? -Fictional, that's the point. -Scrooge McDuck. | 0:18:02 | 0:18:07 | |
No, but his great rival. | 0:18:07 | 0:18:08 | |
If you can remember his name you'll get lots of points. | 0:18:08 | 0:18:11 | |
-Tony Stark out of -Iron Man. Yes, is number five, absolutely right! | 0:18:11 | 0:18:15 | |
APPLAUSE | 0:18:15 | 0:18:18 | |
Yes, 9.3 billion, apparently. | 0:18:19 | 0:18:21 | |
Number four's from a black and white TV show | 0:18:21 | 0:18:23 | |
with a wonderful old banjo opening theme song. | 0:18:23 | 0:18:26 | |
Oh, the Beverly Hillbillies, so Jethro Clampett. | 0:18:26 | 0:18:30 | |
Jed Clampett, I'll give you the points for that. | 0:18:30 | 0:18:33 | |
And they were worth 9.8 billion. | 0:18:33 | 0:18:36 | |
So at number three, Carlisle Cullen from the Twilight Saga, | 0:18:36 | 0:18:39 | |
is worth 36.3 billion, apparently. | 0:18:39 | 0:18:43 | |
Wow, dude. | 0:18:43 | 0:18:44 | |
But number two is the enemy of Scrooge McDuck. | 0:18:44 | 0:18:48 | |
BRENDAN MIMICS SCROOGE | 0:18:48 | 0:18:51 | |
Good one. Flintheart Glomgold is his name. | 0:18:51 | 0:18:56 | |
Flintheart Glomgold? | 0:18:56 | 0:18:59 | |
And number one, played by Benedict Cumberbatch, | 0:18:59 | 0:19:03 | |
the richest fictional creature in the world, human or... | 0:19:03 | 0:19:08 | |
They know in the audience. | 0:19:08 | 0:19:10 | |
-AUDIENCE MEMBERS: Smaug! -Smaug. | 0:19:10 | 0:19:13 | |
Smaug the dragon in The Hobbit, 62 billion worth of gold he | 0:19:13 | 0:19:18 | |
sits upon, until of course - well, I'm not | 0:19:18 | 0:19:20 | |
going to tell you the ending. Cos I happen to be in it. | 0:19:20 | 0:19:23 | |
But why's Santa taken off? Cos surely he must | 0:19:23 | 0:19:25 | |
be really rich to be able to give everyone a present. | 0:19:25 | 0:19:27 | |
-It's a very simple reason. -Tax evasion. -Not tax evasion! | 0:19:27 | 0:19:30 | |
The usual answer. | 0:19:32 | 0:19:33 | |
It's because it's a fictional list, and Santa is real. | 0:19:33 | 0:19:38 | |
ALL: Awww! | 0:19:38 | 0:19:41 | |
So there you go. Good result, Santa. | 0:19:41 | 0:19:43 | |
Let's see how Imogen's going. | 0:19:47 | 0:19:50 | |
Oh, you've spooled it back up, he's turning slowly... | 0:19:50 | 0:19:55 | |
BRENDAN: Oh, he's doing two tasks now. | 0:19:55 | 0:19:57 | |
He's growing it back into a ball, | 0:19:58 | 0:20:01 | |
it actually doesn't just unravel it, it balls it up as well! | 0:20:01 | 0:20:04 | |
"Balls it up." Sorry. | 0:20:04 | 0:20:06 | |
LAUGHTER | 0:20:06 | 0:20:07 | |
Beautifully! Look at how cunning that little thing is. | 0:20:07 | 0:20:11 | |
-The little shuttley... -He's called Tristan, Steve. | 0:20:11 | 0:20:14 | |
APPLAUSE | 0:20:19 | 0:20:22 | |
Imogen, what do you call that unit that winds it up? | 0:20:23 | 0:20:27 | |
Her brother. | 0:20:27 | 0:20:28 | |
-Did you design the way that it moves like that? -The little tiny thing? | 0:20:30 | 0:20:34 | |
-Yeah. -That's from eBay. | 0:20:34 | 0:20:35 | |
LAUGHTER | 0:20:35 | 0:20:37 | |
I think British industry in the future has nothing to fear. | 0:20:42 | 0:20:45 | |
We're going to win over the world. Congratulations, we'll come back | 0:20:45 | 0:20:48 | |
to you when that ball of wool is complete. That's brilliant. | 0:20:48 | 0:20:51 | |
Now, how can a Christmas tree get you into trouble? | 0:20:51 | 0:20:53 | |
Grass you up. | 0:20:54 | 0:20:56 | |
-Very good. -Falling needles, and their disposal. | 0:20:58 | 0:21:02 | |
Drying out and the chances of fire. | 0:21:02 | 0:21:06 | |
Falling over and giving an elderly relative brain damage. | 0:21:06 | 0:21:10 | |
We're talking about the once-beloved institution, | 0:21:13 | 0:21:16 | |
the giant, magnificent cultural gift to the world that is the BBC. | 0:21:16 | 0:21:20 | |
Oh. | 0:21:20 | 0:21:21 | |
And the BBC now, of course, is so open that you can literally | 0:21:21 | 0:21:25 | |
look up everyone who works for it and see how much their salary is. | 0:21:25 | 0:21:28 | |
In the old days they all had a personnel file, and there was | 0:21:28 | 0:21:33 | |
a figure from another institution, far more sinister even than the BBC. | 0:21:33 | 0:21:37 | |
-Broadmoor. -Not Broadmoor! | 0:21:37 | 0:21:41 | |
MI5 is the right answer, | 0:21:41 | 0:21:42 | |
and if they thought anyone who worked for the BBC was... | 0:21:42 | 0:21:45 | |
-Gay. -Communist. -..dodgy... -They would ask them to join immediately! | 0:21:45 | 0:21:50 | |
There would be a symbol put onto their personnel file which | 0:21:53 | 0:21:57 | |
resembled a Christmas tree. | 0:21:57 | 0:22:00 | |
-Like that. -Oh. -Oh, no(!) | 0:22:00 | 0:22:04 | |
The reason people thought it might be a Christmas tree was... | 0:22:04 | 0:22:07 | |
Do you know what the German for Christmas tree is? | 0:22:07 | 0:22:09 | |
-"Tannenbaum." -Do you know the tune of the song? | 0:22:09 | 0:22:12 | |
# O Tannenbaum, o Tannenbaum... # | 0:22:12 | 0:22:15 | |
SHE SPEAKS GIBBERISH | 0:22:15 | 0:22:18 | |
Exactly. Which is also the tune to? | 0:22:18 | 0:22:22 | |
# Though cowards flinch and traitors sneer | 0:22:22 | 0:22:25 | |
# We'll keep the red flag flying here. # | 0:22:25 | 0:22:28 | |
The Red Flag. | 0:22:28 | 0:22:30 | |
-"Power to the people!" -Can I just do my version of the Red Flag? | 0:22:30 | 0:22:35 | |
# Neil Kinnock's hair is deepest red | 0:22:35 | 0:22:38 | |
# Though most of it's not on his head. # | 0:22:38 | 0:22:41 | |
APPLAUSE | 0:22:44 | 0:22:45 | |
It isn't actually the reason that it's the Tannenbaum, Red Flag. | 0:22:49 | 0:22:54 | |
People thought it looked like a Christmas tree, | 0:22:54 | 0:22:57 | |
called it the Christmas tree, | 0:22:57 | 0:22:59 | |
but the two arrows actually just mean "Refer upstairs". | 0:22:59 | 0:23:02 | |
So if anyone was thought to... | 0:23:02 | 0:23:04 | |
For promotion, you saw their personnel file, | 0:23:04 | 0:23:06 | |
you'd have to go up to a senior person and say... | 0:23:06 | 0:23:10 | |
-I'm up for promotion. -Anna Ford had one of those on her, the newsreader. | 0:23:10 | 0:23:15 | |
It was because she'd once had as a boyfriend a Communist, | 0:23:15 | 0:23:19 | |
which, Jesus, in a free society... | 0:23:19 | 0:23:21 | |
And they allowed her on the television? | 0:23:21 | 0:23:23 | |
I know. There you go. | 0:23:23 | 0:23:24 | |
The BBC used Christmas trees to keep lefties off the telly. | 0:23:24 | 0:23:27 | |
The practice stopped in 1985 and, sure enough, they're everywhere! | 0:23:27 | 0:23:32 | |
Now, historic moment. | 0:23:32 | 0:23:33 | |
BAAS LIKE COLONEL MELCHETT | 0:23:33 | 0:23:36 | |
-What's Baldrick brought for me this Christmas? -Right, bought for you... | 0:23:38 | 0:23:43 | |
-Melchett? Are we Melching? -Well, it's for me. | 0:23:43 | 0:23:47 | |
-It's for you. -And who is that there on the screen? | 0:23:47 | 0:23:50 | |
-Tony Robinson. -Tony Robinson. | 0:23:50 | 0:23:52 | |
And there is a Tony Robinson, Baldrick, who's about to come on. | 0:23:52 | 0:23:56 | |
But in the First World War, as you probably know | 0:23:56 | 0:23:58 | |
and we've covered before, there was a Christmas football truce. | 0:23:58 | 0:24:02 | |
But what happened later, in 1915, was that, because football had been | 0:24:03 | 0:24:10 | |
banned on Christmas Day, a soldier smuggled into the trench a football. | 0:24:10 | 0:24:14 | |
It was deflated, so that no-one would spot it, | 0:24:14 | 0:24:17 | |
and then he blew it up before the Battle of Loos. | 0:24:17 | 0:24:20 | |
And in the morning, | 0:24:20 | 0:24:22 | |
when the whistle blew to commence the offensive, | 0:24:22 | 0:24:25 | |
he threw it out of the trench, shouting, | 0:24:25 | 0:24:27 | |
"Play up, London Irish!", cos he was from the London Irish regiment, | 0:24:27 | 0:24:32 | |
-which I'm sure you'll be aware of. -I am. Great regiment. | 0:24:32 | 0:24:35 | |
And they found the football when they got to the German trench, | 0:24:35 | 0:24:40 | |
they kept it, and it | 0:24:40 | 0:24:42 | |
so happens that a member of that London Irish happens to be | 0:24:42 | 0:24:45 | |
called Tony Robinson, is therefore always called | 0:24:45 | 0:24:48 | |
Baldrick by his fellow...and he has brought that football along today. | 0:24:48 | 0:24:54 | |
APPLAUSE | 0:24:54 | 0:24:55 | |
SPEECH DROWNED OUT BY APPLAUSE | 0:25:00 | 0:25:01 | |
Do your flies up, man. | 0:25:06 | 0:25:08 | |
Oh, Christmas came early for Stephen! | 0:25:12 | 0:25:15 | |
Darling, take that man's name. And address. | 0:25:15 | 0:25:20 | |
-This really is, Tony, the football. -It is, indeed, it's the football. | 0:25:20 | 0:25:23 | |
And where is it kept? | 0:25:23 | 0:25:25 | |
It's kept in the museum, which is now down in Camberwell, | 0:25:25 | 0:25:27 | |
at the London Irish Rifles. | 0:25:27 | 0:25:29 | |
Is it the London Irish Regiment or the London Regiment? | 0:25:29 | 0:25:31 | |
We're D Company London Irish Rifles of the London Regiment. | 0:25:31 | 0:25:34 | |
Right, D Company. | 0:25:34 | 0:25:36 | |
And it's still an active regiment in the British Army, and we have | 0:25:36 | 0:25:41 | |
some of your fellow soldiers over here, | 0:25:41 | 0:25:43 | |
if you'd like to stand up. Here they are. | 0:25:43 | 0:25:45 | |
APPLAUSE | 0:25:45 | 0:25:47 | |
Fabulous to see you guys. | 0:25:51 | 0:25:53 | |
They are all recently back from Helmand Province in Afghanistan | 0:25:53 | 0:25:58 | |
and they're wearing combat uniform, | 0:25:58 | 0:25:59 | |
but what's most noticeable is the, how do you say it, caubeen? | 0:25:59 | 0:26:02 | |
Which you must NOT call a beret, I believe. | 0:26:02 | 0:26:05 | |
And can any of you tell me what is distinctive about that particular | 0:26:05 | 0:26:10 | |
piece of head joy, I shall call it, as opposed to other British...? | 0:26:10 | 0:26:15 | |
-Pain in the arse in the cinema. -Well, yes. | 0:26:15 | 0:26:18 | |
But this is different from other headwear. | 0:26:18 | 0:26:20 | |
The people behind those lads are, like, "Oh, now they've stood up. | 0:26:20 | 0:26:24 | |
"It was bad enough with the funny hat." | 0:26:24 | 0:26:27 | |
-PHILL: -"Tell 'em. Tell 'em." "I'm not going to..." | 0:26:27 | 0:26:32 | |
Are they worn on the opposite side to the others? | 0:26:32 | 0:26:34 | |
It's the only one with the cap badge on the right. | 0:26:34 | 0:26:36 | |
-This is a very historic year for Irish soldiers. -Tell me why. | 0:26:36 | 0:26:40 | |
Well, last May, all Irish soldiers who deserted the Irish... | 0:26:40 | 0:26:43 | |
-Oh, yes, have been... -I haven't finished! -Sorry! | 0:26:43 | 0:26:46 | |
I'm so sorry, carry on. | 0:26:55 | 0:26:57 | |
All soldiers who deserted the Irish Army in both the First World War | 0:26:57 | 0:27:00 | |
and Second World War periods and joined the British Army | 0:27:00 | 0:27:03 | |
to fight for the British Army were granted a pardon. | 0:27:03 | 0:27:06 | |
-That is extraordinary, isn't it? -It's too late now, they're dead. | 0:27:06 | 0:27:09 | |
Almost all of them are dead, but it was true, | 0:27:09 | 0:27:11 | |
that if you were Irish and anti-Fascist, say, | 0:27:11 | 0:27:14 | |
and you wanted to fight for the Allies against Germany, | 0:27:14 | 0:27:17 | |
and so joined the British Army, | 0:27:17 | 0:27:18 | |
it was considered by the Irish Government that you were a traitor. | 0:27:18 | 0:27:22 | |
You got no pension, you couldn't work for the Government. | 0:27:22 | 0:27:25 | |
-You could barely go home. -Yeah. | 0:27:25 | 0:27:27 | |
There was a great cartoon, | 0:27:27 | 0:27:28 | |
and it was two Irish guys fighting for the British Army, | 0:27:28 | 0:27:31 | |
in the trenches, | 0:27:31 | 0:27:33 | |
and de Valera was the President of Ireland at the time, | 0:27:33 | 0:27:35 | |
and the two boys were there, ducking the bullets, and one said, | 0:27:35 | 0:27:38 | |
"Well, fair play to de Valera, he kept us out of this." | 0:27:38 | 0:27:40 | |
That's very good. | 0:27:41 | 0:27:42 | |
So thank you very much and please sit down, members of D Company. | 0:27:42 | 0:27:46 | |
Thank you so much. | 0:27:46 | 0:27:48 | |
-Anyway, Baldrick. -Sir. | 0:27:50 | 0:27:52 | |
I've never seen you looking better. | 0:27:52 | 0:27:55 | |
Yet, you're still an absolute disaster of a human being. | 0:27:55 | 0:27:59 | |
Thank you so much for bringing me lunch. | 0:27:59 | 0:28:02 | |
-I'm not very hungry, you can take it away. -Thank you, sir. | 0:28:02 | 0:28:05 | |
Thank you very much indeed. Wonderful. | 0:28:05 | 0:28:08 | |
Tony Robinson. | 0:28:11 | 0:28:12 | |
So, yep, that football you've just seen was kicked right across | 0:28:15 | 0:28:19 | |
No-Man's Land by Rifleman Frank Edwards and the London Irish | 0:28:19 | 0:28:22 | |
in 1915 and our thanks to Rifleman Tony "Baldrick" Robinson. | 0:28:22 | 0:28:26 | |
So it's time for a Christmas drink, I think. | 0:28:26 | 0:28:28 | |
So take a glass, each of you. There you go. | 0:28:28 | 0:28:32 | |
And all I want to know from you | 0:28:32 | 0:28:35 | |
is which ones you should use at Christmas. | 0:28:35 | 0:28:38 | |
You've got a drink, you can pour out your drink. | 0:28:38 | 0:28:41 | |
-HISSING -Holy moly... | 0:28:41 | 0:28:43 | |
It's not about the capacity, it's about the shape. | 0:28:43 | 0:28:46 | |
Can I just say, as an ex-nurse, that looks like someone with cystitis. | 0:28:46 | 0:28:50 | |
Darling, have you got...? | 0:28:52 | 0:28:55 | |
I think whereas I have had one Berocca too many. | 0:28:55 | 0:28:59 | |
Suspiciously like Irn-Bru, actually, the colour, isn't it? Maybe... | 0:29:01 | 0:29:04 | |
-Oh, it's like piss. -Oh, right. | 0:29:04 | 0:29:07 | |
The issue is an Oxford psychologist who assists Heston Blumenthal, | 0:29:07 | 0:29:10 | |
-in fact... -Oh-oh. | 0:29:10 | 0:29:11 | |
..has studied extensively the effect | 0:29:11 | 0:29:14 | |
of one of our sense organs on food and drink. | 0:29:14 | 0:29:18 | |
It's not the tongue. What do you think it is? | 0:29:18 | 0:29:20 | |
-It's the feel, the feel. -No, not the feel. -Eyes. -The eyes. | 0:29:20 | 0:29:24 | |
So much more of our mental processes... | 0:29:24 | 0:29:26 | |
-We eat 80% with our eyes. -Exactly, goes with our eyes. | 0:29:26 | 0:29:28 | |
And he has discovered remarkable things by observing people | 0:29:28 | 0:29:32 | |
who don't know they're being watched, | 0:29:32 | 0:29:34 | |
is that you drink more quickly out of a curved glass, | 0:29:34 | 0:29:38 | |
cos you're not aware of how much there is. | 0:29:38 | 0:29:40 | |
And also you drink more quickly with loud music playing. | 0:29:40 | 0:29:42 | |
And you drink more quickly if you're an alcoholic. | 0:29:42 | 0:29:45 | |
-And if you're an alcoholic. -LAUGHTER | 0:29:45 | 0:29:47 | |
You don't care what shape the glass is. You drink from the bottle. | 0:29:47 | 0:29:50 | |
I find you drink much more quickly if you've had three drinks already. | 0:29:50 | 0:29:53 | |
LAUGHTER | 0:29:53 | 0:29:54 | |
But there are also many other extraordinary things about colour | 0:29:54 | 0:29:57 | |
and sight which influence food which are quite startling | 0:29:57 | 0:30:01 | |
which this same professor has discovered, | 0:30:01 | 0:30:03 | |
whose name is Charles Spence. | 0:30:03 | 0:30:06 | |
Erm, the colour of a plate can affect the taste of food. | 0:30:06 | 0:30:09 | |
So, if you, for example, have a | 0:30:09 | 0:30:11 | |
strawberry mousse served on a white plate, it tastes more | 0:30:11 | 0:30:14 | |
flavourful and sweeter than the same thing on a black plate. | 0:30:14 | 0:30:18 | |
Nearly everything does. | 0:30:18 | 0:30:19 | |
A chef prefers to serve on a white plate | 0:30:19 | 0:30:21 | |
because it hails what you're going to taste. | 0:30:21 | 0:30:23 | |
It somehow does, exactly. | 0:30:23 | 0:30:24 | |
The restaurants have all got a bit weird lately. | 0:30:24 | 0:30:27 | |
-I've had fruit served to me on planks... -Oh, yes. -On slate. | 0:30:27 | 0:30:33 | |
-Slates and planks. -Please, wash the bird shit off it first. | 0:30:33 | 0:30:37 | |
LAUGHTER | 0:30:37 | 0:30:39 | |
That was the sauce. | 0:30:39 | 0:30:41 | |
LAUGHTER | 0:30:41 | 0:30:42 | |
It was Heston Blumenthal...a little squeeze of sparrow. | 0:30:42 | 0:30:45 | |
LAUGHTER | 0:30:45 | 0:30:48 | |
Blowtorch... | 0:30:48 | 0:30:49 | |
I always put my mayonnaise through a pigeon before I... | 0:30:49 | 0:30:51 | |
In the Jamie Oliver ones, they hang them on the wall | 0:30:51 | 0:30:54 | |
and offer them for sale afterwards. | 0:30:54 | 0:30:56 | |
-The pigeons? -No, the planks. | 0:30:56 | 0:30:57 | |
LAUGHTER | 0:30:57 | 0:30:59 | |
I think that's crap about stuff tasting worse off black plates. | 0:30:59 | 0:31:03 | |
-It isn't. -I think it's racist towards plates. | 0:31:03 | 0:31:07 | |
LAUGHTER | 0:31:07 | 0:31:09 | |
Let's have a taste challenge. | 0:31:09 | 0:31:11 | |
We will move on now, but there are various other things, | 0:31:11 | 0:31:14 | |
for example, it is as you rightly said cortical real estate | 0:31:14 | 0:31:17 | |
-taken up by visual is much, much more. -Did I say that? | 0:31:17 | 0:31:21 | |
Well, you didn't say it quite like that. | 0:31:21 | 0:31:24 | |
LAUGHTER | 0:31:24 | 0:31:25 | |
Wine doesn't taste as nice in a mug. | 0:31:25 | 0:31:29 | |
Wine, no, that's very true | 0:31:29 | 0:31:30 | |
and I think tea doesn't taste good out of a... | 0:31:30 | 0:31:32 | |
That's cos of the amount of air you take in. | 0:31:32 | 0:31:34 | |
Yes, that's probably true, isn't it? | 0:31:34 | 0:31:36 | |
-No, it IS true, Stephen. -Yes, no... | 0:31:36 | 0:31:38 | |
LAUGHTER | 0:31:38 | 0:31:41 | |
APPLAUSE | 0:31:41 | 0:31:43 | |
It's the thinness of the glass. | 0:31:46 | 0:31:48 | |
It's the amount of air you're taking as you sip. | 0:31:48 | 0:31:51 | |
If you like tea, just make one cup in a glass | 0:31:51 | 0:31:53 | |
and try the tea out of the glass. It is divine. | 0:31:53 | 0:31:57 | |
My wife likes a thin mug. | 0:31:57 | 0:31:59 | |
Well, that's your own business but I'm just saying... | 0:31:59 | 0:32:02 | |
LAUGHTER | 0:32:02 | 0:32:05 | |
LAUGHTER DROWNS OUT SPEECH | 0:32:09 | 0:32:13 | |
Who thought that Fry and Carroll would be a double act?! | 0:32:17 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:21 | |
That's why when they taste the wine they go... | 0:32:21 | 0:32:24 | |
HE BREATHES THROUGH HIS TEETH | 0:32:24 | 0:32:25 | |
-Yeah, that's right. -To maximise the air that gets in. | 0:32:25 | 0:32:27 | |
OPERATIC VOICE SINGS FAINTLY | 0:32:27 | 0:32:29 | |
-Is that your phone? -Yes. | 0:32:29 | 0:32:30 | |
LAUGHTER AND APPLAUSE | 0:32:30 | 0:32:33 | |
It's Heston Blumenthal. | 0:32:37 | 0:32:39 | |
LAUGHTER | 0:32:39 | 0:32:40 | |
-Minus how many points, I'm wondering. -I'm so sorry. | 0:32:40 | 0:32:43 | |
I didn't even know I had it on me. | 0:32:43 | 0:32:46 | |
I'm very sorry. | 0:32:46 | 0:32:48 | |
Anyway, now, let's test your beer goggles, as it were. | 0:32:48 | 0:32:51 | |
We have a man in the audience who's going to hold up a picture | 0:32:51 | 0:32:53 | |
and I want you to tell me who's that of. | 0:32:53 | 0:32:56 | |
-Marilyn Monroe. -Marilyn Monroe, yeah. | 0:32:56 | 0:32:57 | |
You can see the picture behind it there, Marilyn Monroe. | 0:32:57 | 0:33:00 | |
Now, it's Sam. Sam, walk towards us, if you'd be kind enough. | 0:33:00 | 0:33:03 | |
I don't think... I think it's supposed to look like her but I'm suspicious. | 0:33:03 | 0:33:08 | |
Albert Einstein. | 0:33:08 | 0:33:10 | |
-Albert Einstein. -Holy crap! | 0:33:10 | 0:33:12 | |
-It is rather extraordinary, it's both. -They're related. -No. | 0:33:12 | 0:33:16 | |
LAUGHTER | 0:33:16 | 0:33:18 | |
Never in the same room, Brendan. | 0:33:18 | 0:33:21 | |
They would be, would you... | 0:33:21 | 0:33:23 | |
I think Marilyn Monroe did have quite a bad facial hair problem. | 0:33:23 | 0:33:27 | |
LAUGHTER | 0:33:27 | 0:33:29 | |
From a distance, the image does look like Marilyn Monroe because | 0:33:29 | 0:33:32 | |
what they do is...it's created by the MIT, this illusion, | 0:33:32 | 0:33:36 | |
the Massachusetts Institute of Technology, as I'm sure you know. | 0:33:36 | 0:33:39 | |
-Thank you. -They remove Marilyn's fine-grained features | 0:33:39 | 0:33:42 | |
like wrinkles and little blemishes | 0:33:42 | 0:33:44 | |
and they remove Einstein's coarser features, | 0:33:44 | 0:33:47 | |
like the shape of his mouth and nose and then they superimpose the two. | 0:33:47 | 0:33:50 | |
And from a distance we see all the broader strokes and see her, | 0:33:50 | 0:33:54 | |
Marilyn Monroe, and close up, we see the fine details of Albert Einstein. | 0:33:54 | 0:33:59 | |
And we've done another version to show this really does work, | 0:33:59 | 0:34:01 | |
it's not just Marilyn. Erm, who's that? | 0:34:01 | 0:34:05 | |
-Handsome man...that's Stephen Fry, I know him well. -That's me, hooray. | 0:34:05 | 0:34:09 | |
And if you come towards us, hello... | 0:34:09 | 0:34:12 | |
It's Alan Davies. | 0:34:15 | 0:34:18 | |
APPLAUSE | 0:34:18 | 0:34:20 | |
How about that? | 0:34:20 | 0:34:21 | |
That's fantastic, an extraordinary illusion. | 0:34:27 | 0:34:29 | |
-I hope they've done two, so we can have one each in our bedrooms. -Yeah, I want one in my house. | 0:34:29 | 0:34:33 | |
What distance do you want it, though? | 0:34:33 | 0:34:35 | |
I want to be far away from it. | 0:34:35 | 0:34:38 | |
LAUGHTER | 0:34:38 | 0:34:40 | |
Toss you for it, erm... | 0:34:40 | 0:34:43 | |
LAUGHTER | 0:34:43 | 0:34:45 | |
Thank you very much indeed. | 0:34:46 | 0:34:48 | |
APPLAUSE | 0:34:50 | 0:34:52 | |
And thank you, Albert and Marilyn. | 0:34:55 | 0:34:57 | |
So, the take home message tonight is don't trust your eyes, | 0:34:57 | 0:35:00 | |
even when you're sober. | 0:35:00 | 0:35:01 | |
In fact, you probably shouldn't really trust anything, | 0:35:01 | 0:35:03 | |
because we've come to that bit we call general ignorance. | 0:35:03 | 0:35:06 | |
Fingers on buzzers for very quick ones. What year was Jesus born? | 0:35:06 | 0:35:09 | |
CHOIR SINGS | 0:35:09 | 0:35:10 | |
-Yes, Brendan. -5 BC. -Oooh, it's not the right answer. | 0:35:10 | 0:35:14 | |
-Damn close, though. -Four. -No. -Three. -No... | 0:35:14 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:19 | |
-Two. -No. | 0:35:19 | 0:35:21 | |
-Other direction, eight. -Six. -Yes. -Ah, come on. | 0:35:21 | 0:35:25 | |
He was born six years before Christ. | 0:35:25 | 0:35:27 | |
-Well done, Jesus. -How crazy is that? | 0:35:27 | 0:35:30 | |
Now, how do we know? | 0:35:30 | 0:35:32 | |
Somebody told us. | 0:35:32 | 0:35:33 | |
LAUGHTER | 0:35:33 | 0:35:34 | |
It's the only authority we could possibly have. | 0:35:34 | 0:35:37 | |
-There's a book about him, come on. -It doesn't give the date, though. | 0:35:37 | 0:35:40 | |
Doesn't it? | 0:35:40 | 0:35:41 | |
It's been worked out by the only man we've ever been able to call, | 0:35:41 | 0:35:44 | |
certainly for over 1,000 years, I think, Pope Emeritus. | 0:35:44 | 0:35:47 | |
Who's he? Emeritus, what does Emeritus mean? | 0:35:47 | 0:35:50 | |
-An ex-Pope. -An ex-Pope. Is there an ex-Pope in the world? | 0:35:50 | 0:35:53 | |
-We've got one now. -We have, Benedict. | 0:35:53 | 0:35:56 | |
They call him Pope Emeritus Benedict XVI. | 0:35:56 | 0:35:58 | |
His Holiness wrote a book with the catchy title | 0:35:59 | 0:36:03 | |
Jesus of Nazareth: The Infancy Narratives. | 0:36:03 | 0:36:07 | |
And the calculation made by Dionysius Exiguous, which is | 0:36:07 | 0:36:11 | |
-basically Latin for Dennis The Small... -LAUGHTER | 0:36:11 | 0:36:15 | |
This modern dating system is based...was wrong by several years, | 0:36:15 | 0:36:17 | |
he says, and so he puts the date at 6 BC, | 0:36:17 | 0:36:19 | |
which you eventually got to, Alan, | 0:36:19 | 0:36:21 | |
in your usual method. What was the year before 1 AD? | 0:36:21 | 0:36:26 | |
-Yes, Jo. -Nought. | 0:36:27 | 0:36:29 | |
Ohhhh! Dear, oh, dear, oh, dear. | 0:36:29 | 0:36:32 | |
No. Hooray! Yes, well done. Touch of pride. | 0:36:32 | 0:36:36 | |
APPLAUSE | 0:36:36 | 0:36:38 | |
-1 BC is the right answer. -Oh, I was going to say that! | 0:36:38 | 0:36:43 | |
Well... It went from December 31st 1 BC to 1st January 1 AD. | 0:36:43 | 0:36:49 | |
The BC-AD scheme doesn't have a zero. Anyway, here's an easy one. | 0:36:49 | 0:36:53 | |
Is zero an odd number or an even number? | 0:36:53 | 0:36:56 | |
It's not a number. | 0:36:56 | 0:36:58 | |
-No, it is a number. -I give up. -No... | 0:36:58 | 0:37:00 | |
LAUGHTER | 0:37:00 | 0:37:03 | |
-So it is one of them. -Hang on. It's even. -Yes! | 0:37:06 | 0:37:11 | |
-Oh! -Is it? | 0:37:11 | 0:37:13 | |
By the criteria by which you judge an even number, it is even. | 0:37:15 | 0:37:18 | |
An even number is divisible by two without leaving a remainder. | 0:37:18 | 0:37:23 | |
Well, nought over two is nought. | 0:37:23 | 0:37:24 | |
There's no remainder. | 0:37:24 | 0:37:26 | |
Or it's a number that ends in 0, 2, 4, 6 or 8. | 0:37:26 | 0:37:29 | |
0 obviously ends in 0 cos it is 0. | 0:37:29 | 0:37:31 | |
Also, it has either side of it -1 and 1, which are both odd numbers. | 0:37:31 | 0:37:35 | |
Our maths elf at QI thinks this is the easiest question that's | 0:37:35 | 0:37:38 | |
ever been asked on QI. | 0:37:38 | 0:37:40 | |
Yeah, yeah! Take away my glory now. I got my points. | 0:37:40 | 0:37:43 | |
The easiest question that's ever been asked. | 0:37:43 | 0:37:45 | |
-But he is a maths elf. -Yeah. The sun isn't there. | 0:37:45 | 0:37:48 | |
I had that about 40 years ago. | 0:37:48 | 0:37:50 | |
I'm looking at it and it's not there, but this is easier. | 0:37:50 | 0:37:55 | |
-No, I know maths people are odd. -I hate this show! | 0:37:55 | 0:37:57 | |
LAUGHTER | 0:37:57 | 0:37:59 | |
I'm so sorry, Phill. | 0:37:59 | 0:38:01 | |
You feel bad - I got it wrong! | 0:38:01 | 0:38:03 | |
STEPHEN LAUGHS | 0:38:03 | 0:38:04 | |
That's true, where does that put you? | 0:38:04 | 0:38:06 | |
Now, who wants to see one of my knick-knacks? | 0:38:06 | 0:38:09 | |
-My first knick-knack is for you to do. -Ohh! | 0:38:09 | 0:38:11 | |
I want you to create some extraordinary, magical, | 0:38:11 | 0:38:14 | |
Christmassy things using the power of chemistry alone. | 0:38:14 | 0:38:18 | |
-Chemistry, let's not forget, means magic. -Ooh! -Ohh! | 0:38:18 | 0:38:22 | |
Al-kimia, the magic. So, you should have... | 0:38:22 | 0:38:24 | |
-Stephen, are we going to make a seasonal meth lab? -Maybe. | 0:38:24 | 0:38:28 | |
LAUGHTER | 0:38:28 | 0:38:29 | |
Take out your little chemistry lab. | 0:38:29 | 0:38:31 | |
You have to put on your gloves, I'm afraid, for health and safety reasons. | 0:38:31 | 0:38:34 | |
Oooh, the gloves are... | 0:38:34 | 0:38:35 | |
-While you're doing yours... Yours takes a bit of time. -What are we doing? | 0:38:35 | 0:38:39 | |
-You pour the contents of your smaller into the larger. -A-ha, the usual! | 0:38:39 | 0:38:44 | |
Yeah. What it is, is there's... | 0:38:44 | 0:38:46 | |
-Get it straight, we're providing a sample. -No! | 0:38:46 | 0:38:49 | |
That should turn brown. Put the lid on. | 0:38:51 | 0:38:54 | |
Just swirl, gently sort of twist | 0:38:54 | 0:38:57 | |
and swirl. | 0:38:57 | 0:38:58 | |
You need to do that for about two minutes. Not too violently. | 0:38:58 | 0:39:03 | |
I've done this before. | 0:39:03 | 0:39:04 | |
While you're doing that, I'll just do my demonstration of dry ice, | 0:39:04 | 0:39:09 | |
which as we know makes a marvellous reaction with water. | 0:39:09 | 0:39:12 | |
What are the chances of us being busted by the Feds | 0:39:12 | 0:39:15 | |
while we're doing this? | 0:39:15 | 0:39:16 | |
-I've got this. -Fry's crack house! -Look at this. | 0:39:16 | 0:39:19 | |
-I've got this. -Ohhh! | 0:39:19 | 0:39:22 | |
Christmas party! | 0:39:22 | 0:39:24 | |
I'll have some of that. | 0:39:24 | 0:39:25 | |
OK, there'll be quite violent action to this, as I'm sure you've | 0:39:25 | 0:39:29 | |
all seen - dry ice, as they call it, going into... | 0:39:29 | 0:39:31 | |
I've got here... This is a sort of bubble. | 0:39:31 | 0:39:33 | |
Like blowing bubbles. What we are trying to do is make little smoky bubbles. | 0:39:33 | 0:39:37 | |
That sort of Christmassy effect. | 0:39:37 | 0:39:39 | |
-God, I hope I can get the lid on in time. -Oh! Wooo-hooo-hoooo! | 0:39:39 | 0:39:42 | |
WHOOPING | 0:39:42 | 0:39:46 | |
Whoa! Hey, yay, whoa! | 0:39:46 | 0:39:48 | |
What are you doing, Fry?! Get the lid on! | 0:39:48 | 0:39:51 | |
-Go, go! -Get the lid on! | 0:39:51 | 0:39:54 | |
APPLAUSE | 0:39:54 | 0:39:55 | |
Lid is on, lid is on! Lid is on. | 0:39:55 | 0:39:58 | |
It's going everywhere! | 0:39:58 | 0:39:59 | |
Bubbles! Here's my little bubbles. | 0:40:01 | 0:40:04 | |
-Oh, oh! -There's one, look! Big one. Pop it! Ping! | 0:40:04 | 0:40:08 | |
Whooo! Aw! | 0:40:08 | 0:40:10 | |
-Bubble... Smoky bubble! -Ohhhh! | 0:40:10 | 0:40:12 | |
-Ohhh! -Smoky bubble! | 0:40:12 | 0:40:15 | |
APPLAUSE | 0:40:15 | 0:40:18 | |
There we are. | 0:40:18 | 0:40:20 | |
-I've gone completely reflective. -Ohh?! | 0:40:22 | 0:40:24 | |
-There you are, look at you, you've made a bauble. -Look at that! | 0:40:24 | 0:40:28 | |
You've made a bauble, because your little experiment, invented by Mr Torrance, is... | 0:40:28 | 0:40:33 | |
One of the things he used was silver nitrate, the same thing used in film photography. | 0:40:33 | 0:40:38 | |
-That is silver. -Wow! | 0:40:38 | 0:40:40 | |
That's a beautiful silver bauble you've made just by mixing | 0:40:40 | 0:40:43 | |
-those two chemicals. -Can I just say, I've just seen myself. | 0:40:43 | 0:40:45 | |
I didn't realise that I looked like | 0:40:45 | 0:40:47 | |
Last Christmas by WeightWatchers Wham! | 0:40:47 | 0:40:50 | |
LAUGHTER | 0:40:50 | 0:40:53 | |
-It's hideous. -It is very beautiful, isn't it? -Gorgeous. | 0:40:53 | 0:40:56 | |
They used to use exactly that for lining | 0:40:56 | 0:40:58 | |
the inside of thermos flasks. | 0:40:58 | 0:41:00 | |
-You know how they're silvered on the inside? -It's lovely. -And mirrors. | 0:41:00 | 0:41:04 | |
There it is, you've made your own little home-made silver ball. | 0:41:04 | 0:41:07 | |
And I've finished my little bubbles. And there we are. | 0:41:07 | 0:41:10 | |
BRENDAN: Cool, man. | 0:41:10 | 0:41:11 | |
So - there's only one last thing to check and that... | 0:41:11 | 0:41:13 | |
Has anyone got any worries? | 0:41:13 | 0:41:17 | |
Just one last thing to check, what happened to Alan's grand scarf? | 0:41:19 | 0:41:22 | |
Imogen. What do you have for us? | 0:41:22 | 0:41:24 | |
There is it! Literally. | 0:41:24 | 0:41:27 | |
APPLAUSE | 0:41:27 | 0:41:31 | |
Thanks very much(!) | 0:41:33 | 0:41:35 | |
Brilliant invention. I hope they gave you First Class with Honours. | 0:41:37 | 0:41:41 | |
They didn't. | 0:41:41 | 0:41:43 | |
LAUGHTER AND APPLAUSE | 0:41:43 | 0:41:45 | |
Well! | 0:41:48 | 0:41:51 | |
For the New Year show, I want to see what the one who got a First made. | 0:41:53 | 0:41:58 | |
-Meanwhile, thank you, Imogen. -Thank you. | 0:41:58 | 0:42:01 | |
APPLAUSE | 0:42:01 | 0:42:05 | |
The one who got a first probably made a scarf. | 0:42:05 | 0:42:08 | |
You're absolutely right. | 0:42:11 | 0:42:13 | |
That brings us to the little, | 0:42:13 | 0:42:15 | |
not inconsequential matter of the Christmas scores. | 0:42:15 | 0:42:18 | |
And they are very interesting. | 0:42:18 | 0:42:20 | |
I'm afraid, in last place, though it is his first appearance, | 0:42:20 | 0:42:23 | |
unfortunately his phone went off, which may have cost him some points... | 0:42:23 | 0:42:27 | |
In last place, with a very credible -19, it's Brendan O'Carroll! | 0:42:27 | 0:42:32 | |
APPLAUSE AND CHEERING | 0:42:32 | 0:42:36 | |
In third, with -9, Jo Brand. | 0:42:40 | 0:42:44 | |
APPLAUSE AND CHEERING | 0:42:44 | 0:42:46 | |
Fat WeightWatchers. | 0:42:46 | 0:42:48 | |
In Santa's second place, with -6, Alan Davies! | 0:42:50 | 0:42:54 | |
APPLAUSE AND CHEERING | 0:42:54 | 0:42:58 | |
But our big Father Christmassy winner, with plus 3, | 0:43:00 | 0:43:04 | |
it's Phill Jupitus. | 0:43:04 | 0:43:06 | |
APPLAUSE AND CHEERING | 0:43:06 | 0:43:08 | |
So that's it from Brendan, Phill, Jo, Alan and me. | 0:43:14 | 0:43:17 | |
Merry Christmas to you all everywhere. Bye-bye. | 0:43:17 | 0:43:21 | |
APPLAUSE AND CHEERING | 0:43:21 | 0:43:23 |