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APPLAUSE AND CHEERING | 0:00:22 | 0:00:24 | |
Good evening! Happy Christmas! Joyeux Noel, | 0:00:33 | 0:00:35 | |
and welcome to QI. | 0:00:35 | 0:00:37 | |
The turkey is in the oven, this Queen's speech is on YuleTube | 0:00:37 | 0:00:40 | |
and it's time to see what's under the tree. | 0:00:40 | 0:00:43 | |
You'll never guess who - Josh Widdicombe. | 0:00:43 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:47 | |
A...bit of a know-all - Susan Calman. | 0:00:49 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:53 | 0:00:54 | |
X marks the spot - Matt Lucas. | 0:00:57 | 0:01:00 | |
Hello! It's me! It's actually me! | 0:01:00 | 0:01:04 | |
And a Christmas cracker - Alan Davies. | 0:01:04 | 0:01:08 | |
-Hello. -WHISTLING AND APPLAUSE | 0:01:08 | 0:01:10 | |
Right, let's hear their festive buzzers. Josh goes... | 0:01:14 | 0:01:18 | |
# Dashing through the snow... # | 0:01:18 | 0:01:20 | |
-Susan goes... -# In a one-horse open sleigh... # | 0:01:20 | 0:01:22 | |
LAUGHTER Matt goes... | 0:01:22 | 0:01:24 | |
# O'er the fields we go... # | 0:01:24 | 0:01:26 | |
And Alan goes... | 0:01:26 | 0:01:27 | |
-CHILD'S VOICE: -Are we nearly there yet? | 0:01:27 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:32 | |
So, God aften, velkomst to QI, or Glaedelig Jul. | 0:01:32 | 0:01:36 | |
Yes indeed, this year we have gone all Danish. | 0:01:36 | 0:01:38 | |
The panel are dressed as nisse, | 0:01:38 | 0:01:40 | |
which is the traditional Danish Christmas elf, and I have to say, | 0:01:40 | 0:01:44 | |
this is a very Danish thing, | 0:01:44 | 0:01:45 | |
we have a little competition on Christmas Eve... | 0:01:45 | 0:01:47 | |
-Ooh. -..to see who can find the whole almond. | 0:01:47 | 0:01:49 | |
LAUGHTER | 0:01:49 | 0:01:51 | |
It's not fun when you actually play it, | 0:01:51 | 0:01:54 | |
but the winner gets a marzipan pig. There we are. | 0:01:54 | 0:01:58 | |
Isn't that fantastic? LAUGHTER | 0:01:58 | 0:01:59 | |
Oh, yes, please. | 0:01:59 | 0:02:02 | |
Can I ask, where am I going to have to search for the full almond? | 0:02:02 | 0:02:05 | |
Don't you worry about the almond, but the prize today, | 0:02:05 | 0:02:08 | |
-the marzipan pig, is rather fine. -It is. | 0:02:08 | 0:02:10 | |
So, we shall be doing that and goodness knows what else besides. | 0:02:10 | 0:02:14 | |
Now, a recent survey asked the British public | 0:02:14 | 0:02:16 | |
what Christmas tradition should be preserved. | 0:02:16 | 0:02:19 | |
Number three, paper decorations. | 0:02:19 | 0:02:20 | |
Number two, carols, but number one was parlour games. | 0:02:20 | 0:02:25 | |
-Oh, no. -Right? Yes, so, let's try a parlour game to get us started. | 0:02:25 | 0:02:30 | |
One Victorian parlour game was called taboo. | 0:02:30 | 0:02:33 | |
You were asked a question and had to answer without using | 0:02:33 | 0:02:36 | |
a taboo letter of the alphabet. | 0:02:36 | 0:02:38 | |
Our taboo letter tonight is obviously N, | 0:02:38 | 0:02:40 | |
so please answer the following questions | 0:02:40 | 0:02:43 | |
without using the letter N. | 0:02:43 | 0:02:45 | |
Matt, name a tasty yellow fruit | 0:02:45 | 0:02:49 | |
grown mostly in the Caribbean and Central America. | 0:02:49 | 0:02:52 | |
In the Philippines its name has been corrupted to bayabus. | 0:02:52 | 0:02:56 | |
Is it, um, a ba-a-a? | 0:02:56 | 0:02:59 | |
LAUGHTER | 0:02:59 | 0:03:02 | |
I'm trying to think what's nice and yellow. Crisps. | 0:03:02 | 0:03:04 | |
-I'm going for crisps. -LAUGHTER | 0:03:04 | 0:03:06 | |
-Yes, as a tasty yellow fruit. -Yes. -So, no, the answer is guava... | 0:03:06 | 0:03:10 | |
-Ah. -..is the answer we were... -Oh, there is an answer? | 0:03:10 | 0:03:13 | |
There is an answer! LAUGHTER | 0:03:13 | 0:03:16 | |
I've been playing this game wrong for years. | 0:03:16 | 0:03:19 | |
-It isn't banana at all. The answer is guava... -Guava. | 0:03:19 | 0:03:21 | |
..is the fruit that we were looking for. | 0:03:21 | 0:03:23 | |
In the Philippines, it has been corrupted to bayabus. | 0:03:23 | 0:03:26 | |
-Do you know what the Filipinos call bananas? -No. | 0:03:26 | 0:03:29 | |
LAUGHTER | 0:03:29 | 0:03:30 | |
-They call them bananas. I could've got you with that one... -Yeah. | 0:03:30 | 0:03:34 | |
-..had you fallen for it. -So, Sandi, even in counter... -Yes. | 0:03:34 | 0:03:37 | |
-..in cross-examination... -Yes. -..the rules of the game still apply. | 0:03:37 | 0:03:41 | |
-No, just the answer, just the answer. -Just the answer. | 0:03:41 | 0:03:43 | |
But a supplementary counts as well, cos you said you could've got... | 0:03:43 | 0:03:46 | |
It will do with you. Here's your question... | 0:03:46 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:49 | |
-Susa Calma. -LAUGHTER | 0:03:49 | 0:03:52 | |
Susan, what do you call a woman who looked after Victorian children | 0:03:52 | 0:03:56 | |
whose mothers were social equals | 0:03:56 | 0:03:58 | |
but couldn't be arsed to do the job themselves? | 0:03:58 | 0:04:01 | |
Well, I would call them the help. | 0:04:01 | 0:04:03 | |
LAUGHTER | 0:04:03 | 0:04:06 | |
Which is nice, but not the correct term. | 0:04:06 | 0:04:08 | |
Well, then I would call them... | 0:04:08 | 0:04:10 | |
SUSAN GIGGLES | 0:04:10 | 0:04:12 | |
You've got such a gaze, Sandi! It's like the eye of Sauron. | 0:04:12 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:19 | |
Sorry, but Sauron's got an N in it. | 0:04:19 | 0:04:21 | |
Oh, come on! | 0:04:21 | 0:04:22 | |
I would've said the nanny, or a governess... | 0:04:22 | 0:04:25 | |
-Oh... -Yes. -ALARM RINGS | 0:04:25 | 0:04:27 | |
-I was essentially cajoled into that. -You were. | 0:04:29 | 0:04:31 | |
So, not nanny, obviously, | 0:04:31 | 0:04:33 | |
because how many Ns have you got there, Susan? | 0:04:33 | 0:04:35 | |
-At least two. -At least two. | 0:04:35 | 0:04:36 | |
Also, not social equal, a nanny. | 0:04:36 | 0:04:40 | |
It's au pair. | 0:04:40 | 0:04:41 | |
-JOSH: -Oh, no... -Au pair. | 0:04:41 | 0:04:43 | |
Oh, Josh! Don't start with your, | 0:04:43 | 0:04:45 | |
"Oh, it was on the tip of my tongue there"! | 0:04:45 | 0:04:48 | |
-It's been around since the 1840s... -Has it? | 0:04:48 | 0:04:51 | |
Well, it literally means social equal, au pair. | 0:04:51 | 0:04:53 | |
-Does it? -Yes. | 0:04:53 | 0:04:54 | |
"Have you met our social equal? She's really, really fit." | 0:04:54 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:58 | |
"He's only run off with the social equal!" | 0:05:01 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
So, nobody doing very well, | 0:05:08 | 0:05:09 | |
but I'm relying on Josh to get this one right. | 0:05:09 | 0:05:11 | |
-Watch and learn. -OK, here we go... | 0:05:11 | 0:05:13 | |
SUSAN LAUGHS | 0:05:13 | 0:05:14 | |
..what do you call a Roman Catholic religious woman | 0:05:16 | 0:05:19 | |
who has taken simple vows of poverty, chastity and obedience? | 0:05:19 | 0:05:23 | |
Is it the au pair? | 0:05:25 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
No, it's guava. | 0:05:28 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:31 | |
Oh, it's difficult, isn't it, now? Yeah. | 0:05:31 | 0:05:33 | |
Yeah, not so quick with the answers now, are we? | 0:05:33 | 0:05:36 | |
Tracy? | 0:05:39 | 0:05:41 | |
LAUGHTER | 0:05:41 | 0:05:42 | |
-Um, oh, go on, then. Nun. -Nun... | 0:05:42 | 0:05:45 | |
-KLAXON -Yeah. -No. | 0:05:45 | 0:05:48 | |
-No. -So, here's the thing, the answer is a sister. | 0:05:48 | 0:05:52 | |
So a nun has taken solemn vows, but a sister has taken simple vows. | 0:05:52 | 0:05:57 | |
It's a technical difference to do with the repudiation of property. | 0:05:57 | 0:06:00 | |
So a nun's SOLEMN vow repudiates property absolutely. | 0:06:00 | 0:06:04 | |
A sister's SIMPLE vow allows her to reserve an interest. | 0:06:04 | 0:06:08 | |
LAUGHTER | 0:06:08 | 0:06:10 | |
She's hedging her bets, Josh. Hedging her bets, that one. | 0:06:10 | 0:06:13 | |
-Right, Alan. -Yes. | 0:06:13 | 0:06:15 | |
Name any of the digits in the common emergency telephone number. | 0:06:15 | 0:06:19 | |
It's like you can see the brain working. | 0:06:23 | 0:06:25 | |
-Common emergency telephone number... -Yeah. | 0:06:25 | 0:06:29 | |
What is that? | 0:06:29 | 0:06:30 | |
Is that when you call the operator | 0:06:30 | 0:06:32 | |
and you say, "Is that the operator on the line? | 0:06:32 | 0:06:35 | |
"Get off quick - there's a train coming." | 0:06:35 | 0:06:37 | |
Wahey! HE GROANS | 0:06:37 | 0:06:38 | |
LAUGHTER | 0:06:38 | 0:06:40 | |
111. Oh, no, that's got Ns in... | 0:06:40 | 0:06:43 | |
KLAXON | 0:06:43 | 0:06:44 | |
-Oh... -So, what's the difference? | 0:06:47 | 0:06:49 | |
-There's an emergency number which is? -999. -999. | 0:06:49 | 0:06:52 | |
KLAXON | 0:06:52 | 0:06:53 | |
They're great guys, they're great guys. | 0:06:53 | 0:06:55 | |
-LAUGHTER -Brutal. | 0:06:55 | 0:06:56 | |
-But the common emergency telephone number is 112. -Is it? -Yes. | 0:06:56 | 0:07:00 | |
So you can use it on a mobile phone, even if it's locked | 0:07:00 | 0:07:02 | |
-or you haven't got a SIM card... -It has got Ns in, 112. | 0:07:02 | 0:07:05 | |
Well, I asked you to name any of the digits in the common emergency... | 0:07:05 | 0:07:08 | |
-Oh, come on! -So you could've said two. -Oh, my word. | 0:07:08 | 0:07:13 | |
INDISTINCT WAILING | 0:07:13 | 0:07:15 | |
Two. | 0:07:15 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
Well, it's Christmas, so Alan wins that one. There we are! | 0:07:18 | 0:07:22 | |
CHEERING AND APPLAUSE | 0:07:22 | 0:07:23 | |
OK, we can dispense with our nisse hats, I think, for the moment. | 0:07:27 | 0:07:31 | |
We might have some more parlour games a little bit later, | 0:07:31 | 0:07:34 | |
you'll be glad to hear. | 0:07:34 | 0:07:35 | |
Meanwhile, who are Spoon Licker, Doorway Sniffer, | 0:07:35 | 0:07:38 | |
Sausage Swiper and Meat Hook? | 0:07:38 | 0:07:41 | |
# ..the snow... # | 0:07:41 | 0:07:42 | |
-Yes, Josh? -Is that how you refer to us four? | 0:07:42 | 0:07:45 | |
LAUGHTER | 0:07:45 | 0:07:47 | |
And, if so, name names. | 0:07:54 | 0:07:55 | |
Yes! | 0:07:55 | 0:07:57 | |
If you were to have to describe us, Sandi, | 0:07:57 | 0:07:59 | |
which one of us would be the Sausage Swiper? | 0:07:59 | 0:08:01 | |
-LAUGHTER -# We go... # | 0:08:01 | 0:08:04 | |
LAUGHTER AND APPLAUSE | 0:08:04 | 0:08:07 | |
I was being so careful, Matt. | 0:08:09 | 0:08:12 | |
Are they reindeer? | 0:08:12 | 0:08:13 | |
No, they're not reindeer, but it is obviously a Christmassy... | 0:08:13 | 0:08:16 | |
-I think I know the answer, kind of. -Yes, go. | 0:08:16 | 0:08:18 | |
I think it's something to do with Iceland and Christmas. | 0:08:18 | 0:08:20 | |
It is something to do with Iceland and Christmas. | 0:08:20 | 0:08:22 | |
Does anybody have any ideas what it might be? Josh, yes? | 0:08:22 | 0:08:24 | |
Is that the food they sell in Iceland at Christmas? | 0:08:24 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:29 | |
I think whoever got Doorway Sniffer hasn't gone... | 0:08:29 | 0:08:33 | |
-Ooh. -Yes? -Is it the nativity people? | 0:08:33 | 0:08:36 | |
Yes, those are all the people who turned up to meet Jesus(!) | 0:08:36 | 0:08:39 | |
LAUGHTER | 0:08:39 | 0:08:41 | |
-I'm not going to lie to you! -Yes. | 0:08:45 | 0:08:48 | |
When I said it, I thought... "I'm right!" | 0:08:48 | 0:08:50 | |
LAUGHTER | 0:08:50 | 0:08:52 | |
And now I've never felt so stupid in my life. | 0:08:52 | 0:08:56 | |
It is what I call a random Scandinavian fact, | 0:08:56 | 0:08:58 | |
it's a Randy Scandy. | 0:08:58 | 0:08:59 | |
These are four of the Icelandic 13 Santas. | 0:08:59 | 0:09:05 | |
They are called the Yule Lads. There they are, there's a Yule Lad. | 0:09:05 | 0:09:09 | |
And each of them leaves a gift for the children | 0:09:09 | 0:09:11 | |
on successive nights, starting on December the 12th. | 0:09:11 | 0:09:13 | |
And there are some fantastic names, there's also Pot Scraper, | 0:09:13 | 0:09:16 | |
and Bowl Licker, Sheep Cot Clod... | 0:09:16 | 0:09:19 | |
Window Peeper, I worry about... LAUGHTER | 0:09:19 | 0:09:21 | |
It's more of a gift for him, really, I think. | 0:09:23 | 0:09:26 | |
In Scandinavia, we have this as the symbol. | 0:09:26 | 0:09:29 | |
We call it julebuk, the jule goat. | 0:09:29 | 0:09:31 | |
There's a Swedish town called Gavle, | 0:09:31 | 0:09:34 | |
and since 1966, they have built | 0:09:34 | 0:09:36 | |
a 42-foot-high jule goat of straw every year. | 0:09:36 | 0:09:41 | |
In that time, it's been kicked to pieces, it's had its legs removed, | 0:09:41 | 0:09:45 | |
it's been hit by a car, it's been damaged by fireworks. | 0:09:45 | 0:09:49 | |
In 1968, one couple climbed up inside and had sex inside it. | 0:09:49 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:54 | |
In 2010, somebody tried to steal it with a helicopter. | 0:09:54 | 0:09:57 | |
LAUGHTER | 0:09:57 | 0:10:00 | |
Unsuccessfully. | 0:10:00 | 0:10:01 | |
It's been destroyed by arson 34 times. | 0:10:01 | 0:10:05 | |
Once by firing flaming arrows at it. | 0:10:05 | 0:10:08 | |
That's the Christmas spirit, I think. | 0:10:08 | 0:10:11 | |
Anybody know what Santa does in the summer? | 0:10:11 | 0:10:13 | |
Ibiza. | 0:10:13 | 0:10:15 | |
-LAUGHTER -He gets bang on it. | 0:10:15 | 0:10:17 | |
He does. He rides one of those big giant bananas in the sea. | 0:10:19 | 0:10:23 | |
They're called guavas. | 0:10:23 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:28 | |
Any ideas? What does Santa do in the summer? | 0:10:28 | 0:10:30 | |
-I've read Raymond Briggs' Santa Goes On Holiday. -Right. | 0:10:30 | 0:10:34 | |
But I don't think that was factual. | 0:10:34 | 0:10:36 | |
-Do you not? -No. -How strange. | 0:10:36 | 0:10:38 | |
In conclusion, no, I don't know. | 0:10:38 | 0:10:41 | |
LAUGHTER | 0:10:41 | 0:10:43 | |
That's the finish to all your GCSEs. | 0:10:43 | 0:10:46 | |
"In conclusion, I have no idea." | 0:10:46 | 0:10:49 | |
It happens in the very best country in the world. | 0:10:49 | 0:10:52 | |
-Denmark, of course. -Denmark, obviously. | 0:10:52 | 0:10:54 | |
-He goes to the World Santa Claus Congress. -Ah! | 0:10:54 | 0:10:58 | |
It happens in July every year in Denmark, | 0:10:58 | 0:11:01 | |
in an amusement park called Bakken. | 0:11:01 | 0:11:02 | |
Julemandskongres. It takes three days. | 0:11:02 | 0:11:05 | |
I have no idea what they do. | 0:11:05 | 0:11:07 | |
Ho ho ho ho. Ho-ho ho. | 0:11:07 | 0:11:10 | |
Ho ho ho ho ho ho ho. | 0:11:10 | 0:11:12 | |
Ho ho ho! | 0:11:12 | 0:11:14 | |
Bloody kids. | 0:11:14 | 0:11:15 | |
LAUGHTER AND APPLAUSE | 0:11:15 | 0:11:17 | |
The only real rule is that | 0:11:22 | 0:11:24 | |
the participants are not allowed to smoke or drink whilst in uniform. | 0:11:24 | 0:11:27 | |
There's one bloke there | 0:11:27 | 0:11:28 | |
who's just a bloke who's got a beard and someone's put a hat on him. | 0:11:28 | 0:11:31 | |
"I'm not in this! I don't want to be in this!" | 0:11:31 | 0:11:34 | |
What's with the archbishop, trying to bring religion into Christmas! | 0:11:35 | 0:11:38 | |
-They get everywhere, don't they? -Yeah! | 0:11:40 | 0:11:42 | |
You don't suppose that's St Nicholas, do you? | 0:11:42 | 0:11:45 | |
My...goat. Put my goat away. Not something you say every day. | 0:11:45 | 0:11:50 | |
What's the worst thing about Christmas lights? | 0:11:50 | 0:11:52 | |
-Oh, they get terribly tangled up, don't they? -They do. | 0:11:52 | 0:11:55 | |
The worst thing I've encountered about Christmas lights | 0:11:55 | 0:11:57 | |
is they get in the way of the remote control. | 0:11:57 | 0:11:59 | |
They do, they do interfere with your Wi-Fi. | 0:11:59 | 0:12:01 | |
-JOSH: -Do they? -Yes. | 0:12:01 | 0:12:02 | |
The microwaves which come from your Wi-Fi router are quite weak | 0:12:02 | 0:12:05 | |
and they can get blocked by stronger signals, | 0:12:05 | 0:12:07 | |
and indeed the Christmas lights would be a stronger signal. | 0:12:07 | 0:12:10 | |
The man across the road from me changes my channel on my television. | 0:12:10 | 0:12:14 | |
You must ask him not to sit next to you. | 0:12:14 | 0:12:16 | |
-LAUGHTER -No! | 0:12:16 | 0:12:18 | |
He sits across the road and he changes my channel. | 0:12:18 | 0:12:20 | |
-SCOTTISH ACCENT: -"You're not watching that shite." | 0:12:20 | 0:12:23 | |
And he goes, click! | 0:12:23 | 0:12:25 | |
"Highland games for you." | 0:12:25 | 0:12:26 | |
LAUGHTER | 0:12:26 | 0:12:28 | |
How small is this road that you can see each other so easily? | 0:12:32 | 0:12:35 | |
-It's just a flat... -You live in a little model village. | 0:12:35 | 0:12:39 | |
Susan Calman from Toy Town. | 0:12:39 | 0:12:41 | |
"Stop turning me telly over, you bastard!" | 0:12:42 | 0:12:45 | |
You forgot to open the little curtains. | 0:12:49 | 0:12:52 | |
LAUGHTER AND APPLAUSE | 0:12:55 | 0:12:57 | |
So, it is the Wi-Fi, but that's not the first thing on the list. | 0:13:04 | 0:13:06 | |
It's environmental cost, is the real thing. | 0:13:06 | 0:13:09 | |
It's incredible. So the US Energy Department, | 0:13:09 | 0:13:12 | |
they did a study in 2008, and over the whole of the United States | 0:13:12 | 0:13:15 | |
a staggering 6.63 billion kilowatt hours of electricity use, | 0:13:15 | 0:13:20 | |
so that is twice as much electricity as Cambodia uses in a year. | 0:13:20 | 0:13:26 | |
-Just for the Christmas lights. -It's very dark there, though, isn't it? | 0:13:26 | 0:13:29 | |
Cambodia? LAUGHTER | 0:13:29 | 0:13:31 | |
Well, it's also more than the annual use in lots of countries - | 0:13:31 | 0:13:34 | |
-Ethiopia, El Salvador, Tanzania... -I don't like, really... | 0:13:34 | 0:13:37 | |
-Don't like what? -They go a bit overboard, don't they? | 0:13:37 | 0:13:39 | |
Oh, when they do the whole house it makes me crazy. | 0:13:39 | 0:13:41 | |
-What I don't mind is a moving reindeer. -Yes. | 0:13:41 | 0:13:44 | |
LAUGHTER | 0:13:44 | 0:13:45 | |
-I don't mind that. -So you work on that impression all year | 0:13:48 | 0:13:51 | |
-and then you bring it out at Christmas. -What's this? What's this? | 0:13:51 | 0:13:54 | |
LAUGHTER | 0:13:54 | 0:13:55 | |
Moving reindeer! Every year. | 0:13:55 | 0:13:57 | |
Christmas lights are also responsible | 0:13:57 | 0:13:59 | |
for a great many injuries, so... | 0:13:59 | 0:14:01 | |
-Tripping up, burning... -Oh, my goodness. Yes. | 0:14:01 | 0:14:03 | |
I mean, he's gone the wrong side up a ladder. | 0:14:03 | 0:14:06 | |
LAUGHTER | 0:14:06 | 0:14:07 | |
He's only got himself to blame. This is nothing to do with the lights. | 0:14:07 | 0:14:11 | |
He's looked at the manual and just got it the wrong way round. | 0:14:11 | 0:14:14 | |
LAUGHTER | 0:14:14 | 0:14:17 | |
-"This ladder is shit!" -LAUGHTER | 0:14:18 | 0:14:21 | |
Look what's in the front of frame - it's a guava. Look. | 0:14:21 | 0:14:24 | |
LAUGHTER | 0:14:24 | 0:14:26 | |
I like that ladder impersonation. | 0:14:27 | 0:14:29 | |
That could double as a reindeer doing backstroke. | 0:14:29 | 0:14:31 | |
That's very good. | 0:14:31 | 0:14:33 | |
I can't wait till next year on BBC Two. | 0:14:33 | 0:14:35 | |
Alan Davies' Christmas Impersonations. | 0:14:35 | 0:14:38 | |
LAUGHTER | 0:14:38 | 0:14:40 | |
So, lots of people injured putting up Christmas lights. | 0:14:41 | 0:14:44 | |
-The average victim is a 55-year-old man. -Well. | 0:14:44 | 0:14:47 | |
Is he the one that lives across from Susan? | 0:14:47 | 0:14:49 | |
LAUGHTER | 0:14:49 | 0:14:51 | |
And now for a bit of a Danish Christmas parlour game. | 0:14:51 | 0:14:54 | |
Or rather we're going to turn it into a parlour game. | 0:14:54 | 0:14:57 | |
So, there is a Danish tradition... We celebrate Christmas Eve, | 0:14:57 | 0:14:59 | |
and then we all hold hands and we sing standing around the tree. | 0:14:59 | 0:15:03 | |
So we're going to give this a go, | 0:15:03 | 0:15:05 | |
but we're going to do it in a very QI manner, and in order to help us, | 0:15:05 | 0:15:08 | |
please welcome, from Festival Of The Spoken Nerd, Helen and Steve. | 0:15:08 | 0:15:11 | |
APPLAUSE | 0:15:11 | 0:15:14 | |
OK. | 0:15:18 | 0:15:19 | |
So, the really important thing, Helen, | 0:15:21 | 0:15:24 | |
is that we have to hold hands and sing. OK, are you happy with this? | 0:15:24 | 0:15:27 | |
-All right. -This experiment works best if you hold hands and sing. -OK. | 0:15:27 | 0:15:30 | |
But we're going to start off telling you what we've got. | 0:15:30 | 0:15:32 | |
-Over here I've got an amplifier. -Right. | 0:15:32 | 0:15:35 | |
Going into that is some traditional Danish Christmas music. | 0:15:35 | 0:15:38 | |
Thank you very much. | 0:15:38 | 0:15:40 | |
-Over there, another amplifier. Coming out of that is a speaker. -OK. | 0:15:40 | 0:15:42 | |
And normally you'd use a speaker cable to connect the two. | 0:15:42 | 0:15:45 | |
-I've taken that speaker cable and I've cut it in half. -Half? | 0:15:45 | 0:15:48 | |
-Is that exposed wiring, Helen? -Yeah. But we've made it safe. | 0:15:48 | 0:15:52 | |
-I would say don't try this at home. -OK. | 0:15:52 | 0:15:55 | |
What I need to do is I need to give you that bare wire... | 0:15:55 | 0:15:57 | |
-It really is perfectly OK? All right. -Yes, absolutely fine. | 0:15:57 | 0:15:59 | |
We have measured the current going through this, | 0:15:59 | 0:16:01 | |
it's either so low that our meter can't read it, | 0:16:01 | 0:16:03 | |
-or our meter's broken. -LAUGHTER | 0:16:03 | 0:16:06 | |
So can I get you to hold that bare wire? So you've got bare wires... | 0:16:08 | 0:16:11 | |
I love you, Mum. | 0:16:11 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
I just need you to touch the bare wires... | 0:16:14 | 0:16:16 | |
It's seriously OK to do this? | 0:16:16 | 0:16:17 | |
Absolutely. Just touch them together. | 0:16:17 | 0:16:19 | |
GENTLE FESTIVE MUSIC | 0:16:19 | 0:16:21 | |
Ah, that's lovely. That's a song we sing when we go round the tree. | 0:16:21 | 0:16:23 | |
Um... | 0:16:23 | 0:16:25 | |
OK. And if I let go? | 0:16:25 | 0:16:26 | |
Everyone else's whelm is very much under. | 0:16:26 | 0:16:29 | |
LAUGHTER Yes, cos so far | 0:16:29 | 0:16:31 | |
all I've done is connect up the speaker wire. | 0:16:31 | 0:16:33 | |
What I can do is - Steve, if you could give that to Josh | 0:16:33 | 0:16:37 | |
-and I will take this round to Matt. -OK. | 0:16:37 | 0:16:39 | |
Now, Matt, if you could take out your hand and grasp... | 0:16:39 | 0:16:43 | |
Don't, Josh! | 0:16:43 | 0:16:45 | |
LAUGHTER DROWNS SPEECH | 0:16:45 | 0:16:47 | |
No! OK. | 0:16:47 | 0:16:48 | |
-OK? -No! No, it's fine. | 0:16:51 | 0:16:52 | |
Ah! No, it's fine. | 0:16:52 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
This is where you get to hold hands. | 0:16:56 | 0:16:58 | |
Let's find out if it works. So, if you can link up. | 0:16:58 | 0:17:00 | |
I've got huge issues with human contact. | 0:17:00 | 0:17:02 | |
So, Matt, you hold Susan's hand. | 0:17:04 | 0:17:06 | |
My hair's already fallen out, but for you guys, who knows? | 0:17:06 | 0:17:09 | |
-It's the spirit of Christmas... -STATIC NOISE | 0:17:09 | 0:17:11 | |
GENTLE FESTIVE MUSIC | 0:17:11 | 0:17:14 | |
APPLAUSE | 0:17:14 | 0:17:16 | |
Susan was looking very sceptical. | 0:17:24 | 0:17:25 | |
MUSIC RESUMES | 0:17:25 | 0:17:28 | |
APPLAUSE | 0:17:28 | 0:17:30 | |
Have you got any "Wham!"? | 0:17:34 | 0:17:36 | |
LAUGHTER Why does it work? | 0:17:36 | 0:17:39 | |
Humans are about 70% water, and that means your skin's about 70% water, | 0:17:39 | 0:17:43 | |
but water's not a very good conductor of electricity, | 0:17:43 | 0:17:45 | |
but salty water is, so the sweatier you are... | 0:17:45 | 0:17:48 | |
the better this works. | 0:17:48 | 0:17:51 | |
That was absolutely fantastic. | 0:17:51 | 0:17:54 | |
The Festival Of The Spoken Nerd! | 0:17:54 | 0:17:56 | |
CHEERING AND APPLAUSE | 0:17:56 | 0:17:58 | |
Scary, that was actually quite scary. | 0:18:02 | 0:18:05 | |
I'm telling my mum that you made me do that. | 0:18:05 | 0:18:07 | |
LAUGHTER | 0:18:07 | 0:18:08 | |
Right, here is another piece of Christmas music | 0:18:08 | 0:18:10 | |
that you may be more familiar with. | 0:18:10 | 0:18:12 | |
GARBLED PIANO VERSION OF ALL I WANT FOR CHRISTMAS | 0:18:12 | 0:18:17 | |
OK. Quick question for the audience. | 0:18:23 | 0:18:26 | |
Hands up, audience, how many of you could hear the words to that tune? | 0:18:26 | 0:18:30 | |
-JOSH: -You liars. | 0:18:30 | 0:18:31 | |
Quite a few! Quite a few could hear the words. | 0:18:33 | 0:18:36 | |
-Could anybody on the panel hear the words? -I could hear, yeah, yeah. | 0:18:36 | 0:18:39 | |
So, here's the thing - the music being played is a MIDI file, | 0:18:39 | 0:18:41 | |
so it consists only of musical notes. | 0:18:41 | 0:18:44 | |
There are no human voices at all, | 0:18:44 | 0:18:45 | |
and people who haven't heard the song before will hear it that way, | 0:18:45 | 0:18:48 | |
they'll hear it just as a series of notes. | 0:18:48 | 0:18:50 | |
But anybody who has heard the Mariah Carey vocal version | 0:18:50 | 0:18:52 | |
will tend to hear her voice mixed in with the track | 0:18:52 | 0:18:55 | |
-even though it isn't actually really there. -Oh, wow. | 0:18:55 | 0:18:58 | |
It's extraordinary. It's something called top-down processing. | 0:18:58 | 0:19:01 | |
So what happens is the brain uses information that it already has | 0:19:01 | 0:19:04 | |
to try and interpret the world, and there is a template in your head, | 0:19:04 | 0:19:08 | |
in the heads of those people who put their hands up, | 0:19:08 | 0:19:10 | |
for that particular song, and the brain matched it to the new sounds, | 0:19:10 | 0:19:12 | |
filling in the non-existent vocals. | 0:19:12 | 0:19:14 | |
Same principle as ghosts. | 0:19:14 | 0:19:16 | |
Is that right? | 0:19:16 | 0:19:17 | |
LAUGHTER We think we see somebody? | 0:19:19 | 0:19:21 | |
Yeah, you think, "Oh, there's something there. | 0:19:21 | 0:19:23 | |
"Ugh... Oh, it's a person." | 0:19:23 | 0:19:25 | |
-It's not. -It's not just a light. | 0:19:25 | 0:19:28 | |
It's usually a dressing gown on the back of the door. | 0:19:28 | 0:19:31 | |
Now, what's this Christmassy noise? | 0:19:31 | 0:19:34 | |
INDISTINCT SPLUTTERING SOUND | 0:19:34 | 0:19:36 | |
# We go... # | 0:19:37 | 0:19:38 | |
-Matt? -That is after the Christmas meal when you've fallen asleep... | 0:19:38 | 0:19:42 | |
LAUGHTER | 0:19:42 | 0:19:43 | |
That's Grandpa farting, isn't it? Let's be honest. | 0:19:43 | 0:19:45 | |
KLAXON AND LAUGHTER | 0:19:45 | 0:19:47 | |
APPLAUSE | 0:19:47 | 0:19:50 | |
Thank you. | 0:19:50 | 0:19:52 | |
-It isn't that. -That's the sound of Santa Clause | 0:19:54 | 0:19:57 | |
in a particularly tight chimney. | 0:19:57 | 0:19:59 | |
LAUGHTER That would be bad, wouldn't it? | 0:19:59 | 0:20:01 | |
-It's a pony. -JOSH: -Is it a reindeer? | 0:20:01 | 0:20:03 | |
-It's a pony or a reindeer. -You think it's a reindeer? | 0:20:03 | 0:20:06 | |
-It is a creature. -It's the death throes of a turkey. | 0:20:06 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:10 | |
You are the closest, you are the closest at the moment. It is a bird, | 0:20:10 | 0:20:13 | |
-but it's a bird that might appear... -A robin? -..in a song? | 0:20:13 | 0:20:16 | |
-12 Days Of... -Partridge. | 0:20:16 | 0:20:17 | |
It is a partridge. It is, absolutely. | 0:20:17 | 0:20:20 | |
It is the sound... | 0:20:20 | 0:20:21 | |
-So, I... -Rrrr! | 0:20:21 | 0:20:23 | |
-Do you want to hear it one more time? -Yes. -Oh, yes. | 0:20:25 | 0:20:27 | |
SPLUTTERING SOUND | 0:20:27 | 0:20:30 | |
-That is the sound of a partridge... -Farting. -..taking off. | 0:20:30 | 0:20:32 | |
-Oh, taking off? Oh! -Yeah. | 0:20:32 | 0:20:34 | |
So here is the extraordinary thing - | 0:20:34 | 0:20:36 | |
it comes from the Greek word... ALAN BLOWS A RASPBERRY | 0:20:36 | 0:20:38 | |
LAUGHTER | 0:20:38 | 0:20:40 | |
That's how they get themselves going. | 0:20:41 | 0:20:44 | |
-Go... -ALAN BLOWS A RASPBERRY | 0:20:44 | 0:20:47 | |
LAUGHTER | 0:20:47 | 0:20:48 | |
So here's the weird thing, Alan, it comes from the Greek, perdesthai, | 0:20:48 | 0:20:51 | |
-which means to break wind. -Shut the front door. | 0:20:51 | 0:20:54 | |
Partridge, the word partridge means to break wind. | 0:20:54 | 0:20:58 | |
And it gets its name from the rapid fluttering noise | 0:20:58 | 0:21:01 | |
it makes when it flies away. | 0:21:01 | 0:21:02 | |
-ALAN BLOWS A SMALL RASPBERRY -Partridge... | 0:21:02 | 0:21:04 | |
LAUGHTER | 0:21:04 | 0:21:06 | |
The origin of the lyrics to 12 Days Of Christmas are lost in time. | 0:21:06 | 0:21:09 | |
The possibility is that we got the French wrong. | 0:21:09 | 0:21:12 | |
It's one of those wonderful mistranslation things. | 0:21:12 | 0:21:15 | |
So, the French for a partridge is une perdrix, | 0:21:15 | 0:21:17 | |
and we mistook it for a pear tree. | 0:21:17 | 0:21:19 | |
We should actually be singing, "A partridge, a partridge." | 0:21:19 | 0:21:22 | |
Did you know that the Scottish | 0:21:22 | 0:21:23 | |
have a different version of The 12 Days Of Christmas? | 0:21:23 | 0:21:25 | |
-What is it? I've never heard this. -Early 19th century. | 0:21:25 | 0:21:28 | |
IN SCOTTISH ACCENT: The King sent his lady... | 0:21:28 | 0:21:30 | |
Don't do the voice - that's racist. | 0:21:30 | 0:21:32 | |
LAUGHTER | 0:21:32 | 0:21:34 | |
IN SCOTTISH ACCENT: The King sent his lady on the first Yule day | 0:21:34 | 0:21:36 | |
a papingo-aye. | 0:21:36 | 0:21:37 | |
-A what? -A papingo-aye. It's a parrot. | 0:21:37 | 0:21:40 | |
-Oh... -Yeah, Scottish for parrot. Wha learns my carol... | 0:21:40 | 0:21:42 | |
Sorry, can I just... A Scottish parrot? Can I just... | 0:21:42 | 0:21:45 | |
LAUGHTER | 0:21:45 | 0:21:47 | |
I've lived there a long time, and I'm sounding more Scottish, | 0:21:47 | 0:21:49 | |
and there's nae parrots... | 0:21:49 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:52 | |
Haud the bus! There's a parrot over there. | 0:21:52 | 0:21:55 | |
You can get them in a pet shop. They look a bit like pigeons. | 0:21:55 | 0:21:58 | |
Papingo-aye. | 0:21:58 | 0:22:00 | |
Let's see what else they had. | 0:22:00 | 0:22:01 | |
Wha learns my carol and carries it away? | 0:22:01 | 0:22:03 | |
And you also get an Arabian baboon. | 0:22:03 | 0:22:06 | |
Three hinds a-merry hunting. | 0:22:06 | 0:22:09 | |
And three stalks o' merry corn. | 0:22:09 | 0:22:10 | |
-It's quite merry all the way through. -Right. | 0:22:10 | 0:22:12 | |
I have...NEVER heard of that. | 0:22:12 | 0:22:16 | |
A goose that was grey, three starlings, three goldspinks, | 0:22:16 | 0:22:19 | |
a bull that was brown. | 0:22:19 | 0:22:21 | |
-It's like that conveyor-belt round on The Generation Game. -It is. | 0:22:21 | 0:22:24 | |
LAUGHTER | 0:22:24 | 0:22:25 | |
The Faroe Islands also have their own version, | 0:22:25 | 0:22:27 | |
and pretty much you get one feather and 14 rounds of cheese. | 0:22:27 | 0:22:30 | |
LAUGHTER That's pretty much it. | 0:22:30 | 0:22:33 | |
-Who likes sprouts? -I like sprouts. -Do you? -Yeah, they're lovely. | 0:22:33 | 0:22:36 | |
Well, I feel like something happened with sprouts, didn't it? | 0:22:36 | 0:22:39 | |
Like, a few years ago, people start pan-frying them now | 0:22:39 | 0:22:41 | |
and putting sort of walnuts and... | 0:22:41 | 0:22:43 | |
Nicely caramelised with loads of butter on them. | 0:22:43 | 0:22:46 | |
Put some walnuts, some maple syrup, some ice cream. | 0:22:46 | 0:22:50 | |
-LAUGHTER -Some... | 0:22:50 | 0:22:52 | |
Anything to avoid the taste... | 0:22:52 | 0:22:54 | |
-LAUGHTER -Kit Kat. Some After Eights. | 0:22:54 | 0:22:56 | |
Yeah! | 0:22:56 | 0:22:58 | |
-Some Matchmakers. -Stuck in them like that. | 0:22:58 | 0:23:02 | |
-They're lovely for breakfast, sprouts. -Ugh! | 0:23:02 | 0:23:04 | |
-JOSH: -What?! -Sprouts and eggs for breakfast. | 0:23:04 | 0:23:06 | |
No. You've ruined my Christmas. | 0:23:06 | 0:23:08 | |
You have gone too far! | 0:23:08 | 0:23:10 | |
-What is wrong with you people?! -You've ruined it. | 0:23:11 | 0:23:14 | |
You're willing to believe we've got parrots, | 0:23:14 | 0:23:16 | |
but, oh, sprouts and eggs! | 0:23:16 | 0:23:19 | |
Sprouts floating in Irn-Bru. | 0:23:19 | 0:23:21 | |
LAUGHTER | 0:23:21 | 0:23:23 | |
-Anybody remember the great sprout drought? 2010. -No! | 0:23:24 | 0:23:27 | |
There was bad weather, and they went to £9.55 per kilo. | 0:23:27 | 0:23:32 | |
Only 31p per kilo cheaper than turkey! | 0:23:32 | 0:23:35 | |
-So you had to choose... -Is a kilo a lot? | 0:23:35 | 0:23:38 | |
Cos I did my home shopping the other day | 0:23:38 | 0:23:40 | |
and I ordered one mushroom by mistake. | 0:23:40 | 0:23:41 | |
LAUGHTER | 0:23:41 | 0:23:44 | |
I felt so bad because it arrived in a separate bag. | 0:23:44 | 0:23:49 | |
You can just imagine the guy going up the aisle, going... | 0:23:50 | 0:23:54 | |
LAUGHTER | 0:23:56 | 0:23:58 | |
Did you write how many grams...? | 0:23:58 | 0:24:00 | |
I thought it was a packet, so I just put... I just put one. | 0:24:00 | 0:24:05 | |
Did you eat the mushroom? | 0:24:05 | 0:24:06 | |
I mean, when it came to, like, making dinner, | 0:24:06 | 0:24:08 | |
did you go, well, I'll put the mushroom in... | 0:24:08 | 0:24:10 | |
Tell you what it's good with - sprouts and eggs. | 0:24:11 | 0:24:14 | |
I ate the mushroom quickly because, in the same shopping, | 0:24:14 | 0:24:18 | |
I thought I'd ordered four onions, | 0:24:18 | 0:24:21 | |
and I ordered four sacks of onions. | 0:24:21 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:26 | |
-And I had to get rid of the onions... -So what did you do? | 0:24:26 | 0:24:30 | |
..before my wife came home. | 0:24:30 | 0:24:32 | |
So I went down the close in my flat, offering people bags of onions. | 0:24:32 | 0:24:37 | |
And pretended it was a Scottish tradition. | 0:24:37 | 0:24:39 | |
"Oh, it's Onion Day!" | 0:24:39 | 0:24:42 | |
-Did you tell your wife? -No. | 0:24:43 | 0:24:45 | |
But does she watch this show? | 0:24:45 | 0:24:47 | |
Ahh... | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:51 | |
You can change the channel and say, | 0:24:51 | 0:24:52 | |
"That'll be the guy over the road, he's always..." | 0:24:52 | 0:24:55 | |
LAUGHTER AND APPLAUSE | 0:24:55 | 0:24:57 | |
Time for another parlour game! Are you there, Moriarty? | 0:25:02 | 0:25:06 | |
Who knows how to play this? | 0:25:06 | 0:25:07 | |
-You're blindfolded, I'm guessing. -Yes, you are. | 0:25:07 | 0:25:10 | |
You're blindfolded and you're as tall as a newspaper. | 0:25:10 | 0:25:14 | |
This is a British one which I frankly don't understand. OK. | 0:25:14 | 0:25:18 | |
So, you are blindfolded, you hold each other's left hands, | 0:25:18 | 0:25:23 | |
one of you shouts out, "Are you there, Moriarty?" | 0:25:23 | 0:25:25 | |
The other one shouts, "Yes!" | 0:25:25 | 0:25:26 | |
And the one who said, "Are you there, Moriarty?" | 0:25:26 | 0:25:28 | |
then tries to hit them with the newspaper. | 0:25:28 | 0:25:30 | |
-I'll be the shouter. -OK. You take turns, you take turns. | 0:25:31 | 0:25:34 | |
Oh, all right, OK. | 0:25:34 | 0:25:36 | |
I mean, obviously I'm going to have to hit the target, | 0:25:36 | 0:25:38 | |
but I'm not sure how comfortable I am | 0:25:38 | 0:25:40 | |
hitting a woman on national television. | 0:25:40 | 0:25:42 | |
It's Susan, you'll be all right. | 0:25:42 | 0:25:43 | |
LAUGHTER | 0:25:43 | 0:25:45 | |
Right... | 0:25:46 | 0:25:47 | |
Just think about the man over the road! | 0:25:47 | 0:25:49 | |
-Think about the man over the road! -Oh, thanks(!) | 0:25:49 | 0:25:51 | |
-Left hands held. -Give me your hand. -Left hand. -Left hands held. | 0:25:51 | 0:25:55 | |
-OK, so, Matt... -Yes? -You're going to say, "Are you there, Moriarty?" | 0:25:55 | 0:26:00 | |
and, Susan, you're going to say, "Yes," | 0:26:00 | 0:26:02 | |
-and then, Matt, you're going to try and hit her. -OK. -OK, go. | 0:26:02 | 0:26:05 | |
Are you there, Moriarty? | 0:26:05 | 0:26:07 | |
Yes! | 0:26:07 | 0:26:08 | |
LAUGHTER | 0:26:08 | 0:26:09 | |
-Do I try again? -You try again, that's it. | 0:26:11 | 0:26:14 | |
Sorry... Go on, Susan. | 0:26:14 | 0:26:16 | |
-Uh...are...? Are you there, Moriarty? -No, I'm not. No. | 0:26:16 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:21 | |
No, I've left! Ow! Ow! | 0:26:21 | 0:26:24 | |
-Do you know what? -Yeah? | 0:26:24 | 0:26:26 | |
I'd love the idea that someone has turned on this | 0:26:26 | 0:26:28 | |
for the first time and gone... | 0:26:28 | 0:26:29 | |
LAUGHTER | 0:26:29 | 0:26:31 | |
"It's really changed without Stephen, hasn't it?" | 0:26:32 | 0:26:35 | |
LAUGHTER | 0:26:35 | 0:26:36 | |
Uncle Stephen would never have allowed this. | 0:26:36 | 0:26:39 | |
-SUSAN: -Ow! | 0:26:39 | 0:26:41 | |
I know you're there! | 0:26:41 | 0:26:44 | |
Ow! Ow! | 0:26:44 | 0:26:46 | |
This is good, this is good. I've found her, so I don't need to... | 0:26:46 | 0:26:50 | |
Right, you two, come on, let's have a go. | 0:26:50 | 0:26:52 | |
So, put your blindfold on. | 0:26:52 | 0:26:53 | |
I've got quite a big head, so I'm not sure it's going to fit round. | 0:26:53 | 0:26:56 | |
Oh, there we go. | 0:26:56 | 0:26:58 | |
-Do we stand up? -So... No... -Ow! -LAUGHTER | 0:26:58 | 0:27:01 | |
I think Alan's won. | 0:27:01 | 0:27:03 | |
So now hold left hands. | 0:27:04 | 0:27:06 | |
I'm not going near him, he's an animal! | 0:27:06 | 0:27:08 | |
-Hold left hands. OK. -Got you. | 0:27:08 | 0:27:11 | |
-So, Josh shouts, "Are you there, Moriarty?" -Are you there, Moriarty? | 0:27:11 | 0:27:14 | |
Ow. | 0:27:14 | 0:27:16 | |
Ow! | 0:27:16 | 0:27:17 | |
-No. Alan... -What? -So, you have to say... -How am I doing? | 0:27:17 | 0:27:20 | |
-LAUGHTER SUSAN: -You missed! | 0:27:20 | 0:27:23 | |
Let me just say it again. | 0:27:23 | 0:27:24 | |
Josh is going to shout, "Are you there, Moriarty?" | 0:27:24 | 0:27:26 | |
Alan's going to shout, "Yes", to indicate his location, | 0:27:26 | 0:27:29 | |
and then he's going to try and escape Josh hitting him. | 0:27:29 | 0:27:32 | |
OK? Right, Josh. | 0:27:32 | 0:27:34 | |
-Er, are you there, Moriarty? -Yes. -Now, try and escape. | 0:27:34 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:39 | |
-Just one hit! -Ow! | 0:27:39 | 0:27:41 | |
LAUGHTER | 0:27:41 | 0:27:43 | |
I don't want to... Ow! | 0:27:43 | 0:27:45 | |
Ow! | 0:27:50 | 0:27:52 | |
LAUGHTER CONTINUES | 0:27:52 | 0:27:55 | |
No! | 0:27:57 | 0:27:58 | |
APPLAUSE | 0:28:01 | 0:28:04 | |
Josh, you were rubbish at that game. You were rubbish. | 0:28:12 | 0:28:14 | |
I don't want to turn this into a Carry On film, | 0:28:14 | 0:28:16 | |
but mine wasn't as rigid as Alan's. | 0:28:16 | 0:28:18 | |
LAUGHTER | 0:28:18 | 0:28:19 | |
I'm not sure that was the problem... | 0:28:20 | 0:28:22 | |
I think the... The overall winner of that is Alan. | 0:28:22 | 0:28:25 | |
APPLAUSE | 0:28:25 | 0:28:27 | |
This is great. Are you all right? | 0:28:27 | 0:28:30 | |
Now, how did the British ruin Christmas for everybody? | 0:28:32 | 0:28:36 | |
Did they invent a game in which I get beaten up with a newspaper? | 0:28:36 | 0:28:40 | |
LAUGHTER It is to do with a deplorable custom | 0:28:40 | 0:28:43 | |
that the British invented around Christmas. | 0:28:43 | 0:28:46 | |
-Crackers. -Secret Santa. | 0:28:46 | 0:28:47 | |
Sort of in the gift area. | 0:28:47 | 0:28:49 | |
Where you have to give presents to people even if you hate them, | 0:28:49 | 0:28:52 | |
like your nieces and nephews. | 0:28:52 | 0:28:54 | |
No, sorry... | 0:28:54 | 0:28:55 | |
-Giving presents on the day? -It's a gift, but not for you family. | 0:28:55 | 0:28:58 | |
Charity! Charity! | 0:28:58 | 0:29:00 | |
-JOSH: -Milkman! Postman! | 0:29:00 | 0:29:02 | |
Milkman and postman is exactly right. | 0:29:02 | 0:29:04 | |
It's the deplorable custom of giving tips to tradesmen at Christmas. | 0:29:04 | 0:29:08 | |
It used to be called the Christmas pot. | 0:29:08 | 0:29:10 | |
I forgot that this has become very right-wing. | 0:29:10 | 0:29:13 | |
LAUGHTER | 0:29:13 | 0:29:15 | |
No, it was the Americans who complained. | 0:29:15 | 0:29:17 | |
So, in the 1860s, they complained that it was turning America | 0:29:17 | 0:29:20 | |
-into the land of the fee. -Well, that's ironic! | 0:29:20 | 0:29:22 | |
You go to America, you have to pay them to accept your tip. | 0:29:22 | 0:29:25 | |
I mean, all they want is to be tipped. | 0:29:25 | 0:29:27 | |
You have to tip them for bloody everything. | 0:29:27 | 0:29:30 | |
-It was thought to be deplorable in the 1860s. -They've got over that. | 0:29:30 | 0:29:33 | |
It was called loathsome and corrupt form of roguery. | 0:29:34 | 0:29:37 | |
In the 1890s, Christmas was described as the worst time of year | 0:29:37 | 0:29:40 | |
because of excessive tipping. | 0:29:40 | 0:29:43 | |
You were expected to tip everybody. | 0:29:43 | 0:29:44 | |
The butcher's boy, the librarian, the turncock. | 0:29:44 | 0:29:48 | |
-Was the person who turned on the water mains for you. -Of course. | 0:29:48 | 0:29:52 | |
In Denmark, we're much more honest about tipping. | 0:29:52 | 0:29:54 | |
It's called drinking money. Drikkepenge. | 0:29:54 | 0:29:58 | |
It's the same in French, I think. It's pourboire. | 0:29:58 | 0:30:00 | |
You know what the tip is for. It's for somebody to have a drink. | 0:30:00 | 0:30:03 | |
And the Germans too, I think. Trinkgeld. | 0:30:03 | 0:30:05 | |
The British ruined Christmas for everybody | 0:30:05 | 0:30:07 | |
because of their legendary generosity. | 0:30:07 | 0:30:09 | |
LAUGHTER | 0:30:09 | 0:30:11 | |
What does a Siberian getaway car look like? | 0:30:11 | 0:30:15 | |
-Some sort of a sled-y thing? -JOSH: -Is it huskies? | 0:30:15 | 0:30:17 | |
-It is a sled thing. It's not huskies. Reindeer? -Cats! | 0:30:17 | 0:30:20 | |
-It is reindeer. JOSH: -"Cats"! | 0:30:20 | 0:30:22 | |
I wish it'd been cats! | 0:30:22 | 0:30:23 | |
Forget the last thing I said! Reindeer! | 0:30:25 | 0:30:27 | |
You were calling us cats, weren't you? | 0:30:27 | 0:30:30 | |
-Reindeer cats. -Yeah! -It's reindeer cats! | 0:30:30 | 0:30:32 | |
Thanks, Josh. | 0:30:32 | 0:30:34 | |
Apparently, the local indigenous population | 0:30:34 | 0:30:36 | |
are very, very skilled at reindeer driving, | 0:30:36 | 0:30:38 | |
and reindeer sleighs are faster over snow than police snowmobiles. | 0:30:38 | 0:30:42 | |
In fact, in 2014, the Moscow Times reported there were plans afoot | 0:30:42 | 0:30:46 | |
for a police reindeer division... | 0:30:46 | 0:30:48 | |
to tackle this specific... | 0:30:48 | 0:30:49 | |
I bet they look lovely in their wee hats. | 0:30:49 | 0:30:52 | |
-Oh, yes, and blue lights. -Yeah. | 0:30:52 | 0:30:54 | |
Blue lights on the reindeer, that would be very... | 0:30:54 | 0:30:56 | |
-JOSH: -Or just the nose, going like that. | 0:30:56 | 0:30:58 | |
LAUGHTER | 0:30:58 | 0:31:01 | |
OK, let's look at the nose. Why was Rudolph's nose useful? | 0:31:01 | 0:31:05 | |
Well, Rudolph, with your nose so bright, | 0:31:05 | 0:31:07 | |
won't you guide my sleigh tonight? | 0:31:07 | 0:31:09 | |
It's a lie, Susan. | 0:31:09 | 0:31:10 | |
No, the fact is that there would've been no need for the red nose, | 0:31:10 | 0:31:14 | |
cos reindeer can see perfectly well in low light. | 0:31:14 | 0:31:17 | |
They change the colour of what's known as their tapetum lucidum. | 0:31:17 | 0:31:20 | |
It's a layer of tissue behind the retina that reflects light. | 0:31:20 | 0:31:24 | |
So in long, bright summer light it is gold, | 0:31:24 | 0:31:26 | |
and then, in the winter, it turns blue, | 0:31:26 | 0:31:28 | |
and the colour change means that less light escapes from their eyes | 0:31:28 | 0:31:31 | |
and it gives them a kind of night-vision. | 0:31:31 | 0:31:33 | |
So there would've been no need for the nose to light the way. | 0:31:33 | 0:31:36 | |
I had a chance encounter with a reindeer once. | 0:31:36 | 0:31:38 | |
In the Arctic, and here's the thing that is extraordinary about them - | 0:31:38 | 0:31:41 | |
they've got hairy noses. | 0:31:41 | 0:31:43 | |
-They don't have shiny, moist noses. -Aw! | 0:31:43 | 0:31:45 | |
They've got these really delightful hairy noses. | 0:31:45 | 0:31:48 | |
They're also unique amongst deer | 0:31:48 | 0:31:49 | |
in that they are actually attracted to the smell of human urine. | 0:31:49 | 0:31:53 | |
Uh, I guess if you wanted to lure a reindeer to you, | 0:31:53 | 0:31:57 | |
that would be the way. | 0:31:57 | 0:31:58 | |
Let's do it now! Let's do it now! | 0:31:58 | 0:32:00 | |
Someone pee there and we'll see if one comes. | 0:32:00 | 0:32:03 | |
It's Christmas! | 0:32:03 | 0:32:05 | |
-We've got two female cats. -Yeah. | 0:32:07 | 0:32:09 | |
We've got a male cat that keeps coming into our garden | 0:32:09 | 0:32:11 | |
and we don't want him there. | 0:32:11 | 0:32:13 | |
-I've been told that I'm meant to mark... -Shoot him. | 0:32:13 | 0:32:15 | |
..my own territory. "Shoot him"! | 0:32:15 | 0:32:16 | |
So, I'm meant to piss in the garden myself. | 0:32:16 | 0:32:19 | |
-It's not going to make any difference if you... -Is it not? -No. | 0:32:19 | 0:32:21 | |
Well, that's two months wasted, isn't it? | 0:32:21 | 0:32:23 | |
LAUGHTER | 0:32:23 | 0:32:25 | |
So you've got a reindeer problem now, then? | 0:32:25 | 0:32:27 | |
LAUGHTER | 0:32:27 | 0:32:29 | |
I don't understand. People buy a cat | 0:32:31 | 0:32:33 | |
and then they keep it in my garden - what is that about? | 0:32:33 | 0:32:35 | |
Right, that's the turkey dinner out of the way, | 0:32:37 | 0:32:39 | |
let's fall asleep in the comfy armchair of General Ignorance. | 0:32:39 | 0:32:42 | |
Fingers on buzzers, please. | 0:32:42 | 0:32:43 | |
You are standing in the middle of the Antarctic, | 0:32:43 | 0:32:46 | |
and your toes are frozen. | 0:32:46 | 0:32:48 | |
How far do you have to travel to reach a place | 0:32:48 | 0:32:50 | |
where it's literally too hot to stand? | 0:32:50 | 0:32:52 | |
-# ..sleigh... # -Susan. | 0:32:52 | 0:32:54 | |
-A mile? -Uh... -I'm just guessing. -OK. Which way? -Down! | 0:32:54 | 0:32:58 | |
-You're just guessing?! -Straight down! | 0:32:58 | 0:33:00 | |
-Yes, Alan. -If you go down, it's hot. | 0:33:00 | 0:33:02 | |
You're exactly right. | 0:33:02 | 0:33:04 | |
No, I was about to answer that question. | 0:33:04 | 0:33:08 | |
In fairness, she was about to give a different answer. | 0:33:08 | 0:33:11 | |
LAUGHTER | 0:33:11 | 0:33:13 | |
He was too quick for you. | 0:33:13 | 0:33:14 | |
You'd only have to go a couple of kilometres downwards. | 0:33:14 | 0:33:17 | |
Underground temperature in Antarctica | 0:33:17 | 0:33:19 | |
pretty much the hottest in the world. | 0:33:19 | 0:33:21 | |
Hotter than 99% of the rest of the planet. | 0:33:21 | 0:33:24 | |
-Are these people emerging? -Yes, they've come up from China. | 0:33:24 | 0:33:28 | |
It's not a very relaxing bath | 0:33:30 | 0:33:31 | |
if everyone's standing around in anoraks taking photos of you. | 0:33:31 | 0:33:34 | |
They're all queueing for the facilities. | 0:33:34 | 0:33:37 | |
They're all doggers, aren't they? | 0:33:37 | 0:33:39 | |
That woman did not look out if... | 0:33:40 | 0:33:42 | |
LAUGHTER | 0:33:42 | 0:33:45 | |
It's been calculated that the temperature under the ice | 0:33:47 | 0:33:49 | |
rises by approximately 200 degrees Celsius per kilometre, | 0:33:49 | 0:33:52 | |
so several times the global average on continents. Unbelievably hot. | 0:33:52 | 0:33:56 | |
So, down is the correct answer. | 0:33:56 | 0:33:58 | |
From feet to hands. | 0:33:58 | 0:33:59 | |
-Now, Josh, last year... -Yes. | 0:33:59 | 0:34:02 | |
-..you told us all about the hairy hands of Dartmoor. -Yes. | 0:34:02 | 0:34:05 | |
Is that right? | 0:34:05 | 0:34:07 | |
They grab the steering wheel of your car and drive you off the road. | 0:34:07 | 0:34:09 | |
I wonder if you could just remind us which road you said it was. | 0:34:09 | 0:34:12 | |
Er, the B3021? | 0:34:12 | 0:34:15 | |
Yes. | 0:34:15 | 0:34:16 | |
KLAXON AND LAUGHTER | 0:34:16 | 0:34:18 | |
This is, I can promise you, | 0:34:21 | 0:34:22 | |
one of the finest quibbles that QI has ever received. | 0:34:22 | 0:34:25 | |
There is a gentleman called Ian Dunn who has written in | 0:34:25 | 0:34:28 | |
to point out that the hairy hands of Dartmoor | 0:34:28 | 0:34:30 | |
actually haunt the B3212 and not the B3021. | 0:34:30 | 0:34:34 | |
LAUGHTER | 0:34:34 | 0:34:36 | |
You are... | 0:34:36 | 0:34:37 | |
APPLAUSE | 0:34:37 | 0:34:39 | |
I'm afraid you're having points docked this time. | 0:34:42 | 0:34:44 | |
-What? Posthumously? -Yes. It couldn't be more wrong, | 0:34:44 | 0:34:48 | |
the B3212 runs across Dartmoor between Exeter and Yeovilton | 0:34:48 | 0:34:51 | |
via the hamlet of Postbridge, that's where the hairy hands hang out. | 0:34:51 | 0:34:54 | |
-Of course, yeah. -The B3021, I'm afraid, | 0:34:54 | 0:34:57 | |
goes from Old Windsor to Datchet in Berkshire. | 0:34:57 | 0:34:59 | |
Remember that next time you make a joke. | 0:34:59 | 0:35:01 | |
LAUGHTER | 0:35:01 | 0:35:03 | |
Can I just say that he watched me talk about these ghost hands | 0:35:03 | 0:35:06 | |
that appear and drive you off the road - | 0:35:06 | 0:35:08 | |
-and his quibble was with the number of the road?! -Yes. | 0:35:08 | 0:35:11 | |
"That's incorrect, so I'm just going to... | 0:35:11 | 0:35:13 | |
"Dear QI..." | 0:35:13 | 0:35:15 | |
Josh, without precision, there is no comedy. | 0:35:15 | 0:35:18 | |
You have to understand that, without saying the right name of a B road, | 0:35:18 | 0:35:21 | |
no-one can laugh at that. | 0:35:21 | 0:35:24 | |
I thought a year ago that didn't get a laugh, and now I know why. | 0:35:24 | 0:35:27 | |
Your road was nowhere near Dartmoor whatsoever. | 0:35:27 | 0:35:31 | |
I love the idea of Ian sat at home now going, | 0:35:31 | 0:35:33 | |
"Oh, I have ruined Josh's Christmas. Lovely." | 0:35:33 | 0:35:36 | |
Well, your error has been particularly egregious, I'm afraid. | 0:35:36 | 0:35:39 | |
You didn't just let Ian down, or the show down, | 0:35:39 | 0:35:42 | |
you've let yourself down, haven't you? | 0:35:42 | 0:35:44 | |
In many ways, I think I've let Jesus down. | 0:35:44 | 0:35:46 | |
-LAUGHTER -Yes, I know. | 0:35:46 | 0:35:48 | |
And his hairy hands! | 0:35:48 | 0:35:50 | |
LAUGHTER | 0:35:50 | 0:35:51 | |
And now for another of those Christmas traditions | 0:35:52 | 0:35:55 | |
that people want to preserve, cutting decorations out of paper. | 0:35:55 | 0:35:58 | |
So you should have some scissors and some paper. | 0:35:58 | 0:36:01 | |
And here is my question, | 0:36:01 | 0:36:02 | |
if I want to make a five-pointed star, | 0:36:02 | 0:36:04 | |
how many straight lines would I need to cut? | 0:36:04 | 0:36:08 | |
I tell you what, these would've been a game-changer | 0:36:08 | 0:36:10 | |
in Are You There, Moriarty? wouldn't they? | 0:36:10 | 0:36:13 | |
LAUGHTER | 0:36:13 | 0:36:14 | |
So how many cuts do we think? It's a five-pointed star. | 0:36:16 | 0:36:18 | |
That's two so far, Sandi. | 0:36:18 | 0:36:20 | |
-OK. -I'll do a couple more now. There's another one. | 0:36:20 | 0:36:24 | |
-How are you doing? -Great, Sandi. | 0:36:24 | 0:36:27 | |
Got the solution immediately. | 0:36:27 | 0:36:30 | |
-Here we go, here we go. -Oh, no! | 0:36:30 | 0:36:33 | |
LAUGHTER | 0:36:33 | 0:36:34 | |
MUTED APPLAUSE | 0:36:36 | 0:36:38 | |
Oh, that's very good. | 0:36:41 | 0:36:42 | |
It looks more like a person, a sort of happy person jumping. | 0:36:42 | 0:36:46 | |
What is that? | 0:36:47 | 0:36:49 | |
-What is that, Josh? -I don't know. | 0:36:49 | 0:36:51 | |
It looks like that London 2012 logo, doesn't it? | 0:36:53 | 0:36:56 | |
LAUGHTER | 0:36:56 | 0:36:57 | |
So the answer is one. | 0:36:59 | 0:37:00 | |
The Fold And Cut Theorem states | 0:37:00 | 0:37:03 | |
that any shape composed of straight lines | 0:37:03 | 0:37:05 | |
can be made using a single cut, | 0:37:05 | 0:37:07 | |
if you can just figure out which way to fold the paper. | 0:37:07 | 0:37:10 | |
So all you need to do - here they are - | 0:37:10 | 0:37:12 | |
is just cut along the red line. | 0:37:12 | 0:37:14 | |
-Just cut along the red line. -I've done it. -So, one cut... | 0:37:14 | 0:37:17 | |
I've done it. | 0:37:17 | 0:37:19 | |
ALAN CRIES OUT | 0:37:19 | 0:37:20 | |
LAUGHTER | 0:37:23 | 0:37:24 | |
Well that's... What is that? | 0:37:24 | 0:37:26 | |
LAUGHTER | 0:37:26 | 0:37:28 | |
They've all done it! What's wrong with you all? | 0:37:32 | 0:37:35 | |
-Oh, yeah, no. -We've got the wrong bit! -The wrong bit of paper. | 0:37:37 | 0:37:40 | |
I got the wrong bit as well. | 0:37:42 | 0:37:44 | |
-Who's got it? Who's got the star? -Me. -There we go. | 0:37:44 | 0:37:46 | |
From one single cut you can get a five-point star. | 0:37:46 | 0:37:51 | |
And there is a presumably apocryphal story. | 0:37:51 | 0:37:54 | |
Betsy Ross, the woman who is alleged to have made | 0:37:54 | 0:37:57 | |
the very first American flag, | 0:37:57 | 0:37:58 | |
was discussing the design for the flag with George Washington, | 0:37:58 | 0:38:01 | |
and he said, "Could you do a six-pointed star?" | 0:38:01 | 0:38:03 | |
And she said, "A five-point would be easier", and she showed him | 0:38:03 | 0:38:06 | |
by folding a piece of cloth in that manner, | 0:38:06 | 0:38:08 | |
and that is why the modern flag has the five-point star. | 0:38:08 | 0:38:12 | |
There's a problem with this story, if you go to Philadelphia, | 0:38:12 | 0:38:14 | |
you can visit Betsy Ross' house, | 0:38:14 | 0:38:15 | |
but it's almost certain that she didn't live there | 0:38:15 | 0:38:17 | |
and probably didn't make the flag, but there we are... | 0:38:17 | 0:38:20 | |
LAUGHTER Other than that... | 0:38:20 | 0:38:21 | |
American history in a nutshell. | 0:38:21 | 0:38:23 | |
LAUGHTER | 0:38:23 | 0:38:25 | |
Susan, I want you to have my star and also be my girlfriend, please. | 0:38:25 | 0:38:28 | |
Susan, be very careful. | 0:38:28 | 0:38:30 | |
He's the man from over the road! | 0:38:32 | 0:38:35 | |
LAUGHTER | 0:38:35 | 0:38:36 | |
Do you know what? | 0:38:37 | 0:38:38 | |
I always used to get quite lonely at Christmas cos I didn't have a date, | 0:38:38 | 0:38:41 | |
and I don't feel lonely this Christmas because I've got you now. | 0:38:41 | 0:38:44 | |
Brilliant. We are boyfriend and girlfriend. | 0:38:44 | 0:38:47 | |
APPLAUSE | 0:38:47 | 0:38:48 | |
There you go. | 0:38:50 | 0:38:51 | |
That's the most uncertain round of applause. | 0:38:51 | 0:38:53 | |
I didn't want it to come to this, but, Alan... | 0:38:53 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:38:58 | |
APPLAUSE | 0:39:02 | 0:39:04 | |
OK, how would you consume the original Humpty Dumpty? | 0:39:06 | 0:39:10 | |
-# ..the snow... # -Yes? | 0:39:10 | 0:39:12 | |
For breakfast with sprouts. | 0:39:12 | 0:39:16 | |
For breakfast with sprouts. Any more? | 0:39:16 | 0:39:18 | |
Is it that he wasn't an egg? He was something else? | 0:39:18 | 0:39:20 | |
Is correct. Yes. | 0:39:20 | 0:39:22 | |
It's always been a sort of a nickname, but it wasn't an egg. | 0:39:22 | 0:39:25 | |
In fact, in the early depictions of the rhyme, | 0:39:25 | 0:39:28 | |
he's actually depicted as a child. | 0:39:28 | 0:39:30 | |
There he is, not looking entirely content. | 0:39:30 | 0:39:32 | |
That's horrific! | 0:39:32 | 0:39:34 | |
-I give that rhyme to my niece. -You hate your niece. | 0:39:34 | 0:39:37 | |
We've established that. | 0:39:37 | 0:39:39 | |
LAUGHTER | 0:39:39 | 0:39:42 | |
It's not a real story - that's the thing, Susan. | 0:39:46 | 0:39:49 | |
Some people think it might have been a story about Richard III, | 0:39:49 | 0:39:52 | |
depicted as humpbacked in Tudor histories, and he was defeated, | 0:39:52 | 0:39:55 | |
and despite all his king's men and horses, at the Battle of Bosworth. | 0:39:55 | 0:39:59 | |
Oh, isn't he gorgeous? | 0:39:59 | 0:40:01 | |
So when did it start becoming about an egg? | 0:40:01 | 0:40:04 | |
Because it's an egg, isn't it? | 0:40:04 | 0:40:05 | |
Well, we now think of it as an egg, | 0:40:05 | 0:40:07 | |
but it could be about so many other things. | 0:40:07 | 0:40:09 | |
In Colchester, they believe that it is a Civil War-era cannon | 0:40:09 | 0:40:12 | |
on Colchester's city walls. | 0:40:12 | 0:40:13 | |
I have to say, there is no evidence of that. | 0:40:13 | 0:40:15 | |
But the earlier citation in the OED | 0:40:15 | 0:40:18 | |
is for a drink made with ale, | 0:40:18 | 0:40:21 | |
boiled with brandy... | 0:40:21 | 0:40:23 | |
Yes, please. | 0:40:23 | 0:40:25 | |
And I have some here. | 0:40:25 | 0:40:27 | |
-And I have five glasses. -Oh, yes! | 0:40:27 | 0:40:30 | |
Are you sharing it out or just having a brilliant time? | 0:40:30 | 0:40:32 | |
I am sharing it out. | 0:40:32 | 0:40:33 | |
-So here is the thing as well, the traditional... -Keep pouring! | 0:40:33 | 0:40:38 | |
The traditional food that is eaten at Danish Christmas | 0:40:38 | 0:40:42 | |
is something called aebleskiver. | 0:40:42 | 0:40:43 | |
They are a little tiny, like a pancake thing, | 0:40:43 | 0:40:47 | |
which you have in jam, | 0:40:47 | 0:40:49 | |
and these have been made for me by a brilliant Danish chef, | 0:40:49 | 0:40:51 | |
Bronte Aurell, from the Scandinavian Kitchen in London, | 0:40:51 | 0:40:54 | |
who's here in the audience. | 0:40:54 | 0:40:55 | |
Where are you, Bronte? Give us a wave. | 0:40:55 | 0:40:56 | |
CHEERING AND APPLAUSE | 0:40:56 | 0:40:58 | |
Brilliant. | 0:40:58 | 0:40:59 | |
-Have a glass, there we are. -Then tip the jam on your head... | 0:40:59 | 0:41:03 | |
There you go. | 0:41:03 | 0:41:04 | |
-There we go. -Thank you. | 0:41:04 | 0:41:06 | |
-Say it's medicinal. -Oh, God, that's horrific. | 0:41:06 | 0:41:10 | |
-LAUGHTER -Not the food. | 0:41:10 | 0:41:13 | |
SLURRING: So, Humpty Dumpty was originally a mixture... | 0:41:13 | 0:41:16 | |
This is lovely, isn't it? | 0:41:16 | 0:41:18 | |
Look at all me jam! Phwoar! | 0:41:18 | 0:41:20 | |
I never had a happy childhood, I wasn't happy. | 0:41:20 | 0:41:22 | |
THEY TALK OVER EACH OTHER I didn't like you, either! OK... | 0:41:22 | 0:41:26 | |
Let's all just get a taxi... | 0:41:26 | 0:41:28 | |
SHE SLURS | 0:41:30 | 0:41:33 | |
LAUGHTER | 0:41:35 | 0:41:37 | |
Humpty Dumpty was originally a drink... | 0:41:37 | 0:41:39 | |
..of ale and brandy, and you consumed it like this. | 0:41:41 | 0:41:44 | |
Cheers to everybody. | 0:41:44 | 0:41:45 | |
-Cheers. -Skol! -Cheers. -Cheers... | 0:41:45 | 0:41:48 | |
CHEERING AND APPLAUSE | 0:41:48 | 0:41:50 | |
OK, so, that brings us to the matter of the festive scores, | 0:41:53 | 0:41:56 | |
and here's what I've decided - | 0:41:56 | 0:41:58 | |
it's Christmas, so everybody is a winner. | 0:41:58 | 0:42:01 | |
First-equal to everybody, | 0:42:01 | 0:42:03 | |
but the marzipan pig goes to the man of the hour, | 0:42:03 | 0:42:07 | |
Alan Davies. | 0:42:07 | 0:42:09 | |
CHEERING AND APPLAUSE | 0:42:09 | 0:42:12 | |
Go on, eat it, Alan. | 0:42:14 | 0:42:15 | |
QI THEME TUNE AND APPLAUSE | 0:42:16 | 0:42:19 | |
OK. | 0:42:21 | 0:42:22 | |
So, it's thanks to Susan, Matt, Josh and Alan. | 0:42:24 | 0:42:27 | |
Now, Christmas is a time of togetherness, | 0:42:27 | 0:42:29 | |
so I thought we could end the show tonight | 0:42:29 | 0:42:32 | |
by solving a Christmas equation together, OK? | 0:42:32 | 0:42:34 | |
Are you ready? Here we go. So, Alan, let's have a quick look. | 0:42:34 | 0:42:38 | |
Here's an equation. What would you like to do with that equation? | 0:42:38 | 0:42:41 | |
LAUGHTER | 0:42:41 | 0:42:43 | |
-I would... Now... -Yes? -..I would multiply both sides by R-squared... | 0:42:44 | 0:42:50 | |
OK, we're going to multiply both sides by R-squared. | 0:42:50 | 0:42:52 | |
There we go. Right, Josh? | 0:42:52 | 0:42:54 | |
Er, well, LN is obviously the natural log. | 0:42:54 | 0:42:57 | |
-SUSAN: -Whoo! | 0:42:57 | 0:42:58 | |
-ALAN BLOWS A RASPBERRY -Yeah... | 0:42:59 | 0:43:01 | |
-So if we raise both sides to the power of the natural log... -Yeah. | 0:43:04 | 0:43:09 | |
-..which is, the base is E... -Yeah. -Cancels out, doesn't it? | 0:43:09 | 0:43:12 | |
OK, well, fancy. It does, yes. So, like that? Is that what you mean? | 0:43:12 | 0:43:15 | |
THEY TALK OVER EACH OTHER OK, so, very good, Matt. | 0:43:15 | 0:43:18 | |
I'm going to propose we multiply both sides by M. | 0:43:18 | 0:43:23 | |
Oh. OK, excellent. Susan? | 0:43:23 | 0:43:25 | |
Well... | 0:43:27 | 0:43:28 | |
-we've all had a lovely time. -Yes. | 0:43:28 | 0:43:30 | |
LAUGHTER | 0:43:30 | 0:43:33 | |
-SLURRING: -It's Christmas... | 0:43:33 | 0:43:34 | |
I just love you all. | 0:43:34 | 0:43:36 | |
I think we should go a bit mad | 0:43:37 | 0:43:40 | |
and expand the R-squared. | 0:43:40 | 0:43:43 | |
Expand the R-squared thing and there we are - | 0:43:43 | 0:43:45 | |
you only heard it on QI. | 0:43:45 | 0:43:46 | |
Merry Christmas, everybody! | 0:43:46 | 0:43:47 | |
CHEERING AND APPLAUSE | 0:43:47 | 0:43:50 |