Browse content similar to VG Part One. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:23 | 0:00:27 | |
-You know when you find a bee and it's crawling on its last legs? -I rescue them. -Give it honey. | 0:00:30 | 0:00:36 | |
It's the only thing they eat. It makes sense when you think about it. | 0:00:36 | 0:00:40 | |
Yeah, yeah! | 0:00:40 | 0:00:42 | |
-No point just talking to it. Give it honey. -They're very much a one recipe species. | 0:00:42 | 0:00:48 | |
I'm intrigued because I generally give it the sole of my shoe, but... | 0:00:48 | 0:00:54 | |
-Not to be harsh, but you know. -You'd tread on a struggling, crawling bee? | 0:00:54 | 0:01:00 | |
As opposed to rehabilitate it?! | 0:01:00 | 0:01:03 | |
I like honey. I have it on my porridge, you murderer. | 0:01:03 | 0:01:08 | |
-We depend on bees. -We need the bees. | 0:01:08 | 0:01:11 | |
So in future I should lure it back? Do I get a syringe of honey? | 0:01:11 | 0:01:16 | |
-How do I feed it? -A teaspoon of honey. Don't tread on it. | 0:01:16 | 0:01:20 | |
-You should be arrested. -LAUGHTER | 0:01:20 | 0:01:23 | |
You should be locked up...in a hive. | 0:01:23 | 0:01:26 | |
Isn't it true, though, that a bee in his entire lifetime makes a tiny amount of honey? | 0:01:26 | 0:01:33 | |
-I mean, just the minutest amount. -But there's lots of them. -You don't have to give much honey to this bee | 0:01:33 | 0:01:40 | |
before the world is making a net loss. | 0:01:40 | 0:01:43 | |
That's true. | 0:01:43 | 0:01:45 | |
It's useless. If you only get one teaspoon of honey from a whole bee's lifetime | 0:01:45 | 0:01:51 | |
and every time it takes a teaspoon and a half, suddenly there's no honey at all! | 0:01:51 | 0:01:57 | |
-This is more honey than this bee has seen in its life. -It's insulting it, apart from anything else. | 0:01:57 | 0:02:03 | |
Like showing a very tired mason a whole cathedral! LAUGHTER | 0:02:03 | 0:02:08 | |
-May... -APPLAUSE | 0:02:08 | 0:02:11 | |
Well, let's say you're in between Alan and Dara. | 0:02:15 | 0:02:19 | |
Like Alan you want to help the bee, but like Dara you also want to kill, kill, kill, | 0:02:19 | 0:02:26 | |
what you can do is get what I would term too much honey and you see the bee | 0:02:26 | 0:02:31 | |
-and you pour molten honey... -No! -Hear me out. -OK. | 0:02:31 | 0:02:36 | |
-And then you watch him die a slow... -Yes, I carry on with NO! | 0:02:36 | 0:02:41 | |
-I've now heard you out. -Yes. -And it's no better. | 0:02:41 | 0:02:46 | |
That's much worse than what I did! | 0:02:46 | 0:02:48 | |
-You're being humane? -Yeah! -You're not. You get a kick out of it. | 0:02:48 | 0:02:52 | |
Drowning the bee ironically in honey... | 0:02:52 | 0:02:57 | |
-You can't drown bees! -"Is this too much honey?" | 0:02:57 | 0:03:01 | |
DAVID: "Not so keen on the honey now, are you?" | 0:03:01 | 0:03:06 | |
-You may try to drown bees, but I will follow you and... -It wasn't him wanting to drown them. | 0:03:08 | 0:03:15 | |
-Yes, it was! He's a bee drowner. -I'd smash them with a hammer. | 0:03:15 | 0:03:20 | |
-He wanted to tread on it. -If there's a bee in a bath, I don't go, "Get the shoe!" | 0:03:20 | 0:03:25 | |
-Splishy! Splashy! -Very good. | 0:03:25 | 0:03:28 | |
Well, thank you for that... interesting, fierce and, I think, productive debate. | 0:03:28 | 0:03:34 | |
I did one of those Royal Command Performances many years ago. | 0:03:37 | 0:03:41 | |
Anthony Newley wrote a song for the end that we had to do. | 0:03:41 | 0:03:45 | |
It had the gorgeous line, "At the London Palladium, | 0:03:45 | 0:03:49 | |
"the P-A-double L-adium, | 0:03:49 | 0:03:51 | |
"the super starry stadium that showbiz calls home." | 0:03:51 | 0:03:56 | |
-Ah, Newley. Brilliant. -# The London Palladium... # -I'd throw myself in the orchestra pit. | 0:03:56 | 0:04:03 | |
"Who's with me?" | 0:04:03 | 0:04:05 | |
-And you do that thing... Is there a word for it musically? -BLEEP -..Yeah! | 0:04:05 | 0:04:11 | |
For what I'm about to mention? | 0:04:11 | 0:04:13 | |
# That showbiz calls home Have a banana! | 0:04:13 | 0:04:16 | |
# That showbiz calls home And I love it! | 0:04:16 | 0:04:19 | |
# That showbiz calls home! # What is that? | 0:04:19 | 0:04:24 | |
-The annoying coda. -Yeah. | 0:04:24 | 0:04:26 | |
I don't know what we're talking about any more. I've lost track. | 0:04:26 | 0:04:31 | |
-Who's this Newley man? -Anthony Newley. -Anthony Newley. | 0:04:32 | 0:04:37 | |
He used to sing with 100 syllables. # Aa-oh-aaah... # | 0:04:37 | 0:04:41 | |
-And David Bowie stole his voice, of course. -Yeah, exactly! | 0:04:41 | 0:04:45 | |
And he was the first... Well, not the first, but a very early Artful Dodger. | 0:04:45 | 0:04:51 | |
-He was one of the first. -# Aa-oh-aah... # | 0:04:51 | 0:04:56 | |
One of the most successful British showbiz people of all time. Won Oscars, Tonys, wrote Goldfinger. | 0:04:56 | 0:05:02 | |
There's a story, because Tony Newley told me himself... | 0:05:02 | 0:05:06 | |
Ah-oh-aah...! | 0:05:06 | 0:05:08 | |
-You haven't got a tie on, Danny. -He won the Oscar for Goldfinger in '64 or '65. | 0:05:08 | 0:05:15 | |
And he was up against Henry Mancini. And he was at the Oscars. He said, "Dan, if you ever win..." | 0:05:15 | 0:05:22 | |
I'm doing Max Bygraves! "Dan, if you ever win an Oscar, and you will..." | 0:05:22 | 0:05:27 | |
He said the first thing you want to do is go straight to the toilets and look at yourself in the mirror. | 0:05:27 | 0:05:33 | |
He said, "I was in the toilets and I'd just won for Goldfinger and Henry Mancini came in | 0:05:33 | 0:05:37 | |
"and he said, 'Where did you get that melody? It's brilliant.'" | 0:05:37 | 0:05:41 | |
"Thank you!" Then he thought, "Oh! He won last year for Moon River." | 0:05:41 | 0:05:46 | |
# Moon river... # | 0:05:46 | 0:05:48 | |
"I just won for..." # Goldfinger! # | 0:05:48 | 0:05:51 | |
But Henry Mancini, gentleman that he was, just left him with that. | 0:05:51 | 0:05:56 | |
-He wrote the MUSIC for Goldfinger? -Yeah. -I thought you meant the film. | 0:05:56 | 0:06:02 | |
Would you like a cup of cocoa, dear? | 0:06:03 | 0:06:06 | |
-If cryogenics takes off, it might benefit you to commit suicide. -Why? | 0:06:08 | 0:06:13 | |
Die young, then get brought back looking the same. Do it again... | 0:06:13 | 0:06:17 | |
-True. -So you get a couple of years, top yourself, get frozen again. | 0:06:17 | 0:06:22 | |
Why not just freeze yourself? Why top yourself AND freeze yourself in the hope they'd cured suicide? | 0:06:22 | 0:06:29 | |
Some day medical science will have moved on to have found some way | 0:06:29 | 0:06:34 | |
of dealing with massive gunshot wounds to the head! Then I'll score because I'll look great... | 0:06:34 | 0:06:41 | |
Is the idea that every decade you have a couple of good years? | 0:06:41 | 0:06:45 | |
Why would you even do that? | 0:06:45 | 0:06:48 | |
Then come back in 100 years' time, see what it's like, top yourself, come back in another 100... | 0:06:48 | 0:06:54 | |
-You're not getting my point! -LAUGHTER | 0:06:54 | 0:06:57 | |
You started it with serial suicide! | 0:06:57 | 0:07:00 | |
-Why do you have to top yourself first?! -Because you get frozen when you're dead! Not when you're alive. | 0:07:00 | 0:07:07 | |
-They freeze you when you're alive. -When you're alive?! -Yeah. | 0:07:07 | 0:07:12 | |
How can you be so shocked? "When you're alive?! Kill yourself first!" | 0:07:12 | 0:07:18 | |
There's got to be a moment of death to quickly whip your brain out, like with people's organs. | 0:07:19 | 0:07:25 | |
I don't think they're allowed to freeze you when you're alive. | 0:07:25 | 0:07:29 | |
They say it's so you can wake up in the future, but, in fact, the freezing would kill you. | 0:07:29 | 0:07:36 | |
-No, I'm thinking... -But with Alan's plan you'd already be dead. | 0:07:36 | 0:07:40 | |
And then they take your brain out - that's something else he said - | 0:07:40 | 0:07:45 | |
and 100 years on they put the brain back in. "You'd look great." | 0:07:45 | 0:07:50 | |
LAUGHTER | 0:07:50 | 0:07:52 | |
It's going to work! | 0:07:56 | 0:07:58 | |
Why would you not want Private Gwilym Jenkins of the Royal Welsh Regiment | 0:07:58 | 0:08:06 | |
guarding your rose bushes? | 0:08:06 | 0:08:08 | |
-Sean? -He's a goat. | 0:08:08 | 0:08:11 | |
Is the right answer! | 0:08:11 | 0:08:14 | |
-APPLAUSE -Very good. | 0:08:14 | 0:08:16 | |
Very good. | 0:08:17 | 0:08:20 | |
-Yep. -Oh, he's a beauty. -You knew that or it was an inspired guess? | 0:08:20 | 0:08:25 | |
-No, I knew that. -Various regiments were conjoined a few years ago. And there he is. | 0:08:25 | 0:08:31 | |
-Isn't he fine? -Looks like Satan. -From the royal herd at Windsor. He's... What? | 0:08:31 | 0:08:37 | |
He said he looks like Satan. | 0:08:37 | 0:08:40 | |
-Satan in the '70s, you know. -He does a bit. You're right. | 0:08:42 | 0:08:46 | |
There's a regiment in Norway where there's a general who's a penguin. | 0:08:46 | 0:08:51 | |
-You're right again! -He was honoured. | 0:08:51 | 0:08:55 | |
He was honoured in Edinburgh, of all places. Or inspected the troops. | 0:08:55 | 0:09:00 | |
-A penguin did?! -He wanders up and down, with a thing round his neck... -Looking up the kilts. | 0:09:00 | 0:09:07 | |
-Could be. -No. -What was this thing round his neck? | 0:09:07 | 0:09:11 | |
They couldn't pin a medal on him. Some seal of office. | 0:09:11 | 0:09:15 | |
-A seal as well?! -LAUGHTER | 0:09:15 | 0:09:18 | |
Wow. We've got a seal, a penguin... But other regimental mascots include... The Irish Guards? | 0:09:21 | 0:09:27 | |
-Leprechaun. -A big dog. | 0:09:27 | 0:09:29 | |
BILL: A goldfish. | 0:09:29 | 0:09:32 | |
One of those Irish dogs. | 0:09:32 | 0:09:34 | |
-A wolfhound? -Thank you. An Irish wolfhound, indeed. | 0:09:34 | 0:09:39 | |
-The Argyll and Sutherland Highlanders? -A big cow! -A haggis! | 0:09:39 | 0:09:43 | |
-No. -Pekinese. | 0:09:45 | 0:09:47 | |
A tiger! A big tiger! Arrr! | 0:09:47 | 0:09:50 | |
-An Argyll and Sutherland terrier. -No, it's further... | 0:09:50 | 0:09:55 | |
It's about the same size as the Irish wolfhound and the goat. | 0:09:55 | 0:09:59 | |
The bonsai panther! | 0:09:59 | 0:10:02 | |
-What's up north of Scotland? -Er, Wales! | 0:10:04 | 0:10:08 | |
-Shetland pony! -A Shetland pony. Well done, Alan, there. | 0:10:08 | 0:10:13 | |
-And the Worcestershire and Sherwood Foresters? -A bottle of sauce. | 0:10:13 | 0:10:17 | |
-A wood louse! -A man dressed as a bottle of sauce. | 0:10:19 | 0:10:23 | |
With his face out like that. | 0:10:23 | 0:10:26 | |
-Chaffinch. -Not a...! | 0:10:26 | 0:10:29 | |
I read that the current North Korean leader... | 0:10:29 | 0:10:33 | |
-Kim Jong-Il. -The Beloved Leader. -He commands, Kim, Kimmy, | 0:10:33 | 0:10:39 | |
he demands that his duvets are filled with the softest down known to man. | 0:10:39 | 0:10:44 | |
And the softest down, apparently, known to man | 0:10:44 | 0:10:48 | |
is the chin of a sparrow. | 0:10:48 | 0:10:51 | |
-And he has 150,000 sparrow chins stuffed into his duvet. -No... | 0:10:51 | 0:10:57 | |
Do they shave a live sparrow or do they kill a sparrow? | 0:10:57 | 0:11:01 | |
-Just a tickle under the chin. -Chuck it under the chin. | 0:11:01 | 0:11:06 | |
-Stephen fills his duvet with the softest man known to sparrows. -LAUGHTER | 0:11:06 | 0:11:11 | |
Ah, I do. I do. | 0:11:14 | 0:11:18 | |
Who painted this picture? | 0:11:18 | 0:11:21 | |
-"Aaaaow!" -Yes? | 0:11:21 | 0:11:23 | |
Van GOFF. HOOTER | 0:11:23 | 0:11:27 | |
We're after... | 0:11:27 | 0:11:29 | |
I'm going to go Van GOTH. | 0:11:29 | 0:11:32 | |
HOOTER | 0:11:32 | 0:11:35 | |
-Wha...?! -Van GO! -Van GO? | 0:11:36 | 0:11:40 | |
HOOTER | 0:11:40 | 0:11:42 | |
"Here's Jimmy!" | 0:11:44 | 0:11:46 | |
Cezanne. | 0:11:46 | 0:11:48 | |
LAUGHTER | 0:11:48 | 0:11:50 | |
-At least you don't lose points for that. -Van HO. | 0:11:53 | 0:11:57 | |
-Closer... -Van HEUGH. -What? | 0:11:57 | 0:12:01 | |
-Van HEUGH. -Now, listen. We can help you out with that name. | 0:12:01 | 0:12:06 | |
-Jolly close, Jack. Were you aware there's a Dutch version of QI? -Yes. | 0:12:06 | 0:12:11 | |
-Would you like to see the presenter? -Not really. | 0:12:11 | 0:12:15 | |
-He will tell us how the name is pronounced. -Pretty good. -Sho shexy. | 0:12:15 | 0:12:20 | |
-Come on! -The correct Dutch pronunciation is Vincent Van HOCH. | 0:12:20 | 0:12:26 | |
But, please, don't try this at home. | 0:12:26 | 0:12:29 | |
-There you are. -What would he know? -He wears more makeup than you, Stephen! | 0:12:29 | 0:12:35 | |
Let's have the next word. And it's..."grog blossom". | 0:12:36 | 0:12:41 | |
-Would you like to explain what it is? -This is actually | 0:12:41 | 0:12:46 | |
the kind of mould that you get on the inside of a barrel of beer | 0:12:46 | 0:12:51 | |
-that you have to clean out before you use it again. -Phill? | 0:12:51 | 0:12:55 | |
I'd like to do it in the style of the out of work actors they had on Call My Bluff. | 0:12:55 | 0:13:01 | |
They'd do their definition in an effort to beg for work. | 0:13:01 | 0:13:06 | |
FLAMBOYANTLY Imagine if you will... | 0:13:06 | 0:13:08 | |
..a lone figure walking across Hampstead Heath... | 0:13:12 | 0:13:16 | |
..the sun glinting in his very eyes, | 0:13:17 | 0:13:21 | |
for he is making his way back from an evening at the inn | 0:13:21 | 0:13:25 | |
where he has partaken of mead | 0:13:25 | 0:13:29 | |
and other lascivious beverages. LAUGHTER | 0:13:29 | 0:13:33 | |
Adorning the chin of said stout fellow | 0:13:35 | 0:13:39 | |
are pimples, for they betray his excesses, | 0:13:39 | 0:13:43 | |
and these, at the time, were known as... | 0:13:43 | 0:13:48 | |
Marty Fitch - 01 287 469. | 0:13:48 | 0:13:51 | |
Available for panto. | 0:13:51 | 0:13:54 | |
..grog blossom. | 0:13:55 | 0:13:57 | |
Bravo! Excellent. | 0:13:57 | 0:13:59 | |
The true understanding of evolution shows that nature is horrific. | 0:14:03 | 0:14:08 | |
The Victorians hated it because they loved countryside, birdsong... | 0:14:08 | 0:14:13 | |
-Mrs Alexander's All Things Bright And Beautiful. -Yes. Instead it is a vicious struggle for survival... | 0:14:13 | 0:14:19 | |
All animals are hungry and afraid and die before they get old and it's a miserable, hard life. | 0:14:19 | 0:14:26 | |
-Unless they live in zoos. -A life they wouldn't expect in the wild. | 0:14:26 | 0:14:30 | |
Maybe they could let them out of the zoo for a little bit and let them back in the circus. | 0:14:30 | 0:14:37 | |
-Mmm... -I miss a dog pushing a pram. LAUGHTER | 0:14:37 | 0:14:41 | |
-You... -Cirque du Soleil is all very well, | 0:14:41 | 0:14:46 | |
-but an elephant counting. -You're pitching yourself in a tailcoat, tights and a top hat, | 0:14:46 | 0:14:51 | |
-welcoming everybody to Circus X Factor Call Me A Nancy, aren't you? -No! -You are. | 0:14:51 | 0:14:58 | |
You'd have to do the elephant's back story. "This is the elephant's last chance | 0:14:58 | 0:15:04 | |
"for a career in show business." The elephant in tears. | 0:15:04 | 0:15:07 | |
"He's doing this for his dead grandfather," and the elephant staring at a big pile of ivory. | 0:15:07 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:16 | |
-You are a sick puppy. -Give it some piano keys! | 0:15:18 | 0:15:23 | |
The band's about to play for him and they go, "These?" | 0:15:25 | 0:15:29 | |
Tactless. | 0:15:29 | 0:15:31 | |
"Yeah, my grandad was in show business as well." | 0:15:31 | 0:15:36 | |
Oddly enough, it seems that both girls and boys will take more pain from a woman. | 0:15:37 | 0:15:43 | |
-They did calibrated tests of putting fingers in a clamp and... -What?! -..both men and... | 0:15:43 | 0:15:49 | |
-Who volunteers for that? -But you get to keep the clamp. | 0:15:49 | 0:15:54 | |
-Now it all becomes clear. -You pay students. You say, "Say stop when you can't take it any more." | 0:15:54 | 0:16:00 | |
In both women and men's cases, women could turn it further. | 0:16:00 | 0:16:04 | |
Oddly enough, if there are pleasant pictures on the wall you can take more pain. | 0:16:04 | 0:16:10 | |
-That's what art does for us all. -There's a wonderful thing called Stendhal Syndrome. | 0:16:10 | 0:16:16 | |
-Oh, yes... -The idea that people are so overwhelmed by a piece of art, they faint. -Did we cover that? | 0:16:16 | 0:16:23 | |
-No... -LAUGHTER | 0:16:23 | 0:16:25 | |
That's the beauty. We can do the questions again and again. | 0:16:27 | 0:16:31 | |
I go, "That rings a bell." | 0:16:31 | 0:16:34 | |
Also painkillers have different effects. Right up until the 1990s, | 0:16:36 | 0:16:42 | |
-drug companies did not test painkillers on women. -Because they complain, anyway. | 0:16:42 | 0:16:49 | |
Oh, Jack, you're making friends(!) I fear... I think Jack better suffer for that one. | 0:16:50 | 0:16:56 | |
Actually, women's ability to take different levels of pain alters | 0:16:56 | 0:17:01 | |
in different stages of the menstrual cycle, so they said women were not a reliable test of painkillers... | 0:17:01 | 0:17:08 | |
-We're all over the place. -..but then the American FDA said, "This is not good enough | 0:17:08 | 0:17:14 | |
-"and you must factor it in." -I've just come back from America. | 0:17:14 | 0:17:19 | |
They have fantastic drugs. You can buy shedloads. | 0:17:19 | 0:17:23 | |
I was in a chemist and I ended up not in the haemorrhoid section, but in the haemorrhoid aisle. | 0:17:23 | 0:17:29 | |
Yes, it is astonishing. The size of those Walgreens and huge pharmacies. Unbelievable. | 0:17:29 | 0:17:35 | |
-Absolutely staggering. -Is it embarrassing walking down the haemorrhoid aisle? | 0:17:35 | 0:17:41 | |
It's bad enough if you have to ask for the stuff. Apparently. | 0:17:41 | 0:17:46 | |
-"He likes to walk down the haemorrhoid aisle." -Yeah! | 0:17:46 | 0:17:50 | |
Oh, dear. | 0:17:53 | 0:17:55 | |
What about exactly an hour? Where did the hour...? | 0:17:55 | 0:17:59 | |
Why did they decide on an hour? What was that? Why an hour? | 0:17:59 | 0:18:05 | |
-Why not make half an hour an hour? -24 is divisible in so many ways. | 0:18:05 | 0:18:10 | |
-Very factorisable. -Divisible by 2 and 3 and 4 and 6 and 8. | 0:18:10 | 0:18:14 | |
-So is 10. -It's only divisible by 1, 2, 5 and itself. -Only in one dimension. | 0:18:14 | 0:18:20 | |
If you go into another dimension, you can do anything you like. | 0:18:20 | 0:18:24 | |
-Unfortunately, we weren't in another dimension, Bill. -Oh! -I'm sorry. | 0:18:24 | 0:18:30 | |
-Why was it important to divide 24 by 8? -No, it was to have as divisible a system as possible. | 0:18:30 | 0:18:37 | |
-Why not have 100? -If you want to, you can have decimalised time. | 0:18:37 | 0:18:42 | |
I'm going to make my own. I've got to cross two of these off! | 0:18:42 | 0:18:47 | |
-Yeah. -Let's have a vote! -Which ones to cross off? | 0:18:47 | 0:18:52 | |
3 and 8. | 0:18:52 | 0:18:54 | |
-Well, last night... -You can't have 1 to 10. We'll never have elevenses ever again. | 0:18:54 | 0:19:01 | |
-Nineses! -Nineses?! -Nineses! | 0:19:01 | 0:19:04 | |
-So how many hours are in your day? -20. -20 hours of daylight? | 0:19:04 | 0:19:09 | |
-Nice and simple. Call it a hoorar. -Right, OK. | 0:19:09 | 0:19:13 | |
-A hoorar. -A hoor! -A hoor?! -Hoor! | 0:19:13 | 0:19:17 | |
-A strumpet! -That is a whore. -20 strumpets! -Yeah. | 0:19:17 | 0:19:22 | |
Aye! | 0:19:23 | 0:19:25 | |
-It was 12 hours because the Babylonians... -What do they know? | 0:19:25 | 0:19:30 | |
They had a base 12 counting system. | 0:19:30 | 0:19:32 | |
-But we have 10 fingers. -Yes. -And 10 toes. | 0:19:32 | 0:19:36 | |
And you could count off the sections of time by using your digits. | 0:19:36 | 0:19:41 | |
-What time is it? -One, two... | 0:19:41 | 0:19:45 | |
-Three and a half. -Two minutes past four. What would that be, then? About six? -Yeah. | 0:19:45 | 0:19:50 | |
There could be a line in merchandisable metric clocks. | 0:19:53 | 0:19:57 | |
-It's the Bill Bailey QI metric clock. -Metric clock. -Yeah. -That's fine. That'll do me. | 0:19:57 | 0:20:04 | |
-We've just done an hour on that topic. -By whose system? | 0:20:04 | 0:20:08 | |
-I think you'll find it's an hour and a bit. -That can only mean one thing - time to move on! | 0:20:08 | 0:20:16 | |
Where does the extra square in this diagram comes from? | 0:20:16 | 0:20:21 | |
Those two are the same size. | 0:20:21 | 0:20:24 | |
But there's a white square of bits missing. How can that be? | 0:20:24 | 0:20:29 | |
-Because some of the triangles... -Have a look at it happening. | 0:20:29 | 0:20:34 | |
That one goes there, that one goes there and there. | 0:20:34 | 0:20:38 | |
Like so, like so, like so. | 0:20:38 | 0:20:41 | |
-And now there's more space in there. -Yeah. But that can't be possible, can it? | 0:20:41 | 0:20:47 | |
Yet my eyes tell me it is. | 0:20:47 | 0:20:49 | |
-It's not even longer? No. -It's the same. | 0:20:49 | 0:20:53 | |
Yup, there it is. | 0:20:53 | 0:20:55 | |
-It is a cheat. -That's witchcraft! -It is. | 0:20:55 | 0:20:59 | |
Rather appropriately, it was a magician who discovered this. | 0:20:59 | 0:21:03 | |
-It's five blocks high, the same number of blocks long. -It's a very small, subtle cheat. | 0:21:03 | 0:21:09 | |
The hypotenuse seem to be the same, but they are curved, not straight. | 0:21:09 | 0:21:15 | |
The red triangle has a ratio of 5:2, the blue is 8:3, | 0:21:15 | 0:21:20 | |
-so the two triangles are not similar. -One has a bigger area? | 0:21:20 | 0:21:25 | |
Exactly. One has a slightly dipped line. The eye assumes they're straight, | 0:21:25 | 0:21:31 | |
and it's puzzled by that gap. Anyway, we thought you'd like that. It's quite interesting, isn't it? | 0:21:31 | 0:21:37 | |
Curry's Paradox. Simply a trick. The gap appears as the hypotenuse is imperceptibly bent. | 0:21:37 | 0:21:44 | |
-Curry's Paradox. -That's nice. -Should you buy the insurance? | 0:21:44 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:53 | |
Or just risk it? | 0:21:53 | 0:21:55 | |
There are the lovely Osmonds. Aren't they lovely? | 0:21:55 | 0:21:59 | |
-What teeth! -They were rubbish. | 0:21:59 | 0:22:02 | |
Apart from Little Jimmy Osmond, a long-haired lover from Liverpool. | 0:22:02 | 0:22:06 | |
And Big Graham Osmond, the one they kept in the attic. | 0:22:06 | 0:22:10 | |
-Who had terrible teeth. -He had one massive one. -And he wrote all the songs. | 0:22:13 | 0:22:21 | |
He groaned them into a tin can. It was connected by a piece of string. | 0:22:22 | 0:22:28 | |
Aaaeiiee! | 0:22:28 | 0:22:29 | |
# Wild horses...nyah! Nyah! # | 0:22:31 | 0:22:35 | |
# Crazy horses! # | 0:22:35 | 0:22:39 | |
HOWLING | 0:22:39 | 0:22:41 | |
-You're very bad. -# Paper roses! # | 0:22:43 | 0:22:47 | |
"What was that, Graham?" "Aa-oooh!" | 0:22:47 | 0:22:51 | |
Behave. | 0:22:52 | 0:22:54 | |
Pull yourselves together at once. | 0:22:54 | 0:22:56 | |
The Church... | 0:22:58 | 0:23:00 | |
of Jesus Christ of Latter Day Saints... | 0:23:00 | 0:23:04 | |
-What a great idea! -Aaa-ooyah! | 0:23:04 | 0:23:07 | |
That's a great idea for Dr Who. Dr Who goes into the attic | 0:23:07 | 0:23:12 | |
and finds the elderly secret brother of the Osmonds! And that's how they kill off David Tennant! | 0:23:12 | 0:23:18 | |
Aaargh! | 0:23:20 | 0:23:22 | |
-That's the Christmas show. -Played by Bill Bailey! | 0:23:22 | 0:23:26 | |
-I was buying ties the other day... -I thought you had them selected. | 0:23:33 | 0:23:38 | |
They said, "Do you want them in a bag or a box?" I said, "Bag, though if I'd asked for a box, | 0:23:38 | 0:23:44 | |
"you could have said you spent the day tie boxing." | 0:23:44 | 0:23:49 | |
-I know... -And we laughed(!) | 0:23:49 | 0:23:51 | |
This is the gold you miss if you're not on the street where Stephen is. | 0:23:51 | 0:23:56 | |
-All right, I regret it. At the time... -It's very nice. | 0:23:56 | 0:24:00 | |
I bet you when he came round... LAUGHTER | 0:24:00 | 0:24:04 | |
When he picked himself back up off the floor... | 0:24:05 | 0:24:09 | |
"Shall I still put them in the box, sir? | 0:24:09 | 0:24:12 | |
"Any more of them?" | 0:24:14 | 0:24:17 | |
All right! Come up. | 0:24:17 | 0:24:20 | |
-It was a light remark... -"Oh, I've gone!" | 0:24:21 | 0:24:24 | |
Yeah. | 0:24:26 | 0:24:28 | |
"Oh, I wish you came in here more often." | 0:24:28 | 0:24:32 | |
-Why did it take 300 years to give the giant tortoise a scientific name? -A scientific name? | 0:24:34 | 0:24:40 | |
i.e. the Latin name. It turned out to be Geochelone... | 0:24:40 | 0:24:44 | |
-Is it because they thought that was pretty good, giant tortoise? -We'll leave it with that. | 0:24:44 | 0:24:51 | |
No, I... I was going to say something that now is unusable. | 0:24:51 | 0:24:56 | |
-I'm going to have to say it now. -Go on. Get on with it, man. -They thought... | 0:24:56 | 0:25:01 | |
LAUGHTER | 0:25:01 | 0:25:04 | |
-Better be good. -They thought it was a normal tortoise, but closer. | 0:25:04 | 0:25:09 | |
-That's so sweet. -But I couldn't get that concept. | 0:25:09 | 0:25:13 | |
Will it be further away or...? Further away would be a minute one. | 0:25:13 | 0:25:17 | |
Would they mistake a quite far away normal one for a miniature one? Or would...? | 0:25:17 | 0:25:23 | |
The thing that you're saying is that the tortoise... | 0:25:23 | 0:25:27 | |
They go that way. | 0:25:29 | 0:25:32 | |
If there was a tortoise over there that was giant, but I for some reason thought it was there, | 0:25:32 | 0:25:38 | |
I wouldn't think it was giant. "It's just one there. | 0:25:38 | 0:25:42 | |
-"Oh, my God! It's over there and it's massive!" -On a huge beach with no other points of reference. | 0:25:42 | 0:25:50 | |
-That's not the reason. -Are they particularly litigious? | 0:25:50 | 0:25:55 | |
"If you give me a name, I will sue you." | 0:25:55 | 0:25:59 | |
-No, it wasn't that. They had another property that was most unfortunate for them. -The tortoises did? | 0:25:59 | 0:26:06 | |
-Yeah. -They were edible. -They were SO edible. Anyone... | 0:26:06 | 0:26:10 | |
Anyone who saw one couldn't stop to think of a name for it? They had to eat it straightaway? | 0:26:10 | 0:26:16 | |
One of those... I don't know what they're called. Just get one. They're very good. | 0:26:16 | 0:26:22 | |
There's no Latin name for pistachio nuts, either. | 0:26:22 | 0:26:26 | |
No-one can be bothered. "Shut up with your Latin. Eat them!" | 0:26:26 | 0:26:31 | |
No Latin name for Maltesers. | 0:26:31 | 0:26:34 | |
LAUGHTER | 0:26:38 | 0:26:41 | |
It's kind of true. None of them made it to London, to Europe. | 0:26:41 | 0:26:46 | |
"This time, THIS time, we're going to take it." | 0:26:46 | 0:26:51 | |
"Leave it. We're taking it back." | 0:26:51 | 0:26:54 | |
There's a ferry coming in to Dover and a bloke going... | 0:26:55 | 0:26:59 | |
Leaving the door where the tortoise was kept. | 0:27:00 | 0:27:05 | |
"All right, look, there's nine. We'll eat eight. But absolutely..." | 0:27:07 | 0:27:12 | |
And everyone's looking at it and going, "Come on..." | 0:27:12 | 0:27:16 | |
The sea's becalmed, for days on end, and there's one tortoise left. | 0:27:16 | 0:27:22 | |
"Come on, sir. Let's just go back and get some more." | 0:27:22 | 0:27:26 | |
And the moment after they've eaten that last tortoise, | 0:27:27 | 0:27:32 | |
they think, "We are..." LAUGHTER | 0:27:32 | 0:27:34 | |
"I'm too full." | 0:27:36 | 0:27:38 | |
Even Darwin on his last voyage, | 0:27:38 | 0:27:41 | |
-there were dozens of them. -He collected every species in the world and ate that one. | 0:27:41 | 0:27:47 | |
-They did. -"We've done all the butterflies, all the beetles..." | 0:27:47 | 0:27:51 | |
The only descriptions compare them to chicken, beef, mutton and butter | 0:27:51 | 0:27:56 | |
and say how much better they are than all of those things. | 0:27:56 | 0:28:01 | |
No-one had ever eaten anything better. | 0:28:01 | 0:28:05 | |
And the liver and the bone marrow. Every part of it was delicious. | 0:28:05 | 0:28:09 | |
-Whereabouts are they from? -The tropics. -Are there flights? | 0:28:09 | 0:28:14 | |
They are now protected! All 12 species! | 0:28:16 | 0:28:20 | |
If they're that delicious, they can't be. "We've protected them. No need to look." | 0:28:20 | 0:28:26 | |
Burp! | 0:28:26 | 0:28:27 | |
Oops! But there were some that survived, however. | 0:28:28 | 0:28:32 | |
-Let me tell you about a very extraordinary one. -That bloke is befriending that one. | 0:28:32 | 0:28:38 | |
"Come over here, my pretty. I'm trying to think of a name for you." | 0:28:38 | 0:28:44 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:28:57 | 0:29:01 | |
Email [email protected] | 0:29:02 | 0:29:04 |