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CHEERING AND APPLAUSE | 0:00:26 | 0:00:30 | |
Hey! Hello! | 0:00:32 | 0:00:34 | |
Hello, hello, hello, hello, hello, hello, hello, hello, hello, hello! | 0:00:34 | 0:00:38 | |
And welcome to QI, the show-off show that sits at the front of the class, | 0:00:38 | 0:00:42 | |
shouting, "Me, sir! Me, me, me, sir, me!" | 0:00:42 | 0:00:44 | |
while other quiz shows are snogging behind the bike sheds. | 0:00:44 | 0:00:48 | |
Tonight, we're celebrating genius | 0:00:48 | 0:00:50 | |
with four of the most brilliant minds in the country, | 0:00:50 | 0:00:53 | |
the Einstein or entertainment, David Mitchell! | 0:00:53 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:59 | |
The Da Vinci of drollery, Dara O Brien! | 0:00:59 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
The Galileo of gags, Graham Norton! | 0:01:06 | 0:01:08 | |
CHEERS AND APPLAUSE | 0:01:08 | 0:01:10 | |
And the Morecambe of wise, Alan Davies! | 0:01:13 | 0:01:15 | |
CHEERS AND APPLAUSE | 0:01:15 | 0:01:17 | |
But before our SWAT team of swots | 0:01:21 | 0:01:23 | |
done their white coats and clever clogs, | 0:01:23 | 0:01:25 | |
we should hear their buzzers, and Dara goes... | 0:01:25 | 0:01:28 | |
BELL | 0:01:28 | 0:01:31 | |
University College Dublin, O Brien! | 0:01:29 | 0:01:31 | |
David goes... | 0:01:31 | 0:01:33 | |
BELL | 0:01:33 | 0:01:36 | |
Peterhouse, Cambridge, Mitchell! | 0:01:34 | 0:01:36 | |
Graham goes... | 0:01:36 | 0:01:37 | |
BELL | 0:01:37 | 0:01:40 | |
University College, Cork, Norton! | 0:01:38 | 0:01:40 | |
And Alan goes... | 0:01:40 | 0:01:41 | |
PING! | 0:01:41 | 0:01:44 | |
Can I have a P, please, Bob? | 0:01:42 | 0:01:44 | |
LAUGHTER | 0:01:44 | 0:01:45 | |
Oh, that's... | 0:01:45 | 0:01:47 | |
APPLAUSE | 0:01:47 | 0:01:50 | |
That's completely unfair because Alan is a graduate of the University of Kent, | 0:01:50 | 0:01:54 | |
and he holds an honorary doctorate, so, Alan, could you press your buzzer again? | 0:01:54 | 0:01:58 | |
BELL | 0:01:58 | 0:02:00 | |
The doctor'll see you now! | 0:01:59 | 0:02:00 | |
LAUGHTER | 0:02:00 | 0:02:02 | |
Now, a very difficult first question, so I'm going to give you a bit of help. | 0:02:02 | 0:02:06 | |
-What I'd like you to do, you should have a bit of tissue somewhere near. -ALAN: -I can't see anything! -No! | 0:02:06 | 0:02:11 | |
-Have you got tissues anywhere? -Yeah. | 0:02:11 | 0:02:13 | |
I want you to stick a piece of tissue up your left nostril as if you had a nosebleed or something. | 0:02:13 | 0:02:18 | |
It's weird, OK. Left nostril, very good. | 0:02:18 | 0:02:20 | |
You've all passed that test. Well, two of you have. | 0:02:20 | 0:02:24 | |
I'm going for real penetration. | 0:02:25 | 0:02:27 | |
I can feel that up there. | 0:02:29 | 0:02:31 | |
If it came out your ear, that would be a worry. All right, now say something intelligent. | 0:02:31 | 0:02:36 | |
LAUGHTER | 0:02:38 | 0:02:39 | |
Er... | 0:02:39 | 0:02:41 | |
A squared equals B squared plus C squared. | 0:02:43 | 0:02:46 | |
That's very good! If... | 0:02:46 | 0:02:49 | |
Pythagoras's theorem, you know. | 0:02:49 | 0:02:51 | |
Yeah, excellent! | 0:02:51 | 0:02:52 | |
Well, no, what this is about, | 0:02:52 | 0:02:54 | |
do you breathe through your left nostril, your right nostril or both? | 0:02:54 | 0:02:58 | |
-My arse. -Oi! | 0:02:58 | 0:03:00 | |
I've always suspected one works better than the other, but I've never kept a note of which it is. | 0:03:00 | 0:03:05 | |
Well, some people do keep notes of how people breathe. | 0:03:05 | 0:03:09 | |
-Does it not alternate? -You're right, Dara O Brien, it does alternate. | 0:03:09 | 0:03:12 | |
It has a periodicity of four hours. | 0:03:12 | 0:03:15 | |
You swap from being mostly left to mostly right, and what's completely weird | 0:03:15 | 0:03:21 | |
is that you answer questions on different types of subject better | 0:03:21 | 0:03:25 | |
according to which side you're breathing through. | 0:03:25 | 0:03:28 | |
Am I going to asphyxiate at about half past 12? | 0:03:28 | 0:03:30 | |
You might, that's a good point! You can breathe through your mouth if you want to. | 0:03:30 | 0:03:35 | |
Should we be keeping notes of when our...you know, | 0:03:35 | 0:03:37 | |
of what shift work our nostrils are on? | 0:03:37 | 0:03:40 | |
Oh, the left will be in charge from one till four, that's when I should be doing maths-based things, | 0:03:40 | 0:03:45 | |
like my tax return. | 0:03:45 | 0:03:47 | |
If I'm going to write a poem, I'll wait till the more creative right nostril comes on at about 4pm. | 0:03:47 | 0:03:53 | |
-Breathing through the right nostril, you should be better at visual and spatial tasks. -GRAHAM: -So, now? | 0:03:53 | 0:03:59 | |
Yes, you should be good at visual and spatial things. | 0:03:59 | 0:04:01 | |
If you block the right one, you should be better at verbal things. | 0:04:01 | 0:04:05 | |
I know it sounds mad, but you've probably | 0:04:05 | 0:04:07 | |
heard of the study in '89 called Unilateral Nostril Breathing... | 0:04:07 | 0:04:10 | |
Oh, that old thing! | 0:04:10 | 0:04:12 | |
..by Block, Arnott, Quigley and Lynch. | 0:04:12 | 0:04:15 | |
So why don't all sports people constantly block their left nostrils? | 0:04:15 | 0:04:20 | |
Well, you've probably seen what a lot of sports people do. | 0:04:20 | 0:04:23 | |
They put a piece of Elastoplast, plaster, the anti-snoring thing, | 0:04:23 | 0:04:27 | |
and they do that so they're both open at the same time so they get maximum, I guess. | 0:04:27 | 0:04:33 | |
And often they snort drugs as well. | 0:04:33 | 0:04:35 | |
-They don't! -When we watch a sports person with one of those things on, | 0:04:35 | 0:04:39 | |
-they're not only at their best at sport, they're also at their most verbally dextrous? -Indeed! | 0:04:39 | 0:04:45 | |
-And visually and spatially because both are wide open. -Otherwise they can't even go, "Mine!" | 0:04:45 | 0:04:50 | |
-No, what have you got? What have you found? -I think I lost the end. | 0:04:50 | 0:04:56 | |
Ohhh! | 0:04:56 | 0:04:59 | |
-Oh, dear. -It'll reappear, won't it? | 0:04:59 | 0:05:01 | |
Somewhere, yeah, eventually. | 0:05:01 | 0:05:04 | |
You'll cry it out at some point. | 0:05:04 | 0:05:06 | |
Are these going on eBay? | 0:05:06 | 0:05:08 | |
-They could do - do you want to sign it? -All right, yeah. | 0:05:10 | 0:05:13 | |
I think I've already left my mark. | 0:05:13 | 0:05:15 | |
Blocking the right nostril makes you more emotionally negative, | 0:05:15 | 0:05:19 | |
according to another study, a higher score on the Spielberger State Anxiety Inventory. | 0:05:19 | 0:05:24 | |
-So if you wish to feel slightly more cheerful, don't block the right nostril. -So that's why now... | 0:05:24 | 0:05:30 | |
-Now you're quite happy. -You're quite bouncy and happy, aren't you? | 0:05:30 | 0:05:34 | |
Oh, now... There, you see, you've blocked the right nostril. | 0:05:34 | 0:05:38 | |
It's terribly sad. | 0:05:38 | 0:05:40 | |
LAUGHTER | 0:05:40 | 0:05:42 | |
Keep them in, I'm going to ask you a question that will test your visual-spatial. | 0:05:42 | 0:05:46 | |
-Left? -In the left, keep them left, OK. | 0:05:46 | 0:05:48 | |
It seems the quickest way to improve verbal reasoning is to shove a tissue up your left nostril. | 0:05:48 | 0:05:53 | |
Let's see how they've worked. Consider... | 0:05:53 | 0:05:56 | |
an N-dimensional hypercube and connect each pair of vertices | 0:05:56 | 0:06:00 | |
to obtain a complete graph of two to the power N vertices. | 0:06:00 | 0:06:04 | |
Colour each of the edges of this graph using only the colours red and black. | 0:06:04 | 0:06:08 | |
What is the smallest number, the smallest value of N | 0:06:08 | 0:06:11 | |
for which every possible such colouring must necessarily contain a single coloured | 0:06:11 | 0:06:16 | |
complete sub-graph with four vertices which lie in a plane? | 0:06:16 | 0:06:19 | |
Six! | 0:06:19 | 0:06:20 | |
That is exactly what people used to think. | 0:06:20 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
-APPLAUSE -That's amazing. | 0:06:25 | 0:06:28 | |
-That's absolutely extraordinary. -Further up there, further! | 0:06:28 | 0:06:33 | |
Yeah, until 2003, most graph theorists thought the correct answer was probably six. | 0:06:34 | 0:06:39 | |
-I can only apologise. -But... | 0:06:39 | 0:06:41 | |
Come in here with your old graph-theory knowledge, how dare you! | 0:06:41 | 0:06:45 | |
It's so difficult, when you've got a busy showbiz lifestyle, to keep up with the graph theory? | 0:06:45 | 0:06:49 | |
It's probably only eight or nine hours a day you're devoting to it now. | 0:06:49 | 0:06:53 | |
-Well, I have to say, I've got Graham's number. -Six? | 0:06:53 | 0:06:57 | |
-Have you got Graham's number? -Er, no. -Ah! | 0:06:57 | 0:06:59 | |
-We don't have that sort of relationship. -You've not got that sort of relationship! | 0:06:59 | 0:07:04 | |
There is such a thing, which is relevant to this, Graham's number. | 0:07:04 | 0:07:08 | |
-But it's bigger than six. -< Of course it is. -It is so... | 0:07:08 | 0:07:11 | |
-It is really big. Try and think of a really, really big number. -17. | 0:07:11 | 0:07:16 | |
Do you know what? It's even bigger than that! | 0:07:16 | 0:07:20 | |
This number, all right... | 0:07:20 | 0:07:22 | |
Now get hold of this idea - this number is so big that all the material in the universe, right, | 0:07:22 | 0:07:28 | |
couldn't make enough ink to write it out. | 0:07:28 | 0:07:32 | |
It's called Graham's number, named after Ronald Graham, | 0:07:32 | 0:07:35 | |
and weirdly enough, scientists know that it ends in a seven, which is really strange. | 0:07:35 | 0:07:39 | |
Why would it end in a seven?! Turn it into an eight and then it's a bigger number! | 0:07:39 | 0:07:43 | |
I didn't say it was the biggest number ever, it's just this is Graham's number, which is huge. | 0:07:43 | 0:07:49 | |
-You could have Norton's number. -Yeah, Graham Norton, I made it an eight at the end. | 0:07:49 | 0:07:53 | |
-You can remove your tissues, incidentally, now. -I think I'll miss it now. -Oh, will you? OK. | 0:07:53 | 0:07:59 | |
I'm worried about what might come out when I pull it. | 0:07:59 | 0:08:02 | |
This problem, this graph problem, it seems - imagine the cube with lots of different dimensions | 0:08:02 | 0:08:08 | |
where each corner is connected with red or black lines to every other, | 0:08:08 | 0:08:11 | |
what is the fewest number of dimensions so that you end up with | 0:08:11 | 0:08:14 | |
at least one single coloured square with the same colour diagonals? | 0:08:14 | 0:08:17 | |
Until 2003, they thought it was six. Now it's been shown that there must be at least 11. It may be 12, | 0:08:17 | 0:08:23 | |
but it's somewhere between 11 and Graham's number, that enormous number. | 0:08:23 | 0:08:27 | |
-There's quite a lot of room for error, isn't there? -That's not really an answer, is it? | 0:08:27 | 0:08:32 | |
The greatest mathematical minds in the world just don't know what the answer is. | 0:08:32 | 0:08:36 | |
-I don't understand the question. -Neither do I. -They don't either, to be honest, | 0:08:36 | 0:08:40 | |
and they're really hoping nobody checks. | 0:08:40 | 0:08:43 | |
What they do know is it ends in a seven. | 0:08:43 | 0:08:46 | |
Why are exams so much easier for youngsters these days? | 0:08:46 | 0:08:49 | |
-BELL -Dublin, O Brien! -Yes, Dara. | 0:08:49 | 0:08:52 | |
Thank you very much. | 0:08:52 | 0:08:54 | |
Firstly, are they actually easier these days, or are they simply marked more generously? | 0:08:54 | 0:08:58 | |
It is just one of these things, this may be a national thing you do, | 0:08:58 | 0:09:02 | |
but you've a tendency to presume that you have a very stupid generation of kids in this country. | 0:09:02 | 0:09:07 | |
Then you set them a series of exams, they all get As, and you go, "Proof!" | 0:09:07 | 0:09:11 | |
-That proves they're stupid, yes! -It is a horrendous Catch 22 if you're a 17-year-old. | 0:09:11 | 0:09:16 | |
My problem with exams, though, is that more and more people get As, | 0:09:16 | 0:09:19 | |
so whether that's because they're getting more intelligent or the exam's getting easier, or both, | 0:09:19 | 0:09:24 | |
it still is defying the point of the exam. | 0:09:24 | 0:09:26 | |
The point in exams is to tell people apart, not just to go, "You're all great academically! | 0:09:26 | 0:09:31 | |
"Everyone can be professor of Latin! | 0:09:31 | 0:09:33 | |
"Share the professor of Latin's salary between you! | 0:09:33 | 0:09:38 | |
-"And starve!" -You're right, it should be done by a percentile. -Which is how it used to be done. | 0:09:38 | 0:09:43 | |
And that's the point of our IQ test, and what's interesting about the IQ test | 0:09:43 | 0:09:47 | |
is that each year it gets better by 0.3%, | 0:09:47 | 0:09:52 | |
so 3% every ten years, children get smarter, so they have to normalise. | 0:09:52 | 0:09:56 | |
So if you go back to your great-great-grandparents, | 0:09:56 | 0:10:00 | |
they would be, under the Mental Health Act of 1983, retarded. | 0:10:00 | 0:10:04 | |
-Well... -Because they would have an IQ of 70. | 0:10:04 | 0:10:08 | |
My great-grandfather signed his marriage certificate with a cross so... | 0:10:08 | 0:10:12 | |
-Was his name Xavier? -I don't think it was! | 0:10:12 | 0:10:16 | |
Well, perhaps he should have used a pen. | 0:10:16 | 0:10:19 | |
The only thing that you might say is quite interesting about this, it's called the Flynn effect, | 0:10:23 | 0:10:28 | |
the fact that people are getting the better at it. Under American law, | 0:10:28 | 0:10:32 | |
if you have an IQ of 70 or less, you cannot be executed for a capital crime. | 0:10:32 | 0:10:37 | |
You're considered retarded, and therefore Flynn has often had to go... | 0:10:37 | 0:10:42 | |
People might have an IQ of 72, which means they're going to die, | 0:10:42 | 0:10:45 | |
and he will say, "Yeah, but this was taken when he was a child, | 0:10:45 | 0:10:50 | |
"and revising upwards the 100 norm, he's actually 68 or something, so he is technically retarded," | 0:10:50 | 0:10:56 | |
and he can save lives by doing that. | 0:10:56 | 0:10:58 | |
Quite easy to throw an IQ test, I'd have thought. | 0:10:58 | 0:11:00 | |
-Yeah, but they're taken as children. -They're not smart enough to throw an IQ test! | 0:11:00 | 0:11:04 | |
That is really planning a murder, if you're seven, going, "I'll put a circle here... | 0:11:04 | 0:11:10 | |
"In 15 years, you're dead!" | 0:11:14 | 0:11:17 | |
It's kind of the reverse of the sort of eugenicist argument that | 0:11:17 | 0:11:20 | |
the Americans are using, where they're letting the stupid live. | 0:11:20 | 0:11:25 | |
But anyway, young people find IQ tests easier than their parents | 0:11:25 | 0:11:30 | |
because apparently they're exposed to more problem solving in their life. | 0:11:30 | 0:11:34 | |
Maybe geniuses are born, not made, and if so, how would you create a genius? | 0:11:34 | 0:11:38 | |
Is there a way of ensuring a genius? | 0:11:38 | 0:11:42 | |
Breeding two geniuses together... | 0:11:42 | 0:11:44 | |
-Well... -..and then giving them a high-fibre diet, | 0:11:44 | 0:11:47 | |
exposed to lots of vitamin D from the sun... | 0:11:47 | 0:11:50 | |
You mention eugenicists earlier. Tell me what eugenics is, then. | 0:11:50 | 0:11:54 | |
Yeah, tell us about your theory of eugenics! | 0:11:54 | 0:11:57 | |
I'm not sure, is it sort of generally trying to breed people to be brighter and stronger and better at things, | 0:11:57 | 0:12:04 | |
and stopping people from breeding if you think they might have stupid or feeble...? | 0:12:04 | 0:12:08 | |
-People farming! -Nazism. | 0:12:08 | 0:12:11 | |
People husbandry, isn't it? | 0:12:11 | 0:12:12 | |
As Alan said, Nazism, of course, is a thing that... | 0:12:12 | 0:12:17 | |
There were people, quite respectable antecedents and liberal points of view before Nazism | 0:12:17 | 0:12:22 | |
who believed that eugenics may be a good idea. | 0:12:22 | 0:12:25 | |
-Lots of them, yeah. -Bernard Shaw and many others. | 0:12:25 | 0:12:28 | |
I did a game show in America a while ago, and there was a contestant on it, this woman, | 0:12:28 | 0:12:33 | |
and her sort of interesting fact, her fun fact about herself | 0:12:33 | 0:12:37 | |
was that her father had been a serial killer, right? | 0:12:37 | 0:12:40 | |
-LAUGHTER -And her other fun fact was she hadn't told her husband | 0:12:40 | 0:12:46 | |
that her father was a serial killer until after they were married! | 0:12:46 | 0:12:50 | |
So it's a light-hearted thing, but I'm trying to say to her, | 0:12:50 | 0:12:54 | |
"Do you think maybe your husband would have been concerned about having children | 0:12:54 | 0:12:58 | |
"given that there's a serial killer in you somewhere?" | 0:12:58 | 0:13:02 | |
And she went, "No, no, no, he's been through similar things - his father committed suicide." | 0:13:02 | 0:13:09 | |
And you just thought, "You've a serial killer and a suicidal man, | 0:13:09 | 0:13:14 | |
"and you thought that was a good gene pool to be splashing around in!" | 0:13:14 | 0:13:17 | |
You would give birth to a child who kills himself lots of times. | 0:13:17 | 0:13:22 | |
A serial suicide, it's terrifying! | 0:13:22 | 0:13:24 | |
When you say after she'd married him, how long... | 0:13:24 | 0:13:28 | |
Was it before the speeches? | 0:13:28 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
"Dad's about to say a few words, this might be worth catching." | 0:13:33 | 0:13:37 | |
This may explain why he went with orange. | 0:13:37 | 0:13:43 | |
The only one with plastic cutlery at the wedding reception. | 0:13:45 | 0:13:48 | |
"Why are they wheeling your dad around with a cage over his face?" | 0:13:50 | 0:13:54 | |
I suppose what you'd do, then, you'd have a "Come as a serial killer" themed wedding. | 0:13:55 | 0:14:00 | |
Can we just go back to the past? And on the subject of creating geniuses, who was one of the great geniuses? | 0:14:01 | 0:14:08 | |
Well, Da Vinci. | 0:14:08 | 0:14:10 | |
Da Vinci is exactly the man I was after. | 0:14:10 | 0:14:12 | |
He was known to be a genius in his own time. I mean, they knew how astoundingly great he was. | 0:14:12 | 0:14:17 | |
His brother, Bartolomeo, actually... | 0:14:17 | 0:14:21 | |
Was an idiot. | 0:14:20 | 0:14:21 | |
That's awful! | 0:14:21 | 0:14:24 | |
Bartolomeo married, and he decided he wanted their child to be like | 0:14:24 | 0:14:29 | |
his brother, Leonardo, and oddly enough, it sort of worked. | 0:14:29 | 0:14:32 | |
There's Leonardo dying. | 0:14:32 | 0:14:33 | |
It shows he was kind of worshipped, they realised how great he was. | 0:14:33 | 0:14:37 | |
What's Rodney Bewes doing in the background? | 0:14:37 | 0:14:39 | |
Yeah, it's defo Rodney Bewes! | 0:14:43 | 0:14:45 | |
He does look like Rodney Bewes. | 0:14:45 | 0:14:46 | |
Rodney Bewes is the Highlander, is he? | 0:14:46 | 0:14:50 | |
What a weird, unsettling thing to discover that would be, | 0:14:50 | 0:14:53 | |
in the context of the credit crunch and everything, suddenly to discover that Rodney Bewes was immortal. | 0:14:53 | 0:14:58 | |
I mean, can you imagine on the news, "And today it emerged that | 0:14:58 | 0:15:03 | |
"actor Rodney Bewes has been alive for as long as time"? | 0:15:03 | 0:15:07 | |
Given the things we've been talking about where I'm pretending to know | 0:15:07 | 0:15:11 | |
-what you're talking about, I actually really don't know who Rodney Bewes is. -Oh! | 0:15:11 | 0:15:15 | |
Do you remember The Likely Lads? | 0:15:15 | 0:15:18 | |
-We didn't get that in Ireland, did we? -No, we didn't. | 0:15:18 | 0:15:21 | |
-James Bolam... -I know who he is! -And Rodney Bewes. They played a couple... | 0:15:21 | 0:15:25 | |
-That's basically him there. -Oh, right! > | 0:15:25 | 0:15:27 | |
The chance of me meeting him in the future are very high. | 0:15:27 | 0:15:32 | |
I have to say, the whole point about QI, right, is that the rest of the world talks about cultural things, | 0:15:32 | 0:15:40 | |
reality TV and pop stars and Rodney Bewes, and we talk about Leonardo. | 0:15:40 | 0:15:45 | |
And what you've done by coming on... No, you actually! | 0:15:45 | 0:15:48 | |
We started talking about Leonardo, and we've arrived at Rodney Bewes! That's the wrong direction! | 0:15:48 | 0:15:54 | |
I didn't even know who he was! | 0:15:54 | 0:15:56 | |
Don't blame me! | 0:15:57 | 0:15:59 | |
You're so right! | 0:15:59 | 0:16:01 | |
I'm sorry! I was very unfair on you, Graham. | 0:16:01 | 0:16:05 | |
I was wafting in the rarefied air of Leonardo. | 0:16:05 | 0:16:09 | |
The stink bomb of Rodney Bewes was exploded over there. | 0:16:09 | 0:16:15 | |
To me, Rodney Bewes looks older there than Rodney Bewes in our present time so I think | 0:16:15 | 0:16:19 | |
Rodney Bewes must, in the future, travel back in time | 0:16:19 | 0:16:23 | |
to check Leonardo da Vinci's pulse to make absolutely sure he's dead, | 0:16:23 | 0:16:28 | |
using the futuristic technology of pulse checking. | 0:16:28 | 0:16:31 | |
The others are all going, "What's this weirdo Rodney Bewes doing?" | 0:16:31 | 0:16:35 | |
The one on the right has his head in his hands, "It's so embarrassing." | 0:16:35 | 0:16:39 | |
Why's he holding his hand? | 0:16:39 | 0:16:42 | |
Yes, Leonardo was such a genius he predicted the Likely Lads. | 0:16:42 | 0:16:45 | |
LAUGHTER | 0:16:45 | 0:16:47 | |
He wanted James Bolam and Rodney Bewes has turned up. | 0:16:47 | 0:16:51 | |
That's why he's going, "Oh, no, it's Bewes." | 0:16:51 | 0:16:54 | |
The one on the right has definitely got his hand on his head for that reason. | 0:16:54 | 0:16:59 | |
We ordered John Cleese and Connie Booth. | 0:16:59 | 0:17:01 | |
The one on the left is gesturing towards Rodney Bewes as if to say, "Leonardo, who's this dick?" | 0:17:01 | 0:17:07 | |
LAUGHTER | 0:17:07 | 0:17:08 | |
"Seriously? Rodney Bewes?" > | 0:17:08 | 0:17:12 | |
"You brought Rodney Bewes here as a doctor?!" | 0:17:12 | 0:17:16 | |
That's Matthew Kelly anyway, that one. | 0:17:16 | 0:17:18 | |
Oh no! No, don't make it Matthew Kelly. | 0:17:18 | 0:17:22 | |
Oh, Lord. I've now got a horrible feeling that the Brian Blessed on the end has had his head sawn off. | 0:17:22 | 0:17:29 | |
He's had his brain taken out. | 0:17:29 | 0:17:33 | |
-AS BRIAN BLESSED: -That is no longer Brian Blessed! He's turned into somebody else! | 0:17:33 | 0:17:38 | |
APPLAUSE | 0:17:38 | 0:17:41 | |
I wanted... | 0:17:41 | 0:17:43 | |
I wanted to discuss the fact that, unbeknownst to him, | 0:17:43 | 0:17:47 | |
when Leonardo died, he had a nephew called Pierino, | 0:17:47 | 0:17:50 | |
who was brought up to be a genius and actually kind of was. | 0:17:50 | 0:17:53 | |
He was sent to Florence and demonstrated great talent, | 0:17:53 | 0:17:56 | |
-but sadly he died aged only 22, leaving 20 works behind him. -Pushed out of a window by Michelangelo. | 0:17:56 | 0:18:01 | |
Or possibly by Mozart. | 0:18:01 | 0:18:05 | |
Working in tandem. | 0:18:05 | 0:18:07 | |
Yes... | 0:18:07 | 0:18:09 | |
-Having stolen Rodney Bewes' time-travelling technology. -Exactly, it all makes sense. -Yes. | 0:18:09 | 0:18:16 | |
Sort of, yeah. | 0:18:16 | 0:18:18 | |
Which was the first animal to be cloned? | 0:18:20 | 0:18:22 | |
Well it can't be... | 0:18:22 | 0:18:25 | |
It's not Dolly the sheep then. | 0:18:25 | 0:18:27 | |
No, you're right. You have all been so good at avoiding the honey traps. | 0:18:27 | 0:18:32 | |
No, but I thought it was Dolly the sheep, but it's not. | 0:18:32 | 0:18:35 | |
Not the first animal, no. We have to go back to the 1880s for the first cloning. | 0:18:35 | 0:18:39 | |
Yes, it was a sea creature actually. | 0:18:39 | 0:18:41 | |
-An octopus or something? -No, it was a sea urchin. | 0:18:41 | 0:18:44 | |
There's one. This was a German called Dreisch who did it in 1885. | 0:18:44 | 0:18:49 | |
But in 1902, another German, Hans Spemann, cloned a salamander. | 0:18:49 | 0:18:54 | |
He used a rudimentary noose to to separate the cells of an embryo, | 0:18:54 | 0:18:58 | |
and the noose was made of the hair of a human baby. | 0:18:58 | 0:19:02 | |
He used it as a lasso just to separate. Isn't that marvellous? | 0:19:02 | 0:19:06 | |
-That's fiddly work. -It is very fiddly work. | 0:19:06 | 0:19:11 | |
There must have been lots of times where he used to go... SHOUTS | 0:19:11 | 0:19:14 | |
"Could I please have another baby's hair?" | 0:19:17 | 0:19:21 | |
Go back to the baby. "Argh!" | 0:19:21 | 0:19:25 | |
"One Guinea, madam." | 0:19:27 | 0:19:29 | |
All the people trying to keep him calm. "Would you like another... | 0:19:29 | 0:19:32 | |
"NO, I DON'T WANT ANOTHER COFFEE!" | 0:19:32 | 0:19:34 | |
They'll go, "Do you want me to have a go?" | 0:19:34 | 0:19:39 | |
But Dolly, Dolly was in 1996, Dolly the sheep was the one you cleverly avoided. But why Dolly? | 0:19:39 | 0:19:45 | |
-Why poor Dolly, do you know? -It was named after Dolly Parton because the cell came from the mammary glands. | 0:19:45 | 0:19:53 | |
Correctly correctington. | 0:19:53 | 0:19:54 | |
Well done, sir. Excellent. | 0:19:54 | 0:19:56 | |
APPLAUSE | 0:19:56 | 0:19:58 | |
Do you think there was a point where they go, "We can just get another sheep and say there it is. | 0:20:01 | 0:20:06 | |
"It's genetically identical that one, yes. | 0:20:06 | 0:20:08 | |
"Those two sheep look similar, well, that's because they're genetically identical." | 0:20:08 | 0:20:12 | |
Oddly enough, things can be genetically identical and rather surprising, | 0:20:12 | 0:20:16 | |
because the first cat to be cloned was called Rainbow | 0:20:16 | 0:20:20 | |
and her clone was known as CC. There. | 0:20:20 | 0:20:24 | |
They just didn't put the effort in, did they? | 0:20:24 | 0:20:27 | |
They went to all the pet shops for that little faker. | 0:20:27 | 0:20:31 | |
They could at least have sent the guy who they sent to get the kitten with a photo. | 0:20:31 | 0:20:38 | |
Not just, "Get any cat." | 0:20:38 | 0:20:41 | |
The little kitten is called CC. | 0:20:41 | 0:20:44 | |
-Points if you can guess what that stands for. -Cat clone? | 0:20:44 | 0:20:47 | |
Wittier, or sort of wittier. | 0:20:47 | 0:20:50 | |
-Say? -AUDIENCE: Copycat. | 0:20:50 | 0:20:51 | |
Points to the audience. Copycat, you see? | 0:20:51 | 0:20:54 | |
Very good. | 0:20:54 | 0:20:55 | |
The operation was known as Operation Copycat, it was part of a larger project to clone a dog. | 0:20:55 | 0:21:00 | |
LAUGHTER | 0:21:00 | 0:21:03 | |
It was called Missy, Missyplicity named after a dog named Missy. | 0:21:03 | 0:21:06 | |
The world's first cloned dog from Korea was called Snuppy. | 0:21:06 | 0:21:11 | |
Then they ate it. | 0:21:11 | 0:21:13 | |
LAUGHTER | 0:21:13 | 0:21:14 | |
Anyway, the point is the first animal to be cloned was the sea urchin way back in 1885. | 0:21:18 | 0:21:22 | |
Since then, many other animals have been given the treatment, | 0:21:22 | 0:21:26 | |
including the first cloned cats which look nothing like each other. | 0:21:26 | 0:21:29 | |
No, it doesn't take a genius to know that it's time to look for some general ignorance. | 0:21:29 | 0:21:33 | |
Fingers on buzzers, if you would. How old are you? | 0:21:33 | 0:21:36 | |
LAUGHTER | 0:21:36 | 0:21:39 | |
-BELL -Norton. | 0:21:39 | 0:21:41 | |
How old do I look? | 0:21:41 | 0:21:44 | |
BELL | 0:21:44 | 0:21:46 | |
How old do I feel? | 0:21:46 | 0:21:49 | |
It just shows you the effect of this game, though. | 0:21:49 | 0:21:52 | |
You ask a question, and all four of us think that's something | 0:21:52 | 0:21:55 | |
I definitely know the answer to, but I've been made so uncertain that | 0:21:55 | 0:21:59 | |
I'm not even willing to give my own age, name or address. | 0:21:59 | 0:22:03 | |
How can this possibly be a trap? I am 37. | 0:22:03 | 0:22:06 | |
-BELL -37. There we go, no points for that. | 0:22:06 | 0:22:09 | |
ALARM BLARES | 0:22:09 | 0:22:12 | |
But that's not wrong! | 0:22:13 | 0:22:15 | |
DAVID: Don't accept it, you are! | 0:22:15 | 0:22:19 | |
GRAHAM: We should all do it. | 0:22:19 | 0:22:21 | |
BELL 34. | 0:22:21 | 0:22:23 | |
-34, eh? -34. ALARM BLARES | 0:22:23 | 0:22:25 | |
You don't want to do this. | 0:22:28 | 0:22:29 | |
-BELL -Graham Norton, 46. | 0:22:29 | 0:22:32 | |
ALARM BLARES | 0:22:32 | 0:22:34 | |
ALAN: I'm not doing it. | 0:22:35 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:38 | |
Obviously, as the baby that was called Graham, | 0:22:38 | 0:22:43 | |
or Dara or David or Alan, | 0:22:43 | 0:22:46 | |
arrived on the planet the number of years ago that you said, | 0:22:46 | 0:22:50 | |
but that's not how old you are whenever I touch you. | 0:22:50 | 0:22:53 | |
If I touch your arm, how old is that arm? Is it as old as that? | 0:22:53 | 0:22:55 | |
About six weeks old, something like that? | 0:22:55 | 0:22:58 | |
DAVID: Is it five years we replace our entire selves? | 0:22:58 | 0:23:01 | |
There are different bits of one, that's right. | 0:23:01 | 0:23:04 | |
-DARA: Your cells regenerate. -Your red blood cells last only 120 days. | 0:23:04 | 0:23:08 | |
A liver has a turnaround time of 300 to 500 days, 1.5 years. | 0:23:08 | 0:23:11 | |
GRAHAM: Hurry up! | 0:23:11 | 0:23:12 | |
LAUGHTER | 0:23:12 | 0:23:16 | |
Give it a chance to recover. | 0:23:16 | 0:23:19 | |
The entire human skeleton is replaced every 10 years or so, so all of your bones. | 0:23:19 | 0:23:23 | |
Really? That's good, isn't it? | 0:23:23 | 0:23:25 | |
Yeah, it is! | 0:23:25 | 0:23:27 | |
They're replaced in an aged way, rather annoyingly, | 0:23:27 | 0:23:30 | |
-rather than a brand new one. -So they're replaced with second-hand ones? | 0:23:30 | 0:23:34 | |
Not exactly used, no. | 0:23:34 | 0:23:35 | |
I'm thinking of trading in my eight year-old Mazda for an eight and a bit year-old Mazda. | 0:23:35 | 0:23:41 | |
I'm afraid that's how it goes, yes. It's all rather unfortunate. | 0:23:41 | 0:23:45 | |
An adult's body may turnout somewhere between seven and ten years old | 0:23:45 | 0:23:48 | |
in terms of its cells, though some cells are much younger. | 0:23:48 | 0:23:52 | |
And 98% of the 7 billion billion billion atoms in the human body are replaced yearly. | 0:23:52 | 0:23:57 | |
I think some of my socks are older than I am. | 0:23:57 | 0:24:01 | |
That's a marvellous thought. | 0:24:01 | 0:24:03 | |
I feel I should defer to them. | 0:24:03 | 0:24:07 | |
Yes, you've been around longer than me. Most of the cells in your body aren't your own, they're not human. | 0:24:07 | 0:24:12 | |
This is bacteria? | 0:24:12 | 0:24:15 | |
Yes, they're bacteria. In fact, more than 500 different species, | 0:24:15 | 0:24:19 | |
more than ten times the number of human cells. Isn't that interesting? | 0:24:19 | 0:24:23 | |
On average, all the cells in your body are around ten years old. | 0:24:23 | 0:24:27 | |
How did the Church of England originally react to Darwin's theory of evolution? | 0:24:27 | 0:24:31 | |
-They weren't happy about it. -They weren't happy about it! | 0:24:31 | 0:24:34 | |
BELL They didn't get it, I don't think. | 0:24:34 | 0:24:37 | |
Nobody really got it for a while. | 0:24:37 | 0:24:39 | |
He delivered it to a meeting of the Royal Society, I think it was, and people just kind of went, "Oh, OK." | 0:24:39 | 0:24:44 | |
That's true of his original paper, but when he published | 0:24:44 | 0:24:47 | |
The Origin Of Species, it was a massive bestseller. | 0:24:47 | 0:24:50 | |
It fact it sold out even before it was printed, and he was a gigantic figure of his time. | 0:24:50 | 0:24:55 | |
He was one of only five people not royal to be given a burial at Westminster Abbey. | 0:24:55 | 0:25:00 | |
They absolutely understood his greatness. | 0:25:00 | 0:25:02 | |
The surprising thing is the Church of England were not that worried at all. | 0:25:02 | 0:25:06 | |
But for many years most churchmen had encouraged people to believe | 0:25:06 | 0:25:09 | |
that a lot of the Bible was metaphorical, | 0:25:09 | 0:25:12 | |
not literally true, but if there's anything | 0:25:12 | 0:25:15 | |
-shocking about it to them, it's that it shows nature doesn't care. -Yes. | 0:25:15 | 0:25:19 | |
The idea of a linear evolution they thought was fine, that might have been part of God's plan, | 0:25:19 | 0:25:25 | |
but the true understanding of evolution also shows that nature is completely horrific. | 0:25:25 | 0:25:30 | |
That was the major part the Victorians hated because they loved the countryside and birdsong. | 0:25:30 | 0:25:35 | |
This is Alexander's All Things Bright And Beautiful. | 0:25:35 | 0:25:38 | |
And instead they're locked in a vicious struggle for survival where all... | 0:25:38 | 0:25:42 | |
All animals are hungry and afraid and they die before they get old and it's a miserable, hard life. | 0:25:42 | 0:25:48 | |
Unless they live in zoos, where they're quite stress-free. | 0:25:48 | 0:25:51 | |
It is, it's a life they wouldn't expect in the wild. | 0:25:51 | 0:25:54 | |
The Origin Of Species was widely respected by mainstream churchmen | 0:25:54 | 0:25:57 | |
at the time of its publication. | 0:25:57 | 0:25:59 | |
Finally, how many brains did the man with two brains have? | 0:25:59 | 0:26:02 | |
-Two. -Yes. | 0:26:03 | 0:26:06 | |
LAUGHTER | 0:26:06 | 0:26:08 | |
That's brilliant! | 0:26:08 | 0:26:09 | |
APPLAUSE | 0:26:09 | 0:26:11 | |
It's so cruel! | 0:26:11 | 0:26:13 | |
He's wise enough to spot a double bluff. | 0:26:15 | 0:26:18 | |
This is a technique of the bully. | 0:26:18 | 0:26:21 | |
You hit us and then you go, "What, did you think I was going to hit you? | 0:26:21 | 0:26:27 | |
"I wasn't going to hit you. I've just lifted my hand to stroke you." | 0:26:27 | 0:26:31 | |
HE WHIMPERS | 0:26:32 | 0:26:34 | |
You're so right, that's exactly what we do. | 0:26:36 | 0:26:40 | |
The fact is that Dr Michael Gerschwin has proved that we all have two brains. | 0:26:40 | 0:26:44 | |
Your gut has an enteric nervous system and it's the only part of the body that can operate | 0:26:44 | 0:26:51 | |
perfectly if all connections are cut from the upper brain, from the real brain, the thing we call the brain. | 0:26:51 | 0:26:56 | |
It doesn't have the intelligence and consciousness of the brain, but it operates separately. | 0:26:56 | 0:27:00 | |
In that sense we do have two brains. | 0:27:00 | 0:27:02 | |
How bright would our stomachs be in the animal kingdom? | 0:27:02 | 0:27:06 | |
Would they be cleverer than an octopus? | 0:27:06 | 0:27:07 | |
I doubt it, I think they're just good at one thing and that's preparing poo for exit. | 0:27:07 | 0:27:13 | |
Basically, it's not even the stomach, it's the gut. | 0:27:13 | 0:27:16 | |
It's the greater and lesser intestine, the colon. | 0:27:16 | 0:27:20 | |
Like all of us, The Man With Two Brains actually did have two brains, according to the latest thinking. | 0:27:20 | 0:27:25 | |
The gut does act as a separate brain, so pens down, stop writing. | 0:27:25 | 0:27:28 | |
That's it for our exam today, geniuses. Time to mark your papers. | 0:27:28 | 0:27:31 | |
Well, my goodness, my gracious, | 0:27:31 | 0:27:33 | |
the newcomer with minus 19, Graham Norton. | 0:27:33 | 0:27:37 | |
APPLAUSE | 0:27:37 | 0:27:38 | |
In third place, with minus eight, David Mitchell. | 0:27:42 | 0:27:47 | |
APPLAUSE | 0:27:47 | 0:27:48 | |
In second place with a very respectable minus seven, Dara O Brien. | 0:27:52 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:27:58 | |
Which can only mean, with today's geniuses of geniuses of genius | 0:28:01 | 0:28:05 | |
is Alan Davies with four points! | 0:28:05 | 0:28:07 | |
CHEERING AND APPLAUSE | 0:28:07 | 0:28:10 | |
So that's all from QI. My thanks go to Graham, Dara, David and Alan. | 0:28:15 | 0:28:19 | |
I leave you with our genius Leonardo da Vinci's favourite joke. | 0:28:19 | 0:28:22 | |
It was asked of a painter, why, since he made such beautiful figures, | 0:28:22 | 0:28:26 | |
which were of dead things, why his children were so ugly, to which the painter replied | 0:28:26 | 0:28:31 | |
that he made his pictures by day, but his children by night. | 0:28:31 | 0:28:35 | |
Subtitles by Red Bee Media Ltd | 0:28:42 | 0:28:44 | |
E-mail [email protected] | 0:28:44 | 0:28:46 |