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CHEERING AND APPLAUSE | 0:00:28 | 0:00:31 | |
Gooooood evening! Good evening, good evening, good evening, | 0:00:32 | 0:00:38 | |
and welcome to QI, where we have prepared for you | 0:00:38 | 0:00:40 | |
a veritable gallimaufry of gaffes, gammons and other gingambobs. | 0:00:40 | 0:00:44 | |
On the panel tonight we have the gotch-gutted Hugh Dennis. | 0:00:44 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:51 | |
What does that mean? | 0:00:51 | 0:00:53 | |
A glimflashy grinagog, Phill Jupitus. | 0:00:53 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
A gravy-eyed gundy-guts, Andy Hamilton. | 0:00:59 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
And a proper gilly gaupus, Alan Davies. | 0:01:06 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:14 | |
And to attract my attention tonight, the buzzers are all on a Georgian theme. Hugh goes... | 0:01:14 | 0:01:19 | |
OBOE PLAYS STATELY MELODY | 0:01:19 | 0:01:25 | |
Ah. Andy goes... | 0:01:25 | 0:01:26 | |
BASSOON PLAYS JAUNTY TUNE | 0:01:26 | 0:01:31 | |
LAUGHTER | 0:01:31 | 0:01:32 | |
Phill goes... | 0:01:32 | 0:01:34 | |
JOLLY MELODY ON STRINGS AND FLUTE | 0:01:34 | 0:01:37 | |
LAUGHTER | 0:01:37 | 0:01:38 | |
Wow! And Alan goes... | 0:01:43 | 0:01:45 | |
MUSIC: "When I'm Cleaning Windows" by George Formby | 0:01:45 | 0:01:48 | |
LAUGHTER | 0:01:48 | 0:01:50 | |
It's George Formby. | 0:01:50 | 0:01:52 | |
# When I'm cleaning windows. # | 0:01:52 | 0:01:55 | |
Yes, George Formby. Excellent. | 0:01:55 | 0:01:57 | |
APPLAUSE | 0:01:57 | 0:01:59 | |
Let's look at a notable gaffe now. | 0:02:02 | 0:02:05 | |
How did Captain Schlitt's number two sink his own U-boat? | 0:02:05 | 0:02:10 | |
I'm assuming that the good captain was in the bath. This couldn't have happened in an actual... | 0:02:10 | 0:02:16 | |
No, it was a real... | 0:02:16 | 0:02:17 | |
You mean playing with a toy U-boat? | 0:02:17 | 0:02:19 | |
And it was a number two. | 0:02:19 | 0:02:20 | |
Oh, I see, a number two in that sense. | 0:02:20 | 0:02:23 | |
-Yes. -Not in the "yes, number one, carry on, number one"... | 0:02:23 | 0:02:26 | |
He might have blocked the loo and caused some sort of terrible backup... | 0:02:26 | 0:02:30 | |
affected the ballast. | 0:02:30 | 0:02:32 | |
-Imagine how the lavatory on a submarine works. -Ah! | 0:02:32 | 0:02:34 | |
Sorry, a bit of a clue. A ruthless competitor! | 0:02:34 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:40 | |
It's something to do with the flush on the toilet. | 0:02:40 | 0:02:43 | |
How does that work when you're underwater? | 0:02:43 | 0:02:46 | |
It sucks it out, but lets water in? | 0:02:46 | 0:02:48 | |
Yes. The point is that obviously the lavatory arrangements of a boat that is submersible are very complex. | 0:02:48 | 0:02:54 | |
Because you can't just flush the water out, the way you can in an aeroplane or train, | 0:02:54 | 0:02:58 | |
you have to have special training to operate the flush. | 0:02:58 | 0:03:02 | |
Or... | 0:03:02 | 0:03:03 | |
you shoot a sailor out of the torpedo tube, tied to a rope. | 0:03:03 | 0:03:08 | |
He relieves himself, and you pull him back in. | 0:03:08 | 0:03:11 | |
Well, it seems that what happened | 0:03:11 | 0:03:14 | |
was Captain Schlitt, in his U-boat, U-1206 - this is April 14, 1945, | 0:03:14 | 0:03:19 | |
just before the end of the war... | 0:03:19 | 0:03:22 | |
-Oh, how annoying. -Very annoying for him! | 0:03:22 | 0:03:25 | |
And he has a poo. And he claims that the loo was faulty and didn't work properly. | 0:03:25 | 0:03:30 | |
Klo. Klo as they would say, klo...gebrochen. | 0:03:30 | 0:03:33 | |
-IN GERMAN ACCENT: -It was not working. | 0:03:33 | 0:03:36 | |
But there is a theory that, in fact, he'd just done a rather monster and unpleasant poo, | 0:03:37 | 0:03:42 | |
and was too embarrassed to ask the sailor who was responsible for the doing of the flushing to come in. | 0:03:42 | 0:03:47 | |
Because there was a bit of a... | 0:03:47 | 0:03:50 | |
And so he did it himself and got it in the wrong order and he filled the place with sewage and water. | 0:03:50 | 0:03:55 | |
AUDIENCE GROANS | 0:03:55 | 0:03:57 | |
-But more importantly... -He just left it?! -Yeah. | 0:03:57 | 0:03:59 | |
As you would if you're in a hotel, for example! | 0:03:59 | 0:04:03 | |
-IN GERMAN ACCENT: -There, it was...that was like that when I went in. It was... | 0:04:03 | 0:04:07 | |
Ja, ja. Don't go in that one. My God! | 0:04:07 | 0:04:10 | |
So has he climbed out of the tower of the submarine, and the... | 0:04:12 | 0:04:15 | |
-No, they're underwater, that's the point. -Did they perish? | 0:04:15 | 0:04:19 | |
Well, what happened is there was this leak, the water came in | 0:04:19 | 0:04:23 | |
-and it leaked into... What powered those U-boats? -Diesel? | 0:04:23 | 0:04:27 | |
No. | 0:04:27 | 0:04:28 | |
They had a battery. A huge acid battery. | 0:04:28 | 0:04:30 | |
And when the seawater hits the battery, it creates? | 0:04:30 | 0:04:33 | |
Chlorine gas, toxic chlorine gas. | 0:04:33 | 0:04:37 | |
And so they had to rise up to the surface to vent, and they were spotted and blown out of the water. | 0:04:37 | 0:04:43 | |
So just because he basically... | 0:04:43 | 0:04:45 | |
That's very unfair to shoot a man with his trousers round his ankles. | 0:04:45 | 0:04:49 | |
It is a bit. | 0:04:49 | 0:04:50 | |
Toilet's blocked. This doesn't count! | 0:04:50 | 0:04:53 | |
Captain Karl-Adolph Schlitt sank his own U-boat using nothing more deadly than its own lavatory. | 0:04:54 | 0:04:59 | |
Here are samples of handwriting from our panellists. | 0:04:59 | 0:05:02 | |
I want you to match the handwriting to the panelistas and see what you can say about it. | 0:05:02 | 0:05:08 | |
Give reasons if you can. Obviously don't say your own, cos you'll know your own. | 0:05:08 | 0:05:12 | |
"Hello, my name is Phill Jupitus"? | 0:05:12 | 0:05:14 | |
-I wonder who that could be. -I think there's a clue in that one. | 0:05:15 | 0:05:18 | |
It's rather good handwriting. It's quite calligraphically learnt. | 0:05:18 | 0:05:22 | |
Any thoughts? What about, "I must not answer back to..."? | 0:05:22 | 0:05:25 | |
-D is Phill. -D is Phill. I think there's a strong chance it's Phill. | 0:05:25 | 0:05:29 | |
I know that D is Andy, cos he writes on my scripts... | 0:05:29 | 0:05:32 | |
rude things, | 0:05:32 | 0:05:34 | |
when we're filming. | 0:05:34 | 0:05:36 | |
Does he have that fine handwriting? It is very fine. | 0:05:36 | 0:05:38 | |
-Yes, that is me. -Congratulations on fine handwriting. | 0:05:38 | 0:05:42 | |
A graphologist would say of yours that cos it's mostly joined up, logical, systematic thinker. | 0:05:42 | 0:05:47 | |
Some words are more spaced than others, therefore open, honest, but deep in thought. | 0:05:47 | 0:05:51 | |
Sociable because of the slightly forward slant to the right. | 0:05:51 | 0:05:54 | |
-Right. -OK, that's good. We can eliminate D as being Andy Hamilton. | 0:05:54 | 0:06:00 | |
I think C is Alan. | 0:06:00 | 0:06:03 | |
Because it's the untidiest? | 0:06:03 | 0:06:05 | |
No, I just think it's Alan. | 0:06:05 | 0:06:07 | |
-Don't know why. -Is it you, Alan? | 0:06:07 | 0:06:09 | |
-Yes. -It is. Oh, that's really good. | 0:06:09 | 0:06:11 | |
How did you know? | 0:06:11 | 0:06:12 | |
Did you watch me doing it earlier? | 0:06:12 | 0:06:15 | |
No, I just thought, "That looks like Alan wrote it." | 0:06:15 | 0:06:20 | |
Which is the only way you can play this game. | 0:06:21 | 0:06:25 | |
Close lettering is unstable, apparently. | 0:06:27 | 0:06:30 | |
Oh. | 0:06:30 | 0:06:31 | |
-There wasn't much room on the bit of paper. -No? Ah... | 0:06:31 | 0:06:34 | |
I had to squeeze it in to get it in. | 0:06:34 | 0:06:36 | |
Letters not mostly joined up, sometimes does things without thinking. | 0:06:36 | 0:06:41 | |
It was a big, fat pen! You can't do joined up. | 0:06:41 | 0:06:43 | |
You gave me a marker pen! | 0:06:43 | 0:06:45 | |
-B and A left. -I think Phill and I can probably work out... | 0:06:45 | 0:06:48 | |
The logical thing. So B is Phill, yeah? | 0:06:48 | 0:06:51 | |
-No. -B is Hugh. It's quite good handwriting. It's quite flowing, | 0:06:51 | 0:06:56 | |
-quite feminine, almost. -Well, you know... | 0:06:56 | 0:06:59 | |
I'm very in touch with that part of my nature. | 0:06:59 | 0:07:04 | |
-It's very nice handwriting. -Does it say anything about me? -Yeah. | 0:07:04 | 0:07:08 | |
Joins up most, but not all letters. Artistic and intuitive. | 0:07:08 | 0:07:10 | |
Self-control, egotism and coldness, on the other hand, because it's upright. | 0:07:10 | 0:07:15 | |
Why does being upright mean that? | 0:07:15 | 0:07:17 | |
It doesn't. It must be understood, the British Psychological Society, and any empirical test ever done, | 0:07:17 | 0:07:22 | |
has shown that graphology, as a way of interpreting character, has zero validity. | 0:07:22 | 0:07:27 | |
Like astrology. | 0:07:27 | 0:07:28 | |
-So this is a bit of a, kind of, non-round? -Yeah. | 0:07:28 | 0:07:31 | |
But, no, it's interesting to know that. And even in America, it's not allowable in court. | 0:07:31 | 0:07:37 | |
Forensic... | 0:07:37 | 0:07:39 | |
Sorry! | 0:07:39 | 0:07:40 | |
I mean, you know, but... | 0:07:40 | 0:07:43 | |
Forensic graphology, where you prove that this person did write this, that is allowable. | 0:07:44 | 0:07:51 | |
But the idea that you can interpret character is absolute nonsense. | 0:07:51 | 0:07:54 | |
I must say I'm not looking forward to the DNA round. | 0:07:54 | 0:07:58 | |
The worrying thing about it is that 3,000 British businesses use graphologists for recruitment. | 0:07:58 | 0:08:03 | |
They actually hire people on the basis of a completely specious... | 0:08:03 | 0:08:07 | |
Good a way as any, though, isn't it? | 0:08:07 | 0:08:10 | |
But it's botty water! | 0:08:10 | 0:08:11 | |
Girls have nicer handwriting than boys, though, don't they? | 0:08:13 | 0:08:17 | |
That is one thing you can often, not 100%, but you can tell gender. | 0:08:17 | 0:08:21 | |
And you thought I was a girl! | 0:08:21 | 0:08:24 | |
Not always. I said not 100%. | 0:08:24 | 0:08:25 | |
We actually Tipp-Exed out the smiley-faced dots over the eyes. | 0:08:25 | 0:08:30 | |
I like yours, Phill. You're A. It says here, about self-control, egotism, coldness, | 0:08:30 | 0:08:35 | |
unstable, sometimes does things without thinking. | 0:08:35 | 0:08:38 | |
-I'm with you there. -Yeah. Unstable. -Whoa! | 0:08:38 | 0:08:41 | |
Thinking of having a fight as to who is the coldest. | 0:08:41 | 0:08:43 | |
Let's both get a 99 and just stand there with it. | 0:08:43 | 0:08:48 | |
First one to melt loses. | 0:08:48 | 0:08:50 | |
-Whoa. -I thought I was cold. | 0:08:52 | 0:08:55 | |
Phew! He is cold. So you did a handwriting test? | 0:08:56 | 0:08:58 | |
Yeah, I sat a test to become a French train driver. | 0:08:58 | 0:09:02 | |
What?! | 0:09:02 | 0:09:03 | |
My friend's dad was a psychologist for SNCF, and in France they had this idea that, you know, | 0:09:03 | 0:09:11 | |
a responsible job like a train driver, you ought to find out if the person's a maniac or not. | 0:09:11 | 0:09:16 | |
We don't bother with that. And... | 0:09:16 | 0:09:18 | |
So I sat the test, and there was a handwriting element. | 0:09:18 | 0:09:22 | |
What they did was, you had to hold the pen in your wrong hand, and there was a kind of rubber ring | 0:09:22 | 0:09:29 | |
around the middle, and you had to try and trace over what was written there. | 0:09:29 | 0:09:33 | |
If it drifted up the page, you were assertive, or possibly too aggressive. | 0:09:33 | 0:09:40 | |
And if it went down the page, you were deemed to be too passive. | 0:09:40 | 0:09:45 | |
Good Lord. | 0:09:45 | 0:09:46 | |
I'm fascinated how you can drive a train too passively, though. What do you do? | 0:09:46 | 0:09:50 | |
How can you be too passive? "Ooh, we're going terribly fast." | 0:09:50 | 0:09:55 | |
-Ooh, no! -You're turning into Alan Bennett. | 0:09:55 | 0:09:58 | |
Well, there you are. | 0:09:58 | 0:10:00 | |
Now we're off to Ireland where the policemen are called...? | 0:10:00 | 0:10:02 | |
-Guards. -Guards, the Garda, exactly. Did you hear about | 0:10:02 | 0:10:06 | |
the Irish policeman who tried to arrest a Polish driving licence? | 0:10:06 | 0:10:11 | |
Do you know this story? You do? | 0:10:11 | 0:10:14 | |
-I sort of... Someone was done for speeding or something in lots of different parts of Ireland? -Yeah. | 0:10:14 | 0:10:21 | |
That's exactly right. | 0:10:21 | 0:10:22 | |
He had 50 offences against him and was fast becoming the most wanted motorist in Ireland. | 0:10:22 | 0:10:27 | |
Prawo Jazdy is a master criminal because he had different driving licences with different addresses. | 0:10:27 | 0:10:33 | |
-This Prawo Jazdy had all these... -Goodness knows what he was up to apart from the driving offences! | 0:10:33 | 0:10:38 | |
That was what everyone was puzzled by. They really wanted him but it turned out one Garda member said... | 0:10:38 | 0:10:44 | |
-IN IRISH ACCENT -"I think, I may be wrong, | 0:10:44 | 0:10:46 | |
"but Prawo Jazdy is the Polish for driving licence." | 0:10:46 | 0:10:50 | |
And, red faces all round, the Garda had... There it is - Prawo Jazdy. | 0:10:50 | 0:10:56 | |
-Hang on a minute! -The fact it said "permis de conduire" above it might have been a hint, but there we are. | 0:10:57 | 0:11:03 | |
They're still looking for his brother, Rzeczpospolita Polska. | 0:11:03 | 0:11:07 | |
On the subject of driving licences, guess who had the first driving licence in the world. | 0:11:07 | 0:11:12 | |
The Queen. | 0:11:12 | 0:11:13 | |
-No, oddly enough, you couldn't be WRONGERER because the Queen has...? -No driving licence. | 0:11:13 | 0:11:18 | |
No driving licence. | 0:11:18 | 0:11:19 | |
-She's the only person in Britain who doesn't have a driving licence, yet who drives. -Cheat! | 0:11:19 | 0:11:24 | |
I mean, in a legal way. She's the only one who has no legal need for a driving licence. | 0:11:24 | 0:11:30 | |
What does she show them at Blockbusters to prove her address? | 0:11:30 | 0:11:35 | |
A twenty pound note. | 0:11:35 | 0:11:38 | |
That would do it. | 0:11:38 | 0:11:40 | |
APPLAUSE | 0:11:40 | 0:11:43 | |
Well, no, but the first ever driving licence, not surprisingly, perhaps. Who invented the motorcar? | 0:11:43 | 0:11:49 | |
-Mr Benz. -Mr Benz, Karl Benz, as in Mercedes-Benz. Yeah, exactly. | 0:11:49 | 0:11:55 | |
-He just made one for himself, did he? -No, the citizens demand... | 0:11:55 | 0:11:58 | |
-IN GERMAN ACCENT: -I think I need a licence! It's a dangerous machine. | 0:11:58 | 0:12:03 | |
I need a licence to drive. | 0:12:03 | 0:12:07 | |
Now I can drive. | 0:12:07 | 0:12:09 | |
-IN GERMAN ACCENT: Driving licence number one. -Zero zero zero one. | 0:12:09 | 0:12:16 | |
ANDY: I bet the first thing he did when he got on the road | 0:12:16 | 0:12:19 | |
was stop the next bloke and go... | 0:12:19 | 0:12:21 | |
IN GERMAN ACCENT: "Where is YOUR licence?" | 0:12:21 | 0:12:24 | |
-LAUGHTER AND APPLAUSE -Oh, dear. | 0:12:24 | 0:12:26 | |
-IN GERMAN ACCENT: -I will issue you with the licence. | 0:12:26 | 0:12:30 | |
It's five marks. | 0:12:30 | 0:12:33 | |
Zero zero zero TWO! | 0:12:34 | 0:12:36 | |
Good day to you! | 0:12:38 | 0:12:40 | |
Where is your licence? | 0:12:40 | 0:12:42 | |
I will issue you with a licence. | 0:12:42 | 0:12:45 | |
Five marks. | 0:12:45 | 0:12:47 | |
Zero zero zero three. | 0:12:47 | 0:12:51 | |
-I don't know how he kept making the cars. -Yeah, he was so busy! | 0:12:51 | 0:12:56 | |
The authorising body was called the Dampfkessel Uberwachungs-Verein, | 0:12:56 | 0:13:00 | |
which means the Steam Boiler Supervision Association, | 0:13:00 | 0:13:03 | |
which granted the first mandatory licences in Prussia. | 0:13:03 | 0:13:06 | |
-IN GERMAN ACCENT: -The SS...A. | 0:13:06 | 0:13:08 | |
LAUGHTER | 0:13:08 | 0:13:10 | |
-Until the 14th of May, 2002, women in Lithu... -He was still doing it! -No. | 0:13:10 | 0:13:16 | |
Number one million one thousand... | 0:13:16 | 0:13:21 | |
Five euros. | 0:13:21 | 0:13:23 | |
Where is your licence? | 0:13:23 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:29 | |
In Lithuania in that year, women had to undergo a certain test in order to get a licence. | 0:13:29 | 0:13:34 | |
-What do you think that test was? -In where? Lithuania? -Yes. -Smear test? | 0:13:34 | 0:13:38 | |
-Yes, a gynaecological examination. -You're joking! | 0:13:38 | 0:13:42 | |
-I don't know... There was one man who ran the entire office. He paid... -Oh, right. | 0:13:42 | 0:13:48 | |
-It is rather bizarre. -Well... -The Chinese have multiple choice driving test questions, 100 of them. | 0:13:48 | 0:13:56 | |
One of them includes, "If you come across a road accident victim whose intestines are lying on the road, | 0:13:56 | 0:14:02 | |
"should you pick them up and push them back in?" Is the answer yes or no? | 0:14:02 | 0:14:07 | |
-I should think you don't push them back in... -You're right. -..I would have thought. I'm not a doctor! | 0:14:07 | 0:14:12 | |
Didn't they have that weird thing in the Cultural Revolution in China? | 0:14:12 | 0:14:16 | |
Traffic lights here are green for go and red for stop. | 0:14:16 | 0:14:20 | |
They thought, during the Cultural Revolution, that that was incorrect and red should mean go | 0:14:20 | 0:14:25 | |
because, culturally, Communism and all the rest of it... | 0:14:25 | 0:14:28 | |
But they failed to change all the traffic lights, | 0:14:28 | 0:14:31 | |
so on some traffic lights green was go and on some red was go and they had thousands of accidents | 0:14:31 | 0:14:36 | |
-and then they had to, sort of, change it back. -Wow. Hence the probability of intestines lying on the road. | 0:14:36 | 0:14:43 | |
-Probably where it came from in the first place. -A practical question. | 0:14:43 | 0:14:46 | |
-They're not actually green. They're kind of blue. -Yes, they can be. | 0:14:46 | 0:14:50 | |
Because red and green is a very common colour blindness, | 0:14:50 | 0:14:53 | |
so when they first did red and green it was a disaster for some people, just carried straight on. | 0:14:53 | 0:15:00 | |
-They couldn't tell whether it was the top or the bottom. -No, so the green... | 0:15:00 | 0:15:04 | |
-If I see a black and white film, I can tell which light's on, can't you? -But not in the dark, Stephen! | 0:15:04 | 0:15:08 | |
-You are relying on the colour, let's face it, usually. -You're right. I'm sorry. | 0:15:08 | 0:15:13 | |
Can we not argue? That is what the terrorists want. | 0:15:13 | 0:15:17 | |
You're right! | 0:15:17 | 0:15:19 | |
Thank you, voice of sanity. | 0:15:19 | 0:15:23 | |
I did hear a character in a film once say, "Don't look at the lights, the lights never hit anyone." | 0:15:23 | 0:15:28 | |
-That's quite a good motto for driving. -It is. | 0:15:28 | 0:15:31 | |
-IN GERMAN ACCENT: -This is one I will use! | 0:15:31 | 0:15:34 | |
Don't look at ze lights, ze lights never hit anyone. | 0:15:34 | 0:15:38 | |
Ausgezeichnet. | 0:15:40 | 0:15:42 | |
We're motoring along nicely here, so can you tell me | 0:15:42 | 0:15:45 | |
what travels from Land's End to John O'Groats every year | 0:15:45 | 0:15:50 | |
at about one third of a mile per hour but it slows down a bit on hills? | 0:15:50 | 0:15:57 | |
Does it specifically go from there to there or...? | 0:15:57 | 0:16:00 | |
-It goes from the south to the north but it includes going from Land's End... -Is it a tectonic wave or..? | 0:16:00 | 0:16:06 | |
-No, not a tectonic wave. -I don't know if they exist. I just made it up, I think. | 0:16:06 | 0:16:10 | |
It's something slightly more abstract. It's a phenomenon, which you were sort of getting towards. | 0:16:10 | 0:16:16 | |
Is it dress sense? | 0:16:16 | 0:16:17 | |
-If we're talking about moving from the south to the north... -Ooh, careful! Now, now. Now, then. | 0:16:19 | 0:16:26 | |
-The Gulf Stream or something? Is it a windy thing? -It's seasonal. It is a season. | 0:16:26 | 0:16:30 | |
-Winter? -Spring. | 0:16:30 | 0:16:32 | |
Spring is the answer. Spring takes eight weeks to get from the very south coast | 0:16:32 | 0:16:38 | |
-all the way up to the very north and up to the Orkneys. -But what's the definition of spring? | 0:16:38 | 0:16:42 | |
There's a phenotype analysis you can do of particular common plants blooming. | 0:16:42 | 0:16:48 | |
Anyone from the Midlands who goes to London will say, "Oh, my God, they've already got daffodils out." | 0:16:48 | 0:16:53 | |
Or they'll go north and say, "They haven't got tulips yet." | 0:16:53 | 0:16:55 | |
-It's very noticeable. -"Southern bastards"! | 0:16:55 | 0:16:59 | |
It's like when the weatherman on Radio Four goes, | 0:16:59 | 0:17:01 | |
"You might like to make note that it's the first day of spring today." | 0:17:01 | 0:17:05 | |
IN SCOTTISH ACCENT: No, it's not! I think you'll find I'm still freezing here. | 0:17:05 | 0:17:13 | |
Eight miles a day it does? Spring? | 0:17:13 | 0:17:14 | |
Is that what we're saying? | 0:17:14 | 0:17:17 | |
It takes about eight weeks to get from John O'Groats and that's about a third of a mile per hour. | 0:17:17 | 0:17:23 | |
-You could walk and just beat spring. -Yeah. -You could. It's a weird thought. Very weird. | 0:17:23 | 0:17:29 | |
If you timed it with a daffodil and walked at exactly the right speed, it'd go pop-pop-pop-pop. | 0:17:29 | 0:17:35 | |
And it would be rather beautiful. | 0:17:35 | 0:17:37 | |
I'm in touch with my feminine side! | 0:17:38 | 0:17:41 | |
You're responding to your handwriting beautifully. | 0:17:41 | 0:17:44 | |
It's the phenological observations, as they call them, of the various things that trigger spring. | 0:17:44 | 0:17:49 | |
It's a rather wonderful thought, spring moving up like that. | 0:17:49 | 0:17:53 | |
Why do birds fly south in the winter? | 0:17:53 | 0:17:55 | |
-I thought you were going to sing Close To You! -To go to Margate. | 0:17:55 | 0:17:58 | |
-Because it's too far to walk. -Bah. | 0:17:58 | 0:18:00 | |
They're going because it's warmer presumably, aren't they? | 0:18:01 | 0:18:04 | |
-What's the advantage of the warmth? -Well, you feel nicer. | 0:18:04 | 0:18:08 | |
-More food to eat. -There's nothing like the sun on your feathers. | 0:18:08 | 0:18:13 | |
It's the insects. In the north, in the frozen earth, you can't get at them | 0:18:13 | 0:18:16 | |
or they've died or are in a dormant state and are not available. Food for the birds is not there. | 0:18:16 | 0:18:22 | |
So it is food. | 0:18:22 | 0:18:24 | |
Spring travels north through Britain at around one third of a mile per hour | 0:18:24 | 0:18:26 | |
but arrives two days later for every hundred foot of elevation. | 0:18:26 | 0:18:30 | |
What's the point of those machines? | 0:18:30 | 0:18:32 | |
Ah. That's an eternally filling glass in the middle. Never empty. | 0:18:32 | 0:18:38 | |
-Perpetual motion. -Oh, points to the man, absolutely! They're all perpetual motion machines. | 0:18:38 | 0:18:43 | |
Or attempts to design perpetual motion machines. What is a perpetual motion machine? | 0:18:43 | 0:18:47 | |
-One that never stops? One that is in motion in perpetuity, Stephen. -Yes. | 0:18:47 | 0:18:52 | |
-You're asking a silly question. Think, boy! -There's more to it - there must be no input of energy. | 0:18:52 | 0:18:58 | |
No energy in, but you should be able to get energy out. | 0:18:58 | 0:19:01 | |
Because it's moving. And it transgresses what law? | 0:19:01 | 0:19:05 | |
-Thermodynamics. -The first and second laws of thermodynamics. | 0:19:05 | 0:19:09 | |
There's a Simpsons episode where Lisa builds a perpetual motion machine. | 0:19:09 | 0:19:13 | |
Homer says, "In this house we obey the laws of thermodynamics!" | 0:19:13 | 0:19:16 | |
It is a great line but the point is they can never work. | 0:19:16 | 0:19:20 | |
Leonardo actually did drawings of attempted perpetual motion machines. | 0:19:20 | 0:19:25 | |
-He realised... -He's drawn a chocolate orange on the top. | 0:19:25 | 0:19:28 | |
Oh, yes! | 0:19:28 | 0:19:31 | |
How boring have you got to be to draw a diagram of how to take a chocolate orange apart? | 0:19:31 | 0:19:35 | |
He invented a lot of things, but I didn't know he invented that. | 0:19:35 | 0:19:39 | |
He wrote in his notebook, "Oh, ye seekers after perpetual motion, how many vain chimeras have you pursued? | 0:19:39 | 0:19:45 | |
"Go and take your place with the alchemists." | 0:19:45 | 0:19:47 | |
So he spotted quite early on that it was never going to work. Sadly, our universe is not made in such a way. | 0:19:47 | 0:19:53 | |
You'd only need one and you could power the world from it, in theory. | 0:19:53 | 0:19:56 | |
-You only need one and you could power the world from it! -Sorry, Mr Bond. | 0:19:56 | 0:20:03 | |
That brings us now, grumbling to the gizzards of general ignorance, | 0:20:03 | 0:20:09 | |
so fingers on buzzers, if you would. | 0:20:09 | 0:20:11 | |
Take a child and give them a really sugary drink. What happens? | 0:20:11 | 0:20:15 | |
I haven't got any kids. I've no idea. | 0:20:15 | 0:20:18 | |
LAUGHTER AND APPLAUSE | 0:20:18 | 0:20:20 | |
But, speaking as an uncle, | 0:20:20 | 0:20:25 | |
I'm often discouraged from giving them too much chocolate because they go, in quotes, mental. | 0:20:25 | 0:20:30 | |
-Aah, right. -Is that it? | 0:20:30 | 0:20:33 | |
No, it's odd. | 0:20:33 | 0:20:35 | |
Almost every mother watching this will disbelieve me | 0:20:35 | 0:20:38 | |
when I say that medical evidence shows that sugary drinks do not cause hyperactivity. | 0:20:38 | 0:20:43 | |
They do NOT cause... I know, it's shocking. | 0:20:43 | 0:20:46 | |
You're all going, "You should see mine. It does. I swear to you, it does!" | 0:20:46 | 0:20:49 | |
-It doesn't. -Maybe it's just any sort of fuel so if you gave them a drink of water or an apple... | 0:20:49 | 0:20:54 | |
You do test the children who do this by giving them drinks which have no sugar at all, | 0:20:54 | 0:20:58 | |
though the parents THINK they have sugar... | 0:20:58 | 0:21:01 | |
-It's the parents that change! -The parents PERCEIVE it. | 0:21:01 | 0:21:04 | |
And the parents who perceive it are the ones who most hover over their children | 0:21:04 | 0:21:08 | |
and are most critical of their children's behaviour anyway. | 0:21:08 | 0:21:11 | |
-They're the ones who apparently notice it. -Was this research funded by Coca Cola? | 0:21:11 | 0:21:18 | |
We trialled this question on the QI website and none of the mothers believed us. | 0:21:18 | 0:21:23 | |
They all said, "I don't care what the scientists say, my child goes nuts." | 0:21:23 | 0:21:27 | |
I don't believe it, either, but then I am very in touch with my feminine side. | 0:21:27 | 0:21:31 | |
Kids dip quite quickly anyway, don't they? | 0:21:31 | 0:21:33 | |
If you keep giving them something to snack on, they'll go up again. | 0:21:33 | 0:21:38 | |
That's how it works with my nephews. They run around for a bit, then go, "Oh... Uh... Oh..." | 0:21:38 | 0:21:43 | |
They go, "Ugh, I want to go home." The you give them a sandwich and they go, "We're up!" | 0:21:43 | 0:21:47 | |
It seems to be quite hard work keeping an even keel through the day. | 0:21:47 | 0:21:53 | |
I think that's generally true. | 0:21:53 | 0:21:54 | |
We know you won't believe us, but sugary drinks don't make children hyperactive. | 0:21:54 | 0:21:59 | |
That's why we call it general ignorance. | 0:21:59 | 0:22:01 | |
However, what happens if you leave teeth in a glass of cola overnight? | 0:22:01 | 0:22:05 | |
They completely dissolve and disappear. | 0:22:05 | 0:22:08 | |
KLAXON WAILS | 0:22:08 | 0:22:12 | |
No, it turns out they don't. | 0:22:12 | 0:22:14 | |
There was a famous occasion in 1951. | 0:22:14 | 0:22:17 | |
A doctor appeared before the House Of Representatives special committee. | 0:22:17 | 0:22:21 | |
He was called Clive McKay of Cornell University. | 0:22:21 | 0:22:24 | |
To dramatise his testimony, he said that a tooth left in a glass of Coke | 0:22:24 | 0:22:28 | |
would begin to dissolve after two days. | 0:22:28 | 0:22:31 | |
Even if his claims were accurate, it is of absolutely no relevance whatsoever | 0:22:31 | 0:22:35 | |
-because you don't soak your teeth in it. -Isn't that the one that cleans your money? | 0:22:35 | 0:22:41 | |
-I believe it does. -HP sauce. -That's really good at cleaning money. | 0:22:41 | 0:22:45 | |
-It's the vinegar - that's what does it. -Is that it?! -Yeah. | 0:22:45 | 0:22:48 | |
All that money I've been wasting on HP sauce...! | 0:22:48 | 0:22:52 | |
I used to drink a lot of Coke in my early teens and my mum used to say, | 0:22:52 | 0:22:57 | |
"You shouldn't drink Coke because it stains the inside of your stomach." | 0:22:57 | 0:23:02 | |
LAUGHTER | 0:23:02 | 0:23:05 | |
-That's going to put the girls off, isn't it(?) -Yeah. | 0:23:05 | 0:23:08 | |
-How do you know that's not true? -You don't but you think, "If I ever see the inside of my stomach, | 0:23:08 | 0:23:14 | |
"it's probably going to be a bit late to worry about what colour it is." | 0:23:14 | 0:23:18 | |
I can't wait, Andy. I don't like to talk about a friend's death but at your post-mortem... | 0:23:18 | 0:23:23 | |
-Look at this terrible stained intestine... -Coke-coloured tripe. | 0:23:23 | 0:23:29 | |
My goodness. Well, they do cause tooth decay but not as much, as we discovered in a previous QI, as...? | 0:23:29 | 0:23:35 | |
-Jam. -No. | 0:23:35 | 0:23:37 | |
-Crisps, potato crisps. There is far more tooth decay caused by them. -No! | 0:23:37 | 0:23:42 | |
-Yes. -Because they stay on your teeth? -Yeah, they stay there and hang around. | 0:23:42 | 0:23:46 | |
Here's one you might actually believe. Name an ape that walks just on two feet and isn't human. | 0:23:46 | 0:23:53 | |
-Because we obviously walk on two feet rather than on our hands. -Only on two feet? | 0:23:53 | 0:23:57 | |
-Yeah, it doesn't... -Orang-utan? -No. | 0:23:57 | 0:24:00 | |
KLAXON WAILS | 0:24:00 | 0:24:03 | |
-They use the back of their hands, like this. -Is it a monkey with a tail? I seem to remember seeing... | 0:24:03 | 0:24:09 | |
-A monkey with a tail? -It's got a tail for balancing. -We need more from you there, Phill! | 0:24:09 | 0:24:17 | |
-Baboon, gibbon, chimp... -Oh, you've said it! -Baboon. -No. -Gibbon, chimp. -Yes. | 0:24:17 | 0:24:21 | |
KLAXON WAILS | 0:24:21 | 0:24:25 | |
-Gibbon is the right answer. -The funky gibbon, in particular. -The funky gibbon especially. | 0:24:25 | 0:24:30 | |
Here are some gibbon. | 0:24:30 | 0:24:32 | |
Look at it go! Look at it go! It looks so shifty, like it's just nicked something. | 0:24:32 | 0:24:38 | |
It looked like he had the Mission: Impossible music in his head. | 0:24:38 | 0:24:42 | |
-I can do this - do-do... -That's rather good, isn't it? -That's Russell Brand! | 0:24:42 | 0:24:46 | |
LAUGHTER AND APPLAUSE | 0:24:46 | 0:24:50 | |
-Do they do that just to taunt the other apes? -They probably do. -"Can you do this? I can." | 0:24:52 | 0:24:58 | |
It's considered to be a more primitive way of walking, the way we do and gibbons do. | 0:24:58 | 0:25:03 | |
Seems to have been earlier than the four. I know, that's weird. | 0:25:03 | 0:25:07 | |
Let's finish with an easy one. | 0:25:07 | 0:25:08 | |
I want you to sort these creatures and phenomena into age order. | 0:25:08 | 0:25:13 | |
Which is the oldest? Oldest to youngest. | 0:25:13 | 0:25:17 | |
-I'd put A first. -The Himalayas. | 0:25:17 | 0:25:19 | |
-Yeah. -Hmm. -No, they're quite young, that's why they're tall. | 0:25:19 | 0:25:23 | |
-Tall mountains are young because they haven't been worn down... -They are the youngest thing on the board. | 0:25:23 | 0:25:29 | |
They are the youngest of all. They're ONLY 20 million years old. | 0:25:29 | 0:25:32 | |
I think D, C, B, A. | 0:25:32 | 0:25:34 | |
-D, C, B, A is not bad... -D, C, A, B. -It's actually C, D, B, A. -Oh, right. | 0:25:34 | 0:25:41 | |
The oldest is the spider, then the cockroach, | 0:25:41 | 0:25:44 | |
then the triceratops, then the "Himalias" or Himalayas. | 0:25:44 | 0:25:48 | |
In fact, it's quite interesting, which is, after all, our business. | 0:25:48 | 0:25:52 | |
Ants are contemporaneous with dinosaurs but cockroaches pre-date them by at least 55 million years | 0:25:52 | 0:25:58 | |
and spiders are even older - 300 million years ago. | 0:25:58 | 0:26:01 | |
If the spider's first, what did it catch? | 0:26:01 | 0:26:05 | |
-LAUGHTER -Damn, that's good. | 0:26:05 | 0:26:07 | |
-Flies, but not cockroaches. -So the fly was first? | 0:26:07 | 0:26:12 | |
Ha! Which came first, the spider or the fly? A really good question. | 0:26:12 | 0:26:16 | |
There's a lot of webs and spiders going, "Come on." | 0:26:16 | 0:26:19 | |
Out of innocent ignorance, childish wisdom spills out. | 0:26:19 | 0:26:22 | |
I'm only teasing, you know! No, the dinosaurs lived from the Late Triassic, 230 million years ago, | 0:26:22 | 0:26:29 | |
to the Cretaceous, 65 million years ago. | 0:26:29 | 0:26:32 | |
And Mount Everest was only 25 million years. | 0:26:32 | 0:26:35 | |
So it's 25 million years younger than the youngest dinosaur. | 0:26:35 | 0:26:39 | |
-Hmm. -A whippersnapper. -That looks like the pictures from the worst spelling book ever. | 0:26:39 | 0:26:44 | |
LAUGHTER | 0:26:44 | 0:26:46 | |
There's a DOCKROACH in the corner | 0:26:46 | 0:26:49 | |
and I saw a BINOSAUR... | 0:26:49 | 0:26:51 | |
LAUGHTER | 0:26:51 | 0:26:54 | |
..and Alp. Alp, Alp! I get Alp! | 0:26:54 | 0:26:56 | |
That's very good. | 0:26:56 | 0:26:59 | |
Well done, everybody. | 0:26:59 | 0:27:00 | |
The Himal-ee-as or Himal-eye-as or Hima-lay-las... | 0:27:00 | 0:27:04 | |
or the Himalayas, as human beings say... | 0:27:04 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:08 | |
The Himalayas have only been around for 40 million years. | 0:27:08 | 0:27:12 | |
The last dinosaurs died out 25 million years before they were formed. | 0:27:12 | 0:27:15 | |
Spiders and cockroaches are even older than dinosaurs. That's it. Let's look at the scores. | 0:27:15 | 0:27:20 | |
Oh, my goodness gracious me! We have a clear winner with plus four points, would you believe? | 0:27:20 | 0:27:25 | |
-Hugh Dennis! -APPLAUSE | 0:27:25 | 0:27:27 | |
A good score. Thank you very much. | 0:27:27 | 0:27:31 | |
But also in the black with plus two, | 0:27:31 | 0:27:33 | |
-it's Andy Hamilton! -Gosh! -APPLAUSE | 0:27:33 | 0:27:35 | |
That's never happened before! | 0:27:35 | 0:27:37 | |
17 behind, with minus 15, | 0:27:37 | 0:27:40 | |
-Phill Jupitus! -APPLAUSE | 0:27:40 | 0:27:42 | |
Aw! Oof! | 0:27:42 | 0:27:44 | |
Oh, and way down with the cockroaches at minus 56, Alan Davies! | 0:27:44 | 0:27:49 | |
-CHEERING AND APPLAUSE -Thank you. | 0:27:49 | 0:27:52 | |
So it's farewell from Hugh, Andy, Phill, Alan and myself. | 0:27:57 | 0:28:00 | |
I'll leave you with the story of a couple who went to the Natural History Museum | 0:28:00 | 0:28:05 | |
and they saw the big dinosaur skeleton and asked the attendant how old it was | 0:28:05 | 0:28:09 | |
and he said, "It's 65 million, 14 years and 3 months old." | 0:28:09 | 0:28:13 | |
They said, "That's amazing. Is that carbon dating? How can you tell so precisely?" | 0:28:13 | 0:28:18 | |
He said, "No. When I first came here, they told me it was 65 million years old | 0:28:18 | 0:28:22 | |
"and I've been here 14 years and three months." | 0:28:22 | 0:28:24 | |
Thank you. Good night. | 0:28:24 | 0:28:26 | |
APPLAUSE | 0:28:26 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:44 | 0:28:47 | |
E-mail [email protected] | 0:28:47 | 0:28:50 |