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CHEERING AND APPLAUSE | 0:00:26 | 0:00:30 | |
Good evening, good evening, good evening, good evening, good evening | 0:00:30 | 0:00:34 | |
and welcome to QI, where tonight, once again, the Is have it. | 0:00:34 | 0:00:39 | |
I spy with my little eye the illustrious Sandi Toksvig! | 0:00:39 | 0:00:44 | |
CHEERING AND APPLAUSE | 0:00:44 | 0:00:47 | |
The indubitable Jimmy Carr! | 0:00:48 | 0:00:51 | |
CHEERING AND APPLAUSE Thank you. | 0:00:51 | 0:00:55 | |
The incorrigible Lee Mack! | 0:00:55 | 0:00:58 | |
CHEERING AND APPLAUSE Thank you. | 0:00:58 | 0:01:01 | |
And the 'ilarious Alan Davies. | 0:01:01 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:09 | |
And I hear with my little ear their buzzers. Sandi goes... | 0:01:09 | 0:01:14 | |
"Aye-aye." LAUGHTER | 0:01:14 | 0:01:17 | |
-Jimmy goes... -"Oi-oi!" LAUGHTER | 0:01:17 | 0:01:20 | |
-Lee goes... -"Aye-aye-aye-aye-aye!" | 0:01:20 | 0:01:23 | |
-LAUGHTER -And Alan goes... | 0:01:23 | 0:01:25 | |
"# I've got a lovely bunch of coconuts" | 0:01:25 | 0:01:28 | |
LAUGHTER | 0:01:28 | 0:01:30 | |
Don't forget your Nobody Knows Joker. | 0:01:30 | 0:01:33 | |
FANFARE "Nobody knows!" | 0:01:33 | 0:01:35 | |
That's the one. There is a question to which the answer is, "Nobody knows" | 0:01:35 | 0:01:39 | |
and if you can predict which that question is and wave your banner, you'll get points. | 0:01:39 | 0:01:45 | |
And so to question I, I mean question one. No, I was right the first time. | 0:01:45 | 0:01:49 | |
What's the difference between an ai and an aye-aye? | 0:01:49 | 0:01:53 | |
Have you heard of an ai? It's a very useful word in Scrabble. | 0:01:53 | 0:01:57 | |
-A-I. -Yes. Oh, yes! It's a sloth. | 0:01:57 | 0:02:01 | |
-A sloth! Exactly. But what about an aye-aye? -Two sloths. | 0:02:01 | 0:02:04 | |
LAUGHTER | 0:02:04 | 0:02:07 | |
All right, so we've got the ai. Where does the ai live? | 0:02:07 | 0:02:10 | |
-Where does it live? -In a tree. | 0:02:10 | 0:02:13 | |
-Yeah. In which part of the world would you expect to find it? -South America. -Yes. | 0:02:13 | 0:02:18 | |
They're wonderful things. They look like humans dressed in a sloth costume. | 0:02:18 | 0:02:22 | |
But to be fair, you could say that about any animal. A giraffe looks like a human in a giraffe costume. | 0:02:22 | 0:02:28 | |
-You look at a picture of an ai and I think you'll see what I mean. -Oh! | 0:02:28 | 0:02:32 | |
-That does look like a person in a costume. -He's climbing a tree which looks like a man dressed as a tree. | 0:02:32 | 0:02:37 | |
-LAUGHTER -Yes. | 0:02:37 | 0:02:39 | |
He also looks like he's made of that stuff they used to make dish mops out of. | 0:02:39 | 0:02:43 | |
-Their heads are very disproportionate. -They are. | 0:02:43 | 0:02:46 | |
They live up to their name. They're very lazy. They only come down to defecate. | 0:02:46 | 0:02:50 | |
-They come down from a tree to defecate? -Yes. -The benefit of living in a tree is you can... | 0:02:50 | 0:02:55 | |
-Poo on whomever you like? -Maybe they have a downstairs toilet. -Yes. | 0:02:55 | 0:02:59 | |
-Hadn't thought of that, had you? -Once you've had it put in, you want to use it. -Absolutely. | 0:02:59 | 0:03:04 | |
Very unusually for mammals, they need to bask in the sun to warm up their metabolism. | 0:03:04 | 0:03:09 | |
So that's the ai. We've got the ai. But tell me about the aye-aye. | 0:03:09 | 0:03:13 | |
-Is it spelt the same as the ai? -No. -Obviously there's more letters. -It's AYE-hyphen-AYE. | 0:03:13 | 0:03:19 | |
-Aye-aye, sir. -And I happen to have been and seen one. | 0:03:19 | 0:03:22 | |
Very few people have cos it's one of the most endangered species. | 0:03:22 | 0:03:26 | |
-Is it a Geordie version of that? -Aye-aye? No, that's the why-aye. | 0:03:26 | 0:03:30 | |
-Oh. -Are we in the same part of the world? | 0:03:30 | 0:03:32 | |
-We're not in the same part of the world. -Is it a sloth? -No. | 0:03:32 | 0:03:35 | |
It's more closely related to us. It's a primate. | 0:03:35 | 0:03:38 | |
-Primate? -But it's not an ape or a monkey. What other kinds... | 0:03:38 | 0:03:41 | |
-Is it the aye-aye orang-utan? -Lemur? -Lemur. It's a lemur. | 0:03:41 | 0:03:46 | |
-Therefore, it must come from only one place on earth. -Oh! -Bradford. | 0:03:46 | 0:03:49 | |
LAUGHTER | 0:03:49 | 0:03:51 | |
It looks like someone's put some water on a gremlin. | 0:03:51 | 0:03:54 | |
-LAUGHTER -Yes. | 0:03:54 | 0:03:56 | |
That's exactly right. Which you know you mustn't do. | 0:03:56 | 0:03:59 | |
-I would think that the animal on the left has an easier job getting a well-fitting hat. -Yes. | 0:03:59 | 0:04:04 | |
-LAUGHTER And a girlfriend. -Yes. | 0:04:04 | 0:04:07 | |
-That may be why the aye-aye is so endangered. -It's Madagascar. -That's the only place you get lemurs. | 0:04:07 | 0:04:12 | |
You can't see there, but they have the most extraordinary middle finger which is fully extended | 0:04:12 | 0:04:17 | |
and looks like a dried twig. Really unusual. They tap with their finger on the barks of trees | 0:04:17 | 0:04:23 | |
and bring out little worms and grubs which they catch and eat off their finger, | 0:04:23 | 0:04:27 | |
-like a piece of cutlery. -So nature has designed them to eat Hula Hoops? | 0:04:27 | 0:04:32 | |
-Basically. -That's extraordinary. | 0:04:32 | 0:04:34 | |
Zoologists would say they fill the niche that woodpeckers filled in other environments. | 0:04:34 | 0:04:39 | |
There are superstitions about if you... Pardon me. If I did this to you, or this, | 0:04:39 | 0:04:44 | |
-if one of those did that to you, that'd be... -That's right. | 0:04:44 | 0:04:47 | |
It's called the Fady, which is the taboo system of the local people, | 0:04:47 | 0:04:51 | |
and because they're nocturnal creatures and because they look so weird, | 0:04:51 | 0:04:55 | |
they regard them as a curse and they have a habit of killing them. | 0:04:55 | 0:04:59 | |
-It does look like a really bad hair transplant. -It does. | 0:04:59 | 0:05:02 | |
Well, I'm not surprised people kill them. | 0:05:02 | 0:05:05 | |
Never mind superstition, if you walk across a street doing that, you're going to get a guy going, | 0:05:05 | 0:05:10 | |
-"I can take him on." -And also, I'm not surprised they're endangered, | 0:05:10 | 0:05:14 | |
cos they're clearly not mating, are they? They're looking at each other and going, "I'd rather not". | 0:05:14 | 0:05:20 | |
-It is dark, remember. -All the ugly ones come out in the dark. | 0:05:20 | 0:05:23 | |
-LAUGHTER -That's how Jimmy mates. -Oh! | 0:05:23 | 0:05:26 | |
"I'm happy to do it, love, but it'll have to be with the lights off." | 0:05:26 | 0:05:30 | |
JIMMY LAUGHS | 0:05:30 | 0:05:33 | |
LAUGHTER I can't believe your wife told you that story. | 0:05:33 | 0:05:37 | |
-LAUGHTER -Oh! | 0:05:37 | 0:05:40 | |
APPLAUSE | 0:05:40 | 0:05:42 | |
-It's like... -I even did that in a northern accent. | 0:05:43 | 0:05:47 | |
It's like watching two 1970s northern comics having a row. | 0:05:47 | 0:05:50 | |
-"Funny, cos your wife said..." "Your wife doesn't exist." "You what?" -LAUGHTER | 0:05:50 | 0:05:55 | |
-They do that on the streets of New York with "your mama". -They do what with my mama? | 0:05:55 | 0:05:59 | |
-LAUGHTER Why don't you say "one's mama"? -One's mama. -Yeah. | 0:05:59 | 0:06:04 | |
-I'd love you to do that on the streets of New York. -One's mama. -"Oh, one's mama to you!" | 0:06:04 | 0:06:08 | |
Yes. That'll jolly well show them! | 0:06:08 | 0:06:11 | |
Anyway, you didn't get that right, so let's try again. | 0:06:11 | 0:06:14 | |
What's the difference between an "aye" and an "aye-aye"? | 0:06:14 | 0:06:18 | |
-It's the same question. -Yes, but with different answers. -BUZZER | 0:06:18 | 0:06:23 | |
-Is it different answers? -Yes. -Oh. I don't know, then. LAUGHTER | 0:06:23 | 0:06:27 | |
-Maybe this time, aye-aye, sir. Is it "Aye-aye, sir" and "Aye, sir" are two different things? -Yes. | 0:06:27 | 0:06:32 | |
That's the difference. In the navy... There's Kenneth Williams. A fine example! | 0:06:32 | 0:06:38 | |
Do you know how they separate the men from the boys in the navy? With a crowbar. | 0:06:38 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:44 | |
-Oh, dear. -Aww! | 0:06:44 | 0:06:47 | |
As you know, they say, "Aye" in the navy, but they also say, "Aye-aye". | 0:06:47 | 0:06:50 | |
And there is a difference and I want you to tell me what that difference is. | 0:06:50 | 0:06:54 | |
Does "Aye" mean yes, as in "What do you want?" | 0:06:54 | 0:06:57 | |
So you go, "You!" "Aye?" "Go and mop the floor." "Aye-aye." | 0:06:57 | 0:07:00 | |
Basically, yes. "Aye" is an agreement or an assent. | 0:07:00 | 0:07:04 | |
So the captain might say, "Nice morning, isn't it?" and the sailor would say, "Aye, sir." | 0:07:04 | 0:07:09 | |
But he might say, "Order hands to bathe" and then he'd go, "Aye-aye, sir" | 0:07:09 | 0:07:13 | |
-meaning, "I heard your order, I'll carry it out". -Wash my hands. -No. -What does it mean? | 0:07:13 | 0:07:17 | |
All hands overboard. Sounds like, "Jump in the water". | 0:07:17 | 0:07:21 | |
-Hands are what you call the ship's company. -All sailors have a bath together. | 0:07:21 | 0:07:24 | |
Yes, in the sea. "Hands to bathe" means, when they're in nice waters, they swim in the sea. | 0:07:24 | 0:07:30 | |
But don't take their hats off. LAUGHTER | 0:07:30 | 0:07:32 | |
-Whatever you do! -Don't take your hats off, the seagulls might need somewhere to land. | 0:07:32 | 0:07:37 | |
Are they singing a song while that's going on? | 0:07:37 | 0:07:39 | |
-If synchronised swimmers dressed like that, you'd think more of the sport. -You would! | 0:07:39 | 0:07:44 | |
-It'd be on TV more. -Also, you could combine it with Total Wipeout. | 0:07:44 | 0:07:49 | |
You could run across the top as they're doing synchronised swimming. | 0:07:49 | 0:07:52 | |
More Is now. Why won't this woman stop staring at you? | 0:07:52 | 0:07:56 | |
BUZZER She's only human. | 0:07:56 | 0:07:59 | |
LAUGHTER | 0:07:59 | 0:08:02 | |
She's got needs, like any woman. LAUGHTER | 0:08:02 | 0:08:05 | |
-Are we being suggested to say cos her eyes are following you round the room? -Yeah, they do. | 0:08:05 | 0:08:11 | |
They don't literally follow you around the room, | 0:08:11 | 0:08:13 | |
but that experience is, wherever you are in relation to that painting, | 0:08:13 | 0:08:17 | |
-she is looking at you. -What if you're behind her? Behind the painting? | 0:08:17 | 0:08:21 | |
That only works on paintings of owls. LAUGHTER | 0:08:21 | 0:08:24 | |
What's the most famous painting in the Wallace Collection in London? | 0:08:24 | 0:08:28 | |
You know you're looking at the wrong person, don't you? LAUGHTER | 0:08:28 | 0:08:32 | |
-It's only... -Lee, I wasn't looking at you. -Sometimes your eyes follow me round the room, Stephen. | 0:08:32 | 0:08:37 | |
-Sandi... -I honestly thought someone was stood behind me. | 0:08:37 | 0:08:41 | |
-It is the cavalier? -It is the Laughing Cavalier. | 0:08:41 | 0:08:44 | |
-The Laughing Cavalier? -Very good. That has the same quality, as well. | 0:08:44 | 0:08:49 | |
It's true of a lot of portraits. | 0:08:49 | 0:08:51 | |
Surely any painting where the person is looking at the artist. It's not unique to that painting. | 0:08:51 | 0:08:56 | |
-No, it isn't. -Any painting where the subject is looking towards the camera, for want of a better word. | 0:08:56 | 0:09:02 | |
But if you have a painting where someone's looking down, even if you get down to the eye level, | 0:09:02 | 0:09:06 | |
-it will never look at you. -You would look mad in an art gallery doing that. | 0:09:06 | 0:09:10 | |
-LAUGHTER He's looking at me! -Look at me! -It doesn't look at you. | 0:09:10 | 0:09:15 | |
-They only look at you when they're looking straight out. -It's not like that in Scooby Doo, though. | 0:09:15 | 0:09:20 | |
-There's somebody behind the painting and they really are following you around. -In horror films. | 0:09:20 | 0:09:25 | |
-Exactly. -If you were to look at me now and I walked over there | 0:09:25 | 0:09:29 | |
and you fixed your gaze forward, you wouldn't be looking at me. So you'd think it'd be true of the painting. | 0:09:29 | 0:09:34 | |
But you're not looking at the eyes of the painting, | 0:09:34 | 0:09:37 | |
you're looking through the eyes of the artist. | 0:09:37 | 0:09:40 | |
So wherever you stand, you look through the eyes of the artist, not your own eyes. Good night. | 0:09:40 | 0:09:44 | |
-Rather beautifully put. -Stephen is three-dimensional and the painting is two-dimensional | 0:09:44 | 0:09:49 | |
-so that doesn't work. -But I'm looking at you through my eyes. | 0:09:49 | 0:09:52 | |
So if I walk over there, I'm still looking at you through my eyes so it doesn't work. | 0:09:52 | 0:09:57 | |
But I'm not looking at his eyes, the subject's eyes. | 0:09:57 | 0:09:59 | |
I'm looking through the artist's eyes and they stay fixed at all times. | 0:09:59 | 0:10:03 | |
It's like bending light. It's like having a telescope that bends round, | 0:10:03 | 0:10:08 | |
-you're looking through the artist's eyes. -In a nice way, I'm going to say I don't think you fully understood. | 0:10:08 | 0:10:14 | |
LAUGHTER AND APPLAUSE | 0:10:14 | 0:10:17 | |
If you change the word nice to patronising, that works. LAUGHTER | 0:10:17 | 0:10:21 | |
-Well... -And you're kind with the word "fully" cos I don't think I understood any of it. | 0:10:21 | 0:10:26 | |
-LAUGHTER -Anyway, we've got a little example of this optical illusion here. | 0:10:26 | 0:10:33 | |
If you photograph it in the right way, as you'll to see, | 0:10:33 | 0:10:36 | |
the eye plays extraordinary tricks on you. | 0:10:36 | 0:10:38 | |
So there it is. There's Einstein. There he is in profile. | 0:10:38 | 0:10:42 | |
And then there's the inverted bit, | 0:10:42 | 0:10:44 | |
but hello, your eye tells you that's poking outwards, and yet it isn't. | 0:10:44 | 0:10:48 | |
That's the inside bit. | 0:10:48 | 0:10:51 | |
And your eye refuses to believe it until you get to that. | 0:10:51 | 0:10:54 | |
-Oh, you're twisting my melon, man. -Isn't that extraordinary? | 0:10:54 | 0:10:59 | |
-Why does it do that? -Because your brain is programmed to recognise human faces, | 0:10:59 | 0:11:04 | |
one of the first things babies do is look at faces, and you expect to see a face | 0:11:04 | 0:11:08 | |
-and even though you know it isn't a real face... -Ahh. | 0:11:08 | 0:11:11 | |
-..your brain fills in the gaps. -I did it again. | 0:11:11 | 0:11:14 | |
-It's an astonishing illusion. -Does it only work with Einstein? | 0:11:14 | 0:11:17 | |
-No! -LAUGHTER Would it work with another man? | 0:11:17 | 0:11:20 | |
-It would work with any human being. -Ahh! -It's very creepy. | 0:11:20 | 0:11:23 | |
-It's amazing, isn't it? -But I can't believe it did the same trick twice. -I know. | 0:11:23 | 0:11:27 | |
-Listen, we're not going to fall for it this time. -And yet... | 0:11:27 | 0:11:30 | |
-LAUGHTER -Not three times. | 0:11:30 | 0:11:32 | |
Outside, outside, outside, outside, outside. | 0:11:32 | 0:11:36 | |
-This is going to be inside, Lee. This one's inside. -Inside. -Inside. | 0:11:36 | 0:11:40 | |
-Ahh! -Oh! | 0:11:40 | 0:11:42 | |
How does he do it? How does he do it? | 0:11:42 | 0:11:45 | |
-It's so clever. -He's so clever. -We literally filmed this. You can see, | 0:11:45 | 0:11:50 | |
-that's all it is. -This is a great trick. I might cut my head in half and scoop out my brain. | 0:11:50 | 0:11:54 | |
LAUGHTER | 0:11:54 | 0:11:57 | |
-What a wonderful thing. It would make the most wonderful blancmange. -LAUGHTER | 0:11:59 | 0:12:03 | |
Are we going to bother with the rest of the show? Cos I could happily just... | 0:12:03 | 0:12:07 | |
LAUGHTER I mean, it's lovely chatting and everything, | 0:12:07 | 0:12:10 | |
-and I love what we do, but let's just... -You're hypnotised. | 0:12:10 | 0:12:14 | |
-Have you got any others apart from Einstein? -No. But we can make the Queen happy or sad with a £5 note. | 0:12:14 | 0:12:20 | |
You can do this with your own £5 notes. We'll give you a demonstration. You do a little fold. | 0:12:20 | 0:12:24 | |
Aww. Ahh! | 0:12:24 | 0:12:27 | |
-Aww. Ahh! -LAUGHTER | 0:12:28 | 0:12:31 | |
APPLAUSE | 0:12:31 | 0:12:33 | |
-That's brilliant. -Do you remember when they were in the Derby, her horse, Carlton House? | 0:12:34 | 0:12:39 | |
"It's winning, it's winning, it's going to win the Derby! Oh, bollocks." | 0:12:39 | 0:12:43 | |
-LAUGHTER -It came third and a Frenchman won. | 0:12:43 | 0:12:46 | |
-Does it only work on a fiver? Does it work on bigger money? -It'll work on most denominations. | 0:12:46 | 0:12:51 | |
-Would it work on the Queen if you tilt her? -It will also work on the sovereign herself. | 0:12:51 | 0:12:55 | |
Is that why she looks so sad when she's bowing? Not that the Queen bows much. | 0:12:55 | 0:13:00 | |
-She's probably never bowed in her life. -No, I've met her. | 0:13:00 | 0:13:03 | |
-Did she bow? -She does, yes. | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
Another thing is to find out where and how we look. | 0:13:08 | 0:13:11 | |
There is a whole science called gaze detection. | 0:13:11 | 0:13:13 | |
-No, I do not... -LAUGHTER Don't even look at me. | 0:13:13 | 0:13:18 | |
-It's a science, is it, Stephen? -LAUGHTER | 0:13:18 | 0:13:20 | |
-It's actually a "dar" I believe. -No, not the gaydar. | 0:13:20 | 0:13:24 | |
Gaze detection. G-A-Z-E. | 0:13:24 | 0:13:27 | |
And there are tests done between men and women and the different way they look at bodies. | 0:13:27 | 0:13:32 | |
When women look at a human being, they look at their faces. | 0:13:32 | 0:13:35 | |
-When men look at a human being... -I know this. | 0:13:35 | 0:13:38 | |
Yes. Yes, they... | 0:13:38 | 0:13:41 | |
-It's the... -I'm afraid they look at their faces and their groins. -Their personality. -Yeah. | 0:13:41 | 0:13:47 | |
And their groins. And the American Kennel Association, even more disturbingly, | 0:13:47 | 0:13:51 | |
found that when looking at animals, women look at the dog's face, | 0:13:51 | 0:13:54 | |
men look at the dog's face and genitals. | 0:13:54 | 0:13:56 | |
There are some things you can't hide. | 0:13:56 | 0:13:59 | |
And gaze detection is most important commercially, though, for what? | 0:13:59 | 0:14:05 | |
For the new idea that I've just had of writing advertising slogans on ladies' groins. | 0:14:05 | 0:14:10 | |
-No! -We're going to be rich, Stephen! | 0:14:10 | 0:14:13 | |
-No! -It's not just ladies' groins. | 0:14:13 | 0:14:15 | |
-Men look at men's groins, as well. -I'm afraid they do. | 0:14:15 | 0:14:19 | |
-You wouldn't get much of a slogan on a Chihuahua, would you? -LAUGHTER | 0:14:19 | 0:14:23 | |
-You wouldn't get much of a slogan on me, never mind the Chihuahua. -Oh, now! | 0:14:23 | 0:14:27 | |
-Why, though? Why do boys look at dogs' genitals? -This is news to us. | 0:14:27 | 0:14:30 | |
LAUGHTER This is news to all of us. There's not one man in the room | 0:14:30 | 0:14:34 | |
thinking this is observational comedy, going, "That's me". LAUGHTER | 0:14:34 | 0:14:38 | |
-We're all going, "What? We look at dogs' genitals?" -You might not know you do it, but you do it. | 0:14:38 | 0:14:43 | |
This is what the experiments show. It's most useful in merchandising in supermarkets | 0:14:43 | 0:14:48 | |
to see that there are certain areas in any store | 0:14:48 | 0:14:51 | |
where people are automatically drawn and therefore they are the most valuable | 0:14:51 | 0:14:55 | |
so the items that go there are the ones that are being pushed. | 0:14:55 | 0:14:58 | |
So if you really want to sell something to men, have a beautiful woman walk past, | 0:14:58 | 0:15:03 | |
and you'd look at the things right by her eye and she'd have a dog with her with large genitals. | 0:15:03 | 0:15:07 | |
-LAUGHTER -Yes. You're conflating the various things I've said. | 0:15:07 | 0:15:11 | |
I'm still horrified by men looking at dogs' genitals! | 0:15:11 | 0:15:14 | |
-LAUGHTER -Do we do the same with horses? -It is news to men. | 0:15:14 | 0:15:18 | |
Horses don't do anything for our self-esteem. LAUGHTER | 0:15:18 | 0:15:24 | |
I went to a wedding in a beautiful country church and it was in the middle of fields and so on, | 0:15:24 | 0:15:29 | |
and the couple were having their picture taken, and not one of us had noticed | 0:15:29 | 0:15:33 | |
there was a horse in the field just behind the happy couple | 0:15:33 | 0:15:36 | |
-who had the biggest area of expertise I've ever seen. -LAUGHTER | 0:15:36 | 0:15:43 | |
-That's all you can see in the photographs. -LAUGHTER | 0:15:43 | 0:15:46 | |
They couldn't crop it out, it was so large. | 0:15:46 | 0:15:49 | |
Well, we must move on, charming as this is. The way to get the eyes to follow you around the room | 0:15:49 | 0:15:54 | |
is to paint them looking straight ahead. Next, a question about infancy. | 0:15:54 | 0:15:58 | |
Which best-selling children's author has something to say on rabid dogs, | 0:15:58 | 0:16:03 | |
suicide victims, slaughtering cattle and how to tie your shoelaces? | 0:16:03 | 0:16:07 | |
-BUZZER -Yes, Lee? -Katie Price. LAUGHTER | 0:16:07 | 0:16:12 | |
-It's a wild stab in the dark... -That was the title of her second book. -How To Slaughter Cattle? | 0:16:12 | 0:16:18 | |
-Yeah. -Yeah? This has probably sold 150 million copies since its first publication. | 0:16:18 | 0:16:22 | |
-In a children's book? -A book written for children. | 0:16:22 | 0:16:25 | |
Look at the boys looking round at the dog's genitals. LAUGHTER | 0:16:25 | 0:16:29 | |
He is! That's Dick on the left. Dick, Anne and Julian. | 0:16:29 | 0:16:33 | |
And Dick is looking at Timmy's bits. | 0:16:33 | 0:16:36 | |
Girls, eyes forward. Boys going, "Hello!" | 0:16:36 | 0:16:38 | |
-You see, even Enid Blyton knew. -It's an old English book? | 0:16:38 | 0:16:43 | |
-Published in the Edwardian era. -Are we looking for the name of the book or the author? | 0:16:43 | 0:16:48 | |
The name of the author was Robert, later Lord, Baden Powell. | 0:16:48 | 0:16:53 | |
-Oh, Scouting For Boys? -Scouting For Boys is the right answer. | 0:16:53 | 0:16:57 | |
Scouting For Boys has got something on suicide? | 0:16:57 | 0:16:59 | |
-It has. It has an amazing entry. Maybe you'd like to hear it. -I would love to hear it. | 0:16:59 | 0:17:04 | |
"When a man attempts suicide...", they don't count women, "..a scout should know what to do with him." | 0:17:04 | 0:17:10 | |
-LAUGHTER -"In a case where the would-be suicide has taken poison, | 0:17:10 | 0:17:13 | |
"give milk and make him vomit by tickling the inside of the throat with a finger or a feather. | 0:17:13 | 0:17:18 | |
"In the case of hanging, cut down the body at once, | 0:17:18 | 0:17:21 | |
"taking care to support it with one arm while cutting the cord. | 0:17:21 | 0:17:24 | |
-"A tenderfoot", which is scouting for novice... -They make that sound very simple. | 0:17:24 | 0:17:29 | |
"..is sometimes inclined to be timid about handling an insensible or a dead man, or even seeing blood. | 0:17:29 | 0:17:34 | |
"Well, he won't be much use till he gets over such nonsense." | 0:17:34 | 0:17:38 | |
LAUGHTER | 0:17:38 | 0:17:40 | |
There you are. Advice to young boys on how to slaughter cattle. | 0:17:40 | 0:17:44 | |
"If you're a beginner in slaughtering with a knife, | 0:17:44 | 0:17:48 | |
"it's sometimes useful to first drop the animal insensible by a heavy blow with a big hammer | 0:17:48 | 0:17:55 | |
-"or the back of a felling axe on top of the head." -LAUGHTER | 0:17:55 | 0:17:59 | |
-Kindest thing to do, really. -Stopping a runaway horse? | 0:17:59 | 0:18:03 | |
-Does he give advice on that? -He does. -Lie down. -That would stop the horse? | 0:18:03 | 0:18:06 | |
-Oh, no, they don't tread on you. -Oh, I know, play dead. | 0:18:06 | 0:18:10 | |
-How would that stop the horse? -I'm thinking of a ferocious grizzly bear again, aren't I? | 0:18:10 | 0:18:15 | |
What you don't do is stand in front of it waving your arms. That's the mistake to make. | 0:18:15 | 0:18:20 | |
-You go to the side and ease it towards the side of a wall or house. -When it's running? | 0:18:20 | 0:18:27 | |
You ease a running horse to the side of a wall, yeah? | 0:18:27 | 0:18:29 | |
"Don't worry, lads, I'll just ease this running horse to the side of a wall." | 0:18:29 | 0:18:34 | |
It can see out of the corner of its eye, and it will slow it down, according to Baden Powell. | 0:18:34 | 0:18:38 | |
"Give us a hand!", "I can't, Uncle Pete's hung himself." | 0:18:38 | 0:18:41 | |
-What about saving someone who's fallen in front of a train? -Oh, I know this, | 0:18:41 | 0:18:45 | |
you ease the train up against a wall. LAUGHTER | 0:18:45 | 0:18:49 | |
"If the train is very close, lie flat between the rails, | 0:18:49 | 0:18:52 | |
"make the man do the same till the train passes over, | 0:18:52 | 0:18:55 | |
"while everyone else will be running about screaming, excited and doing nothing." | 0:18:55 | 0:19:00 | |
-You jump on the track with him and push his head down? -Yes. -Sure, I'd do that. | 0:19:00 | 0:19:04 | |
-Is there such a big gap between the wheels? -There is in the movies but I wouldn't be the one to try it. | 0:19:04 | 0:19:09 | |
It'd be great if you hung yourself and a scout cut you down, and you went, "OK, I'll jump under a train." | 0:19:09 | 0:19:14 | |
"He's here again!" LAUGHTER "Hello, mate!" | 0:19:14 | 0:19:18 | |
Now, eyes front, I spy general ignorance up ahead. | 0:19:18 | 0:19:22 | |
What can you tell me about the lifespan of this lobster? | 0:19:22 | 0:19:26 | |
BUZZER I don't know but look at the size of the fish he's just caught. | 0:19:26 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:33 | |
APPLAUSE I don't think the fish was that big, he's just giving it all that. | 0:19:33 | 0:19:37 | |
-In theory, a lobster can live forever. In theory. -It's not one of these, is it? | 0:19:37 | 0:19:43 | |
Yes, it is. The point is, you can't tell the age of a lobster. | 0:19:43 | 0:19:47 | |
FANFARE AND APPLAUSE | 0:19:47 | 0:19:51 | |
-So you say you can't tell the age of a lobster? -No. | 0:19:55 | 0:19:58 | |
-They shed their actual... The whole skin comes off. -Did you say lobsters can live forever? | 0:19:58 | 0:20:04 | |
In theory. The trouble is, we don't know, because they live so far down on the ocean's floor, | 0:20:04 | 0:20:10 | |
there may be giant submarine-sized lobsters for all we know, but we've never seen them. | 0:20:10 | 0:20:14 | |
Yes, and they have a special protease-type DNA enzyme called telomerase | 0:20:14 | 0:20:20 | |
which basically replaces lost DNA during cell division, | 0:20:20 | 0:20:23 | |
so that their cells remain young and pristine each time they divide. | 0:20:23 | 0:20:27 | |
Unlike with us, where they just get flabbier and flabbier. | 0:20:27 | 0:20:31 | |
The largest on record was caught off Nova Scotia in 1977. It was 3.5 foot long from tail to claw. | 0:20:31 | 0:20:37 | |
-3.5 foot? That's a lot smaller than a submarine. -Yes, it's a lot smaller than this studio. | 0:20:37 | 0:20:42 | |
It's a lot smaller than many things, but the largest lobster ever caught. | 0:20:42 | 0:20:46 | |
-LAUGHTER -Yeah, Lee! -Sandi did say they could be as big as a submarine. | 0:20:46 | 0:20:50 | |
-Sorry, I missed that bit. -That's all right. | 0:20:50 | 0:20:53 | |
Just so you know, I didn't randomly say, "3.5 foot, I've got an interesting fact about 3.5 foot, | 0:20:53 | 0:20:59 | |
"a lot smaller than a submarine. Back to you, Stephen. Beat that with your interesting facts!" | 0:20:59 | 0:21:05 | |
LAUGHTER AND APPLAUSE It was relevant to what she said. That would be a bonkers way to... | 0:21:05 | 0:21:09 | |
-I've got slightly too used to you saying rather stupid things. -LAUGHTER | 0:21:09 | 0:21:14 | |
-I apologise on bended knees. -You mean stupid things like | 0:21:15 | 0:21:19 | |
lobsters can live forever and grow to the size of submarines? | 0:21:19 | 0:21:23 | |
-What doesn't make sense in the picture is it shouldn't be red. -Why not? | 0:21:23 | 0:21:28 | |
Because it's in the water, it should be black. Are they not only red... | 0:21:28 | 0:21:31 | |
-SIREN BLARES -You thought it was dead. | 0:21:31 | 0:21:35 | |
No. The vast majority of lobsters are a sort of darkish colour, | 0:21:35 | 0:21:39 | |
with little bits of iridescent colours on them, but you can get red ones. | 0:21:39 | 0:21:43 | |
-Have you ever seen a blue lobster? -I'm not falling for this again, Stephen. -Have you? | 0:21:43 | 0:21:48 | |
-Er, I don't think I have seen one. -Would you like to see a blue lobster? -Oh, here we go. | 0:21:48 | 0:21:52 | |
-Go on. Is it going to hurt? -There, have a look behind you and you'll see a nice blue lobster. | 0:21:52 | 0:21:57 | |
Look at that. Every now and again you get a really blue lobster. | 0:21:57 | 0:22:00 | |
I just think BP have got a lot to answer for. LAUGHTER | 0:22:00 | 0:22:03 | |
-It looks like it's been sprayed by a vandal. -It does look like it. | 0:22:03 | 0:22:06 | |
But Sandi was right about it detaching itself from its old shell. | 0:22:06 | 0:22:10 | |
It does that 25 times in the first five years of its life. | 0:22:10 | 0:22:13 | |
And each time it does, it grows by 50 percent. But it's a really odd business and quite dangerous. | 0:22:13 | 0:22:18 | |
It has to detach itself from its old shell. | 0:22:18 | 0:22:21 | |
It has teeth inside its stomach and they're part of the exoskeleton | 0:22:21 | 0:22:25 | |
so the lobster has to pull out the lining of its throat, stomach and anus | 0:22:25 | 0:22:29 | |
-every time it gets rid of its shell. -I've had hangovers where I've felt like that. | 0:22:29 | 0:22:35 | |
LAUGHTER Ohh! | 0:22:35 | 0:22:37 | |
They also, rather like the people of Doncaster, communicate with each other by urinating. | 0:22:37 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:45 | |
-Hang on, why Doncaster? -I was there with a TV crew on Friday night and there was a lot of weeing. | 0:22:45 | 0:22:51 | |
-You should have been at Wembley at a cup final. -It was horrible on the terrace when it used to... | 0:22:51 | 0:22:56 | |
-It used to rush down the terraces. -You know how they get the champagne glasses and do that? | 0:22:56 | 0:23:00 | |
-Yes. Exactly. -That's where they got the idea from. All bubbling at the bottom. | 0:23:00 | 0:23:05 | |
In America, you can buy a Stadium Pal. A Stadium Pal. | 0:23:05 | 0:23:08 | |
-This is a little thing you can pee in. -It's a thing you attach to yourself and it goes in a bottle. | 0:23:08 | 0:23:13 | |
And they've developed one for women, but it looks a bit more like a gravy boat. I'm not sure. | 0:23:13 | 0:23:18 | |
-Now with wings! -That would be good for long journeys in the car, too. | 0:23:18 | 0:23:23 | |
-There is a thing you can pee into in the car. -You pee in a bag. -Yeah. | 0:23:23 | 0:23:27 | |
You can pee in a bag anyway, no-one's stopping you. | 0:23:27 | 0:23:30 | |
If you're not allowed to use a mobile phone in a car, you're not allowed to urinate in a bag. | 0:23:30 | 0:23:35 | |
-You pull over. -If you pull over, why don't you go in a tree? | 0:23:35 | 0:23:38 | |
-Go in a tree? -In a tree. | 0:23:38 | 0:23:41 | |
Not in a tree, against a tree. I don't mean carry a woodpecker with you at all times. | 0:23:41 | 0:23:45 | |
"Tap a hole in there for us!" LAUGHTER | 0:23:45 | 0:23:49 | |
"Fill it in and on your way!" | 0:23:49 | 0:23:52 | |
So, the fact is, it's impossible to age a lobster. | 0:23:52 | 0:23:55 | |
What would they have called this shop in the olden days? | 0:23:55 | 0:23:59 | |
Well, I'm guessing not an old pork pie shop? That's a bit too easy. | 0:23:59 | 0:24:04 | |
-How do you pronounce it, you mean? -How do you pronounce it? | 0:24:04 | 0:24:07 | |
-BUZZER -Lee? -"Yee Old Pork Pie Shopp-ee." | 0:24:07 | 0:24:11 | |
-SIREN BLARES -Oh, no! | 0:24:11 | 0:24:15 | |
-It's... That's not pronounced "Yee." -OK. | 0:24:15 | 0:24:18 | |
-It's pronounced... -BUZZER -Yeah? -"Yey!" -No. | 0:24:18 | 0:24:21 | |
-Old porkie pie shop. -No, you said it. -It's "the". -Why is it "the"? | 0:24:21 | 0:24:24 | |
-It's the way they wrote it down, isn't it? -It's because it's not a Y. It looks like a Y, | 0:24:24 | 0:24:29 | |
and they used Ys when printing came in. It's an Old English letter from Anglo-Saxon called the thorn, | 0:24:29 | 0:24:34 | |
which is the letter for a "th", like a Greek theta. | 0:24:34 | 0:24:37 | |
When printing came in, a lot of them didn't bother making a separate thorn, | 0:24:37 | 0:24:41 | |
they used the Y cos it was so similar, | 0:24:41 | 0:24:43 | |
so when they were writing "the", they would put a Y in. | 0:24:43 | 0:24:46 | |
But they knew to pronounce it "the", and that, much as we do in texts and tweets these days, | 0:24:46 | 0:24:51 | |
it's been very common for human beings to abbreviate, and they abbreviated "that", to "yt", th't. | 0:24:51 | 0:24:58 | |
Whenever you see in old churches "ye this" or "ye that" or you see "ye olde" it's actually "the". | 0:24:58 | 0:25:04 | |
-What about "Old-ee"? -You don't pronounce the silent "e" on it. -"Shopp-ee"? | 0:25:04 | 0:25:08 | |
-Or "Shoppe". -I haven't got one word right. Here we go, I've got one. Pie? -Yes! | 0:25:08 | 0:25:13 | |
-Spot on! -Get in! Now, how do you say that tricky one in the middle? | 0:25:13 | 0:25:17 | |
How northern is that? If someone's just flicked onto this show, and said, "Oh, Lee Mack's on." | 0:25:17 | 0:25:22 | |
And you go, "Pie!" and there's a round of applause. LAUGHTER | 0:25:22 | 0:25:26 | |
What went up by 57 percent during the Blitz? | 0:25:26 | 0:25:28 | |
-BUZZER -Yeah? | 0:25:28 | 0:25:30 | |
House prices? LAUGHTER | 0:25:30 | 0:25:34 | |
-They might, but no. -Was it Mother Brown's knees? | 0:25:34 | 0:25:37 | |
-By 57 percent? -They were always up listening to the Cockneys during the Blitz. Always up. | 0:25:37 | 0:25:44 | |
-The birth rate? -No. -Grave robbing? -Crime. | 0:25:44 | 0:25:48 | |
-Oh! -Crime went up a huge amount during the Blitz. -Sorry, do you count crime as dropping bombs? | 0:25:48 | 0:25:54 | |
Because if that is listed as a crime, there was a lot of that going on. | 0:25:54 | 0:25:58 | |
It's not a crime, in acts of war, to do that, unfortunately. But I'm talking about Londoners' crime. | 0:25:58 | 0:26:04 | |
Mad Frankie Fraser actually said, "It was a tragedy when Hitler surrendered, | 0:26:04 | 0:26:09 | |
"because wartime London was a criminal's paradise." That's the way he put it. | 0:26:09 | 0:26:13 | |
All you had to do was get an ARP Warden, you know, like Hodges in Dad's Army, | 0:26:13 | 0:26:18 | |
"Napoleon!", all that. You put one of those on and people just obey you, and a tin hat with a "W" on it. | 0:26:18 | 0:26:23 | |
And people would actually help them load their cars with stuff they'd stolen. | 0:26:23 | 0:26:28 | |
"Here, come here! Help me load this car!" They'd go, "Ooh, yes," because you were a warden. | 0:26:28 | 0:26:32 | |
-Are you suggesting that's what the Queen Mother was doing in the East End? -No! | 0:26:32 | 0:26:37 | |
-My granddad was one of those, an ARP warden. -Was he? -Well, he says that. -Oh, I'm sure he was. | 0:26:37 | 0:26:42 | |
-So was it mainly looting? -There was looting, there was also scams. | 0:26:42 | 0:26:46 | |
There was one fella called Handy who made a claim for his house being bombed, which you got £500, | 0:26:46 | 0:26:51 | |
19 times before they caught onto him. | 0:26:51 | 0:26:56 | |
And ordinary people were also committing crimes through ration books. | 0:26:56 | 0:26:59 | |
People who didn't think of themselves as criminals were black-marketeering, | 0:26:59 | 0:27:04 | |
or involving themselves in the black market. Generally speaking, it was a very good time to be a criminal, | 0:27:04 | 0:27:09 | |
because the police and everybody were concerned with bombs falling on houses and incendiary bombs. | 0:27:09 | 0:27:15 | |
Is there truth in... I read a thing about... A house would be bombed and the people would be dead, | 0:27:15 | 0:27:20 | |
-people would come and steal watches... -Oh, yes. | 0:27:20 | 0:27:22 | |
-It's really grizzly. -I'm afraid it is. We think of it as our finest hour and the Blitz spirit. | 0:27:22 | 0:27:28 | |
Unfortunately, there's another side to it. There was a huge amount of bravery and camaraderie | 0:27:28 | 0:27:34 | |
and communal spirit and so on, but there was also, sadly, the darker side. | 0:27:34 | 0:27:37 | |
Now, I spy with my little eye, the scores, and how interesting they are. | 0:27:37 | 0:27:42 | |
In first place, by really quite a long way, | 0:27:42 | 0:27:45 | |
-is Sandi Toksvig with 12 points! -CHEERING AND APPLAUSE | 0:27:45 | 0:27:50 | |
And in second place, with minus four, Jimmy Carr! | 0:27:53 | 0:27:58 | |
APPLAUSE Oh! Very happy with that. | 0:27:58 | 0:28:00 | |
Only just in third place, with minus five, Lee Mack! | 0:28:02 | 0:28:06 | |
APPLAUSE I'll take that. Third. Best I've done. | 0:28:06 | 0:28:10 | |
And a proud fourth place with double-I, minus 11, is Alan Davies! | 0:28:10 | 0:28:17 | |
CHEERING AND APPLAUSE | 0:28:17 | 0:28:20 | |
So, it's thanks to Sandi, Jimmy, Lee and Alan. | 0:28:23 | 0:28:26 | |
And as Yogi Berra said, "You can observe a lot by watching." Goodnight. | 0:28:26 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:36 | 0:28:40 | |
E-mail [email protected] | 0:28:40 | 0:28:44 | |
. | 0:28:44 | 0:28:44 |