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This programme contains some strong language | 0:00:02 | 0:00:08 | |
APPLAUSE AND CHEERING | 0:00:24 | 0:00:28 | |
Well, good evening, good evening, good evening. | 0:00:31 | 0:00:34 | |
I'm running out of good evenings. To the QI Job Centre. | 0:00:34 | 0:00:38 | |
Scanning the situations vacant tonight are | 0:00:38 | 0:00:41 | |
retired civil servant, Sarah Millican. | 0:00:41 | 0:00:44 | |
APPLAUSE AND CHEERING | 0:00:44 | 0:00:46 | |
Former cloakroom attendant, David Mitchell. | 0:00:48 | 0:00:52 | |
APPLAUSE AND CHEERING | 0:00:52 | 0:00:55 | |
Unemployed pianist and saxophonist, the Reverend Richard Coles. | 0:00:55 | 0:00:58 | |
APPLAUSE AND CHEERING | 0:00:58 | 0:01:01 | |
And ex-Epping flea market sandwich-board man, Alan Davies. | 0:01:01 | 0:01:06 | |
APPLAUSE AND CHEERING | 0:01:06 | 0:01:08 | |
By their buzzers shall ye know them. | 0:01:11 | 0:01:15 | |
And Sarah goes... | 0:01:15 | 0:01:16 | |
BELL RINGS | 0:01:16 | 0:01:19 | |
Ooh. And David goes... | 0:01:19 | 0:01:20 | |
TOILET FLUSHES | 0:01:20 | 0:01:23 | |
That's a cloakroom being attended. Richard goes... | 0:01:23 | 0:01:26 | |
SAXOPHONE SQUEAKS | 0:01:26 | 0:01:28 | |
Aw, bless you, I've heard you on Waterloo Bridge. And Alan goes... | 0:01:28 | 0:01:31 | |
'Sandwiches, sandwiches!' | 0:01:31 | 0:01:33 | |
That's what you mean by a sandwich board, is it? | 0:01:33 | 0:01:36 | |
Not strictly. | 0:01:36 | 0:01:37 | |
I'd like to say, the cloakroom I attended was for actual cloaks. | 0:01:37 | 0:01:41 | |
-It wasn't a euphemism. -Oh, it really was a cloakroom? | 0:01:41 | 0:01:43 | |
It was for where people left their coats and bags, | 0:01:43 | 0:01:45 | |
-and I suppose the occasional cloak. -And... | 0:01:45 | 0:01:48 | |
But with it being in the 20th century, it wasn't very cloak-heavy. | 0:01:48 | 0:01:51 | |
No. Anyway, let's begin with our first question. | 0:01:51 | 0:01:55 | |
Confucius once said, "Give someone a job they love | 0:01:55 | 0:01:59 | |
"and they'll never have to work again." | 0:01:59 | 0:02:02 | |
So, what sort of jobs are these? | 0:02:02 | 0:02:04 | |
We've given you what, in the social media world, as you know, | 0:02:04 | 0:02:07 | |
-is called a cloud. -'Sandwiches!' | 0:02:07 | 0:02:08 | |
Yep? | 0:02:08 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:13 | |
That's only going to get funnier, isn't it? | 0:02:13 | 0:02:16 | |
-I hope so. -Yeah. | 0:02:16 | 0:02:17 | |
A ripper is a murderer. | 0:02:17 | 0:02:20 | |
Well, obviously, yes... | 0:02:21 | 0:02:23 | |
A highly-skilled murderer. An expert. | 0:02:23 | 0:02:25 | |
-In Whitechapel, usually. -Yes, yes! -Yeah. Sometimes in... -I knew that was right. | 0:02:25 | 0:02:29 | |
These days most murderers are amateur, though, aren't they? | 0:02:29 | 0:02:32 | |
It's very difficult to make a living out of it. | 0:02:32 | 0:02:34 | |
-As a job, yeah. No, it's a good point. -It's true. | 0:02:34 | 0:02:37 | |
A ripper, actually, you might know. There is a word, | 0:02:37 | 0:02:40 | |
it's the kind of word a crossword fiend might know - riparian. | 0:02:40 | 0:02:43 | |
R-I-P-A-R-I-A-N. | 0:02:43 | 0:02:45 | |
Riparian, does that mean anything to you? | 0:02:45 | 0:02:47 | |
I feel it should. | 0:02:47 | 0:02:48 | |
Yes. It comes from the Latin "ripa" - river bank. | 0:02:48 | 0:02:52 | |
So the riparian means of the riverside, of the river bank. | 0:02:52 | 0:02:55 | |
A fish seller who sells fish off the banks... | 0:02:55 | 0:02:57 | |
-Oh, this is like a 3-2-1 clip. -I know, I'm so sorry. | 0:02:57 | 0:03:00 | |
I thought we were getting somewhere, | 0:03:00 | 0:03:02 | |
it's going to be someone who repairs the banks of rivers. | 0:03:02 | 0:03:05 | |
OK, no, he sells fish now! | 0:03:05 | 0:03:08 | |
I'm so sorry. | 0:03:08 | 0:03:10 | |
A burgrailler. | 0:03:10 | 0:03:12 | |
That's presumably someone who grills burgers? | 0:03:12 | 0:03:15 | |
Just, the general spelling in the average burger joint. No. | 0:03:16 | 0:03:19 | |
A burgrailler was someone who removed burrs | 0:03:19 | 0:03:23 | |
from the teeth of combs in a cotton mill. | 0:03:23 | 0:03:26 | |
Oh, I thought it was going to be from the Queen Mother. | 0:03:26 | 0:03:29 | |
And we have a willyer, which comes from the same profession. | 0:03:32 | 0:03:35 | |
Is that someone who was both in the Black Eyed Peas and the Wurzels? | 0:03:35 | 0:03:39 | |
Oh, it's will.ay.er! | 0:03:39 | 0:03:41 | |
will.i.arr! | 0:03:41 | 0:03:42 | |
Will.i.err! | 0:03:42 | 0:03:44 | |
Oh, very good. | 0:03:44 | 0:03:46 | |
APPLAUSE | 0:03:46 | 0:03:48 | |
Excellent. | 0:03:48 | 0:03:50 | |
You see, your years working with Jimmy Somerville and The Communards | 0:03:51 | 0:03:55 | |
have not dulled the edge of your wit, I'm glad to see. | 0:03:55 | 0:03:58 | |
It's actually a willyer, it's also called the woollyer. | 0:03:58 | 0:04:01 | |
But willyer is a more common name for it | 0:04:01 | 0:04:03 | |
and again, we're back in the world of the loom, | 0:04:03 | 0:04:04 | |
operating a willying machine, which sep... | 0:04:04 | 0:04:07 | |
-GIGGLING I've done that! -Yes, thank you, ladies and gentlemen. | 0:04:07 | 0:04:11 | |
Wharfinger, you might be able to work out. | 0:04:11 | 0:04:13 | |
There's an odd thing that we do in English, | 0:04:13 | 0:04:15 | |
which is that we add a letter N where one isn't necessary. | 0:04:15 | 0:04:18 | |
So, for example, if someone is on a passage, on a journey, | 0:04:18 | 0:04:21 | |
we don't call them a passager, we call them a passenger. | 0:04:21 | 0:04:24 | |
If someone sends a message we don't call them a messager, | 0:04:24 | 0:04:27 | |
we call them a messenger. | 0:04:27 | 0:04:29 | |
It's a very odd English thing, of adding this N. | 0:04:29 | 0:04:31 | |
And a wharfiger is someone who might...? | 0:04:31 | 0:04:34 | |
Wharfage? | 0:04:34 | 0:04:35 | |
Yeah, own a wharf. Basically, a wharf owner is a wharfinger. | 0:04:35 | 0:04:39 | |
Do people own wharves now? | 0:04:39 | 0:04:40 | |
These days you don't meet many people who say, "I'm in the wharf business." | 0:04:40 | 0:04:44 | |
-Actually you might have a Worf... -I've got a lovely wharf! | 0:04:44 | 0:04:46 | |
Star Trek: The Second Generation had a character called Worf, didn't it? | 0:04:46 | 0:04:50 | |
-He was a Klingon with a big nose. -Was he? -Oh, yes. -And no sense of humour. | 0:04:50 | 0:04:53 | |
You do surprise me with the moments when you dip into popular culture, which ones you choose. | 0:04:53 | 0:04:58 | |
-I am secretly a bit of a Trekkie, I have to say. -Are you? | 0:04:58 | 0:05:01 | |
-He MIMICS PICARD: -Make it so. | 0:05:01 | 0:05:04 | |
Could you play Vulcan chess? | 0:05:04 | 0:05:05 | |
-Oh, no, that's very difficult. -Do you remember Vulcan chess? | 0:05:05 | 0:05:08 | |
I remember Vulcan chess. Very, very difficult. | 0:05:08 | 0:05:10 | |
-And T'Pau, do you remember there was a pop group called T'Pau? -We toured with them. | 0:05:10 | 0:05:13 | |
That took their name from an episode of Star Trek. | 0:05:13 | 0:05:16 | |
You toured with T'Pau? | 0:05:16 | 0:05:17 | |
When you're on tour, if you're in a band, you tend to be on the same circuit as other bands | 0:05:17 | 0:05:21 | |
and we used to bump into Carol Decker, | 0:05:21 | 0:05:22 | |
who was the singer from T'Pau. | 0:05:22 | 0:05:24 | |
You'd be in a hotel with T'Pau and Public Image. | 0:05:24 | 0:05:27 | |
So you'd be having your breakfast between John Lydon and Carol Decker in a strange, weird sort of... | 0:05:27 | 0:05:32 | |
I'd like to see you partying with Shaun Ryder from... | 0:05:32 | 0:05:35 | |
But there was no partying, because, actually, | 0:05:35 | 0:05:37 | |
if you're on tour, you're so busy. | 0:05:37 | 0:05:38 | |
Everyone is in bed by ten, it's the people around who... | 0:05:38 | 0:05:41 | |
No, no, maybe they didn't tell you about the parties that went on afterwards. | 0:05:41 | 0:05:44 | |
I once stayed in a hotel in America with Black Grape, | 0:05:46 | 0:05:49 | |
which was the band that Shaun Ryder formed after he left, | 0:05:49 | 0:05:51 | |
you know, Manchester, | 0:05:51 | 0:05:53 | |
and it was so rowdy on the floor of the hotel... | 0:05:53 | 0:05:56 | |
-Rowdy! -When I woke up... Hey! | 0:05:56 | 0:05:59 | |
When I woke up the next morning, I opened the door | 0:05:59 | 0:06:02 | |
and there was a bottle of extremely high-quality brandy | 0:06:02 | 0:06:04 | |
with a little note saying, "Hope you weren't disturbed. Love, Shaun." | 0:06:04 | 0:06:08 | |
And I looked all the way down both sides of the corridor | 0:06:08 | 0:06:11 | |
and there was a bottle of brandy there. | 0:06:11 | 0:06:13 | |
We did have a bass player who came down one morning as we were checking out | 0:06:13 | 0:06:16 | |
and said he had trashed his room. | 0:06:16 | 0:06:17 | |
We were quite pleased, | 0:06:17 | 0:06:18 | |
because no-one had ever done that in our band, at all. | 0:06:18 | 0:06:21 | |
But it turned out that actually what he'd done | 0:06:21 | 0:06:23 | |
was tear up a copy of the Guardian. | 0:06:23 | 0:06:24 | |
STEPHEN HOWLS WITH LAUGHTER | 0:06:24 | 0:06:26 | |
And we made him go and tidy it up again. | 0:06:26 | 0:06:29 | |
-All right. -BELL RINGS | 0:06:29 | 0:06:31 | |
-A nut-steamer. -Yes. | 0:06:31 | 0:06:32 | |
Is that somebody who works in a spa? | 0:06:32 | 0:06:35 | |
-Sounds right. It does sound right. -SAXOPHONE SQUEAKS | 0:06:38 | 0:06:41 | |
-Flong maker. -Yes. | 0:06:41 | 0:06:43 | |
I have a theory that this might be a gentleman | 0:06:43 | 0:06:46 | |
who makes foundation garments for ladies. | 0:06:46 | 0:06:48 | |
And it's those very thin things | 0:06:48 | 0:06:50 | |
which are a cross between a thong and dental floss. | 0:06:50 | 0:06:54 | |
-Oh, I know just what you mean. -Yes. -An arse-floss piece of... | 0:06:54 | 0:06:57 | |
-Yes. -Yeah, ooh! Ooh. Yes, horrible, yes. | 0:06:57 | 0:07:01 | |
The person cleaning it is the one you feel sorry for. | 0:07:01 | 0:07:04 | |
No, flong actually is a corruption of the French word "flan". | 0:07:04 | 0:07:09 | |
It means a heavy base. | 0:07:09 | 0:07:11 | |
Oh, isn't that interesting? | 0:07:11 | 0:07:12 | |
And it's actually from the word "printing". | 0:07:12 | 0:07:15 | |
What the flong made was actually... Because it was solid, | 0:07:15 | 0:07:18 | |
the Greek for solid is "stereo", and it was known as stereotyping. | 0:07:18 | 0:07:22 | |
Because you were making the same thing each time. | 0:07:22 | 0:07:24 | |
You made a stereotype. | 0:07:24 | 0:07:26 | |
And oddly enough, the noise the ink made was rendered as "cliche". | 0:07:26 | 0:07:30 | |
The noise. "Cliche, cliche" noise that it made | 0:07:30 | 0:07:33 | |
when you rolled the ink. | 0:07:33 | 0:07:34 | |
So both stereotype and cliche, which sort of mean the same thing, | 0:07:34 | 0:07:38 | |
are both printers' terms. | 0:07:38 | 0:07:39 | |
And so, literally, a cliche is made by stereotyping. | 0:07:39 | 0:07:43 | |
-Yes, exactly. -Right. -It is incredibly pleasing. -Yeah. | 0:07:43 | 0:07:46 | |
And we're only here to be quite interesting, | 0:07:46 | 0:07:48 | |
we don't expect you to be rolling on the floor barking like a seal, | 0:07:48 | 0:07:50 | |
vomiting with laughter at that thought. | 0:07:50 | 0:07:53 | |
But I do hope you will take it home, | 0:07:53 | 0:07:54 | |
wrap it in a little parcel of lavender paper | 0:07:54 | 0:07:56 | |
and store it in the bottom part of your drawer. | 0:07:56 | 0:07:58 | |
-I'm worried I'll get it wrong. -Yeah, OK. | 0:07:58 | 0:08:01 | |
I'm planning to slightly mis-remember it | 0:08:01 | 0:08:03 | |
and see some version of it in 20 years' time. | 0:08:03 | 0:08:06 | |
So, the one we can't help you with is a macaroni loper, | 0:08:07 | 0:08:10 | |
no-one seems to know. | 0:08:10 | 0:08:11 | |
We think it may be simply some sort of pasta job | 0:08:11 | 0:08:14 | |
of twisting macaroni into a... | 0:08:14 | 0:08:16 | |
Making necklaces out of macaroni, that's what it is. | 0:08:16 | 0:08:18 | |
But the reason we know all these are all jobs | 0:08:18 | 0:08:21 | |
is because of the 1891 UK census - people had to put their profession. | 0:08:21 | 0:08:24 | |
And these are just some of the professions. | 0:08:24 | 0:08:26 | |
So, we just know that someone in the 1891 census, | 0:08:26 | 0:08:30 | |
or probably more than one person, said "Oh, I'm a macaroni loper." | 0:08:30 | 0:08:34 | |
-Yes. -And no-one's ever explained. | 0:08:34 | 0:08:36 | |
No, unfortunately. | 0:08:36 | 0:08:38 | |
Because nowadays in the census, don't some people... | 0:08:38 | 0:08:40 | |
They put that their religion is Jedi, as a sort of joke. | 0:08:40 | 0:08:44 | |
Maybe the macaroni lopers are having a laugh at our expense. | 0:08:44 | 0:08:47 | |
I once had to have a discussion about that, | 0:08:47 | 0:08:49 | |
when I was involved in prison chaplaincy, | 0:08:49 | 0:08:51 | |
because one of the prisoners wanted a Jedi chaplain. | 0:08:51 | 0:08:53 | |
-No! -Yeah. | 0:08:53 | 0:08:55 | |
In the end we found a shaman in Lincoln who did the job. | 0:08:55 | 0:08:59 | |
And did he come with a little light sabre? | 0:08:59 | 0:09:01 | |
No, he had a shaking stick. | 0:09:01 | 0:09:02 | |
-But we thought that was the nearest we could get. -That would do. | 0:09:02 | 0:09:05 | |
-Yeah. -Wow! That's pretty impressive. | 0:09:05 | 0:09:09 | |
Star Wars will outlive all the major religions, I'm sure. | 0:09:09 | 0:09:12 | |
-You think? -Yeah. -Maybe it will. Maybe. | 0:09:12 | 0:09:15 | |
AUDIENCE MEMBER CLAPS | 0:09:15 | 0:09:17 | |
Someone clapping! | 0:09:17 | 0:09:19 | |
There's one little Ewok at the back! | 0:09:19 | 0:09:22 | |
Anyway, there we go, that's question one over with. | 0:09:22 | 0:09:25 | |
What might an inspector of nuisances do? | 0:09:25 | 0:09:29 | |
Did nuisance use to mean something else? | 0:09:30 | 0:09:32 | |
Was it like nuisance, meaning a noise or a party or a... | 0:09:32 | 0:09:35 | |
Well, yes, it would include a noise, yes. | 0:09:35 | 0:09:38 | |
It was basically, kind of, an equivalent | 0:09:38 | 0:09:40 | |
of today's Environmental Health Officer. | 0:09:40 | 0:09:43 | |
They were appointed by the local authority | 0:09:43 | 0:09:45 | |
as sanitary and health issues... | 0:09:45 | 0:09:46 | |
One man's nuisance is another man's rowdy evening in the hotel, isn't it? | 0:09:46 | 0:09:50 | |
-Yes, but this is like... -Who decides what a nuisance is? | 0:09:50 | 0:09:52 | |
Well, this is like, you know, if your neighbour is a hoarder, | 0:09:52 | 0:09:55 | |
or they're smelly. | 0:09:55 | 0:09:56 | |
This was in days before the more common sanitation that we expect. | 0:09:56 | 0:10:00 | |
So if it was really smelly, very noisy. | 0:10:00 | 0:10:03 | |
They would also disinfect houses that had had smallpox. | 0:10:03 | 0:10:06 | |
They were also responsible for the scavengers, | 0:10:06 | 0:10:08 | |
and what were the scavengers? | 0:10:08 | 0:10:10 | |
Were they people who made a living | 0:10:10 | 0:10:12 | |
through going through the leavings of others? | 0:10:12 | 0:10:14 | |
That's what you would think. Like mud-larkers going through the beaches. | 0:10:14 | 0:10:17 | |
It actually had a more specific and unsavoury meaning, originally. | 0:10:17 | 0:10:20 | |
-Is it waste? -Waste. Night soil men, they used to be called. | 0:10:20 | 0:10:24 | |
-Night soil. Ooh. -Night soil. -They stole poo? | 0:10:24 | 0:10:26 | |
-Well, not stole, but... -Just ones you've done in the night? | 0:10:26 | 0:10:30 | |
People had... | 0:10:30 | 0:10:31 | |
People had outside jacksies, | 0:10:31 | 0:10:34 | |
that were not connected to any system of sewers. | 0:10:34 | 0:10:37 | |
They were just a hole. | 0:10:37 | 0:10:39 | |
It was just a hole, and so there would be a pile of poo | 0:10:39 | 0:10:42 | |
and the night soil man would come with his spade | 0:10:42 | 0:10:44 | |
-and he'd take your poo away. -Right. | 0:10:44 | 0:10:46 | |
And that was a job - not a pleasant one. | 0:10:46 | 0:10:48 | |
They were known as scavengers. | 0:10:48 | 0:10:50 | |
And it was a deeply unpleasant, but a deeply necessary job, obviously. | 0:10:50 | 0:10:53 | |
Would you have to tip your scavenger, | 0:10:53 | 0:10:55 | |
like you have to do with milkmen and postmen at Christmas? | 0:10:55 | 0:10:58 | |
-It's a very good question. -You leave a Christmas box. | 0:10:58 | 0:11:00 | |
You leave a Christmas box! A perfect varnished stool. | 0:11:00 | 0:11:05 | |
The best stool you've produced, you save it up for him. | 0:11:05 | 0:11:07 | |
-Your favourite one. -I had a thoroughly good dinner that day | 0:11:07 | 0:11:10 | |
and I think that's quality, that stuff. | 0:11:10 | 0:11:13 | |
That's right, you can't spot a nut or a crack in it. | 0:11:13 | 0:11:16 | |
It's absolutely lovely. Lovely. Lovely. That's what you'd do. | 0:11:16 | 0:11:19 | |
It doesn't remain in that... I know this, | 0:11:19 | 0:11:21 | |
because I was a chaplain for a bit in Uganda, | 0:11:21 | 0:11:24 | |
and they have scavengers, night soil people there. | 0:11:24 | 0:11:27 | |
But I only saw it once and I shudder to recall it, | 0:11:27 | 0:11:30 | |
but it was sort of mulched down, if I may put it that way. | 0:11:30 | 0:11:33 | |
-Ah. So it's not... -So it loses its... | 0:11:33 | 0:11:35 | |
So it's not in its shape and form? | 0:11:35 | 0:11:36 | |
-It's slop. -Slop. | 0:11:36 | 0:11:38 | |
-The same thing happens with squirty cream. -Exactly. | 0:11:38 | 0:11:41 | |
-It comes out a lovely shape. -Yes, you're right. | 0:11:41 | 0:11:43 | |
But leave it for a few minutes and it's all gone... | 0:11:43 | 0:11:45 | |
Loses its form, doesn't it? | 0:11:45 | 0:11:47 | |
It does, yeah. | 0:11:47 | 0:11:48 | |
And no-one likes a stool that's lost its form. | 0:11:48 | 0:11:50 | |
-Yeah. -Absolutely. Points deducted. | 0:11:50 | 0:11:51 | |
SARAH: You've just ruined squirty cream! | 0:11:51 | 0:11:53 | |
Points deducted for a sloppy stool. | 0:11:53 | 0:11:55 | |
Anyway, enough already, let's move on. | 0:11:57 | 0:11:59 | |
Now, what is it about software engineers | 0:11:59 | 0:12:01 | |
that drives people to violence? | 0:12:01 | 0:12:04 | |
I don't like software which anticipates needs I don't have. | 0:12:04 | 0:12:07 | |
The sort of spell-checker thing, | 0:12:07 | 0:12:08 | |
which corrects your spelling to words you didn't want to spell. | 0:12:08 | 0:12:11 | |
I've got RSI now from correcting the corrections on my phone. | 0:12:11 | 0:12:15 | |
If I want to type the C word - and I do sometimes... | 0:12:15 | 0:12:18 | |
Yeah. | 0:12:18 | 0:12:19 | |
It comes up with Cynthia, and that's my mother-in-law's name. | 0:12:19 | 0:12:24 | |
-Right. -And she's lovely, and it seems so unfair. | 0:12:24 | 0:12:26 | |
Let's hope it doesn't work the other way round. | 0:12:26 | 0:12:30 | |
LAUGHTER | 0:12:30 | 0:12:33 | |
Well, unfortunately in the original Greek, it is Kunthia. | 0:12:34 | 0:12:38 | |
-Is it? -There is no letter Y in Greek. it's an upsilon, it's a U. | 0:12:38 | 0:12:42 | |
-That's alarming. -It is Kunthia. | 0:12:42 | 0:12:44 | |
No, I'm going back to the very first software engineer that ever was. | 0:12:44 | 0:12:48 | |
Babbage? | 0:12:48 | 0:12:49 | |
Well, Babbage owed an enormous debt to this person. | 0:12:49 | 0:12:52 | |
-Ada Lovelace. -Ada Lovelace also owed a debt to this person. | 0:12:52 | 0:12:55 | |
-Ada Lovelace wanted to use the same... -I'll get my cloak. | 0:12:55 | 0:12:57 | |
You've done very well! Ada Lovelace was the daughter of? | 0:12:57 | 0:13:00 | |
Mr Software. | 0:13:00 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:05 | |
So disappointing. | 0:13:07 | 0:13:09 | |
-Because, you know, you have a Mr Baker, don't you? -Yes, you do. | 0:13:09 | 0:13:12 | |
And a Mr Butcher. Mr Cooper. | 0:13:12 | 0:13:14 | |
Old Jeremiah Software! | 0:13:14 | 0:13:16 | |
But it's so much more interesting than that, | 0:13:16 | 0:13:19 | |
she happened to be the daughter of Lord Byron, | 0:13:19 | 0:13:21 | |
and she was one of the great mathematicians of her age. | 0:13:21 | 0:13:24 | |
And she was a woman we should celebrate. | 0:13:24 | 0:13:26 | |
And she was a colleague, as you say, of Charles Babbage, | 0:13:26 | 0:13:29 | |
and they had got their difference engine, | 0:13:29 | 0:13:30 | |
and they wanted to steal the idea of a Frenchman, | 0:13:30 | 0:13:33 | |
who'd come up with the idea. | 0:13:33 | 0:13:34 | |
And it's a software idea, it was for automating something. | 0:13:34 | 0:13:38 | |
As a little boy, he used to sit on a particular type of machine | 0:13:38 | 0:13:42 | |
and watch it working and thinking, "I could make this better." | 0:13:42 | 0:13:45 | |
And he invented the punch-card system for it. | 0:13:45 | 0:13:47 | |
And he has... Its name is... | 0:13:47 | 0:13:49 | |
It's not those pianos that play themselves? | 0:13:49 | 0:13:51 | |
No, Pianolas use the same system. But this is before that. | 0:13:51 | 0:13:54 | |
It's much more useful, | 0:13:54 | 0:13:55 | |
because it made something everybody in the world wanted to buy. | 0:13:55 | 0:13:58 | |
Which is clothes. And textiles. | 0:13:58 | 0:14:01 | |
Oh, is it for, like, a pattern on cloth? | 0:14:01 | 0:14:03 | |
A loom. A loom. It's a loom, and it's a particular kind of loom... | 0:14:03 | 0:14:07 | |
-RICHARD: -Jacquard. | 0:14:07 | 0:14:08 | |
Jacquard is the name, Joseph Marie Jacquard. | 0:14:08 | 0:14:11 | |
And he was an extraordinary man, born in 1752, | 0:14:11 | 0:14:14 | |
and these looms were used right up until our lifetimes. | 0:14:14 | 0:14:18 | |
But there you are. | 0:14:18 | 0:14:19 | |
-Look at that. -That's what he invented. | 0:14:19 | 0:14:21 | |
Now, you look at those punch cards, you think, now, what can that do? | 0:14:21 | 0:14:24 | |
Babbage correctly saw | 0:14:24 | 0:14:25 | |
this couldn't just make a loom and a tapestry and a picture, | 0:14:25 | 0:14:29 | |
but it could also possibly do calculations | 0:14:29 | 0:14:33 | |
and other such things that mathematicians were interested in. | 0:14:33 | 0:14:36 | |
And so we have a portrait of Jacquard himself, | 0:14:36 | 0:14:39 | |
which is done in woven silk using a Jacquard loom. | 0:14:39 | 0:14:44 | |
That is done by punched cards. Isn't that astonishing? | 0:14:44 | 0:14:48 | |
The depth, the tone, look at the knees there, the way the cloth is. | 0:14:48 | 0:14:51 | |
-I mean, that's... -It looks almost like a photograph, doesn't it? | 0:14:51 | 0:14:54 | |
-It almost looks like a photograph. -Yeah. -That is... | 0:14:54 | 0:14:56 | |
You'd think he'd be happier, wouldn't you? | 0:14:56 | 0:14:58 | |
Well, that's true. Smiling in photographs is a very recent thing. | 0:14:58 | 0:15:01 | |
-Oh, really? -It was never considered normal, | 0:15:01 | 0:15:03 | |
it was considered weird to smile in photographs. | 0:15:03 | 0:15:06 | |
But the question was, why did he drive people to violence? | 0:15:06 | 0:15:09 | |
Ah, because he... | 0:15:09 | 0:15:11 | |
Was it like Luddites, did they come and smash his machinery? | 0:15:11 | 0:15:14 | |
They did, because it took so much work away from them. | 0:15:14 | 0:15:16 | |
-Are these the shoe throwers? -Ah. -The saboteurs? | 0:15:16 | 0:15:19 | |
-And what's the French for a wooden shoe? -A sabot. | 0:15:19 | 0:15:21 | |
A sabot is a clog. | 0:15:21 | 0:15:23 | |
And they would throw their clogs into the looms to break them up, | 0:15:23 | 0:15:26 | |
and a sabot, it was known as sabotage. | 0:15:26 | 0:15:28 | |
And that's where we get our word "sabotage". | 0:15:28 | 0:15:30 | |
They would sabotage his machines. | 0:15:30 | 0:15:32 | |
And actually Luddites in Britain were nothing like as violent | 0:15:32 | 0:15:35 | |
as the saboteurs of France, in Lyon and places like that. | 0:15:35 | 0:15:38 | |
-Different footwear, I suppose. -Different footwear. | 0:15:38 | 0:15:41 | |
You can do more with a clog, can't you, than a conventional shoe? | 0:15:41 | 0:15:46 | |
-We had an outbreak of it in my parish. -Did you? | 0:15:46 | 0:15:48 | |
Yeah, I'm afraid so. | 0:15:48 | 0:15:49 | |
It's a shoe area, | 0:15:49 | 0:15:50 | |
so when the automation of the shoe trade came in, | 0:15:50 | 0:15:53 | |
there was a bit of smashing up of machines. | 0:15:53 | 0:15:55 | |
That's a nightmare though, | 0:15:55 | 0:15:56 | |
because if the people are destroying the machines with shoes, | 0:15:56 | 0:15:59 | |
if the machine's still going, they're just making ammunition. | 0:15:59 | 0:16:04 | |
-For their own destruction. -That's so true. | 0:16:04 | 0:16:07 | |
-And just the irony of it. -Yeah. | 0:16:07 | 0:16:08 | |
Just immediately, as they come out, chuck them back at the machine! | 0:16:08 | 0:16:12 | |
You don't have to use shoes to make a machine break, | 0:16:12 | 0:16:16 | |
it's just the French wore wooden clogs and those sabots. | 0:16:16 | 0:16:19 | |
But it is fascinating, isn't it, to think of it? | 0:16:19 | 0:16:21 | |
Where would we be without trees? | 0:16:21 | 0:16:23 | |
Well, so true. | 0:16:23 | 0:16:25 | |
LAUGHTER | 0:16:25 | 0:16:29 | |
You're right. | 0:16:29 | 0:16:30 | |
Anyway, the first automated looms caused rioting by French weavers. | 0:16:30 | 0:16:34 | |
Name as many famous butlers as you can. | 0:16:34 | 0:16:37 | |
Jeeves. | 0:16:37 | 0:16:39 | |
Jeeves? | 0:16:39 | 0:16:40 | |
SIREN WAILS | 0:16:40 | 0:16:42 | |
Dear, oh, dear, oh, dear. Jeeves was not a butler! | 0:16:42 | 0:16:45 | |
Was he not a butler? He was a man. | 0:16:45 | 0:16:47 | |
He was a valet, he was a gentleman's personal gentleman. | 0:16:47 | 0:16:50 | |
-A valet, sorry. -What about Hudson from Upstairs Downstairs? | 0:16:50 | 0:16:54 | |
Hudson would certainly count, yes, absolutely. | 0:16:54 | 0:16:56 | |
A butler has to be head of a household. | 0:16:56 | 0:16:58 | |
A valet is a personal attendant, a gentleman's personal gentleman. | 0:16:58 | 0:17:01 | |
Oh, Christ! | 0:17:01 | 0:17:03 | |
LAUGHTER AND APPLAUSE | 0:17:03 | 0:17:06 | |
I mean, you got away with this, didn't you, really? | 0:17:12 | 0:17:15 | |
Because you were quite young to play the role, weren't you? | 0:17:15 | 0:17:17 | |
I was young, yes. | 0:17:17 | 0:17:18 | |
I mean, you in particular, because he is quite a bit older, isn't he? | 0:17:18 | 0:17:21 | |
Well, in Carry On, Jeeves, | 0:17:21 | 0:17:23 | |
which is the very first appearance of Jeeves in Wodehouse, | 0:17:23 | 0:17:25 | |
"a darkish, youngish chap stood in the doorway," | 0:17:25 | 0:17:28 | |
is the only physical description you get of Jeeves. | 0:17:28 | 0:17:30 | |
But as Bertie Wooster said of him, | 0:17:30 | 0:17:32 | |
"Although he is not a butler, | 0:17:32 | 0:17:34 | |
"if it comes down to it, he can buttle with the best of them." | 0:17:34 | 0:17:38 | |
And so... But the butler was literally a bottler, | 0:17:38 | 0:17:41 | |
-he looked after the cellar. -What about John Gielgud in Arthur? | 0:17:41 | 0:17:43 | |
Yes, he played... Well, was he a butler or was he a valet? | 0:17:43 | 0:17:46 | |
-It's hard to tell. -I'm saying he was a butler. | 0:17:46 | 0:17:48 | |
A gentleman, a man. My man, they used to say. My man. | 0:17:48 | 0:17:51 | |
The Fifth Duke of Portland so relied on his valet | 0:17:51 | 0:17:54 | |
that when the doctor visited, the doctor would stand outside the room, | 0:17:54 | 0:17:58 | |
the valet would do the rummaging around and call out what he saw! | 0:17:58 | 0:18:01 | |
"I'm just inserting my finger into His Grace now! | 0:18:03 | 0:18:06 | |
"I would say it's a, sort of, yellowy-blue colour." | 0:18:06 | 0:18:10 | |
And the doctor would say, "That's a very bad sign." | 0:18:10 | 0:18:12 | |
Or a very good sign. But... | 0:18:12 | 0:18:14 | |
"All five of His Grace's testicles are in order." | 0:18:14 | 0:18:17 | |
It is a most bizarre thing. | 0:18:19 | 0:18:21 | |
Many years ago, I was asked, as I'm sure you've been asked, | 0:18:21 | 0:18:25 | |
to address the Oxford Union. | 0:18:25 | 0:18:27 | |
They have asked me, but I always imagine that they just ask me along just so that they can go, "Pfft!" | 0:18:27 | 0:18:32 | |
No! They would love you. They would love you. They'd also... | 0:18:32 | 0:18:34 | |
We have an entertainment, ha-ha-ha! | 0:18:34 | 0:18:37 | |
Ask him something, ha-ha-ha! | 0:18:37 | 0:18:40 | |
Make the clown dance! | 0:18:40 | 0:18:42 | |
We've got someone from Essex! | 0:18:42 | 0:18:43 | |
He doesn't know! Ha-ha! | 0:18:43 | 0:18:45 | |
Take my cloak. | 0:18:45 | 0:18:46 | |
No. | 0:18:47 | 0:18:49 | |
I went, and I remember this quite - | 0:18:49 | 0:18:51 | |
even for Oxford, - astonishing young man, in a wing collar... | 0:18:51 | 0:18:54 | |
-HE MIMICS STUDENT: -..who spoke in the most extraordinary manner, | 0:18:54 | 0:18:58 | |
whose name was Jacob Rees-Mogg, | 0:18:58 | 0:19:01 | |
and he was the son of William Rees-Mogg, | 0:19:01 | 0:19:03 | |
who had, for a time, been the Editor of the Times. | 0:19:03 | 0:19:05 | |
-Oh, he's an MP now, is he? -And he's now an MP. | 0:19:05 | 0:19:07 | |
-And he... -HE CHUCKLES | 0:19:07 | 0:19:09 | |
we may have a picture of him, there he is. | 0:19:09 | 0:19:11 | |
You're never going to mistake him for an Essex chav, are you? | 0:19:11 | 0:19:14 | |
-And surprisingly... -He's River Dancing there, isn't he? | 0:19:14 | 0:19:17 | |
He's very tall, isn't he? Bigger than the houses. | 0:19:17 | 0:19:20 | |
He is very tall, yes. | 0:19:20 | 0:19:22 | |
That may be a parallax effect, I'm not sure. | 0:19:22 | 0:19:24 | |
But anyway, he was infuriated | 0:19:24 | 0:19:26 | |
when leafleting the streets of central Fife, | 0:19:26 | 0:19:29 | |
by the fact that he was mocked | 0:19:29 | 0:19:30 | |
because he was assisted by his nanny. | 0:19:30 | 0:19:32 | |
And what was so extraordinary was his response. | 0:19:33 | 0:19:36 | |
His response was, | 0:19:36 | 0:19:37 | |
"Well, I do wish you wouldn't keep going on about my nanny. | 0:19:37 | 0:19:40 | |
"If I had a valet, you'd think it was perfectly normal!" | 0:19:40 | 0:19:44 | |
A man of the people. | 0:19:47 | 0:19:48 | |
I've had a tweet relationship with Jacob Rees-Mogg. | 0:19:48 | 0:19:51 | |
Is he a Twitter friend? | 0:19:51 | 0:19:52 | |
Well, I think... | 0:19:52 | 0:19:53 | |
I don't know if it's actually him, but he quotes to me Anglican psalms. | 0:19:53 | 0:19:58 | |
That's very like him. | 0:19:58 | 0:19:59 | |
I can't think there would be anyone who wasn't him | 0:19:59 | 0:20:01 | |
who would want to do that. | 0:20:01 | 0:20:03 | |
It does seem a very strange pastime, I have to say. | 0:20:03 | 0:20:05 | |
He's stopped talking to me now though, but he did for a while. | 0:20:05 | 0:20:07 | |
He's very busy running the country, with his nanny and his valet. | 0:20:07 | 0:20:10 | |
I think the nanny was doing the tweeting for him. | 0:20:10 | 0:20:13 | |
Mary Poppins and Jeeves are helping him out, that's all we need worry about. | 0:20:13 | 0:20:16 | |
Thank goodness. All is well in the world of Jacob Rees-Mogg, and I'm sure he's a lovely man. | 0:20:16 | 0:20:20 | |
Anyway, Jeeves was a valet, not a butler. | 0:20:20 | 0:20:22 | |
What use is a sheep in a gold rush? | 0:20:22 | 0:20:25 | |
-SAXOPHONE SQUEAKS -Yes? | 0:20:26 | 0:20:29 | |
It can be cold and lonely on those prairies. | 0:20:29 | 0:20:31 | |
LAUGHTER | 0:20:31 | 0:20:32 | |
Yes, that's the first thing that would come into a man of God's mind. | 0:20:32 | 0:20:36 | |
Huddle for warmth, Stephen, huddle together for warmth. | 0:20:36 | 0:20:39 | |
No, well, the gold rushes aren't always in cold countries. But... | 0:20:39 | 0:20:42 | |
-SAXOPHONE SQUEAKS -Is that what... Hang on, the Lord is your shepherd | 0:20:42 | 0:20:45 | |
and on a cold night on his own, he might shaft you?! | 0:20:45 | 0:20:50 | |
I believe... | 0:20:50 | 0:20:51 | |
I believe his rod comforts you. | 0:20:51 | 0:20:54 | |
They didn't teach me anything at theological college about this. | 0:20:56 | 0:21:00 | |
Oh, sorry, I do apologise. | 0:21:00 | 0:21:02 | |
Would you filter stuff through wool, thereby extracting the golden ore? | 0:21:02 | 0:21:07 | |
The man is right on the money, quite literally. | 0:21:07 | 0:21:10 | |
That's exactly what you'd do. Exactly what you do. | 0:21:10 | 0:21:12 | |
You take the fleece and the water runs through it | 0:21:12 | 0:21:15 | |
and it leaves behind the flecks of gold | 0:21:15 | 0:21:18 | |
and then you dry the fleece and shake them out. | 0:21:18 | 0:21:20 | |
It's as simple as that, it's a very good way, better than panning. | 0:21:20 | 0:21:23 | |
And there are people who believe, indeed there's one man who wrote a book about it, | 0:21:23 | 0:21:26 | |
his name is Tim Severin, he wrote a book called The Jason Voyage, | 0:21:26 | 0:21:30 | |
he's one of those people who believes a lot of Greek myths, a lot of myths generally, | 0:21:30 | 0:21:34 | |
are based on originally true stories that have become exaggerated. | 0:21:34 | 0:21:37 | |
And he believes The Golden Fleece may be one such an example. | 0:21:37 | 0:21:40 | |
Jason may well have taken a golden fleece | 0:21:40 | 0:21:42 | |
that someone had been using for panning for gold. | 0:21:42 | 0:21:45 | |
So, now, what would be the best planet in the solar system | 0:21:45 | 0:21:48 | |
to take your annual holiday in? | 0:21:48 | 0:21:50 | |
-BELL RINGS -Or on? Yes? | 0:21:50 | 0:21:52 | |
Earth. | 0:21:52 | 0:21:53 | |
Absolutely the right answer, I can frankly say. | 0:21:53 | 0:21:56 | |
I don't think there could be a better answer. | 0:21:56 | 0:21:58 | |
Well, the great advantage of Earth is that you can survive on it. | 0:21:58 | 0:22:01 | |
Yes. | 0:22:01 | 0:22:02 | |
LAUGHTER | 0:22:02 | 0:22:04 | |
-It's so lovely on a holiday, isn't it? -Yeah, it is, yeah. | 0:22:04 | 0:22:06 | |
-To be able to breathe air again. -To just live through it. Yeah. | 0:22:06 | 0:22:09 | |
-SAXOPHONE SQUEAKS -Yeah, exactly. Hello? | 0:22:09 | 0:22:11 | |
Uranus. | 0:22:11 | 0:22:13 | |
Why Uranus? | 0:22:13 | 0:22:14 | |
Because it would be much longer. | 0:22:14 | 0:22:16 | |
Ah, now, there you're getting very interesting. | 0:22:16 | 0:22:19 | |
It's about how long a year is or a season is. | 0:22:19 | 0:22:21 | |
Yeah. How long is a Uranian year? | 0:22:21 | 0:22:23 | |
A Uranian year is 84 Earth years. | 0:22:23 | 0:22:25 | |
-84. -But each day is only 17 hours, | 0:22:25 | 0:22:28 | |
so again, it spins faster than us. | 0:22:28 | 0:22:30 | |
So how long would a fortnight be? | 0:22:30 | 0:22:33 | |
Oh, God! Why am I... | 0:22:33 | 0:22:34 | |
LAUGHTER AND APPLAUSE | 0:22:34 | 0:22:38 | |
It's a very good question indeed. | 0:22:39 | 0:22:41 | |
17 x 14 would be a fortnight. | 0:22:41 | 0:22:44 | |
-Would be a fortnight. -How long is a year on Jupiter then? | 0:22:44 | 0:22:47 | |
A year is about 12 of our years, but it spins very quickly, | 0:22:47 | 0:22:49 | |
-so a day on Jupiter is only about ten hours. -Oh. | 0:22:49 | 0:22:53 | |
-So you might not get a longer holiday, the further away from... -No. | 0:22:53 | 0:22:56 | |
And I think I'd need those things that go round your wrists, | 0:22:56 | 0:22:59 | |
so you don't get travel sick, if it's spinning like that. | 0:22:59 | 0:23:01 | |
That's right. Jupiter is also entirely gas, | 0:23:01 | 0:23:03 | |
which is not really very nice. | 0:23:03 | 0:23:05 | |
The shopping and the sightseeing opportunities are amazing. | 0:23:05 | 0:23:08 | |
A layer of black liquid hydrogen 27,000 miles thick | 0:23:08 | 0:23:13 | |
crushes carbon into diamonds that are literally the size of the Ritz. | 0:23:13 | 0:23:17 | |
So you could really get some serious bling from Jupiter. | 0:23:17 | 0:23:20 | |
-Try to deal with that. -Yeah. | 0:23:20 | 0:23:22 | |
Sort of that size - a diamond the size of a hotel. | 0:23:22 | 0:23:25 | |
And another thing that's rather exciting | 0:23:25 | 0:23:27 | |
is that it precipitates neon rather than water in the atmosphere, | 0:23:27 | 0:23:30 | |
which creates brilliant bright red rain. | 0:23:30 | 0:23:33 | |
Which is fabulous, that would be so pretty. | 0:23:33 | 0:23:35 | |
It would be lovely to go, wouldn't it? | 0:23:35 | 0:23:38 | |
-That there... -That and a certain death. | 0:23:38 | 0:23:40 | |
You don't want rain on holiday, though, do you, even if it's bonny? | 0:23:40 | 0:23:43 | |
That storm, that eye as they call it, | 0:23:43 | 0:23:44 | |
which is in the middle of Jupiter, | 0:23:44 | 0:23:46 | |
is about four times the size of the Earth, so that's, you know... | 0:23:46 | 0:23:49 | |
So essentially, Jupiter's a nightmare, | 0:23:49 | 0:23:51 | |
because your annual holiday, not only is it a shorter fortnight, | 0:23:51 | 0:23:54 | |
it only happens once every ten years. | 0:23:54 | 0:23:56 | |
Yes, quite! | 0:23:56 | 0:23:58 | |
That is true. | 0:23:58 | 0:23:59 | |
A very bad choice. | 0:23:59 | 0:24:00 | |
Venus, on the other hand, rotates incredibly slowly. | 0:24:00 | 0:24:04 | |
A fortnight's break on Venus would last over 15 years. | 0:24:04 | 0:24:08 | |
That's how long the days are. | 0:24:08 | 0:24:09 | |
But you'd need factor 980 there, wouldn't you? | 0:24:09 | 0:24:11 | |
Oh, the weather is awful. | 0:24:11 | 0:24:13 | |
It's clouds of sulphuric acid, | 0:24:13 | 0:24:15 | |
the surface is hot enough to melt aluminium. | 0:24:15 | 0:24:18 | |
So you'd need really thick flip-flops. | 0:24:18 | 0:24:21 | |
And the atmospheric pressure | 0:24:22 | 0:24:23 | |
is equivalent to being half a mile under the sea on Earth. | 0:24:23 | 0:24:27 | |
The air isn't very fresh, it's mostly carbon dioxide. | 0:24:27 | 0:24:31 | |
So it really is a bit... | 0:24:31 | 0:24:32 | |
It's a bit like being in an Ibizan club at about six in the morning. | 0:24:32 | 0:24:36 | |
-Yuck! -But you'd only want a week there, wouldn't you? | 0:24:36 | 0:24:39 | |
-You'd only want a week on Venus. -You wouldn't want 15 years. | 0:24:39 | 0:24:42 | |
I think you're right. | 0:24:42 | 0:24:43 | |
So, it's time for a Jolly Jape, this time involving lasers and balloons. | 0:24:43 | 0:24:47 | |
What can be coming next? | 0:24:47 | 0:24:49 | |
Here we are. | 0:24:49 | 0:24:51 | |
And I've got my laser. | 0:24:51 | 0:24:53 | |
This is one of these things they use, you know, | 0:24:53 | 0:24:56 | |
I'm going to point it behind me. | 0:24:56 | 0:24:59 | |
And we're using the smoke because it shows up the laser line. | 0:24:59 | 0:25:02 | |
-Can you see it there? -Oh, yes. -Yeah. | 0:25:02 | 0:25:04 | |
I'm deliberately, obviously... They keep shouting in my ear, | 0:25:04 | 0:25:07 | |
"Don't point it at people's eyes!" I'm not! | 0:25:07 | 0:25:09 | |
Don't point it at their fucking eyes! It's fucking dangerous! | 0:25:09 | 0:25:16 | |
The thing is, he knows he's the one who's going to be fired. | 0:25:16 | 0:25:21 | |
But there you are, | 0:25:21 | 0:25:23 | |
you can see reasonably well that there is a laser light there. | 0:25:23 | 0:25:25 | |
The lighting men are going, "Aaargh!" | 0:25:25 | 0:25:28 | |
This is ordinary laser light, the kind you'd use to... | 0:25:30 | 0:25:33 | |
At conferences to point on maps and all the rest of it. | 0:25:33 | 0:25:35 | |
And I'm just going to press the laser here and... | 0:25:35 | 0:25:38 | |
-Oh! -Ohh! -And... | 0:25:38 | 0:25:40 | |
Oh! And... | 0:25:40 | 0:25:41 | |
Oh! And... | 0:25:41 | 0:25:43 | |
Green, wow, cool! Ooooh. | 0:25:44 | 0:25:46 | |
Nothing. It's not popping, though. | 0:25:46 | 0:25:48 | |
-Weird. -So, the black ones pop and the white one doesn't. Alan... | 0:25:48 | 0:25:51 | |
Racist. You should have a... | 0:25:51 | 0:25:54 | |
LAUGHTER | 0:25:56 | 0:25:57 | |
That doesn't even begin to make sense. It's just... | 0:25:57 | 0:26:02 | |
I want you... | 0:26:02 | 0:26:03 | |
Take your black marker, please, | 0:26:03 | 0:26:06 | |
and can you make a black target | 0:26:06 | 0:26:08 | |
roughly in the centre of the balloon, | 0:26:08 | 0:26:10 | |
and I'm going to let you press the button, as a reward, if you do it sensibly. | 0:26:10 | 0:26:13 | |
So, do a big... | 0:26:13 | 0:26:14 | |
The temptation to draw a cock and balls is overwhelming. | 0:26:14 | 0:26:17 | |
I know! A big black spot, so it'll work. Just there. | 0:26:17 | 0:26:21 | |
And fill it in as black as you can. | 0:26:21 | 0:26:24 | |
-Talk amongst yourselves. -That's right. -Colouring in. | 0:26:24 | 0:26:26 | |
If you'd worked for Blue Peter, you'd know how to do that while presenting to camera. | 0:26:26 | 0:26:30 | |
-Oh, yes, sorry. -Yeah! There, you see, exactly. | 0:26:30 | 0:26:34 | |
I haven't done a cock and balls and I know you're disappointed. | 0:26:34 | 0:26:37 | |
-They're not. -This is the back of Stephen Fry's head. | 0:26:37 | 0:26:40 | |
-Yeah, it is actually not unlike. OK. -Will that do it, do you think? | 0:26:40 | 0:26:44 | |
-I reckon that's black enough. -Is that black enough? | 0:26:44 | 0:26:46 | |
We know that black absorbs light and heat and white we know reflects it. | 0:26:46 | 0:26:50 | |
And we saw that the laser had enough energy to burst the black balloon. | 0:26:50 | 0:26:54 | |
So all you have to do, just leave it there, | 0:26:54 | 0:26:56 | |
it should be pointing in the right direction. | 0:26:56 | 0:26:59 | |
-Oh! -Hooray! | 0:26:59 | 0:27:01 | |
There we are, well done. | 0:27:03 | 0:27:05 | |
Very enjoyable. | 0:27:05 | 0:27:07 | |
Victory. | 0:27:07 | 0:27:08 | |
So what was Darth Vader thinking with that? | 0:27:08 | 0:27:12 | |
You see, the dark side will always lose. | 0:27:12 | 0:27:16 | |
-Yeah. -Absolutely right. Well, that brings us to the scores! | 0:27:16 | 0:27:19 | |
Amazingly and finally, and there is no minus score. | 0:27:19 | 0:27:23 | |
Ooh. AUDIENCE: Ooh! | 0:27:23 | 0:27:26 | |
-Wow! In first place... -ALAN CHUCKLES | 0:27:26 | 0:27:28 | |
-In first place... -Patronising bastards! | 0:27:28 | 0:27:30 | |
LAUGHTER | 0:27:30 | 0:27:34 | |
APPLAUSE | 0:27:34 | 0:27:36 | |
I've had points before! | 0:27:36 | 0:27:38 | |
In first place... In first place, aided by a first-class brain | 0:27:38 | 0:27:42 | |
and, of course, divine assistance, | 0:27:42 | 0:27:44 | |
with 23 points, is Richard Coles! | 0:27:44 | 0:27:47 | |
APPLAUSE AND CHEERING | 0:27:47 | 0:27:49 | |
-Yep. -I'd like to give my points to the poor. | 0:27:51 | 0:27:57 | |
Oh, what a holy man of God. Yeah, boos from the atheists. | 0:27:57 | 0:28:00 | |
We know he's only teasing. | 0:28:00 | 0:28:02 | |
In second place, with plus 13, is David Mitchell. | 0:28:02 | 0:28:05 | |
APPLAUSE AND CHEERING | 0:28:05 | 0:28:08 | |
In third place, with eight points, is Sarah. | 0:28:10 | 0:28:13 | |
Well done, Sarah Millican. | 0:28:13 | 0:28:15 | |
Thank you. Glad I'm not last. | 0:28:15 | 0:28:17 | |
And it's not minus! In last place, with zero, is Alan Davies. | 0:28:19 | 0:28:23 | |
CHEERING AND WHOOPING | 0:28:23 | 0:28:26 | |
-Well, there you are... -It's not a plus. | 0:28:31 | 0:28:33 | |
That's all from Sarah, David, Richard, Alan and me. | 0:28:33 | 0:28:38 | |
Thank you, good night and be excellent unto each other. Bye-bye. | 0:28:38 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 |