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Gooooooooooood evening, good evening, good evening, | 0:00:31 | 0:00:35 | |
good evening, good evening, good evening | 0:00:35 | 0:00:37 | |
and welcome to an episode of QI that's all about inventions | 0:00:37 | 0:00:41 | |
and discoveries, in fact anything that's "just the job". | 0:00:41 | 0:00:44 | |
They say that the greatest of all inventors is accident. | 0:00:44 | 0:00:48 | |
With that in mind, let's meet the tremendously timely, Jason Manford. | 0:00:48 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:55 | |
The consistently coincidental, Jeremy Clarkson. | 0:00:55 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:03 | |
The stupefyingly serendipitous Sandi Toksvig. | 0:01:03 | 0:01:07 | |
APPLAUSE | 0:01:07 | 0:01:11 | |
And an accident waiting to happen, Alan Davies. | 0:01:11 | 0:01:16 | |
APPLAUSE | 0:01:16 | 0:01:18 | |
So, let's hear your Alexander Graham Bells. | 0:01:21 | 0:01:25 | |
Jason goes... | 0:01:25 | 0:01:26 | |
OLD-FASHIONED PHONE RINGS | 0:01:26 | 0:01:28 | |
-It's all right. -Jeremy goes... | 0:01:28 | 0:01:29 | |
Is it going to be a car horn? | 0:01:29 | 0:01:31 | |
MODERN PHONE RINGS | 0:01:31 | 0:01:32 | |
-No. -Surprising. Sandi goes... | 0:01:32 | 0:01:34 | |
I want something trim. | 0:01:34 | 0:01:36 | |
ELECTRONIC PHONE RINGS | 0:01:36 | 0:01:38 | |
Good guess. And Alan goes... | 0:01:38 | 0:01:40 | |
MUSIC: "Ride Of The Valkyries" By Wagner | 0:01:40 | 0:01:44 | |
Oh. | 0:01:46 | 0:01:48 | |
Oh. | 0:01:48 | 0:01:49 | |
-I could listen to this for ever. -He loves this one. | 0:01:49 | 0:01:52 | |
It's a 14 and a half hour... | 0:01:52 | 0:01:56 | |
-Orgasm. -It's a Wagner ring tone. | 0:01:56 | 0:01:58 | |
Isn't that wonderful? I could listen to that for ever. | 0:02:00 | 0:02:02 | |
Anyway, so, let's begin with an interesting question. | 0:02:02 | 0:02:06 | |
What were chainsaws originally invented for? | 0:02:06 | 0:02:09 | |
Proctology. | 0:02:11 | 0:02:12 | |
-Wow! That's scary. -SANDI: Yeah, that's a... | 0:02:15 | 0:02:18 | |
-Slicing an arse in half. -Yeah. | 0:02:18 | 0:02:21 | |
-Well, do you know, you were in the right area. -SANDI: Really? | 0:02:21 | 0:02:24 | |
-I have to say. I mean... -Circumcision. | 0:02:24 | 0:02:27 | |
What I mean is, you began straight away with medicine. | 0:02:29 | 0:02:32 | |
You didn't say trees or, you know, cutting down, you know, buildings. | 0:02:32 | 0:02:35 | |
-Oh, cutting off legs. -So, like bones and... | 0:02:35 | 0:02:37 | |
Bones is the right answer. | 0:02:37 | 0:02:39 | |
Yes, in particular it was a rather unpleasant procedure. | 0:02:39 | 0:02:42 | |
Oh, don't, it'll be a boy thing against a girl thing. It will be. | 0:02:42 | 0:02:44 | |
-Well, not against, in order to... -Well no, no, but it... | 0:02:44 | 0:02:47 | |
It was doctors trying to help. | 0:02:47 | 0:02:49 | |
Oh, I know what it is. I know what it is. | 0:02:49 | 0:02:51 | |
It'll be a boy thinking a woman's taking far too long over labour | 0:02:51 | 0:02:54 | |
going, "Oh, I can't stand all that panting, I know, | 0:02:54 | 0:02:56 | |
"we'll get a chain saw and just cut that baby out." That's what it is. | 0:02:56 | 0:02:59 | |
Do you know, you're absolutely right. | 0:02:59 | 0:03:03 | |
APPLAUSE | 0:03:03 | 0:03:04 | |
Oh, my God! | 0:03:07 | 0:03:09 | |
It was in...it was in 1783. | 0:03:09 | 0:03:13 | |
That's no excuse. | 0:03:13 | 0:03:15 | |
It was two Scots doctors called John Aitken and James Jeffrey, | 0:03:15 | 0:03:19 | |
and it was called a symphysiotomy and it was a procedure | 0:03:19 | 0:03:22 | |
to widen the pelvis if the baby's head was too large to pass through. | 0:03:22 | 0:03:26 | |
Oh, can you hear the high tone of all those sighs in the audience? | 0:03:26 | 0:03:29 | |
-What I like about this picture... -It's a bit eye-watering. | 0:03:29 | 0:03:32 | |
It's a ladies' ward, so of course there is some baking going on | 0:03:32 | 0:03:35 | |
-on the left-hand side. -Yes. | 0:03:35 | 0:03:37 | |
Oh, that's right, there is. | 0:03:37 | 0:03:39 | |
A little cake display case of buns in the oven, Stephen, | 0:03:39 | 0:03:42 | |
-you see what I did there. -Buns in the oven! | 0:03:42 | 0:03:45 | |
-They didn't really, darling? -I'm afraid they did. | 0:03:45 | 0:03:48 | |
When I say chain saw, it was literally a chain, | 0:03:48 | 0:03:50 | |
-it was like a watch chain in fact. -Ah, right. -It was an up and down... | 0:03:50 | 0:03:53 | |
JASON: So it wasn't a full lumberjack giving it... | 0:03:53 | 0:03:55 | |
IMITATES CHAIN SAW NOISE ..it's a boy! | 0:03:55 | 0:03:58 | |
They hadn't yet invented the internal combustion engine. | 0:03:58 | 0:04:00 | |
And caesarean sections, they were... | 0:04:00 | 0:04:02 | |
-Caesarean sections have replaced the same idea, that the... -Phew. | 0:04:02 | 0:04:05 | |
Yes, quite, exactly. It's a bit of a relief. | 0:04:05 | 0:04:07 | |
It would have been easier to do the caesarean section, I think. | 0:04:07 | 0:04:10 | |
Sawing the pelvic bone in half is not as easy as maybe just | 0:04:10 | 0:04:12 | |
-a small incision in... -I know, you would have thought they have... | 0:04:12 | 0:04:15 | |
Pop it out of the sun roof. | 0:04:15 | 0:04:17 | |
But this was before antiseptic surgery | 0:04:17 | 0:04:19 | |
and of course it was before any kind of anaesthetic. | 0:04:19 | 0:04:22 | |
Was there not a meeting? You know what I mean? | 0:04:22 | 0:04:24 | |
There was not a meeting where someone goes, "I've got it." | 0:04:24 | 0:04:27 | |
And they go, "What?" And they go, "Chain saw, isn't it?" | 0:04:27 | 0:04:30 | |
Well, they looked at a watch chain and they said, you know, if you can, | 0:04:30 | 0:04:33 | |
we could sort of ease away the bone like that, rather than using a saw. | 0:04:33 | 0:04:38 | |
I know, everyone's wincing. | 0:04:38 | 0:04:40 | |
Have we got another question that isn't about that? | 0:04:40 | 0:04:42 | |
Would it heal? Presumably not very well. | 0:04:42 | 0:04:46 | |
Well, they then went on to use the same thing, for example, | 0:04:46 | 0:04:48 | |
if someone had a bit of diseased bone, they would do the same thing, | 0:04:48 | 0:04:52 | |
they would sort of take it and they'd go up and down like that, | 0:04:52 | 0:04:55 | |
and then they'd do it lower down and the two bits would fuse together, | 0:04:55 | 0:04:59 | |
and they'd have a stiff arm, but it would get rid of the diseased bone. | 0:04:59 | 0:05:02 | |
It was called an osteotome. | 0:05:02 | 0:05:04 | |
It eventually became like a chain saw, you can see one here. | 0:05:04 | 0:05:07 | |
-That is more like a chain saw. -My God! You don't want that... | 0:05:07 | 0:05:10 | |
-But pretty unpleasant. -You don't want that coming at you. | 0:05:10 | 0:05:12 | |
You really don't. You really, really don't. | 0:05:12 | 0:05:14 | |
I remember my wife had a baby, I remember it well... | 0:05:14 | 0:05:17 | |
-I was going to say. -Yeah... -Kind of thing you wouldn't forget. | 0:05:17 | 0:05:20 | |
It was a grand day, but when she had a baby, | 0:05:20 | 0:05:22 | |
and there's a point where you go in to see the fella | 0:05:22 | 0:05:25 | |
-who's going to sort it out on the day. -Obstetrician? | 0:05:25 | 0:05:27 | |
That's him, yeah, he's got an official title. | 0:05:27 | 0:05:30 | |
And you go and see him, and as the husband, he says, | 0:05:30 | 0:05:33 | |
"Right, you sit there on a chair." | 0:05:33 | 0:05:35 | |
And then he pulls the curtain across | 0:05:35 | 0:05:38 | |
while him and your wife are in this thing, | 0:05:38 | 0:05:40 | |
while he has a little dabble, or whatever he's doing. | 0:05:40 | 0:05:42 | |
-It's a bit intimate, isn't it? -You go, "I've seen it, mate." | 0:05:42 | 0:05:45 | |
Do you know what I mean? There's nothing...this is why we're here. | 0:05:45 | 0:05:48 | |
Well, you don't look when that happens though, do you, | 0:05:50 | 0:05:52 | |
at the moment of conception? Do you actually have a look? | 0:05:52 | 0:05:55 | |
You're looking into... | 0:05:55 | 0:05:57 | |
Surely... Surely... Sorry. | 0:05:57 | 0:06:01 | |
I think I was watching... | 0:06:01 | 0:06:02 | |
Stephen doesn't need to know, Jason, he doesn't need to know. | 0:06:02 | 0:06:05 | |
Well, I thought you were gazing lovingly into her eyes while... | 0:06:05 | 0:06:08 | |
Gazing lovingly...gazing lovingly at the Bourne Identity, | 0:06:08 | 0:06:11 | |
which is still on the television. | 0:06:11 | 0:06:12 | |
-As you reach for your drink. -Oh, I'm... | 0:06:15 | 0:06:18 | |
What do you think, darling, that he's got a periscope at the moment of...? | 0:06:18 | 0:06:22 | |
I'm sorry, I'm sorry, look... | 0:06:22 | 0:06:23 | |
I don't know why you and I are having this conversation. | 0:06:23 | 0:06:26 | |
It's true. | 0:06:28 | 0:06:29 | |
APPLAUSE | 0:06:29 | 0:06:31 | |
After the invention of the internal combustion engine, | 0:06:33 | 0:06:37 | |
where we're getting Jeremy to his home territory now, | 0:06:37 | 0:06:40 | |
eventually by 1920 they were small enough | 0:06:40 | 0:06:42 | |
-to be able to have a hand-powered... chain. -Cut down trees. | 0:06:42 | 0:06:45 | |
-And then they cut down trees. Exactly. -Yes. | 0:06:45 | 0:06:47 | |
Well, anyway, there you are. | 0:06:47 | 0:06:49 | |
Chainsaws were originally invented for midwives. | 0:06:49 | 0:06:51 | |
Staying in that general area, unfortunately, | 0:06:51 | 0:06:54 | |
explain how an electric jockstrap works. | 0:06:54 | 0:06:57 | |
Is there going to be a demonstration? | 0:06:59 | 0:07:01 | |
-Do you know, I kind of wish there were. -JASON: Is that what this is? | 0:07:01 | 0:07:04 | |
-No. -Argh, oh! That's what this is. | 0:07:04 | 0:07:09 | |
Is it a warming thing, or...? | 0:07:09 | 0:07:12 | |
An electric anything takes us into a period of time. | 0:07:12 | 0:07:14 | |
-Galvanism. It's Victorian, galvanism. -Galvan, exactly. | 0:07:14 | 0:07:17 | |
Everybody thought electricity would cure everything, | 0:07:17 | 0:07:20 | |
stimulate everything and achieve everything. | 0:07:20 | 0:07:22 | |
And so at the back of every newspaper there was an electrical | 0:07:22 | 0:07:25 | |
something, a galvanic bath, but these were electric jockstraps. | 0:07:25 | 0:07:29 | |
Well, presumably, because they had all sorts of things to stop boys | 0:07:29 | 0:07:32 | |
playing with themselves, it must have been... | 0:07:32 | 0:07:34 | |
that would stop you, wouldn't it? It would stop you, wouldn't it? | 0:07:34 | 0:07:36 | |
-If you had a shock in your pants. -No, I'm thinking it might be nice. | 0:07:36 | 0:07:39 | |
-Yes. -Oh, really? -You're spot-on. We men know that. | 0:07:39 | 0:07:42 | |
Because there are certain code words in Victorian English. | 0:07:44 | 0:07:47 | |
"Nervous and general debility, lost vigour, decline, | 0:07:47 | 0:07:51 | |
"and the whole train of gloomy attendants," | 0:07:51 | 0:07:53 | |
was standard code for impotence. | 0:07:53 | 0:07:56 | |
Enter the Heidelberg electric belt. | 0:07:56 | 0:07:59 | |
There it is. | 0:07:59 | 0:08:02 | |
-It's a bit high up, isn't it? -Yes. | 0:08:02 | 0:08:03 | |
Oh, I see, so actually there's the thing down there. | 0:08:03 | 0:08:06 | |
That's really kind of buzzing away in the important area. | 0:08:06 | 0:08:09 | |
And that is actually going to cause you to, well, I'm afraid | 0:08:09 | 0:08:13 | |
the phrase is probably embarrassing, they advise seminal economy. | 0:08:13 | 0:08:18 | |
-They're advising against... -Is that with easyJet? -Yeah. | 0:08:18 | 0:08:21 | |
They're advising against | 0:08:22 | 0:08:23 | |
"wantonly jettisoning too much nervous substance." | 0:08:23 | 0:08:28 | |
-Which basically... -Is that what they called it? | 0:08:28 | 0:08:31 | |
That's code for semen. In other words, it's essentially a sex toy. | 0:08:31 | 0:08:34 | |
-"Wantonly jettisoning." -It is... | 0:08:34 | 0:08:36 | |
Don't wantonly jettison your nervous substance. | 0:08:36 | 0:08:39 | |
I like the idea of nervous semen just coming out going... | 0:08:39 | 0:08:42 | |
"Woaaah." | 0:08:42 | 0:08:44 | |
SANDI: He's quite camp. | 0:08:44 | 0:08:46 | |
Perhaps he's having problems with his virility | 0:08:46 | 0:08:48 | |
-cos he's sleeping with the wrong sex. -Well, it might be that. | 0:08:48 | 0:08:51 | |
But there genuinely was an item, as you can see, hugely advertised, | 0:08:51 | 0:08:54 | |
there were lots of different... | 0:08:54 | 0:08:56 | |
So is it designed then to lift the dormant chap or to de-nervify | 0:08:56 | 0:09:00 | |
-the semen? -It's basically designed saying, | 0:09:00 | 0:09:03 | |
"Would you like to enjoy the experience of a little bit | 0:09:03 | 0:09:07 | |
"of a tingling down there that maybe has disappeared?" | 0:09:07 | 0:09:10 | |
But it probably was just like, | 0:09:10 | 0:09:11 | |
"That's a damn good thing to take to a hotel room." | 0:09:11 | 0:09:14 | |
-Why have they gone out of fashion? -I know. | 0:09:14 | 0:09:16 | |
Are these still for sale? | 0:09:16 | 0:09:17 | |
I feel like if Ann Summers did them, you could see, | 0:09:17 | 0:09:20 | |
not in the upstairs bit, the downstairs bit of Ann Summers... | 0:09:20 | 0:09:23 | |
Tell me about this, Jason, because I... | 0:09:23 | 0:09:25 | |
Upstairs is like, just like chocolate willies and that. | 0:09:25 | 0:09:27 | |
Downstairs...someone's going to get hurt, Stephen. | 0:09:27 | 0:09:30 | |
Really? I've never been in an Ann Summers. You'd think it would be | 0:09:33 | 0:09:36 | |
-the other way round, you'd have to go upstairs... -No, you come in | 0:09:36 | 0:09:39 | |
at ground floor level. I'm only going off our nearest twelve branches. | 0:09:39 | 0:09:42 | |
Yes, right. | 0:09:42 | 0:09:43 | |
But, yeah, that's the normal one. | 0:09:44 | 0:09:47 | |
And then you sort of pop downstairs, you know, anniversary, or whatever... | 0:09:47 | 0:09:50 | |
Good gracious. | 0:09:50 | 0:09:51 | |
But the other thing about that is you got ten days free trial. | 0:09:51 | 0:09:54 | |
-Wow! -I don't know if you can see, but it's actually printed there. | 0:09:54 | 0:09:57 | |
What if you send it back and it goes to somebody else? | 0:09:57 | 0:09:59 | |
That's what I'm worried about with the free trial. | 0:09:59 | 0:10:01 | |
I know, exactly. You're using a used one. | 0:10:01 | 0:10:04 | |
It is going to get much more acceptable and decent, | 0:10:04 | 0:10:07 | |
this programme, I promise you, as we move on. So anyway, | 0:10:07 | 0:10:10 | |
what was your great-grandmother doing down the back of the sofa? | 0:10:10 | 0:10:13 | |
Was she, was she a Borrower? | 0:10:14 | 0:10:16 | |
Was she a Borrower? No, she wasn't a Borrower. | 0:10:16 | 0:10:19 | |
I come from a particularly small family, | 0:10:19 | 0:10:20 | |
and we lost many, in various pieces of furniture. | 0:10:20 | 0:10:23 | |
I had an aunt went through a cane chair, we never saw her again. | 0:10:25 | 0:10:29 | |
JASON: Was she dead and been cremated and you spilt it? | 0:10:29 | 0:10:31 | |
What was happening around the time of one's great-grandmother, | 0:10:31 | 0:10:34 | |
-what sort of...? -They were using the elderly to stuff sofas. | 0:10:34 | 0:10:38 | |
About a hundred years ago families began to do a thing in order to | 0:10:40 | 0:10:44 | |
register their lives and formalise their existences, after weddings. | 0:10:44 | 0:10:48 | |
-Photographs. -Photographs, exactly. -So Victorian... | 0:10:48 | 0:10:50 | |
And particularly their babies, | 0:10:50 | 0:10:51 | |
they liked to have their babies photographed, | 0:10:51 | 0:10:54 | |
but exposure times were quite long and how do you keep a baby still? | 0:10:54 | 0:10:57 | |
-Oh, I've seen this! This is this weird thing. -Heroin. | 0:10:57 | 0:11:01 | |
There's loads of pictures of them. | 0:11:01 | 0:11:02 | |
-They've got like sheets over their head. -Yes. | 0:11:02 | 0:11:04 | |
-And they're sort of holding the child in place. -Exactly. | 0:11:04 | 0:11:07 | |
They're called "hidden mother photographs". | 0:11:07 | 0:11:09 | |
-They're terrifying, there's a website of them. -Yes. | 0:11:09 | 0:11:11 | |
-And they're terrifying, yeah. Look at that. -Look, there's one. -Oh, wow! | 0:11:11 | 0:11:14 | |
-That's horrible! -It's like a woman in a burqa. | 0:11:14 | 0:11:17 | |
Yes. It's horrible. Extraordinary. | 0:11:17 | 0:11:18 | |
There's the mother pretending to be a sofa or an item of furniture, | 0:11:18 | 0:11:22 | |
keeping her baby quiet and still enough | 0:11:22 | 0:11:24 | |
for the exposure time of the photograph. | 0:11:24 | 0:11:26 | |
We've got another one where the mother looks a bit like a carpet. | 0:11:26 | 0:11:29 | |
I mean it's really. There... | 0:11:29 | 0:11:30 | |
-That's not even a baby! -I know, it's a young girl. | 0:11:32 | 0:11:36 | |
-There is a whole class of these. -Yeah. | 0:11:36 | 0:11:39 | |
"Don't move, you bitch, don't move." | 0:11:39 | 0:11:41 | |
And you, Jason, definitely get the points there | 0:11:42 | 0:11:44 | |
-for having known about them. -It's terrifying. -They are rather peculiar. | 0:11:44 | 0:11:48 | |
It's brilliant though, there's hundreds | 0:11:48 | 0:11:50 | |
and they're all sinister, like, rather than just let the kid | 0:11:50 | 0:11:53 | |
-stand by itself, you've gone, "Go and stand with that ghost." -Yes. | 0:11:53 | 0:11:57 | |
-It's weird. -Well, the mother will be talking to the child, | 0:11:57 | 0:11:59 | |
saying, "It's all right, darling, sit still, I'm going to hold you." | 0:11:59 | 0:12:02 | |
The chair's talking! | 0:12:02 | 0:12:04 | |
"I am a sofa, ha-ha-ha!" | 0:12:04 | 0:12:08 | |
We have for you probably the first ever photograph of a human being, | 0:12:08 | 0:12:11 | |
which is rather exciting. | 0:12:11 | 0:12:13 | |
It's from the 1840s and it's by Louis Daguerre himself. | 0:12:13 | 0:12:16 | |
He took a photograph, in those days very long exposure, | 0:12:16 | 0:12:19 | |
and all the people who were there would have moved through as a blur, | 0:12:19 | 0:12:22 | |
you wouldn't have seen, but there is a boot boy | 0:12:22 | 0:12:24 | |
with a customer with his leg up as it were, and you can see that | 0:12:24 | 0:12:27 | |
and we can probably circle it for you and give it a little bit of a... | 0:12:27 | 0:12:30 | |
And that is the first human being, | 0:12:30 | 0:12:31 | |
or pair of human beings, ever photographed. | 0:12:31 | 0:12:34 | |
-It's rather wonderful, isn't it? -How long's he take doing them shoes then? | 0:12:34 | 0:12:37 | |
Yeah, I know. It's surprising. | 0:12:37 | 0:12:38 | |
-It was a ten-minute exposure, in fact. -Oh, OK. | 0:12:38 | 0:12:41 | |
That's not too bad then. | 0:12:41 | 0:12:42 | |
-It was in 1838, that's how long ago it was. -Wow. | 0:12:42 | 0:12:45 | |
And we have a photograph for you and you have to identify | 0:12:45 | 0:12:48 | |
who the person is in the photograph, which... Who's that? | 0:12:48 | 0:12:52 | |
Is that Bruce Forsyth? | 0:12:52 | 0:12:53 | |
-It's not Bruce Forsyth, no. -SANDI: In the early years. | 0:12:55 | 0:12:57 | |
It's quite surprising, | 0:12:57 | 0:12:58 | |
it's someone you would not imagine there would be a photograph of. | 0:12:58 | 0:13:01 | |
-OK. Can you give us a country? -He's British. | 0:13:01 | 0:13:03 | |
He was Prime Minister of the United Kingdom. | 0:13:03 | 0:13:06 | |
Oh, Prime Minister of Britain. | 0:13:06 | 0:13:07 | |
But he was from an Irish family. Actually the Duke of Wellington. | 0:13:07 | 0:13:10 | |
-Wow! -Duke of Wellington. -Yeah. The victor of Waterloo. | 0:13:10 | 0:13:13 | |
As an old man. He looks surprisingly benign, considering his reputation. | 0:13:13 | 0:13:18 | |
-But isn't it amazing there is a photograph of him? -I had no idea. | 0:13:18 | 0:13:20 | |
-Yeah. It's rather fabulous. -That's a great picture. | 0:13:20 | 0:13:23 | |
-It is actually a lovely picture, isn't it? -It is, yeah. | 0:13:23 | 0:13:25 | |
Anyway, let's move onto something very, very different. | 0:13:25 | 0:13:28 | |
Name something interesting you can do with a Slinky. | 0:13:28 | 0:13:32 | |
-Well, it's a... -Well, you can't untangle it. | 0:13:32 | 0:13:35 | |
That's certainly... Oh, God, I got through so many as a child. | 0:13:35 | 0:13:37 | |
-They're the most, it is the most... -Wasn't it? Oh. | 0:13:37 | 0:13:39 | |
You go to the top of the stairs, and go, "Look at this, it's, oh, no!" | 0:13:39 | 0:13:43 | |
-And then that would be it and your toy. -We've given you some stairs, | 0:13:43 | 0:13:46 | |
you can take your stairs and your Slinky out and demonstrate. | 0:13:46 | 0:13:48 | |
-Oh, wow. -There may be young people in the audience | 0:13:48 | 0:13:50 | |
-who've never had the excitement. -You're going to love this. | 0:13:50 | 0:13:53 | |
-You can attach it to your... -This is, I'm going back, look at that! | 0:13:53 | 0:13:56 | |
Yeah! | 0:13:56 | 0:13:58 | |
-Isn't that fun? -They're the best things. | 0:13:58 | 0:14:00 | |
Oh, dear, you may have pointed it in the wrong direction. | 0:14:01 | 0:14:05 | |
-I'm literally the happiest man in the world. -Brilliant. | 0:14:05 | 0:14:08 | |
Hey! That was a beauty. | 0:14:08 | 0:14:10 | |
But he invented this out of, he was a suspension designer, wasn't he? | 0:14:10 | 0:14:13 | |
He was a naval officer, his name is Richard James. | 0:14:13 | 0:14:15 | |
And it was in 194... | 0:14:15 | 0:14:17 | |
It's called the Alan Effect. | 0:14:24 | 0:14:27 | |
No! You don't do it like that. | 0:14:27 | 0:14:32 | |
You lift the top. | 0:14:32 | 0:14:35 | |
Somebody go and get him a Raleigh trike. | 0:14:35 | 0:14:38 | |
How can you not work a Slinky?! | 0:14:38 | 0:14:41 | |
How can you not do that? | 0:14:41 | 0:14:42 | |
Yeah! | 0:14:42 | 0:14:44 | |
APPLAUSE | 0:14:44 | 0:14:46 | |
Can you imagine giving this to a child now and going, | 0:14:50 | 0:14:52 | |
"That's it, that's your gift. Have a toy, happy Christmas." | 0:14:52 | 0:14:56 | |
JASON: Whatever you do, don't attach it to your electric jockstrap. | 0:14:56 | 0:14:58 | |
-No, absolutely. -Didn't he invent it by accident? -Yes. | 0:14:58 | 0:15:02 | |
He was making coiled springs and he invented... | 0:15:02 | 0:15:04 | |
He was an American naval officer and he literally knocked over | 0:15:04 | 0:15:06 | |
a spring, and it went for a walk, and he thought, | 0:15:06 | 0:15:09 | |
"Oh, that's interesting." And so he developed and he experimented | 0:15:09 | 0:15:12 | |
-and he came up with the Slinky. And more than... -Look, to be fair, | 0:15:12 | 0:15:15 | |
-it was his wife who thought it would make a good toy. -Yes, it's true. | 0:15:15 | 0:15:18 | |
Let us remember that sometimes women get overlooked in these things. | 0:15:18 | 0:15:21 | |
More than 300 million were sold, which is an incredible number. | 0:15:21 | 0:15:25 | |
All to me, because I kept breaking them. | 0:15:25 | 0:15:27 | |
Yeah, I know, because they tangle up. Now if you'll put them away... | 0:15:27 | 0:15:31 | |
Do you mind if I keep the stairs? | 0:15:31 | 0:15:33 | |
Because there's a few shelves in the kitchen that I still can't reach. | 0:15:33 | 0:15:36 | |
You're very welcome. | 0:15:36 | 0:15:37 | |
But what we do have is a very extraordinary effect that happens | 0:15:40 | 0:15:43 | |
if you drop a Slinky, which is that when you let go of it, | 0:15:43 | 0:15:47 | |
the bottom does not move. | 0:15:47 | 0:15:49 | |
Watch the film and you'll see what I mean. | 0:15:49 | 0:15:52 | |
It's actually really astonishing. | 0:15:52 | 0:15:54 | |
It's a very peculiar effect. | 0:15:54 | 0:15:56 | |
Watch the bottom of the Slinky, as it actually happens, | 0:15:56 | 0:15:59 | |
in very high speed camera. | 0:15:59 | 0:16:01 | |
-The bottom is completely still. Isn't that amazing? -Oh, wow. | 0:16:02 | 0:16:05 | |
-Wow! -That is a really bizarre effect. | 0:16:05 | 0:16:07 | |
And they can't really explain quite why that happens. | 0:16:07 | 0:16:10 | |
Oh, I bet James May could. | 0:16:10 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
APPLAUSE | 0:16:14 | 0:16:16 | |
"No, no, you see, the thing is..." Oh, God! | 0:16:18 | 0:16:22 | |
Is there a use for this discovery? | 0:16:22 | 0:16:23 | |
Maybe Jason's idea of crossing it with | 0:16:23 | 0:16:26 | |
the Heidelberg electric jockstrap | 0:16:26 | 0:16:28 | |
may result in a really quite remarkable experience. | 0:16:28 | 0:16:31 | |
-You'll see me on the next series of Dragons' Den. -Yeah. | 0:16:31 | 0:16:34 | |
"I have jettisoned wantonly, but it hasn't hit the floor." | 0:16:34 | 0:16:37 | |
It is a great phrase, wantonly to jettison, isn't it? | 0:16:40 | 0:16:43 | |
It really is marvellous. Anyway. | 0:16:43 | 0:16:45 | |
Now, we've got more toys to play with, so put the Slinky away. | 0:16:45 | 0:16:48 | |
I'm going to ask you, basically this simple question, | 0:16:48 | 0:16:50 | |
-why are jerries better than flimsies? -Jerry? | 0:16:50 | 0:16:54 | |
-When we say a jerry, there are jerries, jerry...? -Jerry cans. | 0:16:54 | 0:16:57 | |
Jerry cans. Jerry cans. | 0:16:57 | 0:16:59 | |
-And what were jerry cans? -Well, it's for petrol. | 0:16:59 | 0:17:02 | |
-It's a thing that was used in the war, wasn't it? -By whom? | 0:17:02 | 0:17:04 | |
Well, presumably by the Germans. | 0:17:04 | 0:17:06 | |
That's... We eventually used them, but firstly by the Germans. | 0:17:06 | 0:17:09 | |
And we had something else called the flimsy. | 0:17:09 | 0:17:12 | |
And unfortunately, the flimsy was absolutely cack. | 0:17:12 | 0:17:16 | |
But didn't the name give it away? | 0:17:16 | 0:17:18 | |
We only won the war by nicking all their ideas. | 0:17:18 | 0:17:20 | |
Yeah. On the left is a jerry can. | 0:17:20 | 0:17:23 | |
And there on the right is a flimsy. | 0:17:23 | 0:17:25 | |
And General Auchinleck, who was the predecessor of Montgomery | 0:17:25 | 0:17:28 | |
in the Eighth Army, actually said this about the flimsy. He said, | 0:17:28 | 0:17:32 | |
"The flimsy is an ill-constructed container for carrying fuel," | 0:17:32 | 0:17:35 | |
he said, "leaked 30% of its fuel between base | 0:17:35 | 0:17:38 | |
"and consumer, with huge consequences in lost lives, | 0:17:38 | 0:17:41 | |
"battles and shipping." | 0:17:41 | 0:17:42 | |
So British soldiers basically spent their life | 0:17:42 | 0:17:44 | |
trying to steal the jerry can. | 0:17:44 | 0:17:46 | |
To the extent the Germans started booby-trapping them, | 0:17:46 | 0:17:49 | |
cos they knew that the British wanted to steal them, | 0:17:49 | 0:17:51 | |
cos they were the most desirable object, the jerry can. | 0:17:51 | 0:17:53 | |
I have two of them for you. | 0:17:53 | 0:17:54 | |
They are absolutely astonishing, incredible inventions. | 0:17:54 | 0:17:58 | |
Basically they're a single weld, like this. | 0:17:58 | 0:18:01 | |
They have this fabulous cap, they have an inner lining, | 0:18:01 | 0:18:03 | |
which means they can carry water or petrol. | 0:18:03 | 0:18:06 | |
This thing opens and what's called a donkey dick comes out. | 0:18:06 | 0:18:09 | |
-It was nicknamed the donkey dick. But rather cleverly... -So similar. | 0:18:09 | 0:18:12 | |
It's been a hell of a show for me, I tell you. | 0:18:12 | 0:18:16 | |
But even, I mean they have this little indentation here. | 0:18:16 | 0:18:18 | |
-What do you think that does? -Strength. -It strengthens it, | 0:18:18 | 0:18:21 | |
-but also in heat, it... -It allows it to expand. -It allows it to expand. | 0:18:21 | 0:18:24 | |
And the handles are absolute genius, because if you have two empty ones, | 0:18:24 | 0:18:29 | |
you can hold them together using the handles. | 0:18:29 | 0:18:33 | |
-One here... I'm going to stand up like so... -Standing. | 0:18:33 | 0:18:36 | |
So you simply hold them like that, using that, but also, | 0:18:36 | 0:18:38 | |
when you're holding it, you hand it to someone else, there's a handle. | 0:18:38 | 0:18:41 | |
-You simply take it, like that. -Oh, I see. -And they are... | 0:18:41 | 0:18:44 | |
Getting the donkey's dick out now, sir. | 0:18:44 | 0:18:47 | |
You won't be able to, it's really, really stiff. | 0:18:47 | 0:18:51 | |
APPLAUSE | 0:18:51 | 0:18:52 | |
God! | 0:18:52 | 0:18:54 | |
It's amazing! It's a real talent. | 0:18:54 | 0:18:57 | |
-I'm so sorry. How do I do it? -I don't know how you do it. | 0:18:57 | 0:18:59 | |
-It's amazing. -I love it. | 0:18:59 | 0:19:01 | |
But that is genuinely one of the most brilliant designs ever made. | 0:19:01 | 0:19:04 | |
-It's never been improved. -But they still lost. -They still did lose. | 0:19:04 | 0:19:07 | |
One of the reasons they lost is that by the end of the war, | 0:19:07 | 0:19:09 | |
we produced 21 million of the jerry cans, and I will quote | 0:19:09 | 0:19:13 | |
President Roosevelt, who said, "Without these cans, it would | 0:19:13 | 0:19:16 | |
"have been impossible for our armies to cut their way across France | 0:19:16 | 0:19:21 | |
"at a lightning pace which exceeded even the German blitzkrieg of 1940." | 0:19:21 | 0:19:25 | |
So basically we won the war by stealing the Germans' jerry can, | 0:19:25 | 0:19:29 | |
because the movement of vehicles | 0:19:29 | 0:19:32 | |
and therefore of petrol, is absolutely essential in war. | 0:19:32 | 0:19:34 | |
-So is that where the word, so the word flimsy has come from that? -No. | 0:19:34 | 0:19:37 | |
-No. Flimsy existed as a word. -OK. | 0:19:37 | 0:19:38 | |
They were called flimsies because they were just so shite. | 0:19:38 | 0:19:41 | |
Oh, I see, right. | 0:19:41 | 0:19:42 | |
They were just square metal boxes that rotted and leaked | 0:19:42 | 0:19:45 | |
-and were useless. -OK. | 0:19:45 | 0:19:46 | |
And these designs were, I mean almost every aspect of them... | 0:19:46 | 0:19:49 | |
and not only that, they floated, which the British ones didn't do. | 0:19:49 | 0:19:53 | |
So the Germans could drop them at sea or in rivers, | 0:19:53 | 0:19:55 | |
I mean, they were kind of the iPod of the day, | 0:19:55 | 0:19:57 | |
they were just the most perfect design imaginable. | 0:19:57 | 0:20:00 | |
On the other hand, what's the least promising invention in history? | 0:20:00 | 0:20:03 | |
Something that people thought wasn't going to be a success? | 0:20:03 | 0:20:06 | |
Yeah, least welcomed and then turned out to be most successful. | 0:20:06 | 0:20:09 | |
It wasn't the energy-saving light bulb? | 0:20:09 | 0:20:11 | |
Because that's one, that's an invention that for me... | 0:20:11 | 0:20:13 | |
-Yeah, but that's been forced upon us, hasn't it? -Yes. | 0:20:13 | 0:20:15 | |
And it's the worst invention. | 0:20:15 | 0:20:17 | |
-"I need this room to be light in about an hour." -Yeah. | 0:20:17 | 0:20:20 | |
I leave them on 24 hours a day so that I can read a book | 0:20:20 | 0:20:23 | |
when I go to bed at night. | 0:20:23 | 0:20:24 | |
This was invented by a man called Sylvan Goldberg, | 0:20:24 | 0:20:27 | |
but you wouldn't think of it as an invention | 0:20:27 | 0:20:29 | |
and yet I suppose it is, and it's the shopping trolley. | 0:20:29 | 0:20:31 | |
And men thought it was effeminate to walk around a shop | 0:20:31 | 0:20:34 | |
pushing a trolley, and women thought it was an insult | 0:20:34 | 0:20:36 | |
to their ability to carry a basket. | 0:20:36 | 0:20:38 | |
"Perfectly capable of carrying baskets, I don't need you to do it." | 0:20:38 | 0:20:41 | |
So he invented it in 1938, and for two years | 0:20:41 | 0:20:43 | |
he paid people basically just to wander round supermarkets. | 0:20:43 | 0:20:47 | |
Or the early shops wheeling them, so people got used to the sight of it. | 0:20:47 | 0:20:50 | |
-And then he died in 1984. -Did he pay them to wear those clothes? | 0:20:50 | 0:20:53 | |
Someone must have paid her to wear that outfit, I would have thought. | 0:20:53 | 0:20:56 | |
Sylvan Goldberg died in 1984 worth 400 million. | 0:20:56 | 0:21:00 | |
-That's a lot of pound coins. -So, he kept the... Yes. | 0:21:00 | 0:21:02 | |
-Very good. -It's a lot of clogged canals, is what it is. | 0:21:04 | 0:21:06 | |
It's a lot of clogged canals as well, yes. So it did work. | 0:21:06 | 0:21:09 | |
Another example was bubble gum, | 0:21:09 | 0:21:11 | |
which was invented by a man called Frank Fleer in 1906. | 0:21:11 | 0:21:14 | |
He called it "Blibber-Blubber." | 0:21:14 | 0:21:16 | |
But unfortunately, his particular recipe meant that once | 0:21:16 | 0:21:19 | |
the bubble had burst, you had to use turpentine to get it off. | 0:21:19 | 0:21:23 | |
-Which is in itself toxic anyway. -JASON: That's brilliant. | 0:21:23 | 0:21:26 | |
So if you've ever got any form of gum, particularly nicotine gum... | 0:21:26 | 0:21:30 | |
-In your hair? -No, on the screen of an iPhone. -Oh, no. Is that...? | 0:21:30 | 0:21:33 | |
That's what I want an invention for, I've just decided. | 0:21:33 | 0:21:36 | |
If you get the gum on the front of an iPhone, | 0:21:36 | 0:21:38 | |
there is no way of removing it. Hammer, chisel. | 0:21:38 | 0:21:40 | |
There must be an app. | 0:21:40 | 0:21:42 | |
APPLAUSE | 0:21:44 | 0:21:47 | |
-The nicotine gum removal app. -Very good. Very good. | 0:21:47 | 0:21:51 | |
And I think Sandi will approve of this as well, | 0:21:51 | 0:21:54 | |
we ought to hear it for Mary Anderson. 1903. | 0:21:54 | 0:21:56 | |
-Ah, Mary Anderson. -Do you know about Mary Anderson? -I do. | 0:21:56 | 0:21:58 | |
-Tell me about her. -She invented the windscreen wiper. | 0:21:58 | 0:22:01 | |
You're absolutely, you are a fountain of... | 0:22:01 | 0:22:03 | |
Well, what I love about that is that it had to be a woman who | 0:22:03 | 0:22:05 | |
invented the windscreen wiper, because up until then | 0:22:05 | 0:22:07 | |
men had been going, "Don't be silly, dear, I can see perfectly well." | 0:22:07 | 0:22:11 | |
So, of course it was a woman who invented it. | 0:22:11 | 0:22:13 | |
Unfortunately, yes, she noticed tram drivers, | 0:22:13 | 0:22:15 | |
street car drivers, having to stop and move snow away | 0:22:15 | 0:22:18 | |
and she invented it in 1903, | 0:22:18 | 0:22:20 | |
and really there just weren't enough cars. | 0:22:20 | 0:22:22 | |
And by the time it was useful, her patent had elapsed, | 0:22:22 | 0:22:26 | |
-so she made not a cent from it. -Oh. | 0:22:26 | 0:22:28 | |
It's the same as Dorothy Levitt, who invented the rear view mirror. | 0:22:28 | 0:22:31 | |
So women enabled you to see where you were going and where you'd been. | 0:22:31 | 0:22:34 | |
Oh, they did it to do their lipstick, come on. | 0:22:34 | 0:22:38 | |
Dorothy Levitt recommended that you take your compact mirror | 0:22:38 | 0:22:41 | |
and place it on the dash so that you could see behind you | 0:22:41 | 0:22:43 | |
and she was the person who invented the rear view mirror. | 0:22:43 | 0:22:46 | |
But again, she didn't make any money out of it, | 0:22:46 | 0:22:48 | |
because there was no patent available for it. | 0:22:48 | 0:22:50 | |
-I'm very impressed you knew about Mary Anderson. -Thank you very much. | 0:22:50 | 0:22:53 | |
And we should indeed pay due courtesy to her. | 0:22:53 | 0:22:55 | |
Anyway, what about the dry-ear ear dryer? | 0:22:55 | 0:22:58 | |
It's a machine to dry your ears. OK. | 0:22:58 | 0:23:01 | |
"Drying your ears has never been simpler or more effective, | 0:23:01 | 0:23:05 | |
"the device blows hot air into your ear." | 0:23:05 | 0:23:08 | |
Although the instructions advise you to dry your ears first with a towel. | 0:23:08 | 0:23:13 | |
-Is this contemporary, this is modern? -Yes, it's a real invention. | 0:23:15 | 0:23:18 | |
-All you need is a tube, don't you? -But it's modern? -Modern, yeah. | 0:23:18 | 0:23:20 | |
-You just need a tube. -Yeah. Or a hairdryer would do the job. | 0:23:20 | 0:23:23 | |
You don't even need that, Stephen, you just need a tube. | 0:23:23 | 0:23:25 | |
-But most people have hairdryers. -Yeah, but a tube, just a tube! | 0:23:25 | 0:23:28 | |
A tube would do it. I know, you're right. | 0:23:28 | 0:23:30 | |
Anyway, here's a marvellous question, | 0:23:30 | 0:23:32 | |
what was wrong with the first sound recording device? | 0:23:32 | 0:23:36 | |
-Didn't work? -Didn't have any speakers? | 0:23:36 | 0:23:38 | |
Well, it was that it recorded sound perfectly well... | 0:23:38 | 0:23:41 | |
-But you couldn't play it back. -Yes. -Play it back. | 0:23:41 | 0:23:43 | |
You couldn't play it back. A man called Martinville, | 0:23:43 | 0:23:45 | |
he was a Frenchman, | 0:23:45 | 0:23:46 | |
he used burnt soot and it registered sound waves on it. | 0:23:46 | 0:23:49 | |
But they sort of scratched it out, didn't they? | 0:23:49 | 0:23:51 | |
But recently it was reverse engineered and engineers | 0:23:51 | 0:23:54 | |
managed to get the sound back of him singing Au Clair de la Lune. | 0:23:54 | 0:23:58 | |
Is that the thing they played on Radio 4 and Charlotte Green | 0:23:58 | 0:24:01 | |
-cried with laughter, was it? -Would you like to hear that moment? | 0:24:01 | 0:24:04 | |
It was one of my favourite moments of all time. | 0:24:04 | 0:24:06 | |
Unfortunately, she had to announce the death of Abby Mann | 0:24:06 | 0:24:08 | |
and she couldn't help corpsing, bless her. | 0:24:08 | 0:24:10 | |
So listen to this, because you'll hear the oldest-ever sound recording | 0:24:10 | 0:24:13 | |
plus the unfortunate event that followed. | 0:24:13 | 0:24:16 | |
Charlotte Green: 'American historians have discovered what they think | 0:24:16 | 0:24:19 | |
'is the earliest recording of the human voice, made on a device | 0:24:19 | 0:24:22 | |
'which scratched sound waves onto paper blackened by smoke. | 0:24:22 | 0:24:26 | |
'It was made in 1860, 17 years before Thomas Edison first demonstrated | 0:24:26 | 0:24:31 | |
'the gramophone, and featured an excerpt from a French song, | 0:24:31 | 0:24:35 | |
'Au Clair de la Lune.' | 0:24:35 | 0:24:37 | |
DISTORTED WARBLING | 0:24:37 | 0:24:40 | |
WARBLING CONTINUES | 0:24:42 | 0:24:47 | |
SUPPRESSING LAUGHTER: 'The...the award-winning screenwriter, | 0:24:47 | 0:24:50 | |
-'Abby Mann, has died at the age of 80.' -Oh, no. | 0:24:50 | 0:24:53 | |
'He won an Academy award in 1961 for Judgment at Nuremberg. | 0:24:53 | 0:24:57 | |
'Excuse me, sorry. | 0:24:57 | 0:25:00 | |
'Abby Mann also won several Emmys, including...' | 0:25:00 | 0:25:03 | |
SUPPRESSING LAUGHTER: 'Including one in 1973 for... | 0:25:03 | 0:25:08 | |
'For a film which featured a...' | 0:25:08 | 0:25:10 | |
SUPPRESSING LAUGHTER: 'A police detective called...' | 0:25:13 | 0:25:15 | |
SHE LAUGHS UNCONTROLLABLY | 0:25:15 | 0:25:17 | |
'The character, on whom a long-running TV series | 0:25:17 | 0:25:20 | |
'was eventually based.' | 0:25:20 | 0:25:22 | |
Charlotte Green's great contribution. | 0:25:23 | 0:25:25 | |
There's somebody in the corner of the room going... | 0:25:25 | 0:25:28 | |
HE WARBLES | 0:25:28 | 0:25:29 | |
"We haven't got it, we're going to have to go with the item anyway. | 0:25:29 | 0:25:33 | |
"I'll do it, I'll do it, I'll do it, I know what it sounds like." | 0:25:33 | 0:25:35 | |
HE WARBLES | 0:25:35 | 0:25:38 | |
"They'll never know, they'll never know. Don't laugh." | 0:25:38 | 0:25:41 | |
HE WARBLES | 0:25:41 | 0:25:43 | |
-So this one you could record into it, but then nobody could hear it? -Yes. | 0:25:44 | 0:25:48 | |
Could you not just get that for Jedward, like for their next album? | 0:25:48 | 0:25:51 | |
-They have a lovely day out, that's fine. -Everything would be perfect. | 0:25:53 | 0:25:56 | |
-Nobody has to suffer. -You're right. You're absolutely right. | 0:25:56 | 0:25:59 | |
OK, so now we're going to go for a jolly jape, | 0:25:59 | 0:26:01 | |
and I have an extraordinary pendulum swing that my friends here | 0:26:01 | 0:26:05 | |
are going to bring on and I'm going to show you a remarkable action. | 0:26:05 | 0:26:08 | |
It's handmade by our chief science elf, Will Bowen, | 0:26:10 | 0:26:13 | |
who's a bit of a genius, and it's an effect that was first noted | 0:26:13 | 0:26:16 | |
by Galileo, that's how old it is. But you don't see many of these | 0:26:16 | 0:26:19 | |
and I think it would make a great executive toy. | 0:26:19 | 0:26:21 | |
So I'm going to lay this down here, | 0:26:21 | 0:26:23 | |
and push it and let go. | 0:26:23 | 0:26:25 | |
And it will start to go in this rather beautiful... | 0:26:25 | 0:26:27 | |
-Look at that, isn't that lovely? -Oh, wow. | 0:26:27 | 0:26:29 | |
But, it's better than that, because then it starts to get a bit, | 0:26:29 | 0:26:32 | |
get a bit ordinary. | 0:26:32 | 0:26:34 | |
And then it starts to move into a different sort of rhythm | 0:26:34 | 0:26:38 | |
and then they start to get in step, like that. | 0:26:38 | 0:26:42 | |
Ooh, look at that, they're starting to move together again. | 0:26:42 | 0:26:45 | |
But then something really amazing happens as well, | 0:26:45 | 0:26:49 | |
which is they go back into their wave formation, | 0:26:49 | 0:26:51 | |
which is about to happen. | 0:26:51 | 0:26:52 | |
It's a whole long process, but it's utterly predictable | 0:26:52 | 0:26:56 | |
and it follows very specific laws of physics. | 0:26:56 | 0:26:59 | |
And here it goes back into its waves again. | 0:26:59 | 0:27:04 | |
Look at that. | 0:27:04 | 0:27:06 | |
I think that's pretty amazing, isn't it? | 0:27:06 | 0:27:09 | |
APPLAUSE | 0:27:09 | 0:27:11 | |
And it will carry on doing that, and as you can see, | 0:27:14 | 0:27:16 | |
it will carry on going through those cycles behind us, | 0:27:16 | 0:27:18 | |
and it's a principle, as I say, that Galileo worked out. | 0:27:18 | 0:27:21 | |
The central bob makes 60 swings in a minute. | 0:27:21 | 0:27:24 | |
The one to its left does 59 in 60 seconds, and so on. | 0:27:24 | 0:27:27 | |
And it means after one minute they're back to where they started. | 0:27:27 | 0:27:30 | |
It doesn't matter how far you push a pendulum, | 0:27:30 | 0:27:32 | |
it still takes the same amount of time | 0:27:32 | 0:27:34 | |
to swing from one side to the other. | 0:27:34 | 0:27:36 | |
And it's using that that makes it go in and out of sync | 0:27:36 | 0:27:38 | |
in these different ways. There it is. It's the Galileo Pendulum | 0:27:38 | 0:27:41 | |
and wouldn't it make a great executive toy? | 0:27:41 | 0:27:44 | |
Well, that's all the inventions we've got time for this week, | 0:27:44 | 0:27:46 | |
except of course for the scores. | 0:27:46 | 0:27:48 | |
And believe me, these are not invented, | 0:27:48 | 0:27:50 | |
much as though people may believe it, the scores are rigorously | 0:27:50 | 0:27:53 | |
and scientifically worked out. | 0:27:53 | 0:27:54 | |
And in first place, with an extraordinary plus 13 | 0:27:54 | 0:27:57 | |
is Sandi Toksvig. | 0:27:57 | 0:27:59 | |
Wow! | 0:27:59 | 0:28:01 | |
APPLAUSE | 0:28:01 | 0:28:02 | |
And only ten points behind in second place with plus three, | 0:28:04 | 0:28:08 | |
-Jeremy Clarkson. -A plus! | 0:28:08 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:12 | |
Why am I clapping? | 0:28:12 | 0:28:13 | |
And very impressive from Jason Manford, with plus two! Wow! | 0:28:15 | 0:28:20 | |
I don't know how I got that. | 0:28:20 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:22 | |
And I'm afraid the smallest swing of the pendulum, minus eight, | 0:28:25 | 0:28:29 | |
Alan Davies. | 0:28:29 | 0:28:31 | |
APPLAUSE | 0:28:31 | 0:28:33 | |
And that's all from Jason, Jeremy, Sandi, Alan and me. | 0:28:39 | 0:28:44 | |
Thank you, be extremely kind to each other for ever and good night. | 0:28:44 | 0:28:48 | |
Subtitles By Red Bee Media Ltd | 0:28:52 | 0:28:55 |