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CHEERING AND APPLAUSE | 0:00:28 | 0:00:31 | |
Good evening, good evening, good evening, good evening, | 0:00:31 | 0:00:33 | |
good evening, good evening and welcome to QI, | 0:00:33 | 0:00:36 | |
where tonight we'll be sorting out the Knights from the Knaves. | 0:00:36 | 0:00:40 | |
Strapping on the breastplate of interestingness, | 0:00:40 | 0:00:43 | |
we have a goodly knight, Sue Perkins. | 0:00:43 | 0:00:45 | |
CHEERING AND APPLAUSE | 0:00:45 | 0:00:47 | |
A knight to remember, Victoria Coren. | 0:00:50 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:56 | |
A very perfect gentil knight, the Reverend Richard Coles. | 0:00:57 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:03 | |
And the long dark knight of the soul, Alan Davies. | 0:01:05 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:09 | 0:01:12 | |
And their knightly noises all come from naves. | 0:01:15 | 0:01:18 | |
Sue goes... | 0:01:18 | 0:01:20 | |
PLAINSONG PLAYS | 0:01:20 | 0:01:23 | |
Lovely. And Victoria goes... | 0:01:24 | 0:01:26 | |
PLAINSONG PLAYS | 0:01:26 | 0:01:28 | |
Richard goes... | 0:01:30 | 0:01:32 | |
PLAINSONG PLAYS | 0:01:32 | 0:01:35 | |
And Alan goes... | 0:01:37 | 0:01:39 | |
BUZZER: # Fruity, fruity, fruity! | 0:01:39 | 0:01:42 | |
# Fruity, fruity, fruity! # | 0:01:42 | 0:01:44 | |
Yes. | 0:01:44 | 0:01:46 | |
# Fruity, fruity, fruity! # | 0:01:46 | 0:01:47 | |
Yes! | 0:01:47 | 0:01:48 | |
# Fruity, fruity, fruity! # | 0:01:48 | 0:01:53 | |
Let... You have been warned. | 0:01:53 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:57 | |
Let's head straight to the lists. | 0:01:57 | 0:01:59 | |
Why was the Black Prince so called? | 0:01:59 | 0:02:02 | |
PLAINSONG PLAYS | 0:02:02 | 0:02:03 | |
Rev Richard? | 0:02:03 | 0:02:04 | |
Well, if my Ladybird Book Of Princes is to be trusted, | 0:02:04 | 0:02:07 | |
it's because he had black armour. | 0:02:07 | 0:02:09 | |
KLAXON | 0:02:09 | 0:02:11 | |
Ey! It's the one occasion where the inestimable Ladybird series | 0:02:11 | 0:02:14 | |
has let you down. There is no evidence. | 0:02:14 | 0:02:16 | |
Is it like Reservoir Dogs, where they weren't allowed to use their first names | 0:02:16 | 0:02:19 | |
and they got a sign up saying "You're the Black Knight, you're the White Knight, | 0:02:19 | 0:02:23 | |
"you're the Pink Knight." "Why do I have to be the Pink Knight?" "Just be the Pink Knight." | 0:02:23 | 0:02:27 | |
It might as well be true. | 0:02:27 | 0:02:28 | |
BUZZER: # Fruity! # | 0:02:28 | 0:02:29 | |
-Yes? -Was he black? | 0:02:29 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:33 | |
Well, oddly enough, | 0:02:33 | 0:02:36 | |
his mother was perhaps of Moorish descent. | 0:02:36 | 0:02:40 | |
-Ah. -Philippa of Hainault. | 0:02:40 | 0:02:43 | |
Which is a tube line, isn't it? | 0:02:43 | 0:02:45 | |
-Hainault is very near where I grew up. -Oh, there you are. | 0:02:45 | 0:02:47 | |
-Like anal. -Anal. Do you like anal? | 0:02:47 | 0:02:49 | |
Anal...steady! | 0:02:49 | 0:02:51 | |
LAUGHTER | 0:02:51 | 0:02:52 | |
I just, is it, is Hainault good? Is, is... | 0:02:52 | 0:02:55 | |
LAUGHTER | 0:02:55 | 0:02:57 | |
-What, what, what happened? -I don't know. -Did something happen there? | 0:02:57 | 0:03:00 | |
I mean... | 0:03:00 | 0:03:01 | |
APPLAUSE | 0:03:01 | 0:03:04 | |
I find, at the end of every tube line, you do get a good Hainault. | 0:03:04 | 0:03:07 | |
I think it falls to me to rescue this, somehow. | 0:03:07 | 0:03:11 | |
Yes, I think you should, yes. | 0:03:11 | 0:03:12 | |
Did you know that the oldest British door comes from Hainault? | 0:03:12 | 0:03:15 | |
-No. The oldest door? -Well, the wood, it's in Westminster Abbey, | 0:03:15 | 0:03:18 | |
it's a door which connects a cloister to the Abbey, | 0:03:18 | 0:03:21 | |
and the Canons of Westminster live behind it, | 0:03:21 | 0:03:23 | |
and they dated their door. | 0:03:23 | 0:03:25 | |
And they found that the wood it was made from | 0:03:25 | 0:03:27 | |
was growing in Hainault in the 10th century. | 0:03:27 | 0:03:30 | |
Wow! Are you proud? | 0:03:30 | 0:03:33 | |
I am very proud of the door. | 0:03:33 | 0:03:35 | |
The sign painters are getting busy right now, going, | 0:03:35 | 0:03:38 | |
"Home of the oldest door." | 0:03:38 | 0:03:40 | |
-It's a reason to get off at Hainault, finally. -Yeah. | 0:03:40 | 0:03:44 | |
Is it a wood that grew there a thousand years ago? | 0:03:44 | 0:03:46 | |
Yeah. Well, Philippa of Hainault was perhaps of Moorish descent. | 0:03:46 | 0:03:49 | |
So that may be the reason he was called the Black Prince, | 0:03:49 | 0:03:52 | |
-we don't know for a fact. -I'm wondering, do you think the Black Prince might have been | 0:03:52 | 0:03:55 | |
called the Black Prince cos his sins were as black as pitch? | 0:03:55 | 0:03:58 | |
Yes. I mean, although he was known as the Master Of Chivalry, | 0:03:58 | 0:04:01 | |
he almost destroyed the entire population of Limoges and Caen. | 0:04:01 | 0:04:05 | |
-Yeah. -So there we are. | 0:04:05 | 0:04:06 | |
Now, what is the first rule of Knight Club? | 0:04:06 | 0:04:10 | |
LAUGHTER | 0:04:10 | 0:04:12 | |
The first rule of Knight Club? | 0:04:12 | 0:04:14 | |
-Yeah. -Well... | 0:04:14 | 0:04:15 | |
You don't talk about Knight Club. | 0:04:19 | 0:04:22 | |
KLAXON | 0:04:22 | 0:04:24 | |
APPLAUSE | 0:04:24 | 0:04:26 | |
Oh! It had to be. | 0:04:26 | 0:04:28 | |
-Somebody had to. -Well done. | 0:04:28 | 0:04:31 | |
-Yeah, exactly. -I fell on my sword, which seems appropriate. -Yeah, it was, exactly. | 0:04:31 | 0:04:35 | |
It is an existing club, or a club from the olden times? | 0:04:35 | 0:04:37 | |
No, it's a very olde-times club of knights. | 0:04:37 | 0:04:41 | |
The most famous group of knights of... | 0:04:41 | 0:04:43 | |
-Templar. -The Knights Templar. | 0:04:43 | 0:04:45 | |
There are still people who think they still exist, and you know, | 0:04:45 | 0:04:49 | |
in the sort of Dan Browny kind of way, | 0:04:49 | 0:04:51 | |
but they actually folded up in 1314. But they were very powerful. | 0:04:51 | 0:04:54 | |
It was after the First Crusade, they were formed, in Jerusalem. | 0:04:54 | 0:04:57 | |
And they were allowed to do almost anything. The law didn't apply to them in Jerusalem, | 0:04:57 | 0:05:00 | |
which annoyed a lot of people, but there were certain things they weren't allowed to do. | 0:05:00 | 0:05:04 | |
They weren't allowed to breed ferrets? | 0:05:04 | 0:05:07 | |
To breed ferrets! Do you, anything else you know about them? | 0:05:07 | 0:05:10 | |
-Well, you know they look like that. -Chew gum. | 0:05:10 | 0:05:13 | |
-I know about ley lines. -Go on then. | 0:05:13 | 0:05:15 | |
-They made them. -They made, you see, | 0:05:15 | 0:05:18 | |
you've been reading these stupid books about knights, | 0:05:18 | 0:05:20 | |
"Apparently, they are responsible for laying ley lines." | 0:05:20 | 0:05:23 | |
-No, well... -"No." -They know where they are, anyway. | 0:05:23 | 0:05:26 | |
Yes, they do. They've got them all hidden. | 0:05:26 | 0:05:28 | |
-No sex? -Well, yeah, they were allowed to marry, | 0:05:28 | 0:05:31 | |
but if they married, they weren't allowed to wear the white and red uniform. | 0:05:31 | 0:05:35 | |
There was no hunting except lions. | 0:05:35 | 0:05:36 | |
LAUGHTER | 0:05:36 | 0:05:37 | |
-That's quite specific. -That would actually be a brilliant rule for now, wouldn't it? | 0:05:37 | 0:05:41 | |
There's so much debate about whether you should hunt or not. | 0:05:41 | 0:05:44 | |
Please everyone - "OK, hunting is allowed, but only lions." | 0:05:44 | 0:05:46 | |
Lions. That's very true. | 0:05:46 | 0:05:48 | |
They were only allowed one squire each, no telling tales, | 0:05:48 | 0:05:51 | |
no lockable purses. | 0:05:51 | 0:05:53 | |
-Oh. -Yeah. | 0:05:53 | 0:05:54 | |
I suppose they have to show their trust or something like that. | 0:05:54 | 0:05:57 | |
But their last and most important rule was no kissing. | 0:05:57 | 0:05:59 | |
"Lastly, we hold it dangerous to all religion | 0:05:59 | 0:06:02 | |
"to gaze too much on the countenance of women | 0:06:02 | 0:06:04 | |
"and therefore, no brother shall presume to kiss neither widow, | 0:06:04 | 0:06:08 | |
"nor virgin, nor mother, nor sister, nor aunt, nor any other woman." | 0:06:08 | 0:06:11 | |
But anal's all right. | 0:06:11 | 0:06:12 | |
LAUGHTER | 0:06:12 | 0:06:14 | |
Well... | 0:06:14 | 0:06:15 | |
APPLAUSE | 0:06:15 | 0:06:16 | |
It's very funny you should say that, because one of the reasons | 0:06:20 | 0:06:23 | |
they were closed down is there was a charge against them... | 0:06:23 | 0:06:26 | |
-Too much buggery. -Yeah. | 0:06:26 | 0:06:27 | |
There was a charge against them. | 0:06:27 | 0:06:29 | |
"Deosculabantur se in ore, in umbilico, seu ventre nudo, | 0:06:29 | 0:06:33 | |
"et in ano, seu in spina dorsi." "Et in ano." | 0:06:33 | 0:06:36 | |
-Et in ano. -"Et in ano." -And the end, yeah. -Yeah. | 0:06:36 | 0:06:39 | |
And in Hainault. | 0:06:39 | 0:06:40 | |
And the accusation was that they kissed one another on the mouth, | 0:06:40 | 0:06:43 | |
on the naval, the bare belly, the anus, or the backbone. | 0:06:43 | 0:06:48 | |
-Well, they were thorough. -They were! | 0:06:48 | 0:06:50 | |
LAUGHTER | 0:06:50 | 0:06:52 | |
When you're looking for a ley line, you don't want to leave any stone unturned. | 0:06:54 | 0:06:57 | |
There might be one coming out of his arse. | 0:06:57 | 0:07:00 | |
I'll have a look. | 0:07:00 | 0:07:02 | |
-But that is... -Right, that's enough! That's enough, Templars! | 0:07:02 | 0:07:05 | |
LAUGHTER | 0:07:05 | 0:07:07 | |
Did you know that the Temple Church in London, which was founded by the | 0:07:07 | 0:07:10 | |
Knights Templar, and there are still some Knights Templar lying around... | 0:07:10 | 0:07:13 | |
-Dead ones, yeah. -There's a unique title for, if you're the priest in charge there, | 0:07:13 | 0:07:17 | |
you're the Reverend and Valiant Master of the Temple. | 0:07:17 | 0:07:20 | |
-Oh, that's very good. -Which sounds like something from a Star Wars movie. | 0:07:20 | 0:07:23 | |
-The Reverend and Valiant Master of the Temple. -Yeah. -In that picture, is he going, | 0:07:23 | 0:07:27 | |
"Show me on the cross where he kissed you?" | 0:07:27 | 0:07:29 | |
LAUGHTER AND APPLAUSE | 0:07:29 | 0:07:32 | |
They're all going, yeah, yeah. | 0:07:39 | 0:07:40 | |
He's saying, "But my arms are much too long." | 0:07:40 | 0:07:43 | |
-Yes. -"I'm not going to fit on this." | 0:07:43 | 0:07:45 | |
Yes. You're going to nail me against the air. | 0:07:45 | 0:07:49 | |
-It's true... -You're going to have to just nail my ears to it. | 0:07:49 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:54 | |
Now, what makes you think this knight is a total bastard? | 0:07:54 | 0:07:57 | |
-Oh, he looks like a mean... -His hat. -Oh... -Not his hat. | 0:07:59 | 0:08:01 | |
PLAINSONG PLAYS | 0:08:01 | 0:08:03 | |
-Richard? -He's got a diagonal white stripe across his lions, | 0:08:03 | 0:08:05 | |
which means he's been naughty. | 0:08:05 | 0:08:08 | |
-No, he hasn't been naughty at all. -I beg his pardon. | 0:08:08 | 0:08:10 | |
Is he, oh, is he illegitimate? Has his father been naughty? | 0:08:10 | 0:08:13 | |
His father's been naughty. It's what's known as the "bend sinister". | 0:08:13 | 0:08:17 | |
Oh, we've all had bend sinister. | 0:08:17 | 0:08:19 | |
It starts at the bottom left and goes up to the top right, | 0:08:19 | 0:08:22 | |
which indicates you are a bastard. | 0:08:22 | 0:08:24 | |
And in his case, there's more information just on that simple coat of arms. | 0:08:24 | 0:08:27 | |
The three lions. | 0:08:27 | 0:08:29 | |
-No, he's not the bastard son of Wayne Rooney. -Wayne Rooney. | 0:08:29 | 0:08:32 | |
Yeah, yeah. | 0:08:32 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
Something told me you were going to say that. | 0:08:35 | 0:08:37 | |
Is the red significant? | 0:08:37 | 0:08:39 | |
Yes, it's the Royal Family. It's a royal coat of arms. | 0:08:39 | 0:08:41 | |
-So he's a royal bastard. -Yeah. -So he's a Fitz-John or something? | 0:08:41 | 0:08:44 | |
-A Fitz? -Fitz-Herb, Fitz... -Fitz-Herbert? | 0:08:44 | 0:08:46 | |
-Fitz-John, Fitzroy. Of course. -Fitzroy. His name would be Fitzroy. | 0:08:46 | 0:08:50 | |
Fitz is the "son of" and roy, "roi", is king. | 0:08:50 | 0:08:52 | |
And one particular king had five Fitzroys from his mistress. | 0:08:52 | 0:08:58 | |
Who would that be? | 0:08:58 | 0:09:00 | |
-Who was a really... -Oh, hang on, George, one of the Georges? | 0:09:00 | 0:09:03 | |
No. Go back a bit. Rewind. | 0:09:03 | 0:09:04 | |
-Henry VIII. -Charles II. -Charles II. -Henry VII. | 0:09:04 | 0:09:07 | |
-No, Charles II. We got there. -Charles II. | 0:09:07 | 0:09:09 | |
-We got there without you. Charles II. -Shouting out some kings to move it along. | 0:09:09 | 0:09:13 | |
Very good. She was called Barbara Palmer and she bore him five... | 0:09:13 | 0:09:15 | |
-Babs. -Five, Babs Palmer. | 0:09:15 | 0:09:17 | |
They don't think of the Babs, do they. | 0:09:17 | 0:09:19 | |
She might have been a Babs, I expect, yeah. | 0:09:19 | 0:09:21 | |
-Queen Babs. -Yeah. -"You Fitz'd me up again." -You Fitz'd me up. | 0:09:21 | 0:09:25 | |
And we have a Henry... | 0:09:25 | 0:09:26 | |
LAUGHTER AND APPLAUSE | 0:09:26 | 0:09:29 | |
But does it cancel out, if the one with the stripe then marries | 0:09:29 | 0:09:32 | |
and has a legitimate son, don't they take the stripe away? | 0:09:32 | 0:09:35 | |
Ah, that would be very good. | 0:09:35 | 0:09:36 | |
No, I think you keep it, I think, in your coat of arms. | 0:09:36 | 0:09:38 | |
There are certain things which indicate something very extraordinary about your shield. | 0:09:38 | 0:09:42 | |
-What do you think they are? -OK. -They have a particular meaning. | 0:09:42 | 0:09:46 | |
PLAINSONG PLAYS | 0:09:46 | 0:09:47 | |
Yeah? | 0:09:47 | 0:09:49 | |
Is it visible panty line? | 0:09:49 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:52 | |
Oh... | 0:09:54 | 0:09:55 | |
It's terrible, really, they get terrible VPL. | 0:09:55 | 0:09:58 | |
It's not visible panty line. | 0:09:58 | 0:10:00 | |
It's the colours, actually, are indicative of... | 0:10:00 | 0:10:03 | |
Status? | 0:10:03 | 0:10:04 | |
Of sin. Of a mistake, an error. | 0:10:04 | 0:10:07 | |
They're known as abatements, also as "stains" | 0:10:07 | 0:10:10 | |
as in a stain on the family name, or a stain on the... | 0:10:10 | 0:10:13 | |
Oh. So what can a stain be? | 0:10:13 | 0:10:15 | |
-It's got to be very serious if it's going on your coat of arms. -I know. | 0:10:15 | 0:10:18 | |
Well, the first is called the point champaine tenne, | 0:10:18 | 0:10:21 | |
and it's for killing a prisoner who has demanded quarter, or mercy. | 0:10:21 | 0:10:25 | |
Which is really ungentlemanly. | 0:10:25 | 0:10:27 | |
It's a bit like points on a driving licence, isn't it? | 0:10:27 | 0:10:29 | |
-It is. You're absolutely right. -It's the points on the shield for... -Yeah. Exactly. | 0:10:29 | 0:10:33 | |
And the next one here, which we'll have a look at. | 0:10:33 | 0:10:36 | |
Needs dusting. | 0:10:36 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:39 | |
This is called the delf tenne, | 0:10:39 | 0:10:40 | |
and that's for issuing a challenge and then bottling out. | 0:10:40 | 0:10:43 | |
-Coward. -Yeah. -That's a big old yellow smudge on that. | 0:10:43 | 0:10:46 | |
Exactly. Very much a smudge on the coat of arms. | 0:10:46 | 0:10:48 | |
And then, we have a gusset, a gusset sanguine sinister. | 0:10:48 | 0:10:51 | |
-A gusset sanguine? -Yeah. | 0:10:51 | 0:10:53 | |
On a knight, really? | 0:10:53 | 0:10:54 | |
Yeah, I know, absurd, isn't it? | 0:10:54 | 0:10:56 | |
-Gusset sanguine.... -There's no reason for you to get it. | 0:10:56 | 0:10:59 | |
-Well, the sanguine is the colour. -So a bloody... -It's blood colour. It's for being drunk. | 0:10:59 | 0:11:02 | |
And you have a gusset sanguine dexter. | 0:11:02 | 0:11:05 | |
Which is on the right, and that's... | 0:11:05 | 0:11:07 | |
-Is being... -Being stoned? -Being an adulterer. -Oh, right. | 0:11:07 | 0:11:10 | |
And there you are. | 0:11:10 | 0:11:11 | |
Now we have one that you have to guess, so tell me what this is. | 0:11:11 | 0:11:14 | |
You're a drunken adulterer. | 0:11:14 | 0:11:15 | |
There you are, you see, points for listening. | 0:11:15 | 0:11:18 | |
So that's the whole world of heraldry. | 0:11:18 | 0:11:21 | |
In a way, it's sort of a nicer design for the drunken adulterer. | 0:11:21 | 0:11:24 | |
-It is, isn't it? -I feel like it's too rewarding. | 0:11:24 | 0:11:26 | |
Is it two gussets or a wine glass? | 0:11:26 | 0:11:29 | |
Well, that's the choice facing the drunken adulterer. | 0:11:29 | 0:11:32 | |
Yes, exactly. Exactly. | 0:11:32 | 0:11:33 | |
LAUGHTER | 0:11:33 | 0:11:35 | |
-It's perfect. -Every Saturday. | 0:11:35 | 0:11:38 | |
APPLAUSE | 0:11:38 | 0:11:41 | |
Oh, they knew what they were doing. | 0:11:41 | 0:11:42 | |
Did you know that if you're a clergyman you can't have | 0:11:42 | 0:11:45 | |
a helmet on your coat of arms? | 0:11:45 | 0:11:47 | |
-Oh, thank God. -Phew! | 0:11:47 | 0:11:48 | |
LAUGHTER | 0:11:48 | 0:11:50 | |
Because you can't have been a chaplain or something? | 0:11:50 | 0:11:53 | |
No, you can't do anything which is... Did you know that if you're a clergyman, | 0:11:53 | 0:11:56 | |
if you go to a black tie do, you can't have a stripe down your trousers? | 0:11:56 | 0:12:00 | |
-No. -Because, no, because it's a military insignia. -Oh. -And you can't have that. | 0:12:00 | 0:12:03 | |
And you can't have a helmet because it's a martial sign. | 0:12:03 | 0:12:06 | |
So you have to have this sort of, it's a lovely sort of, | 0:12:06 | 0:12:09 | |
do you remember Bill and Ben? | 0:12:09 | 0:12:10 | |
It's a bit like that, it's called a galero. | 0:12:10 | 0:12:12 | |
-Oh, how fabulous. -And it's black if you're a priest and red if you're a Cardinal. | 0:12:12 | 0:12:16 | |
And if you're the Pope, you get a pointy one with three tiaras. | 0:12:16 | 0:12:19 | |
-Oh! -Oh. Quite the fellow. | 0:12:19 | 0:12:21 | |
I want to be Pope now. | 0:12:21 | 0:12:23 | |
I think you'd look good in that. | 0:12:23 | 0:12:24 | |
You've got to, oh, you've got to have it. | 0:12:24 | 0:12:27 | |
So that's our knights with their shields. | 0:12:27 | 0:12:31 | |
You also find knights on a chess board, of course. | 0:12:31 | 0:12:34 | |
So what I want to know is this very strange conundrum. | 0:12:34 | 0:12:36 | |
What's the maximum number of knights you can have on a chess board, | 0:12:36 | 0:12:39 | |
such that none of them can take another one? | 0:12:39 | 0:12:41 | |
-Oh, multiples of eight, I suppose. -I'll give you, you can try it out. | 0:12:41 | 0:12:45 | |
So that none can... | 0:12:45 | 0:12:47 | |
Maximum number. | 0:12:47 | 0:12:48 | |
What you have to do is understand what a knight's move is. | 0:12:48 | 0:12:51 | |
Stephen, I don't understand the question. | 0:12:51 | 0:12:53 | |
It's the maximum, it's the maximum number of knights you could | 0:12:53 | 0:12:57 | |
have on a chess board, such that none can take the other. | 0:12:57 | 0:13:00 | |
Have you noticed something in common with the ones you're putting down? | 0:13:00 | 0:13:03 | |
-They're all the same. -The same, OK, the same colour, so... | 0:13:03 | 0:13:06 | |
Yes, because a knight move must take a different colour. | 0:13:06 | 0:13:09 | |
-Oh. -So 32. | 0:13:09 | 0:13:10 | |
-32 is the right answer! -Oh. | 0:13:10 | 0:13:12 | |
It's really very simple when you think about it, isn't it? Very good. | 0:13:12 | 0:13:15 | |
APPLAUSE | 0:13:15 | 0:13:17 | |
It's one of those things that sounds very complicated, that you have to work out for ages, | 0:13:17 | 0:13:20 | |
-but there you are. -I still don't understand it at all. | 0:13:20 | 0:13:23 | |
Well, none of those knights can take another knight. | 0:13:23 | 0:13:25 | |
-But isn't that rather more knights than we're used to? -Yes. | 0:13:25 | 0:13:28 | |
LAUGHTER | 0:13:28 | 0:13:30 | |
It's a problem, it's not a real chess situation. | 0:13:30 | 0:13:32 | |
-It's if you had... -Because they move, because of the way they move, | 0:13:32 | 0:13:35 | |
diagonal and up one, they move to the alternate colour. | 0:13:35 | 0:13:38 | |
-Yes. -So if you've got all the knights on the same colour, they cannot take... | 0:13:38 | 0:13:41 | |
-Exactly right, I mean that's how... -Oh, I get it. | 0:13:41 | 0:13:43 | |
In the centre of the board, you're controlling eight different squares there. | 0:13:43 | 0:13:47 | |
They're all a different colour, the knights are on a black square. | 0:13:47 | 0:13:50 | |
So all you have to do is put them all on a black or a white square. | 0:13:50 | 0:13:52 | |
When you move your knight, do you make a horsey noise? | 0:13:52 | 0:13:55 | |
HE WHINNIES | 0:13:55 | 0:13:56 | |
Do you? That's so sweet. | 0:13:56 | 0:13:57 | |
HE SNORTS AND SPUTTERS | 0:13:57 | 0:13:59 | |
And when you move your rook. | 0:13:59 | 0:14:00 | |
SHE CAWS | 0:14:00 | 0:14:02 | |
When I do the bishop... | 0:14:02 | 0:14:03 | |
HE IMITATES PLAINSONG | 0:14:03 | 0:14:04 | |
-When you do your queen, "Hello." -"Hello." -"Hello." | 0:14:04 | 0:14:08 | |
That's your bishop. | 0:14:08 | 0:14:09 | |
LAUGHTER AND APPLAUSE | 0:14:09 | 0:14:10 | |
-Oh, you're going to get in such trouble. -No! | 0:14:10 | 0:14:13 | |
You're going to get in trouble from both sides. | 0:14:16 | 0:14:18 | |
I've been going, "Ooh, you are awful, but I like you." | 0:14:18 | 0:14:20 | |
You're getting into trouble from both sides, Richard. | 0:14:20 | 0:14:23 | |
If the Bishop of Peterborough is watching this evening, | 0:14:23 | 0:14:25 | |
you'll have my resignation on your desk in the morning, by the way. | 0:14:25 | 0:14:28 | |
Isn't there a version of chess for kind of chess-heads | 0:14:28 | 0:14:33 | |
called fairy chess, where the pieces do more things? | 0:14:33 | 0:14:36 | |
-What a wonderful... -I'm not making this up, I'm sure this is true. -Fairy chess. | 0:14:36 | 0:14:39 | |
That there's versions of chess where you can call these fairy pieces | 0:14:39 | 0:14:42 | |
-and they can do extra things. -How many drugs did you take | 0:14:42 | 0:14:45 | |
when you were hanging out with Jimmy Somerville? | 0:14:45 | 0:14:47 | |
So you can just go, you're playing chess and suddenly you go, | 0:14:47 | 0:14:49 | |
"No, we're playing fairy chess now." | 0:14:49 | 0:14:51 | |
-SHE SINGS: -# La, la, la, la, la... # | 0:14:51 | 0:14:53 | |
Check mate. | 0:14:53 | 0:14:55 | |
-Yeah. -Yeah, well, I don't have to touch the pieces. | 0:14:55 | 0:14:57 | |
-Yeah. -Oh, I see. | 0:14:57 | 0:14:59 | |
-The whole point of chess is its limitations. -Yeah. -Yes. Precisely. | 0:14:59 | 0:15:02 | |
It's all about the strictness in which you have to operate. | 0:15:02 | 0:15:04 | |
But you know, but hang on, Mrs Poker Player Victoria Coren Mitchell, | 0:15:04 | 0:15:07 | |
aren't there versions of poker where they kind of introduce | 0:15:07 | 0:15:10 | |
wild cards and stuff to kind of get it...? It's the same sort of thing. | 0:15:10 | 0:15:13 | |
Yeah, poker's different. As Martin Amis once said, | 0:15:13 | 0:15:15 | |
"In chess, the properties of a bishop are fixed. | 0:15:15 | 0:15:17 | |
"In poker, it's all wobbled through the prism of personality." | 0:15:17 | 0:15:20 | |
-Very good. -You'd have obviously to check... -Beautiful quote. -Beautifully put. | 0:15:20 | 0:15:23 | |
But do you know when he said that, Stephen? | 0:15:23 | 0:15:25 | |
It was after a poker game that you and I and he all played. | 0:15:25 | 0:15:28 | |
-Yes, I remember, in Wales. -Many years ago. -With the then-unknown Ricky Gervais. | 0:15:28 | 0:15:31 | |
Ricky Gervais was knocked out, got up and said, | 0:15:31 | 0:15:33 | |
"What am I supposed to do now?" | 0:15:33 | 0:15:35 | |
And you said, "There's a shotgun in the drawer." | 0:15:35 | 0:15:37 | |
LAUGHTER AND APPLAUSE | 0:15:37 | 0:15:39 | |
Oh, God. | 0:15:46 | 0:15:47 | |
That would be a very good, very good title for a book. | 0:15:47 | 0:15:50 | |
So, now, name a place where a knight can be buried. | 0:15:50 | 0:15:54 | |
The ground. | 0:15:54 | 0:15:56 | |
KLAXON | 0:15:56 | 0:15:58 | |
Amazingly not. | 0:15:58 | 0:15:59 | |
APPLAUSE | 0:15:59 | 0:16:01 | |
You must be astonished to know that isn't true. | 0:16:03 | 0:16:05 | |
Do they have to be buried above the ground? | 0:16:05 | 0:16:07 | |
No, I'm saying that they can be buried, | 0:16:07 | 0:16:08 | |
but where can they be buried? | 0:16:08 | 0:16:10 | |
In a...tomb? | 0:16:10 | 0:16:13 | |
-A vault? -A hole. | 0:16:13 | 0:16:15 | |
LAUGHTER | 0:16:15 | 0:16:17 | |
-A pyramid. -A pyramid. | 0:16:17 | 0:16:19 | |
The fact is, is the moment you are dead, you are no longer a knight. | 0:16:19 | 0:16:23 | |
-You're not a knight any more! -Oh, of course! -Right. | 0:16:23 | 0:16:25 | |
Cos everyone was shouting about how Jimmy Savile should | 0:16:25 | 0:16:28 | |
have his knighthood taken away. But they'd have had to give it back to him in order to take it away. | 0:16:28 | 0:16:32 | |
You're no longer a member of the Order the moment you die. | 0:16:32 | 0:16:34 | |
So the moment you die, you're not a knight. So you can't bury a knight anywhere. | 0:16:34 | 0:16:38 | |
Unless you're very mean and bury them alive, I suppose. | 0:16:38 | 0:16:40 | |
I'm sorry to go on about it, but if you're a clergyman, | 0:16:40 | 0:16:43 | |
and you're knighted, you can't call yourself Sir. | 0:16:43 | 0:16:46 | |
-Whoa! -Unless you are knighted before you're ordained, | 0:16:46 | 0:16:50 | |
and then you can be the Reverend Sir or Lady. | 0:16:50 | 0:16:52 | |
-What a swiz! -It's this thing about, cos it's a chivalric order, you can't be... | 0:16:52 | 0:16:56 | |
It's military, isn't it, if you're a knight. | 0:16:56 | 0:16:58 | |
Exactly, so you can't be that if you're a vicar. You can't bear arms. | 0:16:58 | 0:17:01 | |
You can bare legs though, can't you? Yes. Ha-ha! | 0:17:01 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:06 | |
So, there are no dead knights, only dead former knights. | 0:17:06 | 0:17:10 | |
Now to some knaves. | 0:17:10 | 0:17:12 | |
What's the best way to stop your car from being stolen? | 0:17:12 | 0:17:15 | |
Never park it, just drive it around and around. | 0:17:15 | 0:17:19 | |
Keep driving round and around and around. Yeah. | 0:17:19 | 0:17:21 | |
What you've cunningly done is avoid the obvious trap of saying | 0:17:21 | 0:17:24 | |
"have a car alarm", because it seems that car alarms are worse than useless. | 0:17:24 | 0:17:27 | |
In fact, we know that instinctively, don't we. | 0:17:27 | 0:17:29 | |
-Yeah, because you ignore them. -You ignore them. Exactly. -Yeah. | 0:17:29 | 0:17:32 | |
In fact, not only that, 1% of people, when asked, | 0:17:32 | 0:17:35 | |
said that they would actually call the police if they heard a car alarm, | 0:17:35 | 0:17:38 | |
and 60% said they would call up to complain about it. | 0:17:38 | 0:17:40 | |
So you would actually make a phone call, but not to say that someone's | 0:17:40 | 0:17:43 | |
car was being stolen, but just to say what a bloody nuisance it was. | 0:17:43 | 0:17:46 | |
-So if that's the worst thing to do, what's the best thing to do? -Put in an old-fashioned lock. | 0:17:46 | 0:17:50 | |
-Or have a rubbish car. -Or have a terrible car. -I've got a terrible car. | 0:17:50 | 0:17:53 | |
-Have you? -With loads of graffiti on it. Someone drew a penis on the front bonnet. | 0:17:53 | 0:17:58 | |
A friend of mine who's married to a vicar, she came out one morning | 0:17:58 | 0:18:01 | |
and found someone had written "Monk Whore" on the back of her car. | 0:18:01 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:08 | |
Extraordinary! Monk whore. | 0:18:08 | 0:18:11 | |
-Monk whore. -And now on BBC 1, Monk Whore. | 0:18:11 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:15 | |
-Robson Green... -Is Monk Whore. | 0:18:15 | 0:18:18 | |
But did you know that actually car thieving | 0:18:18 | 0:18:21 | |
is almost never a female occupation? | 0:18:21 | 0:18:23 | |
-That's like a challenge. -Yeah. -Yeah. | 0:18:23 | 0:18:26 | |
Tonight, the pair of us. | 0:18:26 | 0:18:27 | |
There's, I'm sure you know who that is, but... | 0:18:27 | 0:18:30 | |
That's Bonnie. | 0:18:30 | 0:18:31 | |
Bonnie as in Bonnie and Clyde, yes. | 0:18:31 | 0:18:33 | |
But apparently, the confraternity of car thieves don't think women | 0:18:33 | 0:18:36 | |
should be allowed, so if a woman steals a car, | 0:18:36 | 0:18:39 | |
they can't sell it on, cos they go, "Oh, I'm not having that. | 0:18:39 | 0:18:41 | |
"I'm not having it off you, you don't know what it's about." | 0:18:41 | 0:18:44 | |
So what you're saying is there's very little to divide between car thieves and car salesmen. | 0:18:44 | 0:18:48 | |
-Yes. -Of a similar view. -It's a sexist bastion. | 0:18:48 | 0:18:51 | |
I saw this brilliant documentary about crime | 0:18:51 | 0:18:53 | |
and they interviewed these two young car criminals who were in jail, | 0:18:53 | 0:18:56 | |
and they talked about what pride they took in their work, | 0:18:56 | 0:18:59 | |
and one of them turned to the camera and said, | 0:18:59 | 0:19:00 | |
"Some car criminals, unfortunately, give the rest of us a bad name." | 0:19:00 | 0:19:04 | |
Fantastic. A bit of pride in his work. | 0:19:04 | 0:19:07 | |
Now, explain the effect of Stockholm Syndrome. | 0:19:07 | 0:19:10 | |
-Oh. -Wasn't that when you identify... | 0:19:10 | 0:19:13 | |
LAUGHTER | 0:19:13 | 0:19:14 | |
Oh. But you identify, if you're a victim of kidnap, | 0:19:14 | 0:19:19 | |
you identify with your kidnappers | 0:19:19 | 0:19:21 | |
-and you sort of become weird friends. -Yeah. -Is that right? | 0:19:21 | 0:19:23 | |
I mean, that is what they say. | 0:19:23 | 0:19:25 | |
From the Patty Hearst kidnap, is where it started? | 0:19:25 | 0:19:27 | |
Well, no, because she was nothing to do with Stockholm. | 0:19:27 | 0:19:30 | |
There was a '73 kidnapping in Stockholm, where, | 0:19:30 | 0:19:33 | |
after which it was named, that's the Stockholm four. | 0:19:33 | 0:19:37 | |
And they defended the robbers after the event and so on, so... | 0:19:37 | 0:19:40 | |
-Cos they'd become so inured to the system of... -That's right. -Yeah. | 0:19:40 | 0:19:43 | |
And the most famous one, as you rightly say, | 0:19:43 | 0:19:45 | |
was the heiress of William Randolph Hearst, Patty Hearst, | 0:19:45 | 0:19:47 | |
who was kidnapped by a strange group | 0:19:47 | 0:19:49 | |
called the Symbionese Liberation Army. | 0:19:49 | 0:19:52 | |
Unusually for a clergyman of the Church of England, | 0:19:52 | 0:19:55 | |
I've had dinner with Patty Hearst. | 0:19:55 | 0:19:57 | |
-You haven't! -I have. -How was she? Is she back to normal? | 0:19:57 | 0:19:59 | |
Charming, completely charming, I didn't know who she was until someone said who she was. | 0:19:59 | 0:20:03 | |
By the time they had coffee, she wanted to be a vicar. | 0:20:03 | 0:20:05 | |
LAUGHTER | 0:20:05 | 0:20:07 | |
She had sort of become a kind of Bohemian socialite in Los Angeles, | 0:20:07 | 0:20:10 | |
in the 1980s, when I used to go there | 0:20:10 | 0:20:12 | |
in a previous incarnation, and I met her... | 0:20:12 | 0:20:14 | |
And when you were a rock star, a rock god. | 0:20:14 | 0:20:17 | |
-Oh, you! -Yeah. | 0:20:17 | 0:20:19 | |
And I met her there. It was those sort of dinners that you would go to | 0:20:19 | 0:20:22 | |
where everyone would be weirdly famous | 0:20:22 | 0:20:24 | |
and have no other reason to be there at all, | 0:20:24 | 0:20:26 | |
so you'd have Patty Hearst and, I don't know... | 0:20:26 | 0:20:28 | |
-Nancy Reagan. -Andy Warhol and Eddie the Eagle, you know. | 0:20:28 | 0:20:32 | |
Oh, that's a dinner you'd want to go to. | 0:20:32 | 0:20:34 | |
Definitely. Definitely. | 0:20:34 | 0:20:36 | |
But the fact is, it seems to be an aberration, it's very rare. | 0:20:36 | 0:20:39 | |
Most people when they're kidnapped, have nothing | 0:20:39 | 0:20:41 | |
but feelings of complete hostility | 0:20:41 | 0:20:43 | |
towards their captors. As you would expect. | 0:20:43 | 0:20:45 | |
I would feel, as a clergyman, sort of bound to sort of... | 0:20:45 | 0:20:48 | |
Are you a clergyman? | 0:20:48 | 0:20:50 | |
-I would sort of feel obliged to kind of be nice to them. -Oh, you would. | 0:20:50 | 0:20:52 | |
And establish some rapport of some kind. | 0:20:52 | 0:20:54 | |
-"I do understand your point of view." -Exactly, yes. "I think your case is good in parts." | 0:20:54 | 0:20:58 | |
-It would be like that. -Yes, exactly. | 0:20:58 | 0:21:01 | |
So there was a famous figure in history, | 0:21:01 | 0:21:03 | |
one of the most famous in history, who did certainly not have | 0:21:03 | 0:21:06 | |
Stockholm Syndrome, who was kidnapped by pirates. | 0:21:06 | 0:21:09 | |
-And... -Pirates in history, kidnapped... -Johnny Depp. | 0:21:09 | 0:21:11 | |
No. This is a great figure in history. | 0:21:11 | 0:21:15 | |
-Kidnapped by pirates? -Who was kidnapped by pirates, | 0:21:15 | 0:21:17 | |
was held hostage and the ransom was paid. | 0:21:17 | 0:21:19 | |
-Give us some clues. -What sort of era? | 0:21:19 | 0:21:21 | |
He then pursued them with a small fleet, or a number of boats, a flotilla. | 0:21:21 | 0:21:25 | |
-Francis Drake. -Drake? -No, and... -Cook? -Raleigh, Cook? -Nelson. | 0:21:25 | 0:21:28 | |
Had them all crucified. | 0:21:28 | 0:21:29 | |
-Oh. -A Roman. -Oh, it was Julius Caesar. -Julius Caesar is the right answer. | 0:21:29 | 0:21:33 | |
-Julius Caesar. -Yeah. And the thing is, he had told them while he was held hostage, | 0:21:33 | 0:21:36 | |
"When I get out of here, I will come back and I will crucify you." | 0:21:36 | 0:21:39 | |
And they apparently thought it was a joke. | 0:21:39 | 0:21:41 | |
Joke's on you. | 0:21:41 | 0:21:43 | |
-Oh, ho, ho, ho, ho. -Who's laughing now? | 0:21:43 | 0:21:45 | |
Yeah. They didn't know their Caesar. Exactly. | 0:21:45 | 0:21:48 | |
-So, one tough cookie. -How do you crucify someone if they've got hooks for hands? | 0:21:48 | 0:21:52 | |
It's very, very difficult. | 0:21:52 | 0:21:53 | |
LAUGHTER AND APPLAUSE | 0:21:53 | 0:21:57 | |
Do they hang them up? | 0:21:57 | 0:21:59 | |
-They have magnets, massive magnets. -Magnets. Magnets. | 0:22:01 | 0:22:03 | |
They have got one wooden leg, though, haven't they, so that's not so difficult. | 0:22:03 | 0:22:07 | |
Why? Why was Julius Caesar kidnapped by pirates? | 0:22:07 | 0:22:09 | |
-Under what circumstances? -It was a ransom, simply, it was a business... | 0:22:09 | 0:22:13 | |
But they didn't kill him, it sounds like he was harsh. | 0:22:13 | 0:22:15 | |
He went after them and had them crucified. | 0:22:15 | 0:22:17 | |
He was not a man to be trifled with. Julie. | 0:22:17 | 0:22:19 | |
-Well, especially if you call him Julie, I imagine. -Yeah, no, he didn't like that. | 0:22:19 | 0:22:23 | |
The worst thing you can do to Julius Caesar, call him Julie. | 0:22:23 | 0:22:26 | |
Is call him Jules. There is a suggestion that Stockholm syndrome could be | 0:22:26 | 0:22:30 | |
a sort of psychological thing, in the same way that women | 0:22:30 | 0:22:33 | |
throughout history have had to put up with being taken and seized | 0:22:33 | 0:22:36 | |
and that the human being is conditioned to make the best of a bad job. | 0:22:36 | 0:22:39 | |
-Well, we've all been there. -But that's just a relationship, Stephen. | 0:22:39 | 0:22:43 | |
-Oh yes, that's right. -But it is sort of logical, if you thought you were being kidnapped long-term, | 0:22:43 | 0:22:47 | |
-it makes sense to try and see it from the other person's point of view. -Yes, it does. | 0:22:47 | 0:22:50 | |
-Just to maintain sanity, apart from anything. -In fact, to get the syndrome to work on them, | 0:22:50 | 0:22:54 | |
rather than you, for them to be so fond of you, they would no longer want to kill you. | 0:22:54 | 0:22:58 | |
Which would be handy. | 0:22:58 | 0:22:59 | |
Now, what's a good reason for faking your own kidnapping? | 0:22:59 | 0:23:02 | |
Oh, I mean... | 0:23:02 | 0:23:05 | |
If you're bored on holiday? | 0:23:05 | 0:23:07 | |
-That would do it. -You're trying to get out of a relationship, | 0:23:07 | 0:23:10 | |
that's why I always do it. | 0:23:10 | 0:23:12 | |
There was an American man who pretended to be kidnapped | 0:23:12 | 0:23:15 | |
just so that he had an excuse as to why he hadn't | 0:23:15 | 0:23:18 | |
called his girlfriend for two weeks. | 0:23:18 | 0:23:20 | |
LAUGHTER | 0:23:20 | 0:23:22 | |
He was terrified of her reaction. | 0:23:22 | 0:23:24 | |
And the police realised it because he had duct tape | 0:23:24 | 0:23:27 | |
round his wrists, but the reel, the spool of it was still connected. | 0:23:27 | 0:23:31 | |
You can't tear it with your teeth, it's so fibrous. | 0:23:31 | 0:23:33 | |
I could imagine the girlfriend saying, "You could still have texted." | 0:23:33 | 0:23:37 | |
Yes, exactly. Exactly, he could have done. | 0:23:37 | 0:23:39 | |
There was Jennifer Wilbanks of Duluth, | 0:23:39 | 0:23:42 | |
who faked a kidnapping to get out of attending her own wedding. | 0:23:42 | 0:23:45 | |
Yeah, I've been there. | 0:23:45 | 0:23:47 | |
But weirdest of all, there was a 2008 case of another Spaniard, | 0:23:47 | 0:23:50 | |
Josefa Sanchez Vargas, who convinced | 0:23:50 | 0:23:53 | |
her husband to pay more than half a million pounds to secure the release | 0:23:53 | 0:23:56 | |
of their children. It was a faked kidnapping, which you'd say, | 0:23:56 | 0:24:00 | |
"Well, that's, we expect that," except she did that six times over five years. | 0:24:00 | 0:24:04 | |
He didn't twig. | 0:24:04 | 0:24:06 | |
-That's quite a nest egg, isn't it? -Every time she needed a new hat. | 0:24:06 | 0:24:09 | |
Some people get kidnapped just for the thrill of it. | 0:24:09 | 0:24:12 | |
-Can you imagine why that would be? -So they pay for kidnappers to kidnap them | 0:24:12 | 0:24:15 | |
so they can experience the visceral thrill of, you know, | 0:24:15 | 0:24:17 | |
being in a car boot with a load of duct tape round your ankles. | 0:24:17 | 0:24:20 | |
-Absolutely that. -People are weird. -I know. | 0:24:20 | 0:24:23 | |
Anyway, yes, there's a French company that, | 0:24:23 | 0:24:25 | |
for 900 Euros, gives you your basic kidnapping. | 0:24:25 | 0:24:28 | |
Which is being shoved into a car boot and held down and blindfolded. | 0:24:28 | 0:24:31 | |
And then, for a little extra money, you can have helicopter chases | 0:24:31 | 0:24:34 | |
and really quite sort of sexy stuff. | 0:24:34 | 0:24:36 | |
-And then, they'll cut your ear off and send it to your mum. -Yes. | 0:24:36 | 0:24:40 | |
So now it's time for me to hold you all hostage. | 0:24:40 | 0:24:43 | |
There's no escape from General Ignorance. | 0:24:43 | 0:24:45 | |
Fingers on the buzzers please. | 0:24:45 | 0:24:47 | |
How long should you wait before reporting a missing person to the police? | 0:24:47 | 0:24:51 | |
PLAINSONG PLAYS | 0:24:51 | 0:24:52 | |
-Yes, Sue? -Well, certainly until they're missing. | 0:24:52 | 0:24:54 | |
LAUGHTER | 0:24:54 | 0:24:56 | |
-Very good. -Until they're out of sight. -Yeah. -Yes, that's... | 0:24:56 | 0:24:59 | |
-Just when they've left the road. -Yes, when they've turned the corner. -Yes. -When is it too soon? | 0:24:59 | 0:25:03 | |
Just going to make a cup of tea. Right, I'm ringing. | 0:25:03 | 0:25:06 | |
24 hours? | 0:25:06 | 0:25:08 | |
KLAXON | 0:25:08 | 0:25:09 | |
Ah, no. | 0:25:09 | 0:25:10 | |
-You shouldn't wait at all, if you're convinced someone's missing. -Absolutely right. | 0:25:12 | 0:25:16 | |
If you take your child into a supermarket, it would be 20 minutes, wouldn't it? | 0:25:16 | 0:25:19 | |
-You know that they're gone. -20 seconds. -20 seconds. You just check they're not there. | 0:25:19 | 0:25:23 | |
I'm going to wait 24 hours. | 0:25:23 | 0:25:25 | |
Go home to my wife, "Well, I don't know where she is." | 0:25:25 | 0:25:28 | |
LAUGHTER | 0:25:28 | 0:25:29 | |
-"But I'm going to wait till tomorrow." -Yes. | 0:25:29 | 0:25:32 | |
"We might as well go out, because we don't have to get a baby-sitter." | 0:25:32 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:38 | |
"Let's go and have a curry and some wine and phone her in the morning." | 0:25:38 | 0:25:41 | |
You're absolutely right. Then of course if it's an adult, it doesn't matter, | 0:25:41 | 0:25:45 | |
cos the police are very likely just to say, "That's not our business." | 0:25:45 | 0:25:48 | |
Unless they have a particular problem. | 0:25:48 | 0:25:50 | |
But the fact is, yeah, there is no set time. | 0:25:50 | 0:25:52 | |
The police use their own skill and judgement, as it were. | 0:25:52 | 0:25:55 | |
-If it's a child, there's obviously... -Oh, well. | 0:25:55 | 0:25:57 | |
ALAN LAUGHS | 0:25:57 | 0:25:59 | |
-I don't know why that's... -That's a message. | 0:25:59 | 0:26:01 | |
That's three words you don't hear in the same sentence, isn't it? | 0:26:01 | 0:26:04 | |
Yeah, you just hope you're not burgled soon, Alan. | 0:26:04 | 0:26:07 | |
Oh, I was burgled so many times in the '90s that one time | 0:26:07 | 0:26:10 | |
they came round, it was like the fifth time I'd been burgled, | 0:26:10 | 0:26:13 | |
they came round and my cat came in, and this constable goes, | 0:26:13 | 0:26:15 | |
"If only he could talk." | 0:26:15 | 0:26:17 | |
LAUGHTER | 0:26:17 | 0:26:20 | |
That's fantastic. Oh, that's brilliant. | 0:26:20 | 0:26:23 | |
Is that how we're going to, is that it then? | 0:26:23 | 0:26:25 | |
Is that the extent of the investigation? | 0:26:25 | 0:26:28 | |
Willing the animal to give evidence. | 0:26:28 | 0:26:30 | |
Now, what did Parliament pay for to put in Sir Peter Viggers' garden? | 0:26:30 | 0:26:34 | |
PLAINSONG PLAYS | 0:26:34 | 0:26:36 | |
Yes? | 0:26:36 | 0:26:37 | |
The notorious duck house. | 0:26:37 | 0:26:38 | |
KLAXON | 0:26:38 | 0:26:40 | |
Ah. You're in the duck house there. | 0:26:40 | 0:26:42 | |
The fact is, the duck house was one of the ones that they turned down. | 0:26:42 | 0:26:45 | |
-Oh. -Yeah, he put in claims for £32,000 for gardening. | 0:26:45 | 0:26:50 | |
£500 for 28 tonnes of manure. | 0:26:50 | 0:26:53 | |
£1,645 for the duck island, but that was turned down | 0:26:53 | 0:26:57 | |
by the eagle-eyed guardians of the national purse. | 0:26:57 | 0:27:01 | |
It's probably worth mentioning that at the same time as that | 0:27:01 | 0:27:04 | |
eight billion pounds was spent bailing out the banks, | 0:27:04 | 0:27:06 | |
it was just that was too big a sum for anyone to get their heads around, | 0:27:06 | 0:27:09 | |
so they went, "What? Ten pounds for a sandwich?!" | 0:27:09 | 0:27:12 | |
-I know. -This is appalling. -It is, it's fascinating, isn't it? | 0:27:12 | 0:27:14 | |
Sir Peter Viggers later commented that the duck house was, | 0:27:14 | 0:27:17 | |
"Never liked by the ducks..." | 0:27:17 | 0:27:18 | |
LAUGHTER | 0:27:18 | 0:27:20 | |
"..and is now in storage." | 0:27:20 | 0:27:21 | |
Ah, look, there they are. They don't need an island. | 0:27:21 | 0:27:23 | |
-(I love ducks, don't you?) -Hmm. | 0:27:23 | 0:27:25 | |
You never see that sort of thing on a coat of arms, do you? | 0:27:25 | 0:27:28 | |
All the sort of lions and dragons, you never see something nice like a duck. | 0:27:28 | 0:27:31 | |
-A duck. -Or a, you know, Eggs Benedict, or some sort of friendly, | 0:27:31 | 0:27:35 | |
-like a friendly thing. -Yes, like a hamster or guinea pig or something. -Yeah. | 0:27:35 | 0:27:39 | |
-That's true. A furry bearing. -Yes. | 0:27:39 | 0:27:41 | |
Anyway, the famous duck house didn't cost the taxpayer a penny. | 0:27:41 | 0:27:45 | |
And with that last tilt at our old friend General Ignorance, | 0:27:45 | 0:27:48 | |
we reach the end of tonight's performance, | 0:27:48 | 0:27:51 | |
and I can tell you that it is incredibly exciting. | 0:27:51 | 0:27:54 | |
We have leaders, two leaders, with plus three, Richard and Victoria. | 0:27:54 | 0:27:58 | |
CHEERING AND APPLAUSE | 0:27:58 | 0:28:00 | |
Wowzer! | 0:28:00 | 0:28:01 | |
In third place, with minus seven, Alan Davies, | 0:28:05 | 0:28:09 | |
highly commendable, highly commendable. | 0:28:09 | 0:28:12 | |
CHEERING AND APPLAUSE | 0:28:12 | 0:28:15 | |
And with a fantastic minus 24 is Sue Perkins. | 0:28:15 | 0:28:18 | |
CHEERING AND APPLAUSE | 0:28:18 | 0:28:21 | |
Well... | 0:28:21 | 0:28:22 | |
And it only remains for me to thank my panellists, | 0:28:26 | 0:28:29 | |
Victoria, Sue, Richard and Alan. | 0:28:29 | 0:28:31 | |
Thank you and goodnight! | 0:28:31 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:58 | 0:29:02 |